The Silky Veils of Ardor

As Constant Reader knows, Gregalicious loves short stories. He regrets deeply that they are much harder for him to write than novels (I’ve often joked that I find it much easier to write a novel than a short story; the word count limitations are hard for me as I always tend to write probably more than is needed to illustrate a particular point–take this sentence, for example), and I am sure part of this insecurity comes from my oft-told tale about my first writing professor, who earwormed his petty nastiness into my brain and soul. (But also this gives me an enormous sense of personal satisfaction in that I know I’ve published more fiction than he did during his time on this planet; to this date, I still cannot find a single fiction publication for the prick.)

And while I am a firm believer in the mentality that writers should always be paid–even if merely a token–for their work, I will often write short stories if requested, and don’t mind donating a story for a good cause. The two stories I had in Bouchercon anthologies weren’t paid, nor was my story for Murder-a-Go-Go’s; like I said, when I am asked to write a story I am genuinely so flattered that the editor thought enough of me and my work to ask. I like writing short stories, even if they are a struggle for me, and there aren’t many places where one can get them published these days.

I was enormously flattered to be asked by short story master Josh Pachter to write a story for his anthology of stories inspired by the music of Joni Mitchell. The irony, of course, is that while I am familiar with Ms. Mitchell and her work–and I like what I know of it–I am not as familiar with her canon as I am with women singer-songwriters like Stevie Nicks, Dolly Parton or Carole King; I also realized that the songs of hers that I could name off the top of my head–“Free Man in Paris”, “Help Me”, “Big Yellow Taxi”, etc.–were the same ones anyone could; I wanted something not quite as famous and perhaps a little more obscure, something to which a Joni Mitchell fan would say oh yes, of course you chose that song.

So, I did what I often do in these situations: I asked my friend Michael Thomas Ford (aka That Bitch Ford), and he immediately came back with “You should pick ‘The Silky Veils of Ardor.’ It’s about that hot guy all the high school girls fall in love with and breaks their hearts.”

That was definitely intriguing, so I looked up the lyrics and listened to the song several times as I listened to Joni’s sweet voice singing them…and I knew immediately what story I was going to tell.

jonicover.final

The elevator doors opened. Cautiously, her heart thumping in her ears, she stepped out into the hotel lobby and took a quick look around. At the front desk, a young woman in uniform was checking in a couple. They didn’t look familiar. But it had been so long since she’d seen any of them…would she recognize anyone?

She didn’t notice she was holding her breath.

She walked across the lobby to the hotel bar entrance. A reader board just outside said WELCOME BACK BAYVIEW HIGH CLASS OF 1992!

The black background was faded, the white plastic letters yellowed with age.

The urge to head back to the elevators and punch at the UP button until the doors opened, get back to her room and repack her suitcases—everything she’d just carefully put away neatly in drawers and hung in the closet—was strong. She resisted, recognized the need as irrational, closed her eyes, clenched her hands until she felt her ragged bitten nails digging into her palms.

You can do this you can do this you can do this you can do this….

A dull murmur came from the hotel bar, laughter and talking, the rattle of ice against glass, the whir of a blender. From where she stood, she could see the bar was crowded, cocktail waitresses in too-short black skirts and white blouses with trays balanced on one hand maneuvering expertly around groups of people.

Maybe no one there was from the reunion. Maybe she was early. Maybe—

You can do this!

She’d always had social anxiety. Had never made friends easily, couldn’t make small talk, sometimes said the wrong thing, alienated people without even knowing what she’d done. Parties and dances had always been agony. Even with friends, people she felt relatively certain actually did like her, there was always the irrational fear she’d say the wrong thing, forget a birthday, commit some horrific social faux pas that would turn them against her, show them what a damaged, worthless person she actually was. She’d started seeing a therapist after college, years after she should have, but her parents thought therapy was all touchy-feely mumbo-jumbo for the weak and all you had to do was suck it up and forget about it, not worry, lock it all away in some dark corner of your mind and move on.

