Day three of severe thunderstorm watches yet again–there was a tornado watch on the lake shore yesterday afternoon–and outside my window this morning is that eerie grayness, everything is wet, and while it isn’t raining at the moment, it only recently stopped. Oh my God, how well did I sleep last night? I took one of Paul’s sleeping pllls, and oh my God, what a difference that chemical compound made. I, alas, cannot get both my Xanax (alprazolam) prescribed by my doctor along with any kind of sleeping pill (I think Paul’s are lorazepam); and it’s probably best for the world that I continue to take Xanax to even my moods out and lessen my anxiety. But wow, after last night’s sleep–the best I’ve had in I don’t know how long–the temptation is there, seriously, to switch. I also feel level and calm this morning…so maybe, maybe, I should switch. I don’t know, but I’ll definitely talk to my doctor about it the next time I see him.
We finished watching Jupiter’s Legacy last night, which started getting much better as it headed towards the season finale. I still question the storytelling though; while I appreciate the back story of how they are got their original powers back in the 1920’s, it didn’t really tell us anything applicable about the present day characters; it was just here, you need the back story and we need the filler to get ten episodes out of this. But it was enjoyable enough, just not nearly as well done as Watchmen or The Boys–but seriously, there are so many tropes when it comes to superheroes and there are only so many names and so many powers, that in writing these you are always, inevitably, being derivative in some ways.
We then watched the first episode of the Kate Winslet HBO series Mare of Easttown, which has a great cast–you can never go wrong with Winslet or Jean Smart, who plays her mother–but the show is incredibly bleak. But really, whenever I watch something like this and it makes me squirm a bit uncomfortably, it also makes me reevaluate my own work and my own prejudices. I didn’t grow up poor the way my parents did; but we were very definitely working class when I was young–watching every penny, my mother always keeping an eagle eye out for sales to stretch her budget even further while trying to not do without anything, buying less expensive off-brands rather than the ones we’d see commercials for on television–and as an adult, I don’t think I’ve ever been financially stable–or if I ever was, it was a condition that didn’t last for long. Maybe that’s why I’ve avoided writing about characters in dire financial straits; my two private eyes both are incredibly financially stable (Chanse has a gig as a security consultant for a major oil company; Scotty has a massive trust fund), which is also not very realistic (not that private eye novels are ever realistic; private eyes rarely, if ever, are involved in murder investigations where it’s their job to find the killer–if they are ever involved in such a case, they are usually working for an attorney representing someone accused, and they are employed to help find reasonable doubt for the jury–and now that I think about it, that very perspective would be a great approach for a Chanse short story or novella–I am still resisting writing another novel for him). I know I despise and hate monetary stress; which is one of the reasons I am loath to write about characters in dire financial straits.
Then again, it’s not like I am writing anything at the moment, despite my best intentions. I do want to get the outline for Chlorine started this week, and I’d like to get a short story worked on–whether it’s finishing writing one that was already started, or revising one that is already in a completed draft–and I also need to get my computer files whipped back into some sort of shape. (I have a tendency to just toss things into the files and not sort anything…which makes finding things a bit challenging.)
And on that note, tis time for the spice mines. May your Wednesday be lovely and bright, Constant Reader–and we are very close to the weekend!
Tuesday morning and it seems quiet outside; rain is still in our forecast (every day for two weeks, with the exception of this Saturday) with thunderstorms predicted to roll in around this very time that I sit here writing this–but as I said, at the moment there’s nothing but stillness and quiet outside my windows. How long that will continue to hold remains to be seen, however; although the old adage about our weather forecasts from May thru October certainly holds true all too often: every day’s forecast is hot , humid, chance of rain.
I slept pretty decently again last night, which is remarkable and lovely; I was very tired last evening and as such, was fairly confident that a good night’s sleep could be had, and I was correct. I forgot to set the alarm last night, but woke up five minutes before it would have gone off had I turned it on, so rather than risking it, just went ahead and got out of the bed. Yesterday was a fairly good day, all things considered; I got my inbox under control (thanks primarily to all the work I did on it Sunday afternoon; now it’s a matter of keeping up with it so it doesn’t get so out of control again) but I can also look at it now and not feel defeated before I even get started with it this morning, which is an enormous plus. I do have some things to take care of today; the kind of odious chore I inevitably always put off–I have to make phone calls. Yesterday I made two of the odious calls I hate making; scheduling an appointment to take my desktop computer into the Apple store to see if they can install an OS into it (scheduled for this Friday morning) and I also scheduled an eye appointment in Metairie that same morning (the Apple Store is actually in Metairie, at Lakeside Mall); today I have to schedule the dentist and I have to call my doctor’s office regarding prescriptions. I am not certain why I hate doing these sorts of things and put them off always; they inevitably are never painful to experience and yet somehow…I just can’t make myself do them, ever; I just don’t like doing things that other people describe as adulting.
I suppose it has something to do with my innate refusal to accept the fact that I am, in fact, not only an adult but an older one, at that.
We watched some more episodes of Jupiter’s Legacy last night, which is entertaining in and of itself, but there are some issues with it–we really don’t like the character of Chloe, and they seem determined to shove her down our throats all the time–although I imagine had we read the graphic novels the show is based on (as were Watchmen and The Boys) that might have made a difference in our perceptions. I would go so far as to say of the three shows about alternative superheros (non-DC and non-Marvel, which have become cultural touchstones for us all), this is probably the weakest entry; it clearly didn’t have the money behind it that the other two shows did, and sometimes the cost-cutting measures are fairly obvious. It’s also incredibly difficult to structure a limited series with two different timelines (I frankly admire the attempt to do so), one which is set in a distant past and intended to show how the original superheroes on the show got their powers in the first place, as well as a modern timeline in which the question of adapting the heroes’ code of honor and behavior must needs be changed and adapted to fit threats which are becoming more and more dangerous and lethal; with some heroes dying as a result. That, to me, is the heart of the show’s present-day story, and much more interesting than the one set in the past; if the story of how they originally got their powers doesn’t somehow tie in conclusively to the current time story, then the origin story (not really explored in either Watchmen or The Boys) will seem as though it was merely filler, padding the show out to more episodes than perhaps necessary.
On the other hand, maybe I should just kick back and enjoy the show for what it is and not think about it too hard: sometimes a show is, in fact, merely intended as an entertainment with no deeper meaning.
