Set Adrift on Memory Bliss

Ideas, swirling around in my fevered brain.

LSU handily defeated Ole Miss last night in Tiger Stadium, 45-16, and it could have been much, much worse; twice the Tigers fumbled on potential scoring drives inside the Ole Miss ten yard line; they also missed a long field goal. One of those fumbles turned into touchdown scoring drive for Ole Miss….so the final score could have been 62-9. But it wasn’t, and whether Ole Miss is a terrible team or not, one thing was for sure: I had a feeling this was the game when our quarterback was going to step up and show us what he could do, and he fucking did. The tough part of the schedule–Florida, Georgia, Mississippi State, and Alabama–is now looming large; but I think we will still wind up doing far better than pre-season predictions had us doing, and look out for the Tigers next year.

I spent most of yesterday relaxing and cleaning while college football games played on the television; I should have spent some time reading Circe (will make up for that error today), and brainstorming ideas for future works. I keep getting short story ideas, which is precisely not what I need right now, and ideas for new books to write, which I also don’t need right now. But this is all part and parcel of kicking my creativity into gear again with this Scotty revision; I am glad I decided to write it off contract as well as letting it sit for a while rather than the way I’ve been doing things, which is write write write edit edit edit revise revise revise miss deadline finish okay. I’m glad I had the time to let the book sit and simmer before getting back to work on it again; I am of course terribly behind, but I am confident that by the time Halloween rolls around this version will be finished, and then it just will need a firm copy edit to get it ready for publication and getting turned in.

And then i can focus on writing Bury Me in Satin. I also want to get back to work on the WIP; I think a y/a novel about rape culture in a small Midwestern town with an enormously successful high school football team is still timely, even if I had the idea originally many years ago after the Steubenville case. I have an idea for another book, along the same lines, swirling around in my head, about sexual abuse of minors as well…but that one’s going to be a while in the future. I also want to write my noir, Muscles.

There is literally so little time. I wish I was a) more motivated to work and b) had more time to work. But that situation isn’t going to change any time soon, so I need to get over it and make better use of the time I have. I don’t regret taking yesterday as a day to myself, to relax and do mindless things and watch football and clean and let ideas form in my head. My biggest fear, of course, is that I will never have the time to write everything that I want to write, and that is a very real fear for me.

It would help enormously if I stopped getting new ideas, of course.

But that ain’t going to happen.

And now, speaking of better utilizing my time, it’s time to get back to the spice mines.

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Jump Around

St. Petersburg, Bouchercon, the second full day of my stay here. My first panel is in two hours; the Sex Panel, titled a “nooner.” I have a Keurig in my room, and part of yesterday’s adventures included a trip to Target in Tampa (it’s a really long story) so I was able to get the kind of Keurig coffee pods I like as well as some of my creamer, and so I am having a great time in my room this morning. I have trouble falling asleep in hotel rooms, and this morning I fell asleep finally around three-ish, but since I didn’t have to be up early I slept late and then lounged in bed swilling coffee and continuing to read The Gates of Evangeline, which is wonderful.

Yesterday was my first full day here, and I had a marvelous time running into friends and laughing at many points until my sides ached and tears flowed from my eyes. The Coat of Many Colors event was remarkably well-attended for something at the ungodly hour of nine a.m., and the anthology signing was a delight. It was so lovely meeting some contributors for the first time, and seeing others again. I am very proud of Florida Happens, and I certainly hope all of you will get a copy and read the truly fine stories in it.

This afternoon (and really, today) is going to be insane. I have three panels and I am running for a seat on the Bouchercon board, after which I am going to some publishers parties so I am going to be on the go-go-go all day.

There will be a full report with pictures when I get home.

And now back to the spice mines.

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Sweet Freedom

Ah, Monday, which this week is my short day. I didn’t (of course) get as much done this weekend as I would have liked; but the truth of the matter is I really need a day to run errands and do chores–which exhausts me–and then another day to just chill out and relax to get ready for the next week. But I am not beating myself up over not getting things done as planned any more; a to-do list is merely a list of things that have to be done at some point, without deadlines and/or pressure. (Well, actual deadlines do have to be followed, but you know what I mean.) I did spend the weekend getting caught up on things I watch (Animal Kingdom) and some movies I’ve always meant to watch (The Faculty, which was amazingly and gloriously ridiculous) and an absolutely brilliant documentary about Psycho (78/52: Hitchcock’s Shower Scene) and how it changed everything and influenced everything that came after it. It also called to mind how Anthony Perkins deserved the Best Actor Oscar that year and wasn’t even nominated–one of the biggest crimes in Oscar history.