I have never attended a high school reunion, and frankly, have little to no desire to ever do so–with no offense intended to anyone I went to high school with. Our school was very small and remote, for one thing–my graduating class had only 48 students, and at that point, were the largest graduating class in our high school’s history. It’s not easy to get there–one would have to fly into either Kansas City or Wichita, rent a car, and drive for at least an hour just to get to the county seat, and of course, my high school was about nineteen miles (give or take) north of the county seat. I do think about going back from time to time, more to take a look around and see what’s different now as opposed to then; to refresh my memories a bit for writing about the region–which I’ve done somewhat already, but not nearly as much as I could. Using Google Earth has already shown me that my memory is faulty–I’ve fallen into Google Earth wormholes frequently–so while there is some idle curiosity about going back, there’s very little desire or motivation. It’s difficult, I think, for my classmates to understand that I really don’t have much desire to revisit that time of my life; it’s certainly not their fault but the four or five years I spent in Kansas also contain some of the darkest periods of my life.

I wrote a short story about a high school reunion under my Todd Gregory pseudonym; “Promises in Every Star,” which eventually became the title story of my Todd Gregory collection. I first had the idea for that story when I received the invitation to my ten year reunion, back in 1988; the title is a lyric from one of my favorite til Tuesday songs, “Coming Up Close,” from my favorite album of theirs, Welcome Home, which I can listen to over and over again, and have, many times; it’s definitely in my Top Five favorite albums of all time. I don’t remember where I originally published that story, but it was many, many years later, after I had the original idea and wrote the first draft (in long hand), and after that, I figured I was finished with high school reunion stories.

Until “The Silky Veils of Ardor.”

As I listened to the song, the more the story began to take shape in my head; a high school reunion, twenty-five years later; returning to the town where she went to high school for the first time since she graduated and moved away with her family. I had already written the opening, for another short story; as I revised and retooled that particular story, the character grew and changed and wasn’t the timid, nervous, medicated woman she originally was–but I loved that original opening, and decided to lift it from the initial drafts of that story onto this one. I found the original word document of the first draft, erased everything after the opening few paragraphs, and renamed the file THE SILKY VEILS OF ARDOR. The rest of the story flowed out of me after I finished rereading and tweaking the original opening to fit the new story, and I was off and running. I revised the story several times, and one of the things, one of the points, I was trying to make with the story is about how differently we see high school than our friends and classmates did–which is an idea I’d been toying with after an exchange on social media with some of my classmates after I’d posted something–a status update or a blog post, or something along those lines–about how miserable I’d been in high school; my friends were all astonished because how remembered high school was very different from the way they remembered it, and me. I remembered feeling isolated and lonely, like an alien from another planet set down into their midst; a freak everyone kept at arm’s length. They, on the other hand, remembered me as being popular and well-liked by everyone.

And that, my friends, is where this story came from. I still think about those tricks our memories play on us; our inability to see what was right in front of us if we could just see clearly.

The book will be officially released on April 7th from Untreed Reads; you can preorder it at any vendor that sells ebooks. There’s a stellar line-up of writers, and some of the proceeds are going to charity.

And thanks again to Josh Pachter for inviting me.

Here’s a link to Joni singing the song–this is the video I listened to for inspiration.

Folsom Prison Blues

So, my work-at-home day yesterday turned into a “mental health/vacation day”, and you know, I’m fine with it. I stayed in bed luxuriating in my laziness until just before nine; but in my own defense I have to be at work tomorrow at 8, and at 8 every day next week, so cut me some slack, Jack. I didn’t do much writing, of course–I know you’re completely shocked, Constant Reader, but that’s how it happens sometimes–but I did make some seriously major strides towards getting organized.

I even worked on the filing–putting away files that are no longer necessary; putting things that aren’t current into the not-current file box, etc. etc. I even started organizing the stuff I keep on top of my kitchen cabinets (it’s a thing in New Orleans–our ceilings are so high there’s about three feet–if not more–between the ceiling and the tops of the cabinets) so now it doesn’t look like i just threw things up there. Rather, it’s now neat and organized, and I like that a lot better. I’m probably going to do some more of that kind of work this weekend; mostly I’m taking a lot of the surplus copies of my books, boxing them up, labelling the boxes appropriately, and then storing those boxes up on top of the cabinets. I only worked on the side with the sink, refrigerator, and dishwasher; tomorrow I’ll do the stove side, which also has extra storage containers and other kitchen appliances that I rarely use on those cabinets.

