Yesterday was a decent day. I didn’t get as much done as I would have liked, but I did get the first Pride newsletter out, as well as my review of Murder Takes a Vacation, as well as my future newsletters about James Bond and Vicky Barr. I had groceries delivered, did some chores, but only started my rereads of The Dark on the Other Side by Barbara Michaels and The Mystery of the Haunted Mine, but didn’t crack the spine on Summerhouse. I did feel a trifle tired mentally and physically, so basically just took it easy for the rest of the day. I slept well last night, which felt great, and I am curious to see what this week will bring.
I also remembered an old short story that I couldn’t get to work–the premise was just really “no one could ever be that fucking stupid”–but now? Now I have a much better idea for said premise, because it happens all the time. I am interested in pursuing that story, because the dynamic between the two main characters is something I did enjoy writing, but…like I said, the premise that led to their meeting was kind of too stupid to believe, but technology has advanced enough now that the ‘on-line accident’ is believable now.1
I watched television for most of the day. We finished both The Better Sister (superb, highly recommend) and Big Mouth, which is now over for good, and we’ll need to find something else to watch. We started something called Adults, but after two episodes I am not sold on it. I also had the LSU game on in the evening, while I finished some chores so the Lost Apartment wasn’t a complete disaster area this morning when I came down for coffee, toast, and cereal. (All I have to do is load the dishwasher and turn it on tonight and I’ll be all set.)
I am hoping to get back to writing fiction this week. I want to finish this one short story and then look at some submission calls I’ve bookmarked. I am kind of excited about writing again, and I really need to be getting back to it. As I said, the ideas and creativity are running rampant in my head, and I really need to get those muscles back into shape so I can get back to actually writing my ideas up. The will is there, of course, the question is whether or not my brain and typing fingers will cooperate.
I guess we’ll see.
Well, we get sent home from the office before I could post this; we don’t have water–and without water we can’t operate or see clients (not to mention the bathroom situation) so I get to work at home the rest of this low-energy day, so let’s see how it goes, shall we?
I’ll be back on the morrow….thanks as always for stopping by.
Italian ballerino Roberto Bolle
I do find it interesting that something that would have been so stupid of a mistake to make with technology eight years ago could easily happen today; isn’t that sort of thing supposed to become harder with more tech advances? One would think, at any rate, and it does make you wonder about these “tech geniuses”, doesn’t it? ↩︎
Sunday of the holiday weekend and I am feeling pretty good. I am up earlier than I would prefe, but it seems sleeping in later than six is something rare for me now and it’s okay; it gives me more awake time to get things done. I’m getting some reading done every morning when I get up, and yesterday I did do some chores, but tried to mostly relax while processing Victoria’s death. I also read a little bit, and mostly just tried to relax and gather my strength back. I have to run an errand today–a library book is ready for me, and I can swing by Fresh Market on the way home; oh, never mind, the library is closed for the holiday so that will have to wait until Tuesday after work, but I do need to go to Fresh Market anyway, maybe even wash the car while I’m on Louisiana Avenue. But I did get the bathroom and part of the kitchen under control and finished; so the downstairs looks a lot nice than it has since I fell ill, which is a lovely thing. I can finish it today and then work on the living room next, and maybe, just maybe, my house will finally be under control again and presentable and won’t make me groan with despair every time I walk in.
I also watched one of the few Hitchcock films I’ve never seen–mainly because it’s never been available before when I thought about watching: Suspicion, which stars Joan Fontaine (the only performer to win an Oscar for a Hitchcock movie, although she should have won for Rebecca and Anthony Perkins’ failure to be even be nominated for Psycho remains a hate crime) and Cary Grant. It’s based on the Francis Iles novel Before the Fact (of which I have a copy and have been assured it’s better than the film). It did make me think about a theory I have about domestic suspense and Gothics–that they are about women’s fears and therefore women’s noir of a type–and Suspicion is definitely one of those–does her husband–whom she catches in lies all the time and is kind of a bounder–love her or did her marry her for her money? (This is a very common theme in Victoria Holt novels, by the way, which I loved.) Something to write about for another time, methinks. The film itself was okay, and I am now more convinced than ever that Fontaine’s Oscar was a make-up for Rebecca, a far superior film in every way. (It may be time for my annual reread of Rebecca, in fact.)
I also read a bit more into Moonraker, which is fascinating in its casual misogyny, and it’s really hard-boiled attitude; as I said, Fleming’s Bond is so far removed from the Roger Moore/Timothy Dalton/Pierce Brosnan Bond that they may as well be different characters; Connery and Daniel Craig more captured the Fleming feel of the sociopathic killer/spy. The parallels between the villain in the book, Hugo Drax, and Elon Musk are so prescient as to make me wonder whether Fleming could see the future. More on that later, of course.
We finished watching Overcompensating last night, and it’s such a good show. It does an excellent job of depicting how terrifying it is to come out–to anyone and everyone–and how you wind up being a liar for self-preservation; I think all those lies is why I am so triggered by people calling me a liar these days, and I’ve never really seen this depicted in anything queer before–about how you can’t really be a good friend with people you can’t be honest with and have to lie to all the time. It really can’t be explained, but I still have a lot of shame from that time in my life, from when I was overcompensating and making an absolute fool of myself because no one was actually fooled and my true friends were delighted when I came out. The depression and faulty wiring in my brain certainly didn’t help.
And yes, I will always be grateful to those friends who were delighted.
I’m looking forward to relaxing some more today, to be honest. Paul has his trainer this afternoon, and when he gets home I am going to barbecue burgers and cheese dogs. Yes, I know you’re supposed to actually cook out on Memorial Day itself, but I’d rather do it today. I’ve been experiencing hunger a lot more lately than I can recall, and I am snacking on top of it all. I’ve been spending a lot of time looking at Door Dash to have something delivered, and I’ll probably pop that cherry next weekend. I’ve also been missing my mom’s cooking–her chicken and dumplings were sublime, and she made everything from scratch and from memory; her biscuits and gravy were to die for, and somehow she made the best pancakes I’ve ever had anywhere. I am going to make an easy chicken-and-dumplings recipe tomorrow; will definitely report back.
