I’m Real

Reality television goes above-and-beyond to convince the viewers that it’s “real” and “authentic”; but it’s kind of weird to me to think that people can actually go about their day-to-day lives with a camera crew following them, constantly having to set up and break down, without that having some sort of impact on their behavior and relationships with each other. In the case of the Real Housewives shows, obviously they aren’t being followed 24/7 the way The Real World always claimed they did with their casts…which was exposed for bullshit to me when MTV was filming The Real World: New Orleans and they lived in the Bellefort mansion on St. Charles Avenue–essentially in my neighborhood. Periodically I would see a group of them–young people I assumed were the cast–walking around in the neighborhood with a camera crew following them on their way to someplace they were going to film…which meant that obviously they weren’t being filmed 24/7 as the camera men were not filming them as they walked. That breaking of the fourth wall for me was kind of a spoiler in some ways (I never really spent a great deal of thought on the show or how it was made; if I had spent a minute or two thinking about it rather than just blindly accepting what I was told I would have realized how ludicrous the 24/7 filming thing they claimed actually was–but I never cared enough to question anything). After that fourth wall was broken for me, I wasn’t as into The Real World as I had been previously; plus, the longer the show went on, the more it became focused on blackout drinking, sex, and violence–none of which I particularly wanted to watch, really.

When Bravo–which used to be a more higher-minded channel showing Inside the Actor’s Studio as well as syndicated repeats of Law and Order and The West Wing–chose to capitalize on the success of their first forays into reality television with Queer Eye for the Straight Guy and the great reality competition shows Project Runway (we were obsessed with it) and Top Chef by going for something a little more Real World-ish with The Real Housewives of Orange County, I wasn’t particularly interested. As Sonja Morgan was told by Bethenny Frankel in one memorable encounter on the New York franchise, “it’s a cheater brand”–something branded similarly to something vastly more successful as an attempt to piggy-back on that success; in this case, they were copying ABC’s breakout hit Desperate Housewives AND The OC. The ubiquitous previews–run constantly during the syndicated repeats we watched as well as the competition programs–did nothing to inspire me to want to watch even a little bit. The show was successful enough to spawn another franchise in New York, and then another in Atlanta. These shows became part of the public consciousness, really; you couldn’t get away from them, particularly if you watched anything else on Bravo–you began to learn what some of the women’s names were; began to know who was friends with whom and who couldn’t stand who; who was fighting with who and why and so on. Sometimes on weekends while Paul slept on the couch and I sat in my chair reading a book or revising something I was working on, I would just put the channel on Bravo because they always ran marathons on the weekends–whether it was The West Wing, Law and Order, Project Runway or a Housewives franchise–primarily because I always need some sort of noise in the background whenever I do anything. Occasionally Paul would wake up and watch for a few minutes, or I would look up and watch for a while, slowly figuring out what was actually going on with the show, but not interested enough to watch as they aired or become heavily involved. Paul and I actually started watching Atlanta when it started airing–we were drawn in by previews featuring NeNe Leakes, who was hilarious–but I wasn’t very comfortable with it, to be honest; my liberal white guilt made me wonder whether this was a kind of “look at the how funny and weird Black women are!” kind of show. I also didn’t like that the first show to feature Black women had a token white woman on it–none of the other shows with all white casts ever added a minority to the mix; why couldn’t Black women have a show that was all about Black women without needing a white woman to round out the cast? And I was definitely not a fan of Kim Zolciak, so we gradually stopped watching regularly; after all, there was always a marathon going to be aired at some point on a weekend.

I also gave Beverly Hills a whirl when it first aired, primarily because I remembered Kim Richards from her days as a child actress and wanted to see her as an adult. Seeing what she’d become was a bit of a shock, but I watched that entire first season as it aired in amazement, falling in love with Lisa Vanderpump (as so many did) and kind of liking Camille Grammer. She was a bit unfiltered and came across as a very spoiled, privileged white woman…but she was fun to watch and I couldn’t stand Kyle Richards, who was her primary antagonist. But I stopped watching when the show became too dark in the second season, dealing with spousal abuse of one of the cast-members and her husband’s eventual suicide.

A little too real, frankly.

But some friends got me to start watching New York again as it aired in a later season, and this time, I embraced the lunacy and the madness, seeing it for what it was: entertainment. Sure, there was an element of people being rewarded for behaving badly, and whether the madness I was watching was authentic and real, filmed as it occurred, or was “produced” really didn’t matter. I didn’t need to see how the cheese was made, nor did I care; but as I started watching the others so I could talk about them with my friends, dissecting characters and behaviors, I began to realize that these shows were the nighttime soaps of this new age; addictive shows about people with money behaving badly that we talked about (I used to watch Dynasty with a huge group of friends, every Wednesday night: Bong Hits with the Carringtons and the Colbys). Each new edition/franchise of the show was uniquely different from the others; some I never got into (DC, Miami) and others I watched religiously (New York, Atlanta, Beverly Hills), and others I’d keep up with generally (Orange County, Potomac)–my viewing habits for the ones I didn’t watch religiously eventually evolved into simply watching the reunions–which essentially summed up the highs and lows of the season without all the filler.

But I also became interested in watching from a sociological point of view as well; it wasn’t just entertainment, the shows actually provided all kinds of looks into things like group dynamics, how some minor understanding could become blown completely out of proportion, how betrayals of trust are difficult to come back from with a friend, and watching how these women’s evolution was potentially altered, even contaminated, by exposure on camera to a wide audience. Success on the shows might lead to success away from the cameras, but primarily in business more than anything else; these shows were not a jumping off-point into any kind of scripted acting, other than stunt casting on Broadway in shows very late in their run (see: NeNe Leakes, Cinderella; Erika Jayne, Chicago). Bethenny Frankel, seen as the primary success story to arise from the shows (I’ve never cared for her, to be honest), has never managed to translate her popularity as a Housewife into anything successful that wasn’t linked, in some ways, to her original show (her talk show failed, her ripoff of The Apprentice for HBO also failed); and like Trump, her business is really now just licensing the “Skinnygirl” label to other companies marketing products since she sold the alcohol company for a lot of money to Jim Beam years ago.

This interest eventually, as always, evolved into fiction for me. I had always been interested in writing a Scotty book rooted in a season of a Real World-type show filming here; that gradually evolved into my own version of the Housewives shows, The Grande Dames. That eventually worked its way into Royal Street Reveillon, which might be one of my personal favorite Scotty books. I still do watch New York, although I’ve had to back away from Beverly Hills because I cannot stand to see alleged criminal conspirator and ruthless narcissist Erika Girardi on my television; I feel that giving them that extra streaming view somehow condones the fact they didn’t fire her and continue to give her a platform to spin her lies and evade prosecution and restitution.

So, I was very interested when I saw this book talked about on one of the Facebook fan pages I belong to:

As a reward for the procedure the other day, I decided to download this, and in my exhausted state Thursday evening, I started reading it on my Kindle.

