Singularity

I am starting to feel good again. I am not sure what that is all about–nor am I certain how long it’s going to last, but no worries, Constant Reader–I am going to ride this wave until it inevitably breaks around me. Thursday, I must confess, wasn’t a good day for one Gregalicious, and I hate those days and the inevitable despair that comes along with those awful days. An emotional and physical and intellectual valley, if you will; which generally manifests itself as the inability to do much or face anything or accomplish anything.

It’s gray again this morning in New Orleans. It rained off and on all day yesterday, never heavy enough to be of any real concern for anything but mostly mist more than anything else; one of those winter days where it’s so humid it eventually turns to water in the air because it isn’t warm. The clouds are very low this morning, brushing against the tree tops in the distance. I spent most of yesterday working–trying to get organized, cleaning up the office space in the kitchen as well as doing some cleaning and so forth–but I also took time out to finish reading the Patti Abbott story I had started at the dealership on Friday morn, which I greatly enjoyed–and while I most definitely would have preferred getting more done than I did, I’ll take what I got done and try to get even more done today. I have to go to the gym today at some point as well. But now that football season is over for Louisianans, my weekends are completely freed up now for rest and work and anything else I might be up for getting accomplished along the way. This is good, because I need to really start getting focused on the Kansas Book, as its deadline looms large in the near future. AUGH.

But as I sip my coffee on this gray foggy New Orleans morn, March 1 seems a long time off and so I can still muse about being able to get it finished without physically working on it just yet. My final revision is taking place in my head, as I revise and rewrite and restructure the story in my head and put in the things that are missing from the story. The theme I am mostly trying to follow for it–that many societal ills truly are based and steeped in misogyny, and how that harms everyone–is, I think, important; and I have a relatively strong grasp of my point of view character; I spent quite a bit of time yesterday putting other pieces into place and figuring out some things, which is never a waste of time. I’ll probably spend some time with the manuscript today, mostly reading it over and trying to get a fixed outline in place. There are things missing from the manuscript, as I mentioned already; there are several characters who primarily are just talked about and never actually appear in the story itself, and that’s kind of a cheat, and unfair to the reader and the characters. Heavy heaving sigh.

We started watching Anna Paquin’s new show on Amazon Prime last night, Flack, in which she plays Robyn, a deeply troubled young woman who works at a PR firm for high-end celebrities, cleaning up the messes they make and controlling the narratives of their lives. It’s quite good–Paquin is always amazing when given great material (Sookie on True Blood could become annoying and irritating, but then when given material worthy of her she was shined)–and we will most likely delve back into it this evening when we are ready to relax and recharge from this day. I’ve got a stack of folders and papers that really need to be put away–more like find a place to put more than anything else–and I’ve got some more organizing to get done. I’d also like to start reading my next book; I’m not sure which I am going to choose, to be completely honest, but I have such a plethora of riches from which to choose that I know I’ll pick something absolutely delightful that I will greatly enjoy. Maybe even a reread? There are any number of books that I would like to reread–and you know, even as I type this I am thinking perhaps a revisit of Faulkner’s Sanctuary might be just the trick. I was a teenager when I originally read it, and so didn’t quite grasp much of the story and what was going on; it would be interesting to take another look at it now and see how I react to it. It’s definitely noir, or borderline noir; and I do remember enjoying it the first time I read it, even if a lot of it went over my head. If not the Faulkner, maybe I should read something that isn’t a crime novel, just to expose myself to other characters and narratives and styles of writing. I don’t read enough outside of my own genre, which isn’t a good thing; I’ve always felt it important to read outside of the genre whenever I can, but there are always so many good mysteries to read and so many wonderful ones that are already published and new ones being published all the time I know that I will never have the time to read everything I want to read, which is kind of sad, really.

I could, of course, reread Sanctuary slowly, and read something else at the same time more quickly. Hard to say, really. I could also dive back into the Short Story Project; I certainly have enough anthologies and single-author collections to get through.

Ah, well, I shall certainly figure it all out at some point.

Have a lovely Sunday, Constant Reader.

Here to Stay

And it’s Friday. January is slowly slipping through my fingers, but that’s okay; I’d rather life not really slow down to accommodate me, to be perfectly honest. It’s raining and gray outside this morning–last night I managed to sleep completely through the night, which was a quite lovely thing, to be honest, and I feel awake and rested this morning. Rain always helps me sleep better, so I always prefer the rain to come during the night, frankly–but I love rain as long as I don’t have to go anywhere and do anything important while it is happening.

We finished Bridgerton last night, and I must say the show definitely lived up to its hype and word-of-mouth. It was a delightful entertainment, with a gorgeous young cast (and even the older members of the cast were quite marvelous, both in talent and appearance) and I daresay many of this cast will become stars in their own right–the leads, Daphne and Simon, are impossible to look away from when on screen and I am not afraid to confess I got teary at points, particularly the scene at the ball in, of all things, the rain. Visually the show was absolutely stunning–those sets, those costumes, those color palettes!–and the writing was strong. I’d say Shonda Rimes deserves every penny of her massive Netflix contract; the same cannot be said for Ryan Murphy. I am now quite curious to read the novels by Julia Quinn, to see if they are as delightful as the show. I’ve always enjoyed romance novels–while always preferring crime, of course–and it has been a long time since I have read one, immersing myself in crime novels the way I have over the past two decades. Perhaps broadening my reading to other genres again would be advisable? I had mentioned when we first started watching Bridgerton that in another lifetime I might have been a romance novelist; now I am thinking that writing one might be the kind of writing challenge I need in order to keep my own writing fresh and invigorate my own career again. Despite my own cynicism, which has only gotten deeper and more strong as I have aged, I am a hopeless romantic who always wants there to be a happy ending for the characters I read about, and TV shows and movies often move me to tears. The aforementioned rain scene had tears spilling down my cheeks, and I am not ashamed to admit it. (Both The Princess Bride and the animated Beauty and the Beast still bring tears to my eyes, despite the fact I have seen both dozens of times.)

