Tag: The Crooked Y

Just Ask Your Heart

Thursday and my last day in the office this week. I wasn’t as tired yesterday as I had been the day before, thank the Lord, but was still a bit raggedy as I got to the end of the workday. I was efficient at the office yesterday, but man, there was a very weird vibe to the day. Maybe it was the use of the National Guard on college campuses? I don’t care what you think or what your opinions, values and beliefs are we should never be calling out the military to handle “security” on college campuses. I get that the right hates college students–they always have; they cheered the Kent State shootings fifty-four years ago–and it’s just astonishing to me that no one makes the connections to the last years of the North American colonial period? It was all protests until the war actually started in 1775–the Boston Tea Party was particularly a notable one. What did the British do to maintain order in Boston? They brought in the military to quench and quell dissent, outlawed protesting and criticism of the King and Parliament…and none of it worked, it simply agitated the colonials to more protest and eventually violence. I always laugh a bit when the right wing–the ones who scream about liberties and freedom all the time–call for ending protests, driving cars into protestors, etc. They are the British in this scenario. And yes, the conservative colonists were actually on Britain’s side. It was the radicals and the progressives who defied King and Parliament and created a country.

The right to peaceably assemble and protest is imbedded in our national DNA and included in the Bill of Rights. But no one seems to care about the actual Constitution anymore (looking at you, SCOTUS), just what they think it means so they can defend their indefensible and unconstitutional beliefs and values.

I also wrote a great opening line for my future project The Crooked Y: “I hated the place they took me to after they arrested Mom.”

We did watch some more of Vigil last night, and there’s only one episode left in the first season, which will we watch tonight and most likely move into Season 2. It’s very good; it’s. a murder mystery/suspense thriller where a lot of the action takes place on a British nuclear submarine on patrol. It’s very well written, well acted, and riveting. The British are the best at crime series, seriously–and they are consistently good. I’m not sure why our crime series aren’t as consistently good as theirs are, but there it is.

I continued on my research wormhole yesterday about the French Quarter Stabber–seriously, once I get something in my head it gnaws at me until I give in–and it’s okay, I think. I feel more rested this morning than I have all week, really, and so hopefully that will carry me through the rest of the day and into the evening. I think I’ll probably just come straight home from work tonight, since i can run errands on my lunch break tomorrow, and that way I can get here and get the laundry started while finishing the dishes and doing some writing before Paul gets home. I also want to get back to reading Suicide Notes and even dipping into some poetry. (Who am I?) But I am starting to feel like I am also starting to get it; I like discovering it for myself without having professorial expectations loaded onto me–which always made me hate whatever I was being forced to read unwillingly–and I always love figuring things out for myself. Perhaps I’ll be wrong, but at the same time, everything is dependent on the reader, right, and their interpretations? It’s subjective, so therefore there’s no wrong way of reading it. It’s not like I plan on starting to write it or anything.

And on that note, I am going to head into the spice mines. I hope to have a great day where I get a lot done, and perhaps I’ll be able to finish another draft post…stranger things have happened! Thanks for stopping by–I appreciate you taking the time from your very busy day to check in.

Are You Lonesome Tonight?

Lonesome is a great word that doesn’t get as much use as it used to; it was a very popular emotion/feeling for songwriters (especially those in the genre then known as “country and western”) to write about back in the 50’s and 60’s. It’s a very evocative word, and I am not sure why I don’t hear it as often as I used to. I love the word, and one of my ideas is to write a book called Kansas Lonesome at some point. The premise would be that there’s a podcast called that, which covers Kansas true crime stories throughout the state’s history; I am not sure how that podcast will play into the story I want to write, but that’s the foundation of that book, whatever it turns out to be. I am currently in the process of writing a short story (one of many, by the way) with a college student investigating a crime site out in the countryside to sus out background information for a podcast episode for the producer/star of the podcast. I do think the book may be inspired (Kansas Lonesome) on a homophobic incident that occurred in my old school district in Kansas; a young lesbian was put off the bus and banned from riding for saying she was a lesbian. The school district tried to cover up everything, but it turned out the girl was the only one telling the truth, the bus driver was fired, and the superintendent lost out on a big career move…and a few months later, she disappeared. Her name was Izzy Dieker, and as best as I can tell, she’s not turned up yet and it’s been over two years since she went missing. There are just some articles noting her disappearance, and then….nothing.

