Walk Like an Egyptian

And just like that, it is now Friday. I’m still not entirely certain of everything I must get done this weekend, but at some point today I am going to have to make a list. I know I have to finish my essay, get further along on that short story I have due at the end of the month, and get some work done on another that isn’t due until March, but I want to start playing with.

Last night was another bad night as far as sleep was concerned, but I do feel somewhat rested today. My friend Lisa from Atlanta is in town, and I am meeting her after work today to hang out for a bit. My schedule has changed from early morning to early afternoon, which is always my preference–I’d rather never do any early mornings, quite frankly–and I am hoping this morning’s coffee will not only fuel me through this entire day of work but get me through hanging out with Lisa with some coherence. I have a lot of work to do this weekend–one of the many things I’ve allowed to fall to the wayside whilst working on this enormous volunteer project is housework, other than the dishes and laundry–and I really need to get that under control. The weather is still pretty awful here, although it’s getting to the point where it’s cool in the morning and cool in the evenings, which is a sign the heat’s going to break relatively soon.

It’s also Friday the 13th, which I just realized, and there’s a full moon tonight, methinks.

I’ve been reading Lords of Misrule by James Gill, as I have mentioned previously, and it’s really quite eye-opening. It’s funny to me in some ways because all of my reading of New Orleans history this and last year has shown me that New Orleans has always been a rather lawless city, with high rates of brawls, murders and robberies; I am sure rape rates have always been high but never reported back in those days. The history of the city can essentially be summed up in the theme I am using for Bury Me in Shadows: “The history of this city was written in blood.” It shames me that I’ve not studied the history of my home city and state in more detail, and that it has taken me this long to start. I’m going to be writing a historical short story soon–I’ve been asked to write one for an anthology, and I am setting it in 1913-1914 era New Orleans, in Storyville, and I think it will be incredibly fun to write, and I know it will be incredibly fun to research. I really do want to, at some point, write more historical fiction set in New Orleans; the history here is fascinating, if a little frightening–the white supremacy and racism is particularly horrible for such a seemingly tolerant city; but we also have to remember the horribly homophobic reaction of most of the city when the Upstairs Lounge, a gay bar in the French Quarter, was set ablaze in the worst mass murder of queer people in American history until the Pulse massacre in Orlando a few years back. (I really can’t wait to read Robert Fieseler’s Edgar winning Tinderbox: The Untold Story of the Upstairs Lounge Fire and the Rise of Gay Liberation.)

Anyway, I am at the chapter in Lords of Misrule called “The Battle of Liberty Place,” and I am already dreading reading it in some ways. I know a little about this; all I really need say is it involves a mob of white supremacists and it happened in 1874, during Reconstruction while the state was occupied after the Civil War and…I don’t really need to draw a picture, do I? The Battle of Liberty Place monument was one of the Confederate memorials in the city that were taken down during Mitch Landrieu’s administration, and while I believe they all had to go (I was truly tired of saying to visitors I was showing around, “and here we are at politically incorrect Lee Circle, which memorializes treason”), the Liberty Place monument in particular was a disgrace to a modern city. (I had considered doing a Scotty book around the memorials and their removal, but decided ultimately against it. I don’t like the Scotty books to be fixed in time; there are times when I’ve regretted writing about the Saints winning the Super Bowl) I don’t consider myself to be particularly “woke”, but I do recognize I’ve benefited from privilege most of my life, and while being gay has resulted in some marginalization, I’m still a cisgendered white male, which in this society and culture puts me on third base already.

I can always do better when it comes to issues of race, gender, and sexuality–and it’s something I think about every day at least once. I strive to be a better ally than I am. It really is amazing, when you think about it, how indoctrinated we all are into this shit.

And the history is absolutely horrifying–and it’s disgraceful how it’s been sanitized into mythology.

Heavy thoughts for a Friday morning, aren’t they? Sheesh. But it’s hard not to read about  angry mobs murdering people they’ve othered, and not be appalled by it. I haven’t even gotten to the xenophobic massacre of Italians in the 1890’s yet.

Yes, New Orleans is a city with a history that drips blood; a city of massive contradictions, and it’s not hard to believe that the city’s history haunts it. And yet it is still a magical place, where all that pain and blood and suffering has been somehow transmuted into gold through art and music and literature. The city will probably never stop fascinating me, and I will undoubtedly spend the rest of my life studying it.

And on that note, tis back to the spice mines with me. One of the things that is completely out of control is my inbox; I’ve got to do something about that this morning.

Heavy sigh.

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Superfly

Good morning, everyone, and welcome to Thursday.

I slept rather well last night, which was lovely, and today is one of my short days, which is equally lovely. I made some terrific progress yesterday on Major Project, not so much on the WIP but it’s okay. I’ve made peace with the fact I can’t work as hard in as short a period of time as I used to, and I feel confident that once Major Project is out of the way, I can make some more progress on everything else I need to get done.