I am getting stronger every day, but I also still tire far too easily and am not even close to being back to 100% yet, which is fine. I just need to be patient–never my strongest suit–and let my body heal itself from the trauma.
And on that note, I am heading into the spice mines. Have a lovely Sunday, Constant Reader, and I may be back later; I hope to get my newsletter done today as well.
Bette Davis in the opening scene of her Oscar nominated performance in The Letter.
Monday back to the office blog, and it’s taking me a while to get my morning together. I feel good this morning; like this latest round of depression has finally ended. Not that anything happening in the world has gotten better–it certainly grows worse with every passing day; at least Germany had a fairly stable economy for a little while before things got super dark there in the 1930s, you know–but I always have to remember that I am not completely helpless in the face of the rising evil in the world, I do have a voice, and I should never in a million years allow the bastards to get me down and keep me from being tired or feeling beaten. This has been a lifelong struggle for me, and now almost every American is finding out how it feels when the government doesn’t give two shits about you–it never did, but people are finally waking up to the realization that unfettered capitalism, the ideal state for Ayn Rand, doesn’t work because her “men of the mind” always allow their greed and inhumanity to take control of things.
It was very easy for capitalist pigs to convince Americans that regulations–for their own safety–weren’t necessary. So, I guess we all needed a hard reminder that capitalists and corporations only care about money, and don’t care if they poison you in the name of profit, since some people never fucking learn and will never read history.
This last bout of depression was undoubtedly triggered by coming down from the Festivals, having to return to work, and all this horrible fears about my job and potential retirement. Thanks again, MAGA voters. But I do feel good this morning, better than I have since before the festivals, and so am hoping that this will carry me through until I get everything done that I need to get done. I have a shit ton of emails to answer and more to send. I have a lot of writing to do, and I need to get my taxes done once and for all. I need to pay bills, and I need to run some errands on my way home from work. I also feel physically better; I never really got past the Festival induced exhaustion. We’ll see how this goes.
I did manage to read some yesterday, and managed to finish the first part of Moonraker before my mind stopped focusing yesterday. It did amuse me; the entire first fifty pages or so of the book are about introducing the mysterious billionaire Hugo Drax, who has moved to England and is developing an amazing defensive weapon that could protect the UK from Soviet nuclear weapons, and has gotten deeply involved in British politics (sound familiar? That’s part of the reason I am revisiting the novel), and revealing him to the reader as a cheat at cards. He plays at M’s men’s club (ah, those last vestiges of the Empire and class distinctions!), and the manager suspects that he’s cheating, as he is quite successful. The manager and M want Bond (who became a master at cards on the job; can’t help but think of Casino Royale) to figure out how he’s doing it, and then give him a lesson to protect the club from a cheating scandal. Imagine the first part of a Bond film being about cheating at bridge! It also begs the question of just how far from the original character and his world as conceived by his creator, and how insane it’s gotten as the film got bigger, crazier and campier.
I spent more time on social media this weekend than I like to on the weekends, mainly because of the unfocused brain and my inability to focus–although social media, methinks, has had a lot to do with making my ADHD worse–and I could easily do that while watching the country burn to the ground on the news, and while watching documentaries about the Hapsburgs and how their incestuous marriages–a long-standing family policy geared to protect their money and their lands–eventually led to their downfall, I found myself getting sucked into several on-line dramas that just further illustrate divisions in the country. First up was the candle thing; turns out a gay candle maker decided to make a candle commemorating Cory Booker’s filibuster…and one of the options was cotton-scent. First of all, yikes–and then when Black women started calling the dude out for profiting on Black labor, he doubled down, and then someone came to his rescue–or attempted to, at any rate; this person (I am not using pronouns because I don’t know how they identify) was “camp callout”–I’d seen some of their videos about MAGA regrets, but…this person turned out to also be deeply problematic: long story short, Camp has a very well documented MAGA and anti-trans past; and then the candlemaker turned out to be a convicted sexual offender. Whoops!
Needless to say, they have both disappeared from social media, at least for now.
The bouncy house thing was another one of those “is this a real post or is it parody” posts, in which a white woman complained that the Hands Off protest she attended (her first protest) didn’t have any entertainment for her bored child, suggesting a bouncy house…and she got dragged for it, rightfully so. Good on you for going to your first protest, what the fuck are you thinking have you never seen a protest before? Granted, white people tend to not get teargassed or beaten or had police dogs set on them or firehoses trained on them (unless they’re protesting genocide!) because white privilege, but it was an incredibly tone deaf thing to say, given our proud history of incarcerating Black and brown protesters, along with their children. Leave the kids at home. Then another white gay man (sensing a theme) came in hard for Black women laughing at this idiot…calling them bullies. No one was bullying this woman…and tell me you don’t know any Black people without saying the words. I don’t speak for the Black community, but I do know the difference between bullying and clowning, and that was what was going on. People were laughing at her. No one was wishing her or her children harm, any of that stuff.
Maybe make some Black friends, Keith Edwards? Won’t be watching your channel anymore.
This, for example, is why Black people can’t trust white people–and similarly, why queer people can never fully trust straight people (having your bridal party go to a gay bar doesn’t make you an ally…being an ally doesn’t mean centering yourself and crowding out the people you’re supposed to be an ally of, for the record).
And on that cheery note, I am heading into the spice mines. Have as lovely a Monday as you can hang with, Constant Reader, and I’ll be back tomorrow.
Thursday and my last day in the office for the week. I can go in a little later than usual this morning, so I am sipping my coffee and eating my morning slice of marble coffee cake (from Rouses, and I love it) and slowly trying to get it together this morning before I hit the road for the office. I did some work last night, and some chores when I got home, but feel a little tired this morning–moving kind of slow here at the junction–but I can come straight home from the office tonight and I am going to get some work done tonight. Tomorrow is my work-at-home, and I have a department meeting to get through also. I can live with it. I think we’re also going to Costco this weekend (got to stock up before prices start rising uncontrollably, thanks again, MAGA trash voters), and I really need to pull it together for myself. The auction is still making money (the auction is closed but the donate button is still active), which is super-awesome, and very uplifting. Obviously, it doesn’t mean everyone who donated and everyone who bid are actually allies through and through, but it’s something, and I am not going to be cynical about raising over 300% of our goal. Woo-hoo, way to go, everyone! A bright light shining through these steadily darkening times.
