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Phyllis A. Whitney is one of my all-time favorite authors.

I first discovered her, as Constant Reader is probably already aware, when I was a kid looking for mysteries in the school library. I distinctly remember that day in the fourth grade when I found The Mystery of the Hidden Hand on the shelves at the Eli Whitney Elementary School library; this was during my period of fascination with the ancient world (I was getting the Time-Life series Great Ages of Man; and had just gotten the volume Classical Greece). The description on the back of the book told me it was set in Greece, and had to do with antiquities and Greek history; that was all I needed and I signed it out. (I have, in the past, mistakenly identified The Secret of the Tiger’s Eye as my gateway drug into Whitney’s novels; I remembered incorrectly.) I enjoyed the book tremendously; I returned it and checked out The Secret of the Tiger’s Eye. I went on to read many of her children’s mysteries; she won two Edgars for Best Juvenile and was nominated twice more. After we’d moved to the suburbs, Signet started reissuing her children’s mysteries, and I started buying them at Zayre’s: The Mystery of the Angry Idol, The Secret of the Spotted Shell, The Mystery of the Black Diamonds, The Mystery of the Golden Horn, The Mystery of the Gulls, and numerous others. (I started collecting them again as an adult, thanks to eBay.)

I won’t tell the story again of how I rediscovered Whitney as a romantic suspense writer for adults; I’ve told that story any number of times, and I read almost everything she wrote for adults–but with The Ebony Swan I noted a decline in the quality of her writing, and never read anything she published after that. (I do intend, at some point, to read the ones I’ve never read–it’s the completist in me.)

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Cunningham’s department store is quiet again now. Sylvester Haring still puts his head in the door of my office whenever he goes by, to call out “Hi, Linell!” and perhaps to linger and study the pictures on my walls, to speak briefly of the past. But his days are given over to the humdrum of catching shoplifters and petty thieves, instead of trailing a murderer.

He never mentions that one picture we hunted down together, or the tragic denouement to which it led. But now and then we cock an eyebrow at each other because we are conspirators and know it.

Not that the law was in any way defeated. Payment in full was made for all those terrible things that happened. But still, Haring and I know what we know and the case as it broke in the papers told only half the story.

There are still things about Cunningham’s that make me shiver. I can never cross that narrow passageway that leads past the freight elevators into the display department without a feeling of uneasiness. I cannot bear the mannequin room at all, and I will go to any length to avoid setting foot in it. But most of all I am haunted by the symbols that came into being during the case.

The color red, for instance. I never wear it anymore, because it was the theme of those dreadful days. It ran beneath the surface of our lives like a bright network of veins, spilling out into the open now and then to accent with horror. And there are the owls. Sometimes in my dreams that eerie moment returns when I stood there in the gloom with all those plaster creatures crowding about me, cutting off my escape.

Nor will I ever again breathe the scent of pine without remembering the way the light went out and those groping hands came toward me. Strange to have your life saved by the odor of Christmas trees.

But the worst thing of all is when I imagine I hear the strains of Sondo’s phonograph. For me, those rooms will never be free of ghostly music and I break into cold chills in broad daylight whenever a radio plays Begin the Beguine.

And while there are some romantic aspects to The Red Carnelian, it’s probably one of the least romantic suspense-like novels she published (Skye Cameron, The Quicksilver Pool, and The Trembling Hills were not mysteries, at least not that I recall; but they were also early in her career and once she hit her stride, she became enormously successful). It’s a straight-up murder mystery, told in the first person point of view of Linell Wynn, who works at Cunningham’s Department Store on State Street in Chicago, writing copy for advertising posters, ads, and so forth. When the story opens, the entire store is on edge, because the window display manager, Michael “Monty” Montgomery, is returning to work that day from his surprise honeymoon; he and Linell had been a thing before his sudden elopement caught everyone by surprise. He’d married Chris Gardner, whose father Owen ran the luxury floor–the 4th–evening gowns and jewelry and furs. Linell claims that she and Monty were cooling things off when he suddenly eloped; I’m not entirely convinced that’s not something she claims to salvage her damaged pride. Naturally, later that day Monty is murdered, and of course, Linell finds the body; a fact which she, on the advice of Bill Thorne (one of the store’s vendors) keeps quiet from the police. He was killed near one of the window displays, by a golf club; Linell found the broken end of it in the window before she finds the body and put it back in the golf bag, thus handling the murder weapon. She also finds a piece of stone, a red carnelian, in the window display and puts it in her smock pocket and forgets about it.