I also did some reading; I read some short stories, which was fun, and I also read more of  Lou Berney’s November Road, which I am trying to read slowly, so as to savor every word and every moment. It really is brilliant; I have to say this is a top notch year in the world of crime fiction, with terrific novels being released left and right–this year has also seen Laura Lippman’s Sunburn and Alison Gaylin’s If I Die Tonight, with Lori Roy’s exceptional The Disappearing and Megan Abbott’s Give Me Your Hand being released this week, and so many amazing others I haven’t gotten to yet. My reading isn’t as public or as frequent this year as I would like, simply because I am judging an award yet again so am trying to focus on reading for that–hence the Short Story Project–and I worry that the great books are going to continue to stack up in my TBR pile, and thus defeat me in the process of ever catching up.

I really need to stop agreeing to judge prizes.

One of the stories I read yesterday was “Almost Missed It By A Hair” by Lisa Respers France, from Baltimore Noir, edited by Laura Lippman:

Had it not been his body in the huge box of fake hair, I like to think that Miles Henry would have been amused.

At least, the man I once knew would have seen the humor in it: a male stylist who made his fame as one of the top hair weavers in Baltimore discovered in a burial mound of fake hair at the Hair Dynasty, the East Coast;s biggest hair-styling convention of the year. It had all the elements that guaranteed a front page in the Sunpapers, maybe even a blurb in the “Truly Odd News” sections of the nationals. Television reports swarmed the scene, desperate for a sound bite from anyone even remotely connected to Miles. Yes, it all would have been sweet nirvana to Miles, publicity hound that he was. If he had lived to see it.

I knew him pretty well. I knew him when he was Henry Miles, the only half-black half-Asian guy in Howard Park, our West Baltimore neighborhood. His exotic looks ensured that he never wanted for female attention, although they also made him a target for the wannabe thugs who didn’t much cotton to a biracial pretty boy spouting hiphop lyrics. He was a few years older than I was, so our paths crossed only rarely. Besides, he was the neighborhood hottie and I was a shy chubby teenager with acne. The different in our social statures, as well as the difference in our ages, limited us to the socially acceptable dance of unequals. Meaning, I stared at him and he didn’t know I was alive. It was only when we were grown and found ourselves cosmetology competitors that we began to talk to each other.

This is a great story, and yet again further proof of how important the voices of diverse writers are. A murder that takes place at a convention for African-American hair and nail technicians? And frankly, I can’t remember the last time I enjoyed a short story as much as I enjoyed this one. I know nothing –or at least, very little– about African-American hair, although I know it’s a very fraught issue. But from the wonderful opening of the discovery of a dead man’s body in a box of fake hair all the way through the finish, the authorial voice is strong, and what makes it even stronger is how she deftly explains, in a non-info-dumpish way, about weaves and wigs and styles and hair sculpting and everything that goes into what women of color deal with when it comes to hair.

Brilliant, and brava.

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All I Need is A Miracle

Friday, and is it ever miserably hot in the city today. Of course, it’s July, so it’s to be expected, but nevertheless it is such an awful bitch slap whenever you go outside. I keep forgetting to put extra socks in my backpack, which is completely and totally necessary. Tomorrow I have an insane amount of errands to run, as well as trying to squeeze in a gym visit, but then I’ll spend the rest of the weekend cooped up inside the apartment, cleaning and writing and trying to get organized–which is the endless battle, of course. I did thoroughly clean the kitchen the other night–I had some extra time and I was seriously dreading getting to the weekend with a week’s worth of mess piled up in there. So, I am a little bit ahead, but not much.

But any bit ahead is a good thing.

I’ve also fallen behind on my writing this week; no big surprise there. Being tired all day Tuesday didn’t get my week off to a particularly good start, and it’s kind of never recovered from there. I do have a short story that I need to get finished this weekend, so that is going to be my primary focus, and then I am going to get back to work on revising Scotty and fixing the WIP. In other news, water is wet.

I also have to revise a column I wrote, which I will try to get done after work tonight.

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True Colors

I wrote this entry two years ago, in the wake of the Pulse shootings.

