Tag: John Copenhaver

Elizabeth Taylor

Did you miss me this morning? I had to take my car in to get it serviced (and was informed of things I’m going to need to get done soon), and then I came home to pack and run some errands. That’s all done now, and I am waiting for a podcast I am appearing on to promote Crime Ink: Iconic with Robyn Gigl, John Copenhaver and Marco Carocari on Alan Warren’s “House of Mystery” show, which should be fun and interesting. I don’t know how long that will take, but afterwards I am loading the car and driving north. I think I remembered to pack everything I need and if I forget anything, well, there are stores and things up there. I don’t have any writing to take with me on this trip, which is very weird–I am always writing something, it seems like–but I’m still decompressing from turning the book in (it needs work, I already know that) and so I am just going to let my mind wander for a while and scribble down ideas and start thinking about things I want to write and do. I am also thinking I probably won’t finish this before I leave, as I am loading the car the minute I sign out of the podcast.

Yesterday was an easy day of literally doing nothing other than picking up the mail and a prescription. I did nothing other than read The Haunting of Hill House and mostly think about how brilliant it is before going down some wormholes on Youtube–reviews of Hill House, some news, and some history documentaries about the Batman comics and their evolution over the years as well as the character changes. I did love comic books when I was a kid through being a teenager, and have occasionally dipped back into that world periodically as an adult (I really wish DC would let me write Nightwing, or revive Will Payton as Starman–or as another hero), so I find it interesting to learn about their history, and how the characters developed–as well as what outside influences impacted the characters. I’m not a comics nerd, but I do appreciate the art form and the creators, and am never averse to learning more about things I enjoy.

Well, it is now Friday afternoon and I am in Alabama, resting. Obviously I didn’t finish this entry before I departed, and am only now getting around to it; and it may not even be finished this time, either, LOL. I drove up here after recording the Housse of Mystery podcast, and that is a very helpfully placed link to the recording, which consists of Al Warren interviewing editor/contributor John Copenhaver, Robyn Gigl, and Marco Carocari. And me, of course. This was about the Crime Ink: Iconic anthology John edited and is freshly available at all your favorites places you select your reading choices. I’ve not had time to read it yet–that whole finishing-the-book thing–but am looking forward to digging into it sooner rather than later. I got here very late (for me)–nearly ten, my bedtime, and yes, I was very tired. As I drove through the dark night of rural Alabama, I kept getting a bit spooked and having deja vu and thinking, when have I ever driven through rural Alabama at night by myself before, which gradually morphed into I should memorize how it looks and feels to do this so I can write about it so I started describing the pines and the hollowed out hillsides the road cut through and when I pulled up to a four-way stop, I started laughing myself because I finally remembered; that was a passage in Bury Me in Shadows, and one of the creepier parts of the whole book!

Glad to confirm that I got that right.

Anyway, I was exhausted when I finally got here, and got up early yesterday to ride with Dad down to south Alabama–a lengthy round trip–to see family and was again exhausted last night–so exhausted I sat down here at the desk to try to check my email and I fell asleep! I woke up at two in the morning with my face down on the desk resting on my folded arms. I’m still tired today, so Dad is visiting friends while I rest here before we go to his old high school’s Homecoming Game–which is going to be strange for me, obviously. Dad and Mom used to come down for reunions fairly regularly until she started getting too sick, so he’s been back for games before. But for me, it’s a new experience. I’ve not been to a high school football game since my youngest nephew graduated high school, which I think was before Hurricane Katrina, and I’ve certainly not been to a rural high school game since I graduated high school myself. So, yes, I need to pay attention and notice things, because a project (one of many) I hope to finish over the next year or so opens at a high school football game. (I’ve also been thinking about some small town y/a horror/mystery novels lately, and thinking about writing another soon.) It doesn’t hurt that I’ve been thinking about slasher movies lately (Halloween Horror Month, remember?) and listening to Adam Cesare’s Clown in a Cornfield 2: Frendo Lives! in the car (which I am really enjoying) has also put me in mind of writing a slasher novel. I am not working on anything until everything is over with the new one–edits, copy-edits, and proofing–but it never hurts to spend some time in my head thinking about stories and characters and subtexts and intertwining subplots and stories.

I also read about half of Chris Grabenstein’s The Hanging Hill in the car yesterday. It’s a middle grade novel, but engaging and a bit funny, too. It’s easy to see why he’s so popular with kids.

I think I am going to go lie down for a bit. I’ll be back later, I am sure.

Well, I never came back to finish this, did I? Friday night’s Homecoming game ended well for the home team (they won 64-6), and then Saturday Dad and I watched football games. I was delighted LSU won, but wasn’t impressed by how they played. We watched the Alabama game with Missouri first, went to eat during the afternoon games with my uncle, and got back in time for the night games (we had the Auburn-Georgia game on the television while I had the LSU game on my new phone–and the picture quality was amazing). I have never seen such horrific and biased officiating in my life as I witnessed in the Auburn-Georgia game, and that team of officials and the replay idiot in Birmingham all need to be fired and horsewhipped, frankly. They blew so many calls–the so-called Auburn fumble was either a touchdown for Auburn or a touchdown for Georgia, not a touchdown for no one, for one example–that I wouldn’t trust them with a flag football game for children.