Although sometimes I wonder if that is part of the problem with my writing; I never think about a “bigger picture” when I come up with an idea for a book or a short story; I just want to tell the story I am thinking about, rather than trying to place it into the context of our modern day world or culture and just try to tell it. It’s definitely harder when you do try to make a bigger point, and incredibly disappointing when people consistently don’t see it–which is, of course, the writer’s issue, not the reader’s; which also leads to the beginning of the spiral into Imposter Syndrome, which I usually don’t need any help to reach–but I do remember that I used to take those things–themes, points, underlying messages–into consideration when I used to write my books. Of course, it’s entirely possible that I have continued to do so, and simply don’t remember anymore; it is truly terrifying how bad my memory has become over the years.
Ah, there’s the thunder–which means today’s storm is arriving just in time for me to leave for the office! Hurray. Can the flash flood watch be far behind? I think not.
And on that note, best to head into the shower so I can go to work. Have a lovely Tuesday, Constant Reader!
Sunday and a gray morning here in New Orleans. We’re supposed to have thunderstorms (some severe) throughout the day; of course I have to make groceries and go to the gym at some point–which means watching the weather to see when I can make a break for it. But other than that, I have the entire day relatively free; I finished the revisions of Bury Me in Shadows and turned them in yesterday to my editor. I think I caught everything; it’s a tricky manuscript. But as I revised and edited yesterday, I was pretty pleased with it, overall; which is a switch from the usual. I also realized one of my problems with reading my work once it’s finished is that I am rarely, if ever, able to turn off editor-mode; because I generally read my work with an eye to editing and fixing and making it stronger–and I use that mindset when I go back and read things after they’ve been published. I don’t know if there’s a switch in my head I can flip to make that change, but here’s hoping.
Paul went to a party last night–I could have gone, but was a little worn down from finishing the edits, so I stayed home and watched a documentary series on the Smithsonian Channel called Apocalypse: The Second World War, which was quite interesting to watch. Almost all of the footage used in the series was shot either by professional documentarians or journalists covering the war, or amateurs…I never cease to be amazed when I see how young the American military were during this conflict. World War II is endlessly fascinating to me, because it was such an enormous turning point for the world and civilization; the world was a vastly different place after the Axis surrender than it was before the Nazis invaded Poland in 1939. It’s been a while since I read any fiction about the war–when I was a teenager I read a lot of it, as well as a lot of post-war fiction–and I realized I’d rarely read any fiction from the point of view of soldiers actually fighting on the ground or in the air (other than The Young Lions by Irwin Shaw, for the most part I read things like Herman Wouk’s The Caine Mutiny, The Winds of War/War and Remembrance, etc.). I’ve never read Norman Mailer’s The Naked and the Dead, for example, or any of the post-war novels that sort of glutted the market in the decades following. I got down James Jones’ From Here to Eternity–I bought a copy of the unabridged version, which was released by the estate sometime in the last decade, with all the parts the publisher originally removed restored–and I think I am going to take that with me to read when I go visit my parents later this month. It’s one of my father’s favorite books and movies–it’s also been a hot minute since I’ve seen the movie–and since my main character in Chlorine served, it’s probably not a bad idea for me to read it. I read the first couple of pages yesterday evening before I went to bed, and it’s actually quite good…so I am looking forward to reading it. After I finish the things I need to get done today, I am going to curl up and read The Butcher’s Boy with an eye to finishing it today, so I can dive into A Letter of Mary by Laurie R. King.
One of the more interesting things about having all these streaming services and apps is the ability to find treasures like the Smithsonian Channel buried inside of them. As Constant Reader has undoubtedly noticed, I love documentaries, and now that we have such a glut of streaming services we pay for, I am now searching through them for documentary channels and so forth, and have been enormously pleased with what I have found thus far. (I also took advantage of a special deal for Shudder yesterday–two months at 99 cents each, before reversion to regular pricing, so am going to up my horror game for a while) There’s really never a reason to be bored, is there, with the wealth of streaming services out there? I can certainly always find something, no matter how obscure–which is also why I refuse to “rent” something to stream–although I am thinking about biting the bullet and paying to stream The Last Picture Show, which I really do want to see again.
I cleaned and organized and filed yesterday as well, which has left the kitchen looking–well, if not tidy, certainly in much better shape than it had been in–and I also started another donation box of books. I also want to start clearing out the storage attic here in the Lost Apartment, which isn’t going to be easy, and will certainly make a mess in the living room–which still looks like a storm struck it–but I really do want to start getting rid of things we don’t really need anymore, and there are a shit ton of boxes up there of unnecessary things. Progress may be incremental, but progress is progress.
And I should probably, at some point, start revising and editing the Kansas book, but I think I am going to take this week off from novels.
I started writing a short story this past week–really, just the opening sentence and a second paragraph–which also came from a novel idea. The book idea arose from a joke with some writer friends about noir fiction and noir covers, with their scantily clad sex bomb femme fatales; I joked that someone should write a noir about a strip club in the French Quarter and call it Girls! Girls! Girls! so the cover could have poll dancers and so forth on it; which then of course started the wheels in my creative brain turning and meshing the gears. A character I introduced in the later Chanse books–who eventually got her private eye license and he took her on as a partner–had worked as a stripper in the Quarter to put herself through UNO; I liked her a lot (even though her name is escaping me at the moment) and had even thought about making her the main character in a series, with Chanse as part of her supporting cast. But this was different, and called for a different character–for a while, when thinking about this, I toyed with the notion of an undercover cop or FBI agent; but then thought, in this time, could a woman be assigned to go undercover as a stripper? Maybe, but it could prove problematic. And then I remembered an intern from years ago, when I worked at the Community Center, who worked part time at the Hustler Club as a “shot girl”–her job was walking around with a tray with shots in test tubes. When someone bought one, she’d place the test tube in her cleavage and have to lean forward to dump the shot in his mouth. She hated it–she was a lesbian–but the money was so damned good she only had to work two nights a week and made enough to pay the rent and the bills and so forth. Someone could easily go undercover a shot girl–which, while still demeaning, wasn’t as demeaning as stripping. But the other day for some reason I was thinking about this again, and the thing that made the most sense was that one of the shot girls gets picked up by Vice and is forced to become an informer….which would make her walk the line between the cops and her crooked, organized crime employers, as well as with her co-workers. So, when the opening occurred to me the other day, I wrote it down and saved the file as a short story called “Shot Girl” (thereby adding yet another file to the “unfinished short story” list). I think maybe this week I’ll work on one of the unfinished stories in the drawer.
