Diamonds

Saturday, and later this afternoon is the SEC championship game (GEAUX TIGERS!). But this morning I am going to focus on cleaning up and straightening things up around here, as well as trying to get some writing done. I’ve been horribly lazy this week; I made some decent progress at the beginning of the week on the Bury Me in Shadows revision–comparatively speaking, I didn’t do that much–and I need to get back on that horse before it escapes the barn and leaves me in the dust.

Last night, we started watching V Wars on Netflix. It’s entertaining, and good enough, but it feels a little…I don’t know, familiar? The premise of the show is that melting ice in the Arctic frees up some biohazard that awakens an inactive gene in human DNA–not everyone has that gene–and turns them into vampires. As the germ (I am calling it a germ; they hadn’t really gotten into what it is yet in the show) spreads, more people become vampires–and these vampires are brutal killing machines, whose victims don’t also become vampires (at least, not so far). It’s okay….entertaining enough but it didn’t grab either one of us, probably because it’s too similar to other shows we’ve watched/seen; The Strain, for one example. Ian Somerholder is gorgeous as ever as the main character–as he gets older he gets better looking; he now looks like he could be Rob Lowe’s brother, and he’s a good enough actor to carry the show. The dialogue was a bit stiff, and some of the situations in the first episode or two seemed a bit over the top, ridiculous, and unbelievable. The problem with plague stories like this is the slow development–the inevitable “only one person who figures out the truth and has to convince everyone else as more people die” trope; who in the cast is going to die, etc. etc. etc. Stephen King brilliantly did this in The Stand; once the plague was spreading he jumped ahead a week or so to the point where most people were dead and the survivors were coming to terms with the end of civilization, trying to figure out what to do next, and then begin having the dreams that drive the rest of the story. The Walking Dead put Rick Grimes into a month-long coma, and when he woke up most of humanity had turned into walkers. Both The Strain and V Wars depend on the “fighting impending doom” narrative to build suspense; but it also makes the story drag a bit. As Paul said, “when do we get to the wars part?” Because the very title makes it abundantly clear that the plague is going to spread and it’s going to come down to a war between those afflicted and those who are not–of course, our noble doctor wants a cure to save the afflicted; the government is more concerned with a vaccine and killing the infected–setting up the inevitable conflict between the forces we’re supposed to be rooting for, even though whether they are on the right side or not remains to be seen. We might come back to it at another time, but it just didn’t grab us. Your mileage might vary. The show is based on a book by Jonathan Maberry, and it apparently became the most-watched show in the world on Netflix the day it dropped–so kudos to all involved. It’s done very well, as I said; it just didn’t grab us. Check it out–you might like it. It’s entirely possible we just weren’t in the right place at the time. And we’ll probably go back to it. Anyway, kudos to Jonathan–who is an incredibly nice and generous man–for having a major Netflix hit.

This morning I have some chores to do around the house before I run to the grocery store to pick up a few things; I really don’t want to go, and am looking for excuses not to. But it won’t kill me to go, and it’s never a bad thing to get out of the house. Today we’re going to have our last “tailgate” of this year’s college football season–barbecuing burgers and dogs for the SEC championship game–and I really need to get this apartment under some sort of control. After I finish this I am going to spend some more time answering my emails and cleaning out that inbox once and for all, and then I am going to work on the manuscript for a little but before I head to the grocery store. I’ve been writing a lengthy entry about this LSU season–I started writing it after the Alabama game, and then realized I should wait until the season is over to post it; that way I can reflect on the entire, magical season; I’ll undoubtedly finish that tomorrow morning and finally post it.

Yesterday I got an ARC of an anthology being released next year that I contributed to: The Faking of the President, edited by Peter Carlaftes and from Three Room Press (who did the Florida Happens anthology and were an absolute dream to work with). It contains my story “The Dreadful Scott Decision”, which, of course, is a play on the Dred Scott Decision, a horrific Supreme Court ruling that made secession and the Civil War just a little bit inevitable; and yes, I wrote about James Buchanan. I’m very pleased with my story, and I am even more pleased to be in this anthology, with co-contributors on the level of Alison Gaylin, Eric Beetner, Sarah M. Chen, Nikki Dolson, S. A. Cosby, S. J. Rozan, Alex Segura, Erica Wright, Angel Luis Colon, Gary Phillips, and several more people whose talents I’ve long admired. You’re going to want to pre-order this one, people.