Sunday we went to Mom’s grave and put out flowers, and then I drove home…and Sparky was very happy to see me once I did.

So, this post should technically be read before this morning’s, but…so it goes!

Love American Style

Monday and it’s back to the office with me. This weekend is Labor Day, which also means it’s Southern Decadence in the French Quarter, which used to be one of my favorite weekends of the year–when I was younger and had more stamina and staying out all night didn’t put me into a coma for a week. I’m enormously pleased to have an extra day off this weekend, and then of course the week after that is Bouchercon. I am not registered, and am only seeing people I want to see. I used to get excited for Bouchercon as much as I’d get excited about Decadence, but alas–those days have passed as well.

And if my last Bouchercon was San Diego, that’s an excellent one to go out on. I had such an amazing time at that one…it would be hard to top that weekend.

I am sure it will come as no surprise to anyone that I didn’t get much done yesterday despite the best laid plans of mice and men. Paul’s trainer cancelled at the last minute, and so I ended up hanging out with Paul (which is always my choice if it’s an option) while I tried to get some things done. I did make some progress, but we wound up getting sucked into the US Open for most of the day. And of course there’s an entire day of college football this Saturday, capped off with LSU at Clemson in the evening. Everyone is predicting LSU to lose, and given the Tigers haven’t won a season opener since Joe Burrow graduated…I can understand the mentality. I’ve no doubt Clemson will be good this year, and I have no doubt that playing at Clemson isn’t easy.

I do feel rested this morning, I have to say, and that’s a nice feeling to wade into another Monday and a new week. I don’t like being tired on Monday mornings for obvious reasons…and I also have a lot to get done today at the office. No worries, since I am not client facing today so I can get a lot of the Admin work taken care of today and be caught up, which is always a rather nice feeling. I also need to update and rewrite my to-do list, which I also need to keep referring to–at least ONCE a day, as opposed to my usual “make the list and never look at it again,” which is highly counterintuitive. Heavy heaving sigh. And some of the things I have to do this week are absolutely things I don’t want to deal with. Ah, well, tis life, isn’t it?

The weather was insanely beautiful this past weekend; that cold front affecting most areas north of here dropped the temperatures into the 80’s and also displaced the humidity, so it was sunny and gorgeous with cool breezes everywhere. I walked to Walgreens yesterday and didn’t even break a sweat–not even my socks got damp. It’s going to be more normal this week, they say, with the humidity coming back with a vengeance so it’ll be a sweaty Decadence this weekend–which of course is a tradition; everyone drenched in sweat and their brief attire plastered to their bodies. If I could still park at the office on Frenchmen Street, I might even drop by down there this weekend just to refresh my memories of what Decadence is like–or see how it’s different from the last time I went down there (pre-pandemic) or how little it’s changed.

I taped a radio/podcast yesterday morning with host Dan White (who is always fun) along with friends John Copenhaver and Robyn Gigl yesterday morning to help promote Crime Ink: Iconic, which is releasing on September 2nd, next Tuesday to be exact. I was very pleased to hear nice commentary on my story yesterday, and that gave me some high hopes for the future of Never Kiss a Stranger, should I ever complete the damned thing. I also have to pick something out to read for Noir at the Bar next Thursday…it would probably be smart to read from my story from the anthology, but it’s not really noir. I am leaning towards reading “This Town” again; I’ve only read it publicly once, and why not? I am proud of the story and it does lend itself to being read aloud.

And on that note, I am heading into the spice mines. Have yourself a merry little Monday, Constant Reader. I’ll be back tomorrow!

Michelangelo’s David’s hand. Stunning, isn’t it?

Rhinestone Cowboy

Tennessee Williams is kind of responsible for my career, in a very indirect way. Sounds impressive, doesn’t it? But it’s true, even if he had been dead almost two decades.

When we first moved to New Orleans, Paul got a job working for the Grants Director of the Arts Council of New Orleans, and at that time, the Tennessee Williams New Orleans Literary Festival had an office in the Arts Council’s suite. Paul got to know the director, and he convinced me to volunteer with him at the 1997 Festival…which was my introduction to the world of the book/writing festival/conference. I had the best time. That first year I met so many authors, and they were so kind and lovely. I volunteered again the next year, after Paul was hired part time (he left the Arts Council), and that was the year I met the author who would offer to mentor me. Three years later, I had a book contract and had sold some short stories and there was no turning back for one Gregalicious at that point.

So, yes, Tennessee Williams had a hand in the establishment of my career as a professional writer. I began reading the plays again, and started using quotes from them as epigraphs for my books.

It was a no-brainer when John Copenhaver asked me to contribute to this anthology to write about Tennessee Williams, even if it wound up being kind of peripheral to the story itself. The anthology is up for preorders everywhere, or you can preorder from Bywater here.

There was a little brass plaque on the next to the table the host showed me to.

