I have always been a huge fan of Linda Ronstadt’s. That voice.
My God, that voice.
So, a couple of weekends ago I was looking for documentaries to put on while Paul went in and out of sleep on the couch, I was stunned to realize I’d never seen the documentary Linda Ronstadt: The Sound of My Voice, as a life-long fan–I’d always intended to, but had just never gotten around to it, plus the loss of her voice to Parkinson’s was an enormous tragedy I didn’t want to revisit (just as Julie Andrews losing her instrument was also a tragedy). But Ronstadt is indelibly a part of my adolescence in the 1970s. The first time I became aware of her was “You’re No Good,” which blew my socks off. I couldn’t get over the nasty blues guitar and that voice! So effortless, so powerful, so beautiful. This was also around the time I started appreciating vocal talents, and women in particular who could sing beautifully. Women were also slowly starting to make their presence felt in a field (rock) that was traditionally male dominated, and Ronstadt was a leader in that way; filling stadiums and arenas all over the country.
Ronstadt’s voice was incredible. Over the course of her lengthy career she basically proved she could sing anything; from country to pop to rock to Spanish language traditional Mexican music to operettas to big band music. She didn’t write her own music but was what was considered a “stylist”; she would take someone else’s song, and sing it her way, which was almost always better than the original. Not many people can cover Smokey Robinson, the Rolling Stones, Elvis Costello, and the Eagles (she also was inadvertently responsible for the formation of the Eagles). She was a huge star, and once she was filling stadiums and filthy rich, she wanted to try other things as a singer despite everyone thinking it would be a career-ending disaster only to continue racking up awards, critical raves, and big big sales. Her album with Aaron Neville, Howl Like a Rainstorm Cry Like the Wind is one of my favorites of all time; the way those two beautiful voices harmonize and wrap around each other is exceptional.
She was also the original woman rock star who never married, either–she chose career and music over marriage and children (Stevie Nicks did, too). The film, which traces her career and features clips of her singing live or recording in the studio makes you realize just how potent and powerful her instrument was. SHe never listened to her own recordings because she was hyper-critical of herself; when she said “when I listen to my own singing I just hear the things I could have done better”–which is also what I used to say about rereading my own work. I still tend to see the things I could have done better when I reread my own work but it doesn’t shame me the way it used to. I eventually had to realize that if I am indeed continuing to grow as a writer, obviously my old work would be written differently today because I am a different writer.
But I do strongly recommend this documentary if you haven’t seen it. If you’re a fan, it’s amazing; if you’re not, you’ll probably become one after watching–her catalogue is truly astonishing.
I used to have this poster of her hanging in my bedroom when I was in high school.
Work at home Friday, and all is well in Gregworld. Granted, I haven’t looked at the news today or checked in on social media (probably should avoid that, to be honest), so my cheery mood should last until at least I finish this entry. I do have to go to the gym today, and I need to run a couple of errands, but other than that I think I am going to at least try to stay inside for most of the weekend. I may take a walk tomorrow morning, depending on how I feel, but I can’t just keep pretending the stamina will come back on its own, and it’s going to be tough getting it back. My eating habits are getting better, I am sleeping better, and my anxiety is almost completely gone.
I did a little writing last night, and it felt kind of good, so I am hoping to get back on that horse this weekend completely as well. I felt off all week, not sure what that was about, but today I don’t anymore. This week was also one of those weird weeks where I was more tired at the beginning of the week than I was at the end, which I am sure has everything to do with changing the sleep schedule on the weekends and then having to adjust back. I am not going to get up at six on my off-days; that will never happen–I have never been a “spring right out of bed wide awake” person, and I think that will last my entire life. I can live with it, to be honest. I hope to have a great weekend. I don’t have to do much more than touching up around the apartment, so I can get into a deeper clean this weekend–more paper is going to be tossed, as well as more books being pruned for the library sale. I’m looking forward to reading more of Ford’s Suicide Notes and possibly finishing it this weekend…and then perhaps reading some nonfiction until I leave on the trip. I still haven’t finished Rival Queens, and that’s something I really need to finish so I can move on to another.
We also finished the first season of Vigil, which was terrific right up to the closing credits. We immediately dove into season two, which is another murder mystery with international intrigue involving military operations in a fictional country in the Middle East (it occurred to me yesterday that middle east is very Eurocentric; it probably started being called that during the Roman Empire, when that was, to them, the middle east; is there another way of referring to that region that I’ve missed somehow? Something to ponder), so it’s similar but extremely different from the first season. There’s also going to be a new episode of Mary and George today, which I am very excited about. Oh! I should read The King’s Assassin for nonfiction; the show is based on the book and I do have a copy! Perfect! The day just got that much better!
I still need to rein in and focus my creativity, which is still bouncing all over the place like a whack-a-mole. But I do think if I settle into writing and Sparky doesn’t harass me, I think I should be able to get a lot done. He did start trying to get fed at his usual time, and he is nothing if not determined. He didn’t relent until I finally gave up and got up at seven thirty, and now he is nowhere to be seen. I do love the little rascal, and he’s so happy to have us both home at night together that I hate to think I’ll be gone for about seven days starting next weekend. I also need to get my shit together for that trip, too. I think I have my audiobooks downloaded and prepared–Carol Goodman’s The Drowning Tree for the way up, and either a Lisa Unger or another Goodman for my drive back. I think I’m going to take the Tremblay, the Ford sequel, and one of the Koryta as Carson books.