Linell, of course, immediately becomes suspect number one–but it doesn’t take long for her, her store detective buddy Sylvester Haring, and new love interest Bill (who she does suspect from time to time) to find out almost every single person working in the store who’s a character in the book has a reason for hating Monty and wanting to see him dead. Linell of course also finds herself targeted from time to time by the killer–who never actually kills her (obviously)–as she sort of starts figuring out the who’s and what’s and why’s of the story.

It’s quite a good read; the characters are very well fleshed out, and the writing itself is pretty good. Whitney always wrote in a more Gothic style, in her books for adults; a style that seems a little dated now as well but still manages to hold your interest. I also would imagine a teenager reading the book today would have to look up what a “phonograph” was–although its usage makes it fairly clear to me what it is; but of course I grew up with phonographs and vinyl records and needles and all the accoutrement that goes along with them.

I’d recommend it as a gateway to Whitney’s other, more romantic suspense type work; it works very well as a stand-alone cozy type mystery novel.

Disco Potential

Sunday morning and I slept very well last night, which feels pretty lovely this morning, quite frankly. Yesterday was a good day, which I took off from all my deadlines, worries, and cares. I did run to the grocery store for a few things, tried to buy ink at Office Depot to no avail, and then went to the gym. I then came home and showered before reading for a while, and then I started watching Outer Banks again, after it being recommended by Chris and Katrina Niidas Holm; this time I got sucked into the story. Is it a great show? Not really, but it is trashy fun, and I like that the writers finally got what they were actually doing and went all in. We also finished watching The Great last night, which is actually quite fun and terrific. I’m not quite sure who the audience for The Great is, but Elle Fanning is terrific as Catherine and it’s highly entertaining.

Sigh. Saturday nights are a whole lot different for me now than they were for years.

It doesn’t seem that long ago that Saturday meant an entirely different thing than it does to me now. Now, it’s all about what can I get done today and what will we watch this evening and so forth; back then it wasn’t a question of whether we would be going out or not–the question was which bars would we be going to and what time would we be going out. Even if the idea was always just to be around people and listen to fun music, we’d inevitably pass the tipping point over into drunk. Sometimes we’d go dancing, sometimes we’d just hang out in the non-dance clubs with friends or would run into people; the free flow of going out on the weekend in the French Quarter was something that could never be planned. You never knew who you’d run into and how that would impact or change your plans; whether the mood or the music in a particular club would be off or fun–which also impacted how long we’d stay there before moving on.

I miss going dancing sometimes, but I don’t miss the late nights and the cigarette smoke (of course that’s also a thing of the past) and I don’t miss getting drunk two or three times on the weekend, either (the only question of the weekend wasn’t if we would go out on Saturday or not, it was would we also go out on Friday as well? And Sunday inevitably wound up being a given). I drank enough in those days to last me the rest of my life, and while I do like the occasional cocktail and the occasional buzz, I don’t like getting sloppy drunk anymore, and that happens more rarely now than it used to.

Now, of course, as a fifty-eight year old who feels like he’s going on eighty sometimes, the thought of going to a bar or a club isn’t appealing to me in the least. I can’t imagine standing around for hours, for one thing, and for another, I can’t imagine dancing for hours like I used to, getting hot and sweaty and taking off my shirt and tucking it into the back of my jeans. Then again, it’s been so long since I’ve been to a gay bar I don’t know if gays still do that–oh, what am I saying? Of course they do. Just like the swallows return to Capistrano, a certain subset of gay men will always go dancing on the weekends, drink too much, perhaps indulge in some illegal substances, and dance the night away with their shirts off. Why else would you go to the gym all week if you’re not going to show off the hard work on the dance floor?

I do miss it sometimes, though.

Today I am going to do some writing and trying to get out from behind this eight ball I seem to have been behind for most of this year. I have some things to reread and edit, and of course I want to get going on the Secret Project again, which has stalled for a moment–damned work week heat and humidity, sucking the life out of me every day–and there’s some cleaning to do as well. I didn’t get the floors done yesterday–trying to get caught up on the dishes and laundry was hard enough work as it was–and I am going to try to finish reading Phyllis Whitney’s The Red Carnelian today, as well as Bruce Campbell’s The Secret of Skeleton Island, which is the first novel in one of my favorite kids’ series, the Ken Holt mysteries. And yes, as always, I am probably assuming I can get more done today than I actually can, but hey–you never know until you try.