The plaque was below an enormous tinted picture window looking down Dauphine Street. Engraved on the face were the words “TENNESSEE’S TABLE.” The host offered me a menu as I sat in a chair facing the door, placing another down on the setting across from me. “Why Tennessee’s Table?” I asked. “Are there tables for Alabama and Mississippi, too?” 

I was joking, but in my two months in New Orleans thus far I’d found there were historic markers pretty much everywhere you looked. The others explained why the place was historic, but this one had no explanation, no words in smaller type below explaining why it was there.

This meant there was a story behind the plaque. I was also finding out the city had a story about almost everything.

His grin exposed a chipper incisor. “Tennessee is for Tennessee Williams, the playwright,” he explained, adding, “He loved the Quarter Scene and had lunch here every day he was in town. This was his favorite table, and he’d just call whenever he’d get in and let them know, so they’d reserve it for him. They put the plaque up after he died.” He winked. “We get a lot of Williams tourists who like to trace his steps—I guess to commune with his spirit, maybe? The plaque makes it easier for them.”

And less hassle for the staff, I added mentally.

I’d heard of Tennessee Williams. He’d also been out and proud when that could have been career and social suicide. The name brought up memories of chalk dust, a cold classroom in winter, and canned dry hot air. We must have studied him in high school. A Streetcar Named Desire and Cat on a Hot Tin Roof, I think the plays were? I’d slept with a Williams scholar once, on a vacation in Honolulu. I’d met him on the beach. He had a stack of non-fiction books piled up on his nightstand for a paper he was writing, pages marked by a forest of Post-It notes.

You see the peripheral connection in that excerpt, don’t you? That’s all Tennessee had to do with my story, other than a later mention.

That table and plaque did exist. The Quarter Scene closed and was replaced by Eat, but it now called the Quarter Scene again. I don’t know if the plaque is still up by his table or not, but I always sat there whenever I ate there.

Years ago, when we first moved here, I started working on two novels. One became Murder in the Rue Dauphine, the other was a kind of Tales of the City kind of thing about three young gay men who rented apartments around a courtyard in the Quarter, with an older gay man living in the main house and kind of being a mentor to them all. I called that one The World is Full of Ex-Lovers, and began putting it together by writing short stories. One of those stories was called “Tennessee’s Table,” and that was what I immediately thought of when casting about in my head to write a Tennessee Williams inspired kind of story. I dug it out of the files–it was dreadful–and threw everything out except the very opening with the main character arriving at the Quarter Scene to meet someone for lunch. I also realized that this story would actually work in a longer project I am also writing–a book set in 1994 New Orleans called Never Kiss a Stranger, and so I wrote that story with the idea that I could insert it into the novel manuscript.

I am kind of pleased with it, to tell you the truth. It’s called “The Rhinestone.”

And just look at this contributors’ list!

A pretty impressive table of contents!

Have you preordered your copy yet?

For All Tomorrow’s Lies

Alabama.

I love Alabama, despite the way the state continually disappoints me. It’s such a beautiful place, with its kudzu and towering pines and broad rivers and that startlingly gorgeous red dirt. (Red dirt is often used to symbolize poverty and ignorance and bigotry…but it’s also gorgeous. I’d much rather have red dirt on my car or my shoes than regular black dirt any time.) Driving through the state I am always amazed at the strange range of country homes, everything from crumbling abandoned wrecks to expensive looking McMansions to trailers of all kinds and all conditions, the creeks and mimosa trees and hollers, sometimes filled with out of control kudzu (kudzu has fascinated me since I was a child) and sometimes just bushes and flowers and wild blackberry bushes growing out of control. It always inspires me when I go back to Alabama, reconnecting with my roots and where I am actually from, or, as we say in New Orleans, where my people are from. I also find myself spending a lot of time visiting graveyards where relatives are buried, while my father once again explains who many of them are (I love visiting the graves of my mother’s paternal grandparents; there’s a picture of them posing with four of their children and they are one of the most gorgeous couples I’ve ever seen; their daughters look just like my mother–and by extension, kind of like me–and seeing that picture always pleases me so) and stories about them, and I know he enjoys remembering the family history while passing it along to me. I enjoy the stories of the county, too; as we drive around the backroads and past places from his and my youth (“we took this road home from Auburn when you were just three months old, remember it?”–Dad humor, sure, but I love every bit of it) and I marvel at it all, hoping that it’s all being imprinted on my faded and dying memory. I really do want to write more about Alabama (which is what I say every time I get back from there, isn’t it?), and yeah, I do need to get back to writing, don’t I?

And some of that county and family history? Let’s just say the county is a lot more like Peyton Place than anyone from there would care to admit.

Dad also brought me a case of Grape Crush in bottles, which was so sweet and thoughtful (you can only get cans here, so Dad always brings me some from Kentucky and yes, I am very spoiled and always have been). We drove down to visit my aunt and uncle (another seven hours total in the car on Friday), so am very worn out this morning, now that I am back home; the drive back yesterday was nice but was very tired by the time I got home. I did listen to John Copenhaver’s Hall of Mirrors in the car (more on that later), but spent the evening watching My Mother Jayne, which was very well done (I always have been interested in Jayne Mansfield) and we really enjoyed. After that, I got started unpacking and putting things away and yes, I really do regret not thoroughly cleaning the apartment before I left on Wednesday. So instead of chilling out and relaxing today, I’ll be cleaning and making groceries (ordering them, at any rate), and hopefully reading and writing some.

