Reelin’ in the Years

Sunday morning, and times keeps on slippin’, slippin’, into the future.

I slept in this morning–this life of “sorta leisure” is one that I could easily adapt to–and now sit, inside my condensation-covered windows, sipping my morning coffee and reflecting on what the day ahead has in store for me. I finished both interviews yesterday–despite the best attempts of my computer to thwart me, with freezing programs and even an operating system that locked up at one point, requiring me to force-restart the thing–but this morning, it appears to have updated its operating system overnight and is running quite smoothly this morning. I am not, of course, taking this as a sign that this latest update may have removed the bugs from the operating system–this has been a consistent problem since the Mojave update back in December, which created the Great Data Disaster of 2018, from which I still seem to not be completely recovered from–because it’s still early in the day and there’s plenty of time for this thing to malfunction all over the place yet. It did make doing the second interview difficult, but I finally managed to get it saved and emailed off yesterday. I have to do that group thing yet today–I was going to do it  yesterday but after all the functionality problems I was facing, thought it probably best to not try to do the round table and push it off until today. I also need to work on some fiction writing today as well, and of course, I have a toothache again, one of the few molars I have left, and it’s making chewing a bit of a challenge.

Yay, vacation.

I also want to start reading Laura Lippman’s Lady in the Lake today; alas, while I was watching things on the television yesterday I got sucked into City of Nets–and there’s nothing more distracting for me than Hollywood history. I read about half the book yesterday–sometimes making notes, other times just getting enthralled in the story–and around nine last night I thought, oh, I should be reading Laura’s book but instead couldn’t stop reading about Hollywood corruption and morality. I’ve always been interested in Hollywood history but have never really thought about writing it–I’ve always been reluctant to write much of anything not set in the present day–but I’m slowly coming around to writing recent history. As I said in one of my interviews, I am working on something set in 1994–“Never Kiss a Stranger”–and immersing myself in that period whenever I can, and originally went there for my story “A Whisper from the Graveyard.” As a result I am finding myself vastly interested in writing about the recent past–so much has changed in so quickly a time that it’s really amazing; the 1950’s, for example, might as well have been 1776. (Which, of course, reminds me that my story “The Weight of a Feather” is set in the early 1950’s/late 1940’s; not specifically in any year, but it’s definitely that post-war time.)

But I hope to get my round-table participation finished this morning, and then I am going to work on “Moist Money” for a little while, and then perhaps start Chapter 23 of Bury Me in Shadows. I’d like to get the first draft finished before September 1; and I’d also like to get to work on some other things that are just hanging around. I’ve already been much more productive than I’ve been on any of my previous long weekend vacations, which is a lovely sign, and I absolutely must get moving.

The end of the year will be upon us before we even know it.

I mean, LSU’s first football game is merely a couple of weeks away; and the Saints are already going through their preseason games. Football season is nigh; and shortly behind it will come the cooler weather. This summer hasn’t been that bad–despite the series of heat-advisory days we’ve been dealing with this month–and the river is finally no longer in flood stage, which is lovely and a bit of a relief; when the river is in flood stage there’s always this sense of impending doom hanging over our heads.  I would like it to get cooler, because I do want to spend some time exploring the Quarter–it’s been a hot minute–just to see what down there is different and what has changed; I used to work a block away, for example, from where Scotty lived and I could walk down there and check out his home and the rest of his block from time to time. It’s going to be awhile before I start writing another Scotty novel, and one of the things I do want to address/tackle in the new Scotty is the gentrification/short term rental issue; which will also require bringing back one of the characters from Royal Street Reveillon. (I do this often; bring characters back from previous books to impact the current one. Life kind of does that, too, so it only makes sense from a realistic standpoint to do this periodically.) But I’ll probably write the Chanse before the next Scotty; once I get all these partial novel manuscripts out of the way and submitted I am going to focus on writing Chlorine, then the Chanse, and then the Scotty. So, really, I need to be reading Hollywood history this fall, so I can be prepared to write Chlorine. 

