Work-at-home Friday. I had early morning PT this morning, but when I checked my phone when I got home from work my surgeon had called to reschedule, so the rest of the morning for me is free. I’d taken sick time for this morning, which I can now cancel and use at another time, I guess for when the appointment is rescheduled. This was a bummer for me, because this was the removal of stitches and hopefully cleared from the brace appointment. I’d planned all of this out so that I can get it all taken care of on my old insurance, since I have new health insurance in January and a deductible to meet. Ironically, I had just been thinking that despite everything, this wasn’t ruinous financially. I was also hoping to be cleared from PT until late February. Here’s hoping I can be rescheduled next week sometime, but it’s the week between Christmas and New Year’s, so what are the odds that he’s either working or has anything available? I am trying really hard not to get anxiety over this, but it’s kind of hard. Sigh. No sense in stressing about something unknown, so when I finish this I’ll go ahead and call his office.
I knew it was all too good to be true.
But I’m glad I got it taken care of, anyway.
I was tired yesterday. The adventure of making a red velvet cheesecake one-handed and assembling it while making frosting with a nosy high energy kitten exhausted me, and once my caffeine wore off I was exhausted. I did get a great Secret Santa gift–a rechargeable battery operated hand-held vacuum I can use in the car, which I’d been wanting for a while–and I cannot wait to use it. If the weather is sunny this weekend, I may even wash the car. Ooooh, crazy talk, right? And I am getting my new microwave this weekend, which I am unnaturally excited about, frankly. This time I am keeping the instruction manual and teaching myself how to use it properly, rather than just reheating stuff.
I do have a lot to get done this weekend, which was partly why I was hoping to lose the brace for good today. But I can work around it and the High Energy Kitten, who slept so adorably in my lap last night while we watched Reacher and started watching Looking, which we are really enjoying. At the time it came out, it got terrible reviews and queer people seemed to hate it, and no one watched much. At the time I only knew Jonathan Groff from Glee, and not one of its highlights, so it didn’t take much for me to decide not to watch. But now having seen him in Hamilton (on Disney) and in Mindhunter, I was more open to it when Paul suggested it last night, and I was very pleasantly surprised with how realistic it was. It’s very well done, and while I personally didn’t identify with any of the characters, it showed a part of gay life and culture that I know exists. (One of my primary disappointments about the Queer as Folk reboot was the writers clearly weren’t from here–maybe they were, I don’t know–but it wasn’t a real New Orleans I saw on that show, and it was such a missed opportunity. Queer life in New Orleans is very rich and very much a part of the city’s culture in and of itself; imagine doing a queer show set in New Orleans and not mentioning the gay krewes, the leather community, and Southern Decadence is just sitting there, waiting for it’s film/television debut! I primarily watched the entire season for friends who worked as extras–my former supervisor Joey’s drag persona, Debbie with a D, was in the show a lot.)
I also want to finish reading the Tamara Berry novel and move on to the next. I am really enjoying the Berry, despite not being able to focus on reading this week in the evenings, so hopefully part of my cleaning plans this weekend can be broken up with an hour or so of reading every day. I really miss reading. I was scrolling through my ebooks on my iPad, lokoking for a cookbook which was one of the earliest ebook purchases tlast night and was stunned to see how many books I’ve gotten electronically over the years since I got my first iPad back in 2010. (I’d purchased the cookbook in 2011.) So, yes, my TBR stack is much larger than assumed because I never think about the ebooks. Sigh.
And on that note, I need to get to work. Have a lovely Friday Christmas Weekend Eve, Constant Reader, and I’ll probably be back at some point today.
Imagine my shock and horror last evening when I realized that Christmas is next weekend. What the hell happened to December? Where did it go? Suddenly, I am almost out of time to do and mail my Christmas cards, and I really don’t want to save the awesome ones I bought for next year. Sheesh. But…I also didn’t/am not get(ting) down on myself about that fact, either; which is a really positive place for me to be in at the moment. Is the reset of my brain that I was determined to get taken care of during my recovery from surgery actually working? Perhaps…and the surgery recovery kind of was a blur where I was lucky to remember what day of the week it was, let alone the date. The new meds seem to be taking care of my anxiety, which is precisely what I needed–it’s so nice to not freak out or spiral about things over which I have no control, and calm Greg is always the best Greg. (I do know people rather enjoy when I go on a Julia Sugarbaker rant, though.) I slept well again last night, which was marvelous, and of course Sparky’s body clock alerted him that my alarm was going to be buzzing away annoyingly soon, so he emerged from his under-the-bed cave around five thirty-ish to climb up into the bed and cuddle until it was time for me to rise from the depths of Morpheus and fill his food bowl.
There’s really nothing quite so comforting as a soft kitten resting on you, purring, is there? I also think it’s kind of amazing that he’s left my injured arm alone ever since the brace went on it. My right arm is a battlefield of scabs and scars from his claws–as is my right leg (that’s the one he likes to use to climb me), but my left arm? Other than the surgery incisions and the purplish netting over them, it’s pristine. He also will stretch out in my lap to sleep–just like Scooter, he wants my lap as soon as I get home from work, and also like Scooter, my desk chair belongs to him and he refuses to sleep in my lap if I am sitting there–and always rests his cute little arm in the crook of my left elbow and purrs contentedly as his little purr engine soothes my soul.
How did I manage to live so long without having a cat? So many years wasted when I could have been saving cats from shelters. Ah, well.
We were super-busy at work yesterday–we’re heavily scheduled today too–but I applied myself and got caught up on most of, if not all, of my desk duties around my clients. I also felt better yesterday–certainly more alive and awake and present than I was on Tuesday, for sure, for sure–and I feel like today is going to be a good day overall as well. I am feeling better about most things, really (though I do wonder if the anxiety and eager-to-please mentality that comes out of it is what has motivated me to write so much over the last twenty or so years), and it’s much easier to stay positive even as the world burns to the ground around us.
It’s weird to be in the midst of the Christmas season, venerating the birth of the prophet/savior of the Christian religion (and why is a religious holiday a legal one?) while at the same time the people who claim to be his followers have put our democracy under attack and are going after everyone else’s rights–because make no mistake, if one group’s rights are under attack, everyone’s rights are under attack. (And don’t #notallChristians me; if you aren’t speaking against your Christo-fascist brethren, you’re a collaborator at worst or complicit at best. Remove the mote from your own eyes before coming for the one in mine, thank you very much….and I bet I know the Christian religion and your holy book better than you do.)