I was exhausted yesterday; pretty much the entire day I was running on accessory. I thought upon waking yesterday morning that it might be a good day, but it was not to be, alas. For some reason I felt tired and drained almost the entire day, like my batteries were recharging, and I had no energy to face anything or even try to get much done. I couldn’t face my emails! Let alone trying to get any writing done; I abandoned that possibility early in the day when I realized my brain was fatigued. I made condom packs for most of the day, and watched two movies–one was a rewatch of the exceptionally amazing Angel Heart, starring a young and astonishingly beautiful Mickey Rourke, Robert DeNiro, Lisa Bonet, and Charlotte Rampling. Part of the film was shot in New Orleans–still stunningly beautiful and different in the 1980’s, but still the same New Orleans–and the visuals are exceptional. The plot is genius, with all of its twists and turns–I read the Edgar winning novel on which it was based several years ago; it’s also quite excellent–and I don’t know if it gets enough credit. I find myself becoming very interested in 80’s “Neo-noir”, whatever that means; I consider these films to be noir, but am also not an expert on noir or film, nor am I really sure why the noir films of the 70’s and 80’s are called “Neo-noir” rather than noir–more research obviously must be done here–but I think that may well be my next film festival–but shall have to come up with a catchy name for it, undoubtedly. There were some terrific noirish films made in those decades–Masquerade, Body Heat, No Way Out, Angel Heart–and I wonder if there is–there inevitably always is–a book or two examining these films?

The second half of yesterday’s double bill was a 1983 British made for television adaptation of The Hound of the Baskervilles, which reminded me of why Holmes never really resonated with me when I was younger. Perhaps it was simply the film, but the characterizations were so two-dimensional the story never really caught fire–and I do remember this was my favorite Holmes story when I was younger; which is even odder because Holmes is hardly in the story at all–but I’ve always been drawn to hauntings and family curses. As I watched, I kept thinking to myself how I could possibly adapt this story to my own Sherlock world–now that I’ve dipped my toe into those waters I cannot stop thinking about them–and rather smiled to myself when I thought my version could be called The Hound of the Mandevilles and be set on the North Shore. I already have an idea for a ghost dog story set in New Orleans–“The Hound of St. Roch”–but I don’t think that would work as a Sherlock story, unfortunately.

I really need to get Sherlock out of my mind, and I suppose watching film adaptations of his stories is probably not the best way to do that, is it? But I’ve grown weary of the Cynical 70’s Film Festival and need a break from it for awhile; but I think I’ll hold off on a Holmes film festival for a while. Last night while I did laundry and cleaned the kitchen I kept thinking about writing a Holmes novel–which is the last thing I need to be thinking about right now.

And on that note, it is time to head into the spice mines for the day. Have a lovely Friday, Constant Reader, and I will check in with you again tomorrow.

Mary’s Song (Oh My My My)

I am the first to admit that I am a crime writer who was always kind of meh about Sherlock Holmes. I read some of the novels and some of the stories when I was in junior high, and while I enjoyed them somewhat, I was never particularly driven to go on to read the rest. I did read the Nicholas Meyer pastiches in the 1970’s–The Seven-Per-Cent-Solution, The West End Horror–but was never particularly driven to go back to Doyle. I never actually went back to Doyle (until recently; bear with me) but Holmes is so ubiquitous, so part of the crime fiction zeitgeist that it was impossible not to be aware of him and iconic parts of his canon, even the ones I’d not read–Irene Adler, Professor Moriarty, Mary who married Watson–and of course, like many others, I’ve watched a great deal of the Holmes film canon, including Young Sherlock Holmes, and am a big an of the Benedict Cumberbatch interpretation; we even watched the first few seasons of the Americanized Holmes, Elementary. But for the most part I’ve avoided pastiches and the originals, with the exception of a story here and there by one of the modern-day aficionados who worship at the altar of Sherlock.

I have always known that my lack of Sherlockian knowledge was perhaps detrimental to my career as a crime writer. Several years ago, I managed to find a gloriously beautiful hardbound edition of the Baring-Gould The Annotated Sherlock Holmes, and I have periodically dipped into it; no more so than when I was tasked to write my own Sherlock story, which became “The Affair of the Purloined Rentboy.” Writing the story, putting my own interpretation on someone else’s characters and breathing life into them to try to make them engaging and new while respecting the originals was quite a challenge for me, one at many times I felt I was not equal to bringing to fruition. The story was written and then revised with editorial input, which made the story much stronger (in my opinion) than how I’d originally envisioned it, and it also unlocked potential in my creative brain: I want to, and plan to, return to the New Orleans of 1916 that I created for iteration, and even see how some other historic stories about New Orleans could easily fit into my Sherlock world, could prove to be cases for the great brain residing at 821 B Royal Street in the French Quarter.

I also decided that reading Laurie R. King’s Mary Russell series was long overdue.

And seriously, what a treat it was.

Dear Reader,

As both I and the century approach the beginnings of our ninth decades, I have been forced to admit that age is not always a desirable state. The physical, of course, contributes its own flavour to life, but the most vexing problem I have found is that my past, intensely real to me, has begun to fade into the mists of history in the eyes of those around me. The First World War has deteriorated into a handful of quaint songs and sepia images, occasionally powerful but immeasurably distant; there is death in that war, but no blood. The twenties have become a caricature, the clothing we wore is now in museums, and those of us who remember the beginnings of this godforsaken century are beginning to falter. With us will go our memories.

I do not remember when I first realized that the flesh-and-blood Sherlock Holmes I knew so well was to the rest of the world merely a figment of an out-of-work medical doctor’s powerful imagination. What I do remember is how the realisation took my breath away, and how for several days my own self-awareness became slightly detached, tenuous, as if I too were in the process of transmuting into fiction, by contagion with Holmes. My sense of humour provided the pinch that woke me, but it was a very peculiar sensation while it lasted.

Now, the process has become complete: Watson’s stories, those feeble evocations of the compelling personality we both knew, have taken on a life of their own, and the living creature of Sherlock Holmes has become ethereal, dreamy. Fictional.

I first discovered Laurie R. King’s work with her Kate Martinelli series; I received a review copy of Night Work when I was editor of Lambda Book Report. I wasn’t familiar with the series, which caught me off guard–how did I not know about a crime series with a lesbian police detective as the protagonist?–and the book itself caught me completely off-guard. It was brilliant, so strongly written and the characters so real I was quite literally shocked to find out, many years later, that King was not herself a lesbian. I went back and read the entire series, loved each one, and was saddened when King ended the series with Book 5, moving on to a new series with Mary Russell–a series so completely different and disparate from the Martinelli series I didn’t see how it could work…and then add in the fact that it was actually a Holmes pastiche, and well, I wasn’t terribly interested.