As I love Hollywood history, this is not going to be a horrific chore. I also think I can justify reading James Ellroy’s L. A. Confidential as well for research.

It will also give me an excuse to reread In a Lonely Place by Dorothy B. Hughes, which will always be a pleasure to read. (I also have some other Hughes novels on hand, and the entire canon of Margaret Millar, which I would also like to  finish working my way through)

And on that note, I should probably get back to the spice mines. If I work on the round table for a bit, I can justify spending some time with the new Lippman novel.

Have a lovely Sunday, Constant Reader.

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Do It Again

Here it is, Saturday morning and I am awake and on my first cup of coffee. I have things to get done today–two interviews and a roundtable (the round table is terrifying; I looked at the questions and I’m not really certain I am smart or knowledgeable enough to participate, but I said I would and I never back out of things I agree to–or rarely). It’s weird, one would think I would love the chance to talk about myself and my writing as they are basically my favorite subjects, but it always makes me feel, at best, awkward and at worst, deeply uncomfortable.

All that childhood conditioning against arrogance and bragging, I suppose.

I didn’t quite finish cleaning out my inbox yesterday–in fact, I didn’t get even remotely close to cleaning it out, so it’s going back to the list for today. I need to get the mail and I need to make a short grocery run this afternoon, and I would like to go to the gym and try to get started on a regular workout routine again, but that becomes even more difficult given the heat advisory. But thinking about going to the gym, while not the same thing as actually going, is a step closer to getting there, I suppose. I also need to stop by Office Depot to buy some padded envelopes; the arrival of the box o’books also means signing and mailing out copies I owe to friends and reviewers and so forth. Signing and packaging the books is a chore, but I don’t find it as odious as one might think.

Yesterday, as you already know, Constant Reader, I finished reading S. A. Cosby’s delightful My Darkest Prayer, and I am very thrilled and happy to know that he recently signed a two-book contract, so I can look forward to new work from Shawn in the future. Yay! I love discovering new writers, and I love when they have new work. I do have this insane thing where I try not to finish reading everything an author has published so I always know there’s one more book by them to read–I was looking at my bookshelves yesterday as I reorganized the living room, realizing there are still three Kinsey Millhone books by Sue Grafton I haven’t read yet, and was saddened again to know that those will always be the last three Sue Grafton novels, and actually was thinking I should, at some point, start reading the books to clear them off the shelves. I am already at the point with some of my favorite authors, like Laura Lippman and Megan Abbott, where I have finished everything they’ve published (Lippman’s new one, Lady in the Lake, is on deck and I am probably going to start reading it today). I am also behind on some of my favorite authors–I was caught up on Donna Andrews, but I read for the Edgar Award for Best Paperback Original last year, which put me behind on everyone who wasn’t in that category last year (some of which I want to go back and reread, taking my time to savor them the way I ordinarily would), and I am also years behind on numerous authors I enjoy…but new books are being released every damned day. Sigh. There’s simply never enough time.

In my review of Shawn’s book, I wrote about something I truly believe–and the more I diversify my reading in my own genre, the more I believe it to be true. I believe that women writers saved the crime genre in the 1980’s, and while they are still doing some serious heavy lifting, the diverse voices of authors like Shawn are reinvigorating and reinventing the crime genre, and breathing new life into it. (I’m really looking forward to October, when I will switch to reading horror, and reading novels by diverse voices in that genre–there are some new and exciting people of color writing in that genre…plus, reading horror will further diversify my reading by taking me outside of crime for a month.) Some of the diverse voices I’ve read thus far this year–Kellye Garrett, Rachel Howzell Hall, Walter Mosley, Steph Cha, Angie Kim, etc.–are doing extraordinary work that needs to be recognized, promoted, and pushed by all of us; they are breathing new life into our genre, as are women writers like Laura Lippman, Alison Gaylin, Megan Abbott, Jamie Mason, Elizabeth Little, and many, many more. And while I often generically refer to the “straight white men”–let’s face it, some of today’s men are writing exceptional work, too–Ace Atkins, Bill Loefhelm, Michael Koryta, to name a few amongst many. I think this is a very exciting time for crime fiction, and I look forward to reading more work by queer writers, as well. I’ve not gotten to some of the newer queer crime writers yet, which I am going to try to focus on more in the latter part of the year. I am really looking forward to Kelly Ford’s Cottonmouths, as it is a queer novel by a queer woman set in the rural South; something I can certainly relate to.