And on that note, it’s time to head into the spice mines. Have a lovely day, Constant Reader, and I will check in with you again tomorrow morning.
And now it’s Wednesday again, and believe it or not, it’s also Pay the Bills Day again. I could have sworn this just happened, but here we are again. At least I got a very wonderful night’s sleep last night, which was quite marvelous. Scooter woke me up around five, by lying down on me while in full purr mode, but that was fine–I was even able to doze off a little bit more for another hour before the wretched alarm tore me from the arms of Morpheus–but again, it’s fine; I slept so well and feel so rested and ready to go this morning that it didn’t matter to me in the least.
I actually made it to the gym last night after work–it was so strange; I slept better Monday night than I did Sunday, yet was more tired when I got off work yesterday than when I did on Monday–despite the near-death experience I had on the way there. I always walk down to Coliseum Square, then cut through the park to Camp Place before walking down Camp Street to Josephine before cutting over to Magazine. I am extremely careful about crossing streets on foot–going back to the olden days when there were no stop signs on the French Quarter streets that ran parallel to the river, so people would drive through the Quarter at about ninety miles per hour, and woe to the pedestrian not paying attention–and Coliseum Street is a one-way, so really, I only have to look one direction before crossing the street. I had my headphones on, listening quite happily to Fearless–Taylor’s Version, and started across to the park. I was about half-way across when I either noticed something out of the corner of my eye or heard it, but I turned my head and saw there was a speeding pick-up truck–doing at least forty in a residential area, if not more–heading right for me and not slowing–and was maybe a car-length away from me. I started running to get to the other side and he steered towards me, forcing me to leap for the curb. It was very close. Had I not noticed or heard him coming, I would have been hit and sent flying, possibly killed, definitely severely injured. My heart thumping in my ears, I took some deep breaths and started crossing the park. I looked back and the guy had his window down–trucker cap, beard, gun rack in the back window–and he was calling out to me “Sorry dude”. I just rolled my eyes and kept walking, resisting the urge to yell back, “Sorry you missed me? Because you sure as fuck were trying to hit me.” In fairness, he was probably not paying attention–typical in New Orleans–and reacted badly when he finally saw me and most likely tried to steer around me without hitting me, not realizing I would run for the curb, but still.
As I very carefully crossed Race Street at the light, I thought to myself, well, at least my heart rate is already up.
The gym was crowded, so I abbreviated my workout a bit; skipping biceps/triceps–the easiest to skip, since most upper body exercises of every kind will inevitably work your bis and tris anyway–and skedaddled home, where I emptied the dishwasher, did another load of dishes, queued up my Taylor playlist (Paul calls me “A Swiftie at Sixty”), and started working through the book again. I am so glad I am past the Imposter Syndrome (for now, at least), so am able to work clearly and concisely on the manuscript, detaching all personal emotion from it–when I edit my own work, I try to get into the mindspace that it’s someone else’s manuscript I am being paid to edit, which makes it ever so much easier–although there are times it is simply not possible. After Paul got home, we watched yet another episode of Line of Duty, which is incredible–the plotting and writing and acting are topnotch; seriously, if you have Acorn you need to be watching this show–and am looking forward to getting home tonight and watching some more.
It’s been a week already, let me tell you! MWA’s How to Write a Mystery dropped yesterday; the Edgars are tomorrow; and the Sherlock anthology I have a story in, The Only One in the World, edited by the marvelous Narrelle Harris, also was released in Australia this week. This is the one that includes my wonderfully titled story “The Affair of the Purloined Rentboy”; my first and thus far only entry into the Sherlock Holmes canon–which indirectly led me to get started reading Laurie R. King’s amazing Mary Russell series, for which I shall be eternally grateful–and I am still a bit torn. I would love to do some more Sherlock stories, maybe even a book–I have a great title and premise, The Mother of Harlots, about the murder of a Storyville madam, and there’s even a famous murder case I can purloin details from; but then the Imposter Syndrome kicks in and I slink back to more contemporary ideas.
But I am going to head back into the spice mines for now–have a lovely day, Constant Reader, and I will check in with you tomorrow!
Another wretched and vile Monday morning has yet to dawn as I sit here swilling my morning cappuccino.
The day did not get off to a great start, with me putting my glasses down while I washed my face and brushed my teeth and then spent ten minutes looking for them–think Velma on Scooby Doo Where Are You?–but I did finally find them, and all was again right in my world–at least for then. I feel a bit out of sorts this morning–misplacing my glasses is not an auspicious start to the day, ever, on any level–but feel relatively confident this day will sort itself out accordingly as it continues.
We didn’t watch the Academy Awards last night, choosing instead to finish the second season of Line of Duty, which is one of the best-plotted crime series I’ve seen in quite a while; full of twists and turns and constant surprises as it follows the Anti-corruption division of a police department in Wales. The firsts season was amazing, the second was even better than the first (a stunning performance by Keeley Hawes of It’s a Sin has a lot to do with that), and I do recommend this if you have Acorn. We’re looking forward to diving into season three tonight.
Yesterday was a lovely kind of day, really. I spent the morning getting the kitchen under control, and then went to the gym, which was a lovely feeling. It was a simply gorgeous day yesterday in New Orleans; the weather has been rather marvelous since that five day stretch of non-stop rain we had week before last, so the walk to and from the gym was rather nice. I then worked on getting even more organized–it’s really a non-stop process, actually–and while I didn’t get everything finished the way I had hoped (didn’t tackle the inbox, which is still stacked high with mail and folders and loose paper), it was a nice start. We get paid again on Wednesday–this is the paycheck when almost everything is due, so the money will go into the account and go right back out again–and then it’s May. YIKES. I need to start working on inputting the edits and corrections and changes to this manuscript tonight when I get home from work; with an eye to getting it all finished by Saturday so it can go back to my editor. I need to focus most of my energies on getting this done, obviously; but that doesn’t mean I can’t actually plan out Chlorine or scribble notes down in my journal.