If you’re a fan of the shows, you will definitely enjoy this. Essentially, it’s an oral history, with Quinn interviewing not only actual Housewives but also members of production and people from the network about the casts, things that happened on the show, and the controversies. It’s fascinating; production and the network people are always very quick to justify their own questionable behavior in the actions they did or did not take when something bad was happening in front of the cameras (which was to be expected). What was truly interesting to me was the women themselves, and their commentary on their castmates, and the absolute zero fucks they give about lifting the curtain and letting us all see how the sausage was made. What’s particularly weird, though, is you do find yourself wondering–just as you do when you watch the shows–how much of it is real and how much of it is the women either covering their own asses or staying in “character” from the shows; Sherée Whitfield makes absolutely no bones about how much she loathes NeNe Leakes…and actually, nobody spoken to from the Atlanta cast, past or present, says anything nice about her other than she makes good TV. (Likewise, New Jersey castmates are very quick to point out that cast-mates Teresa and Melissa, sisters-in-law, still very much hate each other despite the “reconciliation” for the cameras.)

But again, are they just playing a part still, or are their answers authentic? It’s hard to say. I do think some of the former cast members who are bitter about their experiences (looking at you, Carole Radziwell and Heather Thomsen) are being honest, since they have nothing to lose; the ones who are still on their shows perhaps not so much. (Props to Teresa Guidice, too; she literally is who she appears to be, both on television and in this book–so either she’s very good at playing “Teresa” to the point of staying in character all the time, or she basically is that person. I’m not sure she’s a good enough actress to pull off a performance, though.)

Reading the book was a lot of fun, though, and I think if you are a fan of these shows, you’ll also enjoy it. I greatly enjoyed reading it, and it also reads, as oral histories tend to do, very quickly. Does it actually give the reader an accurate view behind the scenes, or any insight into who these women really are off-camera and in their own lives? I don’t know, and that, I guess, is part of the fun; it’s a very good extension of the shows for fans.

I have recently begun to wonder about whether I should continue to watch these shows. I go back and forth between embracing the enjoyment I get from watching (there’s no such thing as a guilty pleasure; we should never feel guilty about finding joy in anything in life; one of the producers even says towards the beginning, that guilty pleasure thing pisses me off because it’s always directed at things women enjoy–a man can sit in front of the television all day watching football yet no one calls the NFL a “guilty pleasure”–which is a very good fucking point) and wondering if I am part of a system that glorifies and rewards bad behavior. do the shows demean women, make them look bad and infantile and childish?

Reading this book gave me no answers other than I should continue to enjoy what I enjoy without spending a lot of time questioning or over-analyzing both myself and my motivations. I also don’t care if people judge me for anything I get enjoyment from; after all, I get judged by people for my sexuality and I really don’t give two shits about the people who do that, either.

But if you don’t watch the shows, I wouldn’t suggest or recommend you read this book; none of it will make any sense to you once they start talking about what happened during the seasons and the conflicts/relationships between the women.

Stop!

It’s Sunday morning in the Lost Apartment and slept relatively well again, if a bit late; my body clock is now all messed up and tomorrow morning’s waking up at the crack of dawn is going to be harder than usual.

Not that it’s ever easy, frankly.

LSU played terribly yesterday and lost, as expected, to Mississippi 31-17 (first loss to them after five straight wins) but I managed to finish reading Not All Diamonds and Rosé while it was on, and also read some more in Disappearance at Devil’s Rock, which is, as all books by Paul Tremblay, very well done–but I am not deep enough into it to have an idea of what’s going on. It focuses on the disappearance of a thirteen-year-old from a state park outside of Boston; it opens with his family–along with everyone else in the community–finding out he is missing and dealing with the emotions and fears that come along with a kid gone missing; but something out of the ordinary has already happened (no spoilers, sorry) which means there’s more to this than just your average child gone missing story.

Which, given it’s written by Paul Tremblay, was always going to be the case in the first place.

After the LSU game, we spent the rest of the evening watching Skate America; we used to be (still are) big figure skating fans, but the Internet and so forth has kind of ruined figure skating, really–when you know what the results are before the competition airs, it’s not nearly as exciting or suspenseful; so the only way to recapture the way it used to feel to watch something pre-recorded is now to watch live, which Peacock (NBC’s streaming service) does now provide. (I also think the new scoring system has a lot to do with it as well. Sure, the old 6.0 system had serious flaws and corruption in its judging, but I am not convinced that corruption still isn’t there and now the scoring system is so mysterious and complicated that it’s almost impossible to tell anymore if anything untoward is going on. The great irony is the scoring change, claiming to be more fair and to rule out bias, simply made it harder for viewers to see it for themselves.) There’s also tension brewing in the ISU this year as well, as a Russian judge and coach has made horrifically homophobic comments about French ice dancer Guillaume Cizeron (who came out last year) and his partner Gabrielle Papadakis. They have a silver Olympic medal (it would have been gold had Papadakis not suffered a costume malfunction in the original dance) and are three time world champions. It was an obvious attempt to smear them in an Olympic year and potentially influence future judging pools at upcoming events, only making it all the more disgusting….particularly since Russia couldn’t even officially compete at the last summer Olympics because of widespread doping and cheating. This piece of shit Russian essentially said that since Cizeron is gay they cannot “convincingly portray romance” the way the top Russian team can; to that I say, “hey, you homophobic needle-dicked piece of shit, if you want to see a gay man convincingly play a romantic lead, watch Pillow Talk some time and tell me Rock Hudson didn’t deserve an Oscar. And by the way, go fuck yourself and drink bleach.”

I am so fucking sick of this shit. Seriously.

I did manage to get some things done yesterday, but I am still looking for my old journals. I cannot for the life of me remember where I stored them; I know sometime over the past few years I found them in a box, but now I don’t remember what I did with them. It seems unlikely I would have simply shoved them into another box and stored them somewhere; but I can’t seem to locate them anywhere inside the apartment, which makes it appear that must be what I did with them. Generally I don’t go back and read my old journals very often–I don’t really like to see how much of a mess I used to be, written down plainly in ink on paper–but I kind of need to because I am writing a novella set in the summer of 1994 and I kind of need to go back and see what I recorded back then about music and pop culture and so forth. One of the hardest things about doing research on gay life in the past is so much of it is hidden, or wasn’t recorded anywhere, really–like there’s no listings anywhere on the Internet of “what dance songs were popular in gay dance clubs in 1994?” and my memory banks simply are not substantial enough anymore for me to summon those answers up out of the muck and mush my brain is slowly turning into as I age. That summer I went out dancing a lot, but I honestly don’t remember anything much about the music other than there were a couple of Pet Shop Boys songs that were really popular that summer–“Go West” and “I Wouldn’t Normally Do This Kind of Thing”, and Erasure had a great remix of their song “Always”, but beyond that I have no memory of much.

Today I am debating as to whether I actually want to go run errands; making groceries is kind of necessary but I really have no desire to leave the house and go out in public. There’s not a Saints game today–they’re on Monday Night Football this week–and next weekend is LSU’s bye week, so I don’t really need to spend Saturday watching football (despite it being the weekend of Georgia-Florida and Auburn-Mississippi), so here’s hoping I can get some serious writing done today and this coming weekend. Stranger things have happened..and I am definitely running out of time to get this book written, which is incredibly stressful for me, as always. Heavy heaving sigh.

And on that note, I am heading into the spice mines. Have a lovely Sunday, Constant Reader.

You Surround Me

And here we are, on Saturday morning of the LSU-Mississippi game (GEAUX TIGERS!) and lots and lots to do, as always.