I kind of had a lackadaisical day of rest yesterday, really, where I accomplished little other than reading my book and doing the laundry, and couldn’t really motivate myself to do much more than that–I did make a delicious shrimp stir-fry for dinner last night, though–and we watched two episodes of The Movies last night, “The 80’s” and “The 90’s.” There’s only one more episode left, unless they release “The 50’s,” which is also a rather interesting period in the history of film. I started reading, for research, City of Nets: A Portrait of Hollywood in the 1940’s, by Otto Friedrichs (recommended by Megan Abbott), and it has a lovely bibliography in the back which should be enormously helpful for further research into the time period. I also have a copy of E. J. Fleming’s The Fixers, which should also come in handy for research; again, as a starting place with the gold mine of a bibliography in the back.

So, here’s hoping that today will be that unusual thing; a highly productive, but at the same time, a restful day. Last night’s wonderful sleep is, of course, a wonderful basis for the rest of my day.

Have a lovely Saturday, Constant Reader.

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Ramblin’ Man

I grew up reading and loving crime fiction (same with films and television shows), from the kids’ series to the stand-alone stories I could buy through the Scholastic Book Fairs. I moved on to Ellery Queen, Charlotte Armstrong, Agatha Christie, Phyllis A. Whitney, Mary Stewart, Victoria Holt, and Erle Stanley Gardner as I aged out of the kids’ mysteries, but towards the tail end of the 1970’s, as I approached adulthood the crime stories being published no longer held much interest to me; I still read Holt and Stewart and Whitney other books usually referred to as “romantic suspense”; the stories with the straight white male experience centered were of less and less interest to me. The genre was growing stagnant in my eyes; even the later Whitney and Holt novels didn’t hold as much appeal as their earlier works did.

But the 1980’s ushered in a new era for crime fiction, as women stepped up and reinvigorated the genre, with writers like Sara Paretsky, Marcia Muller, and Sue Grafton taking the old tropes long-since grown tired and worn, and breathed fresh life into them by centering women and their point-of-view; hard-boiled tales of tough women who took no shit and were just as strong and intelligent and kick-ass as their male counterparts.

The crime genre is thriving currently; women continue to do extraordinary work in our field, but one of the more exciting developments in their wake is the work that traditionally marginalized voices have been doing. I myself noted towards the end of last year that I needed to diversify my incredibly lily-white reading list, and started added diverse voices into my selections, the new crime fiction, and I am so excited to see writers of color and queer writers breathing new life into our genre. It has been an education, from the brilliance of Steph Cha and Angie Kim, through the authentic and original voices of Kellye Garrett, Walter Mosley, Rachel Howzell Hall, and now, S. A. Cosby.

my darkest prayer

I handle the bodies.

That’s what I say when people ask me what I do for a living. I find that gets one of two responses. They drift away to the other side of the room and give me a nervous sideways glance the rest of the night or they  let out a nervous laugh and move the conversation in another, less macabre direction. I could always say I work in a funeral home, but where’s the fun in that?

Every once in a while, when I was in the Corps, someone would see me at Starbucks or that modern mecca Wal-Mart in my utility uniform. Sometimes they’d catch me in my dress blues after a military ball just trying to grab something before heading back to the base. They would walk up to me and say, “Thank you for your service.” I’d mumble something like “no, thank you for your support” or some other pithy rejoinder, and they would wander away with a nice satisfied look on their faces. Sometimes what I wanted to say was, “I took care of the bodies. The bodies with the legs blown off or the hands shredded. The bodies full of ball bearings and nails and whatever some kid could find to build his IED. I loaded the bodies up and dragged them back to the base, then went out on another patrol and prayed to a God that seemed only to be half-listening that today wasn’t the day that someone had to take care of my body.”

