Tag: short stories

Beach Baby

I love this song still to this very day. It came out during a time where nostalgia was big–especially the 1950s–and the Beach Boys had just made another comeback and their album Endless Summer was a huge hit. The song is very reminiscent of the Beach Boys–all that California sun and surf and cheerfulness and high school hops–but there was a melancholy under all that cheerful nostalgia, especially with the background refrain, oft-repeated through it, of do you remember? do you remember? (The song also come out around the same time as a book called What Really Happened to the Class of 65? and I always associated the song with the book.)

It is Tuesday morning and I am up early, as always, swilling coffee and eating coffee cake, care of Costco. I did finish editing that story, and got it turned in. I hope the editor likes it. I had the idea for it many years ago–not that long, but it seems like it now–and started writing it, getting a draft done before wondering where to try to sell it. I was going to submit it to the Minneapolis Bouchercon anthology I edited, putting it through the anonymous read process as I did for the New Orleans and St. Petersburg ones because it would look like “insider pool” if I was accepted. (I have not submitted to a Bouchercon anthology since being told this, by the way. If their board thinks I would just automatically put my own story in there instead of following the same procedure as everyone else? I don’t need to be in any of their anthologies in the future.) I’ve had the idea for a long time–going back to when I actually lived in Minneapolis, which is where I also came up with the title, which is one of my favorites of all my titles. I did try selling some other places, but the story was still…not quite right, and was rejected, as it should have been. I think I was able to fix it, but…we’ll have to see. But it felt good to work on it, and I also realized that just because it doesn’t “feel” the same to write and edit as it used to, doesn’t mean I’m not doing good work. I’ve changed, both physically and mentally, and that’s going to make things seem different to me than how they used to work, you know?

Yesterday wasn’t a bad day, you know. We weren’t as busy at work as I had expected, primarily from no-shows and last minute reschedules, so I wasn’t exhausted when I got home from work and worked on the story. I didn’t do any chores–the kitchen somehow exploded again, I don’t know how all this happens, honestly–so when I get home tonight I can’t write or read or even catch up on the news until those chores are completed. I hate when the downstairs is a mess, and the whole apartment, when it’s out of order, feels very cramped and small and claustrophobic. Because I am all about the claustrophobia? Apparently so. I slept well again last night and don’t feel terribly sleepy or tired this morning, which is a good thing. Sparky was a combination cuddle-bug/attack kitty this morning before I got up, and went into attack mode again while I was putting my shoes on. I think Paul will be working late at the office tonight, if I am not mistaken, and so it’ll be time for some bonding time after I write (or while I read and edit). I doubt I’ll be catching up on the news; the current story dominating the legacy “media” doesn’t interest me, nor am I interested in being shamed for not mourning someone who advocated me being stoned to death, either. (Miss me with the “he didn’t say that!” Okay, then, tell me one positive thing he ever said about queer rights and equality. I’ll wait.)

The story not getting this fawning, wall-to-wall coverage from the legacy media? How about the two men lynched on consecutive days in Mississippi? The Mississippi “police” already determined the Black college student’s death had “no evidence of foul play.” Really? The other victim was a white homeless man, and their names were, respectively, Trey Reed of Delta State University and Cory Zukatis. After all, it’s not like the Mississippi police have a history of covering up hate crimes or anything. (eye roll to infinity)

We are living in dark times, indeed.

And on that grim note, I am heading into the spice mines. Stay safe, Constant Reader, and I’ll be back in the morning.

Spirit in the Sky

I have written another Alabama story! It will be in the Crippen & Landru anthology Double Crossing Van Dine, which you can preorder right here. My story is called “The Spirit Tree,” which was a lot of fun to write, and am very excited that the anthology will release later this month/early September. I again got an editing credit (along with Donna Andrews and Art Taylor, both of whom do a lot more work than I do on these books), and I do absolutely love that cover.

Isn’t this a great cover?

Turn right on Simmons Road and in a half mile, your destination will be on the right.

Tom Forrester slowed his official State Bureau of Investigation SUV and glanced in the rearview mirror. Nothing behind him but blacktop state highway back to the S curve he’d just negotiated. He flipped on the turn signal and made the turn onto a back road. It stretched out before him, a narrow expanse of red dirt and gravel down to the bottom of a hollow and climbing back up the other side. He was getting a headache and wished again he’d asked for someone to come with him. He’d never been to Corinth County before, hadn’t even driven through it. Yes, it was in his district, but it was remote. At least an hour to the nearest interstate. Outsiders had to want to come to Corinth County to get there.

It amazed him that there were still these random remote counties all over the deep South, seemingly untouched by the outside world.

But the county seat, for all its population of about three thousand, had a Wal-Mart and a McDonalds, and almost every house or trailer he’d seen from the road had a satellite dish either in the yard or affixed to the building. Was anything truly remote anymore?

The road wasn’t wide enough for two cars, so he hoped he didn’t meet anyone coming from the other direction. A cloud of red dust followed closely behind the vehicle. At the bottom of the hollow there was a small stream flowing through corrugated iron beneath the pitiful road. And he noticed a rusty barbed wire fence running along the front of the pine forest on the left side, caught a glimpse of a rusted tin roof surrounded by overgrowth.

It looked…familiar.

Not a bad start, right?

The anthology also has an impressive table of contents:

You can find Van Dine’s commandments (there are twenty) here, if you want to look them up.

Mine was: The problem of the crime must be solved by strictly naturalistic means. Such methods for learning the truth as slate-writing, ouija-boards, mind-reading, spiritualistic séances, crystal-gazing, and the like, are taboo. A reader has a chance when matching his wits with a rationalistic detective, but if he must compete with the world of spirits and go chasing about the fourth dimension of metaphysics, he is defeated ab initio.

So, yes, like I did in the last anthology of this nature that I was in, chose supernatural/occult as my way of breaking said rule. I’ve done this before, of course, in novels; two subgenres I prefer are crime and horror–and I do love crossing/blurring the lines between the two of them.