The part I don’t get about bodily autonomy opponents is this: if you believe the government has the right to interfere with women’s health care choices over the recommendations of the medical field, you really can’t at the same time object to government intervention in health insurance and health care, either… yet it’s always the same thing. (And you can’t break the law by claiming you do so because of your faith gives you a fucking free pass. “Render unto Caesar”, remember that Jesus quote? He’s saying the government is an authority to be respected, not that “if you follow me you can use me to do whatever you want!)”) Surrendering bodily autonomy means giving the government a say in your health care–so if you oppose abortion and choice, you better shut the fuck up and get vaccinated and wear masks when the government tells you to; and you need to shut the fuck up about the Affordable Care Act, Medicaid, and Medicare (I’m looking at you, demon-spawn from hell Nikki Haley). You love to talk about slippery slopes when it comes to the Second Amendment, but you’re all about the government telling women what they can and can’t do with their wombs and bodies? The fact they don’t give a fuck about child care and child health and public education and ensuring all children have the basic necessities of life is all the evidence anyone needs to know the “save the precious babies!” argument is shallower than a salad bowl. They don’t care about babies, they don’t care about women, and they don’t care about freedom, period.
They only freedom they care about is the freedom to control–and how is that freedom?
And the real slippery slope is that if the government can tell you that you have to have a child…means that the government also has the right to order you to have one…and the right to not let you have one when you choose.
Funny how the only slippery slope they care about is the one about guns.
And all the hate speech around transpeople and calling all queer people groomers while not going after organized religion–where it seems most of the child-rape happens–is another indicator of cognitive dissonance so powerful that you seriously have to wonder about the functionality of their brains, and people who don’t have a logic-based brain aren’t people I want to listen to about anything.
Rant over…for now, at any rate.
I was, however, thoroughly exhausted yesterday when I got home from work. Adjusting to being back at work is taking a little more time than I would have liked, but it is what it is. Tonight I have to do some errands on the way home from work, so I am hoping I am not as dog-tired when I get off tonight as I was yesterday. I did get some things done once I got home, but not nearly enough, and of course Sparky was very needy after his first long afternoon home alone in almost a month. He’s such a mischievous little brat sometimes. Did I mention he turned the washing machine on the other day? He’s lucky he’s also incredibly cute and sweet–but he is still an evil genius. I’ve always thought the entire point of Lucifer/Satan having been the most beautiful of the angels before the fall was a warning to humans to not be fooled into thinking beauty means good…and the degeneration of what he looked like during the late Dark and early Middle Ages into a horned, red monster with claws and a tail was just another step in the demonization of non-Christian religions; as there are any number of different pagan gods who looked like that who were also not evil.
But here it is, a mere eleven days before Christmas. It’s such a tired and boring cliché to even attempt to add anything to the conversation about the commercialization of the holiday season; that ship has long since set sail. I mean, as I always point out, it was already such a problem in the early 1960’s that Charles Schultz wrote and animated A Charlie Brown Christmas to illustrate the point. What could I possibly add to that? Paul and I have decided not to get each other gifts this year; we both buy anything we want or need whenever we think about it. All I ever want is books, anyway, and I am trying to cut back on adding books to the house unless books are going out of the house–and trying to ensure more are going out than coming in is the optimal at this moment. I’ve also decided to dispose of marked up manuscripts and early drafts of things; everything is digitized anyway, and it will clear up a lot of room in the storage attic and the apartment. Any boxes of books in the attic can also be donated, so that’s the new plan for when I have the full use of my arm again–getting rid of all that shit. I also need to cut back on streaming services I pay for, as they are all jacking up their prices for the holidays; and some of them I rarely, if ever use. It would be cheaper in the long run to simply buy the full seasons from Apple than pay for the service every month…and that would also make me more selective about what we actually watch.
It’s nice to feel good about myself and my life again, despite the state of the world, you know?
And on that note, I am heading into the spice mines. Have a lovely Thursday, Constant Reader, and I’ll check back in with you again later.
I really need to start taking walks around my neighborhood in the early evening to look at, photograph, and document the Christmas decorations. New Orleans loves holidays, loves costuming, and loves holiday-themed decor; everyone just goes to town for every holiday, and it’s one of the things I love about New Orleans. New Orleans always feels somehow more Christmas season-y than any place I’ve ever lived before, even though we very rarely have a white Christmas here (we did back in 2004); the only place that seems more Christmassy to me is New York–and that has everything to do with Miracle on 34th Street and Macys. When I worked for the airline I used to go to New York for a day every December and buy my mom an ornament from Macys–their Christmas floor was so amazing, always–but now I don’t work for an airline and Mom is gone, so that’s just another one of those nice but bittersweet memories now.
I’ve really been falling down on the job since the surgery about doing blatant self-promotion for Mississippi River Mischief; having major surgery within a few weeks of having two new books drop was perhaps not the smartest decision I have ever made. I always feel weird and uncomfortable doing self-promotion, anyway; I always think people don’t want to hear about this constantly and as you can tell, I’m not really good at it. I know I should be out looking for reviews that are positive and sharing them; but looking for positive reviews inevitably leads you to finding negative reviews, and at this point in time especially I have no interest in reading about how I’ve failed at my job. My books aren’t for everyone–but that doesn’t mean they suck, either. (If I don’t like a book I’m reading, I don’t finish it and I don’t talk about it; I simply say it wasn’t for me when/if asked.)
This enforced rest from the surgery has been an interesting time. I’ve read a lot–mostly short stories, some novels–and streamed a lot of things to watch, but I’ve also been going down a lot of wormholes in my own brain; trying to remember things with a memory that was already starting to fade a bit with age, but it accelerated dramatically after my COVID experience in the summer of 2022…I had already come to realize, recognize, and accept that my memories were faulty all along anyway; we always remember things differently than other people remember the same things because of who we are and how our minds work and how our experiences–and all those little things that make up our personalities and our perspectives–shape us into who we are. I like to paraphrase Joan Didion and say we tell ourselves lies in order to live–we don’t see ourselves as bad or as the villain in any given situation; we reshape events and remember them in ways that exonerate ourselves and push the fault onto others. Over the last years–pre-pandemic, I know that is the case if I can’t remember precisely when–I know I’ve been trying to look at occurrences in my own personal history and trying to be more objective about them all.