I also dug out my old essay “Recovering Christian” to look over, with an eye towards revision/rewrite and possibly either sharing here or over on Substack (I”m not sure if we’re supposed to still be using Substack or not, but for longer form essays it’s probably better than here). I’ve been thinking a lot about Christianity lately, and how it’s been thoroughly debased and weaponized in this country (just as it was for centuries in Europe) and has become about everything except the teachings and ministry of Jesus Christ. The modern American version of Christianity is undoubtedly the whore of Babylon from Revelations; and false prophets abound in our modern times. See what I mean about my creativity? I saw some “christian” tomfoolery on social media the last few days, and it was enraging. I may not go to church anymore, and I may not consider myself to be an actual Christian, but I swear, how do I know the Bible and their faith so much better than so many so-called Christians?
“Blind faith”, I guess.
And on that note, I am going to get something to eat and start getting ready for my day. Hope you have a lovely Friday, Constant Reader, and I may be back later on.
Thursday and my last day in the office this week. I wasn’t as tired yesterday as I had been the day before, thank the Lord, but was still a bit raggedy as I got to the end of the workday. I was efficient at the office yesterday, but man, there was a very weird vibe to the day. Maybe it was the use of the National Guard on college campuses? I don’t care what you think or what your opinions, values and beliefs are we should never be calling out the military to handle “security” on college campuses. I get that the right hates college students–they always have; they cheered the Kent State shootings fifty-four years ago–and it’s just astonishing to me that no one makes the connections to the last years of the North American colonial period? It was all protests until the war actually started in 1775–the Boston Tea Party was particularly a notable one. What did the British do to maintain order in Boston? They brought in the military to quench and quell dissent, outlawed protesting and criticism of the King and Parliament…and none of it worked, it simply agitated the colonials to more protest and eventually violence. I always laugh a bit when the right wing–the ones who scream about liberties and freedom all the time–call for ending protests, driving cars into protestors, etc. They are the British in this scenario. And yes, the conservative colonists were actually on Britain’s side. It was the radicals and the progressives who defied King and Parliament and created a country.
The right to peaceably assemble and protest is imbedded in our national DNA and included in the Bill of Rights. But no one seems to care about the actual Constitution anymore (looking at you, SCOTUS), just what they think it means so they can defend their indefensible and unconstitutional beliefs and values.
I also wrote a great opening line for my future project The Crooked Y: “I hated the place they took me to after they arrested Mom.”
We did watch some more of Vigil last night, and there’s only one episode left in the first season, which will we watch tonight and most likely move into Season 2. It’s very good; it’s. a murder mystery/suspense thriller where a lot of the action takes place on a British nuclear submarine on patrol. It’s very well written, well acted, and riveting. The British are the best at crime series, seriously–and they are consistently good. I’m not sure why our crime series aren’t as consistently good as theirs are, but there it is.
I continued on my research wormhole yesterday about the French Quarter Stabber–seriously, once I get something in my head it gnaws at me until I give in–and it’s okay, I think. I feel more rested this morning than I have all week, really, and so hopefully that will carry me through the rest of the day and into the evening. I think I’ll probably just come straight home from work tonight, since i can run errands on my lunch break tomorrow, and that way I can get here and get the laundry started while finishing the dishes and doing some writing before Paul gets home. I also want to get back to reading Suicide Notes and even dipping into some poetry. (Who am I?) But I am starting to feel like I am also starting to get it; I like discovering it for myself without having professorial expectations loaded onto me–which always made me hate whatever I was being forced to read unwillingly–and I always love figuring things out for myself. Perhaps I’ll be wrong, but at the same time, everything is dependent on the reader, right, and their interpretations? It’s subjective, so therefore there’s no wrong way of reading it. It’s not like I plan on starting to write it or anything.
And on that note, I am going to head into the spice mines. I hope to have a great day where I get a lot done, and perhaps I’ll be able to finish another draft post…stranger things have happened! Thanks for stopping by–I appreciate you taking the time from your very busy day to check in.
Yesterday wasn’t the best. Oh, nothing bad happened, it was a kind of meh day. I felt mentally refreshed but physically tired when I got up, and as the day went on the tiredness of my body seeped into my brain and my creativity. By the time I got home from work, I was too tired to do much of anything creative. I put away dishes and did another load as well as finished a load of laundry, and dozed off in my easy chair for about an hour before Paul got home. The nap didn’t really help, but I did sleep super well last night and feel rested all over this morning. This is a good thing, as it’s Pay-the-Bills Wednesday again, and today I am going to try to finish my taxes and get them off to my accountant.
