I love Alabama, despite the way the state continually disappoints me. It’s such a beautiful place, with its kudzu and towering pines and broad rivers and that startlingly gorgeous red dirt. (Red dirt is often used to symbolize poverty and ignorance and bigotry…but it’s also gorgeous. I’d much rather have red dirt on my car or my shoes than regular black dirt any time.) Driving through the state I am always amazed at the strange range of country homes, everything from crumbling abandoned wrecks to expensive looking McMansions to trailers of all kinds and all conditions, the creeks and mimosa trees and hollers, sometimes filled with out of control kudzu (kudzu has fascinated me since I was a child) and sometimes just bushes and flowers and wild blackberry bushes growing out of control. It always inspires me when I go back to Alabama, reconnecting with my roots and where I am actually from, or, as we say in New Orleans, where my people are from. I also find myself spending a lot of time visiting graveyards where relatives are buried, while my father once again explains who many of them are (I love visiting the graves of my mother’s paternal grandparents; there’s a picture of them posing with four of their children and they are one of the most gorgeous couples I’ve ever seen; their daughters look just like my mother–and by extension, kind of like me–and seeing that picture always pleases me so) and stories about them, and I know he enjoys remembering the family history while passing it along to me. I enjoy the stories of the county, too; as we drive around the backroads and past places from his and my youth (“we took this road home from Auburn when you were just three months old, remember it?”–Dad humor, sure, but I love every bit of it) and I marvel at it all, hoping that it’s all being imprinted on my faded and dying memory. I really do want to write more about Alabama (which is what I say every time I get back from there, isn’t it?), and yeah, I do need to get back to writing, don’t I?
And some of that county and family history? Let’s just say the county is a lot more like Peyton Place than anyone from there would care to admit.
Dad also brought me a case of Grape Crush in bottles, which was so sweet and thoughtful (you can only get cans here, so Dad always brings me some from Kentucky and yes, I am very spoiled and always have been). We drove down to visit my aunt and uncle (another seven hours total in the car on Friday), so am very worn out this morning, now that I am back home; the drive back yesterday was nice but was very tired by the time I got home. I did listen to John Copenhaver’s Hall of Mirrors in the car (more on that later), but spent the evening watching My Mother Jayne, which was very well done (I always have been interested in Jayne Mansfield) and we really enjoyed. After that, I got started unpacking and putting things away and yes, I really do regret not thoroughly cleaning the apartment before I left on Wednesday. So instead of chilling out and relaxing today, I’ll be cleaning and making groceries (ordering them, at any rate), and hopefully reading and writing some.
It occurred to me last night that I didn’t get to all the queer books I wanted to read for Pride Month, and it also occurred to me that just because it’ll no longer be Pride Month doesn’t mean that I can’t read queer books; that’s the trap of having these celebratory months–I do not only read Black authors in February, after all, so why do I only focus on queer work in June?1 But I am glad I caught that I’d not finished Hall of Mirrors–and I know how it happened. I was reading it and about to go on a trip, and I always keep the books I am reading and the ones that are on-deck on the end table near my chair. I’d gotten down several potential books to take for the trip, and after I packed the books I decided to take I put the others back, and I must have reshelved Hall of Mirrors then; I was convinced I’d read it until before this trip, when I couldn’t remember how it ended and Audible suggested it–and when I got the book down from the shelves again there was a bookmark in it marking my place. Shamefully I downloaded it to my Audible, and decided to listen to it on this trip. There were three chapters left when I pulled up to the house; I finished it after watching My Mother Jayne…and then I fell asleep in my chair.
What a glorious night’s sleep I enjoyed last night, too! And it’s always nice to be home with Paul and Sparky. I didn’t make myself sick on the trip, either–remembering to have protein drinks and to take my pills and rehydrate properly. It was hot as fuck up there, too.
But I am going to bring this to a close, so I can get things done and groceries ordered and prepare for the week. I have an ophthalmologist appointment first thing tomorrow morning that requires me to drive out to (shudder) Kenner before I go into the office…and of course, Friday is the 4th of July so I have a three day weekend this week, too. Huzzah!
And on that note, I am heading into the spice mines. Enjoy your Sunday, Constant Reader, as I intend to enjoy mine, and I’ll be back in the morning.
Staircase in the step pyramid of Pharaoh Djoser at Saqqarah
I don’t, but it seems like I put a lot more pressure on myself to do during Pride. ↩︎
I also love to boogie–especially in the disco round, oh yeah, baby.
Sunday morning in the Lost Apartment after kind of a nice, slow and easy day around here. Paul stayed up late working so pretty much slept the entire day away again, and I myself got up late yesterday, too. I didn’t mind, even though I was a little perturbed that I got up so late. But I had a nice morning. I did some things I needed to do and cleaned and organized some more, and I got up pretty early this morning, too. I don’t know how motivated I feel today, but I am hopefully going to get some good writing work done this morning so I can spend the afternoon reading. Sounds like a winner to me. We did finish catching up with Reacher, Abbott Elementary, and Prime Target last night, too. Tomorrow I get to report to Criminal Court for jury duty in Mid-city, so I will be finding out what’s going on with that. I’m hoping to be dismissed before parade days start; I’d rather go to the office and leave early than try to get home at five from Criminal Court in Midcity, which would probably require taking I-10/90, getting off at Tchoupitoulas, and doubling back from there with no place to park. Ah, well, this too shall pass, and as a crime writer, it’s always interesting to see how criminal court–or courts in general–operate up close and personal.
It’s gray outside, and rain is expected, which should put a damper on any and all parades today. There are no night parades, so technically I could make a grocery run after King Arthur ends, but I doubt I’ll want to be out and about at that time anyway. I do have all kinds of things to do today–I want to spend the morning writing and the afternoon reading, if at all possible. It’s always so nice to curl up in my chair with a blanket and read while it’s raining, you know? I like feeling snug and cozy; which is why I am so particular about sleep arrangements. Want to know something weird about me? I sleep with four blankets, because that’s enough weight to make me feel snug and comfortable. I have a soft wool one on the bottom and one really velvety soft one on the top. I need two pillows, always, and also need the ceiling fan on and a little personal fan on my nightstand going. Weird? Just a little bit. But I think we all have things that we do, little rituals, that bring us comfort and joy. Just me? Probably. I always default to me not being normal, I suppose; the product of my youth. Thanks, bully trash!
