Category: history

Now That The Buffalo’s Gone

I know very little about the culture, history, values, and faith of the native American population of this continent. Most of what I do know isn’t reliable; being gleaned from books and histories and television shows and movies and other media, most of which were steeped in racism and white supremacy, and cannot really be depended upon for any kind of accuracy whatsoever.

If anything, it should be looked at with a highly jaundiced and very critical eye.

I’ve been trying to educate myself more about the indigenous natives of Alabama, for example; as I delve more deeply into writing about my fictional Corinth County, I need to learn more about the area and the natives who originally lived there–and what they believed and their spirituality. I do not want to write–or even imagine– anything rooted in white supremacy and racism. I never played “cowboys and Indians” when I was a child–I was never into little boy things, ever–and was never terribly interested in Westerns, but was aware that white people wore thick make-up to play Native-Americans on film and television…which even as a child made me wonder why they didn’t just find Native-Americans who wanted to be in show business (because I found it incredibly hard to believe there weren’t any). I always assumed Cher was at least part Native because of “Half-Breed,” so you can imagine my shock and surprised to find out she’s actually of Armenian descent. The Village People had a non-native in native garb as part of their nod to gay masculine archetypes (probably this came from the book and movie Song of the Loon, plus decades of Hollywood’s sexualization of the loin-clothed Native warrior).

And as you get older, and do more reading and studying on the subject, you begin to see things that were plainly obvious all along, but somehow you never really connected the dots.

The first time I ever read anything that treated the native population with dignity, respect and understanding was James Michener’s Centennial*, which remains my favorite of his works and one of my favorite books of all time. The hit movie Billy Jack, which came out while I was in junior high school, was also about mistreatment of modern-day Natives by bigoted white people and their government, but I think the social message of the movie got lost in white tween boys’ fascination with Billy Jack’s fighting skills, because that was all they talked about. I don’t think I ever heard anyone ever say “It’s terrible how we treat the natives.” The late 1960s and 1970s began to see a change in how we see the native population, as well as the history of the European conquest of the continent–not everyone, of course, but at least with those who were trying to be better about racism and racial issues and the long history of oppression of the native populations.

I had heard a lot of great things about Stephen Graham Jones, a native American horror writer who has taken the genre by storm. I’ve been wanting to read him for quite some time, and so I decided to listen to The Only Good Indians on my drive to Panama City Beach and back this past weekend.

And it did not disappoint.

The headline for Richard Boss Rivs would be INDIAN MAN KILLED IN DISPUTE OUTSIDE BAR.

That’s one way to say it.

Ricky had hired on with a drilling crew over in North Dakota. Because he was the only Indian, he was Chief. Because he was new and probably temporary, he was always the one being sent down to guide the chain. Each time he came back with all his fingers he would flash thumbs-up all around the platform to show how he was lucky, how none of this was ever going to touch him.

Ricky Boss Ribs.

He’d split from the reservation all at once, when his little brother Cheeto had overdosed in someone’s living room, the television, Ricky was told, tuned to that camera thay just looks down on the IGA parking lot all the time. That was the part Ricky couldn’t keep cycling through his head: that’s the channel only the serious-old of the elders watched. It was just a running reminder of how shit the reservation was, how boring, how nothing. And his little brother didn’t even watch normal television much, couldn’t sit still for it, would have been reading comic books if anything.

First of all, I want to address what a terrific writer Jones is–although this is hardly ground-breaking news. For me, the strongest part of the story was the authorial voice and the tone set by it. I can’t say whether something like this–like anything written by people outside of my own experience–is authentic or not, but it was completely believable. I truly got a sense of what it is like to be a Native-American living in North America in the present day; the mind-numbing poverty and dealing with the incessant racism from white people. His characters were three-dimensional and fully realized; the dialogue sounded right, the rhythm of the words he used to create a melody of syllables and sounds sang from the page. I felt like I was there in every scene, in the room with the characters and bearing mute witness to what they were experiencing, and what they were going through and experiencing, with the fully-realized life experiences coming into play with every word they said and every action, every thought, every movement. The deceptive simplicity of the prose was powerful and resonated; it sounded like poetry coming through my speakers.

I also found myself really interested in basketball–which is very unusual.

I also realized, as I was listening, spellbound behind the wheel of my car, that there was also commonality of human experience here; the poverty, the worries about money and the future and the bleakness of the helpless acceptance of despair–this is definitely a horror novel, but it’s also a stinging indictment of poverty and societal inaction in the face of it; their resigned acceptance of their fate mirrors the more callous resignation most people feel when thinking about poverty in these United States–“nothing I can do about it.”

While telling a strong story that is almost impossible to step away from, Jones also educates us cleverly with a sentence here and there–I’d never thought about where the term buck naked came from, and there are so many of these sprinkled throughout the book; terms and phrases that white people use without a second thought but come from a long history of racism and prejudice; the title itself is taken from the horrific saying “the only good Indian is a dead Indian.” I myself am always careful not to refer to the native population by the colonizing name assigned to them by the lost Spaniards looking for spices; it was jarring hearing it over and over again, and made me a bit uncomfortable–but I suspect that was the entire point. (I think the worst was when the junior high school basketball prodigy Denora was thinking about playing a game against white schools, and the horrible signs and things their students yelled at her and her teammates–the one that was particularly offensive was Massacre the Indians!, which reminded of the trash Chicago Bears fans holding up signs when playing the Saints in the NFC title game after the 2006 season: “FINISH WHAT KATRINA STARTED!”, which turned me from someone with a nostalgic affection for the NFL team in the city where I spent most of my childhood into someone who wants them to lose every fucking game they play.

Massacre the Indians.

There’s no doubt in my mind reservation kids have to deal with this kind of bullshit all the time, and its embarrassing and infuriating at the same time. The cruelty is always the point.

But I digress.

I really enjoyed this book. I felt like reading it somehow helped me reach a better understanding of a situation I was already aware of, while being incredibly entertaining at the same time. I cannot state that enough: what a great experience this book was from beginning to end. The tension and suspense were ratcheted up with every chapter and sentence; the monster was terrifying and horrifyingly relentless, and the characters were all strongly rendered in both their strengths and their flaws.

When I finished the book, I couldn’t help but wonder if this book, and others by Jones, were being pulled from library shelves because reading them might make white people feel bad. The book made me remember again why controlling access to what anyone can read is about control more than anything; we can’t let people read diverse points of view or see opposing opinion is the underlying message of the banners, and quite frankly, grow a fucking pair already! Seriously, who is calling who a snowflake?

Read this book! You can thank me later. And now I want to read more of Jones’ work.

*Centennial may not have been historically accurate in its depiction of the Arapahoe tribe, but I feel that it showed how the US government broke promise after promise to them, and the depiction of their systemic extermination was not done in a “manifest destiny” way. The ugliness of the US and its racism was right there on full display.

We Didn’t Start the Fire

As Banned Books Week comes to a close, it was exponentially more important and timely this year than before–given the Right Wing’s vicious, well-organized and ultimately doomed to failure attempts to control what people are allowed to fucking read in this country (for the record, you shrewish harpy lying “Moms4Liberty”–the First Amendment exists because the Founding Fathers foresaw the rise of people like you, and amended the Constitution to stop your skank, anti-American asses).