So, yesterday was kind of a wash for me. I didn’t try to force anything, mainly because I didn’t have the will or the need. This morning I am feeling good and awake and my mind is already bouncing all over the place. Since getting up this morning I’ve come across an interesting news story that could tie into a fun Scotty book, have had some thoughts about my next book to write, and more ideas about how to make “When I Die” better. See, this sort of thing can’t be forced; I can make myself write but if my mind isn’t feeling creative and bouncing all over the place, it’s absolute torture that needs to be completely revised from the first word to the last. The rewrite of “When I Die,” for example, is going to be an almost totally word for word revision; the concept and setting are there, but the characters need to be changed and more depth added to the new ones that wasn’t there in the first draft, and that pleases me. I am also extremely pleased with “Passenger to Franklin.” I do need to polish it some more, of course, and make it prettier and tighten up the ending a bit–it seems abrupt to me, but I could be wrong. But I feel pretty good this morning, so here’s hoping for a nice, successful day without stress and/or irritations or aggravation. I will make groceries on the way home and swing by the mail, and hopefully Paul will be home early enough for us to watch another episode of Vigil.
I was talking to another writer friend last night about the business and it provided me with some definite food for thought about my future. I was already thinking about trying something different–I feel like I’ve gotten a bit stagnant with my work, and so I need to start pushing boundaries and trying some different things. I think I definitely want to try writing a gay romance novel, something I’ve thought about for quite some time, and I may try to branch out in other ways. I still definitely want to get these books on my list to get out of the way done, but I like the idea of writing a romance and stretching that way. I was even pondering the possibility of rebooting the Chanse series, but not using the same pattern of titles. I like the idea of revisiting him and seeing where he is now–is he any wiser or happier? But I don’t know. It doesn’t feel like going backwards–always a concern–and I also think it would be far more of a challenge to write a Chanse book now than it was ten years ago when I ended the series originally.
The release of the French Quarter Stabber on parole also had me going down some wormholes yesterday between clients. The French Quarter Stabber was a teenager who murdered three or four gay men in the 1970s; there was some serious homophobia and undoubtedly some self-loathing involved there. I think it would make for an interesting exploration of who he was in fiction, but it might also make an interesting true crime novel–something I’ve never really considered doing, but it could be a fun project to research and work on between other projects–particularly how these murders were handled by the local press and police in the same decade that saw the Upstairs Lounge fire/mass murder, and how that did or did not change in the few intervening years.
And again, suburbanites and North Shore racists: remind me of precisely when New Orleans was the idyllic crime free city? Because my brief researches into the past show a city that was always a hotbed of crime.
Anyway, the Stabber’s story will easily fit into a project I already have in progress that just needs a lot of revision and rework, but I love being able to pull this new research into a project where it will fit snugly and perfectly. Yay! Obviously, I am feeling a lot better about things this morning than I did yesterday. I wasn’t down or depressed or anything yesterday, but it was a low energy day which had a lot to do with my blood sugar, something I’ve been trying to be better about. When I don’t eat, my blood sugar drops and I don’t have any energy. I don’t think this means that I am pre-diabetic or anything, but just another thing about getting older I need to pay more attention to than I have before. Sigh. It never ends.
But today I feel like my life is very much the art of the possible this morning, and I am going to ride that wave like a surfer on Oahu’s north shore. So…I should probably head into the spice mines and start paying some bills. Have a lovely Wednesday, and I will most likely be back later.
I did get tired yesterday afternoon, but I think it was more from malnutrition somehow than anything else. My breakfast and my lunch did notfill me up1, and after I had lunch I did feel like my batteries were starting to run down a bit. It was, all in all, a good day for the most part. I did make it through the workday. I ran errands after work (got some things for Sparky from Chewy, and the last batch of new shirts arrived); started organizing the draft blog posts to determine which can be combined (same topic started on different days, months, years) and which can be finished and which can be deleted; I finished the revision of “Passenger to Franklin” (and I think it’s much much better now); and started getting my (delayed and extended) taxes together. Ideally, I can get that done this week and to my accountant by Friday so that will be one thing more that’s been hanging over my head like the sword of Damocles out of the way. Huzzah! I also took a look at “When I Die,” and while this one is going to take a lot of fucking work, it’ll be so much better when I finish it!
I slept well last night, and my coffee is rather delicious this morning. It was cold yesterday morning when I left for work–surprisingly so–but it warmed during the day so my car was very hot when I got into it after work. It’s going to get warmer consistently later in the week–I still can’t get over it being eighty-eight last Friday, it’s only April for Pete’s sake–which means it’ll probably be hot and sunny as I visit graveyards with Dad the weekend after next. I was thinking last night, as we watched Vigil (it’s terrific, highly recommended), that I’m almost in a good place again for the first time in almost ten years or so. My stress levels are way down, my moods generally are good and even, and I don’t have flashes of anger anymore (mostly while in my car). Other idiot drivers are still annoying, but don’t send me into a rage anymore. Now, it’s more like I get annoyed, say very calmly, “yes, you’re an asshole who can’t drive” or “yes, you are so much more important than all the rest of us”, but as I said, it’s calm–and I can absolutely live with that.
