Wednesday, Hump Day, all downhill into the weekend now. Woo-hoo, methinks?
I slept very well last night–about five hours consecutively, then in and out for the final three hours–and feel much better this morning than I did yesterday morning. I still have a ridiculous mountain of work to get done–the mind literally reels, but I’m trying not to feel defeated before even trying to get through it all. And of course, tomorrow I don’t have to get up before the sunrise. Tomorrow is also my second inoculation for COVID-19, which means a sore shoulder for a few days. Supposedly the second dose is worse than the first, and might make me a bit sicker than the first did–again, this is fine; I’d rather have a mild sickness than get the coronavirus, certainly! And I certainly should not complain about getting it, considering how early I am and how many people would love to get it done. It’s going to be strange being inoculated. I’m going to keep wearing masks of course–total strangers won’t know I am vaccinated nor do I plan on flashing my vaccine card at everyone I see–because quite frankly, not getting sick at all so far this winter has been lovely. Maybe, I don’t know, we should always wears masks and focus on cleaning our hands with regularity? It’s a thought, isn’t it?
We didn’t start watching season two of Servant last night after all; Paul didn’t get home until very late from the office last night, so I basically just sat in my easy chair, exhausted, trying to drum up the energy to read (Alyssa Cole’s book is so good) while scrolling endlessly through social media while Youtube videos played on the television screen. I also went to bed a bit earlier than I usually do–I was seriously exhausted yesterday–and so the sleep was, indeed, quite marvelous. I really miss the days when I used to fall immediately into a deep sleep that, as Paul once remarked, “a nuclear bomb couldn’t wake (me) from.” That’s probably the primary thing I miss from my pre-fifties life…no one ever told me that one of the things about getting older would be that your sleep patterns change.
But I feel like I can face today this morning–yesterday was one of those “I just want to hide in a corner” days; and while I despise having everything put on hold or pushed back to be dealt with another day, that is one of those things you just have to deal with. I have come to understand when I am that tired after an insomniac night I am really not at my best, and taking care of business when i am not firing on all cylinders is perhaps not the best thing for me or anyone I am having to deal with, work with, take care of, etc. I am still way behind on my book, but I am hoping that this weekend–with the proper amount of rest–I’ll be able to dive headfirst into the book and start heading towards the finish line. I think the current manuscript sits at around 75000 words; it probably needs another 20k to be complete and have everything tied up into a little bow. The trick is going to be figuring out where the new stuff needs to go. One thing I will say about myself as a writer that is complimentary is that I am very good at the transition between chapters–it’s usually very seamless, so inserting new chapters and scenes is a bit more of a challenge. What I need to do this weekend is break the book down to its moving parts, and see what I can do to make it more cohesive–as well as find the parts that are missing that need to be added to it. I think it’s going to be a good book–right now I am clearly not going through imposter syndrome–but a lot will hang on what I am able to pull together and get done.
I also have to revise and rewrite a short story; I need to check when that deadline is, and get it put on my calendar.
And on that note, I am heading into the spice mines. Have a lovely Wednesday, Constant Reader.
And Monday again; the work week is reborn and refreshed and ready to go again. Whether one Gregalicious can say the same about himself remains to be seen, but it is early yet and this is still my first cup of coffee, so the rest remains fairly unclear. I have high hopes for today and this week; I am hoping that I will have the energy, drive and will to finally get caught up on everything.
Then again, this week could also bitch-slap me back into place at any particular moment, so there’s that as well.
It turned out to be stunningly beautiful yesterday–mostly cloudy, but still managed to get up into the lower seventies. As I walked to and from the gym, I marveled at how lovely the weather was for late January…but stopped myself from the false hope the fake early spring we always seem to get in late January inevitably gives rise to; there’s always another cold front that seems to roll in, with rain and damp and cold winds, before March returns with the first hints of real spring. The workout was also nice; I always love that post-workout tired feeling, when your muscles are fatigued.
I also had a great morning reading yesterday. I read the opening chapter of Faulkner’s Sanctuary; three short stories (“Miss Bianca” by Sara Paretsky, originally published in MWA’s Ice Cold and reprinted in Paretsky’s own collection, Love and Other Crimes; “The Lady’s Maid’s Bell” by Edith Wharton, from The Ghost Stories of Edith Wharton–also my first time reading Ms. Wharton; and “Mermaids on the Golf Course” by Patricia Highsmith, from The Selected Stories of Patricia Highsmith. The Paretsky was my favorite of the three, but I do feel there will inevitably be a blog post about older ghost stories vs. modern); and then dove headfirst into Alyssa Cole’s When No One is Watching, which is particularly quite marvelous, and a solid entry into a new subgenre I hope we’ll see more of–gentrification noir. I had thought about doing a Scotty book about New Orleans gentrification–Bywater Bohemia Bougie–and I still might–it’s an awesome title, after all, but I am not sure of what the actual story would be; an unscrupulous developer is kind of a no-brainer, wouldn’t you say, though?
We only have one episode left of Flack, and I must say we are really enjoying it. I hate to see it end, but season 2 of Apple Plus’ chilling Servant has also dropped, so we have something interesting and disturbing to move onto.
Yesterday was kind of lovely; I felt rested, did a lot of reading and cleaning, and eventually did some more brainstorming on the book, which I am almost ready to start revising. Always a plus.
And on that note, I am heading into the spice mines. Have a lovely Monday, Constant Reader!
I am starting to feel good again. I am not sure what that is all about–nor am I certain how long it’s going to last, but no worries, Constant Reader–I am going to ride this wave until it inevitably breaks around me. Thursday, I must confess, wasn’t a good day for one Gregalicious, and I hate those days and the inevitable despair that comes along with those awful days. An emotional and physical and intellectual valley, if you will; which generally manifests itself as the inability to do much or face anything or accomplish anything.