It occurred to me last night that I didn’t get to all the queer books I wanted to read for Pride Month, and it also occurred to me that just because it’ll no longer be Pride Month doesn’t mean that I can’t read queer books; that’s the trap of having these celebratory months–I do not only read Black authors in February, after all, so why do I only focus on queer work in June?1 But I am glad I caught that I’d not finished Hall of Mirrors–and I know how it happened. I was reading it and about to go on a trip, and I always keep the books I am reading and the ones that are on-deck on the end table near my chair. I’d gotten down several potential books to take for the trip, and after I packed the books I decided to take I put the others back, and I must have reshelved Hall of Mirrors then; I was convinced I’d read it until before this trip, when I couldn’t remember how it ended and Audible suggested it–and when I got the book down from the shelves again there was a bookmark in it marking my place. Shamefully I downloaded it to my Audible, and decided to listen to it on this trip. There were three chapters left when I pulled up to the house; I finished it after watching My Mother Jayne…and then I fell asleep in my chair.

What a glorious night’s sleep I enjoyed last night, too! And it’s always nice to be home with Paul and Sparky. I didn’t make myself sick on the trip, either–remembering to have protein drinks and to take my pills and rehydrate properly. It was hot as fuck up there, too.

But I am going to bring this to a close, so I can get things done and groceries ordered and prepare for the week. I have an ophthalmologist appointment first thing tomorrow morning that requires me to drive out to (shudder) Kenner before I go into the office…and of course, Friday is the 4th of July so I have a three day weekend this week, too. Huzzah!

And on that note, I am heading into the spice mines. Enjoy your Sunday, Constant Reader, as I intend to enjoy mine, and I’ll be back in the morning.

Staircase in the step pyramid of Pharaoh Djoser at Saqqarah
  1. I don’t, but it seems like I put a lot more pressure on myself to do during Pride. ↩︎

The Metro

Wednesday, and in about five hours I’ll be heading out on I-10 East to connect to 59 north to make it up to Where-we-are-from, Alabama–with pit stops for gas, food, and bathroom, it should only take between five and six hours. If I owe you an email, it probably won’t come before next week, as I come back here on Saturday and then Sunday have to prepare for the coming week.

I will be listening to John Copenhaver’s Hall of Mirrors, which I am embarrassed to admit I’ve not yet read. I had started it, but got distracted by something–oh yes, I meant to take it on a trip with me and left it sitting on the counter instead of putting it into my backpack, so had to read something else, and then never got back around to it, which is disgraceful conduct by a reader, frankly. But I am grateful for forgetful me of the past because now I can enjoy it on my drive. I had thought about getting caught up on Donna Andrews or Carol Goodman or Lisa Unger; I am frightfully behind on all of them as well–I really don’t want to think about all the wonderful authors whose work I have fallen behind on, because it will just depress me.

I did do some work on a project last night doing something I’ve not done in a long time; mapping out a book and writing out biographies of the main characters, as well as the through-line of the crime. I’d gotten to the point that I didn’t really need to do this anymore; the characters would often reveal themselves to me as I wrote about them, but when you’re not writing as much as you used to and need to get back on that horse, go back to the things you used to do when you were trying to become a writer, that made the writing actually easier to do rather than trying to think it all up as you go. I’ve really gotten lazy with my writing, but a lot of it is, as I said, the muscles were always pretty much warmed up and strong and raring to go, so the extra steps I used to take when I was getting started no longer seemed necessary; I am also working on an outline–I can’t remember the last time I outlined a novel. But here we are, and I’ve always been about adapting to get things done and make progress. I think it is going to turn out pretty well, to be honest. I’m kind of excited about this and getting back to the Scotty, in all honesty. Soon, my precious, soon…

Ironically, I was too tired to pack last night and didn’t want to get out of bed this morning, either–but I also realized, this morning, that it actually made more sense to come home after work and pack, and leave from home rather than from the office. Leaving directly from the office would shave an entire five minutes off the drive, and is that five minutes really worth the hassle than leaving an hour later this afternoon will create? No, it really wasn’t. And while I always try to be time-efficient–a lifelong habit I am trying to break now because it’s part and parcel of my anxiety, and letting go of anxiety is always a good thing–getting there around seven instead of six? I’ll still be tired from the drive and will end up going to sleep early, so what difference does it make?

Progress, I think.

I also doubt I’ll be around here much until I get back Saturday, so probably the next entry will come on Sunday. I think you can handle it, Constant Reader, so until then–adieu.

Massive Ramses II at the Egyptian Museum

You Don’t Bring Me Flowers

You don’t sing me love songs…anymore.