I also started, very briefly, my new quarantine noir short story “Condos, for Sale or Rent”; it’s a newish type voice for me, probably showing more of the du Maurier influence–even though she was amazing at voice, there was still a bit of authorial distance in her stories; so I am thinking her use of voice is the primary influence here; and there’s also a bit of Poe’s narrator speaking directly to you in the voice as well–than I usually do. I still haven’t finished reading “Ganymede”–hopefully that will be today. We also finished Chapter 2 of The Chilling Adventures of Sabrina, and I have to applaud their casting choice for Lucifer; he was indeed the most beautiful of the angels.

Since I took yesterday off I keep getting confused about what day it is, particularly since I am used to getting up early on Mondays after having Sunday off (obviously) so my mind keeps telling me today is Monday rather than Friday–which is a day I would usually be sleeping late. Next week is going to be challenging, since I have to be at work at 8 every morning.

It’s encouraging in some ways that I am writing again, even if all I am doing is fragments of stories or new beginnings. I’ve started so many new stories this year–none of which have completed first drafts–but it’s writing of a sort. I am going to try to focus on finishing the first drafts as I go; short stories don’t require the attention span that novels do, but apparently my ADHD isn’t even allowing me to finish short story drafts…so I need to get more focused, methinks.

Having yesterday off was kind of necessary; I definitely needed the rest. I feel good today, neither tired nor exhausted, and actually in a good mood, for the moment.

Heavy heaving sigh.

Well, stay safe everyone, and I’ll catch you tomorrow.

augRyan-Ball2

Breathe

Well, yesterday was wretched. The weather here changed once again overnight on Sunday, so my sinuses went haywire. Again. Coughing, didn’t sleep well, woke up every hour all night–it was dreadful, and there’s simply nothing worse than suffering through a twelve hour day when you’re worn out and don’t feel well. It kept up all through the day as well; I literally thought my head was going to explode a few times. I didn’t manage to get any writing done last night or any reading either; I just sat in my easy chair and whined a lot.

And ugh, how I hate losing an entire day’s work like that.

I do feel somewhat better this morning–there’s still a little congestion and coughing, but I did sleep better last night and do feel a better. I’ll probably go ahead and keep swigging Dayquil all day; it can’t hurt, and it’s not a bad idea. Hopefully I can get some writing done tonight after work. We shall certainly see, at any rate.

Obviously, with all the concerns about the coronavirus–and I fluctuate between thinking they’re over-exaggerating the crisis for ratings and they’re not telling us the whole truth to prevent a panic; sadly, both are viable options. As someone who has read Stephen King’s The Stand about thirty or forty times (it’s one of my favorite novels of all time; I’ve not reread it in a while so who knows if I’d find it problematic now?), alas, it’s easy to see what’s going on now and how it’s being reported as echoes from that novel.

But it’s okay; when your body isn’t up to par it’s okay to lose an evening’s work, even if it puts more pressure on you for the future. It’s also–as I sat in my easy chair waiting for death, like Camille–entirely possible that I won’t be able to get all three stories done in time for the end of the month, and the one I should truly focus is on is the Sherlock since it pays the best. But when have I ever done the thing that makes the most sense? Never. But I keep thinking that somehow I’ll manage to pull all three stories out of my ass somehow; the sale of my story on Sunday was an enormous confidence boost. Yes, I have a lot of responsibility and things to get done in my role with Mystery Writers of America, which has limited my time for writing; returning to the gym regularly also sucks more oxygen out of the room.

It’s interesting how, despite all the years and all the sales and all the books and all the award nominations, I am still insecure about my ability to write and produce good stories that people want to read. I have fought against this lack of confidence most of my life, quite frankly; ironically, I had more faith in my ability to write and create before I started publishing–it was always the fall-back: yeah, this job (or situation) sucks, but once I get my writing career going things will be better. I never had any doubt that I would one day be published; even if I had no idea how to go about making it happen or when, or what to do, or anything. It was only after I started writing and getting published that the doubt and insecurity began to plague me. It never seems to let up, either. I seem to recall earlier in my career, during the Scotty at Kensington/Chanse at Alyson days, that I wasn’t as insecure as I might be now; but it’s also entirely possible (since those were the antideluvian days before Katrina) that I don’t remember it as well; most of that time is fuzzy and seems to be the distant past to me now.