Several years ago (it may have been last year; my grasp of time isn’t the best anymore) I read a book called Salvation on Sand Mountain, about snake-handlers in north Alabama (I’d also watched a documentary called Alabama Rattlesnake) which reminded me of a bit of country magic. When I was a little boy–a very little boy–I remember visiting someone in Alabama–and there was a small tree beside the front porch, with bottles slipped over the ends and catching the sun in colorful flashes and making tinkling sounds when the wind blew the branches together. I asked, and was told it was a ‘spirit tree,’–the sound of the bottles kept evil spirits and ghosts out of the house. I’d forgotten about it until I read it in the book, and I remembered it all very clearly.

So, I sat down and wrote an opening scene, in which a state investigator is going to a crime scene, and when he gets there, there’s a spirit tree beside the porch. I had no idea what to do with the story–how to finish it, who was murdered and why, etc.–and it went into the files. When I was asked for a story (and a by-line credit) for this anthology, I looked for the supernatural rule, claimed it, and pulled out “The Spirit Tree.”

Yes, it’s another Corinth County story, like Bury Me in Shadows and “Smalltown Boy” and “The Ditch,” not connected to the others by anything other than location, really, but it’s location is pretty much everything!

Hope you enjoy it–and the rest of the contributors are exceptional writers, so I know you’ll enjoy theirs, too! What are you waiting for? PRE ORDERS ARE ALWAYS WELCOMED!

You Don’t Bring Me Flowers

You don’t sing me love songs…anymore.

I had been waiting to hear about an anthology I sold a story to (they asked me to keep it quiet until further notice), but had never did so I could never mention it. But it was announced; they just hadn’t tagged me. Anyway, the anthology is Celluloid Crimes, and will be released this summer from Level Best Books. My story is “The Last To See Him Alive,” which actually now is the first, revised chapter of Chlorine, which, if you’re wondering, I’ve never stopped thinking about or working on since I first brought it up on my blog six or seven years ago. Over the weekend, I did confess to someone that I have about six or seven novels currently in progress; Chlorine is definitely one of them. In fact, taking Chapter One and turning it into a stand-alone short story also triggered some creativity in my brain, and that helped the entire novel take shape, and now I know what the middle part will be, and the end will become even more poignant and noir-ish with these necessary changes to the story. Huzzah! More about the story and the anthology as it nears its publication date.

The auction for the Transgender Law Center concluded last night, and we raised over $58,000! I have to admit being enormously pleased and proud of the organizing committee as well as all the people who donated items and those who bid on them. Well done, everyone! This project began two or three years ago (it was before my arm surgery, I do know that much–I have no grasp or concept of time anymore–but other than that? Pfffft.) and it’s kind of hard to believe it’s over and done with at last. I didn’t do that much–the driving forces were truly Susanna Calkins, Sandra SG Wong, Ellison Cooper (Jen Dornan-Fish), Cheryl Head, and Ed Aymar. The group was exceptionally fun to work with, despite my on-going issues, and I didn’t contribute nearly as much as I ordinarily do when I am volunteering because of my on-going issues, but my fellow organizers were so efficient and on top of things I didn’t need to, which was lovely. It was truly a great group, and our advisory board (including spokesperson Robyn Gigl, Brenda Buchanan, and John Copenhaver) were also amazing and hard-working. What a lovely experience this was indeed.

I did get some writing done last night, but not nearly enough. After driving uptown to get the mail and then making groceries, I was pretty fried by the time I got home, so wasn’t really able to resist Sparky’s meowing insistence that I get in my chair and let him sleep in my lap, so I did. We continued watching Mid-century Modern, and you know, not every joke lands nor does every scene necessarily work, but all the actors are clearly having a good time with it, and Matt Bomer is absolutely perfect as the beautiful, former Mormon flight attendant who is actually very sweet and a little like Rose from The Golden Girls, completely without guile and literal. Nathan Lane can be a bit histrionic, but he’s Nathan Lane; always charming and likable. Such a shame Linda Lavin died, because she’s terrific as Lane’s mother–and was probably going to at least be nominated for an Emmy. But Nathan Lee Graham steals the entire show as a former fashion editor who is very quick-witted in that bitchy sarcastic way that so many of us develop as a shell for self-defense. It’s also refreshing to see a show about older gay men who, like The Golden Girls, still are vital and have sex lives and embracing life rather than sliding into self-pity or caricature. These characters would have been easy to play as one-dimensional stereotypes, but it’s a tribute to these actors’ skill that they have heart and are real people. I’m sure it won’t thrill some queer people–nothing ever does, we are notoriously critical of things about us–but it’s nice to see gay men as realized characters on a traditional style sitcom, and definitely a progression from Will and Grace.

I feel better today than I did yesterday; another good night of sleep was had, and this morning I don’t feel any brain fog or exhaustion like I did yesterday. I think I am now acclimating back to my life, which is nice because I also need to get my act together and start getting things done again. This weekend will most likely be restful and lovely as well; and perhaps time to start working on household projects (like cleaning out the attic) so the house can be sort of presentable and livable again. Stranger things have happened, you know. I started writing a tribute to Dorothy Allison for my newsletter, triggered by the tribute reading I did Sunday, as I have been remembering how much she and her work have always meant to me. It’s kind of hard to believe such a force is gone from the world.

Sigh. And on that note, I am heading into the spice mines. Have a lovely Wednesday, Constant Reader, and I’ll be back in the morning.

Saturday Night Special

SMFS Official Announcement: 2025 Derringer Award Finalists

Since 1998, the Short Mystery Fiction Society has awarded the annual Derringers—named after the popular pocket pistol—to outstanding published stories. The awards recognize outstanding stories published during 2024. Results of membership voting are scheduled to be posted on May 1, 2025.

The full listing of our nominees and the markets that published the finalist stories has been compiled and supplied by Derringer Coordinator Paula Messina.