I did work on an essay yesterday a bit, one called “Try That in a Small Town.” I started writing it when the Jason Aldean nonsense happened last summer, because that “real America” bullshit has always, always pissed me off; and essentially has always been used to demonize cities–you know, the economic engines that fucking drive the country–and reassure provincial types who stay in rural areas that they are more important than the city dwellers. This of course goes back to the lies that were always told to encourage immigration when white people felt the need to “fill the continent” with white people while exterminating the natives. You can be free, you can own land and property, you can prosper because the government will leave you alone to do as you please and not restrict your freedoms. No, the rich people needed more consumers, and they also needed population in the “empty” territories to produce and buy. The United States has always been expansionist; even the Founding Fathers assumed more states would be formed out of native land, after they were pushed out. Anyway, I actually lived in a very small town in a very rural county in an underpopulated state for five horrible years–and I will dispute to my dying breath this notion that small towns are the “real America” (fuck you again and again with razor wire, Sarah Palin)…because everyone acts like they’re like Mayberry when they are really Peyton Place–horribly judgmental with lots of cruel gossip and backstabbing, and the sexual perversions of these “good meat-and-potatoes Americans” not even Grace Metalious could have dreamed up–and Peyton Place was nothing more than a novelization of things she witnessed and experienced in a small town. It always infuriates me, you know, to hear this “real America” shit. Try to make it without Chicago, New York, LA, Boston, and San Francisco. The fucking economy would crater in about two seconds. But…cities are usually Democratic strongholds, so they must be demonized, always.
And there’s the rain! I knew it was coming. It’s just a drizzle but it’s enough for the gutter to drip water on the cat enclosure just outside my laundry room–and it’s only raining on that side of the house. This happens here a lot–it can be raining on one block but not the next; one part of the city can be getting a flooding rain while it’s sunny and bright in another–but I don’t remember the last time it only rained on the other side of the house. New Orleans, always so bizarre.
It also seems that the American people are getting fed up with what’s going on in Washington, and they are starting to push back. I’ve progressed beyond FAFO, to be honest1; the danger to the country’s future is that strong that the mocking and pointing fingers and laughing and atonement can come after the threat has been overcome. I think this is the kind of lesson we needed to learn; we’ve always taken our system for granted and always assumed the government was stable and would hold–forever smug about governments toppling and falling in other countries while we remained stable. The problem is that stability was only achieved through horrific compromises…and human rights should never, ever, under any circumstance, be left to public or government whim. The seeds of self-destruction were planted in the Constitution with the compromise on enslavement. Senators used to be appointed by state legislatures, not the people. BUT it was also designed to be a living document, changed and amended over time to clear up inconsistencies and always, always, intended to protect the people from government overreach. I also agree with something I saw on social media yesterday–every elected official should be required to have regular town halls to meet with their constituents, and they also need to remember they were voted in to work for their district, not the president. Separate but equal branches of government means nothing when elected officials in Congress abdicate their roles for whatever reason.
And really, what is MAGA but the modern Confederacy? Yes, they are also Nazis…but remember–the Germans learned about how to deal with undesirable sub-populations by studying enslavement and Jim Crow. There’s your heritage, rednecks. You were Hitler’s blueprint. And weren’t plantations simply concentration/work camps with a nicer name?
And on that note, I am heading into the spice mines. Have a lovely Sunday, Constant Reader, and I’ll be back tomorrow morning (or night).
I’ve not, and never will, forgive MAGA voters, to be sure–just like I’ll never stop mentally dancing and pissing on Ronald and Nancy Reagan’s graves. But I can put that aside for now to overcome this threat. But there needs to be a reckoning–unlike after the Civil War and 1/6/20. ↩︎
Sunday morning, and all is well in the Lost Apartment.
I woke up early this morning and, remembering, thought it might have been a dream, but no, a quick glance at the Internet told me it really did happen–Alabama did lose to Vanderbilt yesterday, 40-35. Hell, Arkansas came back to upset Tennessee last night while we were were watching ‘salem’s Lot (more on that later). What in the world was going on in college football yesterday? Admittedly, insane days like yesterday (Washington even went to Michigan and won. What the holy hell is going on this year?) are what make college football so fun to watch and experience as a fan; and I think 2024 might just be one of those insane “reset” seasons where everything goes out the window. Vanderbilt beating Alabama1 just two weeks after losing to Georgia State–another Vandy embarrassment–and now the concept of hope has shown up for the hapless Commodores; if they can beat an Alabama team, on any given Saturday, the ‘dores could beat anyone. Absolutely wild. I was watching a different game–I don’t even remember which this morning–when I saw that the score was 13-7 in the second quarter, Vandy leading, and I thought, what the hell and switched over to that game, and both Paul and I watched in stunned bemusement, riveted until the clock ticked to zero and the Vandy fans rushed the field, tore down the goalposts, and carried them three miles to throw them into the Cumberland River. I can only imagine what it was like to be a Vandy fan watching all of this yesterday.2 I do pity the new Alabama coach; he’s got a hell of a week to get through before next weekend’s South Carolina game (LSU comes back from the bye week to play Mississippi next week at home; the Rebs trounced South Carolina yesterday), but still have to play Tennessee, LSU and Oklahoma. They can still make the play-offs if they run the table, but I am beginning to wonder about that. Missouri was also beaten badly by Texas A&M yesterday, so now Texas is the only unbeaten SEC team still standing and there’s no telling who might run the table, who is good and who isn’t, and so forth. It’s kind of exciting, actually. CHAOS.
I did sleep late yesterday, got up and ran all over town and even went out to Metairie for my eye appointment (which has to be rescheduled; it was an on-line booking error), but was thoroughly exhausted when I got home from everything. I immediately started cleaning while the A&M game was on–no need to watch that thrashing, so it was mostly background noise. I did manage to get all the dishes done, and launder the bed linens, and pick up around here. The Lost Apartment looks better this morning, but I also need to finish assembling my desk chair, do some more cleaning up around here (the floors, the floors!) and hopefully do some reading and writing today as well. The Saints play tomorrow night (Taylor Swift has been rumored to be attending; so I imagine all day tomorrow local networks will have someone stationed at the airport to see if her plane lands), and the weather has been lovely since that sopping wet mess of a Friday we had here. I am glad to be up early this morning–clearly I needed to sleep in yesterday, and I was still easily exhausted, so I know I am still not at 100% yet…patience, Gregalicious, patience. You’re older and it takes longer to bounce back than it used to, and you’ve never had a major surgery before; it hasn’t even been a full year yet since the surgery.
I do have one errand to run today, and I should get it done this morning.