I got a short story rejection email yesterday, and I was completely ambivalent about it. The problem is you’re never sure if the story just doesn’t work for them or if the fact that the main character is gay was a problem for them. Sure, the rejection had the standard form please submit to us again, but…yeah, not so much. This is what straight white cisgender people don’t get, with all their whining about “merit”–the only people who they think actually earn their careers are straight white cisgender people, after all–because you can never be certain that it’s the story that they didn’t like enough or whether homophobic concerns come into play: our readers might get mad at is if we shove queer down their throats or we don’t want to become known as the queer crime publication and every other iteration of that you can imagine…any excuse not to publish a queer writer. Many years ago, I decided that I would never allow suspicions of homophobia affect my writing career, and I would always assume it was the story that was the problem. But…you have to wonder. When a magazine only buys your work when you send them things with straight main characters (twice) but rejects everything with a gay main character or even a gay theme, you have to start to wonder.
And given how few of the magazines that actually pay well for short stories (or pay at all) there are and how little queer work they actually publish…you begin to wonder. You don’t want to believe it’s homophobia or homophobic concerns, but here we are, you know. The stories I am working on now aren’t really crime stories, they’re more supernatural/horror stories, but I do think “The Last To See Him Alive” is not only a good story but it’s written really well. I need to revise it and edit it, of course, but it’s in really good shape already which is pleasing. “When I Die” needs a complete overhaul, but that’s fine. It’ll be a better story for it when it’s finished. And while these stories I am working on could complete the collection, this morning I am wondering if I should include horror in this book or not.
I really do not understand these new state laws (here in Louisiana we got one, too) allowing people to drive their cars into protestors, something which inbred morons Tom Cotton of Arkansas and eternal bitchboy Josh Hawley of Missouri are all about. Nothing says leadership like telling people to kill or injure other people. As always, these kind of Nazi-lite fascistic laws come to you courtesy of the Republican Party and MAGAt. I personally am looking forward to driving my car into a crowd of Trump protestors and hitting the gas pedal, frankly. When I saw this on social media yesterday, I responded with Never thought I’d see the day when the Kent State massacre would have fanboys, which prompted some responses which, of course, made the most sense: they had them at the time. I was too young to remember the right-wing response to the Kent State shootings, I just remember being appalled that the National Guard murdered four students on a campus, and I have always viewed it as a disgrace and a tragedy…but of course the right did not see it that way–just as they backed William Calley as a hero after the My Lai massacre in Vietnam. Even I–who have always known how vile and unpatriotic the right in this country is and always has been–didn’t think they were that callous and awful.
They are, they always have been, and they always will be.
The thing that always amuses me about this is the “patriots” of the right always forget that the only reason we exist as a country was because of mass protests….which led to a revolution. So, by that way of thinking, the most patriotic thing you can ever do is protest, really. Remember the Tea Party, the seeds that grew into MAGA? Remember the stolen election of 2000? Remember how Reagan dismantled and changed (and ruined) Social Security? The only reason there’s an issue with it now is because of Reagan, St Ronnie of the Right. The Republicans are the party of Joe McCarthy, Richard Nixon, Ronald Reagan, Henry Kissinger, and people like Cotton, Marjorie Taylor Greene, Josh Hawley, and Matt Gaetz are their heirs.
Remember back when I was thinking about starting to read and study poetry? I got a great recommendation from a dear friend at S&S of where to start–Mary Oliver’s Why I Wake Early–and I’ve been paging through it randomly, reading poems here and there, glimpsing fragments, and I think I’m slowly starting to come to an understanding of poetry I never had before. I am not going to review poetry on here as I am nowhere near knowledgeable enough and I don’t want to make a fool out of myself self-teaching and coming to what regular readers of poetry already understand from studying it. It’s a wonderful education, and one I kind of wish I had started earlier. Ah, well.
I also decided to postpone reading the Paul Tremblay and take it with me to Kentucky to read. Instead, I’ve decided to reread a book I don’t remember much of–Suicide Notes by Michael Thomas Ford. He published a sequel this past year that I would love to read, but not remembering the first one was a problem, so I decided to go ahead and reread it. I don’t talk about Ford much, but he really is one of the most underrated queer writers of our time. He can basically write anything (a blessing and a curse, as I know all too well), and he does it extremely well. Rereading the first chapter last night pulled me back into the story effortlessly, and the voice is so compelling and hauntingly real…and likable. I’m looking forward to reading more of it.
And on that note, I am heading into the spice mines. Have a lovely Tuesday, Constant Reader, and I’ll probably be back later.
I also ate dinner late on Sunday night, which I usually don’t do and am sure that had something to do with it, but given I don’t really get hungry all that often it was kind of cool. ↩︎
Lonesome is a great word that doesn’t get as much use as it used to; it was a very popular emotion/feeling for songwriters (especially those in the genre then known as “country and western”) to write about back in the 50’s and 60’s. It’s a very evocative word, and I am not sure why I don’t hear it as often as I used to. I love the word, and one of my ideas is to write a book called Kansas Lonesome at some point. The premise would be that there’s a podcast called that, which covers Kansas true crime stories throughout the state’s history; I am not sure how that podcast will play into the story I want to write, but that’s the foundation of that book, whatever it turns out to be. I am currently in the process of writing a short story (one of many, by the way) with a college student investigating a crime site out in the countryside to sus out background information for a podcast episode for the producer/star of the podcast. I do think the book may be inspired (Kansas Lonesome) on a homophobic incident that occurred in my old school district in Kansas; a young lesbian was put off the bus and banned from riding for saying she was a lesbian. The school district tried to cover up everything, but it turned out the girl was the only one telling the truth, the bus driver was fired, and the superintendent lost out on a big career move…and a few months later, she disappeared. Her name was Izzy Dieker, and as best as I can tell, she’s not turned up yet and it’s been over two years since she went missing. There are just some articles noting her disappearance, and then….nothing.