06/16/16

The phone ringing woke me up that morning.

I sometimes wonder if that is when my aversion to the telephone really began; I’ve always blame my dislike of telephones on jobs that involved a headset and taking phone calls. But I can remember, before that Sunday morning, always answering the phone; I never screened calls. I always checked the voice mail the moment I got home and called people back right away. Now, the ringing of the telephone, any phone, grates on my nerves and tears at my subconscious. So maybe that was it; I cannot say for sure because my memory is foggy and I’ve learned, far too many times, that my memory has lied to me.

But the phone was ringing as I woke up, and as I started to sit up in bed I seemed to recall hearing it ringing earlier, in my sleep; aware of it but too asleep to get out of bed. But this time it woke me, and as I considered ignoring it and going back to sleep, I noticed on the alarm clock that it was nine in the morning…

…and Paul wasn’t home.

As I put on my glasses and slipped my shoes on and ran over to the phone, I remember the number on the caller ID was one I didn’t recognize; UNKNOWN CALLER with no number. I picked it up and said “Hello?”

“Is this Greg?” asked a very small, quivering female voice.

“Yes,” I replied.

“I’m sorry to have to tell you this but Paul is on his way to the emergency room at Charity Hospital,” she went on.

I sat down in the desk chair and listened to her tell me the story, hiccuping and crying and trying to keep her voice steady. I listened, not entirely sure this was really happening to me, hoping that I was asleep and this was a bad dream, as she told me how she and her roommate, both waitresses, had gotten off work and decided to stop by Verti Mart and get something to eat on their way home from work. They were on bicycles, and they were both college students, I think she said at Tulane. She told me how they were standing at the counter, deciding on their order, when they saw a lone guy walking by himself on the sidewalk across the street. As they watched, a white van pulled up to the corner, five guys jumped out and attacked the guy, punching and kicking him and screaming at him even after he went down. Her friend shouted at the store clerk to call the police and the two girls, college students, ran outside screaming. The guys jumped back in the van and took off….with the girls getting on their bicycles and chasing after them, trying to get their license plate number, to no avail. When they finally realized they weren’t going to get close enough to seem the plate number, they went back and stayed with him until the police and the ambulance came.

“He just kept saying you have to call Greg, please call Greg,” she said, finally starting to sob. “I’m so so sorry, I don’t know if he’s okay. I just know they took him to Charity Hospital, and he told me the number to call, he made me promise I’d call.”

I said thank you, thank you very much, and didn’t think to get her name or her phone number or any of her information, which I regret to this day.

I hung up the phone, and knew I had to get to the hospital.

I know at some point as I brushed my teeth and put on clothes, I was aware that I was going into shock. It was the first time in my life I’d ever heard my heartbeat in my ears, and I had no peripheral vision, and I couldn’t really hear anything. It was a very very strange feeling; I don’t remember every feeling that way before, or experiencing anything like it (I may have, but as I said earlier, my memory lies to me). I was shaking, and I knew I couldn’t drive.

So I called my best friend, who answered the phone the way he always did whenever I called him, cheerfully, “Hey whore!”

“Um, I need a favor. Paul’s at the emergency room and I don’t think I can drive. Can you come pick me up and take me?”

“I’ll be right there.” He hung up.

Charity Hospital was enormous. It’s still there, even though it’s not longer open. It became, of course, notorious after Hurricane Katrina, but before then, it was one of the top trauma centers and training hospitals for emergency trauma in the country. I vaguely remember sitting there in the emergency room waiting area, on those hard wooden benches that were so like church pews, while people were being brought in and rushed past, as other people sat there around us, worried, crying, some screaming every once in a while in pain while they waited to be taken in to see a doctor. It was surreal, and again it felt like something I wasn’t actually experiencing but was happening to someone else. I felt like I was out of my own body, watching.

And then finally they called my name.

A nurse led me back into the triage area, I guess it was called, I don’t know. On television emergency rooms always seem to be big rooms with sheets or dividers up separating the areas, but at Charity they actually had rooms. As the nurse led me back, she told me they were about to take him into surgery, and the surgeons would explain everything to me before I was taken in to see him.

All this time I didn’t know what was going on, and had been hoping it was something minor; a broken arm, a concussion, ribs, something where I’d be able to take him home.

Surgery. They were taking him in to surgery.