But I do know that I never had much confidence in my short story writing ability; and I think that’s the bottom line of all of this. I can never forget completely that fucking college professor who told me I’d never be published, based on a single short story I wrote for his class. If you’re still alive, sir, I hope your life is a complete misery because you had such a negative, long-lasting impact on mine, you worthless motherfucker. I’m probably the only one of your students who’s ever made it and I am probably the student you treated the worst–although if he did that to me, I’m sure he did it to others, and I wonder how many dreams he killed? And seriously–that is not your job as a writing professor; your job is to help your students get better. Had he ripped my story to shreds, had he taken it apart, bit by bit, to tell why it didn’t work and why the characters didn’t ring true–that would have been brutal at the time, but it would have done me some good. DOn’t just sit there and smugly assert that I’ll never be published. I was willing to learn, and would have worked my ass off with a bit of encouragement and some strong feedback. I’ve always responded well to feedback, and I appreciate it.

I also woke up this morning to the news–well, I was already awake–that Royal Street Reveillon  made the Lambda short list for Best Gay Mystery. It’s been a hot minute since I made their short-list, but I think–and I could be wrong–this is either the thirteenth or the fourteenth time this has happened? I honestly had forgotten about this as a possibility–it’s been around four or five years since the last time; the awards were presented on the same day that Jean and Gillian got married at City Hall in New York, so whenever that was. I suppose I could go to their website and check, but it doesn’t matter to me that much, and the fact that you can’t search a name in their database to pull up said person’s nominations is irritating; you can certainly search by name on Mystery Writers of America’s Edgar database. I stand corrected, and owe them an apology; I just went to count and you can now search by name; so under my own name and various pseudonyms, this is  number fifteen. Yay for me, and so much for never getting published.

That fucker.

I guess, other than feeling like shit yesterday and still not be 100% today, this has been kind of a good week for me.

And on that note, back to the spice mines.

12374938_738203986312891_6650816299511039185_o

Sunday Morning Comin’ Down

Well, I don’t know about coming down, but it’s definitely Sunday morning.

Then again, I did have to come downstairs, so I guess that’s somewhat applicable.

I wallowed in bed until nine this morning; I woke up originally at approximately seven AM and chose to stay in bed, it was kind of a lovely thing. The nice thing about football season being over is there’s no longer a need to get up early on the weekends in order to get things done before the games start–I’d forgotten how lovely it is to just stay in bed and relax and stay there until you really feel guilty about staying under the covers for so long. I stayed in bed pretty late yesterday morning–eight or nine, I don’t remember–but it is lovely, even if it throws my sleep schedule off a bit, seeing as how I must rise at six the next two mornings. But c’est la vie, right?

I did get some good work done yesterday on the Secret Project–which is going to be my primary focus this morning before I go to the gym–and I also have emails to answer. I also finished reading Tracy Clark’s terrific debut novel, Broken Places, yesterday, and then spent a good while trying to decide what to read next. As a general rule, I don’t like to read more than one book by a solitary author in a row, particularly when I have three of them to read; I’m interviewing Tracy for Sisters in Crimes’ quarterly newsletter, and so it behooves me to read them all. No worries–I am going to devote an entire entry at some point to Broken Places–probably shortly after I finish this one, to be honest.

I also got the lovely news that the Joni Mitchell anthology i contributed to, edited by Josh Pachter, The Beat of Black Wings, will be out and available in time for Malice Domestic! This anthology is a “crime stories inspired by the music of Joni Mitchell,” and the table of contents is a veritable who’s who of crime writers and people I am lucky enough to call friends. My story, “The Silky Veils of Ardor,” is one I particularly am proud of; I feel like I’ve been doing some terrific work on short stories over the past few years, dating back to the Short Story Project (which reminds me, I have another one I need to get started writing, and soon), and I do hope you’ll get a copy of the anthology. The proceeds are going to a charity; one of which Ms. Mitchell approves, and I believe the anthology is even going to promoted and featured on her website, which is very cool. More to come on that front, of course.