It’s gray again this morning in New Orleans. It rained off and on all day yesterday, never heavy enough to be of any real concern for anything but mostly mist more than anything else; one of those winter days where it’s so humid it eventually turns to water in the air because it isn’t warm. The clouds are very low this morning, brushing against the tree tops in the distance. I spent most of yesterday working–trying to get organized, cleaning up the office space in the kitchen as well as doing some cleaning and so forth–but I also took time out to finish reading the Patti Abbott story I had started at the dealership on Friday morn, which I greatly enjoyed–and while I most definitely would have preferred getting more done than I did, I’ll take what I got done and try to get even more done today. I have to go to the gym today at some point as well. But now that football season is over for Louisianans, my weekends are completely freed up now for rest and work and anything else I might be up for getting accomplished along the way. This is good, because I need to really start getting focused on the Kansas Book, as its deadline looms large in the near future. AUGH.
But as I sip my coffee on this gray foggy New Orleans morn, March 1 seems a long time off and so I can still muse about being able to get it finished without physically working on it just yet. My final revision is taking place in my head, as I revise and rewrite and restructure the story in my head and put in the things that are missing from the story. The theme I am mostly trying to follow for it–that many societal ills truly are based and steeped in misogyny, and how that harms everyone–is, I think, important; and I have a relatively strong grasp of my point of view character; I spent quite a bit of time yesterday putting other pieces into place and figuring out some things, which is never a waste of time. I’ll probably spend some time with the manuscript today, mostly reading it over and trying to get a fixed outline in place. There are things missing from the manuscript, as I mentioned already; there are several characters who primarily are just talked about and never actually appear in the story itself, and that’s kind of a cheat, and unfair to the reader and the characters. Heavy heaving sigh.
We started watching Anna Paquin’s new show on Amazon Prime last night, Flack, in which she plays Robyn, a deeply troubled young woman who works at a PR firm for high-end celebrities, cleaning up the messes they make and controlling the narratives of their lives. It’s quite good–Paquin is always amazing when given great material (Sookie on True Blood could become annoying and irritating, but then when given material worthy of her she was shined)–and we will most likely delve back into it this evening when we are ready to relax and recharge from this day. I’ve got a stack of folders and papers that really need to be put away–more like find a place to put more than anything else–and I’ve got some more organizing to get done. I’d also like to start reading my next book; I’m not sure which I am going to choose, to be completely honest, but I have such a plethora of riches from which to choose that I know I’ll pick something absolutely delightful that I will greatly enjoy. Maybe even a reread? There are any number of books that I would like to reread–and you know, even as I type this I am thinking perhaps a revisit of Faulkner’s Sanctuary might be just the trick. I was a teenager when I originally read it, and so didn’t quite grasp much of the story and what was going on; it would be interesting to take another look at it now and see how I react to it. It’s definitely noir, or borderline noir; and I do remember enjoying it the first time I read it, even if a lot of it went over my head. If not the Faulkner, maybe I should read something that isn’t a crime novel, just to expose myself to other characters and narratives and styles of writing. I don’t read enough outside of my own genre, which isn’t a good thing; I’ve always felt it important to read outside of the genre whenever I can, but there are always so many good mysteries to read and so many wonderful ones that are already published and new ones being published all the time I know that I will never have the time to read everything I want to read, which is kind of sad, really.
I could, of course, reread Sanctuary slowly, and read something else at the same time more quickly. Hard to say, really. I could also dive back into the Short Story Project; I certainly have enough anthologies and single-author collections to get through.
Ah, well, I shall certainly figure it all out at some point.
And it’s Friday. January is slowly slipping through my fingers, but that’s okay; I’d rather life not really slow down to accommodate me, to be perfectly honest. It’s raining and gray outside this morning–last night I managed to sleep completely through the night, which was a quite lovely thing, to be honest, and I feel awake and rested this morning. Rain always helps me sleep better, so I always prefer the rain to come during the night, frankly–but I love rain as long as I don’t have to go anywhere and do anything important while it is happening.
We finished Bridgerton last night, and I must say the show definitely lived up to its hype and word-of-mouth. It was a delightful entertainment, with a gorgeous young cast (and even the older members of the cast were quite marvelous, both in talent and appearance) and I daresay many of this cast will become stars in their own right–the leads, Daphne and Simon, are impossible to look away from when on screen and I am not afraid to confess I got teary at points, particularly the scene at the ball in, of all things, the rain. Visually the show was absolutely stunning–those sets, those costumes, those color palettes!–and the writing was strong. I’d say Shonda Rimes deserves every penny of her massive Netflix contract; the same cannot be said for Ryan Murphy. I am now quite curious to read the novels by Julia Quinn, to see if they are as delightful as the show. I’ve always enjoyed romance novels–while always preferring crime, of course–and it has been a long time since I have read one, immersing myself in crime novels the way I have over the past two decades. Perhaps broadening my reading to other genres again would be advisable? I had mentioned when we first started watching Bridgerton that in another lifetime I might have been a romance novelist; now I am thinking that writing one might be the kind of writing challenge I need in order to keep my own writing fresh and invigorate my own career again. Despite my own cynicism, which has only gotten deeper and more strong as I have aged, I am a hopeless romantic who always wants there to be a happy ending for the characters I read about, and TV shows and movies often move me to tears. The aforementioned rain scene had tears spilling down my cheeks, and I am not ashamed to admit it. (Both The Princess Bride and the animated Beauty and the Beast still bring tears to my eyes, despite the fact I have seen both dozens of times.)
I was exhausted yesterday; pretty much the entire day I was running on accessory. I thought upon waking yesterday morning that it might be a good day, but it was not to be, alas. For some reason I felt tired and drained almost the entire day, like my batteries were recharging, and I had no energy to face anything or even try to get much done. I couldn’t face my emails! Let alone trying to get any writing done; I abandoned that possibility early in the day when I realized my brain was fatigued. I made condom packs for most of the day, and watched two movies–one was a rewatch of the exceptionally amazing Angel Heart, starring a young and astonishingly beautiful Mickey Rourke, Robert DeNiro, Lisa Bonet, and Charlotte Rampling. Part of the film was shot in New Orleans–still stunningly beautiful and different in the 1980’s, but still the same New Orleans–and the visuals are exceptional. The plot is genius, with all of its twists and turns–I read the Edgar winning novel on which it was based several years ago; it’s also quite excellent–and I don’t know if it gets enough credit. I find myself becoming very interested in 80’s “Neo-noir”, whatever that means; I consider these films to be noir, but am also not an expert on noir or film, nor am I really sure why the noir films of the 70’s and 80’s are called “Neo-noir” rather than noir–more research obviously must be done here–but I think that may well be my next film festival–but shall have to come up with a catchy name for it, undoubtedly. There were some terrific noirish films made in those decades–Masquerade, Body Heat, No Way Out, Angel Heart–and I wonder if there is–there inevitably always is–a book or two examining these films?