I also started reading Thomas Perry’s Edgar winning debut from 1982, The Butcher’s Boy, yesterday afternoon. After writing about how I tend to not read a lot of crime fiction (or fiction in general) from straight white men, I started feeling a bit, well, guilty about making such a bald statement. There are, as a matter of fact, any number of straight white male crime writers whose work I really enjoy: Ace Atkins, Michael Koryta, Michael Connelly, Harlan Coben, Lawrence Block, Donald Westlake, Chris Holm, Lou Berney…it’s actually quite an extensive list. I will say, though, that a lot of the stuff published between the 1950’s and 1980’s I didn’t care much for, with some notable exceptions. But I had gotten a copy of the Perry after reading about it on one of those Crimereads list articles; I don’t remember what the list was about, and how this tied in with the other books on the list, but it’s been sitting on my TBR pile for quite some time and I thought, in my guilt-ridden state yesterday, why not give it a try? It did, after all, win an Edgar. And I am enjoying it–it appears to be about the investigation into a paid assassin/hit man; so far the point of view characters are a woman agent for the Department of Justice, for whom this is her first field gig, and the unnamed hitman. The book opens with a successful hit in Ventura, California; there is also a powerful senator who most likely is the next target. Am really looking forward to getting further into this one.
I managed to finish reading Laurie R. King’s SUPERB A Monstrous Regiment of Women–I was right, once I got into the story I wasn’t able to stop–yet I did indeed manage to get through my own manuscript yesterday as well. Man, there is some seriously shitty writing in that manuscript, but I have until next Saturday to work my way through it and correct things, clean up language, make things stronger, and make the sentences and paragraphs more cohesive and prettier. I also caught some discrepancies in the story, contradictions, and repetitions. Heavy heaving sigh. But I think I should be able to get this entire thing fixed by next Saturday.
One would hope, at any rate.
It’s hard to believe that this coming weekend sees the end of April and the start of May. I’m not quite sure where the first third of this year has gone, but it has gone, and I’m not really sure what happened to it. I’m sure a lot of it has to do with me finishing writing a different book, and I should be terribly grateful that this year didn’t have the usual first-part-of-the-year distractions, like Carnival, to throw me off and wear me out. This morning, I’m going to write this, clean the kitchen and do some organizing, and then head to the gym. I am hoping when I get home from the gym that I won’t be worn out and sleepy, like last Sunday; I’m also trying to decide what to read as a follow-up to the magnificent Laurie King novel I just finished. There are too many options, I think; which is a lovely position to be in, really–and that doesn’t even take into consideration all the ebooks I have on my iPad to choose from. Inevitably I find myself unable to choose, and then I wind up wasting the day going down Youtube wormholes.
But all the news about the manuscript wasn’t itself bad. I did a decent job creating my main character, Jake Chapman, and the setting is very good. There were some mistakes with the pacing and the timing and there are some superfluous words–quite a few–but that’s fine; it came in long, well over ninety thousand words, so I can easily slash and burn my way through them; eighty thousand words is probably ideal for a book like this, and I also need to revise and redo the final chapter. Ideally, I’ll get through most of the stuff this week so I can spend all day Saturday polishing and revising that final chapter to make it sing. I’m actually kind of pleased with this story, despite all the remaining problems and all the issues I had writing and working on it; it was one of the more unusual experiences I’ve had in my career thus far because of all the indecision and self-doubt I experienced writing it (much the same with #shedeservedit) and I’m not really sure what that was all about; much more so than I’ve ever experienced in my career before writing anything. I mean, there’s always indecision, insecurity and massive amounts of self-doubt involved whenever I am writing anything, really; but for some reason working on these two books over this last year or so those usual issues were exacerbated and much more intense than I remember experiencing with other books I’ve written over the years.
I always wonder what it’s like to sit down and start writing without all those issues, frankly. I suppose I will actually never know, but I cannot imagine those things going away at this point in my life. I am guessing that every neurosis will go with me to the grave; God knows if I haven’t worked my way through them by the time I am nearly sixty, what are the odds I’ll ever get past them? Not bloody likely, right? I had always hoped that the insecurities and self-doubts that plagued my youth would be something I would eventually get over as I got older, and, in the spirit of complete frankness, in some instances aging has eliminated some of them; I no longer worry about not being in the best possible physical condition, or how I look, anymore–which was an insecurity/fear I was more than happy to shed once and for all. (I was thinking about this yesterday for some reason or another; I don’t precisely remember why.)
I think part of the reason I do so much thinking about manuscripts before I actually sit down to write them as a way around the self-doubt and imposter syndrome; if I don’t stop to think about my self-doubt and insecurity about my abilities surrounding my work I can move forward with it; and it’s not until later–the editing process, the galleys, the finished book–that all of the insecurities come flooding back. I thought Bury Me in Shadows, for example, was in pretty good shape when I turned it in; rereading it now I am aghast that I could have ever thought such a thing. This is when my passion for reading undermines me; I know I shouldn’t compare my own work to that of others, but I am sure that my horror at rereading and making corrections and notes for corrections yesterday was not helped in the least by having just finished reading something by Laurie R. King, for example; her mastery of voice and language and character and story, while quite extraordinary and exceptional, is one of those bars that I cannot hope to clear. And of course I am well aware that I shouldn’t compare my work–of which I am not the best judge, ever, and about which I am much too hard on myself–to a New York Times bestselling author whose work I admire and respect and of which I am an enormous fan.
However, reading great writers makes me aspire to do better with my own work, so there’s that.
And on that note, I am going to head back into the spice mines–have a lovely Sunday, Constant Reader! It’s certainly beautiful here in New Orleans.
Thursday morning and errands and things to get done this morning. I am giddy this morning because I actually slept deeply and well last night, and finally feel rested in every way–physically, emotionally, and mentally–and Christ, if I could only start every day well-rested like this I could conquer the world. This morning I have to take Paul to Metairie for some medical things–nothing serious, y’all, calm down–and so I scheduled my work hours so I could have the morning off today. It’s also a gorgeous day outside, looks like, so huzzah for that–last week I reached the point where I thought it was never going to stop raining, seriously. Much as I love the heavy rains of New Orleans and our marvelous thunderstorms–five consecutive days can be a bit much.
I was very tired after work yesterday, but I managed to force myself to do things that don’t require much brain power–laundry, two loads of dishes, straightening up, cleaning counters and filing and so forth–to get it out of the way so I don’t have to waste any free time on the weekend doing it. I never am entirely sure how my kitchen gets so out of control between Monday and Wednesday, really, but it does and then I wind up spending time on the weekends getting the house under control, which is irritating. But with me feeling rested today, there’s absolutely no reason I can’t get some reading and writing finished this weekend; when I finish my work-at-home duties today and tomorrow, I can read and work on the apartment–hopefully finishing that all off tonight, so tomorrow night I can just write when I finish with the condom packing–and be nice and rested and ready to go when the weekend rolls around.