It’s also so incredibly easy to get distracted…I must try to avoid distractions at all cost. Distractions are the progress killer.

And I am, after all, so easily distracted. In fact, even as I type about not letting myself get distracted….I am thinking about things to do to waste my time today rather than writing.

But one important thing: I am going to close my web browser before I start writing. The Internet is the true distraction.

And on that note, tis off to the spice mines. Have a lovely Sunday, Constant Reader!

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It’s A Sin

Ah, SIN.

The human concept of sin is something that has alays fascinated me; as does the societal distinction that sin isn’t necessarily a crime. Adultery, after all, made the Top Ten in the Bible; but adultery isn’t a crime, at least in our country. Maybe I’ve been reading too much medieval plague history, but as a result the entire concept of sin v. crime has been running through my head a lot. We also always tend to speak and think of historical as being more religious and superstitious than our modern, “rational” time; which is why when the religious superstitions start finding their way out of the woodwork, people are always surprised. I’ve seen that a lot, actually, since 2008; the surprise of people who were just now noticing that much of organized religion is steeped in bigotry propped up by skillful, selective usage of their “holy” book while ignoring the parts that do not prove their bigotry and ignorance as holy. I’ve been toying, since the start of this current pandemic and the beginning of my own plague readings, with a story called “The Flagellants,” based on an idea obtained from rereading Barbara Tuchman’s A Distant Mirror and it’s plague chapter–about a movement of religious fanatics who believed God had sent the plague as a punishment for mankind’s sin (as fanatics have always believed in divine punishment as long as they have believed there are gods in the sky), and marched through the streets praying and repenting loudly while flogging themselves; their theory (if one can call it that) was that they were representing mankind’s penitence to God and therefore their behavior was intended to get God to take the scourge away. This set me to thinking about that Christian group that loves to show up here in the Quarter during Southern Decadence and Carnival to loudly tell us all, through megaphones and over amplifiers, that we are all sinners that need to repent and find our way back to the Lord, and wondering why they weren’t parading through the streets of the Quarter, doing something similar. (Their faith isn’t as strong as they would have us believe, apparently.) And so I started writing said story, but wasn’t really sure where to take it…I have some ideas; hopefully this weekend will help me sketch some of those ideas out.

Ah, sin.

A three day weekend is always a delight; I’m of the mind that every weekend should be three days rather than two. It generally takes me one day to rest and recover from the weekend, which is when I do my errands and clean and so forth, and then I am centered enough and rested enough (after two good night’s sleep) to get some work done on Sunday. With a three day weekend, that gives me an extra day to simply focus on writing. Naturally, of course, if every weekend was a three day weekend it would eventually prove also to not be enough time for me, I suppose, and so probably best to leave things as they are and simply enjoy those weekends when they come around. I have some plans for today; primarily a grocery run and perhaps a trip to the gym, along with some cleaning and organizing and perhaps some writing/brainstorming.

We continue to enjoy The Great on Hulu; I do recommend it, it’s very entertaining if not always the most historically accurate–and as I have stated many times, when it comes to television or film adaptations of actual historical events, accuracy inevitably goes out the window (the most egregious example of this being The Tudors. By combining Henry VIII’s sisters Margaret and Mary into one person, and then having her die without children, they essentially erased not only the Brandon/Grey line–no Nine Days’ Queen Jane Grey–but also the Scottish Stewarts; so no Mary Queen of Scots or any of the royalty since the death of Elizabeth I); and complaining about historical inaccuracies in fictional representations of actual history is low-hanging fruit, as it were.

I also want to finish reading Phyllis A. Whitney’s The Red Carnelian, and I’ve also started rereading a book from one of my favorite kids’ series, the Ken Holt mysteries by Bruce Campbell. The Ken Holt series is always neck and neck with The Three Investigators as my favorite kids’ series; they are very well written, action-packed, and well plotted as well; with a kind of hard-boiled edge to them. The first book in the series, The Secret of Skeleton Island, (a title also used in The Three Investigators series) introduces us not only to our young hero but to the people at Global News (Ken’s father is a globe trotting reporter; his mother is dead, and since his father is gone a lot Ken is at a boarding school somewhere outside of New York; I always assumed it was up the Hudson valley but it may have actually been Long Island), and how Ken meets up with, and basically is adopted into, the Allen family. I’m actually enjoying the book–and considering it was written for 9-12 year olds in the late 1940’s/early 1950’s, and it still holds up, is saying quite a bit. The fact these books never caught on or were as popular as, say the Hardy Boys, and have been out of print for decades, is disgraceful.

