Monday on a vacation week isn’t nearly as brutal or as unpleasant as it is on a normal work week. Ordinarily I am up and out of bed at six in the morning every Monday; today I was able to be a slug-a-bed until around eight, which is when I generally begin the waking process when I do not have to go into the office. One week from today when I am getting up at six again I shall look back on the glory of this halcyon morning and will, as I shut off my alarm and blearily open my eyes, undoubtedly will wish I were still on vacation.
The Saints won yesterday–Taysom Hill played really well for his first start and first full game as quarterback—which was quite delightful. It was more delightful that they were playing the Falcons. The Saints have now won like seven straight games, which is great, but many of them were squeakers, so while I think it’s great, I’m not so gung-ho about the play-offs as one might expect. But 8-2 is much better than I was expecting for them at this point in the season, so I am going to happily take it.
I did manage to reread the first ten chapters of Bury Me In Shadows yesterday; it was necessary because it’s been so long since I’ve worked on it I couldn’t remember where I was at or what was going on. I found a lot of errors (and even more egregious examples of terrible writing), and I am going to spend some time today on fixing those. I also did an outline as I went, which I am going to continue to update as I work my way through the book, and I am feeling a lot more confident about making that due date than I was just yesterday. I just need to focus and keep writing and keep fixing. I need to thoroughly immerse myself in the book, and I think I can do that this week. (As I started making the outline and listing the character names at the beginning, I literally could not remember the main character’s name. That’s how long it has been since I’ve even looked at this; which is rather disgraceful, but also telling about my mental state, my brain, and my memory.)
I also managed to work on “The Rosary of Broken Promises” yesterday morning before diving back into the book. I have no idea where this story is going or what’s going to be about, but it’s in my head and it’s worrying me, like how you always worry a loose tooth with your tongue. I keep thinking about the story, even when I’m not writing it. It’s shaping up to be vastly different than anything I’ve ever done before, and while I am not entirely sure it will be publishable anywhere–the problem with short stories: at some point, you have to think about reshaping them to fit markets, or they sit dormant in your files until the proper submission call rolls around. It’s interesting, isn’t it, how self-destructive my creativity can be? I mean, I have two submissions calls I want to write a short story for, the timelines and deadlines for both are tight, so what do I write? A story that doesn’t fit either call.
We watched the new episodes of both The Undoing and Murder on Middle Beach last night, and another episode of Le Manti. All three are quite good, and we’re enjoying them tremendously. There’s only one more episode left of The Undoing, in which we will find the answers; I don’t see how they could stretch this into a second season, but I also thought the same with Big Little Lies, and they did a second season of that, so anything is possible these days–which is kind of cool but at the same time, sad.
I have a lot of work and other things to get done today. My back is still aching–not sure what it is, quite frankly, and am getting rather tired of it–but I am also going to the gym later this morning and hopefully that won’t affect it too negatively. It’s very weird; I should probably get it looked at, but if it’s just muscle strain I’d feel like an idiot, and rightly so. So at some point today I need to use my back massage roller thingee, and while it will inevitably tighten back up later, I should probably start thinking about stretching it/using the massage roller every day.
And on that note, the spice isn’t going to mine itself. Have a lovely Monday before the holidays, Constant Reader.
I’m starting to get used to the loss of the trees, but it isn’t even so much the loss of the green, leafy view or the increased light that bothers me the most about the loss of the crepe myrtles. I’ve realized that, despite the fact that the trees didn’t completely shield the house next door or its carriage house from view, they provided enough of a shield for me to feel like I had privacy while I was sitting at my desk. I could see the upstairs windows next doors, but not clearly; it was more of a vague awareness that they were there. Now I can see into them–not that much, really, because of the angle–which of course means anyone standing in those windows or looking out of them can also look directly down at me at my desk, writing or cleaning or reading or whatever the hell it is I do there when I sit there.
And that I do not like one bit.
So, yes, I’m going to have to invest in blinds, I suppose. I can just use them for the upper half of the windows–the lower half doesn’t really need covering, to shield them from either the sun or the next door upstairs neighbors. Am I happy about it? Not in the least. But it has to be done, or next summer is going to be les miserables in the kitchen. It gets too hot in there as it is, and I’m probably also going to have to invest in more portable air conditioners as well. Heavy heaving sigh.
So, apparently a sexual assault scandal is currently looming over the LSU football program, tracing back to Derrius Guice–who was recently dropped by whatever team had drafted him into the NFL after he was arrested for domestic violence–horrifying stuff, really–which revealed that he’d been accused twice of rape while he was a student at LSU and allegedly the school and athletic department covered it up. This was during the time the wretched Joe Alleva was the athletic director there, and given that he was responsible for the insanity and disaster that the the Duke lacrosse team sexual assault scandal, it doesn’t surprise me in the least. The fact LSU hired him. with that scandal on his resume, remains a mystery to me. I may be a loyal Tiger fan who bleeds purple and gold, but this needs to be thoroughly investigated and there needs to be accountability. This kind of shit doesn’t belong anywhere in college, let alone in college athletics, and the covering up of bad behavior by star athletes by colleges and professional sports needs to stop, period.
Seriously, enough of this boys will be boys bullshit. Boys who get away with shit because they’re boys become men who think they can get away with shit, and this becomes a societal problem.
I am really tired of sex crimes involving college sports, frankly–or any sport, for that matter.
And now I am thinking I should write a book about college sports and a sex crime, because of course I am.
I could, of course, call it Boys Will Be Boys.
Hmmmm some more.
My back is a little sore this week, I’m not sure if it’s from the gym and working out–I noticed it yesterday, when I woke up, and went to the gym anyway, so this morning it’s a little worse–but it’s not an injury injury; this is just intense muscle soreness, so I’ll be using the heating pad this afternoon as I make condom packs. It did feel lovely going to the gym after work yesterday and working out–I’m really getting back into this–and we started watching Murder on Middle Beach last night on HBO; a documentary series this young filmmaker did about his mother’s brutal murder, which was weird; both oddly intimate and deeply personal, and incredibly sad at the same time. I couldn’t imagine dealing with my mom being murdered, and then writing a true crime book about it, but then, who knows? It’s an interesting premise for a true crime documentary, but one that begs the question of objectivity; how can you be objective when you’re so deeply personally involved with almost everyone you’ll be talking to, interviewing, and filming? And–God help me–I did think to myself, well, someone making a documentary series about their mother’s murder is also a great book premise, isn’t it?