So, we decided to watch ‘salem’s Lot instead of watching the Tennessee game (which we should have watched, apparently; I never tire of watching Tennessee lose), and going into it, I knew that most of the King fans amongst my horror writer/reader social media friends didn’t care for it. As I watched the movie–which is a fairly competent vampire horror movie–I immediately saw what the problem with this film adaptation was going to be, and even understood why even the cheesy two-part television version with David Soul failed. I have always thought of ‘salem’s Lot as “Peyton Place with vampires, and that strength of the novel–the townspeople themselves, their relationships with each other and all the long-simmering feuds and gossips and pettiness–was the primary strength of the novel, as is its pacing: it begins as a slow building burn, and the momentum just keeps building. Everyone knows the story is about vampires now; it’s even a bit of an homage, in its own way, to Dracula–there’s even a scene in the book where Matt Burke reminds Ben of Van Helsing–but when I first read the paperback from Signet back in the fall of 1976 in Kansas, I had no idea what it was about. I just knew it was scary, it was about evil in a small town, and the writer was the guy who wrote Carrie, which I had read in one sitting a year earlier. So, I was enjoying how the town is originally shown, a small town that’s like every other small town, that idyllic vision of America that the right keeps forcing on us all–small town America is the real America as this Norman Rockwell painting/Mayberry like life, and it’s anything but that. (Small town America is the real America, but not in the way they mean–small towns are composites of the society as a whole, with percentage wise just as much crime, adultery, incest and passive-aggression as the rest of the country, no matter how much better they believe they are than urban dwellers.) That slow build, as we settle into Jerusalem’s Lot as a town like any other, with likable people and unlikable people whose dirty secrets King allows us to see; in the first half of the book it’s almost like reading Peyton Place; Jerusalems Lot even has the Marsten House as Peyton Place had Samuel’s castle (which was also the name of Allison’s novel in the book). Something dark is going on in the town, and just getting started, which we get glimpses of from time to time–a dog killed and left on the cemetery fence spikes; the disappearance of Ralphie Glick and his brother’s strange sickness and death…but it isn’t until Danny Glick shows up at Mark Petrie’s window do we know that it’s actually vampires, and then the entire book flips and no longer lazily meanders along on its assigned path; it then becomes a thriller that moves with the speed of a locomotive.
This pacing is what most readers like me (and I suspect a lot of others) loved the most about the book; I always loved the town-stuff as much as the vampires, honestly, but that kind of pacing is impossible in a film or a two-part television movie–you can’t have the first half be meandering and slowly moving along the path of the story, folks who have no idea what’s happening in their town and still aren’t entirely sure as the depopulation moves faster and faster, because you risk losing your audience. This was the problem with the David Soul version–the pacing was the same throughout, which isn’t the way the story reads. In this film version they chose to abandon everything from the story that isn’t about vampires, and to just make a standard horror film about vampires. On that level, the movie works. It’s a standard vampire movie that moves very quickly, just as the second half of the book does, but by cutting out all the stuff that made us care about the characters, we aren’t as vested, and when they die, we don’t really feel it much or care–every death in the book was a fucking tragedy, and so the movie is actually kind of soulless. We aren’t given enough character development to care when characters die. I think the only true way to film ‘salem’s Lot successfully, it needs to be a six or eight episode series to be done truly properly. There was hardly anything about the Marsten House in the movie, and that’s a significant change from the book. It’s just there, and we have no idea what kind of research Ben is doing for his novel or why he even came back. The loss of all the supporting characters that really made the book so strong can be felt deeply in the film. It’s just a competent vampire movie, but it isn’t ‘salem’s Lot, but I did like the big scene at the drive-in movie theater.
And on that note, I am heading into the spice mines. I want to get a lot done today, and here’s hoping that shall come to pass.
No one ever worries about losing to Vanderbilt; it’s usually seen as a bye for most teams because Vanderbilt has always been terrible in football; they’ve never won the conference in all the years of belonging, haven’t beaten Alabama since 1984, and are always cellar-dwellers in the SEC (one of my favorite things to remind people is that Senator Tatertown the moron lost to Vanderbilt as a football coach; now Kalen DeBoer will also have that distinction. What a wake-up call for Tuscaloosa, and how wild that it happened one week after Alabama beat Georgia, handing them their first regular season loss in 42 games. I mean, good for Vanderbilt, but whoa, what the hell, Bama? ↩︎
Vanderbilt always has more visiting fans in their stadium than their own fans; at one point I was in the kitchen washing dishes and would hear the crowd cheer, so would come take a look–they were Alabama cheers, and they were louder than the smaller contingent of Vandy fans there. ↩︎
John Copenhaver, one of queer crime’s latest (and brightest) stars recently (you should read his books, frankly; I am looking forward to his latest, Hall of Mirrors) wrote a brilliant essay on the concept of writing complex queer characters, and the artistic need to push beyond ‘gay is good’ messaging and not worrying about the question of role models which you can read by clicking here. I highly recommend it–it’s well thought, reasoned, and stylishly written, and the kind of thing I wish I could write.
But reading this essay made me think about my own work, the pressures I’ve had–either real or imagined–about representation and addressing social issues through the framework of queer people and characters, and made me think about the work I do from not only a creative view (which is how i always view my work) but from a cultural, political, and societal perspective. That’s not something I’ve ever really consciously done (“oh, let’s make this political“) but one thing I’ve never done is worry about how straight people might react to my work…primarily because it isn’t really for them that I write my books in the first place. If my work offends straight people that isn’t my problem, nor is their whining about how queer people see and perceive them…and it’s not like there aren’t millions of books designed as comfort reads for cishet white people. I’ve also never understood taking offense at a book. I’ve read plenty of books whose point of view I’ve neither understood nor care to; and I tend to not read anything that I think is going to either offend me or be antithetical to everything I read–I tend to avoid Westerns, international spy thrillers, and war novels, and mostly for the same reason I tend to avoid most cishet white male authors. Your work isn’t written for me, and I can’t imagine westerns to be not problematic1–likewise, I’m not interested in reading about toxic male he-men that are racist rah-rah-rah books to make white men feel better about themselves (you know who you are) and so I avoid covers that pretty much spell out to me what the contents are going to be–women who exist only to be beautiful sex toys, any gay characters are offensive stereotypes and usually die, and so on and so forth; I love my country in spite of its flaws, and that love is strong enough to bear critiques on our nation and the people who run it, so I don’t need to read fiction designed to make me thump my chest and scream AMERICA LOVE IT OR LEAVE IT at anyone who dares critique the country and its domestic and foreign policies.
If cishet white people enjoy my work, fine. If they don’t, well, as I said it isn’t intended for them in the first place.
first author photo
When I first dreamed of being a writer, it never occurred to me to write about gay characters or themes. I was a child, for one, and for another that child was terrified that anyone might figure out that I wasn’t one of the “normies”, and what I actually was inside was something they’d all view with contempt. When I was a kid I wanted to write a kids’ series, like Nancy Drew or the Hardy Boys, and even came up with multiple different ones that I wanted to write, and came up with a rather lengthy list of titles for the books (which I still have, because I’d still like to try this at some point before I die), and gradually moved on to wanting to write other styles of books as I got older and began reading more. My addictions to soaps, both daytime and nighttime, during the late 1970s thru the early 1990’s, had me looking at writing more about towns and large casts of characters, and I always wrote a murder mystery into my ideas for these Peyton Place type novels I wanted to write; I also wanted to write Gothic suspense novels, and Stephen King had me also wanted to write mainstream horror novels…and later on, I moved into wanting to write horror/suspense/crime novels for young people.