And on that note, I am going to head into the spice mines. Have a lovely Saturday, Constant Reader, and I look forward to speaking to you again this weekend.

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It’s Alright

Monday morning, and we have thus far made it through another weekend, and have another week to stare down. I’ve not heard or seen any reports about how the gradual reopening of New Orleans went this weekend–I stayed my ass at home; I didn’t go outside at all other than to take out the trash–and today’s a work-at-home day. The gym has reopened, and I am debating whether I should go workout after work tonight. I’ve been itching to get back to the gym since everything closed–if you will recall, I’d started working out again before the shutdown, even managing to make it through Carnival, and had developed a really good routine before the world closed down on me.

I got some writing done on the Secret Project yesterday, almost two thousand words, which was pretty thrilling for me. I’d hoped to get more done–as I always do–but I really had to force those words out, and I was pretty glad to have been that productive when the words weren’t coming, so I called it a day when the well went dry and retired to my easy chair. I watched a great documentary on Galaxy Quest (one of my favorite movies) on Prime called Never Surrender–if you’re a fan of the movie, I highly recommend the documentary. Last evening Paul and I continued watching The Great, which is becoming more and more fun as I no longer think of them as actual historical figures, since the show bears so little resemblance to the actual history.

I also tried reading  a classic novel by a master of our genre, but couldn’t get very far into it. I admire what the author was doing with his style, voice and use of language–I’ve heard him speak and he’s all about the rhythm of the words, which is very important, and something I tell beginning writers all the time to watch for, and why it’s always important to read your work out loud to make sure the rhythm you’re using is consistent–but he also was guilty of one of my pet peeves: the use of colons and semi-colons in fiction prose. Anyway, between that and the toxic masculinity and racism–I don’t care if it was accurate for the period, it’s hard for me to see toxic racist men as heroic–and when I got to the extensive use of the n*word–again, probably accurate and correct for the period–I was done. I put it in the donation pile and was done with it. I’ve read his work before and I don’t remember it being quite as bad as this particular book; but I intend to reread that book again at some point (it was also homophobic, which jumped off the page at me, and that’s why I want to reread it–to see if it still rings that way) and then I can gladly call it quits on that author.

I’m also still rereading Phyllis A. Whitney’s The Red Carnelian, which is more of a straight-up mystery than any of her other novels for adults. As I mentioned before, it was originally titled Red is for Murder; most of her novels for adults had a color in the title somehow–The Turquoise Mask, Silverhill, Hunter’s Green, Black Amber, Sea Jade–but when her work became more romantic suspense, it was reissued and retitled as The Red Carnelian, to fit her other titles more. Set in a sprawling department store on State Street in Chicago (like Marshall Field’s or Carson Pirie Scott, back in the day–I wonder which store she used as a research; Mrs. Whitney was a librarian, and always exhaustively researched her novels) named Cunningham’s, the book also offers an interesting, behind-the-scenes look at how department stores are run, and the various jobs (window dresser, poster and sign copy, marketing and sales, backdrop painting, mannequin arranging) that are necessary for the day-to-day operation of a large department store. Thinking about which store she used to research her novel sent me into an Internet wormhole, where I looked up Marshall Field’s, Carson Pirie Scott, Goldblatt’s, and Zayre’s, among the many department stores I remember visiting as a child in Chicago. (The bargain basement at Zayre’s was where I first discovered the children’s mystery series featuring Rick Brant, Ken Holt, and Biff Brewster.)

I kind of miss department stores.

I am hoping to get a lot accomplished this week–and I am really looking forward to our three day weekend that’s coming up. Huzzah!

Have a lovely day, Constant Reader.

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Home and Dry

And here we are at Friday once again. Lovely, isn’t it?

Yesterday I had a massive breakthrough on the Secret Project; I found the character’s voice and precisely how to write the opening. I also immediately realized that the plot I was planning on recycling here doesn’t necessarily work as easily as I might like, and then I realized precisely what the story was. I even wrote a few paragraphs, and as I wrote them the characters began taking form in my head; I could hear her voice and I knew exactly who she was.