We finished watching The Capture last night, and while it didn’t have the ending I wanted it to have, the ending was absolutely and completely believable and realistic; anything else would have felt forced; tacked-on as an audience-pleaser. And while the ending really was cynical…it felt real. The show really dealt incredibly well with the dichotomy of how difficult it can be to keep the population safe from threats–which can sometimes come into conflict with the individual rights and freedoms individuals have from state intrusion. It’s murky; is it okay to trample of individual rights to protect the many? And once you start down that road, isn’t it easy to abuse that power, especially when there is no oversight from the other branches of government? We really enjoyed the show, and I was incredibly glad they didn’t cheat the ending. It also examined these morally complex issues really well, and I also liked that the characters were capable of compromising their own ethics and values when necessary to get the end result they desired. It was a much more complex and cerebral thriller show than most of its contemporaries. I do recommend this highly.
Of course, now that we’ve finished it, now begins the search for something new to watch. Yay.
Well, I never finished writing this yesterday or posted it; something that happens rarely but does sometimes happen. I had to stop to run the errands, and when I got home I had to start working, and since I’d taken the morning off I had to work later last evening than I usually do, so I never got back around to finishing this. Sorry about that, Constant Reader. But it was a good day, overall, and I also got another good night’s sleep last night, which was also quite marvelous. I am working at home al day today–condom packing and some data entry–and on my lunch break I need to run to the bank to deposit a royalty check (huzzah for royalties!) and pick up some things at the grocery. Sleep makes such a difference to my quality of life, seriously. We also got new pillows at Costco yesterday (one of the errands) and they are wonderful, absolutely wonderful. After work today I am going to the gym, and then settling in to continue watching the show we discovered last night on Acorn: Line of Duty, which is a look at the internal operations of a British police station. It’s quite good, and the plot is incredibly interesting; Anti-corruption is looking at a multiple Officer of the Year winner because his case-closing record is a bit too good to not have been manipulated in some way; we see things from the perspective of the award-winning officer (who is, indeed, too good to be true) and the investigator looking into him–who’d recently been sent down from anti-terrorism because of a heinous mistake in which an innocent man was killed–and it’s indeed very well done. There are also four seasons, so we’re set for a few nights, at any rate.
While Paul was seeing his doctors and so forth yesterday I started reading Laurie R. King’s second Mary Russell novel, A Monstrous Regiment of Women, and I cannot even begin to tell you, Constant Reader, how much you should be reading this series. It’s so well done, so well written, and the way King brings Mary and Sherlock Holmes and their post World War I world to life is so beautifully done and compelling…give her all the awards, seriously. These novels remind me so much of my beloved Amelia Peabody novels by the deeply missed Elizabeth Peters that I wish I had discovered them earlier. But the lovely news is King has an enormous backlist, and I am looking forward to catching up on the entire series at leisure. I’ve also been appreciating Holmes more these days–mainly because I wrote my own Holmes story last year for the first time, and kind of want to do it again; there really is a book idea in Sherlock Holmes and the Axeman (but the Axeman was never caught, alas), and the case lasted over a year….and since the period I’ve dropped Holmes into is that same period…it would be weird if Holmes wouldn’t insert himself into the Axeman case. It’s such an interesting story, and so New Orleans….but fictionalizing it is the puzzle, isn’t it?
This weekend, I have to get really moving on the revision/final edit of Bury Me in Shadows–it’s due next Saturday, and while I can certainly take next Saturday all day to work on it (I tend to turn things in very very late on the day they are due), I should think I need to get the majority of the work out of the way already. It’s going to be a big week anyway–the Edgars are being awarded on Thursday–but constant juggling and multi-tasking seems to be my stock in trade these days (well, it has been for a long time; sometimes it feels like I am juggling chainsaws), so it’s little wonder I am always worn out and tired.Bury
Plus, my neuroses always wear me out–and there are plenty of them.
I also, while making condom packs yesterday, fell into a new Youtube wormhole, in which this rather cute young straight guy was listening to Taylor Swift for the first time, and it was quite entertaining to see him growing from someone who was vaguely aware of her into a massive fan by the time he’d listened to about six of her songs–by the last video he was a full-fledged Swiftie (to the point where he actually said “I’m not straight or bi or gay or pan, I am a Taylor-sexual” which made me laugh). I must admit I was much the same–someone who was vaguely aware of her, knew she was heavily criticized and her love life was tabloid fodder, and pretty much knew her primarily for her dating life and the Kanye incident(s) ore than anything else. I do remember driving somewhere–I think it was for the Murder in the Magic City event in Birmingham; I’m not entirely sure, but I know I was driving in Alabama–with my iTunes on shuffle when a song started playing that immediately hooked me. I glanced over at the screen on my dashboard and was a little surprised: it was Taylor Swift’s “Red,” which to this day I don’t know why I had down-loaded. I replayed it three times, loving it a little more every time–it’s still one of my favorites of hers–and when I stopped for gas I checked the library on my phone and saw four more songs of hers: “Love Story, “You Belong with Me”, “Mean,” and “Shake It Off.” I recognized the last two, but had no idea what the first two were. I do remember seeing her perform “Mean” on an awards show and downloading it–it’s from the Red album, so I have to assume it was around the same time I downloaded “Red”–but I literally don’t remember those first two. (I do remember one of my co-workers at the Frenchmen Street office had been a fan, and that was how I heard “Shake It Off”).
For the record, her recent releases–including her rerecording of her Fearless album–are really good.
And on that note, tis off to the spice mines with me. Have a lovely day, Constant Reader, and I will check in with you again tomorrow.
The sun is actually out today and there aren’t many–if any–clouds in our beautiful blue sky this morning, which is lovely. It’s rained pretty constantly ever since Tuesday afternoon, and everything outside is still wet from nearly a week of rain. I love rain–especially thunderstorms–but even I thought five straight days of them was a bit extreme. I wound up running my errands in the rain yesterday–I dropped off another five boxes of books to the Ladder Library sale yesterday (you actually can tell now that I’ve gotten rid of books)–and made groceries and got the mail. It was pouring while I did all of this, so my plans to go to the gym yesterday were finally scrapped. I also wound up taking the day off from almost everything yesterday–I think I needed a brain-free day, frankly–and so we watched a lot of television–we binged all the way through a delightful comedy called The Other Two, watched the Tom Holland movie Cherry on Apple Plus, and then switched over to Acorn for a riveting crime show called The Cry.
Yes, I was a slug all day and I am not a bit ashamed of it.