But I don’t think that would have given them the same warm and fuzzy feeling.

My Darkest Prayer is a debut novel for an amazing new voice, one that needs to be heard, and one I am looking forward to reading more from. It’s as hard-boiled as they come; as I read I heard echoes of influence from writers as disparate and diverse as Ross MacDonald and Walter Mosley; our hero Nathan Waymaker is a former Marine who now works–and lives–at a funeral home–he indeed, as he states so clearly in his opening sentence, handles the bodies.

I don’t know if there are many crime novels or crime series where the main character works in a funeral home, but if My Darkest Prayer is an example of the sub-genre, I’m here for it.

Nathan is, as I mentioned, a former Marine, a current funeral home employee, and a resident bad-ass. He’s got some baggage of his own–his parents were killed by a drunk driver, whose father was a bank president, and all the evidence “disappeared”. As the book opens, a local preacher, head of the local New Hope Baptist Temple in a neighboring town, Esau Watkins. Esau used to be a petty crook before finding the “light”–but Nathan is pretty sure it was all a con–and although the death is ruled a suicide, handling the body Nathan is also pretty certain it was murder–and the same crooked sheriff’s department that covered up his parents’ deaths is also covering up the truth about how the good reverend met his end. One of the ladies from the Temple offers Nathan a couple of grand to ask questions and to help figure out how the good reverend came to his end…and soon, we are being led on a fast-paved thrill ride involving orgies, porn stars, megachurches, corrupt cops, and blackmail.

I enjoyed the hell out of this book, and can’t wait to read more of Cosby’s writing. This book is unsentimental and sometimes harsh as it explores issues of faith, spirituality, class and race; and there are so many simple truths stated so baldly and honestly that it’s not only refreshing but a revelation.

“No one ever buries an evil man,”  he said.

He was a short tank of a man with broad shoulders and a wide chest.

Nowadays, the refuge was becoming a ghost town. With desegregation came freedom. Freedom gave birth to choices. Now brown and black people could go to the mall, to the beach, to the movies relatively certain they wouldn’t be lynched or beaten. Most of the time.

This is a simply extraordinary debut novel, and as I said, I’m really looking forward to Cosby’s next novel.

Kodachrome

Friday morning bliss.

It kind of feels like Saturday, which means I’m going to soon be completely disoriented, with no idea what day it is any day. Which is kind of lovely; I rather enjoy being a little off-kilter. It’s one of my many peculiarities; the vast number of weird idiosyncrasies housed inside my head. I didn’t sleep well at first last night, so I took something around two in the morning to help me sleep, so I wound up sleeping later than I usually do and am still a bit groggy this morning. While this is most definitely not a terrific start to my long weekend mini-vacation, I am going to roll with it. I am going to keep drinking my coffee, eat a little something (I forgot to eat yesterday, so my stomach is empty and deeply unhappy with me this morning), and perhaps retire to my easy chair a little later on to finish reading S. A. Cosby’s  My Darkest Prayer, which I am really enjoying.

I just hate that I have so little time to read during the week anymore. Books continue to pile up and the TBR pile grows like kudzu over a field in Alabama. But it’s okay; it’s always been that way around here; never enough time to read everything I want to read. That’s what it would say on my tombstone, were I to have one: NEVER ENOUGH TIME TO READ. (I do not intend to be buried or have any kind of tombstone/marker/any such thing; I want to be cremated and the ashes spread into the Mississippi River at Jackson Square–after all my organs are harvested)

I also suspect, given how groggy my body still feels (that first cup of coffee worked only on my brain thus far) that I most likely won’t be leaving the house today, other than taking recycling and/or garbage to the cans in the front of the house. I like those days, really; if I were given a choice I would probably never leave the house, which is one of the many reasons it’s probably best that I never have a work-at-home job ever again; I would never interact with people outside the artificiality of social media.