The second half of yesterday’s double bill was a 1983 British made for television adaptation of The Hound of the Baskervilles, which reminded me of why Holmes never really resonated with me when I was younger. Perhaps it was simply the film, but the characterizations were so two-dimensional the story never really caught fire–and I do remember this was my favorite Holmes story when I was younger; which is even odder because Holmes is hardly in the story at all–but I’ve always been drawn to hauntings and family curses. As I watched, I kept thinking to myself how I could possibly adapt this story to my own Sherlock world–now that I’ve dipped my toe into those waters I cannot stop thinking about them–and rather smiled to myself when I thought my version could be called The Hound of the Mandevilles and be set on the North Shore. I already have an idea for a ghost dog story set in New Orleans–“The Hound of St. Roch”–but I don’t think that would work as a Sherlock story, unfortunately.
I really need to get Sherlock out of my mind, and I suppose watching film adaptations of his stories is probably not the best way to do that, is it? But I’ve grown weary of the Cynical 70’s Film Festival and need a break from it for awhile; but I think I’ll hold off on a Holmes film festival for a while. Last night while I did laundry and cleaned the kitchen I kept thinking about writing a Holmes novel–which is the last thing I need to be thinking about right now.
And on that note, it is time to head into the spice mines for the day. Have a lovely Friday, Constant Reader, and I will check in with you again tomorrow.
Ah, it is Thursday and we have a new president. It was kind of nice to wake up without that sense of existential dread and worrying about what new horrors the day would bring–or what I may have missed while I was sleeping. I also slept deeply and well, and I am enjoying my first cup of coffee thus far this morning. I don’t have a full day of working at home, as I worked longer hours in the office so can shave some off my day today, which is lovely. I can spend the morning with my emails and blog and drinking coffee and waking up gradually–which is my actual preference–I suppose no one likes waking up to an alarm. It’s more along the lines of how used to it you can get. I personally hate the alarm, but there’s simply no way I would ever get up at six in the morning without one. I don’t think my body will ever adapt to that–it never has before, and I can’t imagine that changing as I rapidly approach the big 6-0 later this year.
And Twitter, wonder of wonders, has stopped–for the moment, at least–being the bleak horrific portal to hell it has been for such a long, long time. This, coming so soon after the horrific redesign of Facebook that seems designed and intended to drive all of its users away, has resulted in me spending more time there than I have been on Facebook lately, and frankly, this actually hasn’t been a bad thing. I have freed up a lot more time–Twitter has been fun, but ultimately I am not overly fond of it–and so I find myself taking the time I used to spend endlessly scrolling and commenting and sharing and liking things to do other things, like read or brainstorm or clean.
And is this really a bad thing? I don’t think so. The first and hopefully last social media presidency has shown us all the dangers inherent in unmoderated social media; how quickly it can be harnessed to undermine civility and societal norms and our democracy. The steadfast refusal of social media for years to not try to control the dangerous lies being spread and amplified on their platforms is something that will be studied for generations–and I suspect people like Mark Zuckerberg and their sociopathic desire for blood profits will not come off well in those histories.
So now I must buckle down and stop watching history unfold and get all the things done that I need to get done. There are some deadlines for short story submissions coming up, my deadline for the Kansas book also is hanging over my head in the near future, and there are any number of other things I need to get a handle on. I have yet to decide on what the next book I will read will be–it’s a toss-up between too many excellent titles, to be sure–and may cowardly delay the decision by delving back into short stories. It’s been a hot minute since I read any short stories, and I also got two wonderful single author collections of ghost stories–those of Edith Wharton and E. F. Benson. (The Benson volume is much thicker than the Wharton.) I have never read Edith Wharton–as I have often confessed, my education in the classics has been sadly lacking–and I am fond of ghost stories, particularly those from that period in literature. I love the formality of the writing with the touch of Gothic to them; I have a ghost story in progress called “The Weeping Nun” I would also like to write in that same kind of style, and perhaps even change it from a modern setting to the past, with the sound of horses’ hooves on the cobblestones and flickering gaslight through the fog in the French Quarter.
Ironically, I had started writing that story on my iPad in Pages; recently I discovered the trove of things written in that app I had completely forgotten about, and so I uploaded them all to the Cloud and converted them to Word documents; hilariously, the opening of “The Weeping Nun” is the scene–or at the very least inspired–the opening to “The Snow Globe.” I had started writing “The Weeping Nun” for an HWA anthology built around the theme of Halloween; and it opens with Satan not only had a six-pack but he also had one of the finest asses I’d seen in a while. The main character is up on the balcony at the Parade watching the street when a muscle boy in a Satan costume comes out of Oz, and that is the point where the story began. I never got more than a thousand words done on the story–I don’t recall why I was too busy or tied up or whatever to finish the story, but when I started “The Snow Globe” for the original anthology I sent it in to, I remembered that opening and changed it from Satan to Santa–and away I went with the story.
I’m still prepping for the final push on the Kansas book as well, the final draft. There will have to be some new scenes and chapters written; more than I’d prefer will have to come out of it; and so much cleaning up to do–the mind positively reels in horror from the amount of work this manuscript needs–which is really why I’ve been avoiding getting back into it, if I am going to be completely honest with myself. But it’s not going to revise or edit or rewrite itself, obviously, and the only way it’s going to get finished is if I stop procrastinating and fearing doing the work (which I inevitably end up enjoying doing anyway, which makes it all the more irritating and annoying that I have to make myself do it) but I’ve also decided that the thing to do is reward myself for getting work on it done; seems silly, but it works. So, for every three chapters I refine, revise and polish I am going to spend some time developing Chlorine, which is what I really want to be writing anyway. I have a lot of ideas and a loose sense of the plot/story floating around inside my head, and I probably need to start writing it all down and piecing it all together, as well as start building the characters and fleshing them out more. I like my amoral, do-whatever-it-takes-to-make-it himbo movie “star”; I think I can make his cynicism and hard-edged morality understandable and likable. I’m kind of excited to start working on it.