I had been waiting to hear about an anthology I sold a story to (they asked me to keep it quiet until further notice), but had never did so I could never mention it. But it was announced; they just hadn’t tagged me. Anyway, the anthology is Celluloid Crimes, and will be released this summer from Level Best Books. My story is “The Last To See Him Alive,” which actually now is the first, revised chapter of Chlorine, which, if you’re wondering, I’ve never stopped thinking about or working on since I first brought it up on my blog six or seven years ago. Over the weekend, I did confess to someone that I have about six or seven novels currently in progress; Chlorine is definitely one of them. In fact, taking Chapter One and turning it into a stand-alone short story also triggered some creativity in my brain, and that helped the entire novel take shape, and now I know what the middle part will be, and the end will become even more poignant and noir-ish with these necessary changes to the story. Huzzah! More about the story and the anthology as it nears its publication date.

The auction for the Transgender Law Center concluded last night, and we raised over $58,000! I have to admit being enormously pleased and proud of the organizing committee as well as all the people who donated items and those who bid on them. Well done, everyone! This project began two or three years ago (it was before my arm surgery, I do know that much–I have no grasp or concept of time anymore–but other than that? Pfffft.) and it’s kind of hard to believe it’s over and done with at last. I didn’t do that much–the driving forces were truly Susanna Calkins, Sandra SG Wong, Ellison Cooper (Jen Dornan-Fish), Cheryl Head, and Ed Aymar. The group was exceptionally fun to work with, despite my on-going issues, and I didn’t contribute nearly as much as I ordinarily do when I am volunteering because of my on-going issues, but my fellow organizers were so efficient and on top of things I didn’t need to, which was lovely. It was truly a great group, and our advisory board (including spokesperson Robyn Gigl, Brenda Buchanan, and John Copenhaver) were also amazing and hard-working. What a lovely experience this was indeed.

I did get some writing done last night, but not nearly enough. After driving uptown to get the mail and then making groceries, I was pretty fried by the time I got home, so wasn’t really able to resist Sparky’s meowing insistence that I get in my chair and let him sleep in my lap, so I did. We continued watching Mid-century Modern, and you know, not every joke lands nor does every scene necessarily work, but all the actors are clearly having a good time with it, and Matt Bomer is absolutely perfect as the beautiful, former Mormon flight attendant who is actually very sweet and a little like Rose from The Golden Girls, completely without guile and literal. Nathan Lane can be a bit histrionic, but he’s Nathan Lane; always charming and likable. Such a shame Linda Lavin died, because she’s terrific as Lane’s mother–and was probably going to at least be nominated for an Emmy. But Nathan Lee Graham steals the entire show as a former fashion editor who is very quick-witted in that bitchy sarcastic way that so many of us develop as a shell for self-defense. It’s also refreshing to see a show about older gay men who, like The Golden Girls, still are vital and have sex lives and embracing life rather than sliding into self-pity or caricature. These characters would have been easy to play as one-dimensional stereotypes, but it’s a tribute to these actors’ skill that they have heart and are real people. I’m sure it won’t thrill some queer people–nothing ever does, we are notoriously critical of things about us–but it’s nice to see gay men as realized characters on a traditional style sitcom, and definitely a progression from Will and Grace.

I feel better today than I did yesterday; another good night of sleep was had, and this morning I don’t feel any brain fog or exhaustion like I did yesterday. I think I am now acclimating back to my life, which is nice because I also need to get my act together and start getting things done again. This weekend will most likely be restful and lovely as well; and perhaps time to start working on household projects (like cleaning out the attic) so the house can be sort of presentable and livable again. Stranger things have happened, you know. I started writing a tribute to Dorothy Allison for my newsletter, triggered by the tribute reading I did Sunday, as I have been remembering how much she and her work have always meant to me. It’s kind of hard to believe such a force is gone from the world.

Sigh. And on that note, I am heading into the spice mines. Have a lovely Wednesday, Constant Reader, and I’ll be back in the morning.

We Are Family

I got all my sisters with me!

“We Are Family” is one of those songs from the disco era–the ones that still get played on oldies nights in queer bars and continues to live on. Obviously, it’s an iconic gay anthem–about our found families rather than the blood ones that so often want nothing to do with us–and it’s also really popular with sororities…at least it was back then. It’s a very joyful and uplifting song, lyrically, so it’s also fun to belt out at the top of your lungs. Disco was a really fun time for a gay boy in sparsely populated Kansas…it’s where my love of dancing really took off. The dance floor was, for many years, the only place where I felt free.

Yesterday was a decent day. We were very fortunate to not have any of that bad weather that was forecast, at least not here in the Lost Apartment. I’ve not checked on the storm toll throughout the rest of the South yet, primarily because I’ve not even finished my first cup of coffee yet. But I did see yesterday some horrific weather was happening throughout the South as the result of that storm cell yesterday, so I hope everyone got through it okay and is doing well this morning. Weather events are both terrible and terrifying. It’s kind of ironic that my current book I am writing is set during a weather event. But I feel rested this morning and I got up early (Sparky wasn’t quite as kind about letting me sleep later), and am about to start my second cup. I did okay yesterday. I was still mentally fatigued yesterday so wasn’t able to get a lot of creative work done, but managed some. I also did some chores and picked up around here, and walked to Walgreens in the morning to get butter, which I’d forgotten at the store on Friday (and I need a stick of butter for today’s dinner). Aside–Walgreens actually had stock. The one-two punch of Hurricane Ida and the pandemic dealt it a blow I didn’t think it was going to ever recover from; there were empty shelves everywhere, empty refrigeration cases, and you could never be sure they’d the one thing you needed–which happened more than once over the years since then. But I was very pleasantly surprised to see they had finally restocked, and they had things….not just the butter I needed but some other things I also needed and didn’t think they would have. NARRATOR VOICE: They did have those things, which was most pleasing to mine eyes.