It’s also the time of the year when everyone is making their best of lists; I am slightly uncomfortable doing that, quite frankly–although I always do qualify my choices by calling such lists The Best Books I Read This Year, which is really what all of those lists boil down to. I read a lot of amazing books this year, and am completely terrified that I’ll miss one in making such a list; but seriously, 2019 was an amazing year in crime fiction–and the women are fucking killing it. Steph Cha, Jamie Mason, Lisa Lutz, Alison Gaylin, Laura Lippman, Kellye Garrett, Rachel Howzell Hall, Angie Kim–I could go on forever.

Which reminds me, I also want to spend some time with Laura Benedict’s The Stranger Inside this weekend.

And on that note, I am going to make another cup of coffee and get going on my day.  Hello, spice mines!

Y’all have a good one, you hear?

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Just to See Her

And we have made it to Friday yet again, Constant Reader. Isn’t it lovely? I slept well again last night, which was, as always, a lovely and wonderful experience. I have a short day at the office today–data entry, which is always a joy–to ease me into the weekend. I’ll need to stop at Rouse’s on my way home again so I won’t have to leave the house over the course of the weekend. I am trying not to get too hyped or worked up about the LSU-Georgia SEC title game Saturday afternoon; we’ve enjoyed an absolutely glorious season, filled with enormous highs that just kept getting better as the season progressed; everything now is undoubtedly gravy. It should be a good game, and one can never completely rule Georgia out.

This whole season, for both LSU and the Saints, has seemed like a fever dream at times.

I also hate to see the season winding down. I love football, and I love football season, and am always a little sad to see it end. The season opener we attended, the Georgia Southern game, seems like it was an eternity ago, and yet the season has also seemed to fly by. And here it is Christmas season, with the conference championship games this weekend and then the bowls and the play-offs for college; there’s another month or so of the regular season for the Saints before the play-offs as well…and then it’s Carnival.

The end of the year/beginning of the year is always jam-packed around New Orleans.

I didn’t really get that across, I think, in Royal Street Reveillon; the way the holidays and football season’s climax all crowd in around each other and then suddenly it’s time for the parades and Carnival–but in fairness, theres a lot of plot and a lot going on in that book, and Scotty was a little too-distracted by all the goings-on to think about the holidays or football season too much.

It’s hard to believe sometimes that I’ve been writing Scotty since 2001; that his first adventure was published sixteen years ago, and I’m still writing about him. I never dreamed Scotty would stick around this long; I never dreamed readers and reviewers would embrace him so much. The advance for Bourbon Street Blues enabled Paul and I to move back to New Orleans in 2001 after That Horrible Year Away; so for that reason alone Scotty would alway have a special place in my heart. I was interviewed last weekend for a radio show (“The Adam Sank Show”); and getting asked questions about Scotty–and the book–kind of put me into a sort of reflective mood about the character and series. I never imagined I’d still be writing and publishing and talking about Scotty in 2019; then again, I never look that far ahead. But had someone told me back then that my happy-go-lucky go-go boy would still be around seventeen years later, going strong and with the possibility of yet another adventure hanging around on the horizon, I would have most likely laughed really hard in that person’s face.

Scotty and the boys have aged gracefully and well.

But if I do decide to write Hollywood South Hustle, there are a number of things I’ve been putting off that need to eventually be addressed at some point; Frank really should retire from professional wrestling–but there’s a professional wrestling murder mystery/adventure for the boys I’d want to write before that happens (Redneck Riviera Rhumba). The collapse of the Hard Rock Hotel construction site also provided a bit of inspiration for my Scotty gentrification novel, Bywater Bohemia Bougie (or Boogie, I can’t decide which one works better. I like the idea of addressing gentrification as well as the whole “bougie” thing; but boogie also works as a really good, fun word and as long as the title is alliterative, I don’t really care which word I use. (For the record, I sometimes sit around and think up Scotty titles, because I enjoy alliteration; others I’ve come up with include West Bank Waltz, Lake Shore Limbo, North Shore Novelty, Swamp Edge Swing, etc.; just on titles alone I could probably wind up writing Scotty books until I’m in my seventies). I still need to pull together the Scotty Bible, which would make writing any future Scotty books much easier, and strengthen continuity while eliminating mistakes.