FLASH

Sweet Red Cherries by C.W. Blackwell

(Punk Noir Magazine, November 28, 2024)

Mob Mentality by James Patrick Focarile

(Shotgun Honey, June 20, 2024)

La Petite Mort by Susan Hatters Friedman

(Bristol Noir, February 16, 2024)

Kargin the Necromancer by Mike McHone

(Mystery Tribune, December 15, 2024)

Lockerbie, 1988 by Mary Thorson

(Cotton Xenomorph, October 13, 2024)

SHORT STORY 

“Skeeter’s Bar and Grill” by Julie Hastrup

(Larceny & Last Chances: 22 Stories of Mystery & Suspense, Superior Shores Press)

“The Wind Phone” by Josh Pachter

(Ellery Queen’s Mystery Magazine, September/October 2024)

“The Heist” by Bill Pronzini

(Shamus and Anthony Commit Capers: Ten Tales of Criminals, Crooks, and Culprits, Level Best Books)

“The Last Chance Coalition” by Judy Penz Sheluk

(Larceny & Last Chances: 22 Stories of Mystery & Suspense, Superior Shores Press)

“The Kratz Gambit” by Mark Thielman

(Private Dicks and Disco Balls: Private Eyes in the Dyn-O-Mite Seventies, Down & Out Books)

LONG STORY

“How Mary’s Garden Grew” by Elizabeth Elwood

(Ellery Queen’s Mystery Magazine, January/February 2024)

“Heart of Darkness” by Tammy Euliano

(Scattered, Smothered, Covered & Chunked: Crime Fiction Inspired by Waffle House, Down & Out Books)

“Putting Things Right” by Peter W. J. Hayes

(Thrill Ride – The Magazine, December 21, 2024)

“Motive Factor X” by Joseph Andre Thomas

(Howls from the Scene of the Crime: A Crime Horror Anthology, Howl Society Press)

“Cold Comfort” by Andrew Welsh-Huggins

(Private Dicks and Disco Balls: Private Eyes in the Dyn-O-Mite Seventies, Down & Out Books)

NOVELETTE

“A Band of Scheming Women” by Joslyn Chase

(Thrill Ride – The Magazine, March 21, 2024)

“Christmas Dinner” by Robert Lopresti

(Alfred Hitchcock’s Mystery Magazine, November/December 2024)

“Barracuda Backfire” by Tom Milani

(Chop Shop Episode 4, Down & Out Books, April 1, 2024)

“Her Dangerously Clever Hands” by Karen Odden

(Crimeucopia – Through the Past Darkly, Murderous Ink Press)

“The Cadillac Job” by Stacy Woodson

(Chop Shop Episode 1, Down & Out Books, January 1, 2024)

ANTHOLOGY

(Previously Announced)

Devil’s Snare: Best New England Crime Stories 2024

Edited by Susan Oleksiw, Ang Pompano, Leslie Wheeler, Crime Spell Books

Friend of the Devil: Crime Fiction Inspired by the Songs of the Grateful Dead

Edited by Josh Pachter, Down & Out Books

Larceny & Last Chances: 22 Stories of Mystery & Suspense

Edited by Judy Penz Sheluk, Superior Shores Press

Murder, Neat: A SleuthSayers Anthology

Edited by Michael Bracken and Barb Goffman, Level Best Books

New York State of Crime: Murder New York Style 6

Edited by D.M. Barr and Joseph R.G. De Marco, Down & Out Books

The 13th Letter

Edited by Donna Carrick, Carrick Publishing

Sultans of Swing

No jury duty today! And I think I am finished with it all this time around. Trials, according to what the judge told us on Monday, rarely start this close to the weekend of the last push of Carnival, so if I don’t have to report today I shouldn’t have to report anymore. I was only there for an hour or so yesterday before we were released, which was great. I came to work–my testing in the clinic shifts were covered–and got some odds and ends and other things taken care of. I wasn’t feeling too hot by the end of the day–and getting home from work was a nightmare–but by the time I went to bed I was feeling terrible. I woke up to a fever this morning, a sore throat and some major coughing. I decided that it was wiser to use sick time rather than risk getting everyone at the office sick–which would thus spread exponentially, call me Typhoid Greg–and so called out. I can’t remember the last time I missed work because I was sick; probably when I had COVID? I should probably take a test today myself, shouldn’t I? Heavy heaving sigh. I’ll do that before I go lie down with my book.

As far as jury duty goes, this wasn’t too terrible, really. And I don’t mind doing it, either. I always serve whenever I am called; the only time I’ve tried getting out of it was when I was supposed to serve the week after the shoulder/arm surgery, which wasn’t possible. I find it interesting and a solemn responsibility; it’s part of our civic duty as citizens after all, and weighing the evidence and deciding someone’s fate is kind of a big deal. Plus I like seeing how the courts actually work in real life, as opposed to books and movies. (The judge also said on Monday that court isn’t like Law and Order, there’s a lot more they don’t show. It’s really funny the cultural impact those shows have had on the country; someone should do a study on that. I have some thoughts myself about it and other “copaganda” shows, as well as the books about cops/lawyers.)

The not feeling well definitely sucks, though. All of my joints ache, and my legs feel exhausted. I did have to park fairly far from the house, on Race between Camp and Magazine. I’ll try to get the car moved today, so it’s closer to the house. I am hoping this doesn’t last another day–I don’t want to take another sick day and if I do, I still need to go by the office and get my computer so I can work at home on Friday–and the COVID test is negative. If the COVID test isn’t negative, it won’t matter because I won’t be allowed back into the building until next week anyway. I don’t want to use all my sick time, but if I have COVID, there’s no choice.

Good news! The COVID test was negative. I am feeling a bit better, but still running a fever. I also have a tickle in my throat and it’s sore. It also looks like a beautiful day outside, and the weather should be lovely for the parades this weekend, if I am feeling up to it. I definitely want to do Iris and Muses, if I can, and maybe some Thoth on Sunday. Bacchus is too much of a madhouse, but I love Orpheus on Monday because the crowd starts clearing out early because people need to go home and get ready for Fat Tuesday. I just hope I’m feeling better by tomorrow so I can go in to work. I do not like being sick.