This is delightful news–not quite “oh they opened a new Rouse’s in the CBD that’s actually on my way home” delightful, but it’s nice to know that I don’t have to get in the car to go get things necessarily anymore. I love when my life becomes more convenient.

I spent some more time with Moonraker yesterday, and it’s…something. There’s an unemotional distance in Fleming’s voice (he also uses the distant third person omniscient narrator style of writing, which I was trained so long ago not to use–I always use first or close third person, and it always surprises me when I read a legendary author’s work to find they use it), and there’s no sentimentality to it, either. The casual misogyny of the time is an eyeful, as well as the way Bond (and by extension, the secret service and the culture/society as whole) doesn’t really view women as people, but rather as almost ignorant children who need the guiding of a man). It’s also a good reminder that the Bond novels weren’t as over-the-top and tongue-in-cheek as the films1. The original novels definitely have a completely different feel from the movies, that is for damned sure. Fleming died around the time the first film was being made, so he never saw what Hollywood did to his characters and stories. I suspect he wouldn’t have cared much for them; the books are very cold. But it’s interesting to revisit it, and the similarities/prescience of Hugo Drax to Elmo Dusk are definitely eerie and make the book more compelling to read than it would have been a year ago.

Three out of four of the Lefty Awards last night went to friends–James L’etoile won Best Novel; Rob Osler won Best Humorous; and John Copenhaver won Best Historical–and two were openly queer writers writing about openly queer characters! Woo-hoo! The times, they are a-changing! There were also a number of other friends also nominated, so shout out to one and all the nominees and winners! Huzzah!

We did finish watching Running Point, which was a lot of fun and we greatly enjoyed it. We then watched the first three episodes of Adolescence on Netflix, which is disturbingly real. It opens with a 13 year old boy being arrested for the murder of a classmate, and the child is very definitely disturbed. We’ll finish that today probably, but I also have a lot of writing to do. We’ll see how everything goes.

And on that note I am heading into the spice mines. Have a lovely Sunday, all, and I’ll be back at some point.

  1. Ayn Rand, in writing about “heroes” in film and novels, wrote about the early Bond films in an essay about art. I remember how much she loved Dr. No–really one of the only Bonds to be done as a serious film–and how much she hated Goldfinger. ↩︎

I Was Made for Lovin’ You

Super Bowl Sunday, for those who celebrate (we will not be) and for those who do not, Happy Sunday otherwise. I slept in this morning, and am not entirely sure why. Yesterday was a decent and easy day around here (I was terribly lazy, despite all my pronouncements to the contrary in yesterday’s morning’s post), but I didn’t get my errands ran because…Super Bowl. Traffic in Uptown was horrendous–turns out I was trying to run my errands during the Super Bowl faux-Carnival parade–and so after successfully completing one errands, I called off the rest and came back home. I did finish reading She Who Was No More (more on that later) and we started watching Arrested Development finally, and we are absolutely loving it–and it should keep us entertained for a while. I’m glad we never got to it before, because these times need comedies, and more of them, frankly.

I am not leaving the house today because of the Super Bowl, and I hope to make it down my to-do list this morning so I can, you know, get some of that shit done. It’s going to be a hectic week; I am only working a half-day on Thursday so I can drive up to Alabama for Valentine’s to meet Dad (a short trip; up Thursday afternoon and back Saturday morning), which of course means I won’t get much done next weekend–although I reckon I could take my grocery list with me and stop to make groceries on the way back into town Saturday. At least there are no parades this coming weekend to negotiate on my way home. Sigh. It’s about that time of year, too, and complicated even further with my goddamned jury duty the last week of the month. Hurray!

Ah, well, no sense in getting overwhelmed and off-track. That is not going to help me get everything done that I need to get done today, now is it? I’ve picked Lev AC Rosen’s The Bell in the Fog as my next read, and when I get this finished and some other tasks here in the kitchen this morning, I am going to go read it for a while. I really enjoyed Lavender House, the first book in this series, and I love that he and John Copenhaver are exploring what it was like to be queer in the 1950s. Since one of my future projects is also set in that time period, reading their work is not only intimidating but also a bit inspired; they’re so good it will push me to really make mine the best I possibly can–and it will still not hold up against theirs. (You never can write enough books to get over Imposter Syndrome; I think it even affects the bigger names from time to time. I guess I won’t know since I’ll never have that kind of career–which is fine. Yes, huge financial success would be lovely, but it’s not necessary. I am satisfied with my career and the work I’ve done so far…which really has all come about because I’ve just refused to stop doing it. Smarter people would have quit by now, I am sure.)