That is a great premise for a crime novel, isn’t it? Kansas Lonesome is becoming what I will soon probably be referring to now as “the Kansas book,” now that the other one was finally finished and published. But I think I will probably write The Crooked Y first; there is so much material in Kansas for prairie noir, isn’t there?
It really is amazing how much crime–specifically brutal murders–have happened in such a sparsely populated, deeply Christian red state. (“But crime only happens in those scary big cities!” Fuck off, trash. And by the way, immigrants aren’t coming for your women or your jobs.) The Benders are another grisly story from Kansas’ blood-drenched past, and I’ve always wanted to write about them, too; and hope to do so before I run out of time on this mortal coil.
And last week I stumbled across another fascinating tale of corruption and illegality involving a district attorney, a judge, and a police chief…a truly horrifying tale about how justice can be (and is all too frequently) twisted to fit the agendas of people who are evil but so convinced of their own righteousness that bending rules and not turning over evidence to defense attorneys, suborning perjury and coercing confessions from people?
Sidebar: Yes, Sarah Palin, that’s the real America, you charlatan snake-oil salesperson. Hope you’re enjoying being completely forgotten, grifter and Grandmother of Bastards.
Anyway, that’s a lot of words to talk about how Kansas is actually a horrific true crime state, with lots of examples of horrible murders and desperate people. I sometimes wonder if has anything to do with how flat the state is, and how sparsely populated. I know sometimes those winter winds off the prairies are brutal, whistling around the house and rattling the windows, trying to find a way into the warm cozy inside. Sometimes that wind can whistle, too–and I can imagine in a time without electricity or much entertainment, listening to that wind and being so lonesome out on the prairie could easily drive you mad1. I could write a book of short stories and simply call it Kansas Lonesome, with the premise that the podcast host and researchers are doing the background research into these old crimes or something. That could be an interesting way of bringing those stories together…but I also think Kansas Lonesome is too good of a book title to not use it for the novel I was thinking about earlier in this entry–the one about Izzy Dieker.
Loneliness, though, while sad and depressing, is a writer’s friend. When you’re lonely, you have to entertain yourself, and I always drag out the journal at those times, or warm up my computer and start writing away. I think a lot of my creativity came from being lonely as a child, the recognition I clocked early that I wasn’t like other kids in many ways so I stayed away from them because I didn’t know if they were going to make fun of me or bully me. and so I retreated very often into my own mind. I read a lot, obviously, and watched a lot of television and movies (while reading), and I just kind of lived in my imagination for lengthy periods of time. I preferred my own world, frankly, and still do; I hate leaving my own world for the real one.
I do wonder sometimes if I would have still wanted to be a writer if I had felt like I belonged, if I was like every other little boy. But even when I was a kid, I looked at the future that was expected of me and found it wanting. A Lot. I hated the very idea of fitting into one of the ticky-tacky houses in the suburbs and the day job that was all-consuming and the wife and the kids and the lawn work and upkeep on the house and…yeah, that sounded always terrible to me, and the older I got the more I resisted that future. Had I followed the path laid out for me by society and family I would have been absolutely miserable by now. Would I have been so attached to books if I had friends, kids in the neighborhood and the comfort of knowing people did actually like me? It was the love of books and wanting to give other people the feeling I got when I read one I enjoyed that made me want to be a writer in the first place, and the more I read the more I wanted to write. I used to write all the time when I was a kid–things I didn’t take seriously at the time, and would completely dismiss…but I was always writing. I made up a world once, with its own countries and lineages and so forth, kind of a fantasy alternate kind of history. I wrote my own versions of the Hardy Boys and Nancy Drew. I wrote short stories in high school. I started writing a novel when I was seventeen, and while I might have gone months without writing at times, I always was writing, always coming up with titles and ideas, and I was always happiest when I was creating.
And now, here I am hurtling toward my sixty-third birthday with a lot of publishing credits to my name and boxes and boxes of ideas…that I want to digitize and throw away the paper files in an attempt to cut back on clutter. I have my next two years’ writing schedule pretty much figured out already. I’m happy. That’s the bottom line of everything, isn’t it? Being happy? I love my life. I love writing. I love connecting with readers and other writers. And I think I am continuing to grow and develop as a writer. I don’t ever want my best work to be behind me, and I don’t think it is. I’m feeling good and optimistic again, and that’s always a good thing.