I still have short stories I need to write, as well as an essay, and am hopeful that between today and tomorrow and this weekend–plus the long birthday weekend i am treating myself to next week–will give me the time to get all the things done that I want to get done. I haven’t had time to do much reading this week, but I need to get moving on S. A. Cosby’s My Darkest Prayer so I can dive into Laura Lippman’s new Lady in the Lake, which is getting raves everywhere. Again, hopefully, that will come to pass this weekend, and what a lovely birthday gift for myself to spend my birthday long weekend curled up with the new Lippman?

Life rarely gets better than that, seriously.

We finished watching Years and Years last night, and it remained interesting all the way until the end–even if the death of my favorite character kind of cost me some of my emotional investment in the show. I was quite critical of this character death yesterday, yet still held out some hope that the death wasn’t really exploitative and would make sense in the over-all story, once it was finished; you know, the sense that it wasn’t done simply to advance the story and motivate characters to the actions that would move the story to its inevitable end. I think it could have gotten to that inevitable end without this character’s death, frankly, and so it remains another sad example of show business’ favorite gay trope, bury your gays.

Overall, despite this disappointment, I did enjoy the show…although not as much as I did before bury your gays reared its ugly head.

But I am now in the short part of my work week, the two half-days that help me ease my way into my weekend. When I get home from the office late this afternoon, I can do some straightening and cleaning and I can also get back to work on Major Project, or the WIP. Tomorrow I also get off relatively early–one in the afternoon–and it has occurred to me that I could just run to make groceries then and get the mail, negating the need to leave the house over the weekend (running those errands always seems to throw me off every weekend but I need to be more disciplined anyway; soon enough Saturdays will be all about college football and Sunday will be Saints games, so my weekend productivity is about to go into a severe decline (I often read and/or edit while I am watching football games that are neither LSU nor the Saints, so there’s that), so it’s crucial that I start getting things done throughout the rest of this month. I’d like to get all these little things done this month so I can focus in September more clearly on JUST ONE THING for a change.

I’ve slowly been coming to a conclusion about my career, and I actually said it out loud to my friend Laura at lunch on Tuesday, which made it more real, and having said it out loud, it resonated inside my head and the more I think about it, the more sense it makes. Simply put, I don’t think I’m going to write much more young adult fiction, or novels that could be classified that way. Watching y/a Twitter has been horrifying, and that entire world just–yeah, no thank you. I had always wanted to write books for teenagers, going back to discovering Christopher Pike and R. L. Stine and Jay Bennett back in the early 1990’s (Jay Bennett was amazing, absolutely amazing), and it was never about trying to make a lot of money or anything (despite being accused of that any number of times), but simply stories about teens that I wanted to tell. Currently, I have three novels in some sort of progress centering teenagers; I am going to get them finished and then I am going to leave y/a behind (I still have two good ideas for y/a books; I may eventually write them, or I may not).

I’ve been reassessing my career a lot lately–I wish I had a dollar for every time someone told me I should write something more mainstream, so I could make more money….because I would then have so much money I wouldn’t need to write anything at all. There are stories I want to tell–I have ideas coming to me all the time–but I am never going to stop writing stories centering gay men. I’m just not wired that way. I may write things that are more mainstream–a lot of my short fiction isn’t about gay men–but i am never going to stop writing gay stories. I’m just not going to, nor should I have to, and while I understand the good intentions behind people telling me to write something more commercial, I can’t help but wonder if people say that to other minority writers?

I kind of doubt it.

But now I need to get ready to face my day, so it’s off to the spice mines with me. Have an absolutely lovely day, Constant Reader, and I’ll chat with you again tomorrow.

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I Believe in You (You Believe in Me)

I really need to focus and stop being distracted by shiny objects.

Stupid fucking shiny objects, anyway.

But there are so many, and they’re all so glittery and pretty and interesting.

It’s a wonder I get anything done.

Every once in a while, like now, I allow myself to get completely scattered and my inability to say no to people gets me into trouble; I then get overwhelmed and paralyzed with fear that I’ll never get everything done…thereby ensuring I won’t get everything done–or if I do, I’ll basically have to kill myself to get it all done on time. Heavy heaving sigh.

But at least now I’m aware I’m doing it again, which should count for something.

I took stock yesterday of everything I am doing, everything I’ve promised, and everything I’m in the middle of–and it was quite staggering. I have, as I said before, promised three short stories, only one of which has a completed draft (the others are still just ideas, waiting to be born on the page); I am working on a massive short-term project; a massive long term all year one; I am five chapters shy of finishing a first draft of a novel; have another novel manuscript that will need at least another two drafts; have written the first drafts of two first chapters of new novels; have a lengthy novella whose publication fell through that can be revised and rewritten and turned into a novel; and have about thirty or forty short stories and essays in some form of being written….and I keep having ideas, new ones for stories or novels, every day. Just this week I came up with another book idea called Another Random Shooting, which I quite like, and three short stories–“Festival of the Redeemer,” “Hot, Humid, Chance of Rain,” and “Flood Stage.” Yikes. I also have to run errands today–mail, bank, groceries–and am hopeful I will get some things done today and tomorrow. I slept really well last night–am still a bit groggy this morning, while i wait for the coffee to kick in. I think, probably, when I finish this I am going to go sit in my easy chair and read the Steph Cha novel. It’s really quite good, and I like the idea of spending my Saturday mornings reading a good book.