Oh, sure, I had my journal with me and scribbled notes freeform all day–my favorite is that I came up with a short story title I now HAVE to use, “To Live and Die in La.”, while having absolutely no idea what the story would actually be, but I laughed at the title and now want to. use it–so I did do something. But today I have to start revising/copy editing/making notes on Bury Me in Shadows–due to be returned to my editor no later than the first of May–and so, if I do go to the gym today (leaning towards it, since it’s sunny out) I can curl up in my easy chair to do it, so that’s a start. I really need to work on my story–the deadline for that submission call is May 15, I believe–and so I need to kick everything up a notch this week. I am getting caught up on a lot of other things as well–it’s never-ending, and have also accepted that I only have so much bandwidth for things. The emails, for example…I’ll never get caught up on those, ever…so I need to prioritize and so forth in order to get through everything that absolutely needs to be responded to immediately.
I also need to spend some time getting organized and cleaning a bit this morning. There’s filing to be done, of course–always–and somehow the kitchen looks like a tornado ripped through here (not completely an exaggeration, to be honest) and I need to get that taken care of this morning. I have a load of laundry to do, and there’s always dishes–always. I also want to organize the refrigerator a bit more this morning. Since the sun is out, I’ll probably grill hamburgers later on this afternoon, which is always an absolute treat (I really prefer all meat to be cooked over hot charcoal, frankly–or at least, most). I am also a bit excited that the next step of book decluttering (and yes, I am aware I am completely Marie Kondo-ing my apartment) is to go up into the storage attic and start clearing the boxes up there. This will, of course, be more complicated than the bookcases and the hidden boxes in the living room, since I’ll have to bring them down and go through them, combining the ones to keep (I can’t imagine there will be many of those) while putting aside the ones to donate. The goal is to clear out enough space in the storage attic so I can clean out my storage rental and close that account; most of the books in the storage are copies of my own books (and my kids’ series collection) along with some other things–mostly papers–and it would be nice to either no longer have that bill every month, or to use that space for other things…but at the moment I can’t think of anything that we’d need to keep it for.
But it would be great to lose that bill by the end of the summer.
Not as great as paying off the car, but still pretty good.
I think I’m going to add Semi-Tough to the donate pile. The first three pages are nothing but racial slurs as well as justifications for using them, and how the main character–it’s a first person narrative–isn’t really racist and the slurs are just words that don’t mean offense and so on–and yeah, I really don’t feel like spending any of my time with that kind of character. I certainly wouldn’t in real life–imagine being at dinner or a cocktail party and the person you are talking to says, and this is a direct quote from page one: Just because I may happen to say (the n-word) doesn’t mean I’m a racist.
Um, actually it does. It says a lot about you, who you are, and how you were raised, as well as how you see people and the world.
And I really have no desire to read a book filled with racial slurs…because you KNOW its also full of gay slurs, too–and most likely without the caveat justifying the racial slurs: Now listen, just because I say “faggot” doesn’t mean I’m homophobic.
There are so many other good books to read, why reread something I originally read as a teen that plays on racism and homophobia and misogyny for humor? I stopped rereading The Last Picture Show, a book I absolutely loved, a few years ago when it got to the part about bestiality, and how it was perfectly normal for the teen boys to fuck animals…I closed the book and put it away. I may go back and reread the entire thing at some point–the reason I was rereading it in the first place was to examine how it handles homosexuality–which I distinctly remembered it doing–but I don’t think I was able to get far enough into it to get to that part. I know that Coach Popper–long-suffering Ruth’s awful husband–was a deeply repressed one, who favored one of the more athletic boys primarily because of his attraction to him; that the preacher’s son Billy Bob Blanton was often mocked and teased and bullied and humiliated for being a “four-eyed queer” (before he molests a little girl, after which he’s taken away as a pervert); and that the heterosexual English teacher, who was cultured and sensitive and kind, was accused by the coach of impure thoughts and fired (everyone, of course, would never suspect the manly football coach of anything, or question him); and I remembered a particular poignant scene between the fired English teacher–who’s been fired, whose wife has left him and taken their daughters and filed for divorce–and Ruth, where he’s just so beaten down and defeated that it’s heartbreaking. But yeah–that whole “boys will be boys” attitude towards bestiality was too much for me to get through again.
The Last Two is a terrific show, and quite funny. Paul and I really enjoyed it; the premise of the show is the two older children are in their late twenties–one is a struggling actor whose most recent audition was for a commercial in which he would play “Party-goer who smells a fart”; the daughter had wanted to become a dancer until she broke her ankle and dropped out of dance school and cannot figure out what she wants to do with the rest of her life–when suddenly, their thirteen year old brother puts up a video of him singing a ridiculous song (“Marry Me at Recess”) and becomes an overnight viral sensation with a record deal and a manager under the name “Chase Dreams”; which makes them feel even more like losers. The older brother, Cary, is also gay and in a weird relationship with his straight roommate; the daughter has broken up with her boyfriend and is now homeless at the beginning of the show. I thought it was terrific, frankly, and look forward to season two.
My primary takeaway from Cherry is that Tom Holland is an amazingly talented actor–he really gives a stunning performance as a poor young man who falls in love, gets his heart broken and joins the military, serves as a medic in Iraq and comes home to nothing but PTSD and drug addiction, which leads him to a life of crime. It’s a very dark story–but also weirdly a love story at the same time–and I don’t think the film, worked overall; the Russo Brothers, who directed, turned it into this big grand opera style thing in the way they shot it; to the point where the beautiful imagery is almost intrusive. It’s a very real story–based on a true story–and it highlights, very powerfully, how we abandon our troops completely after their service is over (since they’re no longer the troops….”support the troops” makes me angry because it is used primarily as a political prop and the actual soldiers themselves suffer in silence and neglect while we give billionaires and corporations every break in the world), but it’s worth watching for Tom Holland’s performance–he was also fantastic in The Devil All The Time–and it’s really nice to see him pushing himself in his non-superhero roles (he’s also the best, in my opinion, Spider-Man).
And on that note, I am heading back into the spice mines. Have a lovely Sunday, Constant Reader!
It’s gray again this morning in New Orleans, and I have about six boxes of books to take to the library sale today. I also have five or six boxes of condom packs that will have to go back to the office on Monday; which, I suppose, is the easiest way to say that my living room currently looks incredibly cluttered and desperately in need of organizing and cleaning and so forth. I also have a lot of errands to do–the mail, groceries, etc. and need together to the gym today as well. I would also like to get some writing done today–at least a revision of a short story or something–so tomorrow I can primarily focus on the edits of Bury Me in Shadows….and maybe do a bit on Chlorine as well.