Oh, did I mention I am going to Malice Domestic this year? Yes, that’s correct, Constant Reader, I am going go be at Malice Domestic this coming May; I’ll be taking Amtrak down from Penn Station the morning after the Edgars to Malice Domestic. This is my second Malice, and I am really looking forward to it–particularly seeing friends win Agatha Awards two days after the Edgars. I’ll be flying home the following morning (that Sunday), but it’d going to be an absolutely lovely trip, and one which I hope will once again make me feel once again connected to the writing world.

Krewe de Vieux was last night, but I stayed home; Paul went to watch with friends, but I’m reserving my energy and strength for the St. Charles Avenue parade season, which opens this Friday with three parades. There are four or five more on Saturday, and then another two on Sunday; at least Sunday wraps up early in order for there to be rest and relaxation for the two-day break before the final stretch of six days and seemingly endless parades begins.

I can hardly believe it’s parade season again, but here we are.

I’m thinking, since we’re most likely going to start watching HBO’s adaptation of Stephen King’s The Outsider this evening, that perhaps it’s time to crack the spine of the first edition hardcover I own and start reading it; I do like to read the book along with the series adaptation whenever I can–this worked really well with Big Little Lies–but I am also thinking that maybe I should read a cozy next? It’s been a while since I’ve dipped my toe into the cozy waters, and perhaps it’s not a bad idea to read one next? But I simply cannot seem to make up my mind, heavy sigh. Maybe a reread of Where Are The Children  as a memorial to Mary Higgins Clark?

So many books to read, and so very little time.

Well, I suppose I can put off the decision a little longer…and perhaps it is time for me to get back to the spice mines.

Have a lovely Sunday, Constant Reader!

1005179_171929099651777_142273027_n

Tea for Two

The 2019 Agatha Award Nominees

 

Best Contemporary Novel

Fatal Cajun Festival by Ellen Byron (Crooked Lane Books)
The Long Call by Ann Cleeves (Minotaur)
Fair Game by Annette Dashofy (Henery Press)
The Missing Ones by Edwin Hill (Kensington)
A Better Man by Louise Penny (Minotaur)
The Murder List by Hank Philippi Ryan (Forge)

Best First Mystery Novel

A Dream of Death by Connie Berry (Crooked Lane Books)
One Night Gone by Tara Laskowski (Graydon House, a division of Harlequin)
Murder Once Removed by S. C. Perkins (Minotaur)
When It’s Time for Leaving by Ang Pompano (Encircle Publications)
Staging for Murder by Grace Topping (Henery Press)

Best Historical Mystery

Love and Death Among the Cheetahs by Rhys Bowen (Penquin)
Murder Knocks Twice by Susanna Calkins (Minotaur)
The Pearl Dagger by L. A. Chandlar (Kensington)
Charity’s Burden by Edith Maxwell (Midnight Ink)
The Naming Game by Gabriel Valjan (Winter Goose Publishing)

Best Nonfiction

Frederic Dannay, Ellery Queen’s Mystery Magazine and the Art of the Detective Short Story by Laird R. Blackwell (McFarland)
Blonde Rattlesnake: Burmah Adams, Tom White, and the 1933 Crime Spree that Terrified Los Angeles by Julia Bricklin (Lyons Press)
Furious Hours: Murder, Fraud and the Last Trial of Harper Lee by Casey Cep (Knopf)
The Mutual Admiration Society: How Dorothy L. Sayers and her Oxford Circle Remade the World for Women by Mo Moulton (Basic Books)
The Five: The Untold Lives of the Women Killed by Jack the Ripper by Hallie Rubenhold (Houghton, Mifflin, Harcourt)