Yesterday when I got home from the office, I finished doing the laundry (bed linens every Friday), cleaned the kitchen and did the dishes, cleaned the Lost Apartment (still need to do the floors), and did some filing. My office space is always, it seems, a mess; something I’m never sure how to resolve. The truth is my office space is too small, always has been; but the primary problem that goes along with that is there isn’t any other place for my office to be located here in the Lost Apartment. Our apartment is, especially by New York/DC standards enormous, especially given what we pay for it–we’ll never be able to move because we will never find anything comparable at the same price; I’m not even certain one can get a studio for what we pay in rent. And, if I’m being completely honest, having a room dedicated to being my office would eventually not be big enough, either, as I tend to expand to fill space. But I still dream of the day when I’ll have an entire room for my office space. Anyway, when Paul got home I made Swedish meatballs (I do love cooking, I just rarely get the chance to do it anymore), and we got caught up on Animal Kingdom, and then finished The Boys, which is fucking fantastic. It occurred to me last night as I watched those final two episodes, that a world with super-heroes would probably be more akin to Greek mythology than the comic book worlds we see in most super-hero stories; capricious, mercurial beings with amazing, seemingly limitless powers, and all humankind would be at their mercy. I also liked that the human male lead, Hughie, is played by Dennis Quaid and Meg Ryan’s son Jack–and he’s quite good, and looks nothing like either of his parents–although sometimes you get a glimpse of one or the other. I have to say I liked this show a lot more than I thought I would, and we’re both looking forward to Season 2.

I think tonight we might dip into Years and Years on HBO. One can never go wrong with Emma Thompson.

Yesterday I reread my short story “Fireflies” in order to make some notes on it. I originally wrote “Fireflies” in long hand in a notebook back in the 1980’s–it’s another one of those “from the vault” stories–and I’ve worked on it, off and on, since the original draft was written. It was always slightly off, and the original ending was terrible. Fast forward, and last year I was looking at it again, and thinking about revising it, when I was invited to submit a short story to a horror anthology. I decided to use “Fireflies,” and I revised it and rewrote it a bit, smoothed over the rough transitions, made it flow better, and changed the ending along with some additions to the narrative to make it not only tighter but stronger. After submitting the story, I was contacted by the publisher and officially commissioned to write a story for the book. The anthology had a broad submissions call, anything from noir to pulp to outright horror, but every story had to have a paranormal element to it. They commissioned a pulpy noir story, and when I mentioned I’d submitted something already, they were very nice about specifically wanting the new story and would still consider the other; I wound up writing “A Whisper from the Graveyard” for it, and a few months ago they finally decided not to use “Fireflies”–but were interested in it as a novella; the true problem with “Fireflies” was its length. I immediately saw the value of the critique; I never think of writing in terms of novellas or novelettes (primarily because there really isn’t a market for these longer stories that are too short to be novels), and so made a note to reread the story and see what possibilities there were for it. So, I did that yesterday, and I was correct–the story would work better as a longer novella. I’ve written novellas before–“The Nightwatchers” and “Blood on the Moon” for those Kensington omnibus books, and I self-published “Quiet Desperation”” myself on Amazon. One of the projects I am in the midst of, “Never Kiss a Stranger,” is also going to be a longer, possibly novella length, story; I’d always thought of it from the beginning that way, and will probably self-publish it at some point on Amazon once I finish it.

“Fireflies” is another Alabama story, which means another “Corinth County” story. It was inspired by the Fleetwood Mac song, “Fireflies”, even though they have nothing to do with each other as far as content. The only connection other than the title is mood; I wanted to get the mood of the song into the story, and I think I succeeded. The song is one of my favorite Fleetwood Mac recordings, and only appears on the Fleetwood Mac Live double album. Ironically, it’s a studio recording they mixed crowd noises into, so it wouldn’t seem out of place on the live album; the original version is on Youtube without the crowd noises. I’d say the story is also strongly influenced by Thomas Tryon’s The Other, which is one of my favorite novels of all time (and overdue for a reread, as are The Haunting of Hill House and Rebecca), and I still think someone should do a biography of Tryon. I’d do it, but my research skills are subpar and non-fiction is also not my strength. But Tryon is fascinating to me–a relatively successful actor who was closeted and never quite attained stardom; then gave up on acting and turned to writing. He was also the longtime lover of the first gay porn star, Casey Donovan, of Boys in the Sand fame. Anyway, I digress (damned shiny objects, anyway). The point is there are so many Alabama stories in my files that have never been published; I think the only Alabama/Corinth County stories that have been published are “Small-town Boy” and “Son of a Preacher Man,” as well as the novel Dark Tide, which may not be actually set there but the main character is from there. Bury Me in Shadows is the first full-length thing set in Alabama for me to get this far with, and it–and “Fireflies”–are reconnecting me to everything.

I also keep thinking I need to go back there, just to drive through and take pictures, get a feel for the place again, refresh my memories.

This is how the story opens:

Jem slapped at a horsefly buzzing around his ear. He hated horseflies. They bit and left welts that hurt.