The good news is that I signed a short story contract yesterday. It’s been a hot minute, so I am very well pleased. (This is for a submission to an anthology call; the other one I signed was one I was asked to write, so it’s a bit different.) I’m not sure if I can talk about this anthology or talk about my story–which I am dying to tell you about–but I’ll have to be annoying and not say anything for now. One I can talk about is called “The Rhinestone,” since the contract is already signed and the book has been announced. I have to revise and edit the story with notes, but it’s kind of a done deal. “The Rhinestone” is a book excerpt, and what’s really funny about this particular book excerpt (besides the fact that the book itself isn’t finished; this is from Never Kiss a Stranger) is that it was the actual kernel the entire book idea grew from, too. Funny how that works sometimes, isn’t it? I’ve often had ideas that I thought were interesting, but didn’t know if it was a short story or a novel until I tried writing it one way or the other. I used to always be expanding short stories into novels (because I overwrite and always have more to say); it was around 2012 that I began thinking in terms of maybe your novel ideas can actually be written as short stories instead), but shortly after we moved here, Paul and I had lunch at a place called the Quarter Scene, which was either queer-owned or just extremely queer friendly. It was our first time eating there, and I don’t remember why we did in the first place or why we were in the Quarter. Regardless, the table we were seated at–in the big picture window–had a little plaque on the wall reading TENNESSEE’S TABLE with the note that whenever he was in town, Tennessee Williams always sat at that table for lunch. We both thought that was kind of cool, and I thought “Tennessee’s Table” was a great title for a short story. The original story in and of itself wasn’t anything–just two gay friends meeting for lunch and sharing stories. It was a melancholy little story, really, not much to it. But when I started working on Never Kiss a Stranger–I originally wrote it as a long novella, about 30k words–I decided to reuse that setting and write a scene between two of the main characters. When I was asked to write for this anthology–the theme was the story had to be inspired by a queer icon–Tennessee Williams, who has had an enormous impact on both Paul’s and my life, was a no brainer. And then I thought, hey, that scene is set at Tennessee’s Table, why not adapt that back into a short story? So I pulled the chapter and reworked it a bit. I also have notes to make it stronger as a short story, so looking forward to revising that.

As for the country and the world, well, it kind of speaks for itself with no need for comment from me, does it?

And on THAT sad note, I am heading into the spice mines. Have a lovely day, Constant Reader, and I’ll check in with you again tomorrow.

Sweet Time

And it’s New Year’s Eve.

I slept well last night but my blankets were all tangled up this morning, indicating the sleep was more restless than it has been for weeks. I also wasn’t in the mood to write my blog when I first woke up, so I decided to read, drink my coffee, and maybe have some breakfast before getting cleaned up. I usually write this over my morning coffee, and since I don’t reread or re-edit once it’s written, that could explain the run-on sentences, word repetitions, and occasional poor grammar no one ever points out to me. This blog began nineteen years ago (!!!) on Livejournal (the anniversary was 12/26), migrated over here in about 2016 or so, and still somehow keeps chugging along. It always surprises me that people read it, to be honest. It was always meant mainly for me, and was originally intended as a daily exercise to get me writing again. I guess it worked. When I started I had published four novels, a few anthologies, and some short stories. Nineteen years later, I’ve way surpassed that total, despite some fallow years in which I produced nothing.

I did some more picking up around here yesterday while watching football games. It was fun watching Mississippi beat Penn State, and don’t even get me started on the Florida State-Georgia game. I get the disappointment at not making the play-offs, but you also knew you were scheduled to play Georgia, another team disappointed in not making the play-offs, but instead of showing everyone that the committee was wrong and showing up to beat Georgia…and Georgia also had star players injured and over a dozen opting out and even more entering the transfer portal. This would have been a play-off game had either Auburn or Georgia beaten Alabama this year, but that’s how things go. Auburn went 13-0 in 2004 and wasn’t invited to the BCS title game. You don’t always get what you want in life or sport, and the question is how you handle that. If this was going to be the case, don’t accept the damned bowl bid. Your fans spent a lot of money to go to that game, and it was incredibly disrespectful to the team, the fanbase, and the university to show up and get embarrassed like that. After Coach O was fired in 2021, LSU went to its bowl game with 39 scholarship players and got trounced by Kansas State….but how does it appear in the record books? KSU 42, LSU 21. Twenty years from now when people look back at the history of college football and bowl games, it will read Georgia 63, Florida State 3. It’s a program and culture problem, and all the FSU fans apologizing for this disgraceful beating–do you quit when you don’t get a raise or promotion you worked hard for and feel like you deserved? The word for that is quitter…and for the record, Georgia played it’s back-ups, walk-ons and so forth in the second half and still beat your ass 21-0.

And if LSU went 12-0 and didn’t get picked for the play-offs…and pulled the same shit? Sure, I’d be angry about the play-offs but I’d also call out the Tigers for embarrassing the state and the university that way.

I’m really enjoying Danielle Arsenault’s Glory Be, and am savoring every word. What a fresh and unique voice! I have to say I am so glad I realized I needed to be better about my reading choices and should read more diverse writers. It’s been a great education for me as a reader, a writer, a person and a citizen. I’m still learning how to be better about race and gender and gender identity and sexuality; and I strongly encourage other readers to do the same. Crime fiction is so much stronger and healthier when it represents everyone, I think, and while I don’t consider reading diverse writers to be the total education I need on any social issues facing the country–I need to read more non-fiction and theory.

I rewatched The Birds yesterday after the football games, and it was pretty much as I remembered it. I’d only seen it twice before; originally as a child edited for television, when it frightened me so badly that I had nightmares (I was prone to them growing up) and for years could never see crows on a jungle gym or a wire without feeling uneasy and then again as a rental in college after I’d read the short story again and wanted to see how faithful the film was to the story. I didn’t care as much for it the second time around–the acting is really terrible and so is the script–but the suspenseful parts still held up and were scary. This third time around confirmed my second viewing; and I noticed some other flaws in the picture. Rod Taylor’s mother isn’t much older than he is, and why is there about a thirty year age gap between him and his sister? I think the short story is better than the film, but I can also see why people like it. I do consider it one of Hitchcock’s lesser films.