As long as I can keep it fresh and new….which basically means as long as I don’t bore myself, really.

And on that note, tis time to head into the spice mines. Happy Friday, Constant Reader!

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Casanova

It’s Thursday morning in New Orleans and all is well–or right–in the world; well, at least in mine. It was also chilly and my bed comfortable and warm; and as I was sleeping well for yet another night, I didn’t want to get up. But I have things to do this morning before I head into the office, and once I’ve had enough coffee to sharpen and get my brain under control, I shall accomplish these tasks before getting ready for work.

I managed to get some chores done when I got home from work yesterday, so the Lost Apartment’s kitchen is not a disaster this morning. I made mac-and-cheese again (I think this week’s is better than last week’s was, frankly) but used some of my training from McDonalds as a teenager to “clean as I go” and as such, when the mac-and-cheese went into the oven everything I’d used to make it was cleaned and in the dishwasher already. I don’t know why I don’t do this every time I cook; it’s so lovely to finish cooking and have all the dishes and bowls and so forth I used be clean already.

The lessons one learns from working in fast food as a teenager will hold you in good stead later in life, apparently.

My mind is not fully cognitive yet this morning, but the space heater is blowing lovely warm air on my legs and my coffee is delicious and it surely won’t be much longer before I am functional. Or so I hope, at any rate.

Then I’ll start cleaning out the email inbox. I kind of need cognitive abilities to answer them all, and won’t it be lovely to have an empty inbox? That’s always my goal, every morning and every week, and it’s been far too long since I unlocked that achievement.

It also occurred to me–sometime late in November–that I should use my December blog entries to write about my most recent book; focusing not only on my characters but also on New Orleans, Christmas, and Christmas in New Orleans, since the book is set during the Christmas season. And not to worry–I have lots of pictures of hot guys in Christmas-type attire to share along with those entries. So, yes, y’all, Royal Street Reveillon is an actual Christmas-in-New-Orleans book in which I resisted the urge to try to adapt a traditional Christmas story to both Scotty and New Orleans–although it was incredibly tempting and I might do that very thing later in my life and in the series. One of my favorite Christmas episodes of any television series was the very first Christmas episode of Moonlighting–anyone else remember the show that made Bruce Willis a star?–in which Blue Moon Detective Agency secretary Miss DiPesto found a baby in a manger at Christmas time. They played very heavily on Christmas stories and traditions to tell the story in that extremely brilliantly witty way the writers had in the first season or so of the show; those first two seasons are some of the best television ever written and filmed. I thought about trying to do something similar with Royal Street Reveillon, but I also wanted to get the Grande Dames of New Orleans story into the book, and there was simply no way to graft all the reality show stuff onto a Christmas tale; so the book wound up simply being set during Christmas.

The Scotty series, which was originally intended to simply be a stand-alone, and then merely a trilogy, was built around holidays to begin with; the first was during Southern Decadence, and when it became a trilogy I decided to use the trinity of gay holidays in New Orleans: Southern Decadence, Halloween, and Carnival. When Book 4 rolled around, I set it around Easter and had the book open with the Gay Easter Parade. Book 5 was built around New Orleans winning the Super Bowl; Book 6 was built around Mike the Tiger (LSU’s live tiger mascot) and Book 7 didn’t really have a holiday or anything truly local to build it around. I’ve always felt there was some separation between the first three books in the series and the four that followed; primarily because of the gay holiday associations with the first three.

I decided, when putting this one together, to set it during the Christmas season because Christmas in New Orleans doesn’t get as much play as other holidays (not here, I mean nationally; no one thinks of “Christmas” and “New Orleans” together), and I do love Christmas–some of it. I love the idea of Christmas and its message; I despise the unrelenting commercialism and the playing of carols in September and the Christmas stuff being stocked in stores before Halloween and don’t even get me started on the horrors of Black Friday and Cyber Monday and so forth. I did think I could possibly work some of that into the story, of course; but there was literally so much going on in the book that snark about commercializing Christmas wasn’t needed or necessary, even though it would have been fun.

And let’s be honest: Charles Schultz did it best with A Charlie Brown Christmas in 1966.

But I’ve enjoyed Donna Andrews’ Christmas mysteries in her Meg Langslow series so much that I thought I should give one a try. And the result was Royal Street Reveillon.