“God commands us to HONOR THY FATHER AND THY MOTHER!” Brother Killingsworth thundered from his pulpit to a chorus of scattered amens inside the little chapel. Jem could hear the sermon clearly because the screened windows were open to catch whatever cooling breeze there might be on this hot July Sunday. He could hear the fluttering of paper fans, the creak from the turning of the blades of the ceiling fans.

The Church of Christ Our Lord and Savior didn’t believe in air conditioning because the faithful suffered in the heat to listen to the Lord preach back in the Holy Land, wiping the sweat from their brows and letting the cloth stick to their wet bodies. And if that was good enough for the ones who gathered to hear the word of Jesus, it was the least the flock of the Church of Christ Our Lord and Savior could do, am I right and can I get an amen, brothers and sisters?

“Little better than snake handlers,” Jem’s mama would sniff with that mean look on her face, shaking her finger in his face, even though it wasn’t polite to point, “and you’d better stay away from there. You hear me, boy?”

Not bad at all.

And now back to the spice mines.

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Dueling Banjos

Writing about the rural Deep South is difficult.

I’m from the deep south, yes, but I didn’t grow up there. I spent a lot of time there, my parents were Southern, and so a lot of my values and mind-view for a number of years were patterned in the Southern mindset. I draw from my memories of summers in the rural backwoods of the mid-central-western part of the state, about seventy miles from the Mississippi state line or so, but there are also so many attitudes and mentalities and stereotypes and tropes about the rural Deep South that it is easy to become lazy and fall into those. I am trying very hard not to do that, but as I said, it’s hard. Stereotypes and tropes exist for a reason, after all–they weren’t created from nothing; there’s always a core kernel of truth in them, whatever they’ve become once the seeds were planted–but the key is to burrow into them to dig out the core kernel of truth to build upon, so you’re telling the truth. But I worry, as I continue to excavate into this book, that I am relying on negative tropes and stereotypes.

I think I was thirteen when Deliverance was released; we saw it at the drive-in, which was something my parents loved to do with us when we were kids. I didn’t understand a lot of what was going on in the movie–it was the kind of macho bullshit I loathed as a child, a loathing that has only somewhat lessened as an adult, so I stopped paying attention to it and I think I may have even dozed off. But I did see the scene early in the movie which has forever cemented into people’s minds a link between the backwoods South and redneck morons–“Dueling Banjos.” The open notes of the song are all that is needed to reference a joke about passing from civilization into the land of the uneducated, probably inbred, backwoods hillbillies; it has come to symbolize moonshine-makin’, overalls-wearin’, cousin-marryin’, dangerous rural Southern people. I’ve made the joke myself from time to time–driving through the Southern countryside at night, “You can almost hear the banjo notes, can’t you?”

Deliverance and “Dueling Banjos” are such a part of our zeitgeist and popular culture that the book and film have become kind of shorthand Southern references–even for people who don’t know the origins of the references. I’ve never read the book, but I bought a copy a few years ago because I heard one of the references in something–a talk show, a book, a film, a television show; I don’t remember which–but I thought it was time for me to read the book and possibly watch the film in its entirety; that there was a possibly an essay in both about masculinity, rape culture, and the American male. (For those of you who don’t know, many male-on-male rape jokes were born directly of Deliverance.) I never did get around to reading the book or watching the movie; to be honest, I’d completely forgotten about them and the essay idea until recently. I also never got around to reading the book because I’d heard bad things about James Dickey, who wrote the novel. Dickey was primarily a poet, and considered one of the better American ones of the second half of the twentieth century by the Academy, and Deliverance was his only novel. I knew people who knew Dickey, and the reports back on him were terribly unpleasant, if not surprisingly so. (American letters has produced some horrific examples of toxic masculinity with its iconic, deified authors.)

Southern people are masters at grievance; they’ve been aggrieved for quite some time now–probably as far back as when the rumblings in the northern states began against slavery.  Everything is always someone else’s fault; even that language from the 1960’s came back to haunt Alabama during the special election to replace Jeff Sessions in the Senate: “outside agitators.” That was always a favorite fallback of Southern white supremacy; people of color in the South were perfectly happy with the way things were set up, with not voting or having opportunities, and being segregated away from white people, until “outside agitators” stirred them up against their kind, genial white overlords. Outside agitation goes all the way back to slavery; Southern politicians and leaders railed against “Yankee agitation on the slavery issue.” It’s all there, in black and white, in the history books–if you know what to look for.

The politics of race in the South have always been problematic, but nothing is more irritating to me than white apologia fiction set in the South; in which the white people aren’t racists; those nasty lower class white trash people are the real racists, not the educated whites. I’ve seen this in any number of books and it never ceases to irritate me when I come across it; this historical revision that relieves the guilt of Southern white people is kind of like, as my friend Victoria says, how after the Second World War  no Germans had really been Nazis and everyone in France was a resistance fighter.

Bitch, please.