It wasn’t until I met Paul, and I found gay bookstores, that I realized I could write gay stories and themes and characters, and I decided I wanted to write gay crime novels, set in New Orleans, and so that’s what I set out to do, starting a novel called The Body in the Bayou, which I had already thought up as a series about a straight Houston private eye–so I made the main character gay and moved it to New Orleans. I threw out the first ten chapters within two weeks of moving here, and started over again.
Promo photo for my old training business
And then I found myself in the conundrum John talks about in his essay so brilliantly; is it okay to have queer characters be the bad guy? Do we have to write all of our stories and novels from a thematic viewpoint that ‘gay is good’? Do we as creators have a responsibility to the community to only present queer people as heroic, or can they be flawed or even bad?
Author photo from 2007
I’ve talked about this before–how the idea for the case in Murder in the Rue Dauphine came to me, and I also worried about how the book would be received because I was explicitly creating a case and a world where not all queer people were good people. It was inspired by a gay man who came to New Orleans, got involved in the non-profit world here, threw a bunch of money around, and then disappeared overnight as his house of cards was about to collapse, stealing a shit ton of money and owing everyone a lot of money. That was when I realized how we always are welcoming to other queer people and we can sometimes overlook red flags and warning signs because you’re working with another queer person. We tend to give other queer people the benefit of the doubt and more chances than we would a straight person…and I wanted to explore that in fiction. Shining heroes without feet of clay also aren’t fun or interesting to write about, either.
Gay isn’t always good.
Most recent author photo, and I definitely need a new one.
And we aren’t doing our readers any services by creating “perfect” characters, either. Neither Chanse nor Scotty is perfect (although Scotty’s definitely an idealized person, I have to admit, but he does have flaws and blind spots) and the main characters in my stand alones are often messy, sloppy people who need to get out of their own way sometimes. Those are the kinds of characters I like to read about–because they are human.
I also find gay criminality enjoyable to read. James Robert Baker’s books were like being slapped in the face; full of gay anger and revenge and bitterness about the homophobic world in which we all exist–but Baker’s messy characters are active; they want revenge on the world and by God they are going to get it. The Ripley books by Patricia Highsmith are magnificent. Christopher Bollen’s A Beautiful Crime was terrific with its messy gay characters perpetrating a fraud.
I think we relate to and enjoy messy criminal queers because they are so relatable to us. There’s no worse feeling than powerlessness, the inability to control your own destiny and life, and always wondering …is it because I’m gay? I’ve gotten angry about this any number of times during my life, and I have always wondered somewhat would this happen to a straight man? and the answer is always no.
But do read John’s article. It’s very well done and thought provoking, and I’m going to let it simmer in my head for a while longer.
Westerns would be a good discussion for another time, actually. ↩︎
Here it is Tuesday, and I am feeling okay this morning–awake and rested, if a little creaky (which is every morning these days)–and my coffee is really tasty this morning, which is lovely. I slept pretty well, other than the occasional sniffing/clawing/biting from Sparky, and I could have easily stayed in bed for another hour or so, but that’s okay. Functionality is perfectly fine.
We watched more Euphoria last night, and I have to say, we are really enjoying it. Nate is a monster, played beautifully (see what I did there?) by Jacob Elordi; but as wild and over-the-top as the show is, it’s also marvelously queer–and also shows the difference between a miserable existence that is completely a lie (Nate’s dad) to Rue’s unabashed, unquestioned bisexuality, and of course there’s a marvelous trans character as well, who is just as developed and three-dimensional and has an interior life as much as the others, which is terrific. Represent, HBO! I’m also a bit surprised that this show hasn’t been targeted by the right–drugs and sex and drinking and teenagers, oh my! But they never came after Gossip Girl either; selective outrage is never consistent, after all.
I did write some last night; it was all garbage, but at least it was something, right? Even as I was typing the words as they came to me, I knew it wasn’t any good. I had the voice completely wrong, and the words, which I’d intended to create a dream-like kind of mood (the way Megan Abbott does, so effortlessly), weren’t good either. It’s just a prologue, and it’s not the actual book I want to write quite yet, but at least it was something–and it was in my mind so much I couldn’t really do much of anything else until I got it out of my system. It’s only about 1500 words or so, and needs to be redone, but I can work on that while I work on these other stories I need to get taken care of. There’s a lot that has to go into this book, which is probably going to wind up being shorter than I had really ever thought about–it kind of needs to be, kind of quick and nasty and dreamy.
Now that I’ve finished Where They Wait (more on that later), I am going to go back to something I’d started before my trip, and then I have some others I’d like to get through relatively quickly; but I do have a three day weekend to look forward to; so hopefully I can get some other reading done, too. I know we are going to Costco this weekend–I need to make a list–and I also need to make groceries, but I’ll probably swing by the grocery store on my way home from work tomorrow since it’s Pay-the-Bills Day. I also want to get a lot of the apartment taken care of, so I can take books to the library on Saturday and I can also drop off the dry cleaning, which will be a lovely start towards making the living room look like a living room and not a fraternity dorm room.
I do continue to keep tabs on the Noah Presgrove case in Oklahoma; his autopsy report was finally released last week (why did it take eight months is another good question), and it’s brutal. I knew it was bad, but Jesus. He literally was beaten to death, and the injuries are horrific. I also became aware of another case yesterday–Tom Brown in Canadian, Texas–which is also weird, is also small town stuff, and Canadian isn’t very far from Comanche, Oklahoma…although I doubt the cases are connected, despite the proximity; poor Tom disappeared on Thanksgiving, and his remains weren’t found for almost two years. Skin Hollandsworth had done an eight-part series on Tom for Texas Monthly, which I will probably read over the course of the weekend. It also occurred to me last night that I have become obsessed with the murders of teenaged boys in rural America lately. But how many cases like this are there, where a teenaged boy (granted, Noah was nineteen, but that still counts) is murdered in a small town where everyone knows everyone, but no one knows who the killer/killers is/are? Come on, now. I’m not buying that for a second.
There’s no corruption quite like small town corruption, is there? That’s also uniquely American, I think, and tells quite a different story than all the “real America/Joe Sixpack” right wing bullshit they try to sell us, where every small town is Mayberry and good American values are still appreciated. Well, in my experience every small town is either Twin Peaks or Peyton Place, and if that defines America….well, we need to rethink that.
And on that note, I am heading into the spice mines. Have a lovely day, Constant Reader, and I’ll probably be back later.
Thursday morning last day in the office until Monday the 12th! GASP. But yes, I am meeting my dad in Alabama this weekend and then Monday the 5th we’re driving back up to Kentucky, from whence I shall drive back to New Orleans on Friday. I was very glad that I figured out that the trip hanging over my head was why I was a bit off this week, which was a very good thing to realize…I was getting worried about why I was off, you know? And at my age, sometimes (usually) it’s something. Sigh.