Best Children/Young Adult

Kazu Jones and the Denver Dognappers by Shauna Holyoak (Disney Hyperion)
Two Can Keep a Secret by Karen MacManus (Delacorte Press)
The Last Crystal by Frances Schoonmaker (Auctus Press)
Top Marks for Murder (A Most Unladylike Mystery)
by Robin Stevens (Puffin)
Jada Sly, Artist and Spy by Sherri Winston (Little Brown Books for Young Readers)

Best Short Story

“Grist for the Mill” by Kaye George in A Murder of Crows (Darkhouse Books)
“Alex’s Choice” by Barb Goffman in Crime Travel (Wildside Press)
“The Blue Ribbon” by Cynthia Kuhn in Malice Domestic 14: Mystery Most Edible (Wildside Press)
“The Last Word” by Shawn Reilly Simmons, Malice Domestic 14: Mystery Most Edible (Wildside Press)
“Better Days” by Art Taylor in Alfred Hitchcock Mystery Magazine

We are pleased to announce this year’s Agatha Award Nominees. Please note this year there are six Best Contemporary Novel nominees on the ballot. Winners will be chosen by the attendees of Malice Domestic 32 (May 1 – 3, 2020). Thanks to everyone who sent in a ballot, and congratulations to all!

 

OLYMPUS DIGITAL CAMERA

Back in the Saddle Again

January 22, 2020, New York, NY – Mystery Writers of America is proud to announce, as we celebrate the 211th anniversary of the birth of Edgar Allan Poe, the Nominees for the 2020 Edgar Allan Poe Awards, honoring the best in mystery fiction, non-fiction and television published or produced in 2019. The Edgar® Awards will be presented to the winners at our 74th Gala Banquet, April 30, 2020 at the Grand Hyatt Hotel, New York City.

BEST NOVEL

Fake Like Me by Barbara Bourland (Hachette Book Group – Grand Central Publishing)
The Stranger Diaries by Elly Griffiths (Houghton Mifflin Harcourt)
The River by Peter Heller (Penguin Random House – Alfred A. Knopf)
Smoke and Ashes by Abir Mukherjee (Pegasus Books)
Good Girl, Bad Girl by Michael Robotham (Simon & Schuster – Scribner)

BEST FIRST NOVEL BY AN AMERICAN AUTHOR

My Lovely Wife by Samantha Downing (Penguin Random House – Berkley)
Miracle Creek by Angie Kim (Farrar Straus and Giroux)
The Good Detective by John McMahon (Penguin Random House – G.P. Putnam’s Sons)
The Secrets We Kept by Lara Prescott (Penguin Random House – Alfred A. Knopf)
Three-Fifths by John Vercher (Polis Books – Agora Books)
American Spy by Lauren Wilkinson (Penguin Random House – Random House)

BEST PAPERBACK ORIGINAL

Dread of Winter by Susan Alice Bickford (Kensington Publishing)
Freedom Road by William Lashner (Amazon Publishing – Thomas & Mercer)
Blood Relations by Jonathan Moore (Houghton Mifflin Harcourt – Mariner Books)
February’s Son by Alan Parks (Europa Editions – World Noir)
The Hotel Neversink by Adam O’Fallon Price (Tin House Books)
The Bird Boys by Lisa Sandlin (Cinco Puntos Press)

BEST FACT CRIME

The Ghosts of Eden Park: The Bootleg King, the Women Who Pursued Him, and the Murder that Shocked Jazz-Age America by Karen Abbott (Penguin Random House – Crown)
The Less People Know About Us: A Mystery of Betrayal, Family Secrets, and Stolen Identity by Axton Betz-Hamilton (Hachette Book Group – Grand Central Publishing)
American Predator: The Hunt for the Most Meticulous Serial Killer of the 21st Century by Maureen Callahan (Penguin Random House – Viking)
Norco ’80: The True Story of the Most Spectacular Bank Robbery in American History by Peter Houlahan (Counterpoint Press)
Indecent Advances: A Hidden History of True Crime and Prejudice Before Stonewall by James Polchin (Counterpoint Press)