And on that note, it is time for me to answer some emails and then start today’s condom packing duties. Have a lovely Thursday, Constant Reader!
Well, yesterday was not one of my better days; it started off not great–right around the time I started getting ready to leave for work–and continued through the beginnings of my day at the office. No need to get into the frustrations and irritations involved (one of them being not being able to find a check for a short story I last had my hands on Saturday but the fucking bank was closed and now I can’t find it), but just before my actual clients started showing up I took a very deep breath and cleared my mind and cleansed it of everything poisonous that the incompetence and thoughtlessness of others put there and sallied forth into my day.
Ah, the joys of being a professional.
After work I went to the gym–had been blowing it off for just over a week, he admittedly shamefacedly, but it was cold–and that was lovely. I came home and cleaned the kitchen, and when Paul got home we watched two more episodes of Bridgerton, which is oddly enjoyable and addicting. My favorite character by far is Eloise Bridgerton; what a delight she is, rejecting everything having to do with being a proper lady and just wanting to live her own life and expand her brain. We have yet but one episode left to go before it’s all over until the next season drops, and I shall sorely miss it; it’s just pure unadulterated fun, while at the same time making me wonder that for so many centuries we put so little store by women other than for them to be wombs, property of their husbands. It’s also a bit racy–I can’t believe one of the major plot points revolves around Simon not, er, um, shooting his load inside his wife, our heroine Daphne. But Regency England society was pretty racy; I was just talking to Paul last night about how this period has never been of much interest to me because of the Regency–Prince George was a bit of a monster–and of course by the time of the events of this show, Queen Charlotte was already dead; but frankly I am glad Charlotte is the one in charge instead of her wretched son.
Today is also pay day, aka pay the bills day (huzzah?)–it seems like we just got paid, really–and so at some point this morning I shall have to make the car payment as well as pay the other bills as well. Oh, how I long for the day when the car is finally paid off; it seems like I’ve been making that enormous monthly payment forever now. I didn’t sleep all that well last night–worry about all the things I have to do, no doubt; I feel as though there are several swords of Damocles hanging over my head at this point in time–but as always, there is nought to do but simply put my head down and start ploughing through everything until I can get as caught as I can while other new and interesting and sometimes tedious tasks and chores pile up around me. But at least this morning I came downstairs to a clean kitchen, which was lovely, and my desk is completely in order (I looked for that check again last night when I got home; nowhere to be found, alas; but it shall eventually turn up somewhere, I am certain), which was even lovelier, quite frankly. Although I didn’t sleep much or well over the course of the evening I don’t feel tired this morning–that will undoubtedly come along later–so I am very hopeful that the tiredness won’t be too terrible this afternoon and so I can get some writing done this evening. I have another short story I want to reconstruct for a submissions call with a deadline later this spring; I have a story that is absolutely perfect for the call–I just need to make some serious adjustments to it (I actually borrowed the entire structure and setting of this particular story for my Joni Mitchell story, “The Silky Veils of Ardor”, for Josh Pachter’s The Beat of Black Wings), but I already know how to revise it and make it work; it’s just finding the time to sit down and go through the many drafts it’s already been through and figuring out how to get it done properly.
I’m also trying to decide what to read next–I have e-galleys of the new Hilary Davidson as well as the new Alison Gaylin; both look superb–but I have so many wonderful books on hand in the TBR pile already! A plethora of riches, as it were.
I’ve also fallen down a massive Louisiana history black hole, something that may come in handy when I want to write another Sherlock story. Belle Grove was one of the biggest houses in Louisiana; located in Iberville Palace not far from Nottoway–the White Castle–Belle Grove was actually pink and called the Pink Palace. It burned to the ground and was never rebuilt; I can’t imagine the upkeep on a place like that, or, for that matter, the upkeep on Houmas House or Nottoway or Oak Alley must be outrageous as well. I think my version of Belle Grove will be set in my fictional Redemption Parish; I always tie my stories together, remember? The modern Benedict Cumberbatch Sherlock updated “A Scandal in Bohemia” to “A Scandal in Belgravia”; why should I not title mine “A Scandal at Belle Grove”?
These are the things I think about when my mind wanders, as it is so apt to do when given such an opportunity.
And on that note, tis back off to the shower with me, and off to the office. Have a lovely Inauguration Day, Constant Reader!
Tuesday and back to the day job for a shortened week of work, in which I will only have to get up at six twice, praise be to the baby Jesus.
I am still basking a bit in the afterglow of reading Laurie R. King’s remarkable The Beekeeper’s Apprentice (and there are VOLUMES of Mary Russell cases! VOLUMES!). Wow, what an achievement that was, and one that I certainly envy. It’s very daunting, too–as a writer, I am never more aware of my failings as when I am reading the words of a far more gifted author–and am still feeling a little daunted as I move deeper into the prep work for the final draft of the Kansas book and its ultimate completion. But I got a lot of rest over the long weekend, football is over so my weekends are completely free going forward, and I have a lot of writing that I want to get done this year–hell, I want to get a lot of things done this year, and full steam ahead, I say. As the dark presses up against my windows and I sip my cappuccino, I don’t feel worried or stressed or upset about anything; my mantra it is what it is should help keep me moving forward. I need to stop stressing and worrying about finding the time to do things because the reality is all the stressing and worrying does is kill time and prevent me from doing things, so I need to just try to let go of worry and strife and hunker down and get shit done.
I always feel like I can conquer the world when I am properly rested, don’t I?