And now it’s Christmas season in New Orleans; football season is winding up, but I am hoping that after this weekend, I can take a Saturday afternoon to head down to the Quarter–or drive around the city–taking pictures of Christmas lights and decorations and so forth. New Orleans, as I said in the book, loves nothing more than holiday decorating, and it’s so dark here at night the Christmas lights look even more magnificent.

And on that note, tis back to the spice mines.

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Point of No Return

So, what did we learn from our first Monday back at work? One, that it’s very important to get physical and mental rest from the day in, day out of full time employment, and that if I can stay focused and motivated…well, there’s really nothing I can’t do if I want to do it.

But that has always been true. It has always astounded me how much I can do–and what I can do–if I put my mind to it and ignore those horrible voice in my head (depending on what it is, they alternate between my parents, really–every so often a former teacher will pop into my head, working on my confidence and trying to paralyze me into useless futility). All that stuff I’d been dreading, and putting off? Handled yesterday with aplomb, minimal irritation or embarrassment, and now completely out of the way.

What have we learned from this? Probably nothing.

Last night, for the first time in over a month–since I was sick at Halloween, actually–I sat down, opened the latest version of Chapter One, and started revising. And while it wasn’t as easy as I would like–I deleted about a thousand words and added a thousand new ones, that make better sense and work better; certainly the voice of my main character is better defined and sounds more realistic–I still managed to get some work done, and it was good work. Very good work, with which I am very pleased. I was truly worried, frankly, that this book was never going to get kicked into gear; now it has, and now it’s possible that I might–just might–get this book finished this month and ready to do something with in January.

What a glorious feeling.

I slept really well again last night–going to bed earlier on the nights before these early mornings really does make all the difference–and since Paul was out to dinner with some friends, I came home and cleaned the kitchen, preparatory to getting some writing done, and so this morning my kitchen is pretty clean–there’s still a load of laundry in the dryer that needs to be folded, but I doubt I’ll get to that this morning–and so I am pretty pleased with that as well. I am pretty certain I’ll start feeling run down and tired by the end of the week again, but as long as I keep getting good sleep at night, I should be okay.

Or so I hope, at any rate.

It’s hard to believe it’s December already. Where did this year go? Football season can’t be almost over already, can it? Heavy heaving sigh. I was just thinking yesterday that the next few months are going to be nothing but madness, sheer madness. There’s Christmas, then New Year’s; and then of course it’s Twelfth Night and Carnival has started. There’s college football bowl games and play-offs; the Saints will be in the play-offs as well, and then after the parades are all over, at the end of March is the Williams Festival. Heavy heaving sigh. I am also heading up to New York in the middle of January; it’s been years, and that should be a lot of fun–exhausting, but fun.

And 2020! A sparkling new decade, exciting and new. That will be the decade I hit sixty at long last, and should I live that long, the decade where I finally am able to retire from the day job. Sooner would be better than later, of course; I am considering my options for going early–but that would also mean paying off most of my debt and the car. I think the car will be finished being paid off towards the end of next year or early 2021; I am on track to get it paid for in less than the five years of the loan, and who knows? I may, if there’s a windfall of some sort, even be able to get it paid for even sooner. And if I can make that Honda last twenty years–which I should be able to–I hopefully won’t ever have to buy another car before I die.

And on that cheery note, tis time to get back to the mines of spice. I want to get some more reading of Laura Benedict’s book, The Stranger Inside, done today, and obviously, it would be amazing to get more progress done on the book.

But I’m writing again, am excited about the book (as it goes into yet another draft), and feeling pretty good. Yay, Gregalicious!

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Bad to the Bone

The push for more diversity–amongst writers and subject matter–in publishing this last decade has not only been welcome, but is also long overdue. It hasn’t been smooth sailing by any means–there are those writers who feel threatened somehow by the push for diversity in publishing, and then try to push back, Publishing isn’t a zero sum game by any means; I seriously doubt the market for cisgender white narratives will ever go away. For many years, the heavy lifting for narratives outside that default has primarily been borne by small press, who did an excellent job despite the many obstacles presented by the realities of the book market. The larger, traditional New York publishers tend to suck all the oxygen out of the room, leaving precious little behind for the small presses–who nevertheless persisted.