In some ways, that was where the story of Mississippi River Mischief came from; I wanted to deal with something from Scotty’s past that I’d brought up in one of the first books in the series (the long out of print Jackson Square Jazz, which hopefully will be available again in time for its twentieth birthday next year) and I’d always wanted to go back and reexamine that incident from Scotty’s past, with an older and much wiser Scotty reflecting on it and how it shaped and developed who he is–only to have it not be how he remembered it in the first place. It crossed my mind briefly while writing Royal Street Reveillon that “oh, the aftermath of this is a good place to deal with this thing from his past1,” and given how and why the underlying case in the new book comes to the Scotty and the guys, and what happened in the last book, this was the book where I had to go there and bring it all back. Yes, Jackson Square Jazz had been out of print since 2010, so the only way anyone could get it was from second-hand sources or libraries, so a couple of pages about Scotty’s past in an unavailable book–well, I did think for a while I wouldn’t have to dredge that up in this most recent book, but it didn’t take long for me to realize that I had to–it was cowardly not to deal with it and pretend I never wrote about it in the first place (especially since I’ve always intended for the book to be rereleased), and it fit in with not only the new story but what happened in the previous book.
And the fact that it was an extremely loaded subject made it all the more important that I address Scotty’s past–being seduced by his wrestling coach in high school–so that he could see it for what it actually was rather than what he remembered it as.
And the fallout will continue into the next one. (Yes, there are going to be at least three more, and I promise not to go four years between Scotty books again.)
Sorry, I’m trying not to give spoilers on a book that is almost six years old! ↩︎
I am up earlier than I have been since before the surgery (no, I don’t want a cookie–never been a cookie fan, even as a kid), and feel pretty good this morning. Yesterday was a pretty good day, over all. I didn’t really leave the house at all, but I worked on getting things more under-control around here–the kitchen has been a mess since the ceiling collapse, and the cabinets and drawers need some serious organizing–and also spent most of the day doing other chores around here, while thinking about getting back to work writing. The brace is still awkward to work around, but it feels like I’m getting more used to working with it on–and having a cleared and cleaned off desk surface also helps with that as well. I am going to run some errands this afternoon, but there’s not college football today to distract me or send me to the easy chair for the day, so I have little choice about blowing the day off, methinks, which is not a bad thing. I also did laundry and more dishes yesterday, and I have some other things I need to do here in the kitchen/office today as well. I also spent some time reading the second book in Raquel V. Reyes’ delightful Caribbean kitchen cozy series (Calypso, Cooking and Corpses), which is just as delightful as the first, and then…well, I fell down a Youtube/Twitter wormhole that was eye-opening and shocking before Paul got home from the gym and we watched this week’s Fellow Travelers, which, interestingly enough, kind of tied into the wormhole in some ways; as you may recall, just the other day I was talking about how these stories (Fellow Travelers), while sad and depressing, were necessary to remind people of how awful the past was for queer people not that long ago; we don’t have much of a societal memory for things that happened as recently as twenty years ago. There’s a large gap in our community that was created by the HIV/AIDS pandemic, so the oral traditions within the community of passing along our history was horrifically interrupted and many younger queers–and those that aren’t that young–have no way of connecting to the past, and don’t even know where to start looking.
During the shutdown I spent a lot of time in my easy chair making condom packs for the day job to justify getting paid for being at home–there were other job duties I could do at home, but mostly I made a shit ton of condom packs–and so I spent a lot of time looking through streaming apps on my Apple TV for things to watch while my hands worked. This was how I discovered the endless wormholes of Youtube video essays and documentaries; and of course, algorithms started suggesting other videos and channels of “influencers” similar to the videos I had watched and was finding on my own. Discovering Matt Baume’s delightful channel about queer rep in popular culture was a joy for me; he named sources for his information, was very clear about what was fact, what was unknowable, and what was his opinion–and since most of it was stuff that aired or happened while I was alive, it was a lovely trip down memory lane for me, reminding me of the few things that resonated with me growing up as a lonely queer kid and what shaped my views on what it was like to be a gay man in America. (Also, once I discovered there was such a thing as queer books and queer publishing, spent most of the 1990’s reading mostly queer stuff…and I’ve always been a voracious reader.) Anyway, watching Matt’s videos and subscribing to his channel shifted the algorithms, and I started getting other videos and channels suggested to me….and one of those belonged to a queer video essayist named James Somerton, and one of them–called Evil Queens and having to do with Disney–I don’t remember the actual name of the video, and he has since scrubbed his entire Youtube channel (more on that drama later)–and thought, interesting–a long time ago I read and reviewed a book called Tinker Belles and Evil Queens by Sean Griffin, but you can’t copyright a title and can you talk about queer coding and such in Disney and not use the words “evil queens”? Disney has always fascinated me, since I turned into a Disney queen after The Little Mermaid (I was never a big Disney kid; that waited until my adulthood and coming out, oddly enough), and Griffin’s book was so astonishing and good and insightful that I never forgot it. I watched Somerton’s video, and it all seemed incredibly familiar to me–and I did note he said some things that were wrong; mainly Gay Days/Gay Nights at Disneyworld were never official, Disney-sponsored events…which I know because I lived in Florida and used to gofor Gay Day. I also thought it was odd that he left out how the Southern Baptists tried to boycott Disney to stop Gay Days…and were ground completely into the dust by the Mouse. But it didn’t fit the narrative of the video essay–how Disney queer baits us for money then betrays us by not giving us rep in their films1. I also thought it was weird that the book–which so much of the video’s content was dependent on for its facts; the stuff that was wrong I assumed was from Somerton himself–wasn’t credited for anything, or even mentioned as a companion reading piece to the video itself. Periodically, after that, Youtube would suggest other videos to me from him, and I’d watch them, mainly out of curiosity…and began noticing things.