It was sometime during the past year while working alongside King on the Mystery Writers of America board of directors (I will never get used to the big names I rub elbows with through my years of volunteering with MWA), and in the wake of my own Sherlockian writing experience, I thought, you love and admire her as a writer AND as a person, you should read her Mary Russell series.

It was quite literally one of the smartest decisions I have ever made.

I finished reading Book One of the Mary Russell/Sherlock Holmes series, The Beekeeper’s Apprentice, and as you can see from the above paragraphs, immediately I was immersed in the story. The voice, the style, everything about the character and the story was as far removed from the more hard-boiled, gritty Martinelli series, but the intelligence and warmth and humor was still there–only in a completely different manne, a completely different way. You could read a Kate book and then a Mary and easily believe it was two different authors, they are so different. This is genius, by the way; the ability to create such completely different worlds, completely different characters, completely different voices? And I was riveted by Mary Russell. By the end of the first chapter I was crazy about her–she reminds me of two of my favorite female series characters of all time, Elizabeth Peters’ Amelia Peabody and Donna Andrews’ Meg Langslow–and her warmth and intelligence and humor…she was more than a match for Holmes, and by seeing Holmes through the eyes of an intelligent, independent woman rather than an admiring doctor also helped greater humanize Holmes himself, something I never got from the Doyle works (but that could also entirely be my own failing; I am going to leisurely revisit Doyle this year methinks), and I also found myself caring about them deeply–not just about the case, but about them as people.

So, if you’re avoiding this series because you aren’t a Sherlockian, you’re being ridiculous because you can have no knowledge of Holmes whatsoever to enjoy this, and I can’t see how you can’t enjoy this if you are a Sherlockian. This is a version of Holmes that deserves to be shared on a screen–television or theater, it doesn’t matter–and I can also see any number of today’s younger actresses playing this role. And while I have only seen the television adaptation of The Alienist, but the young female detective played so brilliantly by Dakota Fanning, Sara Howard, seems to also have a lot in common with Mary Russell.

I cannot wait to read the next A Monstrous Regiment of Women, and not just because of that great title resonating with me (I’ve always wanted to write a history of the 16th century by exploring the many powerful regnant women, pilfering that title from the John Knox tract denouncing the most ‘unChristian’ fact of so many powerful women on the scene at the same time).

Color me a big fan!

Everything’s Gone Green

My memory has truly become amazingly awful and limited as I grow older. Yesterday was one of those days that reminded me just how bad it’s become–and how rarely I follow through on plans I make.

I started writing about Kansas when I was a teenager living in Kansas, and I wrote a long, messy manuscript by hand that was essentially a kind of Peyton Place tip-off, with tons of characters and plots and subplots that meandered about and never really had one cohesive central story. Over the years since that handwritten, almost a thousand page first draft was finished, I came to the realization that as a single novel itself I would need to cut out a minimum of fifty percent of the characters and even more of the subplots while tightening it into one cohesive story. The name of the town changed multiple times, as did the names of the some of the characters, while others remained the same from beginning to end. I had no idea at the time of how to write a novel, or how to structure one…but since it already existed, I began mining it for other novels and short stories, pilfering names and subplots and so forth (the murder story in Murder in the Garden District, and the Sheehan family in the book, were directly lifted from this old manuscript; I changed the family name from Craddock to Sheehan). My young adult novel, Sara, also had a lot of story lifted from this same old manuscript–even characters’ names–so when I started building this iteration of what I’ve taken to calling “the Kansas book” over the years, I knew it was possible I was repeating names from the old original, and at some point I would have to check Sara at some point to get the character names from it, to not repeat them. The Kansas book was also intended to be set in the same world as Sara–Sara being primarily set in the county and the small grouping of three small towns consolidated into one high school; with this book set in the county seat, the small city/large town I called Kahola. Kahola never really sat well with me for the town name; it’s perfectly fine for the name of the county as well as the lake (there actually is a Lake Kahola; it’s where we went when I lived there and “went to the lake”), so I decided to change it to Liberty Center (which I got from Philip Roth’s When She Was Good, so it’s also an homage) and Sara geography be damned. So, yesterday while the Saints played terribly and ended their season (and possibly Drew Brees’ career), I was scanning though the ebook of Sara and pulling out character names–even minor ones– as well as place names and so forth.

I am very pleased to report that there is only one character name that traveled from the original manuscript to Sara and finally into this new iteration of the Kansas book, and obviously that needs to be changed. I am not willing to change the name of the county seat back to Kahola; it never really seemed to fit, and Liberty Center works much better on every level, but I can change the name of the character in #shedeservedit to avoid confusion…not that there would be much, since Sara is my lowest selling book for some reason I certainly don’t get, but it would unsettle me, so it cannot be. As I was pulling names out of the ebook, and place names and places of interest, I also began remembering other things.

I had originally intended for all of my young adult novels to be connected in some way, kind of how R. L. Stine had done his Fear Street series, where all of the books take place in the same town and high school, and a minor character in one would become the hero of another. I was reminded of this because Laura Pryce is mentioned by name in Sara; she was the protagonist of Sorceress, and she was from the same rural part of Kahola County and went to the same consolidated high school. Sorceress tells the story of how Laura goes to live with her aunt in a huge house outside the California mountain town of Woodbridge; Woodbridge is also the setting for Sleeping Angel, and characters overlapped from Sorceress to Sleeping Angel. The Chicago suburb in Sara where Glenn is from is the same suburb that the main character in Lake Thirteen was from; it is the same suburb where Jake’s father, stepmother, and half-siblings live in Bury Me in Shadows; and of course, this latter is set in Corinth County, Alabama–which is where my main character in Dark Tide was also from. As I was picking out the character and place names from Sara, I was also reminded of other books I’d wanted to write, and I had introduced some of these characters in this book intending to revisit them again at another time in another book or story–books and stories I have since forgotten about completely, and yet there are the characters, crying out to me from my Kindle app for me to write about them.

Having triggered my brain into the creative mode yesterday by doing this chore during the Saints game (I started during the men’s finals at the US Figure Skating Championships; congratulations to our world team o Nathan Chen, Vincent Zhou, and Jason Brown) I also began remembering other things I was working on–like “The Rosary of Broken Promises” and “To Sacrifice a Pawn,” two stories I started for a submissions call I didn’t manage to make; or some of my pandemic story ideas (inspired by the pandemic or during it) like “The Flagellants”, “The Arrow in the Cardinal’s Cap”, and “The Pestilence Maiden”; amongst so many, many others. This is why I despair of ever writing everything I want to write during the limited time I have on this earth; I could spend the rest of my life trying to write every story and novel idea I already have and would never be able to finish them all.–and I have new ideas, all of the time; it’s almost ridiculous.