“He’s been given pain medication so he’s also going to be kind of out of it,” she said gently, and I will never forget her squeezing my arm when she said it.

She led me to a door–it was big and wooden and there was one of those small windows set into it at about eye level, with crisscrossing mesh wires set in the glass, where two men in scrubs were waiting for me.

In a low voice one of them, who had a Japanese last name, explained to me that he had sustained a lot of cuts and bruises but nothing serious; they had examined him and there was no concussion or internal damage. “But his eye–” he hesitated for a moment. “His eye was damaged.”

“His eye?”

The nurse was holding my arm still and she gave it another squeeze.

“Think of the eye like a grape,” he said softly. “If you put a lot of pressure on one side of a grape, it will explode out the back side. That’s what has happened to his eye. We’re going to try to save it.”

I think my knees buckled a little bit at this point, both in horror and relief; relief that it wasn’t something life-threatening, horror that his eye may have been destroyed.

The doctor also took me by both arms and looked me in the face. “He wants to see you. But you need to be prepared. It looks really bad. The surgery will also take a couple of hours. Once we take him in, you should just go home and relax, take care of things. Waiting here won’t do you any good, and just come back in a couple of hours. We’re going to take very good care of him, but if we’re able to save his eye, the recovery is going to take a really long time…and the psychological trauma can take even longer. You’re going to have to be strong for him.”

I nodded, and the nurse led me inside. Paul was lying on a hospital bed and when he saw me he just kept saying, over and over again, in a broken voice, “I’m so sorry, I’m so sorry, I’m so sorry.”

My heart broke. His eye…even now I can’t describe what that looked like. He was covered in dried blood. I just kept saying it was okay, everything was going to be okay, and then it was time for them to take him into surgery.

I felt so helpless. It was the most horrible feeling in the world, when someone you love is suffering and in pain and there’s nothing you can do to make it better.

The nurse handed me a clear plastic ziploc bag with his clothes and shoes inside of them.

They were soaked in blood.

I had Mark take me home. I don’t really remember the drive back home, I don’t really remember anything. I know that I didn’t break down until I was safely inside my apartment, and I sat on the couch for a really long time holding the bag of bloody clothes before I remembered that, no matter how much I wanted to wallow in it, I had to be strong.

I had to call his mother.

I had to call his boss.

I had to let friends know what was happening.

I know I did all of those things, but I don’t remember that afternoon very much. I just know that I kept calling Charity Hospital to find out if he was out of surgery but every time I called, I went into a nightmarish phone tree that I couldn’t figure out how to navigate, and finally I called a cab and went back.

Charity Hospital was enormous, as I said before, but one of the things that was really strange was I wasn’t able to find a reception desk, anything, anywhere, where I could find someone, anyone, to tell me anything.

There were phones in some places where you ostensibly could call for information, but a recording answered and I was too upset, too numb, to be able to figure out their phone tree system inside the hospital anymore than I had been able to at home.

I wandered around Charity Hospital looking for anyone for what seemed like hours.

Finally, I just sat down on the floor near an elevator bank, buried my face in my arms, and started sobbing in frustration and grief and pain.

Then someone knelt beside me and asked, in a very kind voice, if I was okay.

It was a nurse, a young African-American man with braids, and I sobbed out that my partner had surgery and I didn’t know where he was and I didn’t know how to find him and I couldn’t find anyone to ask.

He got me up, took me to a lounge, bought me a bottle of Coke from the machine there, dried my eyes, and made some calls. “He’s still in surgery,” he finally said, sitting next to me again. “I can take you up to the waiting room for that surgery. I’m so sorry.”

And he did, and he talked to the nurses on the floor, who came and checked in with me every half hour, making sure I was okay, making sure the television in the waiting room was on something I didn’t mind watching, or asking me if there was something else I’d rather watch.

They were so unbelievably kind.

This was before everything changed, you know, when I’d heard horror stories about how gay couples weren’t allowed to see each other in hospitals and how badly we were treated.

This was Charity Hospital in a state so red it practically glowed; yes, it was New Orleans, but it was also a city where my partner had just been beaten badly for the crime of walking while gay.

And they couldn’t have been nicer to me.

Finally, at ten o’clock, a nurse came to tell me he was now in the recovery ward, and she took me to see him. His head was bandaged but they’d cleaned off all the blood. He had tubes hooked up to him and monitors, but he was breathing, he was asleep.

I leaned over and kissed his forehead.