I do intend to write today–I have a couple of interviews I need to get done–and I’d like to maybe even get started on my next chapter of Bury Me in Shadows–and there are a ridiculous amount of emails that need to be answered or deleted in my various inboxes. A ridiculous amount–I’ve let them slide all week knowing I had a five-day weekend with which to deal with/answer them. I’m also going to launder the bed linens (it’s Friday, after all) and there’s also a load of laundry in the dryer that’s going to need to be folded and put away. The kitchen/office is messy–at least, it needs to be straightened up, and I of course need to move that stack of books off the counter, where I placed them in order to pose them for the obligatory stack of copies of the new book photos, which I took Thursday morning, methinks, or Wednesday night; I cannot be certain of when I precisely did take the pictures, as well as put together the stack of books to send to people to whom I owe copies of the book.

Which also means I need to go get envelopes to put them in–which means venturing out into the heat advisory to get them from the Office Depot on St. Charles. Heavy heaving sigh. I suppose there are worse things? I was also thinking it might be fun to get a pizza from That’s Amore this weekend (it IS my birthday weekend, after all), but that might need to wait until Saturday or Sunday.

Last night we watched Animal Kingdom, and after Paul retired upstairs to do his usual “night-before-work” prep, I watched a documentary about Bob Fosse on Youtube; Steam Heat, which was rather interesting. (As you might be thinking, my interest in Bob Fosse–and Gwen Verdon–came from watching Fosse Verdon, which was spectacular.) I find the Fosse choreographer/director aesthetic interesting; and I’ve also enjoyed watching old clips of Gwen Verdon performing live–there aren’t many, unfortunately; particularly when you consider she was one of the biggest Broadway stars of her time; she won more Tonys than any other major stage diva, including Ethel Merman and Mary Martin, but isn’t as well known as they are to modern audiences. Verdon’s virtuosity and charisma doesn’t come across as completely on film as it must have on stage, but you cannot help but admire the commitment and the dance ability she displayed. I was telling Paul how ubiquitous the music from Sweet Charity was at the time it was playing on Broadway. Everyone knew “If They Could See Me Now” and “Hey Big Spender”; it was interesting watching a clip of the latter from the film version and realizing that I knew all the words, every beat of the song, and every highlight–simply from watching variety shows on television in the late 1960’s.

And let’s face it–even the film version of Cabaret was right up Verdon’s alley had she been young enough; Sally Bowles is the kind of role she inhabited to perfection.

Which reminds me, I would like to watch Cabaret again. I watched it again a few years ago, for the first time since I was a teenager (when I didn’t get it at all; but was watching the disemboweled ‘cut-for-television’ version, where the bisexuality was completely erased from the film, which also removed the sense from the story), and was enthralled by its absolute brilliance. (I still think The Godfather is a far superior picture, but can see why Academy Awards voters went for it in so many categories at the time instead of voting for The Godfather.)

And maybe I should reread The Berlin Stories by Isherwood again. I did read most of the Isherwood oeuvre back in the day, but would probably appreciate his work more now than I did when I read them.

All right, I am going to go sit in my easy chair and read My Darkest Prayer for the rest of this morning.

Have a lovely Friday, Constant Reader.

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Do You Wanna Dance?

VACATION!

I’m in the Lost Apartment and I am home and I am vacation for the next five days. Sing hallelujah!

I’m planning on not doing much of anything today–just rest up, relax, and get some shit done around here–cleaning and organizing, mostly–and not even going to try to read or write anything today. I have to admit I am a bit fried from this past work week, more so than usual, but it’s most likely the hangover from finishing the big project this past weekend.

And you know it doesn’t kill me to take some down time every now and then.

But I do want to spend the next five days polishing off Bury Me in Shadows, I want to finish reading My Darkest Prayer and read Laura Lippman’s Lady in the Lake, I want to get some other writing done, and I want to clean out my kitchen cabinets and reorganize the books on the laundry room shelves. I need to ship some copies of my book out to people I owe copies to, and I want to do some research on Civil War letters for a short story I’m writing. I also have two sets of interview questions to answer, and some interview questions to write, and there’s a round table discussion I agreed to participate in that I keep meaning to do and then forgetting to do because I never put it on any of my to-do lists–but I’m hopeful that mentioning it on here might do the trick of triggering my mind to remember about it. One can hope, at any rate.