I already know I am most likely going to revisit Corinth County in Alabama again–it’s basically where my already-in-progress novellas “Fireflies” and “A Holler Full of Kudzu” are set, amongst many other ideas for short stories, novellas, and novels. I will undoubtedly return to Liberty Center at some point as well; I have ideas for other Kansas books and stories, too; I’ve revisited Kahola County, Kansas in my short stories numerous times already as well. I’ve also got my own parish in Louisiana–Redemption Parish, which I wrote about in Murder in the Arts District, The Orion Mask, and some other short stories. I’ve also already invented a fictional town on the north shore–similar to Hammond–that showed up in Baton Rouge Bingo and will undoubtedly turn up again in my work, although perhaps not under my own name.

I spent some more time with Laurie R. King’s The Beekeeper’s Apprentice and am thoroughly enjoying the ride. King’s authorial voice is so strong (and reminiscent of the late great Elizabeth Peters) that I cannot wait to read more of the Mary Russell series–it’s so different from her Kate Martinelli series, which I also love–and intend to spend some more time with it this morning with my coffee as well; I see a new tradition for non-working days developing; reading with my coffee in the mornings, which is simply wonderful. I recently acquired Alyssa Cole’s thriller When No One Is Watching, which I am also looking forward to, and I have added both Stephen King’s The Stand and Faulkner’s Sanctuary to the reread pile…and I’d also like to get back to the Short Story Project at some point….and of course there are all those ebooks piled up in my Kindle as well.

We also spent last evening after the Saints’ loss getting caught up on The Stand, which I am enjoying, although it’s made some choices I find questionable. I’m okay with everything having to do with the plague and the characters making their way to either Boulder or Las Vegas being done entirely in flashback, but the focus on the character of Harold Lauder–whom, while important to the story, was at best a supporting character in the novel and the original mini-series–is an interesting choice. They’ve certainly spent more time with him than they have with any of the people who were the novel’s protagonists–Stu, Larry, Glen, Frannie–so the focus of the mini-series seems a bit off to me….but props to them for casting the delightful Alexander Skarsgard as Flagg; his beauty and charisma–so evident as Eric on True Blood–playing perfectly into the role of the dark leader of the other side. Over all, the series is well done and well cast (Whoopi Goldberg as Mother Abagail doesn’t quite work for me; in the book she was old and frail and Whoopi is many things but frail is not one of them; I’d have gone with Cicely Tyson or any of the other gifted Black actresses who are older now) and I am a bit more forgiving than most when it comes to adaptations, I think–especially since the key part of the word is adapt. (I saw some more Hardy Boys enthusiasts bitching about the Hulu series somewhere again yesterday; honestly–I really have to center a book and a mystery around a kids’ series’ overly enthusiastic fans) We still have the rest of the first season of Bridgerton to watch, and season two of Servant has dropped on Apple Plus–do NOT sleep on this creepy-as-fuck show; you will not regret it–and I am also anticipating the release of Apple Plus’ adaptation of Foundation, starring Jared Harris, and we’ve also got a second season of The Terror somewhere to watch, and the second season of Mr. Mercedes on Peacock as well…so we seem to be set for things to watch for a good while.

And on that note, tis back to the spice mines with me. Today is going to be mostly spent reading Laurie King this morning, and then the rest of the day spent with my manuscript as I try to work out the kinks and figure out what else needs to go into it. Have a happy holiday Monday, and do try to remember Dr. King’s message of equality, unity, and freedom for all.

Temptation

A very cold Monday morning in New Orleans, and the sun has yet to peek its head out from under the blankets this morning. I slept deeply and well last night also, which made the getting up even more difficult this morning. My space heater is going on HIGH right now, and my cappuccino feels wonderful to my incredibly cold hands. This morning’s shower is going to be quite the challenge, though. But I do feel rested this morning, which is lovely, and while dealing with today’s cold temperatures will indeed suck, I feel like I am somehow up for the challenge.

Walking to the gym tonight after work will be a considerably different tale, I fear.

We started watching Bridgerton last night (that’s us, always on the cusp and cutting edge of what’s new and exciting) and as I watched, I found the word charming popping up in my head when thinking about the show, which is a word that has fallen out of favor and use as a descriptor for fictions, but I think needs to come back. (Ted Lasso, for example, is also a charming show.) As I watched, I began to understand the pull of romance novels again. It’s been quite some time since I’ve read a romance, and I think this has been a grave disservice, not just to the romance genre in general but to me as a critical thinker and writer. I loved romances when I was younger, with a particular appeal for those novels and authors who carried the label romantic suspense–because those combined my two favorite genres, romance and mystery. I also read an awful lot of historical romances–mostly ones based on true history; romance of queens and empresses and princesses and royal mistresses (one of my all time favorites is Anya Seton’s Katherine, which told of the great love story of John of Gaunt, Duke of Lancaster and son of Edward III, and his commoner mistress, Katherine Swynford; whom he had an entire brood of children with and married after the death of his second wife, raising her to be the highest ranking women in England, second only to the Queen herself), and as I watched the show last night, I thought to myself in an alternate universe you would have been a romance writer. The Regency period has never interested me much in England–although the clothes were quite marvelous, and any number of women today would benefit from the Empire style high-waisted dress–primarily because it wasn’t, to me, a particularly interesting period, what with the mad King and his awful sons, who created a succession crisis as they refused royal marriages while living with their commoner mistresses and having hordes of bastard children by them. The show is sumptuous and the attention to details of the period exact; it has the look and feel of care and money, and we were, as I said, quite charmed by it–and we certainly weren’t expecting that.

There is an interesting essay about how Americans enjoy watching rich people suffer as entertainment formulating in my brain as I type this–going back to the 1980’s prime time soaps and mini-series.

I tried working on my short story yesterday, and I did manage to get the 1600 words I’d originally written revised and polished and in better working order, but I did not write into the second act of the story, which is the part I always struggle with on everything, from short stories to essays to novels to novellas. The story is due on Thursday, so I think I am going to have to buckle down, avoid Twitter (yes, I continued trolling right wing politicians and Trump administration appointees yesterday. It’s so endlessly satisfying calling Sarah Huckabee Sanders a fake Christian, a liar, and a traitor to her face…or asking trash like Tomi Lahren why she hates the Constitution, reminding Ted Cruz and Marco Rubio they are cucks and traitors…but effective today I am banning myself from anything other than bantering with friends on there anymore–I have too much to do to bother with stating the obvious to treasonous traitor trash.)

