Heartaches by the Number

Sunday fun-day, and I am up much earlier than I was yesterday. It wasn’t a bad day, but I clearly needed to sleep in. I slept later than expected this morning, too, but here I am, up at just past eight and feeling pretty good. I really didn’t do much of anything yesterday. I did leave the house and get the mail (I got two shirts I’d ordered from Macy’s) and then swung iby the grocery store to get treats for Sparky and for us (they had the Snicker brownie cookies again, which are fucking amazing), and then I came home. I curled up in my chair with Scott Carson’s Where They Wait, which I am enjoying the hell out of, before Paul got up and we finished the first half of Bridgerton, watched The Iron Claw, and then after we watched the gymnastics meet last night, won by Simone Biles (of course), moved on to Hollywood Con Queen, which in interesting, if odd. I plan on spending some more time with the book today, hopefully finishing reading it this morning before getting some writing done today. I’d like to get this second draft of “When I Die” out of my hair, and I also need to reread and possibly revise “The Last To See Him Alive” before I submit it to an anthology. I have been very lackadaisical about my writing now for almost a year, and I need to start taking it seriously again. I think that’s been part of my feeling off for so long–I am not writing much, either and that always has an affect on my over-all well-being.

I also think the overwhelming pile of things I am working on has a lot to do with my feeling at sea and uninspired, to be honest. I do love to write, but as always, I have to make myself do something I love. I also am much easier to distract these days, too–which I do not like–but when I am home working it’s Sparky who distracts me (he’s adorable and sweet, so it’s hard not to give him attention when he wants some), or Paul getting up and wanting to watch something–I will always drop everything to hang out with him, whether I can afford the loss of time or no, sorry/not sorry–but I do need to get some focus. Maybe I should listen to music on my headphones? Music always works, usually; but who knows if the old tricks will continue to work now?

I also need to get caught up on blog entries, too. I still have to finish my posts about Dead Boy Detectives and Mary and George, I’ll have to do one when I finish reading this book, and of course there are any number of others that are dangling in my drafts folder. I also came up with a really good title for another story yesterday, sigh, which I scribbled down in my journal. My creativity is still there, of course, but it needs to be harnessed again so I can take it out for a ride. I also spent alot of time yesterday thinking about something I definitely want to blog about, which was triggered by Marjorie Taylor Greene, the cro magnon congresswoman from Georgia being the white trash piece of shit she was by attacking Jasmine Crockett’s appearance the other day–don’t come for Jasmine unless she calls you, bleached blonde bad built butch body bitch–and the whole “going high” thing. Much as I love Michelle Obama, I have been saying since the of Rush and Fox News that going high doesn’t work when they are going low; they see going high as being weak and they go lower. The only way to defeat them and shut them up is to give their own back to them with a vengeance–I bet the inbred trash will think twice about coming for someone’s looks again. And as someone who has had people going low at him for most of his life, I will not go high. You open that door and I will fucking shred you–and I also will not be shamed by “allies” (always straight white cisgender women, for the record) for giving it back to them. We are literally in a war for the soul and future of this country; going high with these kind of stakes on the line simply does not work, and I am tired of the right saying racist, homophobic, and misogynist bullshit while being told to “go high.” Sorry, Michelle, I love you–and I love you even more for your class and dignity, but I would love to listen to you read Melania for the racist gold-digging filth she is sometime.

The sad truth is you never win while seated on your high horse, and we as a nation simply cannot afford to lose. And they cannot stand on ANY moral high ground while pedophiles like Matt Gaetz and inbreds like Marjorie Greene are serving in the People’s House, period–as well as any traitors, and there are a LOT of those on the Republican side of the aisle right now.

(I’m also enjoying watching all the trash who hated the Chiefs because of Travis and Taylor now worshipping them because of Hairy Butt. Pick a fucking lane.)

And on that note, I am having some breakfast and then reading for a while. Have a lovely Sunday, Constant Reader, and I will probably show up again a little later.

Snakedriver

Ah, Alabama.

Despite everything that is wrong with Alabama culturally, societally, spiritually, and politically, I’m not ashamed of being from there (and never will be). I do shake my head with every new law passage or court ruling there that flies in the face of decency and the Constitution, because it is sad that the majority of people there are not only so lost spiritually and intellectually, but also defiantly cling to their backwardness. My part of the state, where my people are from, used to be very remote and rural; many native Alabamians, when I tell them where I’m from, are often confused, having never heard of it before. It isn’t on any interstate, rooming options are limited, and you really have to drive for about an hour from the nearest interstate to get there. It’s not quite as remote as it used to be; many of the roads that were dirt and/or gravel when I was a kid are paved now…but there are still plenty of unpaved roads up there in the hills and along the countryside. It’s very different there now, too–the country stores are all gone, and there’s definitely a lot more McMansions than there ever was when I was a kid. (Dad and I often marvel at the palatial homes we come across driving around the county, as Dad shows me places from his childhood and when he and Mom were first married.)

And it’s not cheap to buy property there, either, which was also a bit of a surprise.