I’ve participated in Banned Books Week in the past; I’ve certainly done readings during it (the ones I remember reading from are Annie on My Mind by the late Nancy Garden–which was not only burned but tried for obscenity--and Elmer Gantry by Sinclair Lewis; I should have read from Peyton Place at least once). I’ve not participated in a long time–haven’t been asked, to be honest–and so I don’t know if anything is going on in New Orleans for it, or whether it’s something we no longer do here, or what; but I never get offended when I’m not included. Life’s too short for that–and yes, I am well aware that such a thing used to offend me, which was incredibly stupid. I’m really sorry I spent so much of my life and my time allowing negativity such free rein in my head.

The first time I did Banned Books Night, it was after Hurricane Katrina (at least the first one I remember) and it was at the House of Blues; Poppy Z. Brite also read, and I gave him a ride home afterwards; it was in that car and on that ride that he convinced me I could write another Scotty book despite everything that had happened to New Orleans since I’d written the last one; that’s why Vieux Carré Voodoo was dedicated to him.

He gave me Scotty back after a very difficult time, and I will always be grateful for that,

Above are the covers of my seven of my first books. They all look pretty racy, don’t they? But only two of them are actually erotica–Full Body Contact and FRATSEX. Those were the only two erotica anthologies I edited under my own name before switching to Todd Gregory.

The reason I am sharing the covers is because the covers is what the Concerned Women for America, Virginia Chapter, used to get me banned personally (not just my books!) from a high school in suburban Richmond. They used the covers to try to get the Gay-Straight Alliance at a high school shut down, and they used those covers in the House of Burgesses to try to get GSA’s banned at every state-supported school in the state of Virginia.

They came for me based on the covers, not the content–because they had not read the content.

And please, bear in mind, they did not include the erotica anthology covers in their attempts.

In other words, they called me a gay pornographer but didn’t use the actual pornography I actually had done to try to get me banned.

There’s a book in the entire experience at some point for me; I’ve always intended to write a book about the experience called Gay Porn Writer–because that was how they branded me, and the news media, in their attempts to be fair and unbiased, gladly picked up that branding without question or thought or without even looking into me and my writing career in the slightest bit. It was also my first experience with learning that the media cannot be trusted; they are not driven by a desire to print and report the truth; they’re looking for clickbait headlines that drive clicks or people to pick up the paper (print was still very much a thing back then) and which headline would you click on:

Gay author banned from local high school; First Amendment questions raised

or

Gay porn writer’s high school appearance cancelled.

The second one is a lot more enticing, as well as concerning, don’t you think?

That, to me, was the most interesting thing of the entire experience; the perceptions, smears, slanders, and how no one was even the slightest bit interested in the truth. The question that was at the heart of the entire thing is precisely what is driving the bans and book removals and so forth now: how old is old enough to know that queer people exist, that literature and art about us exists, and that we’ve always been here despite being regularly erased from history. It also begged the question we are fighting yet again today: does merely the mention of an alternate sexuality automatically make the book adult content–which really means pornography. We can’t have kids thinking about sex, can we? And we certainly can’t have kids reading a book, recognizing the struggle a character is going through as similar, and feeling less alone, now can we? We’ve got to keep those queer kid suicide rates high!

You see, even the homophobes know the truth that they cannot eradicate our existence, and they also know the truth that the only difference between queer people and straight people is who we are sexually attracted to; ergo, even if you don’t talk about what it means but you have a character who identifies as queer–the “queer” difference means kids will either know that queer people exist (THE HORROR!!!) or think about sex.

And certainly, we cannot have anyone under the age of eighteen thinking about sex, can we? Just because most people become obsessed with it after going through puberty doesn’t mean we should educate them properly. Proper education for teenagers about sex and sexuality would mean a drop in teen pregnancies, teen STI infections, and the need for teen abortions. The spurious argument against sex education for teens has always been we’re just encouraging them to have sex. But that’s stupid; their fucking hormones are encouraging them to have sex, no matter what we teach them, and the more we teach them that sex is bad and wrong will only encourage them to do it more–and once they realize it’s actually a lot of fun and nothing bad immediately happened–they will have more of it.

It’s just basic human psychology. Deny someone something and they will want it all the more even if they weren’t interested in it to begin with. Nothing is more desirable than the forbidden.

The smart thing to do is educate them properly about safety, the risks and hazards of having sex at a young age–and this kind of education will also help teach them about finding the language to get help for sexual abuse they may be experiencing.

But oh no! We don’t want them to have sex! Because not educating them about sex and sexuality has worked so well so far, right? Better they find out by looking stuff up on-line or going to porn sites, right? As a sexual health counselor, I am constantly amazed at the things my clients do not know, or how wrong what they think they know is. Every day I see how our educational system fails to prepare us for one of the most important aspects of our lives.

And learning that queer people exist, can live and love and have happy and fulfilling lives, well, that isn’t what these people want for kids. No, if you’re queer, they want you to be miserable and unhappy and suicidal. What could be more Judeo-Christian than that? The rise in people identifying outside the gender/sexuality binary doesn’t mean that prior generations didn’t have those same people existing in them; just that the world and society wasn’t as accepting and understanding then so they had more to lose by coming out, by talking realistically about who they are and what they feel–and it’s scary, very scary. People who do fall into those binaries, who don’t have to worry about what other people will think about who they are and how they identify, shouldn’t be the ones deciding what is real and what isn’t.

And the sad truth is these people are simply terrified of having a queer child, period. So, they figure if they take away anything that might tell their child it’s okay to be queer and to be yourself, their child will instead choose to live in a closet for the rest of their lives and be completely miserable.

Which tells me all I need to know about what kind of parents these people are.

Their love has conditions, which means it isn’t love at all.

I was always under the impression that parents, first and foremost, want their children to be healthy and happy….which is apparently another myth I’ve been gaslit into believing since childhood. #notallparents

NOLier Than Thou

(NOTE: I started writing this post back in January, after I’d returned to New Orleans from my last Mystery Writers of America board meeting–this is to give context to the opening paragraph– as you are no doubt well aware, Constant Reader, that I’ve not been back to New York since January; so this is that same trip where this happened and I started thinking about these things, which have never been far out of the forefront of my mind since then.)

While I was in New York recently, walking around to and fro, here and there, hither and yon, I was always checking my phone (and yes, I hate that I’ve become one of those people) and then shoving it back into my pants pocket without putting it to sleep first or closing the app that was open. As I walked around, of course this led to my phone doing all kinds of weird things –closing an app and opening another, etc.; but at least there were no butt dials, right? At one point, when I pulled out my phone as I took a seat on the subway, somehow what was open on the screen was a google search for my book A Streetcar Named Murder–and when I went to close that screen I touched one of the images by mistake, which took me to the Goodreads page for the book. Bear in mind, I never look at Goodreads for any of my books, let alone Amazon–the temptations to start reading the bad reviews is too great, and while I can usually laugh them off, occasionally–and it depends entirely on my mood, of course–one will get under my skin and it will annoy me, and that’s not good for anyone.