The sun is now rising over the West Bank, and the light is very gray. The sky is covered with clouds–it may even rain today, if I am not mistaken–and this cold spell is supposed to last most of the week, dipping into the low forties after sundown.

I also read a marvelous short story yesterday called “The Fixer”, a collaborative work by Edgar winners Laura Lippman and Alison Gaylin, which was in the Mystery Writers of America anthology Deadly Anniversaries, edited by Grand Masters Bill Pronzini and Marcia Muller–released in the midst of the lockdown last spring, so it didn’t get the attention it truly deserved. The story is quite marvelous–you can never go wrong in the hands of either Lippman or Gaylin, let alone when they collaborate–and I greatly enjoyed it. It’s kind of a “#metoo” story in some ways; it tells the story of a faded child star who appeared in a science fiction television series who now makes most of her living selling signed photos of herself at Comic Cons, who in the present day runs into someone who was her ‘handler’ some years earlier when she was making a movie that eventually was shut done and never finished–ending her career with it–and what happened back then. It’s quite chilling, and a very hard look at how women’s bodies, regardless of age, are seen as property by men in the industry–property those same men have a right to use and abuse how they see fit. There have long been rumors about pedophilia in Hollywood–both Michael Nava and John Morgan Wilson wrote mystery novels around that very subject, which were two of their best books, I might add–and I highly recommend this story, and this anthology; every story in it was written by an Edgar winner, and I will be posting more about the stories as I read them.

The Saints also won yesterday, beating the Bears 21-10 (hey Bears fans, finished what Katrina started yet? Yeah. I have a looooooong ass memory) in an underwhelming game I had on while I cleaned the kitchen and made dinner. Next up are the Buccaneers, whom we’ve already beaten twice; will the third time be the charm for Tom Brady and his new team? Tonight is the Alabama-Ohio State game for the national title in college football, and I don’t find myself caring too terribly about that, to be honest. I might have it on? We’ll probably watch Bridgerton instead, and I’ll see who won when I get up tomorrow morning.

And on that note, tis back to the spice mines with me.

Style

And this is the first Tuesday of 2021, how are you all doing?

I was very tired yesterday. I slept well Sunday night, but the stress of finishing the book was messing up my sleep leading into Sunday night, so yesterday wasn’t an easy day for me. I also think my caffeine intake might have gone up while I was on vacation, so I am not really sure if it was book stress or perhaps caffeine messing with my sleep. I didn’t sleep particularly well last night either–and I am going to the gym after work tonight. I’m a little stressed out because I really allowed the Sisyphean task of answering my emails be pushed aside focused on getting my book finished, and it was more than a little traumatizing yesterday to see how out of control my inbox had gotten. But que sera sera, as Doris Day used to sing.

We finished watching The Chilling Adventures of Sabrina last night, and bravo to everyone involved. Sabrina was one of the most fun shows we’ve watched over the past few years, I highly recommend it. Kiernan Shipka is pitch perfect as Sabrina–the entire cast is perfect, really; not a false note anywhere–and of course, the guy who plays Lucifer is fucking gorgeous. The four seasons was a wonderful ride, as Sabrina went from wide-eyed, goody two-shoes half mortal/half witch to owning her own power and using it to save herself, her friends, her family–and eventually, the entire cosmos. I was bummed when I heard the fourth season would be its last…but the final season was perfectly written, and ended all of the story arcs satisfactorily, tying the entire run up with a bow. Sorry to see it go, but absolutely delighted that they clearly planned the show’s end.

I do feel a bit at sea, to be honest; the usual disorientation after the tight focus required to finish a book. I printed out #shedeservedit–it’s at around 100,000 words right now and needs to be trimmed down because there’s some additions that need to be made to it, but it cannot come in at 125+. I also periodically have some fears about Bury Me in Shadows–which is inevitable, I suppose; imposter syndrome never goes away, even after you’ve written over thirty books at this point in your career. I’m not certain why this happens to me still–or what I need to rewire in my brain to stop it happening–if that’s even possible at this point in my life. I rather am who I am, and I doubt that change is possible for me now. I do try to continue to learn and grow–I don’t think I ever want to stop learning and growing, as a person or as a writer–but sometimes I wonder if I am so deeply mired in who I am as a person for that to even be possible anymore. I was also thinking about books and stories I’d like to write in the future, and then wondering, am I the right person to tell that story? As an example, I had an idea I really liked a few years back (probably longer than I remember) which was centered around a family of Vietnamese refugees who owned a small business somewhere along the Gulf Coast, either Florida or Alabama, from the point of view of a teenager who was born in the US and so is torn between his family culture and becoming assimilated, when something from the matriarch’s past in Vietnam–from the war days–comes back into their lives,, affecting everyone and changing everything. It’s a really good idea…but then, am I the right person to tell that story? Wouldn’t a Vietnamese-American write a more authentic story, and would my writing such a book take a publishing slot away from a Vietnamese-American writer?

While I do believe that writers have a right–perhaps even a duty–to write the stories they are compelled to write, I also don’t see that compulsion as a “get out of jail free” card. You have to do the work to make sure you aren’t using cheap stereotypes, are creating authentic characters whose experience lives and breathes and is real to the reader, and are telling honest stories about them. You can’t just shrug and smile and say, “well, if people only wrote from their personal experience we wouldn’t have stories about vampires and werewolves and space aliens”; nothing makes me angrier than seeing someone using that to answer criticism about authenticity in their work.

Because people of color and queers, for the record, aren’t mythological creatures that only exist in fiction and in our imaginations. We all exist, and to have our lives, our experiences, and our very existence compared to “vampires and werewolves and space aliens” is not only insulting, it’s dehumanizing–which is absolutely what racism and homophobia are about when boiled down to their base point: people who are not straight and white aren’t REALLY human beings.

And anyone who uses that excuse most definitely should not be writing outside of their own experience, because they are NOT coming from a good place.