I went further down the Noah Presgrove mysterious death Internet wormhole, and the story just continues to gnaw at me. I also found a “Justice for Noah” Facebook group that is mostly people from the small town he was from (Comanche, Oklahoma) and the surrounding counties…and what a fucking gold mine that was, seriously. The town is only about 1300 people or so, and it’s a very rural area similar to the one where I grew up in Kansas. It was eye-opening, and a reminder of just how nasty small town/rural areas can be. The page is full of locals snapping and sniping at one another, accusing people of knowing more than they know, and when someone being called out responds to being called out, well, people go apeshit on them. One girl who was there telling people they had things wrong got buried with comments like “you were drunk so we can’t trust your memory” or “you’re in on the cover-up” and it’s wild how all these old hurts and resentments can come to the fore when something like this happens. I had been thinking about writing another book set in small-town Kansas (beyond the ones I’ve already talked about on here) called All Their Guilty Stains, but this story might be better than the one I dreamed up for that title.
That’s the “real America” for you, people. (Peyton Place and Stephen King’s Needful Things are excellent books about how stifling rural small towns can be, and they get the pettiness down perfectly. One of the reasons I love King so much is his ease at creating a realistic town with real people who basically harbor grudges and resentments until everything starts boiling over.)
But I definitely went down the wormhole with Noah’s murder/suspicious death last night; looking up podcasts and videos. And yes, I am well aware that I may not have even been interested in the story had the video that started the whole thing–a Banfield News report–not had a thumbnail of his senior picture and my first thought was that’s a very good-looking young man–he was possibly murdered? And then I went down the wormhole.
And of course, everything on the Facebook page I mentioned? You expect the family to of course talk about how marvelous and wonderful and kind he was, and that’s a lot of the posts on that page, too–basically, he’s been deified, and that American “don’t speak ill of the dead” custom often covers up all kinds of shit, and much as they like to believe they know everything about their kids, most parents don’t and are very surprised–as well as being in denial–about the deceased. I mean, no one is loved by everyone. And a good-looking star athlete in a small Oklahoma town? You can just bet there were kids with grudges and resentments built up over the years.
I felt good yesterday when I got up, as I do this morning, and I got a lot done at the office…but I started feeling tired and sleepy in the late afternoon. I had to also run errands on the way home (Sparky needs his treats!) and picked up my copy of The Dusk, a graphic novel co-written by my friends Elizabeth Little and the wonderful Alex Segura. I also had a royalty check waiting for me (huzzah!) and, of all things, a fan letter forwarded to me from Crooked Lane. I wasn’t really quite sure what to expect–the last time someone wrote me a letter it wasn’t exactly a fan letter, and I’d actually forgotten how nice that feels. I just glanced over it because I wanted to read it sometime when I could savor the ego-boast; which is something I’ve been needing, writing wise, for a long time. And you know what else it did? It kicked my fucking mind into gear. I’ve been struggling with this book I’m writing for a long time now, and it’s certainly taking me longer to write a draft than it usually does. Part of the problem was I couldn’t figure out the over-all point of the book, which I realized last night; there’s always got to be an underlying point to the story that I am trying to illustrate through the main character. It’s a satire of state-sponsored homophobia, and I of course created a homophobic group leading the armies against drag queens, transwomen, and queers. But that wasn’t personal, and that was why I wasn’t having as much fun writing it and why I was having so much trouble with this book. Last night, as I sat in my chair, digesting a gushing fan letter and Noah Presgrove’s murder/suspicious death, I started thinking about this some more and then it hit me: I need to know Jem’s personal story/growth through this book and it punched me right between the eyes–so much so that I scribbled it all down in my journal and hopefully, I can get back to work on this sooner rather than later.
And on that note, I am heading into the spice mines for today. Have a great Thursday and I may be back later.
So, are you ready for some MORE blatant self-promotion?
During the Bold Strokes Book-a-thon, the other panel I was on had to do with writing young adult fiction (the other panelists were amazing, I might add), and once again, I am answering the questions sent to us by the moderator to turn into an interview with JUST me (because it’s all about ME ME ME) but I do urge you to seek out the video of the panel. It was terrific, and I was definitely the most uninteresting person on the panel, seriously; this is NOT self-deprecation. (I bought everyone’s books during the panel, I might add; definitely check out Lauren Melissa Ellzey.)
What is the definition of Young Adult? How does it differ from other genres?
I think it’s primarily an age distinction, to be honest, which is something that always makes me uncomfortable. Growing up I read far above my age level; when I was in seventh grade I was reading at a college level, per the tests and so forth. I mean, I did read The Godfather when I was ten; my parents, despite their conservative religious beliefs and values, let me read whatever I wanted without having to ask permission–I think when I asked Mom if I could read something the last time she replied “Read whatever you want, I don’t care” and after that I never asked again. When I was a kid, there was no such thing as young adult; everything was either for adults or “juvenile.” The juvenile category contained multitudes, beginning with the Little Golden Books and picture books to kids’ mysteries to Judy Blume. I think sometime in the 1980’s the genre was separated into “juvenile” for kids 8-12 and “young adult” for 12-18.
But there are kids like me, who can read above their age/class level and others who can’t read at their age/class level, and I think in some ways that differential could be harmful for those who are below-average readers–reading is the most crucial aspect of education, because if you can’t read…and no matter how many ways they try to make the language around slower readers more accepting and less stigmatizing…it doesn’t really help kids to be told they’re below average or not as smart or quick as the other students. (One of my primary problems throughout my education is I would understand something the first time, while others inevitably didn’t, and as the teacher explained for a second or third or more time, my ADD would kick in and my mind would wander because I didn’t need to listen and then wouldn’t be listening when the teacher moved on.
Ah, well.
Oh, and all subgenres of fiction also have the middle grade/juvenile and young adult sub-sub-genres.
Why or how did YOU choose YA?
I don’t know that I chose y/a so much as it chose me.
I started writing when I was a child (all my childish scribblings are lost to moves and time passing), and I wrote about kids my age. My first attempts at writing were always some kind of kids’ mystery series, a la The Hardy Boys and The Three Investigators (I’d still like to do this, frankly), and when I became a teenager, I started writing about teenagers. I wrote a bunch of short stories while in high school about the same group of kids going to the same high school. Those stories slowly but surely grew into a sprawling, handwritten novel about the county with plots and subplots and main characters and minor characters and all of this history; a “Peyton Place in Kansas kind of thing”. I worked on it for like five years, and eventually had this enormous sprawling mess that needed to be revised and rewritten and typed…and since I didn’t know how to type, made that part of it a problem. So I shoved it into a drawer and started pulling from it rather than revising it; taking out plots and characters and using them in other books and other stories.