Or…I may not do a goddamned thing.

That’s also a possibility.

I cannot believe my birthday, which has always served as a reminder to me that the year is coming to a close, is almost here. But there you have it. Time slips past so quickly these days. I’ll be fifty-eight. I think I look okay for my age–people always think I’m younger than I am, or are just incredibly kind–and even if I am deluding myself, who am I hurting? Nobody, that’s who, and if you don’t like it, I don’t care.

I love that the older I get the less I care about things that used to matter so much to me, and find it so hard to believe I ever gave those things a second thought.

And now, I am off to my easy chair to begin my fabulous long weekend.

Later, bitches,

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Why Can’t We Live Together

Wednesday! What a lovely day, as the countdown to my long birthday weekend begins. Just one full day at the office today, and then a partial day tomorrow, and then it’s vacation time for me. Huzzah! Huzzah! Huzzah!

It’s funny–I am doing this Facebook challenge, where you share the cover of a book you enjoyed reading every day for seven days, with no comment, review or explanation. I am doing books I loved the hell out of reading, and started with Valley of the Dolls (of course) and The Other Side of Midnight, and yesterday’s was Grace Metalious’ Peyton Place, which is long overdue for a reread. (For that matter, I should reread both Valley of the Dolls AND The Other Side of Midnight as well; I’ve not read a Sidney Sheldon novel since the 1980’s–I think the last of his I read was Windmills of the Gods.) Another book due for a reread is today’s choice, Thomas Tryon’s The Other, which is, quite simply, superb and remains one of my favorite books of all time to this day (maybe I’ll treat myself to a reread this coming long weekend?).

I wrote nary a word yesterday–not one single word, unless you count yesterday morning’s blog, of course. I never count the blog in my daily writing totals, by the way; I always see it as more of a warm-up exercise for writing, any way, a tool I use to get the words flowing and forming in my head so that throughout the day I can, whenever I can, scribble some words down. I slept deeply and well again last night–huzzah!–and with two successful night’s sleep, should be able to get home and write tonight after work (I was exhausted again last night–the twelve hour days are becoming a bit much for my aged self, methinks). Paul and I relaxed last evening and watched “The 60’s” episode of the CNN docuseries The Movies, which is a very interesting decade of America history, particularly when you look at, for example, the path of American film in that decade. (I also recommend Mark Harris’ Pictures at a Revolution, which is about the five films nominated for Best Picture in 1967, a true turning point for American film, where the last vestiges of the studio system were finally being swept away and a new, uncertain era for American film was set up.)

It’s an interesting journey from the days when Doris Day’s was the biggest box office star with her sex comedies to seeing Midnight Cowboy win Best Picture.

This morning, after I finish this, I need to do the dishes and I need to run get the mail on my way to the office. I have some books arriving, thanks to cashing in my health insurance points (it’s a long dull story; suffice it to say that my health insurance has a program where doing healthy stuff and taking care of yourself properly earns you points, and you can then use those points for gift cards; I chose Amazon so I can get books.) Some have already been delivered, others should be arriving today and hopefully will be there by the time I head down there–I got another copy of Highsmith’s The Talented Mr. Ripley, because I want to reread it and write an essay about the sexually fluid Ripley–along with the new Silvia Moreno-Garcia horror novel, Gods of Jade and Shadow, and Richard Wright’s Native Son.  I read Native Son when I was in college for an American Lit class….and I’d really like to give it another read when I am not being constantly bombarded with foolish professorial pronouncements about its meaning and symbolism from an old white man and a bunch of racist white students.

I also need to read more James Baldwin, and I need to read these Chester Himes novels in the TBR stack as well. I also need to finish reading My Darkest Prayer. Perhaps today between clients? Perhaps, perhaps, perhaps.