I guess all those southern white civil rights activists were working undercover, because they sure weren’t public in their opposition. (And yes, I know–not all Southern white people; but I sure don’t see any white faces in any of the footage from the civil rights marches and school integrations that weren’t in military uniform…or certainly not as many as novels and fictions would have us believe.) To Kill a Mockingbird is problematic to me in that I don’t believe for a minute that the sheriff and the cops in Maycomb, Alabama, were worried about the rednecks from the county lynching Tom Robinson and gathering up some of the good white people from town to defend the jail; history shows that the police were often Klansmen, or at least more sympathetic to the cause of white supremacy than they were to civil rights. That scene, while powerful, doesn’t ring true to me–it again divides Southern whites into the educated professionals and the uneducated racist rednecks, and I am not certain of the accuracy. The publication of Go Set a Watchman upset a lot of fans of the original work with its depiction of Atticus as a segregationist; they felt betrayed that the heroic white champion of racial tolerance and justice from Mockingbird was turned into a segregationist…but it was honest and real and rang true to me.

And seriously, I highly recommend anyone interested in looking at how Southern white people viewed civil rights during the 1960’s dig up The Klansman by William Bradford Huie.

This is, of course, part of the problem I am having with writing this first draft of a book set in the rural South that deals, in part, with issues of race in the modern rural South. I don’t want to be heavy-handed, nor do I want this to be another oh look another white person discovers how terrible racism is book, nor do I want it to be another “white savior” book; there are plenty of those already. But I also want to be honest; and how does one do that? There are always going to be those who criticize such a book for failing, or trying too hard, or some such. Southern racism, xenophobia, homophobia, and misogyny do exist, and having an openly gay teenager with roots in Alabama spend the summer there helping take care of his dying grandmother, while dealing with some other issues that arise during his visit, seems like a good lens to view all of these things through.

Or at least, seems to be one, at any rate.

I think this is one of the reasons I am having so much trouble writing this book and getting this draft done; I am so worried about being offensive or crossing some line as well as wanting to do it well and do it right that I am overthinking everything, and it’s like I have this incredible overwhelming sense of confidence about my abilities as a writer. But I am going to press on, all the while worrying…but I must needs remember: I can always fix everything in future drafts.

Part of my goals for the weekend are to finish writing a promised essay, to get three chapters of the book written, and to finish reading Steph Cha’s amazing Your House Will Pay. I also need to reread everything I’ve written for Bury Me in Shadows, and make notes as I go.

Heavy thoughts for a Friday morning, Constant Reader.

And now back to the spice mines.

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Keep on Truckin’

Sitting here in the Lost Apartment waiting for Barry’s rain to arrive. It’s eerily quiet outside right now–very little wind, and that weird pre-storm light that indicates something big is coming; I don’t think what’s going to happen here is nearly as bad as anyone predicted or warned about. Even as I type these words I just got the notification that Barry had reached the coastline of central Louisiana; it’s still calm and peaceful here.

Here’s hoping it stays that way.

Thursday night Paul didn’t get home until late; he was working on a grant due Friday–which they proceeded to extend the deadline because of the storm for a week, but didn’t send the email out until almost nine pm, but as I said, hey, at least it’s done and you don’t have to worry about it anymore–so I found myself watching things Paul won’t watch, to pass the time. I watched another episode of The Last Czars, which only served to lessen my sympathy for the last Romanovs even further (I also hate the third part of the story, which is the whole Anna Anderson/Anastasia nonsense, discredited at long last when DNA proved she wasn’t a Romanov), and then I started watching HBO’s Band of Brothers, which I’ve always wanted to watch on some levels–World War II has always been an interesting, if heavily mythologized, time in American history to me–and I really enjoyed it. It’s hard for me, even now, to imagine what that must have been like for the rank-and-file soldiery: the farm boys and the accountants, the garage mechanics and the shepherds, the fishermen and factory workers, many of whom had never traveled far from where they grew up, being sent to faraway and exotic (to them) locales, and having to go through the horror of full scale war. World War II was many things, but the world completely changed through the course of the war, and it was, indeed, the war that also exposed the inequities and inequalities of our own country and its systems. The military was segregated; any question of equality for people of color were shunted to the side or ignored for the “common good”, this despite the fact that they were all working just as hard for an American victory as the white people.

I’ve always felt the experience of the war was what eventually led to the civil rights movement, the women’s liberation/feminism movement, and the slow rise of the gay rights movement; which all came to a head in the 1960’s. Band of Brothers, well written, well cast, and well acted, depicts the segregation of the military in a way that is kind of sly–the entire cast is white people. That, of course, wasn’t the intent of the show in any way, shape or form; it was made at a time when all-white casts were pretty much the norm–and it’s sad how recent that time still is. But it is historically accurate; the military was segregated, and the perpetuation of this systemic racism came from high up in the command because there was a fear of how racist white people would react.

As always, the feelings of white people were paramount. I mean, how very dare the Pentagon force white people to serve with non-white people? 

Ugh.

I watched another episode yesterday, and then switched to another Hanks-Spielberg HBO series, The Pacific, which, obviously, is about the Pacific theater of the war, focusing on the Marine Corp First Division, which won the Battle of Guadalcanal against overwhelming odds. The Pacific is better, I think, than Band of Brothers, but there’s also a weirdly compelling plot line about two best friends from Alabama that I am reading as gay but probably isn’t. One of the best takeaways I am getting from both these series is, interestingly enough, again about the toxic American ideology of masculinity; seeing these men bonding through hellish circumstances and what they go through, and then being completely unable to express their love for one another–even if its just the love from friendship, not romantic–physically or verbally is heartbreaking.