After I finished that, I spent the next five years mostly working on short stories. I started another book, more horror than anything else, but never got further than the third chapter. I finally decided to write a horror novel built from my old manuscript and those short stories from high school. I was about three chapters into it when I discovered two things: there was a big market in y/a horror at the time (Christopher Pike and R. L. Stine were HUGE during this period) and so I bought some of them. When I finished, I thought, “You know, I should turn Sara into a y/a novel” (because I thought somehow that would be easier? Foolish, foolish rookie) and so… I did. I was right in that thinking of it in those terms made it possible for me to finish a draft, but I wasn’t very happy with it so I put it aside and started writing another one, Sorceress, which was also horror but also had some strong Gothic moments in it. When I finished that one, again I wasn’t pleased with it so I started another–Sleeping Angel–which was the one I thought really had potential. I never finished that draft–by this time I’d discovered that gay fiction and nonfiction existed, so I started reading that and trying to write about gay characters instead.
Those manuscripts remained in my drawer for well over a decade, until a friend of mine took a job as a young adult acquisitions editor, and she wanted to work with me. I told her I’d written three (although it was technically two and a half), and gave her a brief synopsis of them. She liked Sorceress the best, so I started revising and editing it and turning it into something publishable. Once it was all done, she’d left that publisher, but started her own small press for y/a books for underrepresented teens, and she wanted to launch the press with Sorceress. I said “okay” and we were off. I eventually realized I needed to let Bold Strokes know, and when I did, I got an email back saying you know we do y/a, too? And so I sold the other two to them, and have never looked back since then.
Are there specific rules for writing YA (things you can’t do)? Does Bold Strokes add on or impose specific or additional rules?
I don’t pay too much attention to rules, frankly. There’s no graphic sex in my books, but it’s hinted at. I also try to swear less in young adult books than I do in adult fiction, which is probably not as big of a deal as I think it is? The society I grew up in was a lot more puritanical–believe it or not–that the one we live in today. So I always default to that setting, and then have to shake it off. Swearing isn’t as big of a deal as it used to be. No one thinks they’re marrying a virgin anymore, and on and on. And having been attacked for daring to accept an invitation to speak to queer high school students, I tend to tread softly. There have been a couple of times where I’ve had to change language, or how a scene went, because my editor thought it might be problematic; and frankly, I never want to be offensive, so I have no problem with it. I don’t see it as a free speech issue the way so many intentionally offensive writers claim it is. I shouldn’t take offense to someone calling me a faggot? Grow the fuck up. The so-called free speech “crusaders” are always defending hate speech as well as trying to shut up the people who find it objectionable. You do not have a constitutional freedom from consequences or getting a negative response to things you say and do, period. It’s really not hard to understand unless you want to be passive/aggressive and childish and a moron.
How do you remember back to these days, specifically how it felt or feels? (this is coming from your moderator who is much older than you are)
Well, for one thing, I’ve always kept a journal and I still have them all. (I was insufferable when I was younger, seriously.)
My sister has a theory that we forget a lot of the pleasant memories from our childhoods, but remember the traumas in great detail. I believe the truth of that, because school was a nightmare for me from the day we moved to the suburbs until I was done with it. I remember how it felt to read Greg Herren sucks cock on a desk at school. I remember how it felt to be mocked, laughed at, and bullied by assholes. I do remember the good things, though I tend to always focus on the bad.
The first thing I always do is abandon whatever “wisdom” about life I’ve theoretically learned since leaving high school, and put myself into the teenager mindset: they think they are the main characters in everyone they know’s story, and everything is the end of the world or their life is ruined and you are the most horrible parent ever! I’m not entirely sure I’ve escaped thinking that way, to be brutally honest: I am horribly selfish.
How do you come up with your characters? Your stories?
I am weird in that I inevitably always start with a title. I hear something or read something and think, that would make a good title. The next question is what story would fit that title? And it kind of goes from there. The title may change, the character names and story might change and evolve, but I can’t write anything that doesn’t have a title. Bizarre, I know. Usually with my young adult stuff it’s an idea I’ve had for a number of years and finally decide to explore whether it’s a novel or a short story, and go from there.
Dark Tide was originally called Mermaid Inn, Bury Me in Shadows was originally Ruins, but the others pretty much stayed the same from beginning to end.
I wrote #shedeservedit because I was angry about the Steubenville/Maryville rape cases, and remembered stories and gossip from when I was in high school and college…and rethinking them through a more evolved brain about women and misogyny… well, it made me angrier. I had already planned on writing a story set in the same town with the same characters and opening with the same murder (I always referred to it as “the Kansas book” for years), but the motive was something I always had trouble grounding in reality. After those cases…it clicked in my head. You need to write this story about small town misogyny, protecting the star jocks from the girls at all cost, and make that the plot. It was easy to write because I was angry. Making it a compelling read was harder, because the subject matter was sickening to me.
I needed to write that book, and I don’t regret doing it, either…but it’s not exactly a feel good story people can escape into, either.
Why do you think YA is so popular?
It’s more accessible, I think. I mentioned reading ability before, and I do think that most readers aren’t into the Great Literary Tomes, hundreds of pages of beautiful writing with no real point or story. People kind of want to escape their cares and worries, and y/a books tend to be really entertaining. We’re competing with phones and tablets and streaming, so we need to write entertaining and engaging books.
Any specific must do-s or must-haves to get your writing each day?
I’m not nearly as anal about that as I used to be, before I returned to work full-time. I am very aware that I have little time to waste when I write, and thus must seize whatever opportunities to write show up. But if pressed, coffee. I can’t write unless I’ve had coffee when I got up.
I think this is all of them, but I could be wrong.
It is very bright and sunny this morning; it was in the seventies yesterday but took an alarming dip over night. It is currently forty-three degrees outside, with a forecast of a high of merely fifty-six. The weather? She is bipolar in New Orleans in the winter, and we never really know what to expect from day to day. I’ve also realized that my mom also became obsessed with the weather when she was older, and I now check it every morning when I never really did before.
I had thought I had more to do today with the Bold Strokes Book-a-thon; but I was wrong–it’s next weekend that I have three panels on Saturday. Today is just a reading, and I’ll be reading from Mississippi River Mischief, of course, since it’s my most recent release from them. Other than that, I’ll be spending the day cleaning up and writing and doing things around here. I did get a lot accomplished yesterday–not as much as I had hoped or wanted, of course, that never happens–but I feel better about things around here now than I did before. I think I still haven’t gotten my stamina back yet, which is going to probably take a hot minute anyway right? I start strength PT on Monday, which should be exhausting. I did sleep really well last night, which was terrific; I really cannot get used to sleeping so well every night. I mean, I can, but feeling so rested when I get up every day rather than tired and groggy has been marvelous.