Like how his entire video about queer coding in Hollywood film seemed incredibly familiar–like I’d read it all already in the uncredited The Celluloid Closet by Vito Russo, which had already been made into a documentary in 1996…so much so that I bought an e-book of it to see and yes, it was used almost word for word with no attribution. And some of his other videos…were not only offensive but just bald-faced lies, things he’d made up, or okay, let’s be fair–conclusions he drew were from cherry-picked facts and broad speculations made from those facts; it seemed, in his video on gay body image issues, that he took the old 1990’s term for gym and body culture (the “you have to be a ripped muscle god to have any sexual currency”), which was “body fascism”, and somehow extrapolated from there the bizarre notion that Nazis created body culture and American GI’s brought it back from Europe after the war…and even weirder, somehow we didn’t get it from the Soviets because they were so “bundled up” we couldn’t see their bodies. (Maybe he should have read Michelangelo Signorile’s Life Outside, which explored how body culture morphed into something even bigger after the advent of AIDS because a strong, muscular, defined body was the antithesis of the wasting most people dying from AIDS experienced at the time; fit body= not infected; seriously, dude.) He was also horribly misogynistic at times–he didn’t like lesbians, and he hated straight women, and was also borderline transphobic at times despite trying to champion transpeople? It was all very weird, but I would periodically put on one of his videos that sounded interesting, even as he made claims that didn’t make sense or was simply restating things I’d already read somewhere. I didn’t think much of it, but I was idly curious–the way I often am; periodically I think about influencers and how to write a crime novel around one, and Youtube influencers seemed like the way to go if I were going to do that, and so I always chalked it up to research…and sometimes, the wrong things he said would send me off in search of the actual facts, so it was kind of educational by reminding me of things I’d forgotten about.
Turns out, he plagiarized almost all of his videos, never credited or named sources unless called out for it (he took down the videos about Disney and queer coding and put them back up as “based upon” the books he literally was quoting verbatim); the scandal dropped this week–I only found out yesterday–with two other Youtube influencers making really long videos about the plagiarism and the harmful lies he was spreading, as well as the self-loathing, misogyny, and transphobia. I went down that wormhole yesterday, watching both videos–which were long as the crimes were plentiful–and now his Youtube channel is gone, completely. As I said, I didn’t put a lot of thought into it–but he had a Patreon, and his Youtube channel was monetized, which meant he was profiting from the work of other queer creators that he was plagiarizing and stealing, then playing victim when caught…until he was literally destroyed by these other two Youtubers this week. He was apparently making a shit ton of money–and you know, there’s the plot for an influencer crime novel.
It was very eye-opening.
But it extrapolates further to what I’ve been thinking about since starting to watch Fellow Travelers–dark and sad and depressing as these stories are, they are important because our history is always erased; how are queer kids supposed to feel pride and understand where we’ve come from and what we’ve fought for, if they never hear about it, can’t find it, and are never told? The kids I work with (with an age range from early thirties to early twenties) don’t remember how horrible HIV/AIDS was because they hadn’t been born yet or weren’t old enough to really pay attention before the cocktail and the new meds changed it from a fatal disease to a chronic one (with treatment). There’s SO MUCH bad information out there about sexually transmitted infections, and so little education, that it frightens me on an almost daily basis as I work with my clients.
Obviously, this is what I’ve been wrestling with lately, with myself and my own artistic work (yes, I am starting to think of myself as an artist, which I should have done all along); what responsibility do we have to the younger people who don’t know our history, the history I lived through? It’s part of the reason I started writing “Never Kiss a Stranger”, and set it in 1994; I wanted to show what gay life in New Orleans was like during the time when HIV/AIDS was still a death sentence, and the city was also crumbling and dying itself before the wave of renewal and gentrification that started before Katrina and kicked into high gear; who is going to write that story if I don’t?
And what responsibility do I have to current and future generations of queer people as an artist? Do I have any? Or is my only responsibility as an artist to myself?
Something to think about, at any rate.
And on that somber note, I am heading into the spice mines. Have a marvelous Sunday, Constant Reader, and I’ll probably be back later; I can never stay away for long.
Uh, I guess he never saw the Disney documentary about Howard Ashman, who was partly responsible for the Disney animation renaissance and who died of AIDS before the release of the last film he completed, Beauty and the Beast; to date the only animated film to be Oscar nominated for Best Picture, and won three other Oscars, including two for Ashman? ↩︎
It’s a gray Friday morning here in the Lost Apartment and I might need to turn on a light–that’s how gray it is this morning. I was also a lag-a-bed and didn’t get up until after eight; not sure what that was about but the bed was incredibly comfortable. I also forgot to turn the heat off last night before I went to bed…and that kind of was a smart thing to do as I am not shivering this morning as I sit here. The brace still makes typing awkward, but I’m getting more used to it, or something.
Yesterday was my first real day of physical therapy; the first was clearly simply an assessment, and yesterday the actual therapy started. It was almost an hour, and it was all mostly dexterity movement with my hand and fingers, as well as working on squeezing and flexing, and some little forearm curls with a two pound weight. I ran errands after, including making groceries and getting the mail. I was exhausted. I wrote some emails and then did my book reports on two of the three books I read recently (I still have one more to do, on the Donna Andrews Christmas murder mystery), and when I was done with that…I was done. I was so fatigued I couldn’t even read very far into my next read (Raquel V. Reyes’ Calypso, Corpses, and Cooking, an absolutely delightful cozy series set in a small town within Miami–check the series out if you’ve not yet), and wound up watching an episode of Moonlighting and my standard go-to; documentaries about history on Youtube, and episodes of Real Housewives (I am currently watching Salt Lake City and Beverly Hills), and then Paul came home later and we started watching The Curse, an odd show with Emma Stone and Nathan Fielder; per Showtime the series explores “how an alleged curse disturbs the relationship of a newly married couple as they try to conceive a child while co-starring on their problematic new HGTV show, Flipanthropy.” I wasn’t sure if it was supposed to be funny when we started watching–I did laugh a few times, but it’s also one of those “cringe comedy” shows where you’re kind of embarrassed and mortified for the characters’ behavior so you don’t feel comfortable laughing? But now that I know it’s supposed to be funny (laughing with instead of at)…I really shouldn’t go into shows blind anymore because I am too literal-minded. I’m hoping to get a lot done today around the house; I feel very rested this morning and I guess we’ll have to see how long that lasts, and how long before my energy flags. This week I’ve felt more myself than I have since the surgery–clear-headed and so forth–so I am hoping that’s a sign that I am slowly getting back to normal.
I’m also hoping to watch Indiana Jones and the Dial of Destiny this weekend. Hoping it ranks with the first and third movies in the series and not the second and fourth.