I also took the time last night after the gym, as I waited for Paul to come home, to read two more stories from Lawrence Block’s anthology The Darkling Halls of Ivy. The theme of the anthology is, of course, crimes in academia; the first story, by none other than Rambo creator David Morrell–whom I’ve met and is a very nice man–was quite good. The next two stories in the book were by authors I’d not read before, Jane Hamilton and Warren Moore. (Moore has had stories in other Block anthologies I’ve read; I’ve not read any of his novels, is what I meant here.) I’d heard of Ms. Hamilton before; she’s a quite critically acclaimed literary novelists, and best known to me as the author of The Short History of a Prince. Both stories were interesting. Ms. Hamilton’s was built around an advanced creative writing course in a small, failing liberal arts college, while Moore’s was built around the end of an academic conference–with a recently defended, new Ph. D. trying to find a job in academia giving a ride to a long tenured leader in their field, and what the young man thinks about as they talk about careers in academia, with the bitter reality of the younger man’s existence in sharp contrast to the comfortable established existence the older man has achieved. Hamilton’s story, “Writing Maeve Dubinsky,” doesn’t really seem like a crime story–the actual crime is a very small one, not even a misdemeanor, although it deeply affects the lives of the characters of the story (imagine coming to your writing class and discovering that one of your classmates had stolen your journal and written a story about your relationship)–the best part of the story was I remembered in exquisite detail the agony of workshopping one of your stories in a classroom setting–and also put me in mind of thinking about other stories for me to write. The Moore story, “Alt-Ac” (the title refers to Ph.D’s who have to find jobs outside of academia: “alternate to academic”) was also astonishingly dark and bitter about the diploma mill modern colleges have become, saddling students with massive amounts of debt they can never repay while giving them degrees that are essentially useless when it comes to finding work in the real world, particularly since there are so few jobs in academia and there are fewer of those jobs all of the time (seriously, the fact that Katrina came along and finished off any thoughts I had about pursuing further education and possibly teaching on the collegiate level was quite a gift to me, and one I never truly appreciated until lately), but it was also incredibly spot on.
I do find it interesting that in all the talk about student debt and so forth, no one ever talks about revamping or overhauling our higher education system–or improving it; that system is just as rotten and outdated as other societal institutions that need overhauling and repair.
And on that note, tis back to the spice mines with me. Have a lovely day, Constant Reader!
Well, it’s Saturday morning, how are you all doing out there? I am doing well–I cannot believe how much better I’ve been sleeping lately; I almost feel completely rested for the first time in I don’t know how long–and there’s no LSU game today. You know what that means, don’t you? That means a day to clean and write and get things done as much as humanly possible. I may even clean the windows this morning–crazier things have happened, of course, but there you go.
I made it to the gym for my third workout of the week last evening, and it was the first time I’ve gone where it was dark when I set out for the place and even darker when I walked home. There was an unusual occurrence as I walked there–I actually got cat-called by a woman in a car as she drove by while I waited on the corner for her to pass. It completely caught me off guard–and trust me, it’s been a very long time since anything like that has happened to me. As I said, it was a very pleasant surprise but I also don’t think it served as an indicator of dramatic changes and improvements to my body in the two weeks since I returned to the gym, but I will say I’ve noticed that my muscles are being kick-started up again to look better than they have been–taut rather than slack, if anything. When I was a trainer I always used to tell my clients that once you’ve built a good, strong muscular base that it’s much easier to get back to that after some time away from the weights–I did notice the other night while doing my bicep curls that my arms looked better, and the definition was coming back, which was lovely. The trick is going to be my storage of excess body fat around my middle, which, coupled with my enormous ribcage, tends to make me upper body barrel-shaped–and my narrow hips and pelvic girdle always ends up looking–because of the barrel shape–like I have no ass, which I absolutely hate and despise. And yes, while the entire point of going back to the gym is to be healthier, lower my cholesterol and blood pressure, and reduce my body fat percentage, the side effect of looking better physically certainly is working as a motivator–perhaps not as strong of one as back in the day, when I wanted to run around gay bars shirtless and attracting flirtatious attention, but it is a motivating factor.
I’m also enjoying wandering around the neighborhood on my walks to and from the gym; getting to know the neighborhood better that I’ve lived in for the better part of the last twenty-four years or so. There’s an absolutely fascinating house on Camp Street, hidden behind a church, that has its entire first floor porch (or gallery, or balcony; whatever you want to call it) hidden from the street and the sidewalk by a massive, thick hedge that reaches all the way up to the second floor balcony; it’s so thick you literally cannot even see that the lower floor porch/gallery is even there. Anyone sitting there is completely hidden from the sidewalk. Likewise, the gorgeous house on Coliseum Square owned by the actress Jennifer Coolidge is similar; the back yard and its fence is completely hidden by a towering, thick hedge and trees and enormous elephant ferns–so sitting in the back yard you would feel like you were sitting in a forest clearing rather than in the heart of a city, which is a very cool effect.
We are very much enjoying the second season of The Mandalorian, to the point where I honestly think the smartest thing Disney–and Lucasfilm–could have done was do these “meanwhile, somewhere else in the galaxy” movies and series to flesh out the skeletal structure of the universe as laid out in the Skywalker stories rather than continue the sad, twisted melodrama of the Skywalkers. I rather enjoyed the final trilogy when I saw them in the theater, and of the three films The Force Awakens is probably the strongest–it’s also the only one I’ve been able to watch more than twice. The more I watch The Last Jedi and The Rise of Skywalker the more flawed the films seem; although I will argue The Last Jedi is not as bad a film as the fanboys screamed to the ends of the known universe it was. I think they listened too much to the fan complaints and thus rejiggered the script of the final film to the point where groundwork laid in the second was completely ignored or totally betrayed by the third. But The Mandalorian is quite marvelous, and it’s the highlight of our Fridays every week,
We are also watching The Murders at White House Farm on HBO MAX, which is quite good. Based on a true story about the mass murder of a family–in which it was originally thought the mentally ill daughter murdered her parents, her twin sons, and then herself–it’s remarkably well written and well-acted; the story also hinges on a chief inspector who simply accepts the evidence at face value and asks no questions, preferring to close the case as it seems without looking any deeper. This is a problem with police investigations, which we have seen, time and again, in true crime documentaries and books and weekly series: the police tend to come up with a theory of the crime and look only for evidence that supports that theory, even if it means ignoring other evidence that contradicts their theory. This should scare everyone, as it is a terrible flaw in police investigating; they are not necessarily looking for the truth and the actual criminal as they are looking for someone they can convict in court, regardless of whether they committed the crime or not.
If you don’t think that’s a serious problem for our justice system–although this series takes place in the UK, the statement still holds—then I don’t know what to tell you other than I hope it never happens to you.