Since tomorrow is a day for thinking ahead and coming up with some goals for the new year, I suppose today should be a recap of sorts of this past year. It was, as I mentioned in a previous entry, a rather up-and-down rollercoaster of highs and lows with very little level ground in the middle. The recognition of mainstream award nominations for my work–even queer work–was a delightful surprise this past year. But even more important than that is I think my work is getting better. I had felt, some years ago, that my writing was becoming stale and that I wasn’t growing as a writer anymore; I’d become stagnant and that was one of my biggest fears. I wound up deciding to take some time away from writing books on deadline and write things just for me, things that I wanted to write but also wanted to take the time to do correctly. It was during this time that I worked on both #shedeservedit and Bury Me in Shadows in early drafts, and also started the novellas and working more intently on my short stories. I accepted the challenge of writing stories to themed anthologies, and produced some terrific ones of which I am really proud. When I dove back into series work with Royal Street Reveillon, I wanted to write something non-formulaic for the Scotty series. I also wanted to shake things up with Scotty a bit, as the series was getting a bit too comfortable and safe for me. Royal Street Reveillon certainly was neither comfortable nor safe, and neither was Mississippi River Mischief.

Bury Me in Shadows was not easy for me to write. When I went back to the book after setting it aside for awhile, I realized several things: I couldn’t ignore race and racism, I had to address the Lost Cause narrative, and I also had realized while doing more reading and research that the stories my paternal grandmother used to tell me about the Civil War and Alabama and the family were apocryphal stories you can turn up about almost everywhere in the rural South. The book wasn’t working, in fact, because I was trying to elide those issues because I was afraid of doing it wrong…so it pushed me to do better. And actually addressing those issues made the book easier to write. The same thing was true of #shedeservedit; I’d been working on this book in one form or another since I actually lived in Kansas. But again, I realized when I went back to it that what I was doing didn’t work because I wasn’t going there with toxic masculinity and rape culture because it wasn’t personal enough for my main character, and so I bit the bullet and made it more personal for him. It dredged up a lot of memories, some of them painful, but it also made the book better and stronger. I had been wanting to write a cozy for the longest time, and decided to try it for something different and new–and that became A Streetcar Named Murder. I was also very pleased with it, even though the deadline and the turnaround on it was a bit insane…but I still managed to take my time and turned it into something I was proud of when I got the final author copies.

My two releases of this year–Death Drop and Mississippi River Mischief–are also books of which I feel proud. I also published three terrific short stories this year: “Solace in a Dying Hour” in This Fresh Hell; “The Ditch” in School of Hard Knox; and “The Rosary of Broken Promises” in Dancing in the Shadows.

I think I’m settling finally into an acceptance that I am pretty good at what I do. I may not have the master’s or PhD in creative writing or literature of any kind; but I’ve never really wanted to be an academic writer. I never wanted to be Faulkner, but Faulkner did inspire me to interconnect novels and stories in my own fictional world (also Stephen King). I would like to do some non-fiction studies of genre and writers I enjoy, but in an accessible rather than academic way. Academics used to make me feel stupid and uneducated, and I also used to envy those writers who had that kind of background because I felt it made their work stronger than mine, or gave them insights into writing and building a novel that I’d never had, which made me and my work somehow lesser. But that wasn’t on them; that was on me. I was the one who felt inferior and lesser, not talented or good enough. That chip was on my shoulder and I was the one who put it there. My peers actually consider me a peer, and newer writers look at my longevity and my CV and are impressed by the prodigious output, if nothing else. I used to think all the award nominations were kind of hollow because I so rarely won; which was incredibly ungracious because some writers are never nominated for anything…but it doesn’t mean their work isn’t good. Now, I just find myself grateful to make a short-list of five out of all the possibilities for that slot, you know? I’m lucky, and I’m blessed.

I’ve reflected a lot on my life and my career this past year–Mom’s death had something to do with that–and I’ve identified, in many cases, why I am the way am by remembering the event that triggered the response in my brain of “okay, never want to experience that again” which led to so many self-toxic and self-defeating behaviors. But the bottom line of it all is I’ve finally accepted myself for who I am, have determined to stop self-deprecating, and take some pride in myself and my career and my life. I know the most amazing people and have the most incredible friends. I have a day job where I make a difference in people’s lives. I have an awesome life-partner, an enviable writing career, and I get to live in New Orleans.

Not bad, right?

My Favorite Things

And so we have reached the last day of 2021 at last (it’s still hard for me to wrap my mind around the fact that it has been 2021 for a year; 2022 is going to seem even stranger, methinks). I’m on a holiday, so there’s no work for the day-job to be done today, but there’s plenty of other things that need to be done. I need to work on the book some more, I need to clean, I need to run some errands, and I’d also like to do some reading. It’s a lot, I know, and who knows how much I can or will actually get done around here? Yesterday I did data entry, made condom packs and rewatched the original Clash of the Titans (starring a very young Harry Hamlin and his nipples; seeing this in the theater made me a Harry Hamlin fan for life) while I did so. I also was able to pick up two boxes of home COVID-19 tests (the day-job procured you them for the staff as a preventive measure, which are apparently like gold these days.

It was a very challenging year in many ways. I suspect that if I looked back at a list of my goals for the year, two of the most key things–getting an agent and finishing Chlorine–would not be able to be checked off the list. My faulty memory–I keep, for one thing, conflating the last two years as one and the same mentally–has something to do with it. I know I wanted to write more short stories in 2021, and I don’t know that I succeeded at that. I know I had a couple of stories of which I am very proud come out this past year (my first ever attempt at writing a Sherlock Holmes story for one), and of course I finished writing two books while trying to finish yet a third under contract, and trying to get Chlorine done.