The recovery ward nurse told me I could stay if I wanted to, but she added that I’d be better off going home and sleeping in my own bed. “He’s going to need you to be rested and strong for him,” she said, rubbing my arm, “and so you’re going to need to make sure you take care of yourself. Will you promise me that? That you’ll take care of yourself? Because he’s going to need you.”

I nodded. “I don’t want to lose him again.”

She gave me her card, and wrote her cell phone number on the back. “I will call you and let you know where we’ve moved him, once he’s ready to be moved out of here. But you keep this card, and if you have any questions or anything to worry about, you call me any time. I’m so sorry you couldn’t find him earlier.”

I sat with him about an hour, and then I went home in a cab.

It was the longest and definitely one of the worst, days of my life.

I have never told this story publicly before, and I do not tell it now to try to make the Orlando tragedy about me. But what happened last Sunday wounded me very deeply, and dredged up a lot of these memories. As I tried to avoid social media, the news, etc., as much as possible–but you never really can–because of the arguing, the nastiness, the absolute viciousness, the attempts to erase the sexuality of the victims, and so on…I started thinking about what I personally have been through.

Paul wasn’t saved by a ‘good guy with a gun,’ he was saved by two brave college students–girls--who saw something wrong happening and did something about it even though those five assholes could have turned violence on them.

Two girls whose names I never knew, but to whom I will always be grateful.

And I also realized that in not telling my story of that awful day, that I was also being complicit. Complicit in not letting people know what it’s like to be gay in America, even in a tolerant city like New Orleans: that we are always at risk, we are always looking over our shoulder, we never can feel truly safe.

Ever since that day I have always, always made sure I was aware of my surroundings, of who was where and doing what. I observe and I watch, no matter what else I am doing, when I am out in public. I do it in the grocery store; I do it in the CVS; I do it when I am walking in the Quarter.

Tonight I have to go do bar testing, and it’s Pride Weekend in New Orleans. I’m not afraid; I have never been afraid. Being aware that you’re a target doesn’t make you afraid, but it means you just have to always pay attention and never let your guard down.

I never wrote about that day because Paul was the victim, not I; because it was Paul’s story to tell rather than mine. But I also realized that it is also my story.

The recovery for both of us from that day took a long time to heal, both physically and mentally. Reading the news reports about Orlando, paying attention to what was going, what had happened, the grief, made me realize that it’s still there, buried deep inside my soul.

My life changed that day. I changed. I am aware of some of the ways I’ve changed, but at the same time I also know I’ve changed in ways that even I may not be aware of. I didn’t write this for sympathy. I didn’t write this to try to make the tragedy about me. My heart breaks for everyone in Orlando. Even now when I run across things on my feed, stories of the survivors, stories of the dead, I can start crying again–so I try to limit my time on social media.

Orlando made us all change, I think. I think for the first time many people realized, maybe just a little bit, of what we as LGBTQ Americans go through, experience, on a daily basis; what it is like for us to live in a society and a culture where some people want us to die and celebrate our deaths.

Maybe things can change now. As I said the other day, I always try to make sense of the senseless; hope that things happen for a reason.

I just hope that those who died so horribly last Sunday morning, those whose last hours of life went from happiness and celebration to horror and fear–I hope that their deaths will mean something to this country, that their awful deaths weren’t just another statistic.

They are all at peace now.

May they never be forgotten.

I am posting this picture of two of the victims, a loving couple who hoped to be married but whose families will now bury them together, in a happier time, so that I, too, will never forget.

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May none of you ever be forgotten.

Say You, Say Me

Congratulations to everyone on the Anthony Award short lists, and especially thanks due to the volunteers who organized this!

 

BEST NOVEL

  • The Late Show by Michael Connelly
  • Magpie Murders by Anthony Horowitz
  • Bluebird, Bluebird by Attica Locke
  • Glass Houses by Louise Penny
  • The Force by Don Winslow

BEST FIRST NOVEL

  • Hollywood Homicide by Kellye Garrett
  • She Rides Shotgun by Jordan Harper
  • The Dry by Jane Harper
  • Ragged; or, The Loveliest Lies of All by Christopher Irvin
  • The Last Place You Look by Kristen Lepionka