When I was first starting out, there was an ongoing debate/discussion about whether we should identify as gay writers or just as writers. The debate died off as traditional publishing backed away from publishing queer writers–and the ones they did continue publishing weren’t marketed as “queer.” I could see the merits on both sides of the discussion; sure, I’d prefer to be seen as a crime writer and have my works stocked in the mystery section of bookstore–but that was also not a reality. As I would say back then–and it’s still true today–“it doesn’t matter what we consider ourselves and our work to be; the publishers and the booksellers are going to label us and or work however they think best in order to sell it, and no matter what we do, our thoughts and opinions and definitions will always be overruled by Marketing.” That label also trumps everything that comes after it–whether it’s romance or mystery or literary or science fiction or fantasy or horror, gay or queer overpowers everything else. I think that is beginning to change. I see books written by queer writers centering queer characters being published by the big houses to great reviews and getting attention, which is lovely. I love the entire “#ownvoices” conversation, and the move to course-correct the overwhelming white straightness in book publishing.

Ironically, it causes me to doubt myself. When I was writing Bury Me in Shadows, I questioned myself constantly: do I have the right to write this book and tell this story? Can a white Southern gay man write about issues of race in the rural South? Am I writing authentic characters or perpetuating rural Southern stereotypes? Do I have anything really insightful to bring to the discussion, or have I gone completely off the rails? It’s a whole new kind of imposter syndrome I wasn’t expecting!

And on that note, tis back to the spice mines with me.

Ours

And here we are on the second day of the new year. I didn’t not finish polishing the book yesterday; I am doing it old school–editing on paper–because of course there are endless issues with my MacBook Air still; the very problem I tried to get resolved the other day has returned, which means I am going to have to go to the fucking Apple Store in Metairie (because, you know, I have nothing but fucking free time) to get this piece of shit’s problems resolved once and for all. It’s a fucking iCloud issue (of course, the worst and stupidest fucking thing Apple ever came up with–hey, you don’t need any storage in your computer! You can just save everything in the Cloud! Oh, but if you do, it’s going to also somehow eat up the miniscule amount of storage we gave you in a laptop that cost WELL over a thousand dollars.

I will probably be arrested when I do go to the Apple Store.

So I was kicking it old school yesterday–sitting in my easy chair and going through it, line by line, page by page, catching discrepancies and contradictions and mistakes and repetitions. I only have about 100 pages left to go, so I am hoping I can get that done quickly and then start pulling the entire manuscript together so I can get it sent in. I had originally planned on writing a short story for 1/15 deadline this weekend and getting caught up on everything else I am doing (and am woefully behind on) but around eight o’clock last night my eyes started blurring and crossing and I knew better than to keep going with this. The work would just shoddy and sloppy–and the whole point of this polish was to get rid of the shoddy and sloppy writing (of which there is a ridiculous amount). But I should get it finished and turned in this weekend, and then I can move on to the next thing–the short story, and the manuscript due on 3/1.

After I finished last night I also had a bit of a crisis in conscience and confidence about the book–I’m not really sure why, to be honest. I am writing about race in the south, but I am also writing it from the perspective of a gay white college student whose been unexpectedly thrust into the midst of it by spending the summer in Alabama, and his dysfunctional family’s many dark secrets from the past start having an impact on the future. So, of course, last night as I sat in my chair watching the final episode of A Teacher (horrible right to the end; leaving us to question what the entire point of the show was in the first place) and the latest episode of The Stand (also not very good, but as a huge fan of the book I will watch to the bitter end), my mind started racing: am I depicting the people of color in the book properly and inoffensively? Should I be writing about Southern racism while centering a white character? Is the story itself offensive? Is this going to be another one of those “well he meant well but” things? I approached the whole thing respectfully, I think, and while having a main character who was raised not to be racist having to confront the racist past of his own family might come across as preachy–another fear–I think about all the young people I’ve worked with over the years and how open-minded they are; and they give me hope for the future–and that is what I drew from for this character and this book.

And ultimately, if I wind up getting called out for insensitivity, well, all I can do is apologize and try to do better.

But–sloppy and shoddy parts aside–as I read to revise I kept thinking this is actually much better and more cohesive than I thought it was, and things I was thinking I needed to add–about the family history, etc .–I already had, which was kind of lovely; I just need to make sure what’s in the early part of the book matches what’s in the later, and of course, hopefully whatever I may miss will be caught by my editor.

SO, it’s Alabama and Ohio State for the national championship. I watched the games–well, had them on in the background as I edited and read–occasionally looking up and being startled by the scores. They didn’t just win; they pummeled Notre Dame and Clemson, respectively. After the ACC championship game, I kept saying it didn’t make sense nor was it fair to put both Notre Dame and Clemson in the play-offs, giving them a chance to possibly play for the third fucking time, while shutting USC, Oklahoma, Cincinnati, and Texas A&M out of the play-offs entirely. (Well, Cincinnati lost to Georgia in a nail-biter–I also had that one on in the background, and watched the closing two minutes or so as Georgia rallied to win) But I think it is safe to say, yet again, that the four-team play-off just doesn’t work, and it’s maybe time to again look at and consider going to a six or eight team play-off.

I am skipping the gym again today because my shoulder is still sore from the inoculation Thursday.

And on that note, it is back to the spice mines for me. Y’all have a great day, okay?

Shake It Off

Believe it or not, we have finally reached the last Monday of 2020.

As always, I have a lot of work to do, but I slept exceptionally well for a change and the bed was comfortable and felt so lovely I stayed in bed for another hour after I woke up initially; sue me. I have a gazillion things to do today, including going to the bank and making groceries as well as going to the gym at some point; I also have to work on the book today. The work went very well yesterday and I was enormously pleased with what I managed to get done yesterday. I have a mere five chapters left to revise and a final chapter yet to be written; all of which needs to be done by Friday, and I do feel like it can be done–especially since I don’t even need to leave the house on either Tuesday or Thursday. I am not certain if the gym is going to be open on Friday–I guess I can ask when I go there today; I do find it strange that they don’t post their holiday hours anywhere around the front desk or on the front door, but it’s also not “my” gym, so I guess they can run it however they please. I also have a gazillion emails to answer, which doesn’t sound in the least bit fun or interesting, but it has to be done.

I did, as I mentioned earlier, manage to get a lot done yesterday–and not just on the book. More cleaning and organizing was required–still have some more to do today at some point–as well as making new folders, both physical and virtual, and of course, this meant more filing. While it was busywork, it needed to be done, and I actually did the floors in the kitchen–well, the rugs anyway–which always makes the kitchen look ever-so-much better. I am going to do the rugs in the living room today at some point, and then over the rest of the week do the actual floors themselves–and yes, I am going to do the windows as well.