BEST CRITICAL/BIOGRAPHICAL

Hitchcock and the Censors by John Billheimer (University Press of Kentucky)
Beyond the Thirty-Nine Steps: A Life of John Buchan by Ursula Buchan (Bloomsbury Publishing)
The Hooded Gunman: An Illustrated History of Collins Crime Club by John Curran (Collins Crime Club)
Medieval Crime Fiction: A Critical Overview by Anne McKendry (McFarland)
The Mutual Admiration Society: How Dorothy L. Sayers and her Oxford Circle  Remade the World for Women by Mo Moulton (Hachette Book Group – Basic Books)

BEST SHORT STORY

“Turistas,” from Paque Tu Lo Sepas by Hector Acosta (Down & Out Books)
“One of These Nights,” from Cutting Edge: New Stories of Mystery and Crime by Women Writers by Livia Llewellyn (Akashic Books)
“The Passenger,” from Sydney Noir by Kirsten Tranter (Akashic Books)
“Home at Last,” from Die Behind the Wheel: Crime Fiction Inspired by the Music of Steely Dan by Sam Wiebe (Down & Out Books)
“Brother’s Keeper,” from Ellery Queen Mystery Magazine by Dave Zeltserman (Dell Magazine)

BEST JUVENILE

The Collected Works of Gretchen Oyster by Cary Fagan (Penguin Random House Canada – Tundra Books
Eventown by Corey Ann Haydu (HarperCollins Children’s Books – Katherine Tegen Books)
The Whispers by Greg Howard (Penguin Young Readers – G.P. Putnam’s Sons BFYR)
All the Greys on Greene Street by Laura Tucker (Penguin Young Readers – Viking BFYR)
Me and Sam-Sam Handle the Apocalypse by Susan Vaught (Simon & Schuster Children’s Books – Paula Wiseman Books)

BEST YOUNG ADULT

Catfishing on CatNet by Naomi Kritzer (Tom Doherty Associates – Tor Teen)
Killing November by Adriana Mather (Random House Children’s Books – Alfred A. Knopf BFYR)
Patron Saints of Nothing by Randy Ribay (Penguin Young Readers – Kokila)
The Deceivers by Kristen Simmons (Tom Doherty Associates – Tor Teen)
Wild and Crooked by Leah Thomas (Bloomsbury Publishing)

BEST TELEVISION EPISODE TELEPLAY

“Season 5, Episode 3” – Line of Duty, Teleplay by Jed Mercurio (Acorn TV)
“Season 5, Episode 4” – Line of Duty, Teleplay by Jed Mercurio (Acorn TV)
“Episode 1” – Dublin Murders, Teleplay by Sarah Phelps (STARZ)
“Episode 1” – Manhunt, Teleplay by Ed Whitmore (Acorn TV)
“Episode 1” – The Wisting, Teleplay by Katherine Valen Zeiner & Trygve Allister Diesen (Sundance Now)

ROBERT L. FISH MEMORIAL AWARD

“There’s a Riot Goin’ On,” from Milwaukee Noir by Derrick Harriell (Akashic Books)

* * * * * *

THE SIMON & SCHUSTER MARY HIGGINS CLARK AWARD

The Night Visitors by Carol Goodman (HarperCollins – William Morrow)
One Night Gone by Tara Laskowski (Harlequin – Graydon House)
Strangers at the Gate by Catriona McPherson (Minotaur Books)
Where the Missing Go by Emma Rowley (Kensington Publishing)
The Murder List by Hank Phillippi Ryan (Tom Doherty Associates – Forge Books)

* * * * * *

THE G.P. PUTNAM’S SONS SUE GRAFTON MEMORIAL AWARD

Shamed by Linda Castillo (Minotaur Books)
Borrowed Time by Tracy Clark ( Kensington Publishing)
The Missing Ones by Edwin Hill (Kensington Publishing)
The Satapur Moonstone by Sujata Massey (Soho Crime)
The Alchemist’s Illusion by Gigi Pandian (Midnight Ink)
Girl Gone Missing by Marcie R. Rendon (Cincos Puntos Press)

The Edgar Awards, or “Edgars,” as they are commonly known, are named after MWA’s patron saint Edgar Allan Poe and are presented to authors of distinguished work in various categories. MWA is the premier organization for mystery writers, professionals allied to the crime-writing field, aspiring crime writers, and those who are devoted to the genre. The organization encompasses some 3,000 members including authors of fiction and non-fiction books, screen and television writers, as well as publishers, editors, and literary agents.