This particular day on the subway the Goodreads page opened to the bad reviews first–its average is four stars, which I will always take because I am not Lauren Hough–and the very first one made me laugh out loud on the subway. Paraphrased, it was basically someone taking umbrage at “someone who doesn’t live here or know the first thing about New Orleans” writing a book about New Orleans. The reason they had come to this conclusion was because Valerie referred to Mardi Gras as “Fat Tuesday”, and according to this one-star reviewer, no one from New Orleans would ever say Fat Tuesday instead of Mardi Gras.

Well, I’ve lived here for twenty-seven years and I have heard any number of locals say Fat Tuesday rather than Mardi Gras, and so of course I had to click on the reviewer’s profile…and grinned to myself when I saw that they actually live in Metairie, not New Orleans…which to locals is a bigger crime than getting something wrong about New Orleans: claiming to be from New Orleans when you actually live in Metairie. (the rejoinder is usually along the lines of “bitch, you live in Metairie.”)

It was also kind of fun to be accused of inauthenticity when it comes to writing about New Orleans, because I personally have never claimed to be an expert on anything New Orleans (others have said that about me, and I always am very quick to reply not even close); the more I learn about the city the more I realize how little I actually know about the city. There’s an extremely rich (and often incredibly dark) history here; it’s hard for me to wrap my mind around the fact that the New Basin canal was there as long as it was, or that there were several train stations around the French Quarter (including one that essentially was in Storyville–rather convenient for the whores and pimps, right?), or that where UNO is now used to be the lake shore resort of Milneburg, or that the only way across the river or the lake was by ferry until Huey Long built a bridge at the Rigolets (the narrow inlet between lakes Pontchartrain and Borgne).

I was on a panel once at the Tennessee Williams Festival with Bill Loefhelm (if you’re not reading Bill’s books, shame on you and correct that immediately) and the question of New Orleans authenticity came up, and Bill’s response (paraphrasing) was that New Orleanians have a tendency to play a game called “NOLier than Thou,” in which they try to one-up each other to see who the true New Orleanian actually is–which is, of course, gatekeeping. (And yes, I immediately turned to him and said, “I like that and am going to steal it” SO CONSIDER IT STOLEN.)

It does bother me somewhat when I read books set in New Orleans written by people who have never lived here; you can tell, but I also get over it pretty quickly; who is to say who can and can’t write about a place? There’s a significant difference between visiting and living here, which I realized almost immediately after we moved here, and that also becomes very apparent in fiction. I had started writing the book that would become Murder in the Rue Dauphine before I moved here, and I realized, once I did live here, that everything I’d written about New Orleans was completely wrong. I didn’t work on the book for another two years; and even then I wasn’t entirely sure I’d lived here long enough to write about the city. So…I kind of cheated by making Chanse MacLeod not a native either; he’d moved to New Orleans after getting his degree in Criminology from LSU, and had been here about six or seven years when the story opened. So he was an outsider, too; so his views on the city and how things work around here were from an outsider’s perspective, like mine; that was easier. With Bourbon Street Blues, I decided that Scotty was not only a native but came from two old-line society families, from the Garden District and Uptown. One of the greatest joys of my publishing career was having the Times-Picayune’s mystery reviewer, as well as the Books Editor, both say repeatedly that I got New Orleans right in my books. (Thanks again as always for all of your support, Diana Pinckley and Susan Larson!)

And I never really worried about it too much from then on. I wrote about New Orleans as I saw it–the potholes, the cracked sidewalks, the leaning houses, flooding streets, oppressive weather and hurricanes. As the years passed, I became more and more aware that my New Orleans writing was primarily confined to the Quarter, the Marigny, the CBD, the Lower Garden District, the Garden District, and Uptown–a very narrow slice of the city, but those were also my slices of the city, so that’s I wrote about. Sometimes I’d venture into another neighborhood–Lakeview, the Irish Channel, English Turn–and sometimes the story would take the characters to another part of Louisiana–the bayou and river parishes, the Maurepas swamp, the Atchafalaya Swamp, Baton Rouge–which, oddly enough, I had no qualms about fictionalizing. I’ve created numerous fictional towns and parishes surrounding New Orleans; I’ve even invented a sleazy gay bar in the Quarter (the Brass Rail).

So, was I doing New Orleans (and Louisiana) right by making stuff up, inventing places like the Royal Aquitaine Hotel, the Brass Rail, Bodytech Health Club, Riverview Fitness, etc.? Sometimes you have to fictionalize things, even if they are based on something that really exists. I never really thought much about it; I felt like I was getting the feel of New Orleans right, that my characters talked the way people in New Orleans do and react the way people here do, and that I was putting enough reality into the books for them to ring true to locals, natives, and tourists. Sometimes the cases are based on, in or around something that actually happened or exist; like the Cabildo Fire, the Fire at the Upstairs Lounge, Hurricane Katrina and the ensuing flood; termite swarms; Huey Long’s deduct box; and even the court case in, I think, Murder in the Irish Channel that triggered the murders was actually based on a civil trial I served as a juror on.

When I started writing A Streetcar Named Murder, I realized a lot of things I was writing about had to be fictionalized; I couldn’t set a murder at a Mardi Gras krewe ball and use an actual krewe that exists in real life, for one thing (like I had to invent a French Quarter hotel for a couple of murders to occur in) and while I didn’t want to use the cheat that Valerie had moved here again, like I did with Chanse, I wanted her to be of New Orleans but not be of New Orleans…so her parents are from Georgia and moved here after college and marriage, so Valerie was born here, went to school here, met and fell in love with and married her husband here–but her roots aren’t very deep, so she is both insider and outsider at the same time. I liked that idea; like how I am of the South but not of the South, she was of New Orleans but not of New Orleans at the same time. When creating Jem Richard in Death Drop, again, he’s a recent transplant to the city but his father is from New Orleans but relocated to Dallas, where Jem was born and raised. Jem spent a lot of his summers in New Orleans when he was growing up with his paternal grandmother, so he too is of New Orleans but not of New Orleans; which I am really liking as a method of storytelling about the city. I also moved Jem to a different part of the city; he lives in the 7th ward, on St. Roch Avenue in what is known as the St. Roch neighborhood (aka what realtors are trying to redefine and rename as the “new Marigny”, in order to raise prices) which is also very close to my office. Part of this was to move the action out of the neighborhoods I usually write about (although he does wind up in both Uptown and the Quarter) and so I could explore another neighborhood/part of the city than what I usually write about.

