I’ve always thought that my favorite two literary genres–crime and horror–were flip sides of the same coin. I sometimes reduce my theory to the barest of bones–both are about death but in crime the monsters are human. Horror novels always have elements of mystery and suspense woven into the story–there are always characters trying to figure out what is actually going on, and usually suspecting humans, only to find out it is not–and there’s also a lot of death. You have to figure out what is causing those deaths, and the best horror novels seem like straight-up mysteries until you find out otherwise. I didn’t really start reading horror until Stephen King and Peter Straub, and much as I love the genre, my first love will always be mysteries…but reading the kids’ series, with all their phony ghosts and hauntings and phantoms and spirits, got me really interested in the concept of ghosts–something that stays with me to this very day. (I mostly write about ghosts when I try horror; because Gothic is my absolute favorite and that runs across both genres.)
This is one of the reasons I fell in love with Michael Koryta’s novels. The first I read was So Cold the River, which was more of a ghost story/mystery about a haunted and cursed resort hotel in Indiana, which was a wild ride and great fun to read. He’s also written some other crime novels that crossed over into the supernatural; The Ridge was another favorite. I also wondered how he was writing both straight up crime fiction and sometimes supernatural styled mysteries; I was always told you couldn’t write in two genres like that under the same name.
And then he started releasing those types of novels under the name Scott Carson, so maybe there is something to that old publishing truism? I don’t know why he rebranded those books under a different name and it’s none of my business other than to satisfy idle curiosity. But I did recently finish one of his Scott Carson novels, and Where They Wait is an excellent illustration of the blurred line between horror and crime.
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I was never a dreamer.
I mean that in the most literal sense. Figuratively speaking, I absolutely consider myself a dreamer. Aspirational, at least. Optimistic? To a point, although my profession–journalism–mandates a certain cynicism. When I say I was never a dreamer, I mean at night, in the depths of sleep.
No dreams. Just didn’t have ’em. Not good, bad, happy, or sad.
Slept well, though. I slept well. That’s hard to believe these days, but I know that it was true once.
People talk about their dreams all the time. I dated a woman for a few years who would wake up and recite the bizarre and vivid stories that had accompanied her through the night. Sometimes, I’d be tempted to pretend that I could share the experience. Dreaming sounds normal, right? Seems like something that should happen to all of us. And yet we don’t know much about the mechanisms of dreams, for all of our scientific research and psychological theorizing. We believe dreaming is tied to memory, that REM sleep is an archival process. We believe dreams are indicative of repressed emotions, or perhaps harbingers of maladies that haven’t yet offered physical symptoms. Warnings. Messages from the dead. From God. We believe all of these things and more, but what we know is this: dreams are still not fully understood after all these years. They come and they go.
For most people, at least.
I have always been interested in dreams, and what they say about our psyches and consciences. I’ve never studied the psychology of dreams–what little I did read was all supposition and theory, as there is no real answer to what dreams mean–is it just our brains doing freestyle, like a jazz singer bopping up and down the scales using their voice as an instrument, or are they the key to who we are, our hopes and dreams and traumas? I like to play around with dreams a lot in my work, since there is no real consensus on why some people do and some people don’t, why some remember their dreams and why others don’t; do people not remember their dreams because there’s nothing to remember, and on and on from there.
But dreams are at the heart of this chilling and masterful suspense novel, which is really more about tech horror than anything else. Our main character is a journalist who reported on the Afghanistan war, has recently been laid off from his job, and gets a call from an old buddy from the area where he grew up to write a puff piece on a local tech company and it’s newest development; a wellness relaxation app which sounds like every other relaxation app–other than it’s not. Given the latest version of the app to experiment with and write about, it starts affecting him in dreams–scary nightmares about an a shipwreck, and ghosts coming to visit him ,and the dreams are so incredibly vivid that he’s not entirely sure whether they were dreams or not. And as he discovers more, he finds that everything to do with the app is connected to him in some way, as his dreams become more vivid and sometimes waking; to the point he’s not sure if things are actually happening or he’s losing his mind.
This book was fantastic: the story is great, the pacing fantastic, the characters absolutely real–and the horror is terrifying, absolutely terrifying. Carson knows how to build suspense and suck the reader in along for the ride.
Highly recommended.