I slept in this morning, much later then I have done in a while. I feel rested, though, and not foggy in the least. It’s taking me longer to get over this procedure then I would have thought, actually–I assumed it would be over and the next day I ‘d be my normal self again, but that really wasn’t the case. I guess it has to do with being older, but also going a night without any sleep at all takes a much harsher toll on my body than it would have done ten or twenty years ago. I actually don’t mind getting older–it’s always a surprise that I have gotten this far, really–and I generally don’t think about it all that much until I notice something like this. I used to always bounce back very quickly, but that appears to no longer be the case.

Which shouldn’t come as a surprise, either. I’ve not lived the healthiest lifestyle for vast portions of my life, and I still don’t eat as healthily as I probably should. But I also tend to think that one should, in the limited time they have on this planet, enjoy themselves as much as possible, and denying myself things that I like and enjoy–well, life provides enough unhappiness and stress and misery on its own without me needing to make myself miserable, right?

As a reward for the procedure, I downloaded a book that I’ve really been enjoying–Dave Quinn’s oral history of the Real Housewives shows, Not All Diamonds and Rosé. I have talked in earlier blogs about my falling out of like for these shows recently; but I started reading this on Wednesday and got totally sucked into it and stayed up later reading every night since then I should have. It’s fascinating, but again, who knows if what they are saying is true, if the women are actually being themselves or if they are maintaining the characters they created on television. But it’s very addicting to have production staff actually commenting on the controversies and things that happened, the dynamics between the women and with production, and behavior on and off camera and the differences. There’s a lot of shade thrown–Carole Radziwell is particularly shady in the chapter on New York, as is Heather Thomsen; Teresa Giudice certainly goes to town on everyone in the chapter on New Jersey; and the production staff really have nothing nice to say about Lisa Vanderpump of Beverly Hills either. What’s interesting to me is how so many hang on to the feuds and fights, so many years later, with resentment and bitterness still; sometimes the behind-the-scenes stuff talked about is more interesting then what actually went on in front of the camera. How much of it is true, how much of is calculated, how much is actually just more promotion and advertising for the shows? Who knows? But it’s a lot of fun to read, and after all the difficulties I’ve been having reading fiction…it’s kind of nice to get sucked into something, even if it is just kind of fluff.

We watched Dune last night, which I also greatly enjoyed. I’m a fan of the books–although on a reread several years ago, I was a lot more critical of the writing then I’ve ever been before–and I even enjoyed the flawed David Lynch film from the 1980’s, which I saw in the theater. This was epic film-making, on the scale of David Lean masterpieces like Lawrence of Arabia and Dr. Zhivago; I kept thinking as I watched, awed, this would be stunning on a big screen. The scale of the film matched the scale of the book, which the Lynch version didn’t really; this was the film’s ultimate flaw, as was the Syfy mini-series that was produced earlier on this century (although I thought the sequel series, Children of Dune, was much better). It’s also very well cast. I wasn’t sure at first about Timotheé Chalamet, in all honesty. He’s a very attractive young twink of a man, and his career has certainly taken off to major stardom–too boyish for me, but I do concede he is pretty, and he really did a great job; much better at inhabiting the character then earlier actors in the part. They also managed to pick a terrific place to end the movie, cutting the story into two parts: I don’t think it’s a spoiler to say that it ends with Paul and his mother, the Lady Jessica, escaping the betrayal by their enemies and the closing of the trap that sending the House Atreides to Arrakis set in motion and meeting up with, and being accepted by, the indigenous people of the planet, the Fremen.

I did spend some time yesterday organizing and cleaning and filing and trying to get my shit together; that will continue again today as I finish getting organized so I can focus on getting my book finished. I have to go over the first part of the final edit of #shedeservedit this morning to get it back to my editor; I made the corrections I noticed were needed yesterday afternoon, but I want to read it one more time to be certain I caught everything and/or didn’t miss anything else. I think it’s a good book, and it’s very different from the one before, Bury Me in Shadows, and probably very different from the next thing I am going to write–which I really need to work on this weekend. Time is slipping through my fingers, as it always does, and that deadline is looming just over the horizon and the world keeps turning towards it, bringing it closer and closer.

AIEEEE!!!!!

But my coffee is quite marvelous this morning, I am slowly coming to life, and I think I am going to go read for a moment before I get up and start working on finishing the cleaning/organizing project I started yesterday. So have a lovely Saturday, Constant Reader, and I will check in on you tomorrow.

Star

Well, I survived my first ever colonoscopy, with an endoscopy thrown in for good measure (my gastroenterologist was concerned about the heartburn medication I take daily, so he wanted to take a look around in there). It was a thing, really. The colonoscopy was originally supposed to be in 2018, but there was a problem with my insurance (insurance companies are really of Satan) so it was rescheduled for last April…and then pandemic. Men really should get their first at fifty; so of course I got mine at sixty.

But ugh, what an unpleasant experience prepping for the procedure was. I didn’t sleep at all Wednesday night because I was getting up all the time to run to the bathroom; the final dose of the purge medication was supposed to be taken at 1 a.m. (!!!!), along with another 42 ounces of water–following the first dose and 42 ounces of water five hours earlier. Oh, and you’re supposed to drink all the water over an hour. So I went to bed finally at two in the morning, and then UP DOWN UP DOWN UP DOWN all night, plus the stress of worrying about sleeping through the alarm because I was up so late…yeah, it was pretty ugly around the Lost Apartment yesterday morning before we summoned the Lyft to whisk us off to Touro Infirmary. They had also originally told me I needed to stop in and get a COVID test the day before “around four”; you can imagine my horror to get the confirmation call Wednesday afternoon at two-forty-five, which was when I was informed that they cut off testing if you aren’t there by two-thirty.

Womp womp.

So then I had the added stress of oh my God what if I am doing all this prep and my test comes back positive? (It didn’t.) But they couldn’t do anything with me as far as anything actually medical is concerned, until the results came back (negative, around nine thirty). I got wheeled in and anesthetized around eleven thirty, and we were home before one. Exhausted, hungry, and still wonky from the anesthetic, I decided to take their advice and just relax and chill at home and not worry about anything pending; my body, after all, had two invasive procedures (and any procedure is traumatic to the body), so I figured–and still think–that I was allowed to have the day free from any worries or constraints about anything else. I was very tired–no coffee, no sleep, anesthetic–to the point that my joints ached from exhaustion, which also was rather unpleasant. I was too tired to do much of anything, really, and actually dozed off in my chair for a while (I did, however, stream the first half hour of Dune; and it looks incredible.) I did go to bed early and I think I slept deeply all night; at some point will have to download the Fitbit data to get an idea of just how much sleep I did or didn’t get over the last few days.

I wound up working from home needlessly on Wednesday (I read the prep instructions wrong; I thought I was supposed to start at eight a.m.–but it was actually eight pm); but I was very low energy all day anyway so it was probably best that I not see clients when I am in a low-energy place; undoubtedly it was stress about the procedure sapping my energy. I made condom packs and did some data entry and other work-at-home things while bingeing the non-Jamie Lee Curtis Halloween movies. As I have said before, I came to the Halloween (and most other non-Freddy Krueger slasher fare) late in life; in fact, it was Paul who got me to start watching. Anyway, I had realized that I’d never seen any of the other ones from the original series that don’t have Jamie Lee Curtis in them….so for my Halloween Horror Film Festival what could be more apt than finally watching the rest of those movies?