I always feel sort of weird at the end of the year when I compile my favorite things (books, movies, television) because I never limit myself to things that were new to the year, but rather new to me during the year; I am always so woefully behind on everything I read and watch that it doesn’t seem fair to leave off things that didn’t debut in 2021. Besides, it’s always kind of fun, I think, to remind people of things they themselves might have missed and forgotten about. But when I started thinking about all the books I read this past year, I would have sworn that I hadn’t read this much, or that I couldn’t have possibly read this many books–and I know I am also forgetting some, and these are the ones that stand out enough to be remembered. My favorite reads of the year were, in no particular order, The Turnout by Megan Abbott; The Collective by Alison Gaylin; Dream Girl by Laura Lippman; The Gift of the Magpie by Donna Andrews (I read three or four Andrews novels this past year, and loved them all, frankly); Velvet was the Night by Silvia Moreno-Garcia; Jar of Hearts by Jennifer Hillier; Razorblade Tears by S. A. Cosby; A Beautiful Crime by Christopher YBollen; Yes Daddy by Jonathan Page-Ramage; The Other Black Girl by Zakiya Dalila Harris; These Toxic Things by Rachel Howzell Hall; Invisible City by Julia Dahl; and By Way of Sorrow by Robyn Gigl. I also read a lot more cozies than I generally do, which were quite fun–I highly recommend checking out Leslie Budewitz, Vivien Chien, Sherry Harris, Ali Brandon, Miranda Harris, and Carolyn Haines, among many others–my TBR pile is nothing if not a treasure trove of terrific reading–and I am hoping to get even more reading done in the new year as well.

As for movies, I also watched a lot of movies. I saw a lot of classic cinema of the past I’d never seen before–my Cynical 70’s Film Festival had some marvelous entries this past year–as well as revisited some favorites. I greatly enjoyed Dune, which I thought was incredibly well done, and Shang-Chi and the Legend of the Ten Rings was a great super-hero film, with just the right amount of spectacle, humor, and humanity to ground it in enough reality that an audience could relate to it. I don’t remember any other new films that we saw in this past year, but I am sure there were some–the direct-to-streaming/limited theatrical release model for the pandemic ensured that I saw some things much sooner than I probably would have otherwise–but give me a break, I am still on my first cup of coffee after a lovely and deep night’s sleep.

Television again is something a bit blurry for me; the lines between 2020 and 2021 also blurring a bit here. I know we loved Mare of Easttown, Ted Lasso (a true gem of a show), The Mandalorian, Elité, Superman and Lois (probably the best version of Superman since the first two Christopher Reeve films), the original Gossip Girl (which is winding down now with a last season that is rather disappointing, alas), Hacks, One of Us is Lying, Cruel Summer, and Only Murders in the Building, which was also a jewel. But maybe my favorite show of the year was HBO’s It’s a Sin, which was not only well done, but powerful and thought-provoking. I had debated whether I wanted to see it or not; entertainment about HIV/AIDS, particularly about the height of the plague, has never sat well with me–either pandering nonsense or heavy-handed. The gold standard for me has always been Longtime Companion, but after watching I had to say It’s a Sin belongs up there. It was hard to watch at times–and I realized that the reason was the characters were all the same age that I was when it all started, which was a big part of it–but it also made me acknowledge and understand any number of things about myself and my past; namely that I had never grieved, just going numb at one point and deciding to keep moving forward and not think about anything. Watching the show brought back a lot of memories which, while painful at times, was necessary and needed.

I also spent time writing and working on two novellas, “Festival of the Redeemer” and “Never Kiss a Stranger”; one thing I really want to be able to do in the new year is get the novella collection together as well as another collection of short stories. Lots of plans for the new year, including a new Scotty novel I’ve been itching to get to, and another stand alone, in addition to Chlorine. I was able to visit my parents twice this past year, and I was also about to make it to New York and then Boston for Crime Bake, which was simply marvelous. I have lots of travel plans for the new year that I am hoping new pandemic variants aren’t going to jettison–I really do want to be around writers again, seriously–and over all, the year wasn’t as terrible as it easily could have been (2022, do not take this as a challenge). I got a new computer, paid off a lot of debt, and over all, I have to say, all things considered, 2021 wasn’t altogether terrible. I wish I had been more productive, but I also wish that every year.

And on that note, this next chapter isn’t going to write itself, is it? Have a lovely New Year’s Eve, Constant Reader, and I’ll talk to you next year!

Got to Be Real

Sixty Eve!

Tis the last day of my fifties and it’s also a work-at-home day. I may go to the gym later–the jury remains out on that one for now–but I have data to enter and condom packs to stuff and television shows to catch up on while I stuff the condom packs and so…yeah. A full day for the last of my fifties, methinks. Tomorrow I mostly want to just hang out around the house and be a slug and read all day–I’ll probably straighten and organize too, it’s a compulsion–but I really want to just finish reading my book and start the next one. Over the course of the weekend, I’ll get other things done, of course–but tomorrow–other than the dash out to Metairie to get my deep dish pizza–I intend to literally be nothing more than a slug of the worst kind around here.

I may even allow myself a second Coke.

That’s me, living large on my sixtieth birthday.

I was actually looking at my submissions spreadsheet yesterday (mainly to make sure my list of published stories for the next collection was correct), and imagine my surprise to see I haven’t submitted much this year–one short story in January that was rejected–and prior to that, it’s been well over a year since I sent out any short stories for submissions. I have written–and started–any number of short stories in the mean time; but my, how time does fly when you really aren’t paying attention. I would have sworn those stories were sold this past year, but they came OUT this year; big difference, really.

But–it looks like I have about ten or so stories published that weren’t included in Survivor’s Guilt and Other Stories, so I am about half-way there for my second collection–and there are some unpublished ones I can also include in the new collection, which is pretty awesome.