And while I have never defaulted to the cisgender white male narrative with my reading, my default still remained lily-white for the most part. Sure, I was primarily reading books by and about women, but at the same time they were always white women. It was quite sobering to realize, upon a closer examination, how segregated my reading was. I have always believed there is no better educational tool than reading, even if you only read fiction. Fiction can be an excellent way of learning about attitudes and life, in general, for people that are different from you; and it was shocking how much I patted myself on the back for my “diverse” habits that was solely about reading primarily female authors. So I made a conscious choice for 2019 to focus my reading more on books by authors of color or queer authors; and it’s been an incredibly joyous and intellectually stimulating enterprise.

There was no reason for me not to have read Walter Mosley before other than subconscious racism, frankly. And I’ve read some truly extraordinary works by writers of color this year, including but not limited to Steph Cha’s Your House Will Pay, Angie Kim’s Miracle Creek, Rachel Howzell Hall’s They All Fall Down, S. A. Cosby’s My Darket Prayer, Kellye Garrett, and so on.

I also hope that this year-long focus has integrated my TBR list, and it will now come more naturally for me to read writers of color or queer ones, without having to make it into a project.

I read Colson Whitehead’s The Underground Railroad several years ago, and while I am not big on magical realism by any means, I absolutely loved the book. It was incredibly powerful, highly imaginative, and beautifully written. He went on to win not only the Pulitzer but the National Book Award; I went to see him interviewed at a special event/signing and was again, terribly impressed with him. I started reading his zombie novel, Zone One, but got distracted by something else I was required to read–I think I had to moderate a panel or something, so I had to read the work of the panelists–and somehow never got back to it. I shall, obviously, correct that oversight. I also have a copy of John Henry Days, which I shall get to eventually.

I was also really excited to get a copy of his new novel, The Nickel Boys.

the nickel boys

Even in death the boys were trouble.

The secret graveyard lay on the north side of the Nickel campus, in a patchy area of wild grass between the old work barn and the school dump. The field had been a grazing pasture when the school operated a dairy, selling milk to local customers–one of the state of Florida’s schemes to relieve the taxpayer burden of the boys’ upkeep. The developers of the office park had earmarked the field for a lunch plaza, with four water features and a concrete bandstand for the occasional event. The discovery of the bodies was an expensive complication for the real estate company awaiting the all clear from the environmental study, and for the state’s attorney, which had recently closed an investigation into the abuse stories. Now they had to start a new inquiry, establish the identities of the deceased and the manner of death, and there was no telling when the whole damned place could be razed, cleared and neatly erased from history, which everyone agreed was long overdue.

All the boys knew about that rotten spot. It took a student from the University of South Florida to bring it to the rest of the world, decades after the first boy was tied up in a potato sack and dumped there. When asked how she spitted the graves, Jody said, “The dirt looked wrong.” The sunken earth, the scrabbly weeds. Jody and the rest of the archaeological students from the university had been excavating the school’s official cemetery for months. The state couldn’t dispose of the property until the remains were properly resettled, and the archaeology students needed field credits. With stakes and wire they divided the area into search grids, dugs with hand shovels and heavy equipment. After sifting the soil, bones and belt buckles and soda bottles lay scattered on their trays in an inscrutable exhibit.

The Nickel Boys is built around a true story; the Dozier School for Boys in Marianna, Florida; the discovery of the secret graveyard by archaeology students and the long history of abuse in the school came to light through some amazing investigative journalism done by the Tampa Bay Times. I read the reporting when first published; I took extensive notes and thought there’s a really good novel in here, filed it away for future reference, and then didn’t think about it again until last year, when I read Lori Roy’s brilliant The Disappearing, which was also inspired by the reporting on the Dozier School; Roy went in a different direction with her story, though, and it was easily one of my favorite novels of last year (if you haven’t read Lori Roy yet, get thee forth to the bookstore or library and get started immediately). When I first read about Whitehead’s new novel, I immediately recognized its inspiration, and having greatly enjoyed his previous book, I made a note to get this one when it was released.

It is quite exceptional, from beginning to end.

It is the story of one of the Nickel boys, Elwood Curtis, beginning with how he came to wind up there–a gross, horrifying injustice that can’t be corrected or fixed, given our broken justice system–and so a promising, bright young boy of color, with plans for college and a future, basically is thrown away by society and wasted (which begs the question: how many more times does this happen, every fucking day?), and then his survival at this brutal, horrific school; how the whites and blacks are segregated, even there, and the aftermath; what happens after he and a friend make a break for it and try to escape so they won’t be killed there.