But I also need to stop being so hard on myself. My job changed, too, during the time of the surgery and the aftermath, and it’s actually become more intensive, too. Dealing with clients is draining, and so it’s not really surprising that my batteries are so often depleted after I get off work, and there’s always an errand or something to run on my way home, too. Plus, it’s not my natural body clock to get up at six in the morning every day I have to go to work, either. (I really miss the days of not going in until eleven.) I’m older, have been through some things physically these last five or so years, and so it’s not surprising that some nights I just don’t have the energy to do anything other than cuddle with Sparky and sit in my chair watching the latest in our mad dash to the end times. I really miss the days when the news wasn’t always a dumpster fire…but on the other hand, I can’t actually remember a time when it wasn’t. I just didn’t pay attention because I was a child.

And I think there’s my hint to jump over to the spice mines, so have a lovely Sunday, best of luck to those of you watching the Super Bowl (I will not be), and I’ll be back later on, I would imagine.

Get On My Love Train

Monday morning and back to the office blog! I feel awake, but kind of not completely yet, if that makes sense? It does in my fevered brain, at any rate. I didn’t get as much done this weekend as I wanted to, but I did get some things done. I did some actual writing yesterday, and I did get some work done on something else I’m working on. Not a great weekend for productivity, but I feel like I can face the office this morning. That’s a plus, right? It’s always good to start off the week feeling refreshed and rested both physically and mentally, right? So I am not sorry the weekend was wasted, because it really wasn’t. Likewise, the writing isn’t very good, but at least I did some, you know? It was excruciating getting a thousand words down, but I did, and while it didn’t alleviate my mind about getting back in the writing saddle, it’s something.

Paul wasn’t feeling well yesterday, so last night we started watching the new Prime show Cruel Intentions last night, and it’s better than I was expecting. I am a big fan of the original story (the book was Les Liaisons Dangereuses by Choderlos de Laclos; obviously filmed as Dangerous Liaisons with Glenn Close and John Malkovich), so was curious how this adaptation would work. The remake of the story as Cruel Intentions, with Sarah Michelle Gellar and Ryan Philippe, set at an exclusive elite school for the rich, was quite excellent–so I was curious about the new version, which updates the story yet again, this time to an exclusive college’s Greek system. I love this story, and did an homage to it in one of my erotic novels–which I wish I could get a do-over on, to be honest. I may need to reread the book again at some point, too. I love my conniving nasty French nobles, you know?

One thing I’ve not remarked on yet–mainly because I keep forgetting every morning–is to mention the shockingly excellent news that four queer writers were included on Sarah Weinman’s Best Crime Novels of 2024 in the New York Times! Three of them–John Copenhaver (Hall of Mirrors), Margot Douaihy (Blessed Water), and Robyn Gigl (Nothing But the Truth) are friends; the other, Katrina Carrasco (Rough Trade) is someone I don’t know but have been aware of for quite some time. I actually blurbed Blessed Water, which is exceptional. I do want to revisit it in order to write about it, and I have yet to get to John’s book–and I am very behind on Robyn’s series. But how wonderful is this? Not just one, but four queer authors on an important Best of column in the paper of record (which I still haven’t forgiven for its crimes of the last decade at least)? When I was first starting in this business, we didn’t even dare to dream of that kind of outcome for our books; and Sarah is so smart and knowledgeable about crime fiction and the genre–she absolutely knows what she’s talking about. I always enjoy talking to her, and this is so awesome for the queer authors; it’s the first sign from the Times that queer work is just as valid as other crime fiction! So, thank you, Sarah!

And it’s nice to see some diversity of thought in that vile paper for a change.1

So, I am hoping to get this work done so I can get back to writing. I owe some short stories I need to get underway, I need to get back to work on Scotty, and I am also writing this other thing, too. I’m starting to feel like I’m lazy, more than anything else, and finding excuses not to work anymore. This shall not stand.

And on that note I am heading into the spice mines. May you have a Monday as lovely as you are, Constant Reader, and one never knows–I may be back later.

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  1. And no, this doesn’t mean I’ll resubscribe. I will never forgive them for their role in undermining democracy and the rule of law. ↩︎

Both Sides Now

Queer people have been very effectively erased from history–and in the cases where it wasn’t entirely possible to erase completely the evidence, it was camouflaged (Hephaestion and Alexander loved each other like brothers!1)or queer kings had “favorites” rather than “lovers” (Edward II, Henri III, Louis XIV’s brother Philippe); so it’s there if you know what to look for. I’ve always loved history, and have always wanted to write historical queer fiction (the fun I could have with Henri III’s mignons!), but have always worried about doing the research, as it’s not easy to uncover information hidden or deliberately removed from the record. Queers–as the afore-mentioned historical figures’ existence proves–have alway been around, sometimes hidden in very plain sight. I don’t have the patience to do in-depth research, partly because I don’t really know how, or even where to start. I know, for example, there were gay bars in New Orleans long before Stonewall; our existence had to be known for it to be made against the law, didn’t it? I’ve done some queer historical short stories, always terrified I was getting things wrong (“The Weight of a Feather” and “The Affair of the Purloined Rent Boy”); and since writing and publishing those stories I’ve since found out things that would have been pertinent to the story. (This is also a big fear of mine about Chlorine, too, if I am being completely honest.)