I also hope to find some time–around the cleaning, writing, and organizing–to finish reading Westlake’s The Hot Rock. I also landed a copy of Lawrence Block’s first Burglar book–Burglars Can’t Be Choosers–and I am looking forward to being immersed in that. I’ve read one of his burglar novels before–I think it was The Burglar in the Library–and really liked it, so it only makes sense that if I intend to read the entire series I would go back to the very beginning. I should also get back to reading Elmore Leonard; it’s been years since I read anything of his and I know I greatly enjoyed the ones I did read (although I disagree with his writing advice that you should never start a novel or story by talking about the weather; I do it all the time. But then again, in New Orleans the weather is a very important part of the fabric of the city).
I also want to get some work done on short stories this weekend. I really do need to prioritize the novel, though. Decisions, decisions–there is so little time in which to get everything done (as well as have the necessary down time) that it will undoubtedly make me quite mad by the end of the year, when the book is finally due.
And on that note, I am heading into the spice mines for the day. Have a lovely Saturday, Constant Reader, and perhaps today will see the end of the election.
And now it’s Thursday, and we’re sliding into the weekend slowly but surely. I’m just keeping my head down and doing what I need to get through what’s left of my life, frankly. I’m actually, as I near sixty, really grateful for being a gay American, particularly this week–because it meansI am used to being disappointed in, and by, my fellow Americans.
I’ve always believed that more Americans than not would be perfectly happy if all queers were put in camps–and would be okay with people of color joining us there. I started writing a book about that very thing back in the early 1990’s–There Comes a Tide was what I called it, which is a great title I should repurpose, as I doubt I will ever write the book–which led me to study the rise of Nazism in Germany, which I knew about but not in any kind of depth. It was really a strange experience–but one I would recommend…because it put me into a mindset of looking around at my friends and family and co-workers and wondering, if they came for the queers, who would avert their eyes? Who would pretend it wasn’t happening? And who would do and/or say something? Who could I count on to hide me?
It was, quite frankly, a horrible exercise in cynicism, human nature and brutal honesty…and I also began, at the same time, to understand why the movie Cabaret was actually so fucking brilliant, and that Bob Fosse was, after all, a genius–something I recognize more and more every time I watch the film again. (Maybe it’s time for yet another rewatch, and it definitely would fit into the Cynical 70’s Film Festival…hmmm. Definitely worth a second thought for sure.) I also want to watch more of Fosse’s films–I don’t think I’ve ever seen All That Jazz all the way through, and there’s also Lenny and Star 80….hmmm some more.
I did make it to the gym last evening after work and it was quite marvelous. I was definitely too cranky, wound up and tired to go Tuesday–and while I did worry that not going was the first step onto that slippery slope of “blow it off once, you’re much more likely to blow it off twice”, I did manage to not only go after work last night, I actually enjoyed it, felt tremendous after I went, and I kind of liked the walk through the neighborhood in the dark. It was a lovely cool evening, and when I walked past Coliseum Square a “piano truck” had parked there along Race Street, and while I did leave my headphones in, I thought it was kind of charming that a freelance pianist was set up in the park. I am still amazed at how much better I feel now that I am working out again–it eases my stress, releases tension in my back and other muscles, and the stretching is simply marvelous. I’m still getting used to my new gym–seeing new people, using new machines that are slightly different from any I’ve used before, and everyone there seems really nice–but it still doesn’t feel like my gym yet; but then we belonged to St. Charles Athletic Club for seventeen years, which is an incredibly long time to belong to a gym. But then again, when you’re pushing sixty, there are any number of things you’ve been doing routinely for a very long time.
I did work on “Condos, for Sale or Rent” for a hot minute last night as well before repairing to the easy chair–I’ve become addicted to a series of Youtube videos called Lost in Adaptation, where the narrator (Dom, a British guy) compares novels to the film adaptations, including “what they kept” and “what they changed.” (My personal favorite with the David Lynch Dune vs. the novel; suffice it to say Dom found the film as ludicrous and silly an adaptation as I did. He also did good ones for Rebecca, Percy Jackson and the Lightning Thief, The Bad Seed, and The Shining.)
I slept deeply and well last night and feel very rested this morning, which is great. While the election still isn’t quite yet over, I’ve reached a kind of zen-like state about the entire thing, and I find that, once again, I was carrying a lot of electoral stress in my subconscious and in my back. I feel a lot more like myself now–indeed, yesterday and today both–like I’ve finally found myself again. There are still some things that I need to handle, but I am feeling better about them–and like I can get everything done that I need to get done, which is an absolutely lovely feeling, quite frankly. This has seriously been quite the year–and that is the definition of understatement, I think. Yeesh, Carnival certainly seems like it was a million years or so ago, doesn’t it? Granted, it was also the “Carnival of Death,” with two major parades ending early after floats killed people (!), which kind of should have let us all know that it was going to be a shit-show of a year; when Carnival sucks and isn’t fun….that should be the indicator that we all need to keep our heads down and try not to attract much attention and just try to endure it all. Granted, there’s still two nearly full months of 2020 to go, of course, and there’s still plenty of time left for sucker punches and cheap shots and low blows from this annus horribilis.
A most unpleasant but highly likely possibility.
Today is a work at home day for me, and I am debating what to watch during the condom packing part of my day. I’m going to check to see if Coppola’s 1974 film The Conversation (over-shadowed completely by being released in the same year as The Godfather Part II) is available to stream anywhere–I think it may be on Amazon Prime–and I also have to get my checking account straightened out at some point today; but I also don’t have to leave the house today if I don’t choose–and I am thinking I do not choose. I have stuff to make for dinner, and I can hold off groceries until Saturday, methinks. I really feel this morning that not going outside the house–other than to take out the trash and/or get the mail and/or go to the gym–until Saturday is optimal. I’m just really not in the mood for people, to be honest, and I like this rested feeling I am experiencing this morning.
And now to tackle the spice mines. Have a lovely Thursday, everyone.
Monday morning and facing down the three clinic days, which makes me tired to even just think about, honestly. I love working with my clients, though; that’s always a plus, and while my program coordinator is out quarantining (her roommate tested positive for COVID-19 last week), I think I can handle my job without her being there. (This is why I was so concerned about the stomach issues on Saturday; the last thing in the world I need right now it to have to go out on quarantine myself.)
There actually wasn’t a Saints game yesterday; I didn’t realize it was a bye week for the Saints–it was just weird that neither LSU nor the Saints had a game on the same weekend (I looked up the time for the game earlier in the week and didn’t realize it brought up next week’s game instead), and it’s been quite a while since that happened. In fact, I cannot remember the last time bye weeks fell on the same weekend–although to be fair, LSU wasn’t supposed to have a bye.