Our gym is doing renovations, and is also asking for proof of vaccination for entry–which I deeply appreciate–but the renovations make working out a bit of a challenge. They’re putting in, among other things, a new floor and getting new equipment for the weight room, so all the current equipment is shoved into the room on the first floor where the spin classes are….and it’s a very tight fit. Every open space that is not the weight room floor on the first floor has equipment crammed into it; I appreciate them staying open for the renovation but at the same time…it definitely makes it more difficult to get the workout in, and you are crammed into much tighter space with strangers. I walked over there last night after work (Christ, the humidity was intense) and just dashed through my upper body workout–no stretching–and got out as quickly as humanly possible. I feel good for going–it would have been easy to decide not to–and this morning I feel a bit tight in places, so the workout worked, which was incredibly cool.

But my God, was I overheated and drenched in sweat when I got home!

I also got a new Fitbit; this isn’t out of some insane desire to track my fitness and my steps and my day-to-day activity; having something that monitors this for our health insurance is in my best interests, and after my last Fotbit gave up the ghost, I just started using the Apple Heart program on my phone…but it doesn’t sync with my health insurance website, etc etc etc., and a Fitbit worked remarkably well back when I had one a gazillion years ago–so, hello sixtieth birthday present! (I told you I was leaning into this sixty thing.) So, my sixtieth birthday gifts to myself thus far include a new computer, a new phone, a new Fitbit, a new aromatherapy atomizer for the kitchen, new shoes, and (of course) a shit ton of new books. Today I have a lot of things to do around the house in addition to working-at-home duties (the dishwasher is leaking, so I have to do them all by hand; and of course, the bed linens are done every Thursday), and I also have to box up my old computer so I can ship it back to Apple for recycling. Tomorrow, being the birthday itself, I plan on just hanging out around the house and reading. I don’t think I will leave the house other than going out to Metairie to get my deep-dish Chicago style pizza (and the mail, and Costco to pick up Paul’s new glasses), but no gym, no work, no being on-line (other than trying to keep up with birthday wishes on Facebook, a time consuming, if delightful, exercise)…and no concerns about getting any writing or editing done. I had thought about making it a completely free weekend, frankly–but i know myself too well to think I won’t be antsy and checking my emails and social media accounts and so forth. I think I’ll most likely simply structure my days so that I handle all of the stuff I want to do by a certain time in the afternoon before adjourning to my easy chair for reading. I want to finish The Other Black Girl so I can move on to The Turnout–after which I will most likely dive into either A Beautiful Crime or Yes Daddy; to be determined….and again I need to start pruning the books. I am going to likely take at least one day of next weeks Boucher-vacation to work on cleaning out the attic…and at some point I’m going to have to start working on the storage unit…but I’ll cross that terrifying bridge when I come to it.

And while I pack condoms today I will watch the season finale of Superman and Lois, as well as getting caught up on my Real Housewives shows, which I am not really enjoying this season as much as past ones…not sure what that’s about, but it might be worthy of its own post once I get that figured out.

And on that note, I have condoms to pack and data to enter. Tomorrow I will check in for the Big (?) Day. Have a lovely Sixty Eve, Constant Reader!

Kitty Girl

Friday and I like my new doctor. It’s nice to finally be in the care of an actual doctor again–with no offense intended at all to the nurse practitioners I’ve seen over the last two years; they were also wonderful–but there’s something subconsciously psychologically more affirming about seeing someone who has the actual title of doctor, which is curious in and of itself–what is that rooted in? What kind of societal expectation, which may be based in absolutely nothing rational, created that as a comfort zone for me, and further, made it instinctual?–which I will leave in the hands of the clinically trained behavior experts to research.

Instead of working on anything already in progress last night, of course I started writing another short story. This one is called “Wash Away Sins”, which makes a sort of loose sense in my fevered creative brain, and it’s another Alabama story and it’s a follow-up to “Smalltown Boy,” actually; I can’t remember precisely the thought chain that wound up there, but I read something somewhere that made me think of washed in the blood of the lamb, which means baptized, and in the Christian sect i was raised in, that meant your baptism washed away all your sins before the baptism….which made me think of everything before the baptism as a “wash away sin”, and then i thought about the opening of “Smalltown Boy” and how that poor woman killed her husband to end the abuse, and the sentence You could have knocked everyone down with a feather when Vonda Hackworth answered Brother Burleson’s call to salvation and I was off to the races. I was writing in my journal, though, rather than typing the story up–which I will have to do at some point, probably today or maybe tomorrow.

Again, not anything I should be working on, of course.

I also started reading S. A. Cosby’s marvelous Razorblade Tears yesterday while at the doctor’s office, and it is, actually, quite marvelous. Maybe the most delightful thing of being a part of this community, as well as being an avid reader, is watching talents grow and develop. I’ve always enjoyed Shaun’s work, but every book is exponentially better somehow than the one before….and that is saying something. I am really looking forward to a deep dive on the book this weekend. Huzzah!

I also had a dentistry appointment this morning, and I hope, whenever the health care situation in this country is ever resolved, that the dentisty insurance issue is also addressed. I’ve always had terrible teeth–the only good thing about them was they were perfectly straight–and now I am going to have to spend a lot of money on my bottom teeth to have a functioning mouth again. It’s horribly depressing, really–hurray for even more debt–but I suppose it’s money I need to spend.

Or I can keep going through life looking like a Clampett.

Today turned out to be almost a complete waste. After the dentist experience–which took much longer than anticipated–i made groceries and then decided to go upgrade my phone. Again, took waaaaaaaaay longer than anticipated; seriously, y’all, I left the house for the dentist at nine this morning and i got home from the AT&T store after three…so I figured, fuck it, I may as well get the gym out of the way and take pictures with my new phone on the way home so that’s what I did. The new phone, an iPhone 12 Pro, is pretty amazing. The sound quality is so dramatically better than the old phone–which I thought had amazing sound, actually–and my word, the pictures are so much better, too! I am going to need to play with this phone’s camera a bit, methinks.

And on that note, I am ending this tiresome entry and ending my on-line presence for the day.