Maybe apt, but seriously–if Jamie Lee Curtis isn’t in it, why bother making it? I mean, seriously. Halloween III: Season of the Witch was just terrible. I’d heard at the time it was released that it wasn’t good, but I thought I had seen that people had revisited it and it was becoming a cult classic, under-appreciated at the time and now coming into its own? It had lesser production quality than any old made-for-television movie from the late 1960’s/early 1970’s. The plot made no sense whatsoever; the acting, editing and production quality was horrific–I kept watching all the way to the bitter end, waiting for something, anything, that would make me think I was correct in seeing that it had been rediscovered as better than originally thought? Stonehenge, some weird plan to turn children and people into androids…fucking weird. I did research it, though, and apparently John Carpenter wanted to do the films as an anthology series built around Halloween; kind of like American Horror Story, only with films. The film tanked, so they brought back Michael Myers with Halloween 4: The Return of Michael Myers, which had Sasha Jenson, my crush fromDazed and Confused, as a supporting character. I went on to watch Halloween 5: The Revenge of Michael Myers–but again, no Jamie Lee Curtis. Instead, these two movies focused on Laurie Strode’s DAUGHTER (!!!!) who was a child; Laurie and her husband died in a car accident or something, and so the little girl was staying with a foster family, and Michael came for her.

As far as slasher movies go, these last two weren’t bad; they just didn’t feel like Halloween movies. It was also unsettling because he was psycho-stalking a child, and that just didn’t feel right or fun to watch. I mean, it’s one thing when the victims are relatively attracted and slightly talented twenty-somethings pretending (badly) to be teenagers…but a little girl? Too may squick factors there for me to enjoy the movies as much. But…now I can say I’ve seen practically all of them, so that’s something, I guess?

And now it’s Friday morning, and I need to, once again, reconnect to my life and everything that’s going on and everything I need to get done. The Lost Apartment is again a disaster area, I haven’t been to the gym all week, and…ugh. All I really want to do is go back to bed and sleep for the rest of the weekend, frankly. But I am way behind (my constant refrain) and need to get caught up. The Saints are on Monday night football (note to self: alternate route home from work Monday night) so I have all day Sunday to get stuff done, and of course the LSU-Mississippi game isn’t until two-thirty on CBS Saturday, so I have most of Saturday morning as well to get things done. I think we’re going to watch Dune tonight; I just wanted to get a feel for the movie last night, which is why I started watching and it looks amazing in scope and style and visuals.

I first read Dune when I was in high school, and loved it. At that point there were only three books–the original trilogy; the other two being Dune Messiah (which I didn’t like near as much) and Children of Dune (which I did enjoy very much) and was very excited when Mr. Herbert continued the series; I think I only read the next three (God Emperor of Dune, Heretics of Dune, Chapterhouse: Dune) and loved them all. (I stopped reading the books when Mr. Herbert died and his son took over; no offense to his son, but…it just didn’t feel right to me. And while I appreciate series being continued by new authors after the original passes, I’m not interested in reading them because the original mind behind them isn’t controlling the direction anymore, if that makes sense? This is entirely different to me than authors who become brands and new authors come in as “co-writers”; I don’t expect those books to be the same as those by the original, brand name author–like James Patterson and Robert Ludlum) Dune was my first forage into science fiction, actually; I’d never read any before, and that’s another reason why I am so partial to the book/series: it was my gateway drug. The next summer Star Wars came out, and by the end of the decade I was reading Azimov* and other science fiction writers, like Heinlein and Bradbury and an entire new world had opened for me in fiction. (I feel like this might be the proper place to mention how much I admire science fiction/fantasy authors; the world building alone requires so much work and so much attention to detail that I cannot wrap my mind around it, let alone attempt doing it.)

And on that note, I am heading into the spice mines. Have a lovely Friday, Constant Reader, and deepest apologies for not checking in with you yesterday.

*I have also started watching Foundation on Apple Plus; but more on that in a later post.

A Little Respect

Well, hello, Wednesday morning, how are you doing? I am at home today because I am doing the prep work necessary for tomorrow morning’s procedure (it’s a colonoscopy; I am not sure why I am being so coy about it. I am over sixty now and this is long overdue; the hurdles I had to clear and hoops I had to jump through to get this thing scheduled….oy. I don’t understand the mentality of the people who defend our health care/insurance system…and sadly, it’s better now than it was when I first got health insurance back in 2006), and the doctor recommended being in close reach of a bathroom for most of the day. I have to get up at midnight to begin Stage II, then I have to get up and be at Touro for the procedure by seven tomorrow morning. I also have to go to Touro later today to get a rapid COVID test to get clearance.

Seriously, with my luck I’ll test positive and then not only have to reschedule the entire thing but have to quarantine for fourteen more days.

That sure took a turn, didn’t it?That should give an indication of my late October mood, though, shouldn’t it? I don’t know, maybe it’s the procedure and having to go underneath anesthetic for the first time in a really long time; or perhaps it’s the whole Halloween thing? Who knows? Halloween is certainly a time for darkness and the macabre; which is interesting, since the name is a contraction of all hallows eve, which means, really, the eve of All Saints Day, which you’d think would be more celebratory? It also occurs to me that I’ve never actually written about Halloween, and given what a popular holiday it is in New Orleans, that’s kind of odd. Jackson Square Jazz is set just before Halloween; I think in the afterward Scotty mentions the costumes he and the boys were to the Halloween Ball? It’s been a hot minute, so I can’t remember…but I know there’s not a Scotty Halloween book, and I know I never did one with Chanse–who couldn’t be bothered to wear a costume; he’d find the whole thing tiresome. But not even a short story! (“The Snow Globe,” in fairness, began as a Halloween story and was originally titled “All Hallows Eve”; obviously I changed that.)

Unfortunately, given the timeline I’ve got going with the Scotty books now, I don’t know that the next one can be a Halloween book. Although I could play with the timeline a little more, I suppose. Royal Street Reveillon was set during the Christmas season, and I’ve always thought of it as Christmas 2019 (which means it became cemented into my brain as set in that year; and my stubborn subconscious never lets it go until my conscious mind realizes how stupid I am actually being)….with a pandemic just around the corner. But the book itself came out in October 2019, so I finished writing it earlier that year so there’s no reason it can’t be 2018…or 2017 for that matter, and I can also go back and put books in between the ones I’ve already published, if I so desire…ah, the Godlike power of being an author! What, though, would be a good Scotty Halloween title? Hmmmm…Halloween Season Hijinks? Halloween Party Horror?

Sigh. This will be in the back of my head now for awhile, which is how this always goes, doesn’t it?

I did sleep very well last night, which was lovely. (I set the alarm of course, reflexively, as I slipped into bed last night) We finished the first season of Only Murders in the Building, which resolved the first season but ended with a cliffhanger setting up Season 2–something I was wondering about–and thoroughly enjoyed it. We also started watching Dopesick, a fictionalized version of how the Sackler family single-handedly created the opioid crisis in this country so they can make billions. It’s very well done–I’d watched the documentary version of this already, whose name I cannot recall–and the acting is stellar. It’s powerful, too; I love that they are showing how this all happened through the eyes of a doctor in Appalachia (played by Michael Keaton), as well as showing the lives of some of his patients and how they got sucked into oxycontin addiction. I don’t know how anyone can watch this (or the original documentary) without burning with rage at the Sackler family and the politicians they fucking bought off so they could exploit the pain of the working class for profit, and what a classic example this is of how an unmonitored and unregulated capitalism–the ideal of the conservatives (let the market decide!)–can not only be damaging but lethal. We are still cleaning up the mess this created, while they sip expensive wine and eat caviar and fly to glamorous places on private jets. (I think the next time someone pulls some of that Ayn Rand libertarian “no regulation” bullshit on me I’m just going to smile and say “Oxycontin and the Sackler family disprove her theories on everything.”)