But the restful weekend was nice, and nourishing, and lovely. Last week–well, every moment since our nation’s Capitol came under attack–has been insanity, utter insanity, and I was doing the old doom-scroll and watching the news at every opportunity lately as well (it’s been years since I turned on either MSNBC or CNN) and while I am still deeply concerned about the country, the inauguration, and our imminent near-future, I get all tensed up inside and stressed again, so I am, for my own mental health and creativity, going to have to. back away from it and just check in randomly and periodically and resist the urge to keep scrolling or watching. American politics and history–always of such interest to me–have become so toxic that even observing history occurring sends my blood pressure sky-rocketing and twists my stomach into knots.
But it does seem as though the majority of people not lost to Q-Anon conspiracy has finally awakened to what I’ve been screaming about for about thirty years–the depth of these people’s hatred for anyone who disagrees with them on anything. They do not and have not seen as Americans; they do not see us as equals. They only see us as an enemy who must be destroyed at all costs, and woe be to they who do not goose-step in line with their authoritarian values and beliefs. Maybe it was easier to see for me because as a gay man I have been in their rifle-sights for as long as I can remember, I don’t know–but I can remember being dismissed in 2008 and 2009 when I said that they weren’t interested in working together or bridging the divide; they just wanted to obstruct and undermine and paralyze. The Q-Anon traitorous mob that sacked the Capitol on January 6 had its roots in the Tea Party and their racist hatred of Barack Obama, and this was their inevitable path–just as their seditious ancestors refused to compromise on any level about slavery to the point they were willing to destroy the country. Their descendants are no different–and believe you me, part of the Lost Cause mythology holds that the Confederacy was the true American democracy, and those who believe in the Lost Cause still believe it today.
The cognitive dissonance inside their brains must be staggering, absolutely staggering.
We watched two more episodes of Bridgerton last night, which is strangely addicting–but one can always expect that from a Shondaland show, can’t one? Who would have ever thought the highly restrictive societal expectations of the upper, privileged class when it came to marriage for women would make for such riveting television? Part of the American fascination with the aristocracy, I suppose–the same mentality that made Dallas and Dynasty ratings champions back in the day and drove the careers of Harold Robbins, Sidney Sheldon, Jacqueline Susann, and Jackie Collins into the bestselling stratosphere: we like to see rich people suffering. But Bridgerton is an absolute delight, from its writing to its excellent diverse casting choices to every bit of its high production values, from costumes to sets. (There’s an absolutely lovely scene in which Daphne and her brother–the fourth episode, perhaps, or the third?–decide to not wake the servants to make them warm milk in the middle of the night, realize they don’t know how to work the stove, and end up drinking it cold, which tells us all about the class divide–imagine not being able to work a stove! But I daresay there are wealthy people in the country today who wouldn’t know how to light a pilot light or how to work their kitchen appliances)
Tonight, after work, I have to dive headfirst into the revision of the book, which, while daunting, needs to be done. February is a short month which means I don’t have as many days before March 1 to get the book finished; there is the Fat Tuesday holiday coming up as well–I may take off Lundi Gras for a longer weekend–so I can focus on the book writing during that time as well, which should help dramatically. I am not as stressed about this book as I perhaps might (or should) be; I am also relatively certain that can be chalked up to pure denial. I am also trying to decide what to read next–I am still all aflutter from the brilliance of the Laurie R. King novel I read over the weekend; and I have so many options to choose from (the advantage and curse of a deep TBR pile, I suppose) that it’s going to be a difficult decision. I may resort to short stories for the week and wait until the weekend, when I have more time, to get involved in a wondrous read, whatever that may prove to be.
And on that note, tis off to the spice mines with me. Have a lovely Tuesday, Constant Reader! I certainly intend to do so.
My memory has truly become amazingly awful and limited as I grow older. Yesterday was one of those days that reminded me just how bad it’s become–and how rarely I follow through on plans I make.
I started writing about Kansas when I was a teenager living in Kansas, and I wrote a long, messy manuscript by hand that was essentially a kind of Peyton Place tip-off, with tons of characters and plots and subplots that meandered about and never really had one cohesive central story. Over the years since that handwritten, almost a thousand page first draft was finished, I came to the realization that as a single novel itself I would need to cut out a minimum of fifty percent of the characters and even more of the subplots while tightening it into one cohesive story. The name of the town changed multiple times, as did the names of the some of the characters, while others remained the same from beginning to end. I had no idea at the time of how to write a novel, or how to structure one…but since it already existed, I began mining it for other novels and short stories, pilfering names and subplots and so forth (the murder story in Murder in the Garden District, and the Sheehan family in the book, were directly lifted from this old manuscript; I changed the family name from Craddock to Sheehan). My young adult novel, Sara, also had a lot of story lifted from this same old manuscript–even characters’ names–so when I started building this iteration of what I’ve taken to calling “the Kansas book” over the years, I knew it was possible I was repeating names from the old original, and at some point I would have to check Sara at some point to get the character names from it, to not repeat them. The Kansas book was also intended to be set in the same world as Sara–Sara being primarily set in the county and the small grouping of three small towns consolidated into one high school; with this book set in the county seat, the small city/large town I called Kahola. Kahola never really sat well with me for the town name; it’s perfectly fine for the name of the county as well as the lake (there actually is a Lake Kahola; it’s where we went when I lived there and “went to the lake”), so I decided to change it to Liberty Center (which I got from Philip Roth’s When She Was Good, so it’s also an homage) and Sara geography be damned. So, yesterday while the Saints played terribly and ended their season (and possibly Drew Brees’ career), I was scanning though the ebook of Sara and pulling out character names–even minor ones– as well as place names and so forth.
I am very pleased to report that there is only one character name that traveled from the original manuscript to Sara and finally into this new iteration of the Kansas book, and obviously that needs to be changed. I am not willing to change the name of the county seat back to Kahola; it never really seemed to fit, and Liberty Center works much better on every level, but I can change the name of the character in #shedeservedit to avoid confusion…not that there would be much, since Sara is my lowest selling book for some reason I certainly don’t get, but it would unsettle me, so it cannot be. As I was pulling names out of the ebook, and place names and places of interest, I also began remembering other things.