I’ve read some gay historicals, some of which seemed a bit on the far-fetched side to me, but some authors–like John Copenhaver–do such a great job of it that it seems seamless and fresh and brand new. I love historicals, and always have; so there not being a vast plethora of them out there is kind of disappointing.

And then there’s Lev AC Rosen’s Lavender House.

I thought I’d have the place all to myself, this early. Like church on a Tuesday–no one but you and God–or in my case, the bartender. But there’s a guy and girl, high school kids or maybe just twenty, sitting at one of the booths in the back. They’re trying to keep their voices low, but he’s failing, getting angry. Something about weiner dogs. It’s weird the things people fight over.

He pounds the table and she whimpers a little. I sigh, feel my body shifting to get up. I don’t have to do this anymore. Hell, no one even wants me to. That’s why I was fired. But some habits you can’t break. So I put down what’s left of my martini, motion the bartender to pour another, and stand up and go to the back of the wrist, tight. Her arm is stretching like a shoelace as she tries to stand up. but he won’t let go. On her other wrist, she’s wearing a charm bracelet. Just a few charms: An eagles, that’s a mascot for one of the local schools, with “1950” under it, so she graduated two years ago. A book, so she’s a reader. And an apple. Teacher’s favorite, or she just really likes apples, maybe. Not enough life lived for many charms. Not enough to cover the bruise, either.

And this is the opening to Lev AC Rosen’s first Evander “Andy” Mills novel, Lavender House. The book dropped onto my radar when it was released; someone asked me if I had read it or not, which made me aware of it. I was also a little confused, because I already had a copy of Jack of Hearts, a well-reviewed (and often challenged) young adult novel…but the author names were just very similar (L. C. Rosen is on the spine of the latter, and yes, they are the same author, doing something like I do, switching up the real name slightly for a pseudonym. It was nominated for a lot of awards, and so I got a copy but never got around to it in the massive book dunes of my TBR pile. I got the follow-ups as they came out, always intending to get around to them at some point. I also have also had some really lovely email exchanges with him, and he seems like a lovely person on top of being a remarkably gifted writer.

Maybe it’s the 1952 setting, but this book made me think of Hammett and Chandler; kind of noir, kind of hard-boiled, but stronger influences (to me, at any rate) thn the Macdonalds and that first generation of writers influenced by the masters. The language and voice and tone are absolutely perfect for Andy.

This opening scene has Andy in a bar in the middle of the afternoon. He was just fired from his job with the SFPD when he was busted in a gay bar raid. His life is ruined, and he feels he has no future–and is also convinced as a “pervert” in 1952 (in San Francisco!) that he doesn’t deserve one. This opening chapter, when we see how much Andy hates himself, threw himself into his job, and kept living his secretive double life, it’s a horrible reminder of what happened to men outed by the cops in the horrible before times; Andy is planning on getting drunk and throwing himself into the bay to drown. Shortly after playing knight-errant for the young woman in the bar, another woman comes in–specifically looking for him. She has a job for him; investigate a strange death at Lavender House, a private compound for her family outside of the city. With nothing to lose and nothing else to do, Andy says “sure” and goes with her.

Lavender House is where a makeshift “found” family of queers live, covering for each other and having a place where they can be themselves, safe from prying eyes and blackmailers. This isn’t easy, because they are a family that owns a prominent soap company, Lamontaine Soaps. The dead woman, Irene, was the matriarch and the head of the company. She died in a fall from a small balcony in her working office, but her widow, Pearl, isn’t convinced it was a tragic accident. As Andy settles into Lavender House, the book switched into a hard-boiled more classic styled mystery, like Knives Out or Ellery Queen; a harder queerer Agatha Christie, if you will. There are lots of suspects, someone is tailing the family whenever they leave the grounds; everyone, it seems, has a reason to want Irene dead, despite their gratitude for her “rescue” of them from the horrifically homophobic outside world. This is a great mystery novel, with lots of clues and twists and turns, so you’re never entirely sure which direction it’s going, and the writing is so exquisite you want to reread the sentences, savoring the poetic music of the words and the rhythm of the language. Just marvelous.

But it’s also more than that–it’s also a window in our not-so-distant past, as a reminder of what gains we’ve made since then, and how dangerous it was to be queer not that long ago. It’s also about Andy letting go of his painful past, embracing who he is at last and being freed from the bonds of the puritanical society he lives in; better to be freely yourself than to hide from everyone. It’s always so much better and easier once you accept yourself and stop trying to fit in as something you aren’t. This is just the start for Andy, and over the course of the case as he becomes more and more comfortable in his own gay skin, the world becomes full of color for him.

I’m really looking forward to follow his journey. High recommended.

  1. Brothers who liked to fuck each other, that is. ↩︎