I spent some time with Tara Laskowski’s marvelous The Weekend Retreat last night and will definitely try to finish it today, if I can. It’s quite excellent, and is kind of a master class in both point of view and how to structure a novel. There are three point of view characters (four, if you count someone who is merely identified as “the weekend guest”), and the three women she uses are very different and the voices she’s created for them are distinct and unique. It’s very well done, and it also follows the structure of four that I’ve often noticed in novels–three that are in the same generation and whose lives are entwined, along with another who is not (Valley of the Dolls, Peyton Place, The Best of Everything, Class Reunion)–the list of books that follow that plot structure are countless, and something I’ve always wanted to write about. Anyway, Tara’s book is terrific and I am looking forward to spending more time with it this weekend.
We also watched this week’s Reacher last night, and we’re both a bit amazed at how different this season is from the first; but the books often were very different from each other. Sometimes they were intimate stories, sometimes they were action-adventure romps with very high stakes. Alan Ritchson is simply perfect as Reacher, and he has a very strong supporting cast in the season, but the dialogue is a bit hackneyed, cheesy, and clichéd at times. The action sequences are fantastically shot and choreographed, though, and the story is pretty good.
I also started watching the original BBC miniseries of Brideshead Revisted, which I’ve never seen, and I also got a copy of the book, which I’ve never read…but have become more interested in them both since watching Saltburn and seeing it compared to Brideshead. I’ve been sorting my thoughts on Saltburn since watching and enjoying it, which means it obviously had an impact on me and stimulated me intellectually. It’s been a long time since I’ve seen a film that has engaged my mind and my knowledge of film and novels so thoroughly.
Sparky also wreaked havoc on the kitchen again last night while I slumbered, so there’s some picking up that needs to be done, and since the kitchen will again be the background for my reading, I should probably work on clearing the counters and the dishes and all that; of course, I imagine Sparky will make an appearance during the reading, too, since he is very determined and doesn’t take no for an answer (at least for the first five or six times he is told no).
I also need to run a couple of errands today so I won’t really have to leave the house again other than PT until Tuesday morning. I love when I don’t have to leave the house, seriously. To me, that’s the real appeal of retiring–not having to leave the house every day.
Hmmm.
And on that note, I am heading into the spice mines. Have a marvelous Saturday, Constant Reader, and check out the Bold Strokes Book-a-thon if you have time!
Thursday, and I am so relieved that the recovery is going well, and that I can actually start fending for myself. The brace isn’t rigidly locked anymore, and I have a lot more freedom of movement–plus I no longer need that wretched sling, which I hated, and I am no longer attached to anything. Granted, I haven’t been since last Friday, when the pain ball1 was removed Later this morning I am calling to make my first PT appointment, and another referral to follow up on as well. I also slept in my bed last night for the first time since the surgery. I was sleeping super-well in my easy chair, and was a little worried about going back to the bed (I will worry about anything, thanks, anxiety!) because I usually sleep on my left side–which is the bad arm–but I fell asleep lying on my back and shifted to the right side and back a couple of times, but other than that, I was dead to the world. I also slept for another ten hours last night, and I am thinking that I need to get this rest. My body is demanding it, and it feels marvelous to sleep so deeply and restfully–this is what I am always longing for most of the time….but I’m not going to start going to bed at eight once I am back to work because yeah, that would be terrible.
I took it easy yesterday after getting home from my appointment and a couple of errands. The temperature has turned cold (for New Orleans, don’t @ me), which always makes the apartment feel a bit more snug. I did some straightening up, took a long hot shower (still not easy, but so much better than before), and then curled up in my chair with Sparky and J. D. O’Brien’s Zig Zag, which I enjoyed very much (more on that later). I’m still trying to figure out a way to comfortably type with the brace, which isn’t as easy as one might expect. because the brace raises the hand so it’s not flush with the keyboard. It just feels awkward and so I need to find a position to type that doesn’t feel awkward–or I need to get used to it. I don’t know that I’ll have the brace on long enough to worry about Carpal tunnel syndrome, but you know me–anxiety always on the starting line waiting for the starting gun. We also finished watching Bodies, which I also highly recommend. It’s extremely well done, and very clever. If you liked Dark, you’ll definitely enjoy Bodies. I haven’t picked out my next read yet, but I have some incredibly delightful options to choose from. Yay! I love having a massive TBR-pile filled with terrific books by great writers. I am leaning towards Christmas Presents by Lisa Unger; I do want to read some holiday themed novels this Christmas season.
Christ, it’s Christmas season already. I may have to have my annual viewing of A Charlie Brown Christmas soon. I feel more like being in the holiday spirit this year. We haven’t decorated in years (and what little decorating we did was kind of half-assed, anyway) because the one thing Scooter would–in his long, comfortable life as a lap cat–actually spring into action against was the tree. That first Scooter Christmas was the last time we decorated, and I feel pretty confident that Sparky would see the tree as an amusement park, since everything is a toy to him and all he wants to do is play. I didn’t notice until the other day–and maybe it’s a recent development–but Sparky has some orange in his coat. It’s more obvious when he’s lying on his back, but we did end up with another orange cat, even though we didn’t realize it! The string of orange babies continues!
I was also thinking some more yesterday about being a writer–and the many different ways there are to be one. What is the difference between an author and a writer? Are authors artists? What is literary art and what is not, and who decides? Can genre fiction be art (of fucking course)? This was triggered by one of those things on one of the social media platforms where you were supposed to “quote text” my favorite books by women, and right off the top of my head I rattled off five great ones…and then I started remembering more, and more, and still more. I’ve read hundreds, if not thousands, of marvelous novels and short stories and essays and columns written by women. Why were those the five that popped up into my brain at first, why are they so implanted on my brain that I would come forth with these titles; any such list from me will always include The Haunting of Hill House by Shirley Jackson and Rebecca by Daphne du Maurier, and I will never apologize for that. Which left me with only four, and there were so many options. My mind immediately defaulted to four women writers I love, and then had to pick which of their canon was the best. Then I remembered a beautiful novel about friendship, love and loss that made me weep (Somewhere Off The Coast of Maine by Ann Hood) and thought, damn it, I loved that book and I want it on my list…and then started remembering all the others, the dozens if not hundreds, of other women writers whose works entertain, enlighten, and edify my life. There are so many great women writers, currently and in the past, who wrote so many amazing books that it would be hard to name them all, and I would certainly always forget scores of them. For some reason yesterday I was thinking about Taylor Caldwell–who used to write massive doorstopper books about rich people and industries, as well as interesting historical fiction. If remembered at all today, it would probably be for Captains and the Kings, but that wasn’t one of my favorites of hers–that would probably be Testimony of Two Men, which was about medicine in the late 1800’s and a courageous doctor who believed in modern breakthroughs rather than “we’ve always done it this way”–so of course the entire medical establishment was trying to ruin him as he bravely stuck to his principles and tried to modernize American medicine. I would probably hate it if I read it today for the first time–my politics, ethics, morals, and tastes have dramatically changed since I was a teenager, which was when I read Caldwell–but I do remember it fondly. And there’s Grace Metalious, who wrote Peyton Place; Jacqueline Susann and Valley of the Dolls; Jackie Collins and Hollywood Wives; any number of Agatha Christie novels–I mean, there have always been so many great women writers around. Does anyone remember Rona Jaffe? I’ve always wanted to reread The Best of Everything, and I think I have a copy of it somewhere. Then there’s the scifi/fantasy writers, too–Anne McCaffrey and The Dragonriders of Pern, Ursula LeGuin and A Wizard of Earthsea, the amazing Octavia Butler….as I said on whatever social media platform that was, I could sit here and name women writers who wrote books that I loved all day. Victoria Holt, Mary Stewart, Phyllis A. Whitney, Dorothy Eden, Susan Howatch…seriously. Maybe I should write a book of essays about women writers that aren’t remembered much today? ANYA SETON! How I loved Anya Seton back in the day–and all the crime women–Margaret Millar, Charlotte Armstrong, Dorothy L. Hughes, Mary Roberts Rhinehart, Helen MacInnes, Patricia Highsmith, and Mignon Eberhard, to start.