Dark Tide was my first attempt to deal with my history and where I am from, but was cowardly in the end and wound up editing most of the backstory of my main character out. It didn’t really fit and made the book something different from what I was trying to do with the book, but as I edited it all out I also felt that I was being a bit cowardly. I knew I was going to have to deal with the troubled history (and present) of the county and state, so I wrote Bury Me in Shadows to not only try to get a better understanding of the area, but to deal with that troubled past. It wasn’t easy–I often found myself cutting things to a bare minimum in a stupid attempt to not give offense, and there were many times while writing it when I’d wince or skip a scene because I wasn’t sure how to word it properly without being preachy. I wanted to show through the story how refusing to face the past with a realistic and jaundiced eye can cause generational trauma and how that, in turn, perpetuates societal racism and homophobia in an endless cycle that strangles growth.

But writing that book also took me down a research wormhole that I’ve never really climbed back out of, and being there last weekend also reawakened some memories as well as creativity and potential future stories. (Dad and I found a really sad set of graves in the same cemetery as my maternal grandparents and uncle; parents and two small children –one was only four months–who’d died on the same day. We speculated as to how that happened, tornado or car accident or house fire, but a distant relative my father also knew explained that the father killed them all and then himself…which naturally started churning things in my brain again.)

I also discovered, during the pandemic, a horrifying documentary called Alabama Snake, which focused on the snake handling churches of northeast Alabama and a minister who tried to kill his wife with snakes…and then discovered there was also a book about the culture from a reporter who’d covered the trial, and continued investigating and looking into the snake handling churches.

I finally read it last week.

The first time I went to a snake-handling service, nobody even took a snake out. This was in Scottsboro, Alabama, in March of 1992, at The Church of Jesus with Signs Following. I’d come to the church at the invitation of one of the members I’d met while covering the trial of their preacher, Rev. Glenn Summerford, who had been convicted and sentenced to ninety-nine years in prison for attempting to murder his wife with rattlesnakes.

The church was on a narrow blacktop called Woods Cove Road, not far from the Jackson County Hospital. I remember it was a cool evening. The sky was the color of apricots, and the moon had just risen, a thin, silver crescent. There weren’t any stars out yet.

After I crossed a set of railroad tracks past the hospital, I could see the lights of the church in the distance, but as I drew nearer I started to wonder if this was really a church at all. It was, in fact, a converted gas station and country store, with a fiberboard facade and a miniature steeple. The hand-painted sign spelled the preacher’s first name in three different ways: Glenn, Glen, and Glyn. A half dozen cars were parked out front, and even with the windows of my own car rolled up, I could feel the beat of the music.

It’s very difficult to think about Alabama without religion being involved in some way. Alabama is a very religious state, with churches everywhere–one of the things I always comment on whenever I am up there driving around with Dad is “there sure are a LOT of Churches of Christ up here”–you really can’t go anywhere without driving past at least two. Both of my grandmothers were devout (paternal family was Church of Christ; maternal Southern Baptist, although both my mom and uncle married into CoC and joined), but only the CoC was a fanatic with a Bible verse for everything and the uniquely American/Christian methodology of interpreting everything to justify her own behavior and conduct–which wasn’t actually very Christian (memorization doesn’t mean comprehension). I can remember driving around down there once with my grandmother–either in Alabama or the panhandle of Florida, where she wound up after retiring–and driving past a church (I won’t name it because she was wrong) and I said something and she sniffed in disgust. “They speak in tongues and take up serpents,” she replied. “Which is apostasy.”

Apostasy. What a marvelous word, and one that has always snaked its way through my brain, and comes up often whenever I talk about religion. But I digress; I will someday finish the essay in which I talk about my relationship with Jesus and my rejection of dogma.

I also liked the phrase “taking up serpents,” and always wondered why she said that instead of snake-handling.

I had originally thought, when I bought this book, that it was about the attempted murder by rattlesnake and subsequent trial, like the documentary I mentioned; rather it’s an exploration of this sect of Christianity by a curious reporter, and how being exposed to this style of worship made him rethink his own past, his relationship with his own faith, and about Alabama people in general. One of the reasons I enjoyed the book so damned much–even as I was repelled by its subject matter (snakes are the source of some of my worst nightmares; even harmless little garden snakes turn my stomach and engage my flight mechanism)–was because Covington has a very easy, natural and authentic authorial voice, and he really can put you into his mind as he witnesses and experiences this uniquely American brand of Christianity. It was also interesting as he got caught up in the entire experience, as he talked to the members of the various sects (there’s no national structure to the snake-handling churches, as there is with say the Southern Baptists or the Methodists), and watched them actually take up their serpents in the name of the Lord.

There’s also interesting information in the book about how these sects were created–or how they were descended from, surprisingly enough, the Methodists and how that evolved into these Appalachian sects, as well as where the people of the Appalachian regions came from, and that entire Southern mentality of fighting for their traditions and their “way of life” (it was also interesting that it’s a white phenomenon, at least as best I could tell in the book); of how they secluded themselves up in their mountains and hollows and were self-sufficient…but modern technology has forced them into a world that has left them behind.

I’ve always wanted to write about snake handlers…but as I mentioned before, snakes are the stuff of my worst nightmares, so yeah going to witness in person their rites is a big “no” from me, but I feel like I can maybe do that now, or at least make an attempt. I don’t know how much more research I’d need to do to fictionalize snake handlers, but some day it will happen.