I was ridiculously productive yesterday–as mentioned before, I really did a great job of paring down the books last night while laundering the bed linens; Paul was out having dinner with a roommate for college (who was indirectly responsible for our meeting, actually) and so while I watched Smithsonian documentaries on World War II (The Battle of Midway, The Battle of Okinawa, The Fall of Japan, Normandy: 85 Days After D-Day) Started going through the boxes of books I have cleverly concealed beneath blankets so they sort of look like tables, in way, with more books and decor on top of them (we have far too much bric-a-brac in this house, seriously), and when Paul got home we watched the second part of the Aaron Hernandez documentary. (I think perhaps the saddest thing–other than the victims, of course–was how exploited he was for his ability; he was clearly trouble at the University of Florida, so they covered for him for three years and once they’d gotten their use out of him, told him he wasn’t welcome back on the team for his senior year and to enter the draft early; as soon as he was arrested and charged the Patriots–and their fans–turned their backs on him immediately as did their fans…which tells me everything I needed to know about how his coaching staff and teammates felt about him–that was an almost lightning like 180, and considering how many other players have committed crimes and not been abandoned….and while murder is pretty extreme, of course, they clearly knew there were issues there and yet no one did anything.)
I also watched two movies yesterday while making condom packs, and both were kind of terrible. The first, The Getaway, starring Steve McQueen and Ali McGraw, was so unbelievably bad I came very close to turning it off numerous times, but figured you finished Carnal Knowledge, you can finish this. Directed by Sam Peckinpah, known for his violent and bloody films, and based on the novel by Jim Thompson (whom I’ve never read, and I need to correct that at some point), it basically is a dark story about a criminal whose wife gets him paroled by appealing to a corrupt businessman (with her body), so that they can commit a bank robbery and share the money with the businessman. Of course, there are all kinds of double crosses, and the bad guys are after them, as are the cops as well as one of their other accomplices they assumed was dead; there’s a weird subplot with him taking a veterinarian and his wife along with him on the chase for no reason (other than he’s banging the wife); interestingly enough, the vet is played by Howard fro The Andy Griffith Show and the wife/girlfriend (never clear) by Sally Struthers. It’s a mess, really; its only saving grace the chemistry between McQueen and MacGraw (who became involved) and that they are both ridiculously good looking; neither can act their way out of a paper bag (if they can. there’s no evidence of it here), and the score is also terrible and jarring. I know it was remade in the 90’s, I think; but as a noir film, or Neo-noir, it fails. I didn’t care about any of the characters and breathed a sigh of relief when the credits rolled. It’s a definite Cynical 70’s Film Festival entry; that was the time of the anti-hero and anti-establishment thinking…but I couldn’t help but think how much better the film would have been had it starred, say, Paul Newman and Ellen Burstyn, or Clint Eastwood and Natalie Wood, or even Robert Redford and Jane Fonda.
In fairness, they were done no favors by the script.
The second part of my double feature was John Huston’s Reflections in a Golden Eye, based on the Carson McCullers novel and boasting a cast including Elizabeth Taylor, Marlon Brando, Julie Harris and Brian Keith. I read the book several years ago and didn’t much care for it, to be honest–again, maybe I simply missed the point, but I didn’t care about any of the characters and that also translated into the film. There’s never any sense of why they do the things they do, and it’s kind of just a story about sexual hang-ups and frustrations, set around a military base somewhere in the South. Both Taylor and Brando sport really bad Southern accents, and Julie Harris is the only one who really pulls off her role–that of a sad woman who never got over the death of a child and has formed an unnatural attachment to her (incredibly racist and homophobic depiction of a) Filipino houseboy. She also apparently cut off her nipples with garden shears; she’s clearly not well, and yet all around her no one, especially her husband (Brian Keith), who’s sleeping with Elizabeth Taylor. Taylor is married to Brando, who chews the scenery at every opportunity (as I watched I couldn’t stop thinking considered the greatest actor of his generation, wow) who is an extremely repressed gay man who becomes obsessed with a young enlisted man who likes to ride horseback in the nude as well as lay out in the sun in the nude. The enlisted man is obsessed, in his turn, with Taylor, breaking into their house at night and watching her sleep while he paws through her underwear and nightgowns, sniffing them but never touching her. Brando becomes convinced the young man feels the same attraction to him, and at the end, sees the young man sneaking up to the house in the dark out a window. Thinking the young man is coming to him, he becomes enraged when he sees the young man–Elgee–sneak into his wife’s room, so he gets a gun and shoots him dead. The credits roll as Elizabeth Taylor screams. The movie is pretty true to the book, which kind of goes to show how not every book needs to be made into a movie. Most of the book is internal, which doesn’t translate to film very well–and I didn’t much care for the book. The movie could have been good–great cast after all–but overall, it fall flat for much the same reasons The Getaway did; I couldn’t muster up even a little bit of investment in any of the characters, other than Julie Harris, who is the only one who comes across well in the film. It did make me want to revisit the novel again, though, so that’s something. And while this is from 1968 or 1969, I do include it in the Cynical 70’s Film Festival–as there were many films in the late 1960’s that actually began what I consider the cynical period in American film, where the heroes were now who would have been the villains under the old Hays Code–neither Bonnie and Clyde nor The Graduate (both from 1967) could have been made under the code; certainly Who’s Afraid of Virginia Woolf? (1966) couldn’t have been.
I may have to take a break from the Cynical 70’s Film Festival for a bit. The last three films were terrible, and while I am kind of glad I saw them–always wanted to–I don’t know if I can stand watching another dated bad movie.
Maybe it’s time to go back to the Halloween Horror Film Festival.
And since I finished The Man with the Candy, now it’s time to pick something new to read. I came across a copy of Dan Jenkins’ Semi-Tough, of all things, while pruning the books. I read it when I was a teenager, along with Peter Gent’s North Dallas Forty, which are two completely different books about the same subject: pro football. Semi-Tough is comic; North Dallas Forty (which I preferred) is dark and almost noirish; the two books came up in conversation on Twitter recently; someone tweeted asking for people’s favorite sports film. I responded with Brian’s Song, and Laura Lippman professed her love for North Dallas Forty. I would really like to revisit the Gent novel and was also thinking I should reread the Jenkins; so having it turn up while pruning the books seemed to me like a sign. I’ll probably hate it–just looking at the first page there are some racial slurs already, and there’s nothing I hate more than the contract sumbitch, which was prevalent in the 1970’s; in theory, it’s how Southern people say “son of a bitch” with their accent. It annoyed me because everyone in my family, excepting my sister (and her children and grandchildren) and I, has a very thick accent…and not one of them ever says sumbitch. It became extremely popular in the 1970’s because Jackie Gleason, playing a corrupt Southern sheriff, says it all the time in Smoky and the Bandit…and I’ve always hated it, and never minded that it went gently into that dark night and no one bothers with it anymore. Being reminded of it sets my teeth on edge, frankly.