There are times whenI just want them to embrace and hold each other…or to allow themselves to cry…but they always catch themselves and just give each other a firm handshake. This makes me think more about writing some essays about the American masculine ideal…but then think, Oh I am sure other people, more qualified than me, surely, have already explored all of this.

I’ve been having a lovely time on Twitter lately. Twitter is so associated in my mind with toxicity and trolling that it always comes as a pleasant surprise when I actually enjoy myself on there. But it’s a pleasant reminder of the social part of social media; remember when it used to be fun to go on social media? When the biggest complaints were joking about cat videos or dog memes or people’s meal pictures? So, going forward, I am going to try to make my Twitter feed as fun as possible, and encourage fun interactions.

And on that note, I think I best finish this off and do some chores around here while we still have power. I hope hope hope we don’t lose power…but it’s also rather lovely that losing power is right now the worst thing that I think may happen to us here in the Lost Apartment. I moved my car yesterday to an elevated parking garage to get it off the street in case of a repeat of Wednesday; will definitely check in later.

Happy Saturday, all.

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Delta Dawn

And now, tis time to turn the three days left of my vacation into a productive time.

I have spent the last two days simply doing as I pleased; occasionally stepping up to do some chores around the Lost Apartment, but mostly just reading and watching things on television. I tried, the other night, to watch a movie, but gave up on both Lucky Logan and The Man in the Iron Mask (Leonardo DiCaprio version); I also tried watching a documentary, How the Devil Got His Horns, but quickly bored of each of them. I will probably give Lucky Logan another shot, as I love both Channing Tatum and Adam Driver, and it seems like a subversively brilliant and funny noir movie. (I actually stopped watching, not because I was bored, but because I thought, Paul would probably like this movie so I should wait and watch it with him)

I also watched the original Star Wars trilogy yesterday–well, more like had it on as background noise while I did other things–and while Episode IV has always been my favorite, since it was the first, I have to confess for the most part Episode V is probably the better film. I also have always resisted criticism of Episode VI, but the more I watch the more I tend to agree with the criticism. I mean, really, was the entire opening sequence rescuing Han necessary? It took up a good portion of the film, quite frankly, and to what purpose? And precisely, how did Luke, who never finished his training in Episode V, was far too impatient and wasn’t breaking through, suddenly become a Jedi Master in Episode VI?

Questions. So. Many. Questions.

But today, I need to get moving. I need to write, I need to proof the pages of Royal Street Reveillon AND the cover design and get that turned in. I need to finish cleaning the downstairs–I started and made some lovely headway over the past two days, doing it leisurely, and I’d like to keep that pace going, so by Sunday evening the entire place will be sparkling and clean. I want to read some more of Angie Kim’s Miracle Creek, and I have a lot of cleaning and organizing to do around my desk–balanced around the complaints and whines of Needy Kitty, who wants me to sit in my easy chair so he can sleep in my lap. I’ve also been going to bed ridiculously early every night, around ten, and sleeping until eight every morning, which has also been lovely. I don’t feel a bit slothful, which I usually do when I am getting this much sleep and doing so little. But I chose to look at Wednesday and Thursday as holidays, and now I can get some work done over these final three days of vacation.

A Twitter conversation sometime in the last few weeks with Rob Hart (whose soon-to-be-released The Warehouse–actually being released on my birthday) got me thinking about gay representation in crime fiction over the years, and reading I the Jury (surprise! Mickey Spillane’s first novel is rife with homophobia) made me remember that the only James Ellroy book I’ve ever read also had homophobia in it. I’d always wanted to read Ellroy, just had never gotten around to it, and I’d decided to dip in with a lesser known work. There was a gay character in it–minor–and the way he was talked about, the way he was treated, and the language that was used, was horrific. Despite owning a copy of L.A. Confidential, I’ve never read it…nor read any other Ellroy. I’ve always intended to go back and read some Ellroy; I met him when he was named a Grand Master by the Mystery Writers of America and we had a weird bonding experience over the Ken Holt mystery series for boys that we both read as kids. But I could never remember the name of the book of his I’d read. I knew it had a one-word title, which narrowed it down somewhat, and I’d even gotten a copy of Perfidia only to realize it wasn’t the book. For some reason I went digging around on Amazon and realized the book in question was Clandestine, and now I want to read it again.

Honestly. But the Spillane essay I’ve been making notes on would kind of fit into the over-all concept of a larger examination of gay representation, homophobia, and homophobic content in crime fiction; as well as questions of masculinity and toughness in America and American fiction.

It was also be interesting to do an essay comparing/contrasting Megan Abbott’s historical noir fiction with Ellroy’s.

So much writing, so little time, so little desire to actually do any of it.

Heavy heaving sigh.

I’d love to write noir novels about the hidden gay underground of Hollywood’s Golden Age; I had a great idea for one a while back that involved the drowning murder of a young actor who was sleeping with powerful gay men to help his own star rise at a studio in the 1950’s, and how his roommate/best friend/ex-lover, also an actor on the rise, tries to solve the crime since the homophobic cops don’t give a shit about another dead gay man in Los Angeles. It even has a great noir-like title: Chlorine.