I bet no one else remembers Edna Ferber–and if they do, it’s for Giant and it’s because of the movie (many of her books became famous films: Cimarron, Saratoga Trunk, Show Boat, and So Big). Now that I think about it, I think she addressed race issues in both Saratoga Trunk and Show Boat….which may be worth revisiting. She was also a member of the Algonquin Round Table.
This entry sounds and feels more like me than the more recent ones have, doesn’t it? I am itching to dive back into the book this morning, after I pay some bills and do some other aggravating chores. I also have a prescription ready to pick up; so since I have to go to a Midcity pharmacy to get it, I may as well make a grocery run on Carrollton.
I didn’t realize what a difference sleeping in the bed would actually make, really.
And on that note, I am heading into the spice mines for the day. Have a blessed Thursday, Constant Reader, and I’ll check in with you again a little later, as I really need to do a lot more promo. OH! That reminds me, here is a lovely review of Mississippi River Mischief; check it out! That absolutely made my day–and reminded me that I need to do more self-promotion.
I had a contraption attached to my left shoulder that dispensed a nerve-deadener to the arm, so I wouldn’t feel pain. It lasted for 72 hours, and by the time it was empty, I didn’t have any pain, which was great. I also had to carry it around in basically a fanny pack, so it was one more thing I had to drag around those stressful first 72 hours. However, if you are going to have surgery, ask for one. It was amazing. ↩︎
As Constant Reader is aware–because I am nothing if not repetitious–I spent ages two to nineteen in the midwest, and the last five of those in rural Kansas. I’ve blogged endlessly about it, have written several books set there, and often blame (some of) my emotional scarring on the experience. It’s one of the reasons that stupid fucking song from earlier this year (“Try That in a Small Town”) was so ridiculous and offensive; yet another tired round of ammunition from people who equate cities with evil and rural life with purity and goodness–to which I always say “Someone’s never read Peyton Place, let alone lived in a small fucking town.” Big cities certainly don’t corner the market on crime and sin and lawlessness; small rural communities can be just as vile and horrible as any metropolis.
Shirley Jackson didn’t set “The Lottery” in Times Square for a reason.
There’s an entire essay to be written about the moral rot of the Bible Belt and rural America–and make no mistake, rural America is every bit as corrupt, sinfully evil, and dangerous as the worst neighborhood in any big city–but this is not the time, as I am here to talk about this marvelous novel I read very quickly last night.
“Can you see me?” Cole yelled over to them. He was standing on the south shore of the reservoir, barefoot and facing the water. He looked like he was thinking, but Janet knew better. The scrunch in Cole’s expression came from trying to keep his belly in a six-pack.
“I’ve got you,” Victoria yelled back as she framed her brother. She was using his phone and struggling with the device. “How do you zoom on this thing?” she asked as she shuffled to the edge, not looking at her feet and focusing on Cole. Janet could see a pink stamp of tongue at the corner of Victoria’s mouth as she tried her best to get the shot her brother wanted.
“You’ve got to be in portrait mode when you go live.”
Janet meant it as a polite pointer, but as the words came out of her mouth, they sounded like a dig. SHe didn’t mean it to be a dig, but she couldn’t help it, either. Her tone was why people thought she was such a bitch. Her tone and that she kind of was. Whatever–it was fun to watch the sheep quiver.
I don’t remember how Adam Cesare and his y/a horror thriller Clown in a Cornfield first came to my attention; if it was a suggestion from a website or if I saw someone talking about it on social media or I don’t know where, but I am very glad it did. The book is absolutely right up my alley–young adults, horror, small town Midwestern America (you know, “the REAL America,” right, Sarah Palin?), and terrifying clowns. I’ve never been afraid of clowns–although many people are, and I can respect that. The white greasepaint, the garish hair and eye make-up, the clothes–it’s not hard to see how something intended to entertain children (remember, fairy tales in their original form are horrifying) can easily become something that is absolutely terrifying. John Wayne Gacy, notorious serial killer who preyed on children, worked as a clown for kids’ parties–which is very unsettling, and of course, who can ever forget Stephen King’s masterclass of clown horror, It? Killer clowns have become kind of a cliché…but they still work.
Clown in a Cornfield works on its basic surface level–it’s a scary story that reads quickly and raises the adrenaline and is chockfull of surprises and twists; like the novel version of a slasher movie. (Something I’ve always wanted to do, frankly.) It takes place over the course of a couple of days, and is set in the small dying town of Kettle Springs, Missouri, where main character Quinn Maybrook and her father have just moved from Philadelphia; it’s hinted early on that the tragic death of her mother is why they moved during her senior year: a fresh start in a wholesome rural small town in the REAL America…which turns out to be all too real. The town is dying because the corn syrup processing plant shut down, and the town is losing population. The above few paragraphs are from the prologue–which sets up the rest of the book. There’s a tragic death at the reservoir that day, which changes the kids and changes the town–as though they’ve finally crossed a line they were dancing very close to the edge of and there isn’t any turning back.
The willful and wild teens of the town have planned a surprise during the Founders’ Day parade which Quinn witnesses when the prank goes haywire, and she learns there’s a lot of anger directed at the town’s teenagers–the kids from above who have a Youtube channel where they film themselves playing pranks on people around town–and the idea is that the pranks have become dangerous and the kids are out of control. The next night there’s a party out in a cornfield, and that’s when the corn syrup company’s mascot, Frendo the Clown, shows up with a crossbow and the body count starts to rise.
I really enjoyed this book. It was well written and works very well on all of its multiple layers, from the basic story which is well paced and exciting, to the layers of social critique, satire, and politics that it also manages to be. I found myself caring about the main characters and rooting for them, and while I saw one major surprise coming way ahead of time, there were a lot of other shocks and surprises along the way that made up for the telegraphing.
There’s also a sequel now, and I am looking forward to the second installment. I think you’ll like it, too, Constant Reader, so give it a whirl–thank me later.
Queer and Loathing in America 