I intended to start reading the new Alison Gaylin–I am lucky to have a very advance copy of The Colleciive, available from your local independents and on-line this coming summer of 2021–but I got caught up in Czity of Nets, which is, of course, Chlorine research, and after reading through it (I went ahead and bought the ebook; I do believe I must have donated the hardcover after I finished reading it, as Chlorine had yet to occur to me at the time I read it) I thought about it some more and was like, dude, you’re going to be writing the Kansas book next–maybe you should do some more background on it…because truth be told, most of it is being written based on almost forty year old memories of Kansas, and that really won’t do, will it? So, I went into a Kansas internet wormhole for quite some time and actually got pretty far afield from what I was originally looking up–you know how one thing inevitably leads to another on-line–and soon I was looking up rivers and lakes and the small rural towns scattered around the nucleus of Emporia, which was the county seat of where I lived as a teenager–towns with names like Admire and Allen, Bushong and Cottonwood Falls, Council Grove and Neosho Rapids, Olpe and Hamilton and Reading and Hartford. I’ll probably also take another read of In Cold Blood while I work on this revision as well; few writers have captured Kansas quite the way Capote did in that book. I also started looking at history as well–the history of Bleeding Kansas and the Kansas-Nebraska Act, both of which were preludes to the Civil War. And as much as I am basing my fictional city of “Liberty Center” (shout out to Philip Roth and his When She Was Good) on Emporia, I also have to remember–just as how Bury Me in Shadows is a fictionalized version of the part of Alabama I come from–that I am fictionalizing the town; so I can make changes as needed and the fictionalization doesn’t have to be exact.

It’s so wild that the Kansas book is going to finally be finished and published–and all the different iterations it’s gone through over the course of my life. I actually started writing this book originally in high school–which is when I came up with the character names and places–and it was actually the very first manuscript I completed, by hand, in 1983 after writing it for about four years, continuing the stories I started writing about these characters in high school. This book will bear very little resemblance to any of those earlier iterations; over the years I’ve used the character names in other works, primarily my only other Kansas book, Sara–which I really need to reread to make sure I don’t re-use names I’ve already used. I think the ones I’ve used since high school were used in Sara, which I thought would be my one book about Kansas, so I threw all the character names and place names into it. I had wanted to connect this book in a way to Sara as well; since they are about the same part of Kansas, and I try to connect all of my work in some way, but I’ve never ever liked the name I came up with for the county seat, and now I’ve settled on Liberty Center….but I also tell myself that the two differently named counties can actually be next door neighbors, Liberty County can be right next to Kahola County, and thus Kahola High can be Liberty Center’s arch rival.

Looking into those small towns, some of them considered to be ghost towns now, also piqued my interest. I have several ideas about writing about Kansas–the Bloody Benders, of course, and I have a great title for a prairie noir called Kansas Lonesome I really want to write–and as I said, this book has been through many iterations. The great irony of finally publishing this–and finishing it, let’s be honest–still doesn’t mean I am writing the Kansas book I’ve always wanted to write; this book does focus on the murder of a high school football player, as the Kansas book I’ve been wanting to write since around 2002 did; but this is a vastly different story from what I originally wanted to write–and I still may write that book, centered around Kahola rather than Liberty Center; I’m not sure–and there’s also the cult college thing–the Way International and their Way College of Emporia, which isn’t there anymore; they closed the campus and sold the property to Emporia State University–and the Way has declined over the decades since they were large and wealthy enough to buy a bankrupt Presbyterian college in a small city in Kansas–but that’s a whole other story. There’s also the megachurch story I want to write about Kansas….which is also sort of tied into my original story of the quarterback’s murder. Who knew Kansas could be so inspirational?

But you see how I wind up wasting days….

And on that note, tis time to return to the spice mines. Those emails will not answer themselves, after all, and I’ve got a lot to get done today before the sun sets. Have a happy final Monday of 2020, Constant Reader!

Christmas Tree Farm

And now it’s Christmas. I woke up this chilly morning to a barrage of well wishes in my inbox; thanks, companies who have my email address; I appreciate your concerns about my holiday and how it is going to go. It’s cold this morning, but the sky is blue and the sun is shining and there are no clouds to be seen anywhere in the sky; it was also cold yesterday but much more dreary outside. This morning appears to be one of those mornings where it feels colder inside than it does outside.

I was a slug yesterday, admittedly so. I just didn’t have the energy or the inspiration or the drive to do a whole lot of anything all day–i feared this would be the case, and was proven, rather early on, to be correct. I spent the morning finishing reading The Man Who Invented Rock Hudson, and yes, this was magnificent research for Chlorine, but at the same time is was a fascinating journey into what it was like to be gay in the entertainment industry in the post-war period, and needless to say, it was a fascinating read. And while it was completely impossible to feel deep sympathy for Henry Willson–he did terrible things, and used his power to force beautiful young men with Hollywood aspirations and dreams into having sex with him, among many other terrible things; and although it was also the era when beautiful young women also had to have sex with producers, directors and studio executives to get ahead, that doesn’t lessen, or in any way mitigate, what he was doing to those young men. Willson was gay but was also homophobic, and serves as an interesting case study into the mentality that drives and draws gay men into sociopolitical conservatism–and the cognitive dissonance that must exist in order to embrace a self-loathing world view. Willson was a friend of Roy Cohn, probably the most horrible gay man to ever exist in this country, but that friendship really came as no surprise. Reading the book was a fascinating, if horrifying, reminder that it wasn’t all that long ago that the closet was the only option and going to a club or being involved with another man or even going to a private party, was putting everything in your life–career, family, whatever–in jeopardy.

And needless to say, I have a lot of great ideas now to work into Chlorine; I’d say this book was probably the single most important resource I’ve come across in my research for the book–more so than even Tab Hunter’s memoir or the biographies of Rock Hudson and Montgomery Clift; yesterday afternoon as I digested what I’d read, plot twists and story kept coming to me–scenes, character development–and I am, as always, looking forward to that day in the now not so distant future when I’ll be able to write this book…although I am also thinking reading a biography of Anthony Perkins also might not be such a bad idea.