I also had recently–prior to the pandemic–started feeling more disconnected from the city than I ever had before. Primarily I think this was due to my office moving; we had been on Frenchmen Street in the Marigny, one block from the Quarter and where Scotty lives, so whenever I needed some Scotty inspiration I could walk a block, stand under the balconies of his building and just look around, drinking in the sights and sounds and smells of the block. To get past this, I started joining New Orleans history pages on Facebook, like Ain’t Dere No Mo New Orleans or the HNOC page and various others–you do occasionally run into Confederate apologists and racists there (they usually cry about the “crime” in New Orleans–you know, the usual dog-whistles from the white flight racists who fled to Jefferson Parish or the North Shore to escape desegregation of the public schools) and reading more histories of the city, state, and region–which are incredibly fascinating. That reading/research helped me write my historical Sherlock in New Orleans short story, “The Affair of the Purloined Rentboy”–but I have also since realized I got some things wrong in the story too, but there is just so much to know. I set the story in 1916 for example….without knowing New Orleans was hit by a MAJOR hurricane in 1915 that wiped out any number of settlements and villages around the lakes and the bay shores (that will turn up in a story sometime; the destruction of the lake front village of Freniere is just begging to be fictionalized and written about). When I mentioned this to another writer, who primarily does historicals, she snorted. “It’s impossible to know everything, and would people in 1916 still be talking about a hurricane from 1915?”

Probably, but if it doesn’t have anything to do with the story being told, why would I mention it?

A very valuable lesson, to be sure.

So, yes, lady from Metairie: you caught me. I’m not from New Orleans, you’re correct. But I’ve also published over twenty novels and umpteen short stories set here, and have even won awards for doing it.

And I’ll call it Fat Tuesday if I fucking want to.

The Huey P. Long Bridge at sunset, photo credit Marco Rasi

Tension

Wednesday morning and another good night’s sleep down. I didn’t want to wake up this morning–rather, didn’t want to arise from the comfort of my warm soft bed and the pile of blankets that help me sleep better–but of course there’s Big Kitten Energy in the house now, and Tug wanted breakfast. So, at around a quarter to six Big Kitten Energy launched itself at me and started cuddling and purring and wanting petting as well as feeding. He’s currently galloping around downstairs and just having a marvelous time. Yesterday was his first day at home alone with both of us out at the office; so I wasn’t sure what to expect when I got home. What mischief had the bored little kitty gotten up to on his own–what had been knocked over, knocked off counters and/or tables, what had he found to turn into a kitten toy which probably shouldn’t be a kitten toy, and so on. He didn’t come galloping down the stairs either once I got home, either. But by the time the groceries were put away I heard him coming down the stairs, and then we repaired to my easy chair where we just cuddled and I started rereading Jackson Square Jazz instead of doing chores–which I will now have to do tonight when I get home…but who could resist Tug’s insistent little face that he needed a lap to sleep in?

Yes, in case you were wondering, Tug has indeed taken his place as head of the household.

As the salt intrusion continues to make its way up the river to New Orleans, the panic is getting more realistic. I stopped to make groceries on the way home yesterday, and there was plenty of bottled water. I bought another gallon to go with the case of smaller bottles I got last week–doing what was advised, merely getting water every time I shop–so the initial panic-buying of water has at least some to an end. There’s also a cold front on its way down here, supposedly arriving around Friday–but looking at the weather forecast, all it means is it will be colder at night, dipping down into the sixties while hovering in the high seventies/low eighties during the day. That’s livable, of course.

I was tired when I got home last night, so didn’t do much of anything other than cuddling with the kitty and watching Youtube documentaries about long-forgotten Byzantine emperors (it really is amazing how little history of eastern Europe we learn in school) and the new Matt Baume (probably not new) video about Some Like It Hot, which, while now widely regarded as one of the greatest screen comedies of all time, was highly controversial at the time and went through some serious battles with the censors. (If you aren’t watching Matt Baume’s Youtube channel, you really should; he does some amazingly researched videos about queer rep in film and television throughout the history of both media, and his book Hi Honey I’m Homo is essential reading material tracing queer rep in sitcoms.) Now I want to rewatch Some Like It Hot, which I’ve not seen in decades. I don’t think I’m going to run any errands on the way home today–there’s some things coming in the mail, but they can wait for tomorrow’s drive home (or perhaps even Friday, really; nothing important coming other than maybe some copies of books I’m in or have written); Claiborne heading uptown is a mess after you pass the I-10/Highway 90 spaghetti mess, as the far right lane is closed there where it meets Martin Luther King along with an off-ramp from the highway, so everyone is trying to get over to the left lane from the right ones and of course, the far left lane is also closed, so about five lanes are trying to compress into two or three right at the intersection, which makes for aggravating, patience-challenging snarls. I did find myself losing patience while I was driving uptown yesterday and I wasn’t as able to control the rising anxiety as well as I have been doing since learning that’s what’s wrong with the wiring in my brain. I think that was another reason I was so tired when I got home; the emotional rollercoaster triggered by the rise in anxiety on the drive wore me down…and there’s nothing better for peace and calm than a purring kitten sleeping in your lap.

I am so glad we got Tug.

It was also interesting rereading Jackson Square Jazz last night for the first time in years–I rarely reread my own work from start to finish; usually I just look for information inside an old Scotty that I need for the one I am currently working, and this experience of rereading (okay, I just started rereading it last night) this old book of mine–my third novel–has been revelatory. For one thing, I am a very different writer now than I was then, and wow, has Scotty changed both in voice and character over the last twenty years! Scotty has grown up quite a bit–kind of hard for that not to happen, given everything he’s been through since I first created him–and the book is actually kind of time capsule. I remember deciding not to update any of the Chanse books when it was time to put up the ebooks; it would have been a lot of work for not much return in terms of satisfaction; the books are of their time, and changes in technology and the world happen too regularly to waste time revising and updating old books. I did feel that urge a little bit as I read through the manuscript pages (I am reading the uncorrected and unedited final draft I turned in)–Scotty had just gotten his first computer at the beginning of the book, for example, and while he had a cell phone he hated it and called it his “hell phone,” which mirrored how I felt about cell phones at the time. On-line chats and chatrooms were still a thing when I wrote the book; how would one update or revise that? Have the messaging through Grindr, instead of instant messaging? It’s actually a lovely time capsule of a time long past–showing what it was like to be an unrepentant gay slut with a healthy sexual appetite who lived in or near the Quarter in the years before Katrina…which makes it all the more important that I not only make it available again, but I also have to make sure, as I go through it, that it’s consistent with the books that came later–so I am going to have to work on that long-overdue Scotty Bible, and it’s really past time that I get that done; I certainly have a stack of Scottys with post-it notes all over them that have been waiting for me to do something with them. I’ll keep rereading it when my brain is too tired to process something new, and I think I’ll slowly make my way through all of the Scottys, to make sure the consistency is there.

Maybe I should revisit my old work?

And on that note I am heading into the spice mines. Have a lovely Wednesday, Constant Reader, and I’ll check in with you again tomorrow.

Coming Up

I always say my first identity is reader; I was a voracious reader long before I realized that loving to read and loving books predestined me to become an author, a teller of tales. Certainly author is my primary, preferred identity; sometimes I worry that my identity is entirely too wrapped up in being an author. But trying not to worry and be anxious about anything and everything in my life is my new mantra.

Anyway, I had the great pleasure of meeting S. A. (Shawn) Cosby at Bouchercon in St. Petersburg. I don’t really remember much of the weekend–I met a lot of people and I drank way too much–but I know I met and liked him enough to get a copy of his debut novel, My Darkest Prayer. I loved the book, and saw in its pages an incredible talent, for character and place and dialogue and language, and when I reviewed it on here I predicted an incredibly bright future for him as a crime writer.