We watched the season finale of The Vow last night, and it seemed to wrap up pretty quickly; Paul was very quick to assert, “there’s going to be a second season, clearly” and after looking around on-line this morning a bit, I see that the show has been renewed for a second season. We enjoyed watching the show, despite its deeply uneven story-telling and a sense that it was longer than it needed to be; I also didn’t think compressing everything–from the arrests, etc. to the present day–into the final fifteen minutes of the finale was the best methodology; it really felt rushed, particularly since some previous episodes were obviously dragged out; it could have been six episodes, I think.
We also watched the first episode of the Jude Law mini-series The Third Day, and decided not to continue. It was very well done–some of the images were exceptional–but it was all just very murky and strange and really, you should watch one part of a three-part show and have literally no idea what’s going on, or have no sense of the characters, or why you should give a shit about their story. We won’t be watching more, I think, which is a shame; the previews looked wonderfully creepy and spooky; and while the first episode contributed greatly to the mood of creepy dread, that was about all we came away from it with, other than little to no desire to watch any more of it.
I started going through old journals yesterday–I found the one in which I started keeping the journal again (2017! It’s been three years!)–mainly because I am trying to get back into Bury Me in Shadows again; it’s been weeks since I worked on it, and I was thinking I needed to go through my notes and so forth to make sure everything is going into the story that needs to be in the story. The old journals are fascinating; there’s also the plans and notes for Royal Street Reveillon in them, as well as the birth of short stories that have since been written and even, in some cases, published; there are other story ideas and titles that never were followed up on–some of them are quite good, upon a review with fresh eyes–as well as sketches and ideas for stories that were written but wound up not really working after several drafts were completed (“The Problem with Autofill” is one of those; it’s a great concept but it doesn’t work because the central conceit winds up triggering how can you be so stupid as a reader reaction, which kills the story, frankly). It’s also interesting to see that this particular novel began being titled Bury Me in Satin, which I discarded early on, changing “satin” for “shadows”, which works ever so much better.
I also managed to do some filing and organizing, and I do feel much better about everything I now need to get done–and feel confident I can do it all.
I also read some short stories yesterday.
“Love & Other Crimes” is the title story from Sara Paretsky’s short story collection, and yes, it’s a V. I. Warshawski story. One of the problems I’ve always had with writing crime fiction short stories is the compression of the investigation aspect. I am used to spreading the story out from anywhere from sixty five thousands words to just over a hundred thousand; Royal Street Reveillon was slightly more than a hundred thousand, and is probably my longest novel. I wrote my first ever Chanse short story, “My Brother’s Keeper”, for my own collection Survivor’s Guilt and Other Stories, and I’ve started yet another, “Once a Tiger,” that has stalled, along with a couple of other investigation short stories that have never reached a complete first draft–some Venus stories (“A Little More Jazz for the Axeman,” “Falling Bullets,” and “Stations of the Cross”), and there’s a Jerry Channing story (he has appeared in the Scotty books; he’s a true crime writer) whose title I cannot recall at this moment. I struggle with these stories, obviously; reading Ross MacDonald’s Lew Archer short stories (The Archer Files) helped somewhat, as did reading Sue Grafton’s Kinsey short stories (Kinsey and Me); and it’s really no surprise that Paretsky–MWA Grand Master and crime fiction legend–can also pull off the private eye short story. A kid from the old neighborhood is being framed for murder; his sister rather snottily hired Vic to prove his innocence. She manages to do so–ironically, he was really implicated in another crime, just not the murder–and the success of the story makes me think that I should change the way I write these kinds of stories. I am not much of an outliner anymore–somewhere around Murder in the Rue St. Ann I realized that I never really stuck to the outline so wasn’t really sure I should keep doing them; instead, I either come up with a very loose synopsis–or just know where I am going to end it and start writing in that general direction and see where it goes. But…maybe I should outline the short stories that are investigations rather than just starting to write and seeing where they go; I always stop writing when I get stuck, and who knows if or when I will ever get back to it? But I am also digressing from the point of what a great story Paretsky opens her collection with! I don’t think all of the stories are necessarily Warshawski stories–the next, “Miss Bianca,” doesn’t appear to be–but I am really looking forward to seeing what other magic she hath wrought with her writing.
After reading the Paretsky story, I moved on to the Lawrence Block anthology The Darkling Halls of Ivy–whose theme is crime stories set in academia. The very first story is David Morrell’s “Requiem for a Homecoming,’ and it’s an interesting take on a crime story. A successful screenwriter returns to his alma mater for Homecoming as a special guest, and the story opens with him having a drink in a campus-area pub with an old friend from his college days…and then bringing up a twenty-year old murder that occurred when they were both undergrads. They talk a bit about the murder, and some things that never came out in the investigation all those years ago–including the pov character having gone out on a date with her once, but didn’t come forward because he supplemented his income by dealing drugs–the drug dealer would be an obvious suspect and this could have jeopardized his scholarship to USC for grad work in screenwriting–but there’s also a lot more to this fiendishly clever story. But Lawrence Block’s anthologies never disappoint; my bucket list includes getting to write a story for one of these.
And on that note, it’s off to the spice mines with me. Have a lovely Monday, Constant Reader.
And here we are at Monday again, another weekend down and a brand new week with all of the challenges and headaches and yes, possible joys that may mean. This is my first week of the clinic being open for three days, so I imagine this will make me quite crusty by Thursday, but I am glad to be able to see more people each week than I have been seeing. I managed to get the essay rewritten and notes made on the short story revision I needed to get done this weekend; on my lunch break today I am going to reread what I’ve done and see if I can trust them to be sent back to their respective editors.
Stranger things have happened.
It’s very dark out there this morning; the time change seriously can’t get here soon enough for me. There’s something–to me, at any rate–that is disconcerting about getting up for work while it’s still dark outside; one of the reasons I dislike the winter is getting up while it’s dark and then coming home in the dark after I get off work. I don’t like that, really. I feel like it should either be light out when I get up or light out when I come home; but not dark both times.
I did sleep really well last night, though–I actually think that doing this three days a week rather than just two is going to have a bigger effect on my sleeping patterns.