The best literature is that which shakes your worldview, makes you think, makes you reassess everything that you thought you knew; makes you reevaluate things you believed. This novel is stark and brutal and heartbreakingly real; you root for Elwood to survive, to get past this–gradually you begin to feel that way for all the boys, and your heart breaks for all the potential that was lost in places like Nickel; the endless potential we as a society still throw away daily, because of racism and classism and bigotry.

This is a very powerful novel–one I’ll be thinking about for a long time. Highly recommended.

Respect Yourself

Saturday, and a big day for one Gregalicious.

I have some things to do this morning before I am interviewed around noon for a radio show, after which it’s errands, including the (groan) grocery store. It’s only for a few things, so it shouldn’t be too hideous….yet it is going to be hideous. Sigh. But then I am spending the afternoon watching the Iron Bowl and tonight’s LSU game. Will the Tigers manage an undefeated regular season? We’ll find out tonight.

It’s going to be weird going back to work–these unstructured, do-what-you-want-when-you-want days have been kind of lovely, and addicting. I don’t have any regrets about the things I didn’t get done, either. I went into this week without making a to-do list, and primarily rested, physically, mentally and emotionally.  I’m very happy that I chose to do this, and rested rather than drove myself insane trying to get things done, or playing catch-up. I didn’t do as much cleaning and organizing as I thought I would, but that’s just how the week managed to play itself out. My kitchen is a mess this morning, so I need to get that all straightened up and cleaned, and there’s some laundry to fluff and fold. I also have to pay the bills this morning–another odious chore–but one that cannot be avoided any longer.

There’s also no Saints game tomorrow–so if I want, I can get a lot done tomorrow–whether writing, reading, or cleaning.

Last night I stumbled onto a documentary series on the National Geographic channel about the 1980’s; I’d already watched the CNN docuseries, The 80’s, and tremendously enjoyed it, so as I was killing some time before Paul got home, I settled in and started watching. I’m not much for nostalgia, really; I don’t spend a lot of time looking back on my past or the events of my life too frequently. The past is the past, and while one can learn from it, after all, one certainly can’t change anything that happened in the past. But watching these docuseries is a kind of reminder; and this series was called The Decade That Made Us, which I thought was an interesting take. A lot of stuff that started in the 1980’s, naturally, is bearing fruit today–cell phones, personal computers, etc.–and of course, it’s always difficult to watch and remember the 80’s in terms of HIV/AIDS–you simply cannot do a docuseries about the 1980’s and not mention HIV/AIDS, or remember that it wasn’t, really, that long ago. (Sure, it’s getting further and further into the past with each day, but still–1980 was forty years ago; in 1980 the second world war was only forty years in the past.)

But one of the novellas in progress I am writing, “Never Kiss a Stranger,” is set in the not too distant past; 1994, to be exact. I’ve always written, for the most part, in the ambiguous present, with a few exceptions (“The Weight of a Feather” is one; it’s set in the early 1950’s), and it can be a bit difficult at times to remember, no he wouldn’t have had a computer or cell phone and trying to remember how we functioned without instant, immediate access to each other. (There was a really funny part in the docuseries last night where someone basically said that–“how did we meet up before cell phones? We made plans, days in advance, and included directions like “meet me under the clock at Grand Central at 4″…I had forgotten, or rather just not thought about, that….) It’s interesting trying to remember what 1994 was like, who I was back then and what was going on in the world. My main character is a  gay man who has just retired from the military, having found out he was about to be purged as a gay (gays in the military was a political battle the Clinton administration was fighting back then; “don’t ask don’t tell” was the disgraceful compromise that came out of that fight–but it was, pathetic as it was, better than the previous system, which was dishonorable discharges.) and, with no family left that he’s close to, decides to come to New Orleans to start a new chapter of his life as an openly gay man at thirty-nine, and what that experience is like. There’s some element of crime and suspense to the story, but it’s really about that feeling of liberation when you’re finally free to be yourself, while still living in the shadow of HIV/AIDS. I love the idea of this story, and am having fun writing it, remembering what New Orleans was like back then, and what it was like to be gay in New Orleans at that time, as well.

I may never do anything with it, but I’m having fun writing it, and that’s really the most important thing.