That is a great premise for a crime novel, isn’t it? Kansas Lonesome is becoming what I will soon probably be referring to now as “the Kansas book,” now that the other one was finally finished and published. But I think I will probably write The Crooked Y first; there is so much material in Kansas for prairie noir, isn’t there?

It really is amazing how much crime–specifically brutal murders–have happened in such a sparsely populated, deeply Christian red state. (“But crime only happens in those scary big cities!” Fuck off, trash. And by the way, immigrants aren’t coming for your women or your jobs.) The Benders are another grisly story from Kansas’ blood-drenched past, and I’ve always wanted to write about them, too; and hope to do so before I run out of time on this mortal coil.

And last week I stumbled across another fascinating tale of corruption and illegality involving a district attorney, a judge, and a police chief…a truly horrifying tale about how justice can be (and is all too frequently) twisted to fit the agendas of people who are evil but so convinced of their own righteousness that bending rules and not turning over evidence to defense attorneys, suborning perjury and coercing confessions from people?

Sidebar: Yes, Sarah Palin, that’s the real America, you charlatan snake-oil salesperson. Hope you’re enjoying being completely forgotten, grifter and Grandmother of Bastards.

Anyway, that’s a lot of words to talk about how Kansas is actually a horrific true crime state, with lots of examples of horrible murders and desperate people. I sometimes wonder if has anything to do with how flat the state is, and how sparsely populated. I know sometimes those winter winds off the prairies are brutal, whistling around the house and rattling the windows, trying to find a way into the warm cozy inside. Sometimes that wind can whistle, too–and I can imagine in a time without electricity or much entertainment, listening to that wind and being so lonesome out on the prairie could easily drive you mad1. I could write a book of short stories and simply call it Kansas Lonesome, with the premise that the podcast host and researchers are doing the background research into these old crimes or something. That could be an interesting way of bringing those stories together…but I also think Kansas Lonesome is too good of a book title to not use it for the novel I was thinking about earlier in this entry–the one about Izzy Dieker.

Loneliness, though, while sad and depressing, is a writer’s friend. When you’re lonely, you have to entertain yourself, and I always drag out the journal at those times, or warm up my computer and start writing away. I think a lot of my creativity came from being lonely as a child, the recognition I clocked early that I wasn’t like other kids in many ways so I stayed away from them because I didn’t know if they were going to make fun of me or bully me. and so I retreated very often into my own mind. I read a lot, obviously, and watched a lot of television and movies (while reading), and I just kind of lived in my imagination for lengthy periods of time. I preferred my own world, frankly, and still do; I hate leaving my own world for the real one.

I do wonder sometimes if I would have still wanted to be a writer if I had felt like I belonged, if I was like every other little boy. But even when I was a kid, I looked at the future that was expected of me and found it wanting. A Lot. I hated the very idea of fitting into one of the ticky-tacky houses in the suburbs and the day job that was all-consuming and the wife and the kids and the lawn work and upkeep on the house and…yeah, that sounded always terrible to me, and the older I got the more I resisted that future. Had I followed the path laid out for me by society and family I would have been absolutely miserable by now. Would I have been so attached to books if I had friends, kids in the neighborhood and the comfort of knowing people did actually like me? It was the love of books and wanting to give other people the feeling I got when I read one I enjoyed that made me want to be a writer in the first place, and the more I read the more I wanted to write. I used to write all the time when I was a kid–things I didn’t take seriously at the time, and would completely dismiss…but I was always writing. I made up a world once, with its own countries and lineages and so forth, kind of a fantasy alternate kind of history. I wrote my own versions of the Hardy Boys and Nancy Drew. I wrote short stories in high school. I started writing a novel when I was seventeen, and while I might have gone months without writing at times, I always was writing, always coming up with titles and ideas, and I was always happiest when I was creating.