It was very windy yesterday and we are having high winds again today, which is odd. It’s also much warmer than it usually is around this time of year, which is also odd, and definitely problematic for the looming summer. Sigh, and everything is going to be more expensive, including power (thanks again, MAGA!). The two grocery runs I made this week came out to over $140 combined, and I didn’t really get all that much, which completely sucks. I was tired when I got home from work yesterday, and wrote for a little while until I got stuck. I still got in over a thousand words, so I am calling that a win.
This week, a recovery from the festivals week, also involved the auction–not to mention the easy to see it coming second Great Depression–so it’s been a bit of a rollercoaster and now that all the adrenaline has died off, I am a bit worn down, which is why I think I am physically tired and a little mentally fatigued. The day is going to be relatively easy, overall; we’re not busy in the clinic today and I should be able to get a lot of paperwork and admin stuff taken care of, and I get to go home an hour early, which is terrific. Sparky will certainly appreciate it, and I want to get some chores done tonight. I need to do another load of laundry, and the dishes, pick up around the apartment, and take out garbage and so forth. Sigh. We also have a department meeting tomorrow morning that I can join remotely. Sigh.
I also have to get back to reading my current reads. I was enjoying both The Get Off and Moonraker, so I want to get them done soon. Moonraker is more interesting in the juxtaposition between the tone and tenor of the books vs the silliness of the movies. It is very much of its time, and the whole “gentlemenly” approach to the spy genre is snobbish. classist, and yet still interesting in a weird, classist elitist kind of way; the whole gentility thing they still have across the pond is something we’ve never quite adapted completely, which isn’t a bad thing. It’s been tried before, obviously, and some are still trying; the Boston Club and other organizations like it dot New Orleans–because of Carnival krewes. Carnival krewes were, from the very beginning, nothing more than an extension/adaptation of the men’s clubs in London, which I will definitely need to talk about when I write my essay about revisiting the novel.
And on that groggy note, I am heading into the spice mines. May your Thursday be free of drama and full of joy, Constant Reader, and I’ll be back on the morrow.
“We Are Family” is one of those songs from the disco era–the ones that still get played on oldies nights in queer bars and continues to live on. Obviously, it’s an iconic gay anthem–about our found families rather than the blood ones that so often want nothing to do with us–and it’s also really popular with sororities…at least it was back then. It’s a very joyful and uplifting song, lyrically, so it’s also fun to belt out at the top of your lungs. Disco was a really fun time for a gay boy in sparsely populated Kansas…it’s where my love of dancing really took off. The dance floor was, for many years, the only place where I felt free.
Yesterday was a decent day. We were very fortunate to not have any of that bad weather that was forecast, at least not here in the Lost Apartment. I’ve not checked on the storm toll throughout the rest of the South yet, primarily because I’ve not even finished my first cup of coffee yet. But I did see yesterday some horrific weather was happening throughout the South as the result of that storm cell yesterday, so I hope everyone got through it okay and is doing well this morning. Weather events are both terrible and terrifying. It’s kind of ironic that my current book I am writing is set during a weather event. But I feel rested this morning and I got up early (Sparky wasn’t quite as kind about letting me sleep later), and am about to start my second cup. I did okay yesterday. I was still mentally fatigued yesterday so wasn’t able to get a lot of creative work done, but managed some. I also did some chores and picked up around here, and walked to Walgreens in the morning to get butter, which I’d forgotten at the store on Friday (and I need a stick of butter for today’s dinner). Aside–Walgreens actually had stock. The one-two punch of Hurricane Ida and the pandemic dealt it a blow I didn’t think it was going to ever recover from; there were empty shelves everywhere, empty refrigeration cases, and you could never be sure they’d the one thing you needed–which happened more than once over the years since then. But I was very pleasantly surprised to see they had finally restocked, and they had things….not just the butter I needed but some other things I also needed and didn’t think they would have. NARRATOR VOICE: They did have those things, which was most pleasing to mine eyes.
This is delightful news–not quite “oh they opened a new Rouse’s in the CBD that’s actually on my way home” delightful, but it’s nice to know that I don’t have to get in the car to go get things necessarily anymore. I love when my life becomes more convenient.
I spent some more time with Moonraker yesterday, and it’s…something. There’s an unemotional distance in Fleming’s voice (he also uses the distant third person omniscient narrator style of writing, which I was trained so long ago not to use–I always use first or close third person, and it always surprises me when I read a legendary author’s work to find they use it), and there’s no sentimentality to it, either. The casual misogyny of the time is an eyeful, as well as the way Bond (and by extension, the secret service and the culture/society as whole) doesn’t really view women as people, but rather as almost ignorant children who need the guiding of a man). It’s also a good reminder that the Bond novels weren’t as over-the-top and tongue-in-cheek as the films1. The original novels definitely have a completely different feel from the movies, that is for damned sure. Fleming died around the time the first film was being made, so he never saw what Hollywood did to his characters and stories. I suspect he wouldn’t have cared much for them; the books are very cold. But it’s interesting to revisit it, and the similarities/prescience of Hugo Drax to Elmo Dusk are definitely eerie and make the book more compelling to read than it would have been a year ago.
Three out of four of the Lefty Awards last night went to friends–James L’etoile won Best Novel; Rob Osler won Best Humorous; and John Copenhaver won Best Historical–and two were openly queer writers writing about openly queer characters! Woo-hoo! The times, they are a-changing! There were also a number of other friends also nominated, so shout out to one and all the nominees and winners! Huzzah!
We did finish watching Running Point, which was a lot of fun and we greatly enjoyed it. We then watched the first three episodes of Adolescence on Netflix, which is disturbingly real. It opens with a 13 year old boy being arrested for the murder of a classmate, and the child is very definitely disturbed. We’ll finish that today probably, but I also have a lot of writing to do. We’ll see how everything goes.