The construction work around the apartment seems to be finished; they reinforced the patio deck overhang (which is over our front steps) with steel and removed that horrible long wooden plank that was supporting it for like the last twelve years, which was ugly and annoying and in the way–and not particularly effective, either. The kitchen ceiling is repaired, and now all we need is to have the plasterboard painted and the ceiling fan rehung, which I’m hoping can be done after I go back to work Tuesday. I like our construction guys–super-friendly and nice, and very good at their jobs; they are also going to reinforce our living room floor, which is getting soft in places; also incredibly thoughtful and considerate of me being home while they were working on the place–apologizing for noise, checking to make sure I was okay (they asked about the arm brace and I had to explain, after which they became incredibly solicitous, which I never–no offense–expect from straight men), keeping me updated on progress and so forth. They even told me everything they’re going to be doing around the house for the next few months, which is great; I’d kind of gotten used to never being told anything by workers and having to work around them over the years.
The kitchen is also a mess and needs to be straightened up some; I need to empty the dishwasher, do another load, and get started on the bed linens (it’s FRIDAY! Laundry day!). Tomorrow I’ll run some errands; I am not going to make groceries again until Monday, since I have PT that morning and have to go uptown anyway. Tuesday I get to go back to the office, which will be interesting. I’d of course hoped I’d be able to get a lot more accomplished and done during my time out of the office, but…that proved to be overly optimistic. I am recovering quickly–everyone is amazed, at PT and the doctors–but even my recovery wasn’t as quick and easy as I had hoped. I tire easily–gee, it’s not like my body is recovering from a MASSIVE TRAUMA or anything–so I’ll be curious to see how things go when I return to work.
I also have Christmas cards to do, too, which should be interesting. I actually have the cards already and the stamps; I ordered some gorgeous Louisiana Christmas cards from a local photographer, and a box of funny ones on-line; I also ordered Mississippi River stamps, which will be super fun to use. I always put doing the cards off, then lose track of time until it’s too late, and then just think well it’s the thought that counts. This year, however, I am ahead of the game–everything was ordered and has been here since well before Thanksgiving, so if I don’t do it this year I literally have no excuse. Maybe this weekend; it’s something I can do while sitting in my easy chair.
And Sparky is really making himself at home. I am so happy we got his energetic hyperactive little fuzzy butt. He’s getting so big, and he’s so smart and determined. He now open the bathroom door (so we can’t shut him up in there anymore) and he literally climbs drawers now to get to the kitchen counters or on top of the dressers–he actually looks like he’s scaling a rock cliff as he climbs the drawers, and it’s hard to get aggravated at him for doing it because it’s so smart of him to have figured that out. He’s very determined, and he’s also starting to answer (or at least react) when we say his name. I also call him Boop sometimes; it’s hard to get out of the habit of calling the cat “Boot” (nickname for Scooter we used more than his real name) but I managed to start saying “boop” instead, and he likes that and answers to it. He still prefers boxes and bottle caps to any toys we’ve gotten him, but I would like to get one of those toys that entertains them for hours…but then I think but what if he doesn’t care about it and ignores it?
Always an issue with a cat.
And on that note, I am heading into the spice mines. Have a lovely Friday, and I’ll check back in later.
Up earlier than I’ve been since the surgery to go to physical therapy at nine this morning. I don’t mind getting up earlier, to be honest; I’ve been sleeping so much since coming home from the hospital I was actually getting worried that I may not ever want to get up early again. Six next week for work is definitely going to be an adjustment, but in some ways I am really looking forward to going back to the office and getting back into that routine. I slept well last night–Sparky of course was looking to be fed around five, but I went right back to bed. I think Sparky will work as my first alarm, before the actual alarm starts blaring at six. It feels a bit chilly this morning in the apartment, and I do need to shower before I head uptown for my appointment.
They finished the ceiling yesterday, thank heavens. All that is left to be done is rehanging the ceiling fan and painting, and I think that’s not going to happen until I am back to work. The roofing guys (I think they are construction of all types, actually) are super nice and helpful–you never know what you’re going to get with blue collar workers, but they didn’t seem to have any issue with Obviously Homosexual Greg; they even rigged a temporary fix for the soft spot in the living room floor–and shared with me that eventually they will be getting around to reinforcing the floor with steel so we never have to be worried about falling through the floor (one of the great and many joys of old homes in New Orleans), which is kind of a relief…although we had gotten used to that soft spot in the floor, I sure as fuck won’t miss it if and when it’s gone.
While they were working, there was naught for me to do except sit in my chair and read, so I finished Donna Andrews’ Let It Crow!Let It Crow!Let It Crow! yesterday, and greatly enjoyed it. (It really doesn’t feel like Christmas until I’ve read Donna’s annual Christmas murder mystery.) Paul also worked from home yesterday, so we got all caught up on Fellow Travelers last night, which is really quite excellent, if horrifically sad and tragic–but as I said to a friend in an email yesterday, these stories still need to be told–if for no other reason than to remind people that what conservatives and right-wingers call “the good old days” weren’t so good for anyone who wasn’t white or straight. The story is built around the Lavender Scare of the 1950s–we all know about the Red Scare, but not about the full throttle purging of queer people from government employ–and it was, indeed, a horrible time of lives being ruined and people committing suicide. A lot of the things that happen in the show (and probably in the book) really happened; I think they fictionalized some people so they could easily maneuver around their story without having to stick to facts or create a potentially false narrative.
And as someone who spent longer in the closet than he needed to, and spent so much time completely terrified that someone would find out and my life would be ruined–I can understand and relate to these characters completely. The closet punished everyone–and it certainly punished the wives and children of these closeted, terrified men. I actually wrote a story set in that time period called “The Weight of a Feather”–my first ever historical fiction–about a State department employee targeted by someone working for McCarthy for blackmail, and how he handles the situation. John Copenhaver also writes marvelous novels set in the DC of the fifties with queer characters, Constant Reader, so if you haven’t checked out his work you really should, especially if you are interested in the period and even if you aren’t; these stories are important and need to be known. He’s also a marvelous writer; I do envy and admire the way he bends and twists language to create images and story.