I had originally intended for all of my young adult novels to be connected in some way, kind of how R. L. Stine had done his Fear Street series, where all of the books take place in the same town and high school, and a minor character in one would become the hero of another. I was reminded of this because Laura Pryce is mentioned by name in Sara; she was the protagonist of Sorceress, and she was from the same rural part of Kahola County and went to the same consolidated high school. Sorceress tells the story of how Laura goes to live with her aunt in a huge house outside the California mountain town of Woodbridge; Woodbridge is also the setting for Sleeping Angel, and characters overlapped from Sorceress to Sleeping Angel. The Chicago suburb in Sara where Glenn is from is the same suburb that the main character in Lake Thirteen was from; it is the same suburb where Jake’s father, stepmother, and half-siblings live in Bury Me in Shadows; and of course, this latter is set in Corinth County, Alabama–which is where my main character in Dark Tide was also from. As I was picking out the character and place names from Sara, I was also reminded of other books I’d wanted to write, and I had introduced some of these characters in this book intending to revisit them again at another time in another book or story–books and stories I have since forgotten about completely, and yet there are the characters, crying out to me from my Kindle app for me to write about them.
Having triggered my brain into the creative mode yesterday by doing this chore during the Saints game (I started during the men’s finals at the US Figure Skating Championships; congratulations to our world team o Nathan Chen, Vincent Zhou, and Jason Brown) I also began remembering other things I was working on–like “The Rosary of Broken Promises” and “To Sacrifice a Pawn,” two stories I started for a submissions call I didn’t manage to make; or some of my pandemic story ideas (inspired by the pandemic or during it) like “The Flagellants”, “The Arrow in the Cardinal’s Cap”, and “The Pestilence Maiden”; amongst so many, many others. This is why I despair of ever writing everything I want to write during the limited time I have on this earth; I could spend the rest of my life trying to write every story and novel idea I already have and would never be able to finish them all.–and I have new ideas, all of the time; it’s almost ridiculous.
I already know I am most likely going to revisit Corinth County in Alabama again–it’s basically where my already-in-progress novellas “Fireflies” and “A Holler Full of Kudzu” are set, amongst many other ideas for short stories, novellas, and novels. I will undoubtedly return to Liberty Center at some point as well; I have ideas for other Kansas books and stories, too; I’ve revisited Kahola County, Kansas in my short stories numerous times already as well. I’ve also got my own parish in Louisiana–Redemption Parish, which I wrote about in Murder in the Arts District, The Orion Mask, and some other short stories. I’ve also already invented a fictional town on the north shore–similar to Hammond–that showed up in Baton Rouge Bingo and will undoubtedly turn up again in my work, although perhaps not under my own name.
I spent some more time with Laurie R. King’s The Beekeeper’s Apprentice and am thoroughly enjoying the ride. King’s authorial voice is so strong (and reminiscent of the late great Elizabeth Peters) that I cannot wait to read more of the Mary Russell series–it’s so different from her Kate Martinelli series, which I also love–and intend to spend some more time with it this morning with my coffee as well; I see a new tradition for non-working days developing; reading with my coffee in the mornings, which is simply wonderful. I recently acquired Alyssa Cole’s thriller When No One Is Watching, which I am also looking forward to, and I have added both Stephen King’s The Stand and Faulkner’s Sanctuary to the reread pile…and I’d also like to get back to the Short Story Project at some point….and of course there are all those ebooks piled up in my Kindle as well.
We also spent last evening after the Saints’ loss getting caught up on The Stand, which I am enjoying, although it’s made some choices I find questionable. I’m okay with everything having to do with the plague and the characters making their way to either Boulder or Las Vegas being done entirely in flashback, but the focus on the character of Harold Lauder–whom, while important to the story, was at best a supporting character in the novel and the original mini-series–is an interesting choice. They’ve certainly spent more time with him than they have with any of the people who were the novel’s protagonists–Stu, Larry, Glen, Frannie–so the focus of the mini-series seems a bit off to me….but props to them for casting the delightful Alexander Skarsgard as Flagg; his beauty and charisma–so evident as Eric on True Blood–playing perfectly into the role of the dark leader of the other side. Over all, the series is well done and well cast (Whoopi Goldberg as Mother Abagail doesn’t quite work for me; in the book she was old and frail and Whoopi is many things but frail is not one of them; I’d have gone with Cicely Tyson or any of the other gifted Black actresses who are older now) and I am a bit more forgiving than most when it comes to adaptations, I think–especially since the key part of the word is adapt. (I saw some more Hardy Boys enthusiasts bitching about the Hulu series somewhere again yesterday; honestly–I really have to center a book and a mystery around a kids’ series’ overly enthusiastic fans) We still have the rest of the first season of Bridgerton to watch, and season two of Servant has dropped on Apple Plus–do NOT sleep on this creepy-as-fuck show; you will not regret it–and I am also anticipating the release of Apple Plus’ adaptation of Foundation, starring Jared Harris, and we’ve also got a second season of The Terror somewhere to watch, and the second season of Mr. Mercedes on Peacock as well…so we seem to be set for things to watch for a good while.
And on that note, tis back to the spice mines with me. Today is going to be mostly spent reading Laurie King this morning, and then the rest of the day spent with my manuscript as I try to work out the kinks and figure out what else needs to go into it. Have a happy holiday Monday, and do try to remember Dr. King’s message of equality, unity, and freedom for all.
And now it is Sunday in the Lost Apartment. I trust everyone had a most lovely and delightful Saturday? I did; I spent most of it cleaning and reading and watching figure skating and making groceries and running errands and doing all sorts of things that didn’t involve writing. I’m not entirely sure again why I am avoiding writing–yesterday methinks it was primarily due to the hangover of the final push to finish the short story, as well as trying to purge it out of my brain. Part of the joy of being a writer apparently is the absolute guarantee of self-doubt and second guessing everything once you’ve turned the story/manuscript in. I spent way too much time yesterday wondering “maybe I should have done this” and “maybe I should have done that” and on and on it goes–with the occasional second thoughts about the novel I turned in two weeks ago as well. Enormously lovely, you see.