Goodbye Baby

Ah, Sunday. I slept in this morning–almost all the way to ten o’clock, it’s like I don’t even know me anymore–but it felt good and I am awake and enjoying my first cup of coffee this fine morn. I did some errands and chores yesterday, which was great, and watched a lot of nothing on the television while I was playing around doing research on-line. I did finish reading Carol Goodman’s marvelous The Bones of the Story (more on that at another time), and spent some more time with the Scott Carson I started reading in Kentucky. There’s still a lot that needs doing around here, but it’ll get done and I still am a little worn out from the drive home, so maybe today’s not the day to try to be super-productive. I also spent yesterday trying to catch up on the state of affairs in the country and world (glad to see people still dragging the puppy slaughterer), which was depressing but necessary. I am way behind on my emails, which is something I will have to address (tomorrow). Heavy sigh. But one can’t hide in their unreality longer than one can and still be functional, can one?

Ah, well.

I also got a signed copy of the new Lori Roy novel, Lake County, in the mail yesterday, which was marvelous. She’s one of my favorite writers, and has been ever since I met her on a panel at Bouchercon a million years ago and then read her Edgar Award winning debut, Bent Road, which was incredible, and I’ve been loving her (and her work) ever since. Once I finish the two novels I am reading, I am digging into the new Roy. Huzzah! I have so many good books on hand to read–I still have the latest Angie Kim, among many others, in that stack on the end table in reach of my chair–that it’s hard to decide what to read next, and then books like the Angie Kim (and the Celeste Ng, and the Angela Crook, and the Jess Lourey, and on and on and on it goes) end up not getting read in an expeditious manner. I have certainly been enjoying all the reading I’ve been doing lately, and need to stay on top of it as much as possible.

The more I look into the suspicious death of Noah Presgrove, the more intriguing the story becomes. It is, as Carol’s latest title proclaims, ‘the bones of the story’; obviously I am interested in what happened the last night the young man was alive and how he actually died, but the basis of the story, it’s fundamentals (small rural town; corrupt local justice system; three day long weekend party serving minors illegally; and of course the battered naked body in the fetal position on the side of the road) make for a fascinating and interesting foundation for a fiction novel, exploring the bitterness and old hurts and feuds and nastiness in a poor, small rural town in Oklahoma (which I will probably change to Kansas, naturally), and peeling back the layers of deceit and resentments and lies and relationships is kind of appealing to me.

It’s also Mother’s Day today, my second without one, and I am not actively avoiding it today, either, the way I did last year. Last year it was still too new and too fresh for me to even be on-line much on that day, but this year is easier. Seeing Dad around Mother’s Day (since it’s always the weekend after Decoration Day, or The First Sunday in May) also made it easier. We talked about her a lot, and Dad told me a lot about their teens and the early years of their marriage, when they were very poor (I didn’t realize how poor we actually were when I was a child and a teen until many years later; living in Kansas kind of twisted that as we were considered well-off there), which made me smile a lot. Obviously, I will always miss my mom, but it’s not as painful to think about her as it used to be. That’s progress, and now I can remember her without recriminations about being a bad son or taking advantage of her kindness or disappointing her. I think that’s normal when you lose a parent or a loved one; you regret time not spent together and think about all the times you were a shitty person. But…I was also horribly spoiled by my parents, and they never stopped trying to spoil me even after I was an adult, because to them I was always their baby and since I didn’t have kids…well, they never stopped seeing me that way. Then again, it may just be a parent/youngest child thing.

And on that note, I am heading into the spice mines. I’ll be back later–I have soooo many entries to catch up on; the books I’ve read alone need to be discussed–but I am also not putting any pressure on myself about getting things done today as I am still in recovery mode from the trip. So have a great Mother’s Day, everyone; hug your mom for me and if yours is also gone like mine, I am giving you a big virtual hug.

Since I Don’t Have You

Thursday morning last day in the office until Monday the 12th! GASP. But yes, I am meeting my dad in Alabama this weekend and then Monday the 5th we’re driving back up to Kentucky, from whence I shall drive back to New Orleans on Friday. I was very glad that I figured out that the trip hanging over my head was why I was a bit off this week, which was a very good thing to realize…I was getting worried about why I was off, you know? And at my age, sometimes (usually) it’s something. Sigh.

I went further down the Noah Presgrove mysterious death Internet wormhole, and the story just continues to gnaw at me. I also found a “Justice for Noah” Facebook group that is mostly people from the small town he was from (Comanche, Oklahoma) and the surrounding counties…and what a fucking gold mine that was, seriously. The town is only about 1300 people or so, and it’s a very rural area similar to the one where I grew up in Kansas. It was eye-opening, and a reminder of just how nasty small town/rural areas can be. The page is full of locals snapping and sniping at one another, accusing people of knowing more than they know, and when someone being called out responds to being called out, well, people go apeshit on them. One girl who was there telling people they had things wrong got buried with comments like “you were drunk so we can’t trust your memory” or “you’re in on the cover-up” and it’s wild how all these old hurts and resentments can come to the fore when something like this happens. I had been thinking about writing another book set in small-town Kansas (beyond the ones I’ve already talked about on here) called All Their Guilty Stains, but this story might be better than the one I dreamed up for that title.

That’s the “real America” for you, people. (Peyton Place and Stephen King’s Needful Things are excellent books about how stifling rural small towns can be, and they get the pettiness down perfectly. One of the reasons I love King so much is his ease at creating a realistic town with real people who basically harbor grudges and resentments until everything starts boiling over.)