And now, here I am hurtling toward my sixty-third birthday with a lot of publishing credits to my name and boxes and boxes of ideas…that I want to digitize and throw away the paper files in an attempt to cut back on clutter. I have my next two years’ writing schedule pretty much figured out already. I’m happy. That’s the bottom line of everything, isn’t it? Being happy? I love my life. I love writing. I love connecting with readers and other writers. And I think I am continuing to grow and develop as a writer. I don’t ever want my best work to be behind me, and I don’t think it is. I’m feeling good and optimistic again, and that’s always a good thing.

  1. There was a really great chapter in James Michener’s Centennial that talked about this very thing; how on the prairies in the winter the wind could drive one mad. After I read that book I could never listen to the wind again without remembering that. ↩︎

Enchanted

Sunday morning! And LSU Gymnastics won the national championship yesterday! Woo-hoo! That accomplishment is worthy of its own post, so tune in later for that, okay? It was very exciting, I have to say, and the Lost Apartment was filled with excited cheers even as we held our breath as LSU clinched it all with a fantastic final rotation on balance beam. We kind of celebrated this throughout the night by watching replays and highlights before episode two of Sugar, which I am loving. Colin Ferrell, yum.

I was very tired Friday from running all those errands, and so was Paul. I was still fatigued yesterday, the physical and mental kind that I’ve not felt in a while–but sadly more evidence that my stamina is not back and needs to be worked on. The heat is also back; yesterday was pleasant, but Friday was eighty-eight degrees…in April. That doesn’t bode well for the summer, especially for one that’s going to be a more active hurricane season. But while I was so tired yesterday I managed to use what little nervous energy I had to clean and organize, and the apartment actually looks better this morning. It’s still not up to par–I need to do the floors to get there–but it’s nice to walk down to a neater first floor. I do need to run the dishwasher this morning, and finish filing before I read and write for the day. I do feel a little dragged out this morning, but hopefully getting caffeinated and cleaned up will take care of that problem.

I did do some things writing-related yesterday. I found the epigraphs for the next Scotty book, for one, and also wrote the opening of The Crooked Y in my head yesterday as I cleaned and organized. I created some working folders for projects that are forming in my head, and I did write notes down in my journal occasionally. I also did some electronic file cleaning up, which is proving to be an endless, endless process that may never be finished. But as long as I can still search for everything in a finder window, it should be okay. I also thought of how to open The Summer of Lost Boys, too. I’ve been listening to the Billboard Top 100’s for the years I am considering setting the book in, and I think I am settling into 1974, which was when I originally wanted it set in the first place, the summer (in my life) between junior high and high school. It’s kind of fun, if a little painful, to go back to that time and remember it for myself, but I think it’s going to be a really strong book once it’s underway. I also started getting the current book a bit better organized. I feel better about things, if that makes any sense? Hopefully I’ll be able to get a lot of writing done. I want to finish the rewrite of “Passenger to Franklin” and start the revision of “When I Die,” before diving into the book headfirst and trying to get the rest of it plotted.

I think I’ve been a bit overwhelmed lately, in all honesty, and I need to get calmed down and focused again. I need to remember how to harness my brain ADHD-driven creativity and focus on one thing the way I used to be able to do so. I have been very pleased with the (sparse) writing I’ve been doing, but I also think that might be partly due to the stamina issues I’ve been having since the surgery. I am trying to rush to get back to “normal” (or what passes for it around here) and getting ahead of myself, and I need to reign in my impatience and take things slower. It’s okay because it’s temporary, and this too shall pass. Take a breath, remember you had a rough go of things last year, and you have to build everything back to the point it was before the injury.