I have so many ideas, always.

And now, it’s back to the spice mines. I have a load of laundry to fold, some things to print, and then it’s time to buckle down and start getting things done.

Have a lovely post-holiday Friday, Constant Reader.

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O Say Can You See

The 4th of July; the supposed birthday of the United States of America, aka Independence Day.

It really isn’t the nation’s birthday, but rather the anniversary of the day that the thirteen English colonies along the Atlantic seaboard essentially said enough, and declared themselves to be free of the yoke of what they saw as royal and parliamentary tyranny; the war against the English had been going on for just over a year at this point, and the troubles between Mother England and her thirteen American daughters for just over ten years at this point.

As Constant Reader is aware, Gregalicious loves him some history. The United States did not spring into existence on July 4, 1776; the very concept of a “united states” was neither broached nor discussed during the process of the development of the Declaration of Independence, summarized in the previous paragraph (which leaves out, and/or ignores some very pertinent and important details).

The creation of the United States occurred eleven years later, in 1787, with the development and ratification of our true founding document; the Constitution. How the Constitution came into being is beautifully and intelligently described in one of my favorite books of history, Miracle at Philadelphia by Catherine Drinker Bowen. Bowen’s book describes the painstaking process through which our government was developed, written, and agreed to by representatives of the thirteen independent states, and the lengthy, seemingly endless debates, held over between these extraordinary men during the oppressive heat and humidity of a Philadelphia summer.

In the centuries since the Constitutional Convention, those Founding Fathers, those colonial Americans, have become rather deified in histories and common parlance; a pantheon of truly American gods whose names and reputations should never be besmirched or discussed in  human terms. But remarkable men as they were; they were also men, and they were, as such, just as flawed and complicated as any modern American. Thomas Jefferson had a slave as mistress, who also bore him numerous children; John Adams was not only vain but petty; and so on.

Of course the Constitution did not outlaw slavery, one of the country’s original sins; the repercussions of which are still felt today. The debates over slavery, the debates over the power of government and the freedoms held most dear, make for fascinating reading, even if one most always keep in mind the white supremacy that absolutely and positively drove almost every delegate at the convention. The United States was formed with only concerns for the rights of straight white men of European descent, and almost every freedom for the individual put into the document was for the benefit of straight white men–i.e. predicated on what they saw as abuses of their rights and privileges by the British government during the colonial period.

The ideals of the country, as set forth in this founding document which is still the basis for our government some two and a half centuries later, are most impressive; we have, as a nation, failed to live up to those ideals regularly. The founders’ compromises on slavery, their determination to make horrific compromises in order to forge a nation, unfortunately directly led to the sectional strife and divide that led to our bloodiest conflict, the Civil War, less than a hundred years after the Constitution was ratified. But even that conflict didn’t resolve the issues of white supremacy; racial conflict and strife continue to this day. The Constitution didn’t give women the right to vote or participate in the government; that didn’t come until 1920, and the equal rights of women are still not enshrined in the law to this day. Women are also still playing catch-up when it comes to representation in government either. All of our presidents have been men, and most elected officials to this day are primarily men. Racial equality is still a dream, an ideal, that we are still struggling to achieve; LGBTQ+ Americans also still are not seen as full citizens in the eyes of the law just yet.

And yet I love my country, despite its many flaws, despite its inability to live up to its founding ideals and the years of  floundering when it comes to equality for everyone un the eyes of the law. Our system is flawed because human beings are flawed; and we still have a ways to go before we are finally the nation of free people envisioned by those men in Philadelphia in 1787.

Here are the words Jefferson wrote in 1776, stirring words and ideals that we as Americans must continue to strive to achieve.

In CONGRESS, July 4, 1776.

The unanimous Declaration of the thirteen united States of America,

“When in the Course of human events, it becomes necessary for one people to dissolve the political bands which have connected them with another, and to assume among the powers of the earth, the separate and equal station to which the Laws of Nature and of Nature’s God entitle them, a decent respect to the opinions of mankind requires that they should declare the causes which impel them to the separation.”

“We hold these truths to be self-evident, that all men are created equal, that they are endowed by their Creator with certain unalienable Rights, that among these are Life, Liberty and the pursuit of Happiness.

“That to secure these rights, Governments are instituted among Men, deriving their just powers from the consent of the governed, That whenever any Form of Government becomes destructive of these ends, it is the Right of the People to alter or to abolish it, and to institute new Government, laying its foundation on such principles and organizing its powers in such form, as to them shall seem most likely to effect their Safety and Happiness. Prudence, indeed, will dictate that Governments long established should not be changed for light and transient causes; and accordingly all experience hath shewn, that mankind are more disposed to suffer, while evils are sufferable, than to right themselves by abolishing the forms to which they are accustomed. But when a long train of abuses and usurpations, pursuing invariably the same Object evinces a design to reduce them under absolute Despotism, it is their right, it is their duty, to throw off such Government, and to provide new Guards for their future security.”