And on that note I am heading into the spice mines. Have a lovely Sunday, all, and I’ll be back at some point.
Ayn Rand, in writing about “heroes” in film and novels, wrote about the early Bond films in an essay about art. I remember how much she loved Dr. No–really one of the only Bonds to be done as a serious film–and how much she hated Goldfinger.↩︎
Sunday morning where we’ve sprung forward (I hate Daylight Savings Time) and I feel off, like always when this happens. I’ve never cared for the spring part of it, but must admit I do enjoy the “extra” hour in the fall. I did go to bed early last night, and slept well–it apparently rained overnight, which undoubtedly helped with that. Of course, Sparky’s body clock didn’t change, so he wasn’t hungry enough to bother me until it was actually time for me to go ahead and get up, which was nice. (It’s this fall when he’ll annoy me early, isn’t it?) I have some things I need to get done today, which should be easy enough to do. I finished reading The Bell in the Fog yesterday (my thoughts are posted here) and really enjoyed it; and I am going to revisit an old Ian Fleming James Bond novel, Moonraker1next I think. I may read something new alongside of it, but I haven’t decided which yet. Revisiting the original Fleming Bond novels will also give me something to think and write about on the subject of toxic masculinity and sociopathy. (So many post-war “heroes” defined masculinity so narrowly–and dangerously; Mike Hammer, James Bond…and yes, reading The Bell in the Fog put me in mind of post-war crime fiction.)
I am kind of working on a long essay–I have been since last spring, actually–about gay men and masculinity, and how societal norms and mores about them impact/twist our lives and makes it harder for us to just, I don’t know, be. I just read a great piece on the taboo of the male body that also plays into the paradigm I’m writing about. The societal reticence about the male body, and male nudity, is almost always centered on the groin area; you could depict a male completely nude as long as there was a fig leaf over the genitals. A lot of Renaissance paintings and sculptures at one point had “modesty leaves” placed over make genitals–and why is that? (Don’t even get me started on women…I’d be here for the rest of the year) Because whenever someone sees a limp penis resting on a pair of testicles they go mad with desire and sexual lust? (Although the way websites for gays drool and get “parched” over revealing pictures of influencers, actors, musicians, and other celebrities has always turned my stomach a little bit. I know, I know, but at the same time there’s something a little ‘junior high locker room” about that I find personally distasteful and almost cringe-y. Your mileage might vary and I am only speaking for myself. I enjoy looking at gorgeous men as much as the next gay man or cishet woman; I post one on here with every entry that isn’t about a book, movie or TV show. I like eye candy! There’s nothing wrong with it! I just feel the way the links and emails and so forth are shared, and the language used, is kind of juvenile and pandering and Tiger Beat-esque.)
You see how reading can influence my work? Lev’s got me thinking about writing queer historicals again–not that I was ever not going to write Chlorine, and I am hoping to get that done this summer or fall, finally–but the next book I am writing is Never Kiss a Stranger, which is also kind of a historical, since it is set in New Orleans in the summer of 1994. (An excerpt from it will be published in an upcoming anthology, which is very exciting for me. I also sold an excerpt from Chlorine recently also as a short story, so guess what, Constant Reader? You’ll be able to get a preview of both books soon! How fucking fun is that?) I often think of all the things I want to write–books, essays, short stories–and get overwhelmed because I know I’ll never get to them all before I expire. It doesn’t look like I will ever be able to retire now (fuck you again, MAGA, now and forever and ever, amen), so it really is going to be about managing my energy, being selfish, and being able to continue to write in my free time. It’s also going to make doing research no easier. Sigh. I am starting to resent all the volunteer time I’ve done over the last twenty years or so–not for Saints and Sinners, but pretty much everything else. I used to think I was making a difference, not only in the world but in various writing communities, but the truth is I wasn’t.
I’ve always wanted to make a difference in the world, and the reality is I should have realized that difference I could make would be best served from my writing, not from anything else. I think that comes from a lifetime of never taking myself seriously because no one else ever did. I did learn things about myself, the community, and other people from the volunteering; so that was something gained, and while I hardly consider myself to be a “sage” or even a “community elder” 2, I have been around a long time. I always thought I got started in publishing way too late, but the number of people who published their first novel before forty isn’t that long, actually. But that also means I’ve been doing this now for almost thirty years (I started writing for a queer paper in Minneapolis in 1996, and my how things have changed over the years. I also never really had any desire to be famous; sure, when I was a kid I fantasized about being a movie star or a singer (alas, couldn’t act or sing), but writing was what I always wanted to do, hungered to do, and basically that desire subsumed every other ambition or fantasy. I also never wanted to be a celebrity author, or have the kind of success others have. All I ever wanted was to just write and make a living from that. I don’t need to be rich; I’ve never needed that. I’d prefer to be comfortable, and never have to worry about bills and things.
But the thing with money and success is most people never think they have enough, isn’t it?
Look at Space Nazi, for example. Isn’t he about the right age to be a boy from Brazil?
And on that note, I am heading into the spice mines. Have a lovely Sunday, Constant Reader, and I will chat at you again soon, most likely tomorrow morning.
I saw a meme on-line that pointed out how dated Moonraker was–since it’s about a billionaire who moves to England and gets involved in the government with an ulterior motive… ↩︎
I can’t deny I am old, so therefore it stands to reason I am, in fact, an elder. But I don’t think I’m a sage at all. ↩︎
Monday morning and back to the office with me once I’ve woken up, cleaned up, and showered. It was a good weekend for the most part, mostly anticlimactic feeling after the visit with the surgeon on Friday morning; I’d say the best word to describe the weekend would be relief. I slept well last night, and yesterday was a nice, relaxing one. I cleaned and read my own works in progress and made some revising notes; I also started writing the opening of the next Valerie book in my journal, which was kind of fun. There’s a bit of a mess that needs to be cleared up before the book really starts going, but that’s what rewrites are for. At some point this week I’ll need to transcribe what was written into a Word file– I also need to do that with “Parlor Tricks,” a short story I freeform wrote some stuff in my journal for–and I also want to get back to writing again. I’ve been lazy lately–burnout maybe from the back-to-back writing of the most recent two–but I need to start working again.