It was such an enormous relief; I am always terrified that the “Eureka!” moment will stop coming to me and the well will, finally, once and for all, run dry. I don’t know if other authors worry about things like that–but it happens whenever the work isn’t coming well for me, and it affects my moods and everything else, every other aspect of my life–and not in a positive way. You’d think by now I’d recognize all the symptoms of the work not going well, and the subconscious worry involved; the restless sleep, the exhaustion, the grouchiness and deepening of my auto-pilot snarkiness, and the lackadaisical approach to everything else in my life. It always means the work isn’t going well and I am starting to get worried about it deep inside the inner recesses of my psyche–and it’s always such an enormous relief when the breakthrough comes and the sun begins to shine again after the dark night of the soul.

We had a horrific thunderstorm last night before I went to bed–long lasting rolls of thunder that seemed to never end. I could feel the pressure change, and I also knew that the combination of thunderstorm at bedtime and writing breakthrough meant I would also sleep deeply and well and restfully. Apparently, the surrounding parishes flooded and still have standing water this morning. Yikes! But it also meant that I slept well, which was good for me if horrible for the poor people impacted by the downpour.

I finished reading House of Many Shadows yesterday. I had a doctor’s appointment that was a bit of a clusterfuck (I won’t go into the details here, but I’ll leave it at I didn’t see the doctor today), and afterwards I ran a few errands. Once I was home–it did sprinkle on me during the errands, but I was able to get everything out of the car and into the house without being rained upon; I don’t think it ever did much more than sprinkle, but once the groceries were put away, I relaxed in my easy chair and finished reading my book. I was much closer to the end than I thought I was, and immediately after I started another reread, The Red Carnelian by Phyllis A. Whitney; the book originally published as Red is for Murder. It was Mrs. Whitney’s first novel for adults, and was more of a straight-up mystery than the novels that took her to the top of the New York Times list and to the pinnacle of success. I thought of it because of an odd thing; someone–Scott Heim, perhaps?–had posted a link on social media to an article about a cafe or restaurant that was seating mannequins in the dining room to help with social distancing as well as make it seem less empty; it reminded me of a truly terrifying scene in this book (as I remember it) that takes place in a darkened room filled with unused mannequins; the heroine is alone in the room with the killer. I’ve never quite been able to not see mannequins as something terrifying ever since. The book is set in a large department store in Chicago; which I also thought was an interesting setting for a mystery novel. (I came up with an idea for a soap built around a department store dynasty, back in the days when I wanted to be a soap writer; it was probably born of reading this book. Now that I think about it more, my “soap” was also set in Chicago. Hmmm. Well, if you’re going to steal, steal from the best.)

And on that note, tis back to the spice mines with me. Have a lovely Friday, Constant Reader!

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I’m In Love with a German Film Star

Thursday morning, how you doing?

So New Orleans is slowly beginning to open up this Saturday morning–I’m kind of skeptical, quite frankly, but at the same time, I’m also kind of happy that my gym will be open again. Yes, I’m that shallow gay man. But I had really gotten into a groove working out before the country shut down for the first time in over ten years, and my body was actually responding to it. So, yes, I’ll put on my mask and go to the gym, cleaning everything before and after I use it, and try to maintain distance from people as much as I can.

Does that sound selfish? Now that I’m putting it own into words, it kind of does.

And of course, the irony of catching a potentially lethal virus while working out to be healthier does not escape me.

But I’ve tried to maintain some sort of exercise; taking walks, stretching every other day, and when I’m feeling particularly ambitious, some crunches and push-ups. And the fact that I’ve missed going to the gym, and am anxious to get back to it, is a good thing, right? And yet at the same time, I can’t help but feel maybe I’m being stupid? Ah, the conflict and inner turmoil! I can also be smarter about this, too–going when there isn’t as many people there, for one, and determining whether I feel it’s safe or not to go ahead and work out after getting there and seeing how many people are there and so forth. I suspect with the gym opening up it’ll be similar to January–always crowded at first as people try to stick to their resolutions and then gradually tapering off to normal. I don’t know, I’m really torn. While continuing to do my best while at work to reduce my risk of exposure, is it really smart to be at risk for exposure while at work and then go to the gym?

Well, I have until Saturday to figure it all out and decide.

I slept really well last night, probably the best night’s sleep I’ve had in ages, frankly, and it was lovely. I am still a bit groggy this morning, but that good groggy feeling from sleeping well and wishing I could have stayed in bed a lot longer this morning. I was tired yesterday; and hopefully that will carry over into another good night’s sleep tonight. One can hope, at any rate. But the coffee is tasting particularly good this morning–another sign that I’m still groggy–and I have to leave work early today because I have a doctor’s appointment this afternoon, after which I’ll run some errands before heading home.