There was a really great chapter in James Michener’s Centennial that talked about this very thing; how on the prairies in the winter the wind could drive one mad. After I read that book I could never listen to the wind again without remembering that. ↩︎
Well, it’s back to the office Monday and I am feeling pretty good about the weekend. Did I get everything done I needed to get done? Of course not, I never do. But the house is in good enough shape that if I maintain it every night then next weekend I can move on to some further cleaning/organization/declutter project because I don’t have to start over catching up on the the basics yet again. I also made dinner last night for the first time in forever, actually cooking, and it was kind of nice and the meal was actually quite good. I also was creative this weekend, and maybe very little actual writing was done but a lot of planning and thinking about the projects and so forth that need to be worked on and I also had a lot of really good ideas. I started thinking about the projects in terms of what I was trying to do, what the point of the story was, and how best to get the message across to the readers while also telling a compelling story. This is the kind of thing I miss doing, and am usually so rushed with impending deadlines and so forth that I don’t have enough prep time before I start writing, if that makes any sense? It did to me, and I think that’s another reason I have Imposter Syndrome on a regular basis; I kind of leap blindly into the project and hope that it works out all right.
I slept very well last night and didn’t want to get up this morning (or at least out of bed, which was warm and comfortable), but as I swill this first cup of coffee I am starting to come to life and that’s a good thing. I am not patient-facing today–it’s my in-office administrative day, and I am pretty caught up on my work. The downstairs looks nice and neat and orderly this morning; there’s dirty dishes in the sink, of course, but that’s easily rectified. On the way home tonight I have to stop and get the mail and pick up a prescription. I am leaving for Alabama/Kentucky the week after next, and so that’ll be nice. I’ll take some books to read, and I imagine we’ll do some sight-seeing in Kentucky while I am up there this year. It’s nice visiting Dad, and seeing my sister. Mom’s death brought the survivors closer together, which is nice. They still live too far away for regular visits, but it’s nice to be closer to them both.
Overall, it was a nice weekend. I got some rest and recovery time, and feel much better this morning than I did any morning this weekend–which might be related to staying in bed longer–and we started watching a terrific new show last night called Vigil, which is from the same team that did Line of Duty, which was exceptional. Vigil, which isn’t something I thought I’d be too keen on–a murder mystery on a nuclear submarine that also includes international intrigue on top of the crime–but always trust people who’ve produced another show you liked, really; Vigil is superb (submarines absolutely terrify me–my claustrophobia would drive me insane within an hour of getting on board, and if it didn’t before, it would definitely happen once we submerged; this is why that novel The Chill by Nick Cutter was so unsettling–underwater in a submarine in the dark. No fucking thanks) and absorbing. I cannot wait to watch more of it tonight after writing and doing some more clean-up around here. My writing goals for this week are to make more progress on the book, finish revising “Passenger to Franklin” and “When I Die,” and get a good night’s rest. I also have some emails to reply to, as well as some others I need to generate. I did make progress on finishing some of these draft posts I’ve had in the files forever–some going back as many as four years (I wrote down my initial impressions of January 6, which I do need to finish since we are heading for another precipice)–and it’s nice to get some of this stuff cleaned out. I still have more drafts back there than needed; I think there are numerous ones that can be actually combined, since I started a related topic more than once, methinks–usually because something makes me angry or frustrated enough to forget oh yes, started something on this very subject several times already, maybe should combine them all into one.
I also want to finish the blog posts about my books already published. I am not sure where I left off–I know the last one I did was for Dark Tide, but I think I’ve already done The Orion Mask, which leaves Timothy because I know I did a lot of promotional posts for both Bury Me in Shadows and #shedeservedit. I’ve also already done the most recent Scotty books, too–I think I’ve covered that entire series already. I know the last Chanse book is still there in the drafts, too–I thought I’d need to reread it since it’s been so long since I wrote it, which isn’t a bad idea. I don’t really remember Chanse’s voice, and am not sure I can still hear it if I want to. I know I’ve written a Chanse short story since the series ended, and I have a Chanse novella in progress that went off track and needs to be steered back onto the tracks. I do have another idea for a Chanse book, but I am thinking he might just be a supporting character and I can center the book from another point of view, which could be interesting. See what I mean? My creativity has really come roaring back.
And on that note, I am going to bring this to a close and get cleaned up to head into the spice mines. I hope you have a lovely day, Constant Reader, and I’ll check back in with you again a little later.
Doesn’t look like he likes the photographer’s direction to “arch your back a little and stick your butt out”, does he?
It’s been quite a run for LSU Athletics since the football team went undefeated and was possibly the greatest college football team of all time. Since then, LSU has won numerous national titles for individuals, as well as in women’s basketball, baseball, and now gymnastics. LSU had made the post-season thirty-three times but had never won the title (only seven teams had accounted for all of them since the NCAA recognized the sport in 1982; LSU is now the eighth), always be referred to as “the only top program to never have a national title.”
That is no longer true.
I don’t remember when Paul and I started following LSU Gymnastics, but it’s been a really long time. It seems like we’ve always watched, but I know that isn’t true; it wasn’t always aired, although collegiate women’s gymnastics seems to be getting more and more popular. It certainly has caught on in Louisiana, where Tiger fans pack the PMAC (Pete Marovich Assembly Center) for every home meet; LSU fans turn out for almost all LSU sports; which is why Omaha loves it when LSU is in the College World Series. The bar that has the shots contest every College World Series tweeted at LSU fans the other day, asking hopefully if LSU would be coming back this year. The College World Series was a lot of fun last year, and an epic story of LSU coming out of nowhere and winning it all.