We finished watching The Boys last night; and were pretty pleased with how the season ended up going. I wasn’t really sure where they were going to take the story, to be honest, but they wound up doing a pretty terrific job and won me back over about halfway through the season. They also did a pretty nice job of resolving the main stories; where there will be a third season or not remains to be seen, but they also did a relatively good job of setting up said third season as well. If there isn’t one, the story ended; if there is, they’ve already set it up, which is great–and an interesting new direction for the show. The Saints play tonight, which is probably what we will end up watching this evening–but I am going to go to bed around tennish, whether the game is over or not. They actually started playing well in the last game, but it wasn’t consistent–there was concern the Lions would come back and win the game at the end–but it was a big improvement over all previous games in this season thus far. I’m ready to write off this football season as yet another casualty of 2020 already, frankly; I don’t know how many more games LSU will lose this shitty season, or the Saints either, for that matter…but I am really not liking this new trend towards basketball scores for football games I am seeing develop this season. Whatever happened to defense?
But I am hoping to get a lot accomplished this week, which is great–I always have high hopes for Monday morning, don’t I?–and while my desk area here at home is still kind of messy and in need of organization, hopefully when I get home tonight I’ll have the energy to get that taken care of as well as putting the dishes away (there’s a load in the dishwasher still this morning).
We also watched this week’s episode of The Vow, which was much more interesting than the last few; seeing as how it primarily focused back on the cult itself and the cult members who were trying to bring it down. I imagine they are going to stretch this out to ten episodes; next week’s is the ninth, and I really do feel like it could have been eight in total. The eerie and creepy thing about it has always been that listening to the leaders talking you could see how it drew people in; it seemed logical and even rational. But last night’s was very jarring; they finally started showing the horrific misogyny involved, and how horrifically the women were being treated, torn down, and then rebuilt with their self-esteem and sense of self terribly shattered, thereby making them all the more vulnerable to the predatory behavior of the leader. As people who watched all ten or so seasons of Smallville, it’s very strange to see Allison Mack, who was in almost every season of the show, descend into this madness; I remember when she was arrested and how shocked we were the story broke; it’s still kind of shocking, actually, watching it all play out in this documentary on HBO.
But there are always going to be vulnerable people who predators will recognize and single out to victimize; so there will always be something for crime writers to write about, sadly. There is no shortage of inspiration in the world for us…
I was starting to think about the next Scotty book this past weekend as well; not sure when or if I am actually going to get around to it, but I do know that it’s title is going to be French Quarter Flambeaux, it’s going to set during that terrible pre-pandemic final Carnival season, and it’s going to involve a homophobic closeted local politician, and that once again the plot is going to center Taylor, at least as a starting place. I also have to bring Colin back and resolve the story for him that I started in Royal Street Reveillon, and the more I think about Colin, the more I realize that Scotty, the boys, and the readers don’t know about him. There are innumerable plot threads that need to be wrapped up and resolved; this is part of the reason why I’ve never decided to end this series, or at least, not yet decided; that day is coming. I am thinking at the very most I am going to cap the Scotty series at ten books–but then again, if I still have story left…I certainly have plenty of alliterative, rhythmic Scotty titles left that I have yet to use.
Maybe once I get a rough draft of Chlorine finished, I can start writing another Scotty. We’ll have to see how 2021 goes; I have two incredibly tight deadlines back to back that I need to face down before anything else, and I need to keep my focus on those two manuscripts laser-sharp, else they won’t done and I don’t really need that kind of stress.
And on that note, I am heading back into the spice mines. Have a lovely day, Constant Reader, and may your week be stress-free, relaxing, and marvelous.
Well, LSU lost, which certainly cast a pall over my day yesterday. The game was also early–11 am start time–and after that sucked all the air out of my day I struggled, frankly. I know, it’s silly to put so much emotional energy into being a fan of any sport, but I can’t remember ever seeing LSU play as badly on defense as they have so far this year. I feel bad for the kids, and I don’t know what the problem is–I didn’t expect them to have another record-breaking season, but I certainly didn’t think they’d have a very strong shot at going 1-9, either.
Heavy sigh. It seems to be a very weird year for college football–the Alabama-Ole Miss score was 63-48, with Ole Miss gaining over 600 yards; that’s the most points ever scored on a Nick Saban Alabama team–and Mississippi State lost to Kentucky, with Florida falling to Texas A&M; Arkansas almost beat Auburn, so clearly defense is no longer a thing in the SEC, a conference once known and respected for it. Georgia and Alabama are the only unbeatens left in the conference, and they play next weekend…yes, a very strange year in college football.
I did manage to get some work done yesterday–not enough, of course–but progress was certainly made, and I feel confident I’ll be able to get it all taken care of tomorrow. The Saints are playing on Monday night, so there’s absolutely no need for me to turn on the television at all during the day tomorrow, and the French Open final will be on so early I doubt Paul will get up to watch. This year is seriously shit, you know? All the joy from sports has been sucked out of them, and crowd noise, it turns out, increases the enjoyment of the game significantly when you’re watching at home–who knew?
So, I licked my wounds and thought about the things I need to write, and how to get them done, and how to improve everything I have currently in progress. That’s a win, frankly, and I refuse to feel guilty about not getting everything done yesterday. Sure, it means I have to get it all done today–but as I said, I am certain I can bang it all out and get it all done, and then I can go into the first three day work week of the clinic since March with my head held high and start focusing on the other things I need to get done–the manuscript for Bury Me in Shadows, a couple more short stories–and of course, getting the email situation back under control. I feel like this final quarter of the year, no matter what else happens in the rest of the world, is a time when I can turn this ship around and set to rights.
I especially hate that I somehow fucked around and managed to go a year without having a book out. How in the holy hell did I allow that to happen? What was I doing in 2019 that I didn’t get a book written? I turned Royal Street Reveillon in around Carnival of 2019, and it came out last October, a year ago. What in the name of God was I doing the rest of the year? I know I was working on Bury Me in Shadows, but seriously? I honestly don’t remember, but whatever the hell it was I was doing, one thing for sure I wasn’t doing was writing. Sure, I sold some short stories, but I honestly think most of the story sales were this year, not last. Part of the reason I signed contracts with deadlines so tightly on top of each other was partly to ensure I wasn’t going to go another year without a novel out.
Gregalicious, you need to start getting more focused.
I saw the trailer for the new version of The Stand, and I have to say it looks good. I liked the original mini-series from the early 1990’s–that chilling opening when Campion runs and “Don’t Fear the Reaper” plays over the opening credits as the camera moves through the Army base and all the dead bodies within still gives me chills (it’s on Youtube). I love The Stand, and generally consider it my favorite Stephen King novel. It used to be one of my primary comfort reads; I think I’ve read the original dozens of times. Despite some issues, overall I approved of that initial attempt at filming it; the final episode was the weakest, overall, but they did a pretty good job. This version has a terrific cast, and it looks like CBS All Access spared no expense on putting together a great show…but–the whole Mother Abagail thing really doesn’t hold up well after all this time. At least they’ve added other people of color to the cast this time–in the book and the original TV version, apparently most people of color succumbed to the pandemic.