I almost finished reading House of Many Shadows last night–I am, according to my Kindle, about 85% finished with the book, so it shouldn’t be an issue to finish reading it tonight. I am also now wondering what I should reread next. I was leaning toward another Mary Stewart–Madam Will You Talk?–but I’ve reread a lot of Mary Stewarts since beginning the Reread Project (each of which was a gem and a total pleasure to reread), and perhaps it’s time to move on to another writer for now, and save the Stewarts for later in the year? I do have an awful lot of Phyllis Whitneys on my Kindle, as well as some other terrific books I would love to reread–there’s also some Agatha Christies, including one that never gets talked about much but was always a favorite of mine, The Man in the Brown Suit–and there are any number of others as well.

Paul was working on things last night, so I watched One for the Ages, the ESPN 30 for 30 documentary recapping LSU’s 2019 football season (I still can’t believe how amazingly good they were; better than my wildest dreams for an LSU football season) and then they replayed the national title game between LSU and Clemson. And no, I wasn’t really watching the game again, it was just on for background noise while I read. (I will admit to having watched it again more than once, but primarily skipping the parts when Clemson played well and scored; while I was doing my data entry yesterday in my easy chair I played through the games with Florida and Alabama on Youtube)

I am also hoping to get back to work on the Secret Project tonight. It took me awhile, but I think I have a better way to open the first chapter than the original way I had.

And on that note, tis back to the spice mines with yours truly. Have a happy Thursday, Constant Reader!

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He Stopped Loving Her Today

I put off making a grocery run from Saturday to Sunday, like a fool, only to discover the Baronne Street Rouse’s closed for Easter this year; I decided not to go to the one in Uptown because I didn’t feel like driving all the way down there only to find out the drive had been in vain. I did stop at the gas station–filled it up for slightly more than fifteen dollars, something that’s never happened since I bought the thing–and then at Walgreens to get a few things I could get there. It was weird navigating the empty streets of New Orleans; I was reminded very much of that time post-Katrina when I came back and most of the city was empty. I itched to turn stop lights into stop signs–and at one point did stop at a stop sign and wait for it to change. It was weird, very weird–the vast emptiness of streets that are usually filled with cars and seeing more people than the beggars at the intersections. Had the stop lights not have been working, the similarities would have been even eerier.

And of course, people were going through red lights and ignoring all rules of traffic, because they clearly were the only people our driving. #cantfixtrash

I managed to eke out another thousand words on the Sherlock story,  and I was enormously pleased to make some sort of progress.  It’s very weird because I am trying out the Doyle voice and style–which I am neither familiar with nor used to–which makes the going perhaps slower than it ordinarily would be. At least I hope that’s the case, at any rate; it’s been so long since I’ve actually written anything or worked on anything and gotten anywhere with it, I sometimes fear that I’ve fallen out of the habit and practice of writing. (I always worry the ability to write–the ability to create–is going to go away and leave me, particularly in time of crisis; my reaction to the Time of Troubles, sadly, wasn’t to retreat into my writing but rather to stop almost entirely.)

Yesterday was rather delightful; the entire weekend was lovely. It’s always nice to get rest, to sleep well, to be able to read and occasionally do some writing. I am very deep into Mary Stewart’s Nine Coaches Waiting and, while I do distinctly remember enjoying the book when I read it, I am loving it more than I would have thought (as I have with the other recent Stewart rereads); perhaps as a writer myself and an older person, it resonates more? I can appreciate the artistry more? I don’t know, but I am really glad I decided to revisit Stewart novels I’ve not read in decades again. I just can’t get over how she brilliantly she undercuts the governess/Jane Eyre trope, and how easily she does it. Truly remarkable. I also finished it before bed, and it’s marvelous, simply marvelous–and will be the subject of another blog post.

We started watching Devs on Hulu last night, which people have been raving about, and while I give it a lot of props for production values…it moved so slowly I kept checking my social media on my iPad. It was vaguely interesting, sort of, but we just couldn’t get vested in it–there was a bit of a show-offy nature to it; like they were going overboard in saying see how good we are? We’re an important show and we’re going to win all the Emmys. I doubt we’ll go back to it, especially since Killing Eve is back, and Dead to Me is coming back for its second season; something else we watch was also returning relatively soon, too–and of course, I just remembered I pay for CBS All Access; not sure why, but there are some shows on there I’d like to watch, like the new Star Trek shows and Jordan Peele’s reboot of The Twilight Zone. (But you see what I’m saying about paying too much for too many streaming services? I really need to pay more attention to that, and one of these days I’m going to need to sit down, figure out what we need and what we don’t need, and cut some of these services off once and for all.