After PT today I have errands to run–prescriptions to pick up, groceries to make, the mail–but it’s all going to depend on timing. The postal service doesn’t open until ten, but I suppose I could swing over to Midcity and get my prescriptions and groceries and swing by the mail on the way back home; after all, other than the PT appointment I don’t have to be anywhere by a certain time. And since there’s not going to be anyone doing construction work in my workspace today, I should be able to get some writing done, too. I’m behind, as always, but I feel like a strong push over the course of the next few days before I return to work can get me right back on schedule. And I haven’t yet picked out my next read–turns out my Christmas reading isn’t going to work because I don’t have a lot of Christmas books in the TBR pile; Donna’s was the only other one I had on hand. I’m thinking I should read cozies, to keep my mind in that world since that’s what I am writing–but my word, I have so many great books to get to! A delightful problem to have indeed, right?
And on that note, I am going to get cleaned up and head into the spice mines. I need to make a grocery list, and I need to list everything I am going to do today, too, so I don’t forget anything. I paid the bills yesterday, so everything is caught up at least that I am aware of, and so that was quite a relief. Enjoy your Thursday, Constant Reader–I’ll be back later to write up my thoughts about Donna’s latest two mysteries at some point.
It is impossible for me to express how much books have always meant to me, and how grateful I am, to this day, to my parents and grandmother for encouraging me to read. We’ve always been a reading family–but no one ever has read as much, or as often, as I did. One of my aunts called me “the readingest child I’ve ever seen”–and she was a librarian. Books made sense to me; the worlds I escaped into whenever I opened a book made sense to me, and none of the worries or cares of my childhood bothered me when I was lost in a book. I also loved history, and thus read a lot of it when I was a kid; the basic overview history classes I had were pretty easy for me because I already knew the history in greater depth than the textbook provided.
The Scholastic Book Fairs were always my favorite day every month, and I was always so delighted when my mom would let me order a few–never all the ones I wanted, because I really wanted them all–and it was even more exciting when I found one that was also set in a period of American history. Johnny Tremain remains, to this day, one of my all-time favorites, and when I was a kid, I wanted to write both a mystery series (like the Hardy Boys and Nancy Drew) as well as historical fiction.
One such book that stuck with me over the years–and didn’t have as big an impact on culture as Johnny Tremain, which won awards and was filmed by Disney–was Margaret Goff Clark’s Danger at Niagara, which was set on the US/Canadian border during the War of 1812 (which few people write about and is mostly forgotten today). A few years ago I was looking for the original hardcover of Johnny Tremain I had read as a child, when a copy of Danger at Niagara was recommended to me by the eBay algorithm. It wasn’t expensive, it was a library remainder, and I thought, what the hell and shelled out the less than five dollars including postage, and the other day while they worked on the ceiling, I reread its 120 pages.
Sorry for the not-clear cover image; my copy is a library discard and there are no clear images of this cover on-line; at least not that I can find.
Exhausted from a day of fruitless hunting, Homan Reed ate a cold supper of cornbread and milk. Hastily he banked the fire and then fell into bed, forgetting his loneliness and the ever-present danger from across the river.
He awoke at dawn, shivering under the heavy quilts, awakened as much by the silence as the cold. He lay still, listening. Gray morning light had come through the small panes of glass Uncle Oliver had carried all the way from Connecticut. A sound that usually penetrated the log walls of the cabin was missing–a sound that was part of the background of his life in this lonely frontier clearing in western New York State.
His hear began to beat too fast, and he sat up in bed, reaching for the buckskin breeches he had laid on top of the quilts. Homan was a good-looking boy, rather small for his almost fifteen years.
There really isn’t much to the story, really. Homan wakes up to realize he has slept through a raid on his little family farm, and their livestock is gone. His uncle brought Homan and his brother up here after their parents died, and his brother is off fighting in the American army in the War of 1812. The Reed place is right across the river from Canada–and of course, at that time Canada was the enemy. Putting myself into Homan’s place was exciting; trying to imagine what it was like to know that not only was the British army capable of crossing the river at any time, their Mohawk allies were also out and about and a constant threat. Shortly after the opening of the book, the American army burns a Canadian town and turns out women, children, the sick and the elderly out into the cold with no shelter or food; to the author’s credit, she makes it clear this is horrible and a war crime; Homan, who witnesses this from inside Fort Niagara (he’s gone looking for his brother and to try to enlist), is horrified and ashamed Americans could do something so heinous–and everyone on the American side of the river knows there will be retaliation and retribution.
As I reread this short book, I paid very close attention to what we now would call propaganda for American supremacy–and there was some, but not as much as I would have thought, and there was less problematic language than I would have expected for the time (it was published in 1967 originally). Yes, Clark refers to the Tuscarora and Mohawk peoples as “Indians,” as do the characters (which is what they would have said at the time, so historically accurate, if offensive) but she treats the natives with respect–no references to them not being human beings, or being savages or uncivilized or anything like that; Homan even has a friend his age from the Tuscarora people. The Mohawks are referred to as the enemy, but in the same way the British are. There are a few mentions of pro-American exceptionalism propaganda–things like “we are a growing power the world needs to respect”, that sort of thing that Americans have always believed and never questioned until the last few decades or so. But Homan is likable enough, and the story itself, of worrying about your safety and losing your home and so forth, resonates still, even if technically Homan and his family were colonizers.
Today’s hunk is probably going to get flagged for “sensitive content” on the various prudish social media sites, but so be it.
The roofers came in yesterday and worked on the kitchen ceiling, and of course day one, I was able to close Sparky up in the bathroom until they left. Yesterday, he figured out how to open the bathroom door, which meant I had to crate him and he did NOT like that at all. But apparently, our cat is an evil genius and super smart–not a bad thing, it just means our only option when the apartment is being worked on is to crate him, and I really don’t like doing that…but he’s so curious about everything I fear if he got out we’d never catch him and he’d be so excited by all the new things to explore and investigate…sigh. Hopefully they won’t be here long; they just have to do some caulking and rehang the fixture. We will see.
I survived my first physical therapy session–which wasn’t bad at all. They gave me some exercises to do, which don’t take long, and I go back again tomorrow morning for round two. I will be able to schedule it around my work schedule, so that’s also a plus, and I really like my therapist. I have to say, having not had a lot of experience with medical stuff other than when Paul was having some procedure and my primary care visits (and having heard horror stories from other people about hospitals, treatments, insurance, etc.) this was extremely easy and simple. I have really gotten amazing care on every level, despite the misdiagnosis from my former primary care physician, and the insurance (knock wood) has been easy every step of the way; if there were any issues with it, it was handled by the medical staff and I didn’t have to deal with any of it.