But I definitely went down the wormhole with Noah’s murder/suspicious death last night; looking up podcasts and videos. And yes, I am well aware that I may not have even been interested in the story had the video that started the whole thing–a Banfield News report–not had a thumbnail of his senior picture and my first thought was that’s a very good-looking young man–he was possibly murdered? And then I went down the wormhole.

And of course, everything on the Facebook page I mentioned? You expect the family to of course talk about how marvelous and wonderful and kind he was, and that’s a lot of the posts on that page, too–basically, he’s been deified, and that American “don’t speak ill of the dead” custom often covers up all kinds of shit, and much as they like to believe they know everything about their kids, most parents don’t and are very surprised–as well as being in denial–about the deceased. I mean, no one is loved by everyone. And a good-looking star athlete in a small Oklahoma town? You can just bet there were kids with grudges and resentments built up over the years.

I felt good yesterday when I got up, as I do this morning, and I got a lot done at the office…but I started feeling tired and sleepy in the late afternoon. I had to also run errands on the way home (Sparky needs his treats!) and picked up my copy of The Dusk, a graphic novel co-written by my friends Elizabeth Little and the wonderful Alex Segura. I also had a royalty check waiting for me (huzzah!) and, of all things, a fan letter forwarded to me from Crooked Lane. I wasn’t really quite sure what to expect–the last time someone wrote me a letter it wasn’t exactly a fan letter, and I’d actually forgotten how nice that feels. I just glanced over it because I wanted to read it sometime when I could savor the ego-boast; which is something I’ve been needing, writing wise, for a long time. And you know what else it did? It kicked my fucking mind into gear. I’ve been struggling with this book I’m writing for a long time now, and it’s certainly taking me longer to write a draft than it usually does. Part of the problem was I couldn’t figure out the over-all point of the book, which I realized last night; there’s always got to be an underlying point to the story that I am trying to illustrate through the main character. It’s a satire of state-sponsored homophobia, and I of course created a homophobic group leading the armies against drag queens, transwomen, and queers. But that wasn’t personal, and that was why I wasn’t having as much fun writing it and why I was having so much trouble with this book. Last night, as I sat in my chair, digesting a gushing fan letter and Noah Presgrove’s murder/suspicious death, I started thinking about this some more and then it hit me: I need to know Jem’s personal story/growth through this book and it punched me right between the eyes–so much so that I scribbled it all down in my journal and hopefully, I can get back to work on this sooner rather than later.

And on that note, I am heading into the spice mines for today. Have a great Thursday and I may be back later.

A Lover’s Question

Monday and back to work in the office day. I slept like the dead last night, which felt rather nice, so I am feeling pretty rested and good this morning. My coffee is good, Sparky’s been fed, and I am going to get cleaned up and head in to the office relatively soon. This Monday feels much better than last Monday did, to be sure. Yay!

Yesterday was nice and relaxed for Paul’s birthday. We watched a couple of things, and then started watching Dead Boy Detectives on Netflix, which we are really enjoying. You can’t go wrong with a property from Neil Gaiman; I could be wrong, but I think they originally appeared in the original run of The Sandman comic. I am really looking forward to the return of that show, too; watching convinced me to reread some of the anthology collections of the original run of the comic book, which was a lot of fun and reminded me of how much I used to love comic books. I’m hardly an expert on comic books and the super-hero lore from either DC or Marvel; I started reading comics when I was very little with Richie Rich and Little Lotta and Sugar and Spice before moving onto the Archie books, which eventually led to Superman and the rest. But The Sandman, reading the Gaiman run on that comic let me see, for the first time, that comics–and their stories–could be art.

We spent the afternoon watching the second season of CNN’s The History of Comedy, which was interesting. It’s really funny to remember all the censorship stupidity of television when I was a child–when you couldn’t even say damn on television, let alone other curse words1. Sexual content or references? Not so much. Even as a kid I thought it was weird. My dad swore, my mother rarely (when she did it was serious) but I always have. I added swearing to my vocabulary repertoire in junior high, even though I really didn’t know what I was saying…years later I would realize a lot of so-called bad language was really dumb and not at all what the words meant. (Is “bastard” really a modern day insult? It really means the child of unmarried parents, no more no less; this used to be a horrible insult but really? It’s not the bastard’s fault they are a bastard, and there are a hell of a lot more of them around now than when I was a kid. As an insult, it’s archaic since there’s no shame or embarrassment around being one today, so kind of pointless.)

I didn’t get much done this weekend, between recovering from being exhausted from last week and Paul’s birthday yesterday (which was kind of nice). Being a bad boyfriend, I didn’t get him anything other than a pizza for dinner, but he truly doesn’t care (nor do I). I mean, we’ve been together for thirty years next summer (!!!), which seems astonishing to me. Thirty years. I would have never believed in a million years had someone told me in my early thirties that I would find the perfect person for me. And yet, here we are. Kind of pleasant surprise how my life turned out in the end, wasn’t it?