But the figure skating was fun to watch, as always, and congratulations to our national champions (the men’s title will be decided today, with Nathan Chen most likely becoming the first US man to win five consecutive national titles in a row since Dick Button’s post-war dominance, winning seven in a row and two Olympic gold medals (a feat unparalleled until Japan’s Yuzuru Honyu won the last two Olympics). It’s also interesting to me how strong the United States has become in the ice dancing discipline this century, after decades of not being up to international snuff. The Saints also are playing today in the play-offs; playing Tampa Bay and Tom Brady for the third time and hoping to pull off the hat trick.
Today is going to be mostly spent reading and cleaning, methinks; I need to focus on my reread of the Kansas book manuscript and make some decisions about where it’s going to go, how to clean it up, what can be kept and what can be discarded. The manuscript currently sits somewhere around 75000 words, give or take; I need to add some more to it while taking other stuff out; strengthening some bits while underplaying others. I am also still greatly enjoying Laurie R. King’s The Beekeeper’s Apprentice, and am looking forward to spending some more time with Mary Russell…although I must confess that I am going to have to be very careful with reading more Sherlockian fiction, whether it’s actually Conan Doyle’s or pastiches, because revisiting the Sherlockian universe makes me want to write some more about my own Sherlockian universe. The period of time in New Orleans history where I have put my Holmes has already been written about by David Fulmer, in his series beginning with Jass, and I may have to revisit those novels–it’s been a long time since I read them, and I also remember enjoying them. Anyway, I am digressing, as always, from the original point: writing that Sherlock story has given me the bug to write about him some more, and as usual, I am thinking not only in terms of a short story but of a novel as well…with the full knowledge that actually Sherlockians will undoubtedly see my own feeble attempts as an abomination and heresy.
I’ve also been reading Gore Vidal’s Lincoln in dribs and drabs. I am enjoying it, but the lovely thing about Vidal’s writing is it isn’t like reading a thriller or a good mystery; you can put it down at any point and walk away from it, not missing it until you pick it up again. I am a fan of Vidal’s, even though he seems as though he would have been a horrible person to know–a snob both intellectually as well as in terms of class–but he also was fiercely intelligent and witty, and he looked at the United States with a jaundiced, unsentimental eye. I don’t think I’ve really read much about Lincoln as an adult–I of course read Doris Kearns Goodwin’s Team of Rivals back in the day, but don’t really remember much about it. Yesterday I also started reading through my copy of The Black Death by Phillip Ziegler–I have a vague idea for a murder mystery, most likely a short story, set during the plague years in Florence; I don’t think there is much modern fiction set during that time, so of course I am interested in it. I’ve spent a lot of time over the past year reading plague histories and fictions (yet somehow not rereading Stephen King’s The Stand) and I still would like to get back to my story “The Flagellants,” which I was having a lot of fun with last spring.
I’m also seeing conversations on-line about whether authors should include the pandemic in their fictions or not, which seems kind of counter-intuitive; did New York writers pretend 9/11 didn’t happen? Did New Orleans writers pretend Katrina was a near-miss? In both cases the answer is no. You may not want to write fiction set during the pandemic, but we cannot pretend the pandemic didn’t happen–particularly since it’s on-going. It’s hard to write about something–even harder to read about it–when you are still in the midst of it because you don’t know how it’s going to end. By the time I started writing Murder in the Rue Chartres it was already apparent New Orleans was going to come back from the flood, even if what the new city would look like was still being debated, was still uncertain, and up in the air. I’ve never written about Scotty’s experiences with Katrina, rather choosing to pick up his story several years later with the flood, the evacuation and everything else entailed in the destruction of 90% of the city in the rearview mirror. I get that readers might not want to read about and relive this past year plus; but I don’t see how you can write honestly about an America where it never happened. The last four years of this administration–including the sack of the Capitol–also cannot be entirely ignored either. So what to do? I suspect history isn’t going to be terribly kind to the insurrectionists nor the anti-maskers (deservedly so), particularly since they are the ones who politicized public health and safety because they believed the Mammon they’ve worshipped like a cult for so long; their own golden calf, as it were–despite all the warnings in their Bible. Ah, the dilemmas we modern writers face!
I do sometimes wonder if writers during the Civil War wondered if they should write about the war or not in their work.
And on that note, tis time for me to start mining spice here on Kessel, so it’s off into the mines with me. Have a lovely Sunday, Constant Reader!
Saturday morning and all is well in the Lost Apartment. I certainly hope this day finds you contented and well, Constant Reader! I slept deeply and well last night, after watching the LSU Gymnastics team defeat Arkansas, and then watching the ladies’ figure skating finals at US Nationals. It was a lovely evening–one can never go wrong with a double feature of gymnastics and figure sating, really–and as I said, afterwards I slept like a stone.
I also spend some time polishing and revising my short story for the MWA anthology Crime Hits Home, being edited by the enormously talented S. J. Rozan (if you’ve not read her novels, start. Right. Now. Her Winter and Night is one of my all-time favorites). As always, submitting to the open call for an MWA anthology is a long shot–there are levels of blind-reads to make it through–and I have as yet to make it into one of the fiction anthologies (I do have a piece about writing dialogue in the upcoming Mystery Writer’s Handbook, edited by Lee Child and Laurie R King, and I did have a recipe in the MWA Cookbook a while back) so keep your fingers crossed for me. Inevitably everything I’ve had rejected by an MWA anthology has sold elsewhere, so making myself write a story for the submission calls has always wound up working out for me in the end…I was, however, more than a little bummed when this call came out, because my story “The Carriage House” was perfect for this one….but I had already submitted it to Mystery Tribune (who did wind up buying and publishing it). I think the story is good–although I wish I had finished the drafting sooner, so I could have spent more time on the revisions and polishing. Ah, well–if they reject it I will try to sell it somewhere else.