I also got Dr. Alecia P. Long’s latest book yesterday, Cruising for Conspirators: How a New Orleans DA Prosecuted the Kennedy Assassination as a Sex Crime, which I am really looking forward to reading. This is, of course, about the Clay Shaw trials here in New Orleans, and how Jim Garrison abused his power as district attorney; Oliver Stone based JFK on this, treating Garrison as an unsung American hero when he was anything but that–I’ve not seen the film, nor any other Oliver Stone film since this piece of propaganda and packet of lies was filmed. I also don’t trust anything Stone did, or does, anymore to be honest and truthful and factual. He basically ignored all the evidence–and there was plenty of it–and turned Garrison into some kind of folk-hero when he truly was a corrupt monster who tainted everything he touched and made the Puritans look like sex maniacs. And this country being what it is, the completely fictional film JFK and its conclusions and accusations are now seen by people as being factual. I’ve always been interested in writing about this case fictionally–seriously, the history of New Orleans and Louisiana is so rich and deep and rife with potential for writing, I could never run out of material here–and have done some loose reading up on it…and I’ve never come across anything backing up Garrison or his claims that didn’t originate in some insane right-wing crackpot conspiracy generator. I could be wrong, but I feel Dr. Long–whose The Great Southern Babylon is also a must-read for people interested in New Orleans and her history–is not a Garrison sympathizer; certainly the book’s title implies that; but I also trust Dr. Long, her scholarship, and her dedication to research. This will inevitably prove to be the definitive book on the subject.

I’m also still reading Robert A. Caro’s massive The Power Broker: Bob Moses and the Fall of New York, which, like all of Caro’s work, is exceptional. I’m perhaps about a quarter of the way through the book, but it’s also fascinating; a history of the New York parks and recreational facilities and the building of highways and parkways and roads so that New Yorkers could escape the city and enjoy the outside recreationally on the weekends. The power struggle over making Long Island more accessible to the city dwellers is deeply fascinating, as is watching how another idealistic young man slowly realizes that politics is more about reality and power than ideals, and learns to use politics and power to get what he wants–even if doing so might not be exactly legal. (This was my primary takeaway from Huey Long by Harry Williams.) I hope to read more of Paul Tremblay’s Disappearance at Devil’s Rock with an eye to finishing it, over the course of the next few days and the weekend. Tremblay is becoming one of my favorite horror writers; I’ve certainly loved everything he’s written thus far, and would like to get some more horror read this month before Halloween and we move into the Thanksgiving/Christmas/New Year’s holiday cycle.

And on that note, I am heading into the spice mines. Have a lovely Wednesday, everyone, and I will check in with you again tomorrow after the procedure. (Depending on how it goes and how drugged I am and how quickly the drugs wear off.)

Blue Savannah

Tuesday morning, with the dark pressed against my windows and the overhead light necessary in order to see; it’s also very chilly this morning and I didn’t want to get out of the bed. I slept extremely well last night–much deeper than Sunday night (without checking the Fitbit to see)–but it was a very deep restful sleep the alarm jarred me out of this morning; the bed and blankets were marvelously comfortable and welcoming, and I deeply resented the alarm going off. I think today will be a better day than yesterday–the sleep alone is a vast improvement over yesterday already–and I also don’t have an event tonight after work. Last night I did an event on diversity via ZOOM for the Chessies chapter of Sisters in Crime; I believe it was for a library in Alexandria, Virginia. These things always cause me stress, and I think with it hanging over me all day yesterday that put me into a stressful mood; like the sword of Damocles was hanging over my head all day. But it was lovely–and informative. Moderated by Cathy Wiley, my co-panelists included the wonderful Sherry Harris, Kristopher Zgorski, and Smita Harish Jain (I hope I spelled that correctly), and it was a very pleasant hour talking about writers and diversity and how to increase diversity in your work.

And yes, sure, it gets old sometimes always being asked to diversity stuff, but it needs to be done. Maybe in my lifetime we’ll reach the point where diversity conversations and panels will be no longer necessary; wouldn’t that be lovely? A lot has changed in our country and society during the course of my many years on this planet; that one would be more than welcome, certainly.

Paul was working last night as I finished the ZOOM panel, and I was literally exhausted. I sat in my easy chair and watched some videos on Youtube. I tried to read for a bit to see if I wasn’t too tired to focus–I was–and wound up going to bed very early. On the way home from work tonight I need to stop and get the mail as well as make groceries; tomorrow is procedure prep day, so I am working at home as my system cleans itself out (such a revolting thought, really) and I can stay close enough to a bathroom so it’s not going to be an issue. That means I can sleep a little later than usual tomorrow (although I need to stay up late that night and get up ridiculously early the morning of the procedure) and relax around the house, making condom packs and doing data entry.

I am also starting to feel like I am caught up a bit, and this is always a dangerous thing. Getting caught up inevitably winds up with me thinking about other things oh now I have plenty of time so it can wait which inevitably leads to me getting behind again. I will never, I think, learn the lesson to stop taking down time until everything is finished so I can do it relatively guilt-free, and when other things need my attention again I don’t have to worry about feeling overwhelmed or buried…however, this is how I’ve been my entire life, and I don’t think sixty is when I am going to effect sincere and successful behavior change.

Stranger things, however, have happened.

And always seem to, for one reason or another.

I did manage to spend some time revising the first chapter of A Streetcar Named Murder, the latest thing I am terribly behind on. I was trying to do this while I waited for the ZOOM panel time; while also moving everything off my kitchen counters and hiding them so no one can see the condition the Lost Apartment is in during the early part of the week. (For the record, my washer and dryer currently have a shit ton of stuff sitting on top of them; I’ll have to do something about that tonight) I am hoping to work on the book some more tonight after work–before or around watching the season (series?) finale of Only Murders in the Building, which we are enjoying tremendously. I’d like to get the first four chapters revised by the weekend, so I can focus on writing the next two or three this weekend. (Note to self: check what time the LSU game is on Saturday; the Saints play Monday night) Ah–the game is at 2:30; so I have the morning to go run errands, go to the gym, and write. That will make for a busy morning, methinks. Maybe if I run the errands on Friday after work I won’t have to go out on Saturday other than the gym?

We’ll see how it all goes.

And on that note, it’s time for me to get ready for work. Check in with you again tomorrow morning, Constant Reader. Have a lovely Tuesday!

Drama!

Monday morning never gives me a warning, you know what I mean?

But that’s just how it goes, isn’t it? Weekends are never quite long enough to get everything done that needs to get done, let alone get in the rest and relaxation necessary to get through another week. I don’t have to go into the office every day this week, because of the procedure on Thursday; I get to work at home on Wednesday my procedure prep day, yet have to get up insanely and ridiculously early for the procedure, so that’s not exactly a win. But I am glad to get this needed and necessary part of getting older out of the way once and for all; and here’s hoping the scope finds nothing untoward inside of me.