Who’s Crying Now

I’m not going to tell the story of my college writing professor who read the short story I turned in for his class and told me I would never be a published writer–as tempting as it is (oops, looks like I told it again, didn’t I?) but every time I sell a short story I do think of him and the smug look on his face as he tried to obliterate my life-long dream. I think of it every time the anthology or magazine or wherever I’ve sold the story to comes out, when the reviews begin (even the ones that don’t mention my story or didn’t like it) coming out, every time I Iook at the pdf file to proof, and so forth.

And I definitely think about him when I cash the check.

As I hurtle towards sixty (less than three months away) I have been remembering a lot about my life, reflecting and looking back, memories long buried coming to the forefront of my fevered little brain. I really had horrible professors in college, without fail–one after the other at that godforsaken college; it’s little wonder I experience bouts of imposter syndrome.

Let it go, Elsa, let it go.

Zane parks his wobbling shopping cart next to the island divided in half. The side he parked beside contains cantaloupes, separated by a partition from round, green-striped watermelons beneath a sign reading Red Seedless Personal Watermelons, $3.99 The cantaloupes are cheaper, per the sign casting shadow on the stacks of melons below. He glances around. There’s an older woman, rooting through the baking potatoes like a pig hunting truffles. A younger woman is inspecting the rubber-banded clusters of green onions. Two men in uniforms are building salads at the salad bar, scooping things into Styrofoam boxes. Three people are waiting for their orders at the deli meat counter, their backs to him.

No one is paying him the slightest bit of mind.

He picks up one of the cantaloupes and does what he’s seen others do. He sniffs it where the vine had been attached, holds it up to his ear and thumps it with his thumb. He doesn’t know how it should smell or sound if it’s ripe or not, but he’s too self-conscious to not go through the same motions everyone else does when selecting a melon. He’s terrified someone will notice him not thumping and laugh at him, mock him for his stupidity, point out he doesn’t belong in this big modern supermarket with its aisles and aisles of bounty. He’s always afraid someone, anyone, will notice he doesn’t know how to do a simple task every other shopper seems to know how to do instinctively, something so incredibly simple his failure will be like an enormous neon sign announcing to the other shoppers in their yoga pants or tennis skirts that he doesn’t belong here.

One of these things is not like the others.

Stop thinking like that, he scolds himself as he puts the cantaloupe back with the others. You belong here just as much as anyone. Who knows what secrets these other shoppers might be hiding?

He closes his eyes for a moment, hears his heart thumping rapidly in his ears.  It’s too fast, but that isn’t anxiety or stress, it’s because he just taught back to back spin classes, it’s why his legs are tired and why he’s in the produce section of the Rouse’s Supermarket on Tchoupitoulas Street, listening to melons while wearing a black tank top drenched in sweat and tight bike shorts under looser-fitting cotton ones and shivering in the air-conditioned coldness.

I love dark fiction, and particularly love horror. I used to go back and forth between horror and crime; I couldn’t decide which I wanted to do more. The first books I wrote to completion (besides that silly, lengthy Peyton Place ripoff I wrote in my late teens and early twenties, from which I regularly pilfer characters and plots from)were horror, technically; Sara, Sorceress and Sleeping Angel–which eventually, with a lot of revision and updating, saw print; although Sleeping Angel in its final form was more of a mystery than anything else. I don’t write “jump-scare” horror, and eventually realized that I didn’t have the imagination to write horror; almost everything I tried–story, novel, whatever–inevitably was highly derivative of other books, authors, stories. Inspiration for crime stories were everywhere–the daily news, for example–and I also realized my bent was more along the lines of Gothic stories and/or psychological horror.

The inspiration for “Night Follows Night” came from one of my several-times-per-week visits to the grocery store; that mundane experience we all have, we all deal with; the necessary chore that can only be put off for so long. As a slightly obsessive-compulsive person, I always plan my trips to the grocery store for maximum efficiency; no wasted time, no wandering down aisles, no just looking around. I have a list every time I go grocery shopping, and the list is made completely predicated on where everything is located in the store–so I don’t have to waste any time. I go only to the aisles where the things I need are stocked; skipping the ones I don’t need anything from, and work my way from the right side of the store to the left before completing the circuit by checking out and heading back out through the same doors I entered, having parked near them. One afternoon I stopped at the Rouse’s on Tchoupitoulas, list in hand (always on a small legal pad) and pen in pocket, when I got a cart from the corral with a loud, wobbly squeaky wheel–again. I always get a cart with a wobbly, squeaky front wheel; it doesn’t matter where I shop, it happens every time. (Of course, I could always put it back and get another, but somehow that disturbs my sense of order.) As I pushed the cart into the store, the wheel wobbling and squeaking, and headed for the melons–a seedless watermelon was on my list, the very first thing–and I picked one up and thumped it…and as I placed it in my cart I wondered, what precise sound is the thump supposed to make? Am I just so lucky that I pick up a ripe one every single time? What does an unripe one sound like?

And as I worked my way through the list with my wobbling, squeaking cart that day, the story kept forming in my mind; someone doing the mundane task of making groceries (as we say here) in a brightly lit, sparsely crowded supermarket–the character taking shape in my mind, having a near breakdown and his tightly held grip on reality and sanity starting to slip–but why? What would trigger such a reaction, and who is this guy? He held my imagination, my mind idly wondering about him and coming up with reasons for this break in a public place–which, I figured, would also make it worse for him–and I started thinking about that sense of not belonging there; that he feels like he doesn’t belong still, in a normal everyday environment, and wondering why that was as I drove home, unloaded the car and putting the groceries away, and I sat down at my computer and started to write this story–which, through several title changes and various iterations, became, finally, “Night Follows Night.” It languished in my files for about a year until a friend–Felice Picano, to be exact–sent me the call for submissions for Unburied, and I thought to myself, “hmmm, that grocery store story might work for this” and I opened the file and polished it again before sending it in early last year. It was one of four stories I sent out in a day, and one of the two that were accepted within twenty-four hours, by editor Rebecca Rowland, and now the entire anthology is available.

Some of the reviews, and information about the other contributors and their stories as well as ordering information can be found here.