Mystery Writers of America would like to emphasize our commitment to diversity and fairness in the judging of the Edgar Awards. Judges are selected from every region of the country, from every sub-category of our genre, and from every demographic to ensure fairness and impartiality.

newedhed2

It’s All Wrong, But It’s All Right

The first Saturday of the new year, and there’s no college football games today. This of course leaves an enormous hole in my day, which I should be able to fill with things like errands, going to the gym, cleaning, and (GASP) writing. One can hope, at any rate….

Yesterday was a glum, chilly, wet rainy day down here in New Orleans, and yesterday was a more-than-a-little-frustrating day at the office; Friday is my data entry day, and the website where we enter our required data for the CDC was recently redesigned…it was never the easiest data entry system (completely counter-intuitive) and this new version is…worse. When you take pride in your speed and efficiency with data entry…a slow, clumsy not-easy-to-navigate system can prove to be a crushing blow to one’s ego….like the death of a thousand cuts. And then sometimes it just kicks you out of the system, so you don’t know if the data you’ve entered actually took or not…needless to say, when I get off work yesterday I needed a drink. Or two. Or three.

Well, it wasn’t that bad, and once I got used to using it, it wasn’t completely horrible–although it took me a lot longer to get things done than it usually does; ordinarily I would have been able to get everything entered and still had some free time for filing and so forth; instead I didn’t get everything entered by the end of my shift–leaving some for another day, alas–and it certainly wasn’t as annoying as the slow, painful death of my desktop computer. Even as I sit here now, typing, I am watching the wordpress page fail to load–it’s been failing to load for nearly an hour now–while I type this on my laptop. I haven’t upgraded the desktop to the new Apple OS–remembering all too well the horror that ensued the last time I made that mistake, going up to Mojave; God only knows what fresh hells Catalina will inflect on my desktop. But I do have this lovely MacBook Air, and I suspect that at the rate the desktop is going, I’m going to probably slowly but surely be turning this bitch into my main use computer.

I mean, it fucking works and doesn’t make me wait for an hour to load a webpage, so there’s that. I am slowly but surely going from an Apple fan to an Apple hater, quite frankly.

Anyway, after the annoyance that was work yesterday, I stopped at Jean’s for our annual office holiday party, which was lovely, and then swung by Rouse’s on my way home so I don’t have to go this weekend. I also picked up Paul, and then we came home to watch the LSU gymnastics meet against Arizona (LSU has one of the top gymnastics teams in the country every year–did you know that? They are currently ranked #2 in the country and finished second at the Nationals championship meet for the last two years running; they’ve finished in the top six for quite some years running now), and after that, we watched the second episode of Dare Me, which is absolutely amazing. It’s incredibly cinematic, in the way Big Little Lies was, and the story is just so compelling, and the way it’s told…you can’t stop watching. It’s absolutely mesmerizing, and now I want to read the book again. As I watched last night I absolutely was thinking I need to put Megan Abbott on my Reread Project list. (I’ve given up on the desktop ever loading the blog page and have asked it to restart, which also takes forever.)

Today yawns open and free ahead of me; Paul is going to the office to work thus afternoon, so I have the entire day here to myself, with absolutely no excuse to get nothing done. I am currently laundering the bed linens, and have a load in the dishwasher, so as I wake up this morning with my coffee, I think I am going to continue to clean and organize; once that’s finished I am going to head over to the gym I think, get in a nice, ease-my-way-back-into-it workout, and then head home to shower and get down to serious work on writing. I want to get back into the swing of writing on the weekends, particularly with football season coming to a close as we speak, with my weekends free from it all, there’s no reason why I can’t get my shit together again. And this next year is going to be a busy one for me; I definitely need to be structuring my life and planning it out to the nth degree else I won’t get anything done.

I’ve also been sleeping really well lately, too–which also helps with the mood and so forth.

And on that note, I’m going to head back into the spice mines. Have a lovely Saturday, everyone.

52980431_2500892309939557_6513032971958616064_n