But it’s always nice to revisit works-in-progress you’ve not progressed on or thought much about in over a year other than the occasional idle thought: oh, I should probably finish that novellaor short story or whatever and then make a note or something and promptly forget about it. I’d not realized how far I’d gotten with a Chanse (!) novella until I read it yesterday, and even as i was reading it I was thinking tweak this or this would be a good place to go into this and oh you can restate that paragraph to make it a lot more powerful , which was nice. I also reread the starts of several short stories in progress, several of which I’d forgotten about, like “A Little More Jazz for the Axeman” and “Please Die Soon”–a really fun exploration of gaslighting as well as unreliable narration, and even the main character isn’t sure if she’s being gaslit or if her mind is fucking with her, which is a super-fun concept to work with. I also looked through “Festival of the Redeemer” and “A Holler Full of Kudzu” and “Spellcaster”; all of which have a lot more potential than I remembered or would have thought.
We got caught up on The Morning Show last night–it really is a strong show, kind of like The West Wing about a television network, in some ways, and the cast is simply superb–and then started watching Suspect on Britbox, which I am not sure I am sold on, to be honest. It’s a great concept and has a great cast, but…I’m so tired of “something happens to child of bad/absent father and so angry father must appease feelings of guilt by tracking down killers/rapists/kidnappers/etc. to avenge child they neglected while alive.” I fucking hate this trope because they always portray the dad as some sympathetic hero. Sorry, if you beget children, you need to be a good parent to them and present while they are alive, and “avenging” said child doesn’t make up for it. (I really think S. A. Cosby ended this trope forever with Razorblade Tears; Shawn took a very tired trope, breathed new life into it, and wrote the definitive book on the subject; no one else need bother anymore unless you do better than Shawn…and good luck with that.) Was Liam Neeson not available to play Super-dad in this? Someone needs to do a lengthy critical essay book about the trope of the super-father in fiction, the societal problems they mask, and their unrealism bordering on fantasy to the point of being inadvertent straight male camp. (Which really is what James Bond, Mission: Impossible, and The Fast and the Furious franchises are, just like the Marvel/DC comic book movies are–there’s a dissertation for a PhD in Women’s Studies for someone. You’re welcome.)
I also, in reading the stacks of paper-clipped drafts in one of my stack of inboxes, found another draft of “Whim of the Wind” I’d forgotten about–see what I mean about my shitty memory?–where I’d undertaken a thorough rewrite, and I’m not certain I don’t prefer this opening to the most recent attempt to revise the story. So I am going to compare/contrast the two of them, and see what comes out of it. I also am not certain I like the new ending I came up with, because it doesn’t really work with the tone and voice of the story (it’s also very reminiscent of how I’ve ended a couple of other stories lately, and I don’t like being repetitive, which I find in short stories a lot more frequently than I’d like, to be honest), so I am going to give it yet another old college try to see if I can’t finally whip this damned story into publication strength (after forty years, it’s the least I can do for it). Writing freeform in longhand yesterday in my journal also seemed to unlock something in my mind–the creative stall or whatever you want to call it–but I feel like writing again, and I don’t dread it or even think meh not doing anything today isn’t going to hurt anything, which is incredibly stupid (but one of those lies my brain tells itself to get out of writing).
And on that note I am heading into the spice mines. Have a lovely Monday, everyone, and I’ll check in with you again later.
I’ve been sleeping deeply and well lately for an insomniac; I suspect it has more to do with the pain being exhausting than anything else. Any surgery is traumatic to the system and requires rest for recovery, and oral surgery is no different than any other. I’ve taken today off as well as tomorrow; I was thinking yesterday I could probably just go in today and do some paperwork or something, but (and this is not laziness) I started thinking it’s probably best to give myself enough recovery time before I head back in–and I also know the clinic is jam-packed with appointments for today and tomorrow, and I just don’t think I have the energy to deal with that today. I think one more good night’s sleep with probably do the trick.
The Saints won a nail-biter yesterday and I didn’t watch the US Open final; I just can’t with Novak Djokovic anymore. I used to like him until he became an anti-vax/COVID denier, and I can’t with that, I’m sorry. I respect his athleticism, commitment to his sport and being the best, but as a person? I can’t help but feel he’s a selfish, arrogant, borderline sociopathic asshole. Of course he’s entitled to his opinion, but he’s not entitled to me being a fan and watching him play, either. For the record, that’s how it works. I don’t deny him the right to be an anti-vaxxer/COVID denier, but I also don’t have to be a fan or watch him play. We got caught up on Only Murders in the Building and Ahsoka last night, too. I also finished several in-progress blog entries, including the one called “Shame” about homophobia in crime fiction and how things have gotten better over the years–but we can’t forget how bad it used to be, either, which was the point of the post, really; telling the crime community that we’re here, we’re queer, and we’re not going any fucking where.
Get fucking used to us.
Today I am going to try to do some chores around here. I’m feeling like a slug–anxiety talking again; I always feel like I should be doing something and down-time is time wasted–so I think I should do some things today. I suppose it depends on my energy stores, and how long it holds out. I want to read some more of Shawn’s book this morning–I think my resistance to that brutal opening was more of the post-surgery exhaustion–and I also need to empty the dishwasher and do another load that is soaking in the sink. I also want to make something to take for lunch this week–I’m thinking Swedish meatballs in the slow cooker, but am not sure if my minimal chewing abilities can handle the meatballs, even if I cut them up smaller before putting them in my mouth; I don’t think I can swallow them unchewed in some fashion–and I do need to go buy more ice cream and yogurt. I think some of the soups and ramen on hand could be useful. I can’t wait till I can eat a burger again, to be honest.