I may not, in fact, be able to get through the book. I know it’s meant to be funny and satirical, but….I just opened it at random and the narrator was talking about how it’s very important that we understand that he’s white because most running backs aren’t and….
I can only imagine the misogyny. Sigh.
All right, I need to get this mess under control so I can get everything done. Have a lovely Saturday, Constant Reader.
A thunderstorm woke me up around six this morning, as one has the last three days or so, as well as a downpour. It has since stopped raining since I got up–well, at least it’s not a deluge as it was when it woke me up; now it’s just kind of sprinkling–and again, this makes me rather happy that I don’t have to leave the house today. I do need to make groceries and get the mail, but this can wait until tomorrow if need be; or after I finish working today if the weather has cleared up.
Last night I finished reading The Man With the Candy, and the story continues to fascinate me–and the dead boys haunt me. It’s amazing to me also how little there is out there about the case–John Wayne Gacy, being caught alive and tried, essentially erased Corll from the public imagination. Had there been 24 hour news channels in 1974, there would have been so much coverage it would be impossible for the Candyman story to so utterly and completely disappear from the public consciousness; I only know the story because I lived in Houston about fifteen years after Corll was killed, and people in the city still remembered. The book will get its own review post at some point–it’s very well done–but I also can’t help but wonder if all those boys would have been murdered had society not been so homophobic at the time….but I suppose I can talk about that when I write about the book.
We also started watching an Oxygen documentary series about Aaron Hernandez last night, another case that has long fascinated me. While I always tend to reserve my sympathies for the victims, Hernandez never really had a chance, given his abusive childhood, his sexual molestation as a child, his homophobic father and then becoming a professional athlete in an incredibly homophobic sport (well, almost all the professional and amateur sports have a certain level of homophobia built into them as part of the toxic masculinity so rampant in our country as well as the systemic homophobia we still fight to this very day); not to mention all the brain damage he sustained playing football. It’s hard not to feel some sympathy for him, despite his crimes; how different would his life have been had his father not been an abusive homophobe, had he not been sexually molested, and had the society and culture he was raised in been so horrifically homophobic, forcing him to play the toxically masculine role of the stud athlete?
I suppose that’s the case with so many criminals, though–had it not been for this or that, perhaps they would have had a productive life that benefited society.
Speaking of toxic masculinity, yesterday while making condom packs I watched a Mike Nichols film from 1970, Carnal Knowledge, starring Jack Nicholson and Arthur Garfunkel (of all people; I’m curious how he wound up being cast in this). The opening sequences, with the two men playing roommates and best friends named Jonathan and Sandy respectively, was kind of amusing; it’s easy to forget that as recently as the 1970’s it wasn’t uncommon for actors to play high school or college students when they were clearly way too old (see The Way We Were); but it’s also difficult to find actors young enough to play them as college students while looking enough like them to be believable as well as being able to act as well as the stars. My prime away takeaway from this movie was, well, anyone who ever wonders why the Women’s Movement was necessary and needed should just watch this movie. To say that it hasn’t aged well is a MAJOR understatement; and while it seems the entire point of the movie (and this may just be my modern reading of it) is to point out how societal expectations and sexual mores of the time not only punished women but also poisoned men with toxicity. The movie opens with the two men at a mixer when an incredibly beautiful young Candace Bergen arrives; both are interested, but since Sandy “saw her first” she’s his for the taking (boom! not even five minutes in and we are already exposed to the sexist, misogynist notion that a young woman belongs to a man she’s not even met because he saw her first…no consideration whatsoever to what she may want or need) and she reluctantly begins to date him, although it’s fairly obvious she doesn’t really feel anything for him. We never get any understanding of her or who she is, nor do we get any sense of why Jonathan pursues his best friend’s girlfriend or why she sleeps with him. He eventually demands that she choose, and she chooses Sandy. We then follow the two friends through the years, as Jonathan becomes even more toxic and distant, unwilling to get married and unwilling to commit to any woman; Sandy’s marriage ends in divorce and he begins seeing another woman whom Jonathan also pursues, eventually convincing Sandy to “swap” with him; at this point Jonathan is living with Bobbie (played by Ann-Margret; a really terrific performance) a model/actress who moves in with him and quits working and slowly begins to crumble emotionally–he’s also abusive; we never actually see him strike her, but the verbal and emotional abuse is horrific. Sandy goes into the bedroom only to find Bobbie has overdosed on pills…which finally gets Jonathan to marry her. The next scene we see, they are already divorced and he is living alone; Sandy is visiting him with his new girlfriend (a very young Carol Kane), who is horrified by who Jonathan is and his attitude towards women–he shows them a slideshow of every woman he’s been involved with, calling it the Ballbuster Show; Susan (Candace Bergen) briefly appears on the screen and he quickly clicks past her. Appalled by him, the Kane character leaves, and the two old friends go for a walk. Sandy talks about how she is teaching him how to love and how to love himself, and that he hopes cynical Jonathan can find someone who will teach him the same lessons. Jonathan scoffs, and the final scene of the movie shows him going to a prostitute, Rita Moreno, with the hopes that she’ll enable him to get hard this time–impotence has been an issue for him going back to college, which is apparently caused–the script infers–by his inability to be vulnerable or to connect emotionally with women. And that’s all, folks; credits roll.
This definitely fits into the Cynical 70’s Film Festival; it’s probably one of the darkest films I’ve ever seen when it comes to relationships between men and women. Perhaps that’s what Nichols and screenwriter Jules Pfeiffer were trying for; I certainly hope so, as that was the end result. There were several times while watching that I couldn’t help but think, this is a Rona Jaffe novel only from the men’s perspective rather than the women’s, which just goes to show how fucked up we were as a society back in those “good old days” of the 1950’s conservatives keep wanting us to go back to–no fucking thanks, for the record.
And on THAT note, tis off to the spice mines with ME. Have a lovely Friday, Constant Reader.