I was right,

Titus woke up five minutes before his alarm went off at 7:00 A. M. and made himself a cup of coffee in the Keurig Darlene had gotten him last Christmas. At the time she’d given it he’d thought it was an expensive gift for a relationship that was barely four months old. These days, Titus had to admit it was a damn good gift he was grateful to have.

He’d gotten her a bottle of perfume.

He almost winced thinking back on it If knowing your lover was a competition, Darlene was a gold medalist. Titus didn’t even qualify for the bronze. Over the last ten months he’d forced himself to get exponentially better in the gift-giving department.

Titus sipped his coffee.

His last girlfriend before Darlene has said he was a great boyfriend but was awful at relationships. He didn’t dispute that assessment.

Titus took another sip.

All the Sinners Bleed is Shawn’s fourth novel (as a solo author–he also co-wrote a book with Questlove). In the wake of My Darkest Prayer, he released two novels to extraordinary success and acclaim, Blacktop Wasteland and Razorblade Tears. Both were amazing, and somehow each book is somehow better than the preceding one–which is really saying something; I’d happily retire if I ever reached anything comparable to those two with any two of my own.

But they were just warm-up acts for this incredible new novel.

Something that has always interested me over the years is the integration of American police forces on every level. How do, for example, Black and/or Latinx/Hispanic cops feel when their fellow officers commit racially driven police brutality? How does it feel to be a part of a police force–particularly in the deep South, but also in places like Los Angeles–that has always been historically racist and oppressive to non-whites? For that matter, how does it feel to be a queer police officer?

All the Sinners Bleed takes on that question with our main character, Titus Crown, the recently elected first-ever Black sheriff in a pretty racist little corner of southeastern Virginia. Titus was born and raised there; his father and brother live there, and he returns to his hometown after a stint with the FBI. He ran for sheriff not expecting to win, but to try to break the stranglehold of power always held by money and white supremacy there. (I have another essay or entry to write about small Southern counties/parishes, and how they all too frequently are run like corrupt authoritarian dictatorships with the power being passed down within a few families, sometimes only one. Exhibit A: the Murtaughs in the South Carolina low country.) As the first Black sheriff of Charon County, he has to uphold the law–which he intends to do to the best of his abilities.

The book opens with a shooting at the local high school; this was hard for me to read and part of the reason it took me so long to get into it; I thought this was going to be a school shooting novel and I wasn’t sure if I wanted to read that. But I was wrong; yes, there was a shooting at the school and yes, that shooting was pivotal to the plot, but it wasn’t a mass shooting: a young Black man goes to the school and murders one of the teachers, and on his way out he is shot and killed by the cops when he won’t drop his weapon. Why would Latrell Macdonald shoot Mr. Spearman, a very popular teacher? As Titus starts looking into the strange shooting, he discovers another level of horror going on in Charon County, and once the story gets moving, it’s hard to put the book down.

Over the course of this all-too-short novel, Cosby tackles a lot of issues without either being preachy or over-the-top. Confederate monuments, the Daughters of the Confederacy, racism, white supremacy, the cruelty of poverty, police brutality, and the hard, cruel kind of Christianity practiced in poor, remote rural regions of the South. But the most powerful aspect of the book is how it handles grief; the three Crown men dealing with the loss of wife and mother, a wound that never heals–and the guilt that comes with moving on from such a loss. Cosby had a lot to say in just over three hundred pages; the fact that he said it all, and powerfully, by using character, place and story to get his messages across is testament to his great skil.

And this book is bound to piss off white supremacists. It will make a great Christmas gift for any in your family.

One More Time

I”m up earlier than usual on a Friday because I have to go to the dentist’s office this morning to get fitted for my new dentures. I don’t know when they’re going to be ready, and I know it’s too much to hope for that I would get temporary ones today so I can start eating normally again, but an old gay man can dream, can’t he? I left work yesterday to go meet with the cardiologist, to be cleared for my surgery as well as to check and see if i also have the same congenital heart issue that eventually killed Mom (her father died in his sleep in his forties; there’s a concern that it’s not only congenital but genetic); good news is my heart is strong and functioning completely the way it’s supposed to; no concerns there, with a sonogram scheduled to see if my arteries are normal or I have the same issue Mom had. He also changed my cholesterol medicine (giving me something stronger), and i need to have another blood draw done. Yay? My schedule between now and the surgery looks to be filled with appointments for tests and things. Heavy heaving sigh.

I slept really well last night. Paul was late getting home–we watched Only Murders in the Building–and I did some chores. I took the evening off from writing and tried to do chores mostly. I watched a documentary on Youtube about Charles VI of France–aka Charles the Mad, the king who lost France to Henry V of England–and the “glass delusion,” which the King suffered from as did many others during the time period; the belief that he was made of glass and would shatter. I had wanted at one point to write a story about the glass delusion (because it absolutely fascinates me), but am not sure how to do it or whether Iwant to write about the king himself or come up with someone new to have the delusion. He was an interesting person, had an interesting and tumultuous reign–whichof course indirectly led to the rise of Joan of Arc, which really is fascinating. St. Joan and her voices have always struck my curiosity–more on that at another time, anyway. So, yes, I went down a wormhole on Youtube on the Hundred Years’ War, the madness of King Charles, and the fifteenth century. The fifteenth was also a calamitous century, to use the language Barbara Tuchman used to describe the fourteenth in her book A Distant Mirror (which may be my favorite history book of all time). I don’t want to write about the fifteenth the same way I want to write about the sixteenth, because it would have to cover the Hundred Years’ War but also the Wars of the Roses, and those have been written about already endlessly so I have no desire to write about either of them.

But my sixteenth century and women ruling Europe book is something I would still like to do.

Okay, so now I am home again and irritated. I stopped to make a few groceries on the way home from the dentist, and apparently left one of my bags in the shopping cart, which is super annoying–especially since that was the bag that had the stuff I specifically stopped for; all the rest was just lagniappe I picked up because I was there already. Heavy sigh. Ah well, I can go back later on–probably will, because I do need those things–but still irritating to just throw money away like that. Ah, well. I’ll be getting my new temporaries in about a week or so; which is the best news, really, and I also have to get my checkbook register caught up and all my new follow-up appointments put onto my calendar.

And of course, this afternoon we’re going to the SPCA on the west bank to get a cat. YAY! (Maybe I can pick up the stuff I need on the West Bank before we go look at the kitties.) I am not going to stress about it, nor am I going to get anxious about it, either.

So I have some work-at-home duties to take care of this morning before we head across the river to adopt a cat (I’m a little excited but trying really hard to contain myself). I also have laundry and dishes and other tedious chores around here to get done over the weekend. Tomorrow I’m going to take the books to the library sale and see if I can get my vaccinations that I need at CVS; worst case scenario I can’t get it there and will have to wait some more. I’d like to have it before I see my elderly relative next weekend in Panama City Beach, for obvious reasons; I’d feel terrible if I gave any of them COVID at their ages. (Dad is the youngest at nearly eighty-two.) It’s just a quick trip, over on Saturday and back on Sunday, but since I won’t be able to head up north for the holidays I don’t want to miss a chance of seeing Dad when he’s that close, and I can finish Carol Goodman’s marvelous The Drowning Tree in the car.