I also need to answer all the emails that have been languishing in my inbox for quite some time. I owe Dad an email–I’ve not had the strength after Bouchercon and the surgery to face writing him–and my sister’s birthday is this week. I also need to mail something, so I think I’ll drive uptown to make groceries and see what else is possible for soft foods for the week (mashed potatoes, baked potatoes, that sort of thing). I need to get the things on my to-so list knocked out, too. I feel more rested and more myself this morning, but maybe that’s because the pain pills haven’t quite kicked in yet. I also need to start revising/editing Jackson Square Jazz; I’m very excited about that finally being available again, and since Scotty turns twenty-one next year, I kind of want to celebrate the series throughout the year and I don’t know, maybe give away first editions? Something, anyway.
It’s also hard to believe Chanse will be twenty-two in January. I’ve been doing this for over a third of my life now. I owe it all to my stubbornness and obliviousness. Someone smarter and more aware would have probably given up a long time ago, but here I am, still here, older and possibly wiser and certainly not much smarter than I was all these years ago when I was a wide-eyed innocent walking into the world of the published word. I always remember that first August Paul and I lived here back in 1996. We went to a fundraised for the LGBT Center, and there was a tarot card reader there. (I’ve always been fascinated by tarot; I blame the James Bond movie Live and Let Die, which also connected New Orleans and the tarot in my mind. I write about a “private eye” who’s slightly psychic and reads tarot cards and lives in New Orleans. Coincidence? Probably not. Sadly, it’s always been one of my favorite Bond movies and always has held a special place in my brain for introducing me to Bond, New Orleans, and the tarot…unfortunately, the film does NOT hold up forty or fifty years later.) Anyway, the question I thought about as I held the cards in my hand was will I ever be a published writer? The answer the cards gave her was “Yes, but it will not be anything like you think it will be.” A generic answer, yes, that could apply to any number of questions…things are generally never what you thought or imagined they would be. Being a published author is definitely not anything like I ever dreamed or fantasized about when I wasn’t one. I know I thought being published would change my life for the better (I was not wrong about that) but…yes, it’s nothing like what I thought it would be like. Publishing can be a very cold and lonely place, but all you can really control is the work itself. You can’t control whether or not you get published, you can’t control whether or not the book sells, you can’t control the way readers and reviewers will react to it, you can’t control whether you get award recognition. All you actually can control is the writing itself, and do the best you can. I always hope my work is getting better–which should make reediting and revising the original Jackson Square Jazz interesting…
And on that note, I am going to bring this to a close, make another cup of coffee, and start working on the chores around the kitchen, while streaming music through my iHome speakers. I’ll probably check back in later–I have all those unfinished blog entries I need to eventually finish and post–and I also want to get some fiction writing done today as well. Have a great Monday, Constant Reader–do you think today’s photo will get my adult content flags on social media?
Masculinity is something I’ve always felt I viewed from the outside.
It’s very strange; for someone who doesn’t look back very often and has a rather healthy disdain for nostalgia, for some reason since the pandemic started, I’ve been revisiting my past a lot. I don’t know, perhaps it was triggered by having dinner with an old friend from high school a while back (which also inspired me to write a horribly dark short story); or perhaps it’s because of short stories or novel ideas I’ve been toying with, but lately, I’ve been thinking about my past much more so than I usually do, and what it was like for me growing up. I wrote a Sisters in Crime quarterly column several years ago about the first time I realized, once and for all, that I was indeed different from everyone else–it centered the first time I heard the word fairy used towards me as a pejorative, as well as the first time I was called a faggot. I’ve also been examining and turning over issues of masculinity inside my head for quite some time (most of my life). #shedeservedit was itself an examination of toxic masculinity and how it reverberates through a small community when it’s allowed to run rampant and unchecked: boys will be boys. Some short stories I’ve published have also examined the same subject.
What can I say? My not being the American masculine ideal has played a very major part in shaping my life and who I am; how could it not? I used to, when I was a kid, pray that I’d wake up the next morning and magically be turned into the kind of boy I was supposed to be, the kind that every other boy I knew–from classmates to cousins to everything I watched on television and at the movies.
Society and culture have changed in many ways since I was a little boy who didn’t fit so easily into the conformist role for little boys; roles for male and female were very narrowly defined when I was a child, and children were forced into conforming to those roles almost from birth. Boys were supposed to be rough and tumble and play sports and get dirty and like bugs and frogs and so forth; girls were supposed to be feminine and play with dolls or play house, wear dresses and mother their baby dolls. Boys weren’t supposed to read or enjoy reading (but I was also supposed to get good grades and be smart), and that was all I wanted to do when I was a kid. I used to love Saturdays, when my mother would go to the grocery store and drop me off at the library on her way. I loved looking at the books on the shelves, looking at the cover art and reading the descriptions on the back. I loved getting the Scholastic Book Club catalog and picking out a few books; the excitement of the day when the books I’d ordered arrived and I could go out on the back porch when I got home and read them cover to cover. I was constantly, endlessly, pushed to do more “boyish” things; I played Pee-wee baseball (very much against my will), and later was pushed into playing football in high school–which I hated at first but eventually came to love…which just goes to show, don’t automatically hate something without trying it. But yeah, I never loved playing baseball. I was enormously happy when we moved to Kansas and I discovered, to my great joy, that my new high school didn’t have a team.
One less traditionally masculine thing for me to participate in was always a bonus.
The things that I really wanted to do weren’t considered masculine pursuits, and as a general rule I was denied them as much as possible. My parents forbade me from reading books about girls–Nancy Drew, the Dana Girls, Trixie Belden–which, quite naturally, made me want them more (my entire life the best way to get me to do something is to tell me either not to do it or tell me I can’t do it…either always makes me want to do it). Oddly enough, when my reading tastes became more adult–when I moved from children’s books to reading fiction for adults–they didn’t seem to care that I was reading books by women about women quite so much as they did when I was younger; either that, or they gave up trying as they finally saw me as a lost cause–one or the other; I don’t know which was the actual case. Maybe my embrace of football in high school overrode everything else suspect about me. It’s possible. My family has always worshipped at the goalposts…and I kind of still do. GEAUX TIGERS!