We finished watching Tiny Pretty Things yesterday, and I have to say it was quite delightful fun–but the dialogue! OMG, the dialogue was sometimes so jarringly bad it took me right out of the show. I don’t blame the cast at all–some of the dialogue was so fucking bad not even Streep or Lange or DeNiro or Pacino could have made it work–but everything else about the show was marvelous. It was well plotted and planned very well; apparently there are two novels set in that ballet school, and the first season ended with an amazing cliff-hanger as well to set up the second season, even if the crime from the first was still unresolved–at least, thus far. I’ve always thought ballet was the perfect setting for noir–the sacrifices it requires, the commitment necessary, and the willingness and desire to push your body through incredible pain to achieve great beauty…it’s amazing to me. Do I wish I had some ballet training? Kind of, although I don’t think as a child I would have had the drive to push myself through the pain…but you also never know. I’ve always been able to commit fully to things I’m interested in or enjoy; the question would be whether or not I would have enjoyed it enough to commit to it. Hard to say, really.

I do know if and when I start writing about ballet, I’ll need to immerse myself in it. I do think the young men who commit so fully to dance–particular in our culture and society, which still sees such things as “unmanly” and “gay”–are fascinating, and most books about ballet–shows, etc–inevitably default to the female point of view and perspective; no one has, to the best of my knowledge, ever really delved into the world of ballet from that masculine perspective.

We also watched the second episode of The Stand, which isn’t really generating a lot of buzz as it airs; which is kind of curious to me. Someone mentioned it on Twitter last night, something along the lines of “How bad must this version of The Stand be if there’s no on-line discussion of how hot Alexander Skarsgard is in it?” I hadn’t really thought about it–I’m kind of enjoying the non-linear story-telling technique they are using, even if it does kind of lesson the impact of the apocalyptic end of the world from the flu story King told in the first part of the book–which is one of my favorite parts of the book, honestly. (I do love the book, even if it’s been years since I reread it–it used to be one of my comfort reads) There were some responses to the tweet about how bad the show is, and I don’t know that I would go that far–I’m enjoying it thus far, even if the non-linear story-telling is kind of jarring–but the lack of conversation about the show is pretty telling, I guess.

I didn’t do any physical writing or editing yesterday, but I did spend some time thinking about it, and i hadn’t planned on doing any writing or anything today, either, what with it being holidays and all (remember, I suspected this would happen yesterday morning), but that’s okay, really–not going to beat myself up over it too terribly; it is what it is–and today I will most likely try to get some of this mess cleaned up; my office area is a disgrace as always, and I have paper and folders and books stacked everywhere. And we are definitely watching Wonder Woman 1984 today.

And that, Constant Reader, is as good a segue as any into my return to the spice mines. Have a lovely holiday, everyone/

Hark! The Herald Angels Sing

And now it is Christmas Eve Eve, my half-day before vacation, and all is right in the world. It’s also payday, aka Pay the Bills Day, so I will be forced to spend a small, but no less significant, part of my day paying the bills and figuring out the grocery budget for the next two weeks. Huzzah? But I am endlessly grateful to still be employed in these troubling times, and I think people are reading more these days–I have certainly seen a lovely uptick in my last two royalty statements.

Yesterday was actually kind of pleasant. The mood roller-coaster known as one Gregalicious has been on the upswing this week, which has been very lovely. I’ve actually been getting positive reaffirmation about my writing and my work, and believe you me, that is rare enough that it makes me very happy when it does happen. (I also have a tendency to brush it off or disbelieve it, and that is something I intend to change going forward. I may be almost sixty, but I can still change my spots!) So, I’ve been on a bit of an emotional high this week, and it’s been absolutely lovely. I didn’t sleep great last night and am thus groggy Greggy this morning, but am hopeful that cappuccinos will kick me into gear. And…it’s only half-a-day. I am going to swing by the post office and possibly get some groceries as well on my way home from the office….and I intend to get to the gym today as well.

We finished off season one of The Hardy Boys last night and yes, it held up through the end, even if the finale went a bit off the rails there at the end. The primary appeal of the show is the kids, and the majority of the show hangs entirely on the young actors playing Frank and Joe, and fortunately, both have the talent and charisma to pull it off. They are both likable, respectably talented, and the cast playing their ‘gang’–Callie, Biff, Chet, and Phil–are also equally charismatic. I think Aunt Trudy might be having a lesbian affair with Jesse, Biff’s cop mom, but it was more implied than anything else, and they could wind up just being very good friends. I feel like the show really captured the spirit of the books, despite the changes made structurally to the foundation of the series, and it is far far better than the late 1970’s Nancy Drew/Hardy Boys Mystery Hour. The characters have inevitably always been portrayed on screen as very two-dimensional–as they come across in the revised texts of the books–and in this, they are more fully rounded and developed. They’re still good kids, but in this they seem much more realistic–and they don’t mind bending the rules to get the results they need for their investigation. It appears as though dad Fenton will be taking over as chief of police in the second season, which is an interesting twist on the “our dad is a famous private eye” take of the books, and I’m looking forward to a second season.

We also watched the second to last episode of Hulu’s A Teacher, and it remains a hate-watch, as the student, now in college, and the teacher he had an affair with deal with the damage wrought by their affair, not only on themselves but on everyone they care about. It was almost painful to watch–clearly, both need a lot of therapy–but we’ve come along this far, so I guess we’ll hang on to the bitter end, which will be the season/series finale.

Okay, I didn’t finish this before work this morning–I was a groggy Greggy, as I said–and now I am home. I picked up the mail, picked up my library book, and swung by the grocery store. I am now home and on vacation, and it’s quite lovely, isn’t it? I am fluffing the laundry in the dryer, and once it’s finished, folded, and carried upstairs, I am going to head to the gym, after which I will come home, do some odds and ends around here, and then sit in my easy chair and work on the book. I am on chapter nineteen of twenty-five right now (twenty five actually needs to be written) after which I will let it sit for a few days and then go over one last time before turning it in. I need to get my story for the MWA anthology finished, too–that deadline is January 15th–and I have any number of other odds and ends that need tidying up and tying off during this lovely vacation time. Despite all the time off, I am going to desperately try not to take a lazy day–where I do nothing, not even read–more than once (probably Christmas Day) because I really need to get this book finished. But college football is over; LSU isn’t going to a bowl game and as far as I am concerned, I couldn’t care less about the championship play-offs or anything; I’m pulling for Alabama, of course, but not sure that I care enough to watch.

And the dryer just clicked off, and so I am off to fold the clothes. Have a lovely Wednesday, Constant Reader.