It’s also interesting that when I was reading plague fictions and histories earlier this year, I didn’t pick up either The Stand or Richard Matheson’s I Am Legend, which are both favorites. I think both–which feature almost the entire human population dying–were probably more than I could handle earlier this year.
And I do think that was probably the wisest course.
I read two more stories by Nathan Ballingrud, from his collection North American Lake Monsters: Stories yesterday while the Alabama-Ole Miss game played on the television–“Wild Acre” and “S.S.”–and both were superbly written. Ballingrud does a truly great job writing about desperate people–financially desperate, emotionally desperate–and his use of the supernatural and how it affects/impacts the desperate people he writes about it is stellar. “S.S.” isn’t really a supernatural story; it’s set in New Orleans and is more about a desperate young man, a loser, who turns to white supremacy to try to find a place where he belongs, and it’s an ugly little story, yet compelling at the same time. The horror of his own life–he’s a dishwasher at a small restaurant in the Quarter, his mother was severely injured in an accident, can’t work, and is now mentally deranged; their power has been turned off for non-payment–makes him an easy target for white supremacy and hate; it’s terribly sad, and makes a surprising turn towards the end. The interesting thing I am learning from reading Ballingrud is that the premise of his work is the real horror comes from humans, not the paranormal or supernatural.
So, today is the day I am going to get a lot of work done, trying to start getting caught up on everything. I slept deeply and well last night, which is always a plus, and so am feeling relatively well rested this morning. Once I’ve had my coffee and finished writing this, I am going to get cleaned up and dig into finishing my essay and then move on to the website writing before the revision of my short story. This will possibly–probably?–take most of the day, so I doubt that I will get around to Bury Me in Shadows today (but one never knows; I could go into the zone and get a ton of shit done today). We watched three episodes of The Boys last night, and I have to say, the primary problem we (Paul agrees with me on this) have with the show is the character of Butcher. He’s really supposed to be the character we root for, leading the resistance against the proto-fascist tendencies of the super-heroes and Vought, the company they work for, but he’s so routinely unpleasant and unlikable it’s difficult to care–and if you excise him and his personal story from the show you wouldn’t really be missing anything; I don’t care about his him or his wife or their situation, frankly, and the fact that almost every sentence he utters includes the words “cunt” and/or “twat” doesn’t help. I realize the words are more commonly used in England and don’t have the unpleasant misogynist implications they do in the United States, but the constant usage is like the writers were all “Oh, he’s British so he can say cunt and twat all the time!” like junior high school boys rubbing their hands together in glee about getting away with something. I do like that the show subverts and looks at super-heroes with a wary eye, exploring the dangers of super-powered beings who are arrogant and don’t really care much about people, but Watchmen also explored the ethics of this, and did it much, much better. Still…for the most part, we are enjoying it, and will continue watching. We only have three episodes left, and so will probably either finish it tonight or tomorrow–there’s also a new episode of The Vow dropping tonight; even though we are slowly losing interest in it, we’ll probably continue watching and see it all the way through.
Although I have to give props where it’s due; The Boys has gotten me thinking about Superman, and why the DC films with Henry Cavill about Superman have been disappointing, despite a stellar cast, because they really don’t get the essence of Superman–and why on earth would you make a movie about the greatest comic book hero of all time when you don’t understand the purpose of the character and why he is a hero? Hero is the key word there; and if Marvel could manage to do Captain America and make him believable, Warner certainly could have done the same with Superman. Watching the first two Christopher Reeve Superman movies would have been a huge help, frankly; Superman isn’t angsty or tortured the way Batman is, and using the film version of Batman as a blueprint for Superman, I think, was the first mistake.
Look at Wonder Woman, for that matter.
And on that note, it’s time for me to get back to the spice mines and get this day off and running. Have a lovely Sunday, Constant Reader.
Getting up early is the bane of my existence, and has been for nearly my entire life. I think alarms are evil, frankly–necessary sometimes, admittedly, but there’s nothing worse than being ripped out of a deep sleep by the incessant braying of a fucking alarm clock. My preference would be to wake up naturally every morning; those are the days when I never feel tired the rest of the day–waking up to an alarm inevitably means being tired at some point, and depending on how difficult it is for me to wake up after said alarm goes off, I could quite easily be tired for the rest of the day.
We’re not enjoying The Vow nearly as much as we did in the earlier episodes, and with no offense to Catherine Oxenberg, the documentary’s shift from being about what the cult (NXIVM) is doing and how it hounds people who try to leave–and their attempts to bring it down–and to a focus on her attempts to rescue her daughter was jarring; those original episodes were a lot more interesting than these last few focusing on Oxenberg and her daughter. It’s like the series shifted focus in mid-stream, and while I know Oxenberg played a very important role in bringing NXIVM down, this shift felt strange, awkward, and weird–almost inorganic.
There’s another storm out in the Caribbean Sea, and New Orleans is almost entirely the cone of uncertainty. When I looked at it last night, it looked like it could become a category 2 by the time it makes it ashore at the end of this week. This is Delta–an ominous name for people who live in the Mississippi Delta, or rather just above it–and while I am not necessarily feeling any stress about this storm just yet (give it another day or so, or another cup of cappuccino) it’s definitely not pleasing to have such a thing out there, looming and lurking and slowly making its way towards us. It’s projection right now is a dead-center hit on New Orleans as a Category 2, but let’s keep our fingers crossed that this will be another near-miss or a big old nothing.
This morning, Delta seems to be strengthening in the Caribbean Sea, with it possibly getting up to Category 4 in the Gulf, but only coming ashore as a 2. A 2 is still rough, mind you; that’s what Laura was in western Louisiana and she wrought havoc and destruction; so am I getting a little unsettled and unnerved by the presence of this storm lurking out there, with almost two full months left in the season? Damned straight I am. I don’t seem to be having any PTSD at the moment, unlike the previous storms that threatened here this year, so that’s a good thing–unless I am so beaten down already by the year that I no longer have the bandwidth to spare any emotion anymore, which is probably a very strong possibility.
But it will certainly make the end of the week interesting, at any rate.