Heavy heaving sigh. There’s simply never enough time to read.

I was thinking the other day that, in a perfect world for me, my days would be get up in the morning, answer emails and do other on-line duties, write for the rest of the morning and the early afternoon, run errands, go to the gym, and then come home to read. Doesn’t that sound absolutely lovely? It certainly does to me. But alas, this is not a perfect Greg-world and I have to go to a day job Monday through Friday, but at least my day job is one in which I help people every day, which does make it a lot more palatable. I can’t imagine how miserable I would be if I had a job that I hated. I actually don’t hate my job, and consider myself lucky as one of the few Americans who don’t; my only resentment is the time spent there could be time spent reading or writing, which would be my preference.

And on that cheery note, tis back to the spice mines with me. I need to get Chapter 23 written and be one step closer to finished with Bury Me in Shadows, and I’d also like to get some words written on “Moist Money” today–“The Spirit Tree” can wait.

Have a lovely Wednesday, all.

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Hocus Pocus

Tuesday morning, and I somehow managed to survive yesterday. Sunday night’s sleep wasn’t terrific, and by the late afternoon I was plenty exhausted and tired. I had to persevere, and what’s more, I was interviewed for a podcast last night when I got home from the office. Somehow I managed to get through that, and within half an hour of disconnecting from Skype, I was in bed and asleep within moments. Last night’s sleep was quite lovely–I feel amazingly rested this morning–and so this day might not be as terrible as the previous.

Today is going to be a good day.

I started writing two new short stories yesterday, “The Spirit Tree” and “Moist Money.” “Moist Money” is for an anthology I was asked to write a story for; it finally came to me sometime either Sunday evening or sometime during the day yesterday, and I scribbled down the first two paragraphs in my journal, which I transcribed yesterday, and then added another couple of hundred words. “The Spirit Tree” was inspired by moving books around on Sunday, and one of them–a nonfiction book about snake-handling churches in southern Appalachia–I opened the cover and looked over the first page–which was about “spirit trees”; trees that rural Appalachian folk, superstitious and religious as they are, create to keep bad spirits away. What they do is put glass bottles on tree branches, so the bottles clink together in the wind (“warriors, come out and play”) and the sound the glass tinkling against other glass makes supposedly scares away evil spirits and keeps them from infesting the house. I hadn’t thought about spirit trees since I was a child, and I thought, not only is that a great title, I can actually think of a rural noir story to write that matches it. Yesterday I got down about five to six hundred words of the opening; this is a story, I think, I might try to sell to Ellery Queen or Alfred Hitchcock when finished. I was too tired to do much more than write the openings of both stories last night; but I am hoping to get more written on them this week. I also need to get those three chapters of Bury Me in Shadows written, so it can sit and percolate for the next couple of months until I can get back to it.

It’s also weird to think Royal Street Reveillon will be out into the world next month. It seemed like it took me forever to write that book, and I guess it kind of did? But it’s nice; I’m glad to be putting another Scotty out there into the world, and I’m also not sure when I’m going to write the next one. I already know what it’s going to be–Hollywood South Hustle–but I’m just not sure when I’m going to get to it. I want to, as I have said in previous blogs, get all these books about teenagers I’m in some stage of writing cleared off my plate and out into the world before I start writing anything else–a cleansed palate, as it were–and keep writing my short stories and essays along with writing those. I’d love to get my second short story collection out into the world by 2021–that would be the one I’m calling Once a Tiger and Other Stories–and I also want to get “Never Kiss a Stranger,” a novella, finished sometime before the end of the year, as well as “Fireflies,” my horror novella, as well.

So much to do, right? And I really need to proof Jackson Square Jazz so the ebook can finally go up for sale again. Maybe I can make that a goal of my long weekend for my birthday? Stranger things have happened. I really need to get all these things that are hanging over my head finished and out of the way, so I can focus more easily on writing Chlorine next year.

And on that note, I am heading back into the spice mines. Have a lovely Tuesday, Constant Reader.

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