And on that note, I should probably head into the spice mines and take care of my work-at-home duties before Paul gets up. Have a lovely Friday, Constant Reader, and I am sure there will be a picture of my new kitty to post later on.

Green Light

One of the things I’ve been thinking about lately is how we don’t really have a Louisiana crime writer who explores and illuminates the damage we are doing to the ecosystem and environmentalism of the state the way John D. Macdonald infused many of his Florida novels with so frequently. Condominium, published in the 1980’s, is a stinging indictment of crooked developers and corrupt politicians putting up massive condominium buildings along the coastline of Florida, despite the damage they do to the environment, all in the name of a quick buck. I have been thinking about this because I spent a lot of time in the panhandle in the 1970s, back before Panama City Beach developed into what it is now. I’ve not been back there since 1980, at the latest; but just looking at Google Earth images it’s horrifying how different and over-developed that whole area has become. (I was looking at the images because I was thinking about setting a book along the Redneck Riviera/Baja Alabama/Emerald Coast/Miracle Strip, whichever name you use for the region.) Louisiana, nicknamed “Sportsmen’s Paradise” because of the abundant fish and game and the stunning natural beauty of the state, has pretty much spent the last hundred or so years (at least) destroying and despoiling the natural resources of the state of Louisiana, killing off wildlife species while introducing new invasive ones–and don’t even get me started on Cancer Alley, that stretch of the river between New Orleans and Baton Rouge lined with petrochemical plants parked next to poor, mostly Black communities that have, surprisingly enough, large instances of cancers in the residents. Now the level of the river is so low that it can’t keep the Gulf water pushed down, and the salty water is making its way up the river and intruding into our drinking water supply here in southeastern Louisiana. I’m sure the loss of so much of the wetlands to ensure oil company profits hasn’t affected this in any way, shape or form. There’s a really good environmental thriller to be written about Louisiana (if not more), and I think maybe part of the problem in writing about the destruction of Louisiana in the name of unfettered greed is that I don’t feel knowledgeable enough on the subject to tackle it, nor do I have the time to spend on the research necessary.

It’s really disappointing to me that James Michener never wrote one of his two thousand page plus books about Louisiana. Louisiana history, no offense, is a lot more interesting than Texas’.

And Sportsmen’s Paradise is a great title for a book about Louisiana’s environmental disasters.

I suppose I should just go ahead and do it, regardless of how difficult and long and tedious the process may be. I also think part of the reason I’ve resisted this aspect of writing about Louisiana is because no matter how dark my books may get, I always want justice to be done in some way and to end the book with some sort of hope; there literally is no hope for the future of Louisiana because our politicians are all too greedy and corrupt and only focused on the now rather than the future, no matter how much they beat the “but the children!” drum publicly to fool those incapable of deeper thought. There have been so many environmental disasters in Louisiana over the nearly three decades I’ve lived here I can’t remember them all; and yes, I definitely count boil water advisories in that, too. There was the sinkhole at Bayou Corne (anyone remember that?) and of course Deepwater Horizon, whose true impact and the damage it wrought on the Gulf and the coastline will not be fully known for generations.

The one consistent thing throughout Louisiana’s history has been the entrenched systemic political corruption. I have written about that.

I’ve also been thinking a lot about Jackson Square Jazz, as I get into this revision, and remembering why I wrote it and what I was trying to say within the book; there was a thread in it that ties directly into the new one, and there are also some thematic commonalities with S. A. Cosby’s All the Sinners Bleed, which I am really enjoying reading. Shawn is such an extraordinary writer, with a gift not only for language but character, dialogue, setting and story; the complete deal, as it were, and definitely is going to be considered one of the definitive crime writers of this new generation of exceptional talent that has risen over the last few years. I am going to spend some more time with Shawn’s book this morning, too; I am really enjoying it and wanting to see where it goes and how it all ends. I also have the new Lou Berney on deck, and Lou’s books are always high-quality, clever, and engaging.

College football was interesting yesterday. My Tigers prevailed in a three-point nail-biter against Arkansas in Tiger Stadium 34-31, running the clock out and kicking the winning field goal on the last play of the game. Paul and I were stunned, as was the crowd in the stadium..,and then I laughed. “LSU fans aren’t used to smart clock management in tight games,” I observed, and Paul started laughing with me because the crowd in the stadium didn’t know how to react to the end of the game either. It almost seemed ant-climactic rather than exciting…how many games have we lost this century because of poor clock management skills displayed by the coaching staff? So it was lovely, for once, to see the Tigers play smart at the end of a game for a change. Alabama finally looked like Alabama for the first time this season–but only in the second half as they iced Mississippi. LSU now has to play Mississippi in Oxford next weekend; it’ll be interesting to see how LSU stacks up against our old Magnolia Bowl foe. Colorado finally lost, which brought out all the racist college football fans on social media. The Texas A&M-Auburn game was just sloppy, ugly and unimpressive, while Mississippi State fell to South Carolina. But the big game of the day lived up to its billing–Ohio State v. Notre Dame in South Bend, with the Buckeyes scoring the winning touchdown on the literal last play of the game, 17-14. I literally only saw the closing minutes of the game, switching over once the LSU game concluded. The Saints play at noon today at Green Bay, so the grocery run I need to make will happen around that time–no fool me; everyone knows the best time to make groceries is during a Saints game here.

Yesterday was pretty relaxing, over all; a lovely day for the weekend and a restful and nice one, despite the stress of the LSU game. I’ll probably have the Saints game on in the background because it’s too anxiety-making to watch the games. (I have yet to learn how to control the anxiety during a game; it was certainly there last night and while I tried very hard not to get negative during the game, I could feel the adrenaline spiking and my heart rate going up, but I managed to keep my mind from spiraling and going super-dark as well not getting overly emotional It is, after all, just a football game and LSU football success isn’t necessary for my mental well-being.)

My goals for today are to read Shawn’s book for a few hours, get cleaned up and make a grocery run; while finishing the first chapters of the new Valerie and Jem books (tentatively titled, thus far, The House of the Seven Grables and You Gone, Girl) and also wanting to do some short story work as well, which is always fun. This Friday I am getting fitted for my new teeth (hurray!) and I have also reached the point where I can eat and enjoy noodles, so yesterday I made box mac’n’cheese (not Kraft, but one that came from the refrigerated section and simply needed microwaving and stirring; it wasn’t bad, either). Tonight I am going to make ravioli for dinner; we’ll see how that goes, although I am sure I won’t be able to eat any garlic bread. (I am able to eat Cheese Puffs, though.) I really want a burger, more than anything else. We are also making a trip to the SPCA to adopt a cat this coming Friday, which is perhaps the most exciting thing of all! I’ve really missed having a cat; they are such darling animals, and of course we want to get another ginger boy.

And on that note, I think I am going to head into the spice mines. Have a lovely Sunday, Constant Reader, and I’ll be back–if not later, than tomorrow.