I spent a lot of my early life trying to understand masculinity and how it worked; what it was and why it was something I should aspire to–and never could quite wrap my mind around it. The role models for men always pointed out to me–John Wayne, etc.–never resonated with me; I always thought they were kind of dicks, to be honest. The whole “boys don’t cry, men never show emotions, men make the money and the entire household revolves around their wants and needs” shtick never took with me, and of course, as I never had any real sexual interest in women…the whole “locker room talk” thing was always kind of revolting to me, because I always saw girls as people. It probably had something to do with the fact that I was more likely to be able to trust girls than boys; I had so many boys decide they couldn’t be friends with me anymore because at some point other kids calling me a fairy began having an negative impact on their own lives all through junior and senior high school (to this day, I’ve never understood this; why were we friends before, and what changed? It wasn’t me…I didn’t suddenly switch gears from butch boy to effeminate overnight) it’s little wonder I have difficulty ever trusting straight men…but in fairness, I have trouble trusting everyone. But I never quite understood the entire “boys are studs girls are sluts” thing, but I also never truly understood the dynamics of male/female attraction. Yes, I dated in high school; I dated women in college before I finally stopped entirely. And yes, I also have had sex with women, back then–but never really enjoyed it much.
In all honesty, I still don’t understand masculinity, at least not as it was defined in my earlier decades of life. I’ve never understood the cavemen-like mentality of responding with violence (no matter how angry I get, I never get violent); I’ve never understood the refusal to recognize that women are human beings rather than life support systems for vaginas and wombs and breasts; I’ve never understood the mentality that a man’s desires should trump (see what I did there?) bodily autonomy for women. No man has a right to a woman’s body, nor does any man have a right to tell a woman what she can or cannot do with her body. Maybe always being an outsider looking in and observing has something to do with my mindset, maybe my difference and always having mostly female friends most of my life is what shaped me into understanding these things.
I also mostly only read women’s books, to be honest. There are some straight male writers I read and admire (Ace Atkins, Bill Loefhelm, Michael Koryta, Harlan Coben, Chris Holm, Stephen King, Jeff Abbott and Paul Tremblay, just to name a few) but I really have no desire to read straight male fantasies that reduce women to caricatures and gay men, if they do appear, as stereotypes; but after I recently read I the Jury by Mickey Spillane, a comment someone left on my post gave me a whole new perspective on how to read such books from the 40’s 50’s, and 60’s; the perspective of reading these books as examples of post-war PTSD…and that opened my eyes to all kinds of questions and potential critical analyses; that the horrors of World War II and what the veterans saw and experienced shaped the development of the culture of toxic masculinity that arose after the war (not that toxic masculinity didn’t exist before the war, of course, but the war experience certainly didn’t help any and it most definitely reshaped what “being a man” meant). I was thinking about doing a lengthier critical piece, on I the Jury, along with the first Travis McGee novel, and possibly including Ross Macdonald, Richard Stark and possibly Alistair MacLean. There’s certainly a wealth of material there to take a look at, evaluate, and deconstruct–and that’s not even getting into Ian Fleming and James Bond.
I’ve also always found it rather interesting that Mickey Spillane was Ayn Rand’s favorite writer. Make of that what you will.And on that note, I am off to bed. The last two days have been long ones, and tomorrow and Sunday will also be long days. I’m planning on driving back to New Orleans on Sunday–timing it so I get back after the parades are over so I can actually get home–regardless of what happens here. It’s not been an easy time here, and I am very tired.
I’ve told this story any number of times; how the writing of the book was derailed by two awful things that happened in my life, and how I finally got back to writing again in the spring of 2005, managing to finish this and turn it into literally two or three weeks before Hurricane Katrina came barreling ashore and changed everything in my life, and the long recovery time from that paradigm shift, trying to adjust to the new reality I was facing every day. It felt weird going over the copy edits, weirder still doing the page proofs (I actually had the incredibly sharp-eyed Becky Cochrane and Timothy J. Lambert do it for me while I was visiting the Compound, thanks again, guys!), and even stranger having to tour and promote a book about New Orleans set before Katrina while still dealing with the recovery.
I’ve told those stories before, and that isn’t really what these entries are about; these entries are about the books themselves and how I came up with the stories and so forth, and the writing of the books. The primary problem, of course, is that I wrote this book between and around tragedies; the two year period I call the Time of Troubles that began on Memorial Day weekend in 2004 and ran through about 2008, really; because that’s about how long it took after all those issues for me to feel like my feet were beneath me again and I once again had a grasp on my life. I don’t remember what the original story was about, other than it centered on the Krewe of Iris, Scotty’s Diderot grandmother’s best friend who’d married a much younger muscle-stud Russian, and that’s really about it. The Russian would have something to do with a Colin case–and it would turn out actually be the case that brought him undercover to New Orleans in the first place during Southern Decadence; in Jackson Square Jazz we find out what Colin’s real job is, and that he was in town originally about the Napoleon death mask–but he was also in town to keep an eye on the young muscle-stud Russian who’d married Scotty’s grandmother’s best friend. It wasn’t really working, and I didn’t much care for the story, to be honest; I’d already asked for an extension before Memorial Day weekend in 2004 when all the shit started happening; after Paul was attacked they took it off the schedule and told me not to worry about it. (I appreciated the courtesy greatly at the time, but at the same time had this sinking feeling in the back of my head uh oh, they may not want another one after this–which turned out to be correct. But I dismissed the fear as part of my on-going struggle with Imposter Syndrome. It took me about six months, more or less, to get back to writing. I started my blog right after Christmas that year, and there I was writing every day again, and by January of 2005 I was ready to get going on this book again. I remember rereading everything I’d already done, not liking it, and deciding to scrap it and start over with the same essential premise: rich older society woman in New Orleans has married a much younger Russian boy-toy; Colin is investigating the boy-toy; and it’s Carnival season. Shortly after getting about halfway into a new first draft, the Virginia thing happened and I was derailed again. After that was over and I went back to the book…once again I didn’t like what was happening in the story and I threw it all out and started over again.
But this time, I hit my stride and four months later I turned the book in at long last, along with a proposal for a fourth, Hurricane Party Hustle, which was going to be set during an evacuation and would wrap up the loose ends left at the end of Mardi Gras Mambo.