I think my next reread for the Reread Project is going to be the first in Elizabeth Peters’ amazing Amelia Peabody series, Crocodile on the Sandbank. There’s an Amelia Peabody fan account on Twitter (@teamramses) that I follow; they usually post quotes from the books and occasionally run polls, and they also reminded me of how I discovered the series. I originally found it on the wire rack (when I replied to the tweet, I got it wrong; I said I found it on the paperback rack at Walgreens; wrong drug store chain) of paperbacks at a Long’s drugstore in Fresno. I was still deep in the thrall of Victoria Holt, Phyllis A. Whitney, and Mary Stewart at the time, and here was another romantic suspense novel SET IN EGYPT, by an author I didn’t know. I absolutely loved the book, and looked for more books by Elizabeth Peters the next time I went to Waldenbooks at the mall–but they didn’t have any, and eventually I forgot about her. Flash forward many years, and a title of a new paperback on the new releases rack at Waldenbooks and More jumped out at me: The Last Camel Died at Noon. What a great title! I had to buy it, took it home, and started reading it….and you can imagine my delight, and joy, to discover that Crocodile on the Sandbank was not, in fact, a stand alone, but rather the first in a series I was bound to love. I went back and started the series over from the beginning, collecting them all, and I also started buying them as new releases in hardcover because I couldn’t wait for the paperback. It might not actually be a bad idea to revisit the entire series…I also think The Last Camel Died at Noon (it’s still one of my favorite titles of all time) was when I discovered Elizabeth Peters and Barbara Michaels were both the pseudonyms of archaeologist Dr. Barbara Mertz, and I went on a delightful period of reading all of their backlists as well.

One of my biggest regrets of my writing career–in which I’ve met so many of my writing heroes–is that I was never able to meet Dr. Mertz before she died. She was going to be the guest of honor at the first Malice Domestic I attended, but she was too ill and she died shortly thereafter. But one thing I learned, from reading all of her books–but especially the Peters novels–was that humor can work in a suspense/mystery novel, and can make a reader engage even more with it. Dr. Mertz was also a master of the great opening line. In one of the Vicky Bliss novels, for example–I think Silhouette in Scarlet–opens with this treasure: “I swear, this time it was not my fault.”

And while I have been cleared to return to work today, my failure in deciding to wait until Easter to go to the grocery store, as well as forgetting an integral and necessary part to my working at home today at the office over a week ago means that I decided to use today as a vacation day, and try to get all the remaining loose odds and ends (mail, groceries) taken care of today, and return to the actual office tomorrow. (I am going to do the windows today if it kills me.) Yesterday we were supposed to have bad thunderstorms, and while the air got thick and heavy, it never actually rained here–although the rest of Louisiana was blasted with these same storms that somehow chose to avoid New Orleans–there were even tornadoes in Monroe.

The weirdest thing to come out of this whole experience has been my sudden, new addiction to my Kindle app on my iPad, which has me thinking that I can do a massive purge/cull  of my books now, keeping only the ones I can’t replace, if needed, as ebooks. I’ve avoided reading electronically for so long, but I find with my Kindle app I can just put the iPad to the side for a little while and pick it up again when I have a moment or so to read. I tore through all the Mary Stewart novels I’ve reread recently on the Kindle app, and that’s where my copy of Crocodile on the Sandbank is. I doubt that I’m going to get rid of all my books any time soon–there are still some I want to keep, obviously, and it’s not like I can afford right now to go to the Amazon website or the iBooks one and replace everything right now anyway…but then again, I think, you’d only need replace them when you’re ready to read them, right?

I am literally torn here.

And on that note, I am going to head into the spice mines. I made some great progress on the Sherlock story–it now clocks in at over two thousand words, and I’d like to get a working first draft finished, if not today, then before the weekend so I can edit it and the other story that’s due by the end of the month as well over the course of the weekend. April is beginning to slip through my fingers, and while I am still not completely certain of what day it is every day, I’m getting better about figuring it all out.

Have a lovely Monday, Constant Reader.

gabe2kepler