“Such has been the patient sufferance of these Colonies; and such is now the necessity which constrains them to alter their former Systems of Government. The history of the present King of Great Britain is a history of repeated injuries and usurpations, all having in direct object the establishment of an absolute Tyranny over these States. To prove this, let Facts be submitted to a candid world.

“He has refused his Assent to Laws, the most wholesome and necessary for the public good.

“He has forbidden his Governors to pass Laws of immediate and pressing importance, unless suspended in their operation till his Assent should be obtained; and when so suspended, he has utterly neglected to attend to them.

“He has refused to pass other Laws for the accommodation of large districts of people, unless those people would relinquish the right of Representation in the Legislature, a right inestimable to them and formidable to tyrants only.

“He has called together legislative bodies at places unusual, uncomfortable, and distant from the depository of their Public Records, for the sole purpose of fatiguing them into compliance with his measures.

“He has dissolved Representative Houses repeatedly, for opposing with manly firmness of his invasions on the rights of the people.

“He has refused for a long time, after such dissolutions, to cause others to be elected, whereby the Legislative Powers, incapable of Annihilation, have returned to the People at large for their exercise; the State remaining in the meantime exposed to all the dangers of invasion from without, and convulsions within.

“He has endeavoured to prevent the population of these States; for that purpose obstructing the Laws for Naturalization of Foreigners; refusing to pass others to encourage their migrations hither, and raising the conditions of new Appropriations of Lands.

“He has obstructed the Administration of Justice by refusing his Assent to Laws for establishing Judiciary Powers.

“He has made Judges dependent on his Will alone for the tenure of their offices, and the amount and payment of their salaries.

“He has erected a multitude of New Offices, and sent hither swarms of Officers to harass our people and eat out their substance.

“He has kept among us, in times of peace, Standing Armies without the Consent of our legislatures.

“He has affected to render the Military independent of and superior to the Civil Power.

“He has combined with others to subject us to a jurisdiction foreign to our constitution, and unacknowledged by our laws; giving his Assent to their Acts of pretended Legislation:

“For quartering large bodies of armed troops among us:

“For protecting them, by a mock Trial from punishment for any Murders which they should commit on the Inhabitants of these States:

“For cutting off our Trade with all parts of the world:

“For imposing Taxes on us without our Consent:

“For depriving us in many cases, of the benefit of Trial by Jury:

“For transporting us beyond Seas to be tried for pretended offences:

“For abolishing the free System of English Laws in a neighbouring Province, establishing therein an Arbitrary government, and enlarging its Boundaries so as to render it at once an example and fit instrument for introducing the same absolute rule into these Colonies:

“For taking away our Charters, abolishing our most valuable Laws and altering fundamentally the Forms of our Governments:

“For suspending our own Legislatures, and declaring themselves invested with power to legislate for us in all cases whatsoever.

“He has abdicated Government here, by declaring us out of his Protection and waging War against us.

“He has plundered our seas, ravaged our coasts, burnt our towns, and destroyed the lives of our people.

“He is at this time transporting large Armies of foreign Mercenaries to compleat the works of death, desolation, and tyranny, already begun with circumstances of Cruelty & Perfidy scarcely paralleled in the most barbarous ages, and totally unworthy the Head of a civilized nation.

“He has constrained our fellow Citizens taken Captive on the high Seas to bear Arms against their Country, to become the executioners of their friends and Brethren, or to fall themselves by their Hands.

“He has excited domestic insurrections amongst us, and has endeavoured to bring on the inhabitants of our frontiers, the merciless Indian Savages whose known rule of warfare, is an undistinguished destruction of all ages, sexes and conditions.

“In every stage of these Oppressions We have Petitioned for Redress in the most humble terms: Our repeated Petitions have been answered only by repeated injury. A Prince, whose character is thus marked by every act which may define a Tyrant, is unfit to be the ruler of a free people.”

“Nor have We been wanting in attentions to our British brethren. We have warned them from time to time of attempts by their legislature to extend an unwarrantable jurisdiction over us. We have reminded them of the circumstances of our emigration and settlement here. We have appealed to their native justice and magnanimity, and we have conjured them by the ties of our common kindred to disavow these usurpations, which, would inevitably interrupt our connections and correspondence. They too have been deaf to the voice of justice and of consanguinity. We must, therefore, acquiesce in the necessity, which denounces our Separation, and hold them, as we hold the rest of mankind, Enemies in War, in Peace Friends.”

“We, therefore, the Representatives of the united States of America, in General Congress, Assembled, appealing to the Supreme Judge of the world for the rectitude of our intentions, do, in the Name, and by Authority of the good People of these Colonies, solemnly publish and declare, That these united Colonies are, and of Right ought to be Free and Independent States; that they are Absolved from all Allegiance to the British Crown, and that all political connection between them and the State of Great Britain, is and ought to be totally dissolved; and that as Free and Independent States, they have full Power to levy War, conclude Peace, contract Alliances, establish Commerce, and to do all other Acts and Things which Independent States may of right do. And for the support of this Declaration, with a firm reliance on the protection of divine Providence, we mutually pledge to each other our Lives, our Fortunes and our sacred Honor.”

Happy 4th of July to all.

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