I’ve also been remiss in not congratulating award winners lately in my field; I am very pleased to report that J. M. Redmann won the Hansen Prize for queer crime fiction for Transitory, which is now also a Lambda finalist AND a two category Goldie finalist. Yay Jean! I’ve known Jean for almost twenty-five years now, she was my boss’s boss for about eighteen years, we’ve co-edited anthologies together, and now I am her book editor. Transitory is a terrific book, and being Jean’s editor is pretty easy, actually. Ivy Pochoda recently won the Los Angeles Times Book Award for Best Crime Novel for Sing Her Down, and Ivy is pretty awesome, too. I am behind on her books (I’m behind on everyone’s books, really) but her Wonder Valley was fan-fucking-tastic. Way to go, Ivy! (That was a loaded category, too–other nominees were S. A. Cosby, Cheryl Head, Jordan Harper, and Lou Berney.)

And on that note, I am going to head into the spice mines, eat something and get cleaned up and ready to go for this glorious morning. Have a lovely Sunday, Constant Reader, and I will chat at you again later.

Gotta Travel On

The Ides of April and Tax Day, huzzah. I’ve filed for an extension for mine because I just couldn’t deal with it before, which is kind of childish and more than a little immature; the key word here is avoidance. But I plan to get it all finished this week, God willing and the creek don’t rise. I am going into the office a little later than I usually do, because I have to swing by the Cat Practice to get Sparky’s food on the way to the office. It’s an Admin Day, so not a big deal for me to not be there as early as usual.

I feel rested and good this morning, which is a very pleasant change and surprise. I did go to bed a little early last night, but I spent most of the day writing in my journal, watching documentaries, and later on in the evening we watched more episodes of The Gentlemen. I also finally looked up the name of the star, Theo James, because it was bothering me that I recognized him and couldn’t place him. I am liking it a lot more than I would have thought, frankly; not being a big fan of producer/showrunner Guy Ritchie, but it’s actually quite fun. I also went down some rabbit holes of research yesterday, which is always a lot of fun for me. I also started reading Paul Tremblay’s The Pallbearer’s Club, which I had a little trouble getting into at first, but I remembered having this issue with A Head Full of Ghosts, too–like the latter, he’s playing with form and style and point of view in the former, which is a bit hard to get used to it, so it’s slow going (for me) at first, but as always, there’s such depth and compassion in his writing it’s easy to see why his career has taken off. I’ll try to read some more of it when I get home from work tonight, after I do the day’s writing. I am definitely planning on writing every day now, even if it’s just a little something. I made lots of notes yesterday in my journal, too, which was very cool.

I decided yesterday, when watching a lengthy documentary of LSU football highlights (I was doing this around chores, listening to the documentary while Sparky and Paul slept on the couch) that one of the problems I’ve been facing with writing lately, something I’ve talked about on here a lot, is how I’ve not really been able to focus all of my creative energies on anything that I am writing, but have any number of things in-progress that my mind keeps attention-deficiting between, skittering around between projects and ideas without really landing effectively on anything for long enough to get very far. Yesterday I decided, as I grabbed the journal and hit play on the documentary that I was going to free-form take notes and scribble out ideas as they came to me, regardless of what they were about or for, even if they were entirely new project notes. I did a lot of scribbling, and most of it focused on one project, which really needs to get done by the end of the year, as well as some others I was a bit surprised still were there and fresh in my mind. I also know now that if I rewrite at least three of these short stories drafts that I have on hand, that collection will be complete.

I also found the voice for a new project idea I’ve had in the front of my mind for a while, primarily because we watched those ‘troubled teen cure’ documentaries at the end of the previous week. I had an idea for one set in Kansas, based on a foster home where the kids went to my high school. I didn’t think much of it when I was in high school–other than how much harder those kids had it than the rest of us–and sometime in the years since high school I thought, I could write a crime novel around that story even though it would entirely be fictional and the real place was simply a starting point for my fictionalization. The title came to me this weekend–The Crooked Y–and so that’s definitely moving up the list of “what to write next.”

As you can tell, writing is becoming more important to me and it feels good for my mind to be creating again, even in this current ADHD way, which is so much better than the dry well experience I’ve been having since…well, since Mom died, really. 2023 was a lot of personal trauma; and relentless from January on, which makes it not surprising, I suppose, that my brain has been fallow for so long.

And on that note, I am going to start getting ready to head into the spice mines for the day. Have a great Monday, Constant Reader, and I may be back later.