Ugh, how…icky that last sentence sounds!

Yesterday LSU announced that Coach Orgeron (Coach O) will be finished at the end of this season. This saddened me–it still does–because I love Coach O and was all about the Coach O train when he stepped in as interim coach after Les Miles was fired in 2016. I thought he deserved a shot at the job, I love that he so perfectly embodies Louisiana Cajun country, and he loves LSU as much as anyone. There have been times I’ve not been pleased with him–just as there were times when I wasn’t pleased with Coach Miles–but the news didn’t make me happy. I wanted him to continue to succeed. He gave us the best season of LSU football in over sixty years, possibly one of the greatest football seasons of all time, and to see him ousted a mere two years later doesn’t make me happy. I know it was necessary–after the shock of the UCLA game, followed by the embarrassing losses to Auburn and Kentucky, it was clear some shake-up was needed, but I don’t know. Maybe give him and his new assistants another season to right the ship? I can see why the big donors and the administration didn’t want to wait–the rest of the SEC West alone is catching up, if not already passing us, and the longer it dragged out the more painful it could become (let’s be honest, Miles should have really been let go after the enormously disappointing 2014 season; but he’d succeeded and there was loyalty there–clearly misplaced, given everything that’s come out recently–but LSU is too big of a brand and a marquee name to allow anyone more than one season of mediocrity. Coach O will always be a beloved legend in Louisiana, and that, while small consolation for what he and his family must be feeling this morning, is more than many coaches get when they are let go.

I started reading Paul Tremblay’s Disappearance at Devil Rock yesterday rather than a Stephen King; I started to reach for The Institute, but pulled back when I realized just how thick the book is. I mean, it took me over six weeks to read a 240 page noir novel; how long would it take for me to get through something that enormous? It was disheartening to turn down a book to read simply because of its length–I used to love long books, and the longer the better; poor James Michener could never get published today, let alone an agent, because I can’t imagine anyone looking at the length of Hawaii and thinking, yeah, can’t wait to get through THIS! But Tremblay is a terrific writer, and soon I was very much sucked into the book. I picked it up to spend a little time with while i was taking a break from my chores and working on a revision of Never Kiss a Stranger–which of course is the last thing I should be working on right now, but it’s in my head and I can’t stop until I get through this revision, which has already made it a lot better than it was in the first draft–and had to force myself to put the book down and get back to revising and cleaning, which inevitably makes me always feel better anyway. It was very strange to break the routine of a Saints game on a Sunday–which made the entire day open with possibility, and of course then made me feel as though the entire day was being wasted because I was unfocused for most of it.

We watched a Polish film last night on Netflix, Operation Hyacinth, based on a true story about a police investigation/crackdown on gay men in the 1980’s, including murders covered up by the police, which was deeply sad and tragic and somewhat hard to watch–also bearing in mind this happened during my lifetime, which is constantly sobering (an issue for writing Never Kiss a Stranger–having to remember how much more homophobic American society was in the 1990’s than it is now; also a sobering thought, and the chilling reminder that there are a lot of people want us to go back even further to the time where homosexuality was considered a mental illness as well as a crime). It was good and thought provoking, and then we got caught up on The Morning Show before turning in for the night so I can get up this early.

Of course I am behind–I didn’t get nearly as caught up as I would have liked to this past weekend, as always–and now am trying to get my to-do list for the week caught up. I have an event tonight for Sisters in Crime for a library–a diversity discussion–which is going to wear me out (I’ll already be tired from my work day) and make it much easier for me to go to bed this evening and fall asleep. I feel relatively well rested this morning; we’ll see how the day goes, shan’t we?

And on that note, I need to start getting ready for work. I didn’t even pack my backpack last night! Tis off to the mines of spice for me now, and I will check in with you again tomorrow.

Girl, You Make My Day

One of the things I’ve greatly enjoyed over the last few years has been the sea change in how publishing views works by non-white and non-straight authors; the push for more diverse voices in the publishing community has already borne wonderful fruit. I’ve been saying for years that the world of crime fiction was in danger of getting stale again, much as it did in the late 1970’s and early 1980’s; particularly the private eye novel. The arrival of Sara Paretsky, Sue Grafton, and Marcia Muller on the scene shook things up and shook things out; the private eye novel got a much-needed shot in the arm of adrenaline with these three women and the others their work inspired; I strongly believe the move toward diversity is going to bear fruit in much the same manner–and it already has, frankly; the works of diverse writers like S. A. Cosby, Kellye Garrett, Rachel Howzell Hall, Alex Segura, Tracy Clark, Cheryl Head, and so many others have joined the great pioneers like Walter Mosley and the wonderful Barbara Neely to open up new perspectives on crime and crime fiction; our society and world; and again, this was desperately needed–and is necessary every so often, for our genre to refresh and expand and become more inclusive. We’re also seeing more queer books being sent out into the world from the big houses in New York, which is also incredibly exciting (another shout out to Yes Daddy By Jonathan Parks-Ramage and A Beautiful Crime by Christopher Bollen).

It’s a very exciting time to be a fan of crime fiction.

Noir has always been one of my favorite sub-genres of crime fiction, and I always enjoy reading modern takes on it. I want to write more noir, quite frankly; Chlorine would be the first of at least four I want to write, if not more (for now, I have ideas for four of them, with Chlorine being the most full formed). I always enjoy modern takes on noir–Laura Lippman’s Sunburn was quite marvelous, as was Christa Faust’s Money Shot and Choke Hold)–and of course, S. A. Cosby is a master of rural Southern noir; both Blacktop Wasteland and Razorblade Tears are destined to be considered classics, I think.

So, I was very curious to read Silvia Moreno-Garcia’s take on modern noir, Velvet Was the Night. It took me a very long time to finish–which is not indicative of the quality of the book, I hasten to add–because after I read so much during the post-Ida power outage, I kind of broke my brain and thus haven’t been able to really focus as much on reading as I would like; yesterday after the LSU game I sat down and finished it with Georgia-Kentucky on as background noise.

And what a fun ride it was.

He didn’t like beating people.

El Elvis realized this was ironic considering his line of work. Imagine that: a thug who wanted to hold his punches. Then again, life is full of such ironies. Consider Ritchie Valens, who was afraid of flying and died the first time he set foot on an airplane. Damn shame that, and the other dudes who died, Buddy Holly and “The Big Bopper” Richardson; they weren’t half bad either. Or there was that playwright Aeschylus. He was afraid of being killed inside his house, and then he steps outside and wham, an eagle tosses a tortoise at him, cracking his head open. Murdered, right there in the stupidest possible way.

Often life doesn’t make sense, and if Elvis had a motto it was that: life’s a mess. That’s probably why he loved music and factoids. They helped him construct a more organized world. When he wasn’t listening to his records, he was poring over the dictionary, trying to memorize a new word, or plowing through one of those almanacs full of stats.

No, sir. Elvis wasn’t like some of the perverts he worked with, who got excited smashing a dude’s kidneys. He would have been happy solving crosswords and sipping coffee like their boss, El Mago, and maybe one day he would be an accomplished man of that sort, but for now there was work to be done, and this time Elvis was actually eager to beat a few motherfuckers up.

He hadn’t developed a sudden taste for blood and cracking bones, no, but El Güero had been at him again.