The Kristi Noem “dog killer” memes continue to flood social media and she, like so many others of her ilk, refuses to admit doing anything wrong. Sorry, Governor, you’re never going to get everyone in the country to agree that “living on a farm means tough decisions”-2-I recognize the attitude about animals, my parents and their siblings pretty much all had the same mentality but never had pets. She’s another one of those pretty Republican women with the dead eyes–nothing behind them at all–like the Republican women who came before her. Remember Michelle Bachman? Empty, dead eyes–although Bachmann’s also had that crazy look to them, too. At any rate, Noem may survive politically in South Dakota, but she’s done nationally. She might wind up as a senator from there, God help us all, but any further national ambitions are pretty much dead…no one is ever going to forget she shot a puppy in the face because she hated it.

I also read a bit more of Michael Thomas Ford’s Suicide Notes, but not much. My mind was too scattered to settle down to focus on reading, so I gave up. Not an indictment of the book, mind, but more a critique of my fevered brain.

And on that note, I am going to head into the spice mines. Have a lovely day, Constant Reader, and I may be back later.

  1. Curse words, and swearing, are a subject for another time but an interesting one. ↩︎
  2. Especially since farm people are weighing in against her. ↩︎

When Will I Be Loved

I have always been a huge fan of Linda Ronstadt’s. That voice.

My God, that voice.

So, a couple of weekends ago I was looking for documentaries to put on while Paul went in and out of sleep on the couch, I was stunned to realize I’d never seen the documentary Linda Ronstadt: The Sound of My Voice, as a life-long fan–I’d always intended to, but had just never gotten around to it, plus the loss of her voice to Parkinson’s was an enormous tragedy I didn’t want to revisit (just as Julie Andrews losing her instrument was also a tragedy). But Ronstadt is indelibly a part of my adolescence in the 1970s. The first time I became aware of her was “You’re No Good,” which blew my socks off. I couldn’t get over the nasty blues guitar and that voice! So effortless, so powerful, so beautiful. This was also around the time I started appreciating vocal talents, and women in particular who could sing beautifully. Women were also slowly starting to make their presence felt in a field (rock) that was traditionally male dominated, and Ronstadt was a leader in that way; filling stadiums and arenas all over the country.

Ronstadt’s voice was incredible. Over the course of her lengthy career she basically proved she could sing anything; from country to pop to rock to Spanish language traditional Mexican music to operettas to big band music. She didn’t write her own music but was what was considered a “stylist”; she would take someone else’s song, and sing it her way, which was almost always better than the original. Not many people can cover Smokey Robinson, the Rolling Stones, Elvis Costello, and the Eagles (she also was inadvertently responsible for the formation of the Eagles). She was a huge star, and once she was filling stadiums and filthy rich, she wanted to try other things as a singer despite everyone thinking it would be a career-ending disaster only to continue racking up awards, critical raves, and big big sales. Her album with Aaron Neville, Howl Like a Rainstorm Cry Like the Wind is one of my favorites of all time; the way those two beautiful voices harmonize and wrap around each other is exceptional.

She was also the original woman rock star who never married, either–she chose career and music over marriage and children (Stevie Nicks did, too). The film, which traces her career and features clips of her singing live or recording in the studio makes you realize just how potent and powerful her instrument was. SHe never listened to her own recordings because she was hyper-critical of herself; when she said “when I listen to my own singing I just hear the things I could have done better”–which is also what I used to say about rereading my own work. I still tend to see the things I could have done better when I reread my own work but it doesn’t shame me the way it used to. I eventually had to realize that if I am indeed continuing to grow as a writer, obviously my old work would be written differently today because I am a different writer.

But I do strongly recommend this documentary if you haven’t seen it. If you’re a fan, it’s amazing; if you’re not, you’ll probably become one after watching–her catalogue is truly astonishing.

I used to have this poster of her hanging in my bedroom when I was in high school.

Drop Me Off In New Orleans

Ah, some more blatant self-promotion! I’ve done some on-line panels so far this year, which has been terrific. Here are the questions from one I did, turned into an interview so I can promote myself! I believe these questions were for a queer crime panel, and the credit for the questions goes to the one and only J. M. (Jean) Redmann; you can order her books here.

Why did you choose your characters and their professions? What drew you to them?

Hmmm. This is tough, because I have so many books and so many different main characters…I think I’ll stick to my two primary series to answer the question. I wanted to write about a gay private detective in New Orleans, and I wanted him to be a big man, a former college football player who may have been able to be a journeyman NFL player had he not been injured in his final college game. I wanted him to be uncomfortable in his gay skin, and the point of his journey throughout the series was to grow and learn until he was finally comfortable in that skin, and able to be loved and give it.

Scotty, on the other hand, was created as a stand-alone character and I wanted him to basically be the antithesis of Chanse; in which he had few if not hang-ups, was completely comfortable being a sexually active gay man with a snarky sense of humor covering an incredibly big and kind heart. He didn’t really need to grow much–he usually is the catalyst for other characters’ growth–but as he’s aged, I’ve really enjoyed his journey.

What attracted you to writing mysteries?

I always liked them. As long as I can remember, my two biggest reading passions were history and mystery, with horror/Gothics close behind. I would check anything out of the library with mystery, haunted, ghost, phantom, secret, or clue in the title. Then I discovered the series books–The Three Investigators, Trixie Belden, et al–and after that there was no turning back.

What does being queer/gay/lesbian bring to your story?