The worst part of this entire thing–once I was able to disconnect all the things I was attached to for 72 hours after the procedure–was the antibiotics, which made me nauseous; they had also giving me an anti-nausea medication so I could handle those. But I absolutely hated them. The anti-nausea medication kept me from vomiting it all back up, but I could also tell when the nausea was occurring. I never had to throw up, but I could tell my body was fighting it with the help of the other pill, and while not as unpleasant as actually throwing up would be, it was unpleasant.
And you know, if that’s the worst thing to experience after this kind of major surgery, that’s pretty impressive. I got amazing care.
So, yesterday from shortly after I got home from PT until about six last night I was exiled from my workspace, and so I simply sat in my easy chair and read this year’s Christmas murder mystery from Donna Andrews, Let It Crow!Let It Crow!Let It Crow! and am enjoying it–Meg participating as a last minute replacement in a television reality competition blacksmithing show (which is actually a brilliant idea) was an excellent way to shut down listening to Sparky howl from upstairs while they worked on the ceiling. I didn’t get as far into it as I should have, or would have under ordinary circumstances, but I was often going upstairs to try to calm him down and there was a lot of sawing, drilling, and hammering noises. I got about a hundred pages in, which wasn’t bad at all, really, given all the distractions, and the book flows so smoothly…that’s one of the things that I love about Donna’s books–they are so smooth, everything flows nearly and cleanly into the next scene, chapter, clue, strange occurence, and that feeling carries back and forth between books. I counted the books listed at the front of this volume, and by my count, this is book thirty-three in the series; how many other series have exceeded that number? Ellery Queen? Nero Wolfe? Perry Mason? And all at the same publisher, too. That’s really a skill that should be respected.
We watched some more of Fellow Travelers last night and the show is very good; high production values, excellent writing, superb acting (Jonathan Bailey deserves at the very least an Emmy nomination, but I doubt he’ll get it; gay men playing gay parts seldom get recognized) and it’s an important story–showing how horrific it was to be gay back during the days of Eisenhower and McCarthy, and working in Washington; I’m glad Thomas Mallon wrote the book and even gladder Showtime made it and clearly spared no expense. But…it’s hard to watch sometimes. I won’t say it’s triggering, because that’s not the right word, but as i told Paul last night, this isn’t going to end well. The story flashes back and forth between the 1950’s and the 1980’s, in AIDS-devastated San Francisco in 1985, so…yeah, not exactly going to end on a high note, is it? As I was watching last night, I couldn’t help but think of Felice Picano’s Like People in History, which similarly flashed back to the past from the present–AIDs-ravaged New York in the early 1990s–through the entire progress of queer rights and the arrival of HIV/AIDS. That would also make a terrific mini-series, and these stories, hard as they are to read and watch and relive, are important because the memories of living through that time, and what it was like, are fading…and as those of us who survived the plague years get older and die from causes other than HIV/AIDS, I worry those stories won’t be told, or remembered, anymore. It’s bad enough that it’ll be thought of as distant history and not as horrific as it was, something that happened to other people a long time ago.
I remember when I first started writing, and in that time period for queer people there was always the question–do I write about HIV/AIDS? Does everything–all of our art–have to center HIV/AIDS? Even now, I wonder about whether I should or not in a book; do I have a responsibility to my readers and my community to talk about HIV, PrEP, undetectable viral loads and so forth? Or is that something people don’t want to read about, would find intrusive to the narrative? I’ve never wanted to write anything that even remotely hinted at that heavy-handed “a very special episode” way so many television shows handled social issues in the 1980s.
Heavy thoughts for a Wednesday morning before heading into the spice mines. Have a great day, Constant Reader, and I’ll be back probably later, depending on the workers.
One week from today I return to the office, and in a little while I’ll be heading to my first physical therapy appointment. I’ve not been outside for a few days–seriously, this recovery has only helped play into my “I don’t want to leave the house” mentality, and it’s amazing how quickly I slide into that–and it feels cold. The roofers came by yesterday and chased me out of the kitchen so they could rip the damaged ceiling out; they will be returning to day to fix it. It was okay, though. I stayed in the living room and brainstormed and worked out the next few chapters of the book, and I also read two books. One was a reread of a book I read as a kid, Danger at Niagara by Margaret Goff Clark1, about a fifteen year old boy who lives along the river during the War of 1812, and the other was the second-to-most recent Donna Andrews, Birder She Wrote2—I couldn’t bring myself to read the books out of order so I could get to the Christmas one sooner, but at least now I can dig into this year’s Christmas mystery by Donna. (There will be more on both books later; I don’t have time to write about them before I leave for PT, and the roofers will be here when I get home. I imagine this means I’ll be reading the Christmas book and brainstorming ideas for my book while they put in the insulation and new ceiling and rehang the ceiling fan.)
I slept super well again last night–and woke up at six, so that’s still wired into my brain, which is a good thing; getting up to go back to the office next week will not be as big a challenge as I feared; I was also wide awake and it took me a while to go back to sleep, and I had a nightmare in that brief hour or so–oddly enough, it was about leaving a faucet running and the apartment flooding and having to clean up the mess while thinking I don’t have time for this. Subconscious deadline fear? Perhaps. But I do feel a lot more confident about writing the book now, and it’s just a matter of being able to sit down for a few hours every day and writing it, and I need to stop pressuring myself to get it right the first time.
We got caught up on Monarch: Legacy of Monsters, which is really well done and very interesting. I hadn’t realized that it all hadn’t aired yet, so we are now caught up through everything that is available to stream on Apple TV, and then we moved onto the Showtime mini-series based on Thomas Mallon’s novel Fellow Travelers, which I have a copy somewhere in the massive TBR stack and have wanted to get around to, if for no other reason than it’s set in the same period as Chlorine, which I have decided I am going to go. back to once I have this new drag queen cozy finished. Yes, that’s right, I’ve decided that once I finish this draft, I am going to go back to Chlorine and try to get a first draft done while alternating with Muscles, and hopefully I will finally get first drafts of each finished by Carnival–which I can easily do as long as I stay motivated. This morning I feel like I can conquer the world again, and I haven’t felt like that in years; it’s been so long I can’t remember the last time I felt so confident in myself. It feels good. I ain’t gonna lie; I’ve been down, depressed, and feeling defeated now for quite a long time–I think going back to buying my car, which, while it was exciting to actually have a new car, that thrill died as I started realizing how much that car payment was damaging my finances. I paid off the car right as the pandemic started, so I swapped out one stressful headache for the overall societal depression everyone was feeling at that time, and I never really recovered or got my equilibrium back, if that makes sense? And of course, I bought the car right around the time Mom’s health went south, so that was also always in the back of my head.