Adios Amigo

I’ve been toying with an idea for an essay for a while. It began as a blog post, but as I worked on it I realized it might be too long for a blog entry, were I to cover the entire scope of the issue even in abstract form. I moved it from here into a Word document yesterday, which may or may not mean something bigger in store for it than simply a blog entry. I don’t know. It will probably wind up here at some point as one of those long rambling things I do from time to time when I feel passionately about something. Consider that your warning. I’ve been thinking about masculinity a lot lately–it’s been an albatross hung around my neck since I was a child (“Boys don’t play with dolls! Boys don’t read Nancy Drew!”) and after reading so many bad takes about how “men are in crisis”–which basically boil down to an inability to adapt to cultural and societal change that is so intense that they resist such adaptation violently–I started thinking about masculinity and what it means to be a man; if it means anything, really. It’s probably too important an issue for me to take on in a personal essay, but personal essays are supposed to be revealing, and no one expects me to have an encyclopedic knowledge of everything ever written about American masculinity, and to discuss it; thinking I can’t write something for whatever reason is self-sabotage of the worst kind, and something I am guilty of, over and over, throughout my life and career.

And yes, self-sabotage is 100% a by-product of my anxiety.

I also have Justin Baldoni’s book about masculinity, Man Enough, which is also an exploration of masculinity. Baldoni played the incredibly hot and sexy father of Jane the Virgin’s baby, and so as a gorgeous male actor/sex symbol, he has some gravitas to speak on the subject. I’m looking forward to cycling around to his book, once I finish my reread of a Charlemagne biography I really enjoy. I also spent some more time with Shawn’s All the Sinners Bleed, which I am liking and savoring as I go–and can’t wait to spend some more time with it today. When I finish, Lou Berney’s Dark Ride has preempted everyone and been moved to the top of the TBR pile. It’s so lovely having so many great options of what to read next. I also think once October rolls around I am going to read only horror that month, in honor of the season–so I need to finish Shawn and Lou’s books before the month turns.

It also occurs to me that many of my books–unbeknownst to me–have explored the topic of masculinity in great detail already.

I slept really well last night, and only got up once. Ironically once I did wake up, I thought wow you really slept late and then saw it was quarter past seven on my alarm. I guess how it feels matters more than how long it actually was, and what truly matters is that I woke up feeling rested and relaxed and ready for my coffee this morning. I am debating right now whether I want to take the books to the library sale and the beads to the donor bins as well s make a slight grocery run–but am leaning towards not making the trip outside the house. I don’t really need anything from the store until Monday at the earliest, and the boxes of books and beads are out of the way and not bothering anyone, let alone my need for order and open space in the living room. I also want to work on some writing today before the games, so maybe leaving the house today isn’t in the cards–or am I just being lazy? It’s definitely possible that laziness and procrastination and my tendency to self-sabotage is what is really going on here. It’s possible. I do tend to put things off I consider unpleasant (and by unpleasant, I mean have to put some effort into it)…

LSU plays Arkansas tonight in Death Valley, and tonight we’ll find out two things: basically, how good either time is. It’s hard to say this early in the season how much quality your wins and losses have; the Florida State-Clemson game today will impact how good the LSU loss to the Seminoles was, and of course we aren’t sure how good Mississippi State is, so we don’t know if that was a quality win yet or not. Arkansas lost to BYU last weekend, so there’s also no telling how good they may or may not be, either. The whole conference seems to be down this year, but a tight win for Georgia can be shaken off as meaningless this early, and Alabama may bounce back; a Nick Saban coached Alabama team has never lost more than three games in a season since 2010 and only twice overall; sure, they looked unimpressive against USF and lost badly to Texas in Tuscaloosa, but does that mean Alabama isn’t going to rebound and is destined for a bad season? No, I don’t think so. Love them or hate them, Alabama consistently wins, and an early season loss means nothing to their program. Sure, LSU could run the table, win the West and potentially even the conference title game and make it to the play-offs; but they have to run the table on a schedule filled with landmines, including both Alabama and a rebuilding Auburn as well as the always hated Florida Gators. There are some great games today, which is why I want to spend some time reading Shawn’s book this morning before the games start, and I plan on rereading and revising Jackson Square Jazz during the games today.

And of course, there’s always filing and organizing to be done. I have seriously messed up my filing system so thoroughly and completely that it’s going to require a major overhaul to begin with, but I also have to think about putting together a new and workable system that will be easier to maintain than this haphazard way I’ve been doing things–and of course the computer files are an utter disaster as well. Heavy sigh.

I’ve been doing a lot more research (or rather, falling into research black holes on the web) about New Orleans during the decade of the 1910’s. I am definitely going to write a Sherlock pastiche for the Bouchercon anthology–which of course means I will most likely be rejected. Perhaps a Sherlockian-type character, and if they turn it down I can simply turn him into Sherlock and toss the story into my short story collection? I need to finish the revisions of “Whim of the Wind” and finish a draft of “Parlor Tricks,” which will probably go into that collection as well. What particularly interests me now is “Manila Village,” a settlement of Filipinos on Barataria Bay, settled by native Filipinos who were forced to serve in the Spanish navy and escaped to Louisiana. There’s still a strong Filipino-American community here (which I actually didn’t know before falling into this wormhole of research), and I do feel that Holmes, living in New Orleans in that decade, would probably embrace them and their culture. (I also need to research the Isleños; descendants of the Canary Islanders who settled here.) New Orleans was also dramatically different geographically back then; the New Basin Canal was still there, for one thing, and I am not entirely sure when the Carondelet Canal (also called the Old Basin Canal) was filled in, but it came right up next to Congo Square; the streets in the Quarter were either dirt or cobblestone, and the lower part of the neighborhood had been almost entirely taken over by Italian immigrants.

I’ve also got strong starts of first chapters for another Jem book (sequel to Death Drop) and another Valerie (sequel to A Streetcar Named Murder); so there’s plenty of writing to be done this weekend as well. I’m not feeling overwhelmed by any or all of this writing that must be worked on and done; this morning I literally feel like all I need to do is roll up my sleeves and dive into the word documents head first, which is a great way to feel.

And on that note, it’s spice mine time this morning. Have a great Saturday and I’ll probably check in with you again later.

Married, But Not To Each Other

There’s really nothing like a country adultery song, is there?

The stitches in my gums are starting to dissolve, which means healing is happening. I don’t know if and when I can eat something a little more solid–like bananas and watermelon–but trust me when I say I cannot wait to eat something I can gum a bit. That really doesn’t sound appealing, does it? But much as I love protein shakes and ice cream (please note the lack of mentioning baby food), I really want something else. I really want Five Guys, to the point where I’d buy one and puree it if I wasn’t aware enough to know that it would be disgusting and still inedible for me.