BEST PAPERBACK ORIGINAL

  • Uncorking a Lie by Nadine Nettmann
  • Bad Boy Boogie by Thomas Pluck
  • What We Reckon by Eryk Pruitt
  • The Day I Died by Lori Rader-Day
  • Cast the First Stone by James W. Ziskin

BILL CRIDER AWARD FOR BEST NOVEL IN A SERIES  

  • Give Up the Dead (Jay Porter #3) by Joe Clifford
  • Two Kinds of Truth (Harry Bosch #20) by Michael Connelly
  • Y is for Yesterday (Kinsey Millhone #25) by Sue Grafton
  • Glass Houses (Armand Gamache #13) by Louise Penny
  • Dangerous Ends (Pete Fernandez #3) by Alex Segura

BEST SHORT STORY

  • The Trial of Madame Pelletier by Susanna Calkins from Malice Domestic 12: Mystery Most Historical
  • God’s Gonna Cut You Down by Jen Conley from Just to Watch Them Die: Crime Fiction Inspired by the Songs of Johnny Cash
  • My Side of the Matter by Hilary Davidson from Killing Malmon
  • Whose Wine Is It Anyway by Barb Goffman from 50 Shades of Cabernet
  • The Night They Burned Miss Dixie’s Place by Debra Goldstein from Alfred Hitchcock’s Mystery Magazine, May/June 2017
  • A Necessary Ingredient by Art Taylor from Coast to Coast: Private Eyes from Sea to Shining Sea

BEST ANTHOLOGY     

  • Just to Watch Them Die: Crime Fiction Inspired by the Songs of Johnny Cash, Joe Clifford, editor
  • Killing Malmon, Dan & Kate Malmon, editors
  • Coast to Coast: Private Eyes from Sea to Shining Sea, Andrew McAleer & Paul D. Marks, editors
  • Passport to Murder, Bouchercon Anthology 2017, John McFetridge, editor
  • The Obama Inheritance: Fifteen Stories of Conspiracy Noir, Gary Phillips, editor

BEST CRITICAL/NON-FICTION BOOK 

  • From Holmes to Sherlock: The Story of the Men and Women Who Created an Icon by Mattias Boström
  • The Story of Classic Crime in 100 Books by Martin Edwards
  • Killers of the Flower Moon: The Osage Murders and the Birth of the FBI by David Grann
  • Chester B. Himes: A Biography by Lawrence P. Jackson
  • Rewrite Your Life: Discover Your Truth Through the Healing Power of Fiction by Jessica Lourey

BEST ONLINE CONTENT  

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Freedom

Thursday. I don’t have to go in until later today, which is nice; it gives me the morning to slowly wake up and get going. I didn’t sleep well last night for some reason so I am going to be really tired this evening; which is fine, I suppose. Maybe I’ll sleep well tonight, who knows? Paul came home just as I was getting ready to go to bed, which was nice. Normality, such as it is, has returned to the Lost Apartment. I started reading William J. Mann’s Tinseltown: Murder, Morphine, and Madness at the Dawn of Hollywood. It won the Edgar several years ago for Best Fact Crime, and I’ve been wanting to read it for years. I’ve know Bill for years–I was also there at the Edgars the night he won–and have always enjoyed his work.

I started writing that short story “Burning Crosses” yesterday, and am trying really hard to not allow fear to stop me from working on it. I think it could be a really good story, but…it’s also potentially a dangerous one to try to tell. but I can’t let fear of reaction stop me from working on something. That’s just not a good thing, you know?

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“Everyone in Venice is acting,” Count Girolamo Marcello told me. “Everyone plays a role, and the role changes. The key to understanding Venetians is rhythim–the rhythm of the lagoon, the rhythm of the water, the tides, the waves…”

I had been walking along Calle della Mandola when I ran into Count Marcello. He was a member of an old Venetian family and was considered an authority on the history, the social structure, and especially the subtleties of Venice. As we were both heading in the same direction, I joined him.

“The rhythm in Venice is like breathing,” he said. “High water, high pressure: tense. Low water, low pressure: relaxed. Venetians are not at all attuned to the rhythm of the wheel. That is for other places, places with motor vehicles. Ours is the rhythm of the Adriatic. The rhythm of the sea. In Venice the rhythm flows along with the tide, and the tide changes every six hours.”

Count Marcello inhaled deeply. “How do you see a bridge?”

“Pardon me?” I asked. “A bridge?”