I am seriously considering doing a collection of novellas, like Stephen King’s Different Seasons, but am not sure if there’s a market or an audience for it. I already know what the next novella would be, and then all I need to do is come up with two more.

Heavy sigh. Like it’s that easy, right?

Ah, well. And now back to the spice mines.

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Is This Love

I hope you had a lovely Thanksgiving, Constant Reader!

Here it is, Friday, and the last few days of my vacation, such as it was. I do not intend to mourn not getting anything much accomplished over this week; I did get some things done and for that I am profoundly grateful. I am also truly grateful for the opportunity to relax, rest, sleep, and overall just recharge my batteries; at my advanced (advancing) age that is necessary sometimes.

Yesterday was lovely. In the morning I finished reading Colson Whitehead’s terrific The Nickel Boys (more on that later), which was simply brilliant–I think I liked it better than I liked The Underground Railroad, which I also loved–and then started reading Laura Benedict’s The Stranger Inside, but didn’t get very far into before Paul woke up. (I intend to spend some times with it this morning, once I get this filthy disgusting kitchen cleaned up.) We spent the afternoon watching the first three episodes of Dublin Murders (terrib;e, terrible title), which is based on Tana French’s In the Woods and The Likeness. I’ve not read Ms. French’s work; I do know she is critically acclaimed and enormously popular–but as I always say, too many books and far too little time. I do intend, after watching the first three episodes, that I will most likely now add French to the TBR pile. I do not know, for example, if the show is a faithful adaptation; there were a few things that confused me a bit, but I imagine that is made much more clear in the novels.

We also watched the Saints game (GEAUX SAINTS!). The game was strange and sloppy and weird; the Saints had difficulty scoring touchdowns, and at the last minute it looked as though the Falcons’ furious comeback attempt might actually succeed. However, the Saints defense looked pretty amazing for the most part, and they stepped up to sack Matt Ryan on a fourth down that pretty much ended the game, with the Saints clinching the division and guaranteeing that at least their first play-off game will be in the Superdome.

As I have said before, it’s been a banner year for Louisiana football fans, between the Saints and LSU.

After the Saints game, we tried to start watching the AMC adaptation of Joe Hill’s NOS4A2, but couldn’t really get into it. I tried reading the book, but couldn’t get into it, either. I also tried with Hill’s Horns, both book and film, to no avail. Hill is a fine writer–I absolutely loved the short stories of his I read during last year’s Short Story Project–and I want to like his novels, but am afraid they just aren’t for me. I’ll undoubtedly continue reading his short fiction, and will undoubtedly try to read his novels again at some other point.

I’m also sorry I missed the bizarre end of the Mississippi-Mississippi State game; I considered switching over to it after the Saints game ended, but as I am not a fan of either team…it’s hard to watch a game simply for the joy of watching a well-played football game if you can’t root for one of the teams; I always try to pick a team in any game I’m watching when I am not a fan of either….but wasn’t up for it last night. Apparently the Rebels scored a potential game-tying touchdown in the closing seconds, and simply needed to kick an extra point for overtime. But one of the Rebels’ players mocked the Mississippi State team by going down on all fours and lifting his leg, like a dog peeing on a fire hydrant (the MSU team name is Bulldogs) and they got flagged for a fifteen-yard penalty….and then missed the extra point, so game, set and match to the Bulldogs. An incredibly stupid thing to do in the heat of the moment, although I do feel a little sorry for the player–as he will never ever live that down.

No matter how frustrated I get with college players, I always try to remember they are really just overgrown kids; most of them still in their teens.

Tomorrow will be a big day of football–with Michigan-Ohio State, Alabama-Auburn, and then LSU-Texas A&M; so I doubt I’ll get much done tomorrow. I do have some errands to run in the morning–prescriptions, mail, possibly grocery store–and after that I’ll be parked in my easy chair watching college football and reading during breaks. There won’t be a Saints game on Sunday, so I intend to spend that day trying to get organized and figuring out my writing schedule for the rest of the year–although I’ve not had much luck with scheduling writing this year so far, have I? But I do believe I’ve cracked the code of the current manuscript as well as the one on deck, and it’s just now a matter of writing it all down or correcting the computer files and pulling it all together.

Sounds easy, at any rate, doesn’t it?

And now to do these dishes, start my review of The Nickel Boys, and back to reading the Benedict novel.

Have a lovely day after Thanksgiving, Constant Reader!

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