The recent rise of Silvia Moreno-Garcia has been meteoric, although I am sure to her it has seemed anything but. I read her terrific vampire novel, Certain Dark Things, a while back, loved it, and have been following her career ever since as she has turned out novels at a terrific rate–Gods of Jade and Shadow, Untamed Shore, Mexican Gothic–all of which have been critically acclaimed and sold very well; I love that she bounces from genre to genre–horror to fantasy to crime; even bouncing around in the sub-categories of the crime genre. This is only my second read of her work–I have them all, of course–and had been meaning to get around to her take on noir with a Mexican flourish for quite some time. (I am really sorry I broke my brain with all the reading I did after the power went out; I greatly enjoyed this book, but it was so hard for me to focus for some reason…but am glad I sat down yesterday with the book, determined to finish it at last.)

One of the things that strikes me about Moreno-Garcia’s work is that I am seeing Mexico, a place I greatly love, through a fresh new perspective; like all Yanquis, I always view Mexico through the prism of a tourist. I’ve always wanted to write about Mexico, and have several short stories in the files that are set there (I did write one erotica story as Todd Gregory set in Acapulco; from the perspective of a tourist, of course: “Oh, What A Friend I Have in Jesus”)…but reading Moreno-Garcia makes me aware of how scant my knowledge of our Southern neighbor is–all of the counties south of the Rio Grande, frankly–which is a stinging indictment of our education system. (Don’t even get me started on the concept of Latin America vs. “America”) I know very little of Mexican history after the Spanish conquest, other than the Mexican War and the French empire set up under a Hapsburg by Napoleon III during our civil war. I know very little history of any of the countries that make up the rest of the American continents, really–and isn’t that more than a little bit disgraceful? I also know very little about their cultures, their politics, and what goes on there; a quick glance through the news also will show very little information or news being reported about those non-United States/Canada American countries, which is really a shame.

Velvet Was the Night is set un 1971, a particularly politically rife period in Mexico. The US was terribly concerned about communism being spread by the Soviets in what has always been considered the American soft underbelly–I mean, look at our reaction to Cuba–and there’s no question that CIA operatives and money were working to subvert Communism while supporting borderline Fascist governments because that was preferable to Washington than another potential Soviet satellite state in our hemisphere. The vast paranoia of that time–which really lasted from 1945-1990, really–cannot be underestimated or understated. By rooting her story in actual events of 1971–the crackdown of the Mexican government on dissidents–Moreno-Garcia slyly gives us a taste of how American foreign policy of the time affected everyone in Mexico, as well as a history lesson. (One of the great modern deceptions of our society is this idea that we always act benevolently as a nation; we’re doing this for your own good.) The book has two point of view characters; one, depicted in the opening above, is “Elvis”, a very young man who works as a thug, basically, for an oppressive group of anti-Communists that try to infiltrate dissident groups and haunt protests in order to make them turn violent, so the military can intervene on behalf of the “people.” Elvis grew up very poor and sometimes imagines what his life would be like if he were able to pursue his primary interests–educating himself and music. He doesn’t know what his future holds but is vaguely aware the path he is on–violence and more violence–will not end well. Over the course of the book he begins to question the values he’s been taught to believe in his gang, and begins to aspire to get out of it.

The other main character is Maite, a legal secretary barely getting by on her low salary and barely able to afford food. Her car has been in the shop unclaimed because she cannot afford the mechanics’ bill. She leads a lonely and solitary life, has a very vivid imagination and fantasy world she prefers to inhabit, colored strongly by her love of romance comic books and the music she likes to listen to. Maite’s lovely neighbor, Leonora, asks her to feed her cat while she is away, and when she agreed, Maite unknowingly enters the world of political struggle and upheaval. The riot depicted in the first chapter, that Elvis helps engineer? A friend of Leonora’s has taken pictures that prove that the riot was started by government forces, and those two rolls of film are the McGuffin everyone in the book is after–except poor innocent Maite, who, like any main character in a great Hitchcock film, becomes involved in something life threatening by simply agreeing to feed a neighbor’s cat–something she resents agreeing to do. When Leonora doesn’t come back, Maite starts looking for her–primarily motivated by the fact she can’t afford to keep feeding the car, and Leonora promised her money for feeding it–money she needs to get her car back. Motivated by her own poverty, Maite finds herself getting involved more and more in this clandestine world, and her own life is in danger soon.

The true strength of the book lies in the careful characterizations of both Elvis and Maite; two desperate people trapped by poverty in lives they want to escape, and the parallel journeys they both follow that lead their paths to cross; and the richness of the reality of what life in Mexico City was like during the turbulent time when the book is set. Moreno-Garcia shows us, as she did in Certain Dark Things, what the reality of life is like in one of the world’s largest cities, the reality the tourists rarely, if ever, get a chance to see. And while the hopelessness of both their situations seem unresolvable at times, the pacing is strong and the story construction so tight, and you the readers finds yourself rooting for them both to get out safely.

I really loved this book, and am sorry my inability to focus forced me to take so long to finish reading it. It’s extraordinary, and I recommend it highly.

Ship of Fools

G’morning, Sunday. How’s everyone doing today?

Yesterday was a weird one, beginning with the stunning LSU 49-42 upset of Florida. For the second year in a row, an underachieving LSU team riddled and depleted by injuries, somehow managed to outscore and upset Florida (a third consecutive win over the Gators, no less) that will quiet the complaints about the coaching staff and the team for at least a week–until the Mississippi game on the road this week, followed by a trip to Alabama two weeks later. The game was also ridiculously early–11 am start time–so the game was well over by two thirty, but I was too worn down from the rollercoaster of the game to have much energy to do much of anything else for the rest of the day. Being an LSU fan is a rollercoaster, and sometimes it’s not very fun; but no matter how bad of a season the Tigers might be having, they always manage to somehow beat someone they shouldn’t–for the last two seasons, that has been Florida. As I said to Paul as time ran out yesterday and the Tigers managed to wreck yet another season for the Gators, “No wonder they hate us so much.” That’s three losses for a Gator team that everyone thought would challenge Georgia for the East title, and might even have a shot at beating Alabama during the regular season (they lost by two points)…and they still have yet to play Georgia, who remained undefeated by shellacking an also undefeated Kentucky team yesterday.

I finished reading Silvia Moreno-Garcia’s Velvet Was the Night at long last (I cannot reiterate how much that has to do with my inability to focus rather than the quality of the book; the book is quite marvelous; a modern take on a historical noir built around events that actually happened) and then moved on to finish watching the rest of Eli Roth’s History of Horror, (I skipped the episodes on body horror and torture porn–no thanks!) before tuning in to see the ridiculous and insane end of the Tennessee-Mississippi game–which people are still talking about today. There were some extremely questionable calls in the LSU game; while there’s no excuse for the way the fans in Neyland Stadium reacted, they were also reacting to an incredibly bad call that was upheld under review (!) that essentially took their chance to win the game away from them. After the incident was over and they were able to finish the final 54 seconds of the game, Tennessee managed to get the ball back with another shot at winning, only to fail in the end.