And of course, three weeks later Katrina changed everything, and Hurricane Party Hustle went into the drawer.
Last night I dreamed it was Mardi Gras again. It seemed to me I was standing inside an iron gate, watching one of the night parades go by. The sidewalks in front of the gate were crowded with people, all shouting, with their grasping eager hands up in the air. Out beyond the edge of the curb, I could see people sitting in lawn chairs. Still others were up on ladders, with coolers and plastic bags of booty piled around them on the ground. Fathers and mothers were holding up babies, while black kids with the crotches of their pants down around their knees walked behind the crowd, weighted down by the ropes of beads around their necks. Beads were flying through the air, some getting caught and tangled in the branches of the towering gnarled oaks lining the avenue. The heavy upper branches of those oaks also blocked out the glow of the ancient street lamps so the night seemed even darker than it should. I could hear a marching band, playing a recent hip-hop hit, and the strange clicking sound of the baton girls’ tap shoes on the pavement. The air was heavy with the heavy fragrance of hot grease, corn dogs and the strange melted yellowish-orangey substance the vendors put on nachos that purports to be cheese—but no one is really sure what it is. A group of flambeaux carriers were passing by, dancing that odd little circular dance they do, their propane tanks popping and hissing, throwing long and twisted shadows that also danced inside the iron fence I was behind. Right behind them a huge float pulled by a tractor was coming and the crowd’s shouts became louder, more desperate, more pleading. On the float’s front was a huge white clown face, its bright red lips parted in what passed for a smile but seemed to me to be a frightening leer. The masks on the float riders glowed supernaturally at the hordes begging them for generosity in the strange light cast by the moon when it cleared the thick clouds in the cold night sky. I stood inside the black iron fence, my arms wrapped around me against the cold as an increased sense of menace and dread built inside me. Something bad was going to happen—
Oh, get real, Scotty!
If I do have bad dreams, I don’t remember them when I wake up. I’ve certainly never been troubled in my sleep, even though crazy things always seem to happen to me. I’m just one of those people, I guess. For whatever reason, the Goddess has decided to throw some wild stuff at me—she always has, even when I was a kid—and what can you do? I just don’t think I am one of those people who were destined to have a nice, normal, quiet life. Maybe it’s because I was named Milton Bradley at birth. Yes, that’s right. Milton Bradley. My older brother started calling me by my middle name, Scotty, before I started school and thank the Goddess, it stuck. Can you imagine how cruel the kids would have been to someone named Milton, let alone Milton Bradley? And then of course there’s the gay thing. I was lucky—my parents are pretty liberal and were delighted to have a gay son—like it somehow proved how truly cool they really are or something. They are pretty cool, actually.
By now, I’d taken to starting all of my New Orleans novels with a Tennessee Williams quote; for this one I chose a line from Vieux Carré: “You’ve got a lot to learn about life in the Quarter.”
I had opened Bourbon Street Blues with a parody of “The name’s Bond, James Bond” and I’d done something similar with Jackson Square Jazz–“Danger is my middle name”, riffing on Trouble is My Business. I decided to open this book with a parody of the opening line of Rebecca: “Last night I dreamed I went to Mardi Gras again.” But that entire opening paragraph of du Maurier’s is so fucking brilliant, I couldn’t help myself and made my entire first paragraph a parody of that opening. I then decided that from then forward, every Scotty book would have a Williams quote and each prologue–where Scotty introduces himself and his cast of characters and gives backstory so I don’t have to do it in the text of the story itself–would parody the opening paragraph of a famous novel, rather than just the first line (I am actually struggling to find the proper opening to parody to start the prologue for this one. I’ve used Rebecca, Peyton Place, The Haunting of Hill House, and Lolita, among others so far already; I’ve tried with this one to use An American Tragedy, Atlas Shrugged and The Great Gatsby thus far, with no luck. I’ve tried Valley of the Dolls several times for other books in the series already, but I can’t ever get it to work for me).
I do remember that the one thing that didn’t come across in those earlier drafts that I had abandoned was the sense of insanity that Carnival always brings with it; that feeling of “controlled anarchy” we experience those two weeks of parades, of knowing you have to schedule your entire life around a parade schedule–true even for those who do not live inside the box, as we say here; the box being the Uptown parade route–I always have to schedule my job, my trips to run errands uptown, everything, predicated around having to get home at least two hours before the parades start, and am incredibly lucky if I can get a parking spot within three blocks of the Lost Apartment. The thing I kept forgetting in those earlier versions was the books are meant to be fun. Granted, I was hardly in a mental space to write something fun…and of course the decision to really take it completely over the top the way I did was something I still think about to this day and wonder, where on earth did you get the idea for identical triplets?
Which, while crazy, made more sense than the cloning story I tried to write the second time.
Maybe those bad things happened for a reason? Because I couldn’t be more pleased with how the story and the book turned out. I also ran out of room to finish the personal story…but I also was operating on the assumption I’d get a contract for a fourth book. If not for Katrina, Kensington might have made another offer and Hurricane Party Hustle might have been the fourth Scotty than something just sitting in the files.
The book was released on Fat Tuesday, 2006. Paul and I had been out of town–the truncated Carnival/parade season seemed almost too sad to handle, so we’d accepted a gig to speak at the South Carolina Book Festival. We flew back to New Orleans the Sunday morning before Fat Tuesday. I’d checked my email that morning before boarding the flight to Atlanta (we changed planes) and then our cab driver couldn’t get closer to St. Charles than Baronne Street. A parade was going as we got out of the car, and we had to cross the parade (it was in the high seventies and sunny) with our luggage–I’ll never forget looking up as we got ready to cross and catching a bag of beads with my hand just before it connected with my face–and got home. I checked my emails and my word! SO MANY EMAILS.
You see, that day’s edition of the Times-Picayune carried Susan Larson’s review of the book, and it was a rave! Everyone emailed me as soon as they saw it–I still bask in the glory of that review–and I was about to embark on probably the most ambitious book tour of my career.
I just didn’t see, though