But I am going into the new year with hearing aids and my teeth fixed; and the injury to my left arm repaired. Once I finish the strengthening physical therapy for that (which can’t start till the end of February), then I can start going back to the gym. And that actually makes me excited and anticipatory; I’m not so concerned about looking great as I am about feeling good–there’s absolutely no vanity involved in my wanting to get back into a regular exercise regimen. I think I am going to start taking walks around the neighborhood, if for no other reason than to see the Christmas decorations, and New Orleans always does decorating up. I’ve also been backing up my back-up hard drive to Dropbox, which is taking quite some time, but once it’s all done, the future back-ups will be ever so much easier to do. I really need to eliminate duplicate files–there are so many of them it’s not even funny–and get my electronic storage under control. It’s really such a huge project that it scares me to think about how long it will take, and that’s mainly because of so many duplicate files, and the fact I don’t name picture files…and I am a file hoarder, which isn’t good–but is yet another symptom of my anxiety.
And on that note, I need to eat something before I go to physical therapy, so I am going to bring this to a close. I may be back later; it’s hard to say depending on how the ceiling reconstruction goes, but I will most definitely be back tomorrow morning. Have a lovely Tuesday, Constant Reader, and I will check in with you at the latest tomorrow.
I have some serious thoughts about this book as pro-US propaganda, which i obviously didn’t notice as a child but were huge red flags on this reread. ↩︎
I loved this book, as I do all of her books; it’s a remarkable achievement keeping a series this fresh and interesting this deep in; I think she might be at almost thirty in the series now? A master class in maintaining a long-running series, seriously. ↩︎
This is probably one of the most famous songs about New Orleans of all times, and of course, doing a deep dive into the history of the song–which began as an English folk song, of all things–was a pleasant way to spend a few hours. I heard the recording by the Animals when I was a kid, and honestly never cared very much about it. I always thought it was about a house of prostitution in New Orleans–Storyville, probably–but never gave it much more thought than that. But when I was looking for titles of songs about New Orleans to use for blatant self promotion for Mississippi River Mischief,it was kind of an obvious one. And when it came up on my list for this next post, I realized I didn’t really know very much about the song other than I didn’t care for it very much. It originated in the 16th century as an English folk song, and gradually evolved into an Appalachian folk song called “Rising Sun Blues” (great title, I may abscond with it, frankly) before finally becoming a folk-rock hit for The Animals in 1964 with its current name. (Musicologists suggests it’s thematically related to the old English folk song “The Unfortunate Rake,” per Wikipedia.)
I do find that kind of thing interesting, even if I don’t have any use for that information. (Although Barbara Michaels did a great job of using classic traditional folk songs and their history as the foundation for her underrated but marvelous novel Prince of Darkness–which I would love to revisit.)
If you were playing Family Feud and the question “what is New Orleans known for”, the top two answers would probably be Bourbon Street and Mardi Gras. This annoys the locals and the natives to no end; and it’s understandable. Boiling New Orleans down to those two things is incredibly reductive. But they are major facets of the city, and both are responsible for a lot of tourist revenue, which the parish, city and state desperately need because our state and local governments (all of Louisiana’s cities and parishes) are complete and utter failures. When we moved here in the mid-90s, New Orleans had a strong base of tourism, but it was nothing like now. Since Katrina the city’s primary focus has been building the city into a tourist destination, putting all of the proverbial eggs into that particular basket. The pandemic wound up killing businesses that Katrina couldn’t; the St. Charles Tavern at the corner at Martin Luther King didn’t survive COVID, as one example. (They had amazing fried mushrooms; we used to get them every once in a while as a delicious greasy breaded and deep-fried treat.)
When I first decided to start writing about New Orleans (much as I hate to say this, but New Orleans really IS my muse, and I love that I live in the neighborhood of the Muses here), one of the things I was determined not to do was use clichés about the city in my work. It wasn’t until my fifth novel that I wrote about Carnival/Mardi Gras, which is where most writers about the city inevitably start (cliché as it may be, you also cannot write about New Orleans without eventually having to write about it); I wanted to get more established as a writer before I went there. Part of the reasons the first two Scotty books were set around Southern Decadence and (to a far lesser extent) Halloween was because those were also important holidays for the gays here. I did address Bourbon Street with the first Scotty; I knew that title (Bourbon Street Blues) would tell anyone that it was a New Orleans story, so yes, I took advantage of a cliché there. But I also realize now that most of my New Orleans writings were very provincial in a way; I mostly write about the “sliver along the river”–the Marigny, the Quarter, the CBD, the lower Garden District, the Garden District, the Irish Channel, and Uptown. There’s way more to New Orleans than these neighborhoods–sometimes I send them over the bridge to the West Bank or out to Metairie; there was a very vivid post-Katrina scene where I sent Chanse out to Lakeview, but for the most part I’ve not done much about other neighborhoods here. The West Bank, City Park, the East, Gentilly; all of these rich and vibrant neighborhoods–as well as the diverse ethnic make-up of the city–are very fertile ground for someone writing about New Orleans. Generally, the neighborhoods I write about are the neighborhoods writers who don’t live here focus on because they are the better known ones.
And of course, I’ve rarely, if ever, touched the history of the city–and it is rich, compelling, and fascinating…and super dark.
That’s kind of why I wanted to move this recent Scotty out of the city and into one of the rural parishes not far from the city limits. I have fictionalized these parishes before–I try not to fictionalize New Orleans, but have no problem inventing parishes and towns in the rest of Louisiana. St. Jeanne d’Arc parish is loosely based on St. John the Baptist and St. Charles parishes, known as “river parishes” because they run along the river north of the city. Redemption, also an invention I’ve used in other books, is based on the “bayou parishes”–not along the river, but between the river and the wetlands/Gulf of Mexico; those are Terrebonne and Lafourche parishes. Louisiana is just as interesting as New Orleans, and also has an amazing and interesting history of its own. Of course, the next Scotty will be back in the city–his next few, if they go as planned, will all be within the city–but that doesn’t mean I don’t want to keep writing about Louisiana and my fictional parishes, either.
There really is so much material here I could never run out of ideas.