We started watching the new Gillian Flynn show–she’s producer, writer and show-runner, I guess–on Prime, Utopia. I’m still not quite sure what I think of it, but it’s pretty amazing. Very hard-boiled, very realistic, very interesting, surprising twists, and boy is it ever dark. I’m not even sure I can describe the plot adequately enough to do it justice–it’s like trying to figure out how to explain Orphan Black to someone; you inevitably give up and say, “you have to watch. It’s marvelous.” The acting and writing are top notch, the direction and editing and overall visual aesthetic are cinematic at the best of the meaning of the word, and you can’t really look away from it. It’s very violent. But I really hated to stop watching when it was time for bed last night. Oh, and John Cusack is in it. There’s this amazing sense of paranoia that runs through it, that is also reminiscent of my Cynical 70’s Film Festival, the decade of conspiracies and theories and cults.
Note to self: rewatch the original Fame movie. It’s very dark, as I recall, as was Saturday Night Fever.
Paul actually got home early last night so I wasn’t able to get any writing done–or reading, for that matter–which of course has me still behind the 8-ball with everything I need to get done. I did make some progress yesterday; I got a lot of my emails responded to, which was lovely, and hopefully I can get the rest of them cleaned up and cleaned out today and tomorrow. I also need to clean the kitchen this evening; I kind of let things slide last night because I wasn’t expecting Paul to be home so early and then we started watching Utopia. I also want to start wading into Nathan Ballingrud’s North American Lake Monsters: Stories; I’d hoped to be able to get that started yesterday. Since I’m having so much trouble focusing enough to read novels, it might be time to get back to the Short Story Project, and there are certainly enough single-author collections and anthologies lying around the Lost Apartment to keep me reading for quite some time. I also realized that I do have two short stories that are almost completed; “This Thing of Darkness” and “Moves in the Field”–the two stories that were rejected by the markets I sent them to–that can be reread, revised, and sent back out into the world, which I’ve been thinking about again lately–the need to get some more short stories out on submission again. I need to be writing more–scheduling and exhaustion (both mental, emotional and physical) cannot be allowed to defeat me and keep me from writing. Writing is what keeps me level and sane (or what passes for it around here), and it’s when I am not writing something, anything, that things tend to go off the rails around here.
And more than anything else, I need to keep things on the rails as much as possible.
So, I took the plunge yesterday and signed contracts for the two manuscripts on hand. As I said on social media immediately afterward, this is either the smartest thing I’ve done this year or a several miscalculation. One can never be sure in either case–until the game is afoot. It’s not that bad; both are in fairly decent shape and need one more final draft, so it’s not like I’m starting from scratch or anything–that would be utter madness.
So, Gregalicious, what are your two manuscripts about?
BURY ME IN SHADOWS
When a partying spree after a bad break-up lands college student Jake Chapman in the hospital, his attorney mother gives him two choices: rehab, or spend the summer in rural Alabama at his dying grandmother’s home. He doesn’t like either choice, but decides on Alabama because at least there’s a semblance of freedom. There’s a lot going on there, as well–a team of archaeologists are excavating the ruins of the old plantation house, Blackwood Hall, out in the woods behind his grandmother’s house. Once he is there, he starts experiencing bizarre headaches and emotional swings– as well as having flashes of memory that he can’t place. He starts finding out family secrets–dead uncles he never knew about, legends about the family’s past–and there’s also the Tuckers, who live in the next holler over–with their moonshine still and meth lab. With the discovery of a skeleton out at the ruins, Jake begins to realize he is in danger–but is the danger something from a distant past, or a murderer in the present? Will someone kill to keep the family secrets?
Liberty Center High School’s football team has a long history of success–state and conference championships, players who went on to play in college–and often, the Spartan football team is all the dying small town has to hold on to, and their primary source of pride as businesses and industries and opportunities have dried up. But when one of the team stars disappears the night of the first game–and his dead body is later found–his best friend, Alex Wheeler, begins putting things together in an effort to clear himself of suspicion, connecting the dots that lead back a few weeks to the suicide of cheerleader Angie Dixon, and the football party where she had too much to drink and was sexually assaulted. Was the on-line bullying and sharing of pictures of her from the party what drove her to suicide? Or was it murder? How far will people go to cover up misconduct by the football players? What other dark secrets are hiding beneath the placid surface in this oh-too-typical American small town, Liberty Center? Alex and his girlfriend India soon find their own lives are in danger as they get closer and closer to the horrifying truth about the rot at the center of one of the state’s strongest football programs.
I certainly hope those whet your appetite to read them, Constant Reader! Covers to come, of course, as well as publication dates. I also don’t think I’ve ever revealed the title of the Kansas book before, so there you have it.
It does feel kind of nice to know that I will actually have a book (or maybe two) out in 2021; it felt very weird to not have one this year. I can’t remember the last time I missed a year of publishing at least one book per year, but the last one I actually remember for certain is 2005 (there may have been one in the teens; I think I may have skipped a year–2017, maybe? 2018? I honestly don’t know). I want to get my next short story collection put together at some point during 2021 as well–not sure what stories and what the title will be, but I really want to get that taken care of in the next year, and aren’t goals a lovely thing? I also want to get moving with Chlorine–the research has been phenomenally fun; here’s hoping the actual writing will be fun as well. I think I might have to write a Scotty book at some point in the next year as well; I know I want to do a pre-pandemic book (between Christmas–Royal Street Reveillon–and the pandemic this year; I really want to write about that fucked up 2020 Carnival season, and I have a really nasty idea for a plot that simply has to be written….) and I know I want to do a pandemic story for Scotty as well; I’m just not sure what that story would look like. I know people are saying they aren’t going to want to read about the pandemic, but it’s such a rich vein for story-telling and story ideas, I kind of am not sure how true that will be. I just can’t see writing about a world where it never happened–especially in a series; it’s much easier to pretend in a stand alone.
Does that make any kind of sense? To me–and my warped mind–it sort of does. I don’t know why it’s so important to me to not miss years between books–it’s not like the world is knocking down my door, or anyone is holding a gun to my head to make sure I publish something–but it is, and I think if I salvage or take away anything from this dreadful year, I’d like it to be I got those two fucking books finished and out of my hair.
I went to be early last night–it’s really been a week–and I slept for nearly ten hours, which I never do, and it felt actually pretty marvelous. LSU is playing Vanderbilt today–I don’t have very high hopes after last week, which is fine–and one of the lovely things about this abrogated season, coupled with LSU’s unexpected loss last week, is that I seriously doubt I will spend my Saturdays this fall watching football games all day, while sitting in my easy chair reading, writing in my journal, and editing things. INstead, I should be able to sit at my desk and focus on writing–now that I have deadlines, I need to be better about being on top of things and getting things finished as quickly as I can–and while it’s disappointing, what else is new with 2020? Everything is off this year, and there really is something to the notion of simply eradicating 2020 from the books; the way ancient Egyptians used to go back and remove names from statues and carvings and temples, to try to obliterate a pharaoh from their history (and yes, I watched a documentary on Akhenaten last night, why do you ask?), and not really counting it.