I think queer people have the outsider point of view down to an art form because that’s how we see the world–from the margins. The easiest way to critique society, the culture, and how people interact with each other is from a remove–and queer people see all of those things from a remove through no fault of their own. I didn’t have role models when I was growing up, at least to teach me how to be a decent adult gay human being, so I had to learn it all on my own for the most part. I’ve also been confused and mystified by American culture, philosophy, and society, because it wasn’t designed for people like me. When I came out, I was just at sea in the queer world as I always had been in the straight one, and I’ve never forgotten those experiences, either, and they also inform my work.

How do we deal with how the wider world deals with queer characters? Especially in these times?

It can be depressing, which is emotionally and psychologically dangerous. It’s bad enough experiencing homophobia, but then to immerse yourself in it in order to write about it? Even more horrific. Watching Pray Away this weekend made me furious with the ex-gay movement all over again; listening to queer people hating themselves and their desires in order to be at peace with God in some twisted way? But if God is infallible…this is the doctrine Christianity gets hung up on. They think we’re mistakes, but if their God is infallible, He had to have made us perfect and its willful sin or the devil whispering in our ears. This is their incredibly harmful and dangerous rhetoric. If God tests humans, perhaps he made queer people to test the faithful–and they are failing.

But they can never admit to that.

How do you deal with diversity? No author can be everything their characters need to be, how do you handle reflecting the wider world?

I write mostly about New Orleans, and beyond that, mostly the south with occasional forays into other areas of the country–upstate New York, Kansas, California–and you cannot write about a city like New Orleans realistically without having Black characters, period. New Orleans is a majority Black city. You also can’t write about the South without touching on the issues of race and a problematic history. I’ve always included diverse characters in my books. I don’t like to describe skin color, frankly, and most white writers do it in the form of food, which I find unsettling–do you want to eat them? Cinnamon skin, cocoa, cafe au lait, eggplant, dark chocolate, etc.–I’ve seen all of those used to describe skin color and it always makes me recoil because it’s so damned lazy. I don’t think I would ever write from the perspective of a Black character–there are plenty of Black authors who can do that more authentically, and given how most diversity pledges by major publishers also inevitably end up in quotas, I don’t want to take a spot from a Black creator. I do love reading work by racialized authors, but I would never try to write from that perspective.

How do you use setting? What does it bring to the story?

Setting is one of my strengths, I think, so I always use it to enhance my story. I am also very lucky in that I live in New Orleans, where anything can happen on any given day and you can never go too far over the top about anything–if anything, you have to tone things down to be believable. I think setting is important because it tells you so much about the characters–why do they live there, how has it shaped them, did they live somewhere else, how do they deal with the challenges, what annoys them, what do they love–and is an important foundation for your story.

How do your books start—not the book beginning, but the start of the process of writing the book. Where do the ideas come from and how does that coalesce into a book?

It usually is something I find interesting and I think I should write about that. Sometimes the ideas take years to coalesce and come together, sometimes they are immediate. The Scotty books inevitably begin with three disparate things I want to address in one book, and then I have to figure out how to combine them all into a story. The next Scotty’s prompts are evacuation, statute of limitations, and obsession. It’s coming together in my head enough that I think I’ll be able to write it this fall.

Once you’re writing, what’s your process? Outline? Write from start to finish?

I used to outline, but now I kind of have it in my head and then will only go back and outline when I am stuck, so I can see where I went wrong in the manuscript. I always write from beginning to end. I don’t know how people can write backwards! I’ve thought about trying it sometime, though.

What are the hard parts of writing for you? The parts you enjoy?

Definitely the middle. The middle is soul-destroying, and always triggers Imposter Syndrome. I also hate copy edits, but recognize them as a necessary evil.

I love the actual writing and revising and all of that. There’s nothing like putting down a good word count for the day, regardless of how bad those words might be. I think revising is magic: you take garbage and turn it into something terrific.

Which writers influenced you?

All of them, in one way or another. I especially love Shirley Jackson, Patricia Highsmith, Daphne du Maurier, and John D. MacDonald. Currently? Alison Gaylin, Megan Abbott, Laura Lippman, Michael Koryta, Alex Segura, Michael Thomas Ford, S. A. Cosby, Kellye Garrett, and Alafair Burke–there really are so many. I always take something away from everything I read, whether good or bad.

What are you working on now?

Right now I am writing a sequel to Death Drop, in the Killer Queen series. I also have a ton of short stories and novellas in progress, and I already have ideas for the next three or four (or more) books.

Any advice for newer writers?

Keep writing and keep believing in yourself, and keep reading.

Last words of wisdom?

If you want to be a writer, read Benjamin Dreyer’s Dreyer’s English and Stephen King’s On Writing.

Gotta Travel On

The Ides of April and Tax Day, huzzah. I’ve filed for an extension for mine because I just couldn’t deal with it before, which is kind of childish and more than a little immature; the key word here is avoidance. But I plan to get it all finished this week, God willing and the creek don’t rise. I am going into the office a little later than I usually do, because I have to swing by the Cat Practice to get Sparky’s food on the way to the office. It’s an Admin Day, so not a big deal for me to not be there as early as usual.