“Do you see a bridge as an obstacle–as just another set of steps tp climb to get from one side of a canal to the other? We Venetians do not see bridges as obstacles. To us bridges are transitions. We go over them very slowly. They are part of the rhythm. They are the links between two parts of a theater, like changes in scenery, or like the progression from Act One of a play to Act Two. Our role changes as we go over a bridge. We cross from one reality…to another reality. From one street….to another street. From one setting…to another setting.”

I love Venice. We spent a mere twenty-four hours there on our trip to Italy several years ago, taking the train from the magnificent station in Florence through the Italian countryside north and then across the lagoon to the Venetian station. I walked ahead of Paul through that Italian station, unable to wait to catch my first glimpse of the city from the top of the stairs rising from the piazza and vaporetto station on the Grand Canal.

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I was enchanted from that first glimpse.

I’d always wanted to visit Venice–ever since reading Daphne du Maurier’s brilliant story “Don’t Look Now” and seeing the film version, which is incredible–and also Anne Rice’s Cry to Heaven. Seeing Venice, even if was only for twenty-four hours, was wonderful. We were also incredibly lucky because Venice wasn’t crowded; apparently that’s become a huge problem (goo.gl/ePMQjT). It was even a problem when Berendt was writing The City of Falling Angels.

The title comes from a sign Berendt saw one day while strolling around Venice, near an old church that was crumbling and in need of restoration: BEWARE OF FALLING ANGELS. Apparently, the statues of angels on the sides of the church and along the rooftop had become loose with the rotting of the masonry, and one had fallen, almost hitting a pedestrian. The book reminded me so much of Venice, and why the city had enchanted me during my all-too-brief visit. I want to write about Venice; I’ve been toying with a story for years, and as I am just now starting to write my Panzano story, maybe I will soon write the Venice story.

Anyway, Berendt is best-known, of course, for his book about Savannah: Midnight in the Garden of Good and Evil, which I read decades ago when it was new. I enjoyed it; it was an examination of the quirks and curiosities of the city, built around the lens of a murder committed by a member of Savannah society. The City of Falling Angels is the same type of book, only viewed around the lens, not of a murder, but the burning of the Fenice Opera House. It did turn out to be a crime; two men were convicted of arson, but Berendt uses the fire, the investigations, and the subsequent trial, to view Venice; and along the way he takes a look at the quirks, eccentricities, and curiosities of a place that, like Savannah, is quaint and historic and beautiful–yet also very small. A lot of the things he talks about in the book–the concerns of locals that Venice is no longer for the Venetians, that the city is losing its neighborhoods to tourism; that poorer and middle class Venetians are being pushed out in the name of tourism–are concerns that we locals now have about New Orleans, so that made the book even more interesting to me. When we were there, we stayed overnight at a wonderful little family run hotel just off the Rialto Bridge and on one of the side canals; the Hotel San Salvador. We, too, had a lengthy conversation with two of the young women working there–members of the ownership family–who told us the same thing: Venice is no longer for the Venetians. Their family can no longer afford to live in the city, despite owning a hotel there; they live on the mainland and commute into the city. Most of the city’s apartments are being bought up by foreigners who then rent them out to visitors, so it is also affecting business for establishments like the Hotel San Salvador. I loved the hotel, it was charming and quaint and cozy; I loved the second floor lounge overlooking the canal below, and the family who owned and operated it were so nice, friendly, and charming. If and when we return, we will undoubtedly stay there again.

I’ve met John Berendt exactly once; he was very nice, and I liked him. I like his books, too. My character, Jerry Channing, who appears in both The Orion Mask and Garden District Gothic, and whom I’ve considered spinning off into his own series, is based on him only in that he writes the same kinds of books and articles Berendt does; kind of a cross between Berendt and Dominick Dunne. (I still might spin Jerry off; a lot of my short stories, which have first-person narrators who are never identified, are told in what I imagine Jerry’s voice to be) In fact, Jerry’s biggest success is a book called Garden District Gothic (very meta of me), which is about the quirks and curiosities and eccentricities of New Orleans, viewed through the lens of a society murder in the Garden District. The Scotty novel that bears the same title is an investigation into that case twenty-five years later, in fact (again, very meta of me).

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Anyway,  I highly recommend The City of Falling Angels. I think I enjoyed it a lot more because I’d been to Venice, but it definitely made me want to go back. It’s very well-written, and a lot of fun to read.

And now back to the spice mines.