In a little bit I’ll be heading to the Tulane Institute of Sports Medicine where I am finally meeting with the kind of specialist who can potentially work on my left arm injury. It’s a very long and tragic story, how I got here at any rate, and I’ll probably go into more at another time, but it’s not something I feel like talking about at the moment. The primary problem is I don’t remember if I’ve talked about it here already or not? The joys of getting older and having a much more slippery memory than I used to have, I suppose. I slept really well last night–certainly could have slept longer, so I think this weekend will entail a lot of sleeping in, quite frankly. I don’t feel tired and worn out the way that I remember feeling before on Friday mornings, so I guess that’s a good sign. I’ll run some errands on the way home and hopefully won’t have to go out much this weekend. I also need to get back to writing something other than emails and blogs, to be honest. I was thinking about this last night, and since I’ll take Shawn’s book with me this morning to read in the waiting room, hopefully that will crack the trouble I am having reading since coming home and I think the answer to cracking the writing issue is to start the actual editing of Jackson Square Jazz. Why not? It needs to be done and it’s just been sitting there waiting for me to do it for years now. I also think I’m going to pull that short story collection I’ve been wanting to get into print, and see how close it is to being finished and what unpublished stories there are on hand that need more work on them. I think those are both valid projects for me to make some progress on this weekend around cleaning and watching football games, I think.

We got caught up on both Ahsoka and Only Murders in the Building last night, which was nice. I was tired when I got home from work last night–very tired–and was actually able to come straight home from work for once. I finished a load of laundry–still sitting in the dryer, actually–and a load of dishes that need to be unloaded once I get the kitchen back into some kind of decent shape.

As I sat in my chair last night waiting for Paul to come home while watching a documentary on Youtube about the final collapse of the Hapsburg dynasty, I wondered if my ability to now recognize anxiety for what it actually is as it starts (I just always thought everyone’s brain worked that way before) and fend it off had anything to do with with my not writing? I think I may have burned myself out a little bit with all the writing work I’ve done this year; juggling two new novels at the same time wasn’t the smartest move I’ve made in my career–but I had no way of knowing what my life situation was going to be like last fall, winter and spring either. I also think if I can get over the reading hump, the writing hump will melt away like nothing before my very eyes. It’s a lovely thing to believe (we tell ourselves lies in order to live), and it may very well be true–reading always inspires me and makes me want to get back into my chair at the keyboard and working away at something. I also just checked and my new glasses are scheduled to arrive on Monday, which is great, as my prescription has grown stronger but I am still wearing my old ones. This is, if you will recall, the year of getting things done–hence the hearing aids, the mouth surgery, and following up on getting my arm taken care of. I am looking forward to being able to see properly again, and chew again, to go along with my new ability to hear, which is lovely and something to which I’m still adapting.

So my big plans for this weekend involve cleaning the house (as always), revising and reediting Jackson Square Jazz, and reading All the Sinners Bleed, which has a very strong and powerful opening. I may do other things–I do have a hefty to-do list to take care of this weekend, but nothing I can’t really handle–and of course I’ll be watching the LSU game tomorrow morning as well; using the nervous energy LSU games always give me to clean the living room. If it weren’t for the early start time of that game, I’d take some boxes of books to donate to the library sale, but that will have to wait until next weekend, alas. (They’ve been in the living room since Labor Day, and I’ve not pruned the books again since because, well, there’s already too many boxes in the living room.)

And on that note, I’m going to get another cup of coffee and head into the spice mines to start getting ready to head uptown for the doctor’s office. Wish me luck, Constant Reader, and I will chat at you some more probably later on. Have a great Friday!

Paper Rosie

Wednesday morning and back up at an ungodly hour to make it back to work. But I was also kind of tired of lolling around the apartment on pain meds, doing very little to nothing, including not much thinking. It’s nice sometimes to not have to think, but I always worry that not using my mind is making it lazy, if that makes sense? Probably not, but I know what I meant. I always worry that my brain will atrophy if I don’t use it. Well, that made more sense. See what I mean? You see why I am concerned?

I didn’t sleep well last night–not bad, just not great. I’ve gotten used to ten to twelve hours of sleep per night since the surgery, so I wasn’t sure how getting up this morning would go. Not bad, to be honest; I don’t think I had a good night of sleep because of anxiety about not waking up, but I feel okay so far. I’m just so tired of soft food. Today I’ll be taking baby food with me to the office, and I am not really looking forward to that, in all honesty. I think I’ll take ice cream for lunch–I will miss eating ice cream every day when my mouth finally heals, but I am so ready for solid food you have no idea. I am so going to Five Guys when this is all over!

I didn’t get much accomplished yesterday. The pain pills don’t make me loopy the way the ones they used to prescribe (the highly addictive oxy family of opiates), but they do something to the wiring in my brain that doesn’t quite make sense to me. I did get a load of laundry done, another load of dishes, and I filed and straightened up the workspace–which looks a lot more bearable this morning than it did yesterday morning–but I didn’t get as much accomplished as I would have liked because my mind was spacy and I kept losing track of time. Paul got home late last night and we watched another episode of Painkiller, which is such evidence of how broken our entire system is (I still get angry at the Sacklers just thinking about it) that I don’t know how anyone could watch it and not fall into despair.

I did find myself–I blame the pain meds–falling into a pit of anxiety yesterday afternoon, spiraling and everything, but once I realized what was happening I thought use this nervous energy and that’s when I started cleaning. I put the kitchen rugs in order and swept, put away dishes and started filing and organizing. My computer files are a disaster that will take days, if not weeks, to sort out; I did make some attempt at it yesterday to no avail. I also went into another research wormhole about the Filipino community of southeastern Louisiana–I love that there’s always something new and startling to learn about this region–and I really would like to write about Manila Village, or St. Malô; it was known by both names. It could be another Sherlock story, I think, since I so strongly established him in 1916 New Orleans; Manila Village/St. Malô was destroyed in the hurricane of 1915 (which also wiped Freniere off the map, and I want to write about Freniere as well; the witch’s curse and all)–a lot was going on in the New Orleans era during the twentieth century teens decade (there was also an outbreak of bubonic plague and the last really bad yellow fever epidemic during that decade, and then of course there’s the banana wars, which is also endlessly interesting) and of course, I would love to write about it all.

I want to write about everything.

It’s also Pay-the-Bills day; time slipped past me while I was recovering from this oral surgery mess–and of course Friday is my appointment with the Tulane Institute of Sports Medicine about my arm (I’ll talk more about that later)–and I do think that I am going to need to work on the filing system this weekend. The LSU-Mississippi State game is at the ungodly hour of eleven a.m., so I can probably get some work on the filing done during that. I have duplicate files and the problem–the primary problem–is I allowed the files to get out of control during the pandemic and the system I’d been using completely broke down. The file cabinet itself has been a mess for years, and what I really need to do is decide on a new system or figure out if the old one can still be used, despite how much work it’s going to take. I also need to take stock and figure out what needs to be worked on and what needs to be done, and where I am at with everything. I don’t have any contracts currently in place (which is usually a very scary place for me to be, frankly, but I am not letting the anxiety about that make me do what it usually does; throw out a bunch of proposals only to end up with too many deadlines and more stress than any writer needs.

And on that note, I am heading into the spice mines. Here’s hoping my energy doesn’t flag and I make it through the day safely. I hope you also have a lovely day, Constant Reader, and I’ll check in with you again probably tomorrow.