I feel rested and good this morning, which is a very pleasant change and surprise. I did go to bed a little early last night, but I spent most of the day writing in my journal, watching documentaries, and later on in the evening we watched more episodes of The Gentlemen. I also finally looked up the name of the star, Theo James, because it was bothering me that I recognized him and couldn’t place him. I am liking it a lot more than I would have thought, frankly; not being a big fan of producer/showrunner Guy Ritchie, but it’s actually quite fun. I also went down some rabbit holes of research yesterday, which is always a lot of fun for me. I also started reading Paul Tremblay’s The Pallbearer’s Club, which I had a little trouble getting into at first, but I remembered having this issue with A Head Full of Ghosts, too–like the latter, he’s playing with form and style and point of view in the former, which is a bit hard to get used to it, so it’s slow going (for me) at first, but as always, there’s such depth and compassion in his writing it’s easy to see why his career has taken off. I’ll try to read some more of it when I get home from work tonight, after I do the day’s writing. I am definitely planning on writing every day now, even if it’s just a little something. I made lots of notes yesterday in my journal, too, which was very cool.

I decided yesterday, when watching a lengthy documentary of LSU football highlights (I was doing this around chores, listening to the documentary while Sparky and Paul slept on the couch) that one of the problems I’ve been facing with writing lately, something I’ve talked about on here a lot, is how I’ve not really been able to focus all of my creative energies on anything that I am writing, but have any number of things in-progress that my mind keeps attention-deficiting between, skittering around between projects and ideas without really landing effectively on anything for long enough to get very far. Yesterday I decided, as I grabbed the journal and hit play on the documentary that I was going to free-form take notes and scribble out ideas as they came to me, regardless of what they were about or for, even if they were entirely new project notes. I did a lot of scribbling, and most of it focused on one project, which really needs to get done by the end of the year, as well as some others I was a bit surprised still were there and fresh in my mind. I also know now that if I rewrite at least three of these short stories drafts that I have on hand, that collection will be complete.

I also found the voice for a new project idea I’ve had in the front of my mind for a while, primarily because we watched those ‘troubled teen cure’ documentaries at the end of the previous week. I had an idea for one set in Kansas, based on a foster home where the kids went to my high school. I didn’t think much of it when I was in high school–other than how much harder those kids had it than the rest of us–and sometime in the years since high school I thought, I could write a crime novel around that story even though it would entirely be fictional and the real place was simply a starting point for my fictionalization. The title came to me this weekend–The Crooked Y–and so that’s definitely moving up the list of “what to write next.”

As you can tell, writing is becoming more important to me and it feels good for my mind to be creating again, even in this current ADHD way, which is so much better than the dry well experience I’ve been having since…well, since Mom died, really. 2023 was a lot of personal trauma; and relentless from January on, which makes it not surprising, I suppose, that my brain has been fallow for so long.

And on that note, I am going to start getting ready to head into the spice mines for the day. Have a great Monday, Constant Reader, and I may be back later.

Turn Me Loose

Sunday morning blog after an uneventful yet sort of productive day yesterday. Our Internet went out around one yesterday afternoon, and was essentially in and out (mostly out) until about eight o’clock last night. I did finish reading my book, which was superb (more on The Cypress House later) and I did get two more blog post drafts finished, which felt great. I ran my errands, cooked outside last night, and did some cleaning up around here as well. When it came back and we could watch television, we finished Pray Away and moved onto The Gentlemen, which we are really enjoying, on Netflix.

It was actually nice not having Internet, if odd–you never realize how much you depend on it until you don’t have it, seriously–because I was able to relax all day, instead of getting caught up on the news (rage-inducing, as always) or watching old LSU football highlights (always a joy) or finding new documentaries to watch. Pray Away was the final step in our “teenager abuse programs” watching, following The Program and Hell Camp, and what’s truly frightening is the gaslighting involved, for both kid and their parents–and that the troubled teen industry is still chugging along, abusing kids and bilking their parents of money. I’ve never wanted to do a conversion therapy story–I briefly touched on this in Baton Rouge Bingo and again in Royal Street Reveillon; that Taylor’s parents wanted to send him to one in Mississippi. I had also talked about a conversion therapy camp in Mississippi before in other works, some of them my Todd Gregory stuff, and maybe someday that will come to fruition in some way. Watching all these documentaries has put me in mind of how to write about one in a Scotty book or a stand-alone; there’s also another idea for a mystery/crime novel I’ve been thinking about a lot as I watched these horrific documentaries, only set in Kansas. (Oddly enough I find myself thinking about Kansas a lot more and more these days, not sure what that’s all about.)

I also was looking through books yesterday after I finished the Koryta to decide what to read next, and I was having trouble deciding; mainly because I have so many damned fine books to read in the TBR stack. I also ordered two more books yesterday morning–poems by Mary Oliver, recommended by the fabulous Carol Rosenfeld (me trying to learn more about poetry and start appreciating it) and the newest Scott Carson (which is a pseudonym for Michael Koryta). I think I am going to read The Pallbearer’s Club by Paul Tremblay (I’m a huge fan) while also embarking on a reread of Thomas Tryon’s The Other, which was probably one of the most influential books I read when I was a kid. I am still reading Rival Queens as my current non-fiction, and I am thinking that The King’s Assassin, the basis for the incredible new Starz series Mary and George (which you should be watching) and again, a period of history I’ve always been fascinated by, and watching the show has given me an idea about how I could approach another project that’s been in the files for almost two decades.