Today is one of those days where I get to play catch-up. I didn’t get nearly as much done yesterday–once I am ensconced in my easy chair, with the cat in my lap and college football on the television, it’s hard for me to get back up out of it to do anything. I did get the dishes done–still have some to put away–and I didn’t get around to the floors or anything else that I wanted to get done yesterday, which means I have to get to it today. I also need to get some serious writing done today–I am much too far behind, and the clock is ticking on everything–so I also need, once I am finished here and after I write my entry about Velvet Was the Night, to make a to-do list. I still have a lot of filing and organizing to get done as well; which I am hoping to do while I wake up and drink my coffee this morning. I need to make it to the gym at some point today, and I should see what time the Saints game is; oh, look at that, it’s the BYE WEEK, so there’s no reason to turn on the television at all; they also don’t play next Sunday–the next game is on Monday Night Football. So that’s two free Sundays I have ahead of me on the agenda, and this is a lovely, very lovely, thing. In fact, that weekend of the Saints on Monday night is also LSU’s bye week, so again–no need to turn on the television at all that weekend….so I should make that my most productive weekend of the month.

This week is also going to be weird because I have a procedure scheduled for Thursday morning; a way overdue colonoscopy. The saga of the colonoscopy is a long messy one, having to do with insurance issues, out of network charges, and so on. I finally had everything finally sorted and it scheduled last spring…only to have it canceled because of COVID-19 and then the endless attempts to get it rescheduled and out of the way. In a way, my colonoscopy feels almost like a quest for the Holy Grail–alway unattainable, so close sometimes you can almost touch it, but then it skitters away again, out of reach. I’m nervous about it, of course; any kind of medical testing can lead to bad news; any procedure can take am unexpected left turn at any time–not pleasant to consider or think about, really. But it’s always better to know something’s wrong than to go on like nothing is…until you can’t pretend anymore because your health takes a particularly nasty turn. But I am sixty, and I have to stop playing groundhog with my health. My body isn’t young anymore, and while I still feel good and go to the gym on a (fairly) regular basis, I’ve also eaten crap most of my life and have really beaten and battered my body during my younger years. (Teaching aerobics 7-21 hours a week wreaks havoc on your leg joints–and mine weren’t so great to begin with.)

The weather also turned cooler this weekend; dropping into the high sixties over night. The time change is coming soon, as well…autumn is here, clearly, and soon I’ll be leaving for work in the dark and coming home in the dark, which I hate because it feels like your day has been completely used up and is over by the time you get home. I also have to pick out my next book to read; since my reading has been so off lately I am going to pick out one of my unread Stephen Kings (if someone would have told me thirty years ago that I would have King novels on my shelves I hadn’t read, I would have laughed hysterically in their face) to read in honor of Halloween season; I try to read horror every October. There’s also a Paul Tremblay or two I’ve not gotten to yet as well; if I can get through whichever King I choose before the end of the month (and with a football free weekend coming up shortly, it’s possible) then I will move on to another Tremblay, who’s becoming my current favorite contemporary horror writer very rapidly; the books of his I’ve read still haunt me.

And on that note, I am going to head into the spice mines. You have a great Sunday, Constant Reader–will check in with you again later with my thoughts on the Moreno-Garcia novel, and then will check in again on the morrow.

The Circus

GEAUX TIGERS!

Today–actually later this morning–is the LSU-Florida game in Baton Rouge. It’s a rivalry game, and generally is kind of exciting most of the time, but I suspect this year that will not be the case. Both teams always seem to play a level higher than usual when they play each other; who can forget 3-5 LSU going into Gainesville last year, Florida’s shot at the play-offs on the line, and LSU pulling off a major upset, thanks to the notorious shoe throwing incident? I have to admit I only watched the game last year as a courtesy, with every intention of turning it off once it got out of hand…only it never did. Somehow LSU kept plugging away in the fog, and in the end, the Florida kicker missed the last second, tying field goal and their play-off chances circled the drain. I’m sure they have vengeance on their minds, particularly since this season has them already out of play-off contention and struggling to stay relevant in the East division of the SEC; they’ve already lost to both Alabama and Kentucky, so even if they manage to run the table the rest of the season, they have to hope not only to beat Georgia, but that someone else beats them AND Kentucky as well. (Kentucky-Georgia is also today; the winner will be in control of the division; a Kentucky win almost guarantees them a spot in the conference championship as they have already beaten Florida.) This was supposed to be a big year for Florida, so they already have ashes in their mouths. LSU has lost a number of players to injury and academic ineligibility, just like last year…but I doubt this year will go like last. Paul and I have been to the Florida game twice–2015 and 2019–and both times both teams were unbeaten and ranked in the Top Ten. LSU won both games–both were very exciting; the 2019 probably the most fun I’ve ever had in Tiger Stadium–but again, I don’t hold out much hope for my Tigers this year.

Stranger things, however, have happened, and have been known to happen in this game (we can never, ever forget the shoe-throw last year).

Yesterday I rewatched the original Halloween, and marveled at how vastly superior–despite the low budget–it was to anything Friday the 13th related. It was weird to think this was Jamie Lee Curtis’ first movie, and the one that really kicked off the slasher film craze of the late 1970s/early 1980’s. They literally were everywhere, and with my youthful distaste for gore and blood and horrific and violent death, I avoided them like the plague (Paul, in fact, was the person who got me to start watching the Halloween films; last year I moved on to the other slasher movies in October for my first Halloween Horror Film Festival–and in most cases, I didn’t really miss anything). But I have come to appreciate the Halloween movies–primarily due to Jamie Lee Curtis, who single-handedly makes the films worth watching. (I’ve also never understood why P. J. Soles, so terrific in this, in Carrie, and Rock and Rock High School, never became a bigger star.) Donald Pleasance is also wonderful in this original movie, which is very basic. We never know why Michael Myers is a homicidal maniac–we don’t really need to–and what Carpenter does, with the use of the score (which he wrote), camera angles, tracking shots and so forth, is ratchet up the menace and suspense until it’s almost unbearable. After it was over, my Apple TV moved on–the remote had fallen off the table and under my chair, out of reach–to Eli Roth’s History of Horror series, and believe you me, I was glued to the television. I sat through the first season, and even through the first episode of the second season before Paul got home from the gym and we switched over to Halloween Kills, which….was disappointing, to say the least. It wasn’t anything new, really…and if you have nothing new to say or add to the franchise, well, it just comes across to the audience as “cash grab” and…it didn’t even work on a camp aspect. Over the years the franchise has been rebooted and there are lots of sequels; (confession: I’ve not seen any of the originals past part 2; I did watch the Halloween H2O and its follow up (I will never not watch a Michael Myers movie with Jamie Lee Curtis) but the original reboot and sequel from the aughts? Not so much.

I do highly recommend Eli Roth’s History of Horror. It’s not very deep or scholarly, but it’s a very good overview for people who are interested in horror film and television. Roth also interviews a lot of directors, horror writers, and stars for the series; I greatly enjoyed it and look forward to getting back to it this week, if not this weekend.

I slept deeply and well last night and feel fairly rested this morning. One of the things I really want to do this morning (before turning on the LSU game at eleven) is get some more cleaning and organizing do. There’s a load of dishes that needs to be put away and another sinkful that needs washing. I need to vacuum and clean around the living room, too…and as always, there’s a shit ton of filing that needs to be done. I also need to make a new to-do list for next week; I have this sense that things are getting away from me again, and that’s not a feeling I particularly enjoy. (Especially hits home when I look at the date and think what the fuck happened to October? Where did it go already?) In fact, the feeling is quite unpleasant.

And on that note, tis back to the spice mines with me. Have a lovely Saturday, Constant Reader!