We watched the season finale of Ted Lasso last night, and I have to say, I am going to miss my weekly visits with him and the Richmond soccer team. I was very glad to see it was already renewed for another season, and it’s another one of those terribly sweet shows that will make you laugh while at the same time touching you and bringing up tears in your eyes (much as Schitt’s Creek did). It’s what they used to call “heartwarming”–and you have no idea, Constant Reader, how much I hate that word and how I generally tend to avoid anything referred to in that way–only it’s not emotionally manipulative like most “heartwarming” books, movies and TV shows; the sweetness genuinely evolves from the characters and their relationships with each other. I love this show–and it’s hard not to love the characters. Like Schitt’s Creek, the premise struck me at first as not only ludicrous but cliched; but the writing is so strong, the acting so pitch perfect, and the cast chemistry undeniable. And the optimistic, kind, always look on the bright side while always looking for the good in people character of Ted Lasso himself is the jeweled centerpiece of the show.
I have to run errands today; I’d intended to run them yesterday once I’d finished my work but by the time five rolled around I really wasn’t terribly in the mood to get out amongst people, so inevitably I shall have to do it today, which is, you know, fine; making groceries seems to always tire me out these days but that’s also fine. I want to start reading John Vercher’s Three Fifths at long last this weekend, so if I am tired when I get home I can do that. I need to do some revisions on things this weekend, too–and I should get some work done on the book manuscript as well. There’s also some cleaning and touching up around here I need to do–there are still some remnants of the Notorious Grease Fire that need to be tidied up–and feeling well-rested, as well as mentally sharp this morning certainly cannot hurt in that regard.
As always, I have a lot to do, but the lovely thing is that this morning, it doesn’t seem horrifyingly overwhelming–it just seems like my normal existence, which it usually is, and so there’s that. I did do a lot of cleaning and organizing while I was waiting for Paul to come home last night, and so the downstairs looks much lovelier and organized than it usually does. There’s still a shit ton of filing to get done (isn’t there always?) and part of my plan for this morning before running the errands is to make the long overdue to-do list, add things to my calendar so I won’t forget about them needing to be done, and trying to get set up so that once I am ready to get going I won’t forget things. I’ve always been ridiculously busy–and I think I’ve actually been busier before than I am now, if I am being completely honest–and I think the primary problem I’ve been having has been chemical; PTSD and depression, etc. as well as the occasional feeling of hopelessness this year has wrought with everyone at some point, I think. Not that there’s a such thing as a normal year, but this year has been so abnormal that it sort of stands out from the rest–it certainly has erased all memories of 2019, which also sucked, from the hard drive in my brain.
And on that note, I think it’s time to head into the spice mines this morning. I thank you for stopping by and listening, Constant Reader, and may you have a glorious, absolutely glorious, Saturday.
And here we are, Wednesday, the midpoint of the week and somehow the last day of the month of September. The weather is changing in New Orleans, with the temperatures dropping into the mid to high sixties overnight but still getting up into the eighties during the day. The temperature, for example, dropped so suddenly last night that I became aware that the floor felt cold, and had to put on my slippers. (Slippers always sounds so weird to me; we always called them house shoes when I was growing up and so I still think of them that way; I merely used slippers in this instance because after originally typing house shoes, I thought, no one will know what that means and changed it. Likewise, as a kid, there were exactly two kinds of athletic shoes: gym shoes and tennis shoes; some people called them sneakers. I still say “gym shoes” or “tennis shoes”, in fact. I guess it’s one of my many many many eccentricities.) The colder night weather also makes sleep easier for me, unfortunately, it also makes the I don’t want to get out of bed feeling I have every morning more intensive and powerful.
I have a lot to get done today, and I also think it might be time to move on from the Cynical 70’s Film Festival today; I’m not sure there are any more of those types of films available on HBO MAX; I know there are more on some of the other streaming services; I know I added both The French Connection and Dog Day Afternoon to my watchlists somewhere, but what I really want to watch is Serpico. I also think I should probably rewatch The Godfather, and I’ve actually never seen The Godfather Part II. I was also thinking I should rewatch Chinatown, but then you get into that whole “artist vs. the art” thing. (At least I was never much of a Woody Allen fan.)
I was tired when I got home from work yesterday; Paul was finishing off a grant so I basically sat in my easy chair last night, physically tired and emotionally drained, and too mentally tired to engage with a new book, so I basically watched history videos on Youtube and wrote notes in my journal. I somehow managed to come up with some more ideas for stories yesterday; and also tried making sense of some of my notes in the journal–which isn’t always easy; sometimes I just scribble stuff down without context–for example, I wrote down the words targeted individual and when I looked at it last night I literally had no idea what I meant, what it was supposed to be, or why I wrote it down in the first place. This morning, in retrospect, I think it came from watching The Vow about the NXIVM cult; I seem to recall someone on the show talking about someone as being a “targeted individual,” which essentially means someone the cult actively pursued to get them to join, because they were important enough in some way–influential, financial, celebrity–that would lend the cult credibility and visibility if said person joined. Even as I typed that, the more right I think I am with that interpretation; I liked the whole chilling concept of the phrase to the point that I most likely thought it was something interesting enough to look into and explore fictionally, and that it would also make a great title. (I also googled it, and found that there’s an even more interesting definition of the term–loosely, people think they are ‘targeted individuals’ and think the government or some big organization is spying on them, including the planting of listening devices in their homes and bugging their phones.)
I also had some breakthroughs about both of the manuscripts I am still working on; how to make them better and even more stronger than they are and hopefully, I will be able to make those changes to the manuscripts and make them tighter, the characters more relatable and believable, and get the damned things finished once and for all.
I also got copy edits on a short story I sold; I need to give it another once-over at some point; I have an essay to finish revising and another one to edit, and some website writing to do. It never ends around here, really, and I shudder at the thought of checking my email inbox this morning. I also have some day job research to do this morning before moving on to my condom packing this afternoon; I also have to get organized and pay my bills this morning (yup, it’s Pay-the-Bills day, my favorite every two week cycle). I can’t believe tomorrow is actually October. October. As long as this year has been–this long, interminable March we’ve never seemed able to move beyond–it nevertheless is shocking to me that it’s October already somehow. September went by in a blur, and even now, looking back at it and recognizing the issues of depression and so forth I was dealing with all month–it still seems like Labor Day was just last week, and the entire month is shrouded in clouds in my memory banks.
And on that note, tis back to the spice mines with me. Have a lovely Wednesday, Constant Reader–you’ve got this.