Today I intend to write and read and clean and organize for most the day, although I am sure once Paul gets up we’ll start streaming The Gentlemen again. I have some blog entries I also want to finish writing, and of course, there’s all kinds of writing that I need to get done today as well. I’ve been really scattered with my writing this year, and part of it has been an inability to focus on just one project with my usual laser-like focus, and that’s why I’ve not been able to get anything much done this year. This morning I feel more awake and focused than I have in a long time, which is great. Once I finish this and my review of The Cypress House I’ll get cleaned up, read for a bit, and pick up around here before focusing in on what I want to get written today. Being organized helps, and if I could simply manage to stay organized rather than just letting things pile up everywhere, I wouldn’t have to do as much cleaning and straightening and organizing as I always do on the weekends.

The Lefty Awards were presented last night in Seattle at Left Coast Crime, and I was very delighted to see the results this morning–Tracy Clark, Best Novel, Hide; Nina Simon, Best Debut, Mother-Daughter Murder Club; Naomi Hirohara, Best Historical, Evergreen; and Best Humorous, Wendall Thomas, Cheap Trills. I don’t know Nina, but the other three winners are friends, which is delightful, and I couldn’t be happier for Naomi, Tracy, and Wendall–who was on that Humor panel I had to step in to moderate at Bouchercon in San Diego last year, and was wonderful. Kudos to all winners and nominees!

And on that note, I am heading into the spice mines. Have a great Sunday, Constant Reader, and I will chat with you again later!

The hunky Alan Ritchson, starring in Prime’s Reacher, did an interview recently calling out evangelicals and Trump supporters, who got all in their feelings and have decided not to watch the show anymore. Sounds like ‘cancel culture’ to me. How woke!

Lonely Teardrops

Well, good morning, Constant Reader, and I do hope everything is going well for you on this lovely Saturday. I slept deeply and well (and a little late), and feel pretty good this sunny morning. My primary priority for this weekend is to get my taxes finished and to my accountant (we’ve already filed an extension because I couldn’t get my shit together last weekend), do some writing and cleaning and run some errands, and relax as much as I can. Last night after getting everything done that needed doing, I ordered us a pizza for U Pizza (formerly Slice) on St. Charles Avenue, and we watched some more documentaries about child abuse reform schools for “troubled” teens, The Program. It’s very chilling to see how these kids were treated both in these schools and in those camps (Hell Camp), and I imagine we are also going to have to, at some point, watch the documentary about conversion therapy camps, too. Watching these has given me an idea for another Kansas book (I already had the idea, but this was excellent research for it), which made me think about some other things about my writing: what inspires it, and what issues do I take on in my work? I think part of the issues I am having with really getting back into the writing (where I’m writing three thousand words or more every day) is because I am not addressing issues I am passionate about, things I write about and learn more about and should be more concerned about.

And now that uneducated white supremacists are now in power in Louisiana, I’m going to have a lot of issues here to take up. So far, Governor Landry is unchecked in his attempts to turn Louisiana into an authoritarian state, and I doubt very seriously any Louisiana politician is going to oppose his horrific agenda for Louisiana–he’s actually worse than Jindal ever dared to be, and he was a monster who left the state in shambles. It’s kind of scary knowing our governor is someone who wouldn’t agree to be Klanmaster because the position wasn’t racist and homophobic enough for him. As much as I love New Orleans, retiring out of state is beginning to look like the best option.

Sigh. But there won’t be anywhere safe for us if we don’t win the November elections.

I did manage to finish two pending blog entries yesterday on top of the daily entry, and so that made me feel a bit better. I’ll probably spend some time this weekend cleaning out the drafts–getting rid of the duplicate ones, or trying to combine them all into one and getting rid of the others. I’d love to finish my Saltburn essay, too, but that may not be in the cards this weekend, either. I’m going to go run errands later this morning, and I also have some more cleaning and filing and organizing to do around here as well. Like always. But I really do feel like I made some great progress on all of this lately, but the floors need to be done, and the rugs need to be reorganized. I also want to spend some time with Michael Koryta’s The Cypress House, which I should be able to finish reading this morning…which will lead to me having to pick out something else to read next. I do have some good choices–piles and piles of great potential reads–and I did go through them a bit last night while making some choices. I should also read some more short stories while I am at it; the Short Story Project has definitely dropped off, and I’d also like to revise one of my in-progress stories this weekend, too, but we’ll see how that goes.

I’ve also been doing some casual research for The Summer of Lost Boys, which I am hoping to start and finish by the end of the year. All I am doing is listening to the Top 100 hits of the year for (so far) 1973 and 1974, and that in and of itself is bringing back memories. I do think this is going to be a really good book and I’m getting kind of amped to write it. I know immersing myself into the history of current events as well as popular culture in those years will trigger my memories, not all of them good, of course, but definitely its helping me to remember what it was like to be a tween in those years, going through puberty and truly realizing how different I was from everyone else I knew as well as getting ghosted, bullied and mocked for being different, which I didn’t really understand other than knowing the truth–that the horrible things they were saying was right, and that made it even more shameful and awful. The only thing that kept me going sometimes was dreaming of being a writer and reading books, escaping from an existence I neither asked for nor wanted.

And on that note, I am heading into the spice mines. I’ll be back later without a doubt, and so hang in there until I wind up posting again. May your Saturday be marvelous, and thanks for stopping by yet again this morning!