Today I have to make groceries, get the mail, and go to the gym. I’ve blown off the gym pretty much ever since the weather turned cold last weekend–the stress and pressure of writing the story, as well as what was going on in the country over the last wee or so has precluded any writing or gym visits, which I should have never allowed. I was coming home from work every day and immediately turning on either CNN or MSNBC, being sucked right in and then spending the rest of the evening watching them report the same news, hour after hour after hour–which also needs to stop–and I need to get my focus back again. Not that I am not gravely concerned about the future of the country, of course–that I very much still am–but I need to focus on what I need to get done while paying some attention to the current crisis.
I also need to do some cleaning around here as well…cleaning and filing never seems to have an endpoint, ever–and I also need to get back to my reread of the manuscript. I should have started revising it last week…but a thorough reread/copy edit/line edit of the manuscript in its most recent iteration is probably really the smart thing to do; it was what worked so well with Bury Me in Shadows, and definitely need to stick to the things that actually work for me.
While I was making condom packs yesterday I managed to watch three films: Farewell My Lovely with Robert Mitchum as Philip Marlowe; The Fog with Jamie Lee Curtis and Adrienne Barbeau; and last but not least, a revisit of Creepshow 2, with assorted stars, including George Kennedy and Dorothy Lamour. The first definitely fits into the Cynical 70’s Film Festival–you don’t get more cynical than the film version of a Chandler novel–and the other two are holdovers from the Halloween Horror Film Festival, with the last also fitting into the Stephen King Film Adaptation Festival. Of the three, I had only see the third before; I actually saw it at the drive-in, and then again on what used to be the pay-cable movie channels, whether it was HBO or Cinemax or Showtime I cannot recall. Farewell My Lovely is flawed, but a very good film–very solid noir; I kept thinking it should have been filmed in black and white–and Mitchum projects the world weariness of an older Marlowe quite perfectly….I’d love to see someone like Oscar Isaac or Bill Skarsgard or Adam Driver take on the role. The entire movie was stolen, however, by Sylvia Miles in a terrific supporting performance that earned her an Oscar nomination; and Charlotte Rampling is also perfect as the femme fatale. (A very young Sylvester Stallone also has a small role as a gangster.) I did enjoy it, and I think it was released in the wake of Chinatown, when Hollywood discovered noir would still sell tickets.
The Fog was also a perfectly adequate horror film, directed by John Carpenter, about a hundred-year old curse coming to wreak vengeance and havoc on the coastal California town of Antonio Bay. Jamie Lee Curtis is in the cast–in the midst of her fame as a Scream Queen–but she isn’t the star of the film (if it could be said to have one); if anything, it’s a supporting role at best. The bigger female role belongs to Adrienne Barbeau, playing dee-jay and radio station owner Stevie, who is the first to realize what is actually going on–without knowing the history, she just knows the fog is dangerous and bad. I’d also forgotten Janet Leigh was in the movie as Mrs. Williams, local get-it-done lady who is in charge of the hundred year anniversary of the town. It has all the requisite John Carpenter directorial touches–jump scares, a weird and creepy electronic soundtrack, the growing sense of doom with every scene–and I would recommend it, even if it is dated. It was remade this century–I may watch the remake at some point for a comparison/contrast.
Creepshow2 was obviously the sequel to the original; written by Stephen King and based on his short stories (some of these may be actually original, as I don’t recall reading the stories for the first and third part of this anthology film), and both films served as an homage to the horror comics King grew up reading and loving and inevitably influenced his writing. The second film didn’t do as well as the first, but the underlying theme of all the stories is paranormal vengeance for bad behavior. The first features an old cigar store wooden Indian (I don’t think if anyone brought up that subject that anyone born after 1970 would even know what one was) that comes to life to wreak vengeance for the brutal murders of the elderly couple who own the store he stands in front of; and the third features an adulterous wealthy wife rushing home from a rendezvous with a paid escort ($25 per orgasm!) who gets distracted by dropping a cigarette in the car and runs over a hitch-hiker, whom she leaves on the side of the road but he just keeps popping up as she debates whether she can live with what she did as she continues on her drive home, trying to kill the hitch hiker as he inevitably pops back up on the road saying thanks for the ride lady–which became a running gag between me and my friends at the time. (The woman is played by Lois Chiles, who came to the TWfest one year and was an absolute delight.) Both are good and macabre; fitting right into the karmic justice theme that ran through almost all horror comics back in the day. The middle story–“The Raft”–is also one of my favorite Stephen King stories; about four college students who go for a late-in-the-season swim because it sounds like a good idea, helped along by weed and beer, and it goes horribly wrong for them. The story is different from the filmed version–it’s told from the perspective of the less-than-perfect male roommate who always lives in the shadow of his roommate who is muscular and handsome and charismatic, who loves his friend but also resents him a little because he always sucks up all the air in the room. In the film the two girls who go with them are just other girls; in the story there’s a different dynamic, in which the stud’s girlfriend senses the other girl, ostensibly the lesser roommate’s date, is making a play for the stud before the dying starts. The main character in the story, though, is a decent guy which winds up ending badly for him; in the movie, he’s more of a dick, because he realizes when the final girl is taken by whatever the thing is in the water preying on them, that he could have used that time to swim for it…but doesn’t realize it until it’s too late. In the movie, he deliberately feeds her to the creature so he can escape…and that decision is what dooms him, and you don’t really feel sorry for him the way you do in the story. The highlight of this segment is Paul Satterfield’s youthful physical beauty in a bright yellow bikini (and while I enjoyed viewing the splendor of his body in a bikini, I also kind of doubted he would have worn one; back in the 80’s the only men who wore bikinis were gay, body builders, Europeans, or guys who’d been competitive swimmers so they were used to them); and the movie is okay. I do wish anthology films would make a comeback–since they inevitably based their “episodes” on short stories (Robert Bloch and Richard Matheson had a lot of their short stories adapted for anthology films as well as for anthology television series), it would be great to see some modern horror short stories filmed.
And on that note, tis time for one Gregalicious to head back into the spice mines. I want to spend some time this morning with Laurie R. King’s The Beekeeper’s Apprentice, which I am loving, before it’s time to hit the errands and the gym. I am also sure there will be figure skating to watch this weekend as well, huzzah! Have a lovely Saturday of a holiday weekend, Constant Reader, and I’ll see you tomorrow.