Last year, LSU’s gymnastics team had a lot of adversity. Several major competitors went out for the season with injuries, but they fought back and through and surprised everyone by making it into the Final Four. They came in fourth, but just making it that far was a huge accomplishment. With some great new freshmen this year and the injured stars back, there was a very good possibility that LSU, ranked number two for most of the season, could win it all–but they would have to hit every routine to have a chance against two-time defending champion Oklahoma, an unbeaten juggernaut that just kept showing up and scoring big. Towards the end of the season, LSU continued scoring consistently over 198–an important benchmark. But then Oklahoma had to count three falls in the semi-finals, while Florida and Utah sailed right past them into the finals. LSU also scored over 198 again in the semis–with a really bad vault rotation for them–vault has been their weakness all season. Yesterday they started on floor, got a huge score, and then went to vault, where they feel behind Utah. A subpar bars rotation–they usually do better–pulled them back ahead again, and then came the balance beam. Sierra Ballard kicked off beam with a 9.95, but then the next competitor fell off the beam!
OH NO!
So, we were on the edge of our seats for the rest of the beam…but everyone else scored over a 9.9. When final competitor Aleah Finnegan mounted the beam, she only needed a 9.75 to clinch it for LSU, and she nailed it with another score over 9.9, and that was it….our Tigers were national champions!
GEAUX TIGERS!
And wonderful Hayleigh Bryant won the all around the night before, which was awesome.
Sunday morning! And LSU Gymnastics won the national championship yesterday! Woo-hoo! That accomplishment is worthy of its own post, so tune in later for that, okay? It was very exciting, I have to say, and the Lost Apartment was filled with excited cheers even as we held our breath as LSU clinched it all with a fantastic final rotation on balance beam. We kind of celebrated this throughout the night by watching replays and highlights before episode two of Sugar, which I am loving. Colin Ferrell, yum.
I was very tired Friday from running all those errands, and so was Paul. I was still fatigued yesterday, the physical and mental kind that I’ve not felt in a while–but sadly more evidence that my stamina is not back and needs to be worked on. The heat is also back; yesterday was pleasant, but Friday was eighty-eight degrees…in April. That doesn’t bode well for the summer, especially for one that’s going to be a more active hurricane season. But while I was so tired yesterday I managed to use what little nervous energy I had to clean and organize, and the apartment actually looks better this morning. It’s still not up to par–I need to do the floors to get there–but it’s nice to walk down to a neater first floor. I do need to run the dishwasher this morning, and finish filing before I read and write for the day. I do feel a little dragged out this morning, but hopefully getting caffeinated and cleaned up will take care of that problem.
I did do some things writing-related yesterday. I found the epigraphs for the next Scotty book, for one, and also wrote the opening of The Crooked Y in my head yesterday as I cleaned and organized. I created some working folders for projects that are forming in my head, and I did write notes down in my journal occasionally. I also did some electronic file cleaning up, which is proving to be an endless, endless process that may never be finished. But as long as I can still search for everything in a finder window, it should be okay. I also thought of how to open The Summer of Lost Boys, too. I’ve been listening to the Billboard Top 100’s for the years I am considering setting the book in, and I think I am settling into 1974, which was when I originally wanted it set in the first place, the summer (in my life) between junior high and high school. It’s kind of fun, if a little painful, to go back to that time and remember it for myself, but I think it’s going to be a really strong book once it’s underway. I also started getting the current book a bit better organized. I feel better about things, if that makes any sense? Hopefully I’ll be able to get a lot of writing done. I want to finish the rewrite of “Passenger to Franklin” and start the revision of “When I Die,” before diving into the book headfirst and trying to get the rest of it plotted.
I think I’ve been a bit overwhelmed lately, in all honesty, and I need to get calmed down and focused again. I need to remember how to harness my brain ADHD-driven creativity and focus on one thing the way I used to be able to do so. I have been very pleased with the (sparse) writing I’ve been doing, but I also think that might be partly due to the stamina issues I’ve been having since the surgery. I am trying to rush to get back to “normal” (or what passes for it around here) and getting ahead of myself, and I need to reign in my impatience and take things slower. It’s okay because it’s temporary, and this too shall pass. Take a breath, remember you had a rough go of things last year, and you have to build everything back to the point it was before the injury.
I’ve also been remiss in not congratulating award winners lately in my field; I am very pleased to report that J. M. Redmann won the Hansen Prize for queer crime fiction for Transitory, which is now also a Lambda finalist AND a two category Goldie finalist. Yay Jean! I’ve known Jean for almost twenty-five years now, she was my boss’s boss for about eighteen years, we’ve co-edited anthologies together, and now I am her book editor. Transitory is a terrific book, and being Jean’s editor is pretty easy, actually. Ivy Pochoda recently won the Los Angeles Times Book Award for Best Crime Novel for Sing Her Down, and Ivy is pretty awesome, too. I am behind on her books (I’m behind on everyone’s books, really) but her Wonder Valley was fan-fucking-tastic. Way to go, Ivy! (That was a loaded category, too–other nominees were S. A. Cosby, Cheryl Head, Jordan Harper, and Lou Berney.)
And on that note, I am going to head into the spice mines, eat something and get cleaned up and ready to go for this glorious morning. Have a lovely Sunday, Constant Reader, and I will chat at you again later.
The other night I picked up an old favorite book I read originally when I was a teenager and realized, as I paged through it, that The Other by Thomas Tryon was probably one of the most influential books I’ve read, as far as my own writing style is concerned. Obviously the series books are different, but the stand-alones owe a lot to The Other, and probably one of the books I will write later this year will owe even more to it. I always forget it when someone tags me on social media to list books that made me who I am or influenced me or something like that, and I never remember The Other.
But looking through those pages, I remembered another book I read around the same time that also had a lot of influence on me as a writer, Larry McMurtry’s The Last Picture Show.
Sometimes Sonny felt like he was the the only human creature in the town. It was a bad feeling, and it usually came on him in the mornings early, when the streets were completely empty, the way they were one Saturday morning in late November. The night before Sonny had played his last game of football for Thalia High School, but it wasn’t thet that made him feel so strange and alone. It was the look of the town.
There was only one car parked on the courthouse square–the night watchman’s old white Nash. A cold norther was singing in off the plains, swirling long ribbons of dust down Main Street, the only street in Thalia with businesses on it. Sonny’s pickup was a ’41 Chevrolet, not at its best on cold mornings. In front of the picture show it coughed out an had to be choked for a while, but then it started again and jerked its way to the red light, blowing out spumes of white exhaust that the wind whipped away.
At the red light he starts to turn south toward the all-night café, but when he looked north to see if anyone was coming he turned that way instead. No one at all was coming but he saw his young friend Billy, headed out. He had his broom and was sweeping right down the idle of the highway into the gusting wind. Billy lived at the poolhall with Sam the Lion, and sweeping was all he really knew how to do. The only trouble was he overdid it. He swept the poolhall in the mornings, the café in the afternoons, and the picture show at night, and always, unless someone specifically told him to stop, he just kept sweeping, down the sidewalk, on through the town sometimes one way nd sometimes another, sweeping happily until someone noticed him and brought him back to the pool hall.
Sonny drove up beside him and honked. Billy quit sweeping at once and got in the pickup. He was a stocky boy, not very smart, but perfectly friendly; picking him up made Sonny feel less lonesome. If Billy was out the poolhall must be open, and when the poolhall was open he was never lonesome. One of the nice things about living in Thalia was that the poolhall often opened by 6:30 or 7 a.m., the reason being that Sam the Lion, who owned it, was a very bad sleeper.
I think it was seventh or eighth grade when I first read The Last Picture Show. I had a battered copy that I got at a flea market (my grandmother’s second husband loved a flea market, and I always went with him whenever possible to look for books), and I hadn’t known the Oscar winning film (which I wouldn’t see uncut for over a decade until VCR’s became a thing and video rentals) was based on a book. There were some differences between the book and the movie–I never understood why they changed the name of the town from Thalia to Anarene–but for the most part, the movie was pretty faithful to the book.
I had meant to reread the book a few years ago–it had been years–but quit when I got to the part where the town’s older teenage boys decided to fuck a calf; I didn’t remember that from early reads and…it yucked me out. Interestingly enough, it never used to bother me, and I am not sure how I feel about that…or if I just went yuck and kept reading, or skimmed and moved on, but as an adult, I appreciate the book all the more, especially since I wound up living in a small rural town and going to a small rural high school several years after that first read. I never asked any of the kids I went to school with if they ever fucked animals–definitely didn’t want to know for sure–but I always did wonder, and there were definitely some kids I thought oh yeah.
But the book, about these kids learning about love and life and sex and growing up in a dying dusty small town whose best days are already past, has always resonated with me. My parents grew up in that same kind of environment in Alabama during the same time period, and there was so much…I don’t know, boredom and poverty in those small rural towns? The book and movie both were billed as the story of the explosive boredom in a small town. And that’s the part that people generally forget when thinking about the past and rural living–how boring it was. You had to find things to entertain yourself as a teenager, and that can lead to all kinds of trouble. McMurtry gave all of his characters humanity, and they were completely believable. There was the preacher’s kid, so uptight with his Christianity and strict life that he eventually takes a little girl with what is generally assumed as molestation in mind, and yet you can’t feel a little bit of sympathy for this poor kid with his horrific cruel parents (spare the rod and all that nonsense) who finally snaps. Everyone thinks he’s a “homo” anyway–which is really funny, because the person who really torments poor Joe Bob Blanton is the football coach, Coach Popper–who, despite being the embodiment of the town’s thoughts on masculinity (toxic, of course) is the town’s real homosexual–and he also accuses the English teacher of it, because he’s kind and gentle, and ruins him.
Very 1950s there, actually, and only emphasized to me how dangerous letting anyone know I was gay could be, and why I was so scared of my true self.
Great book, great movie–but please don’t mention Texasville to me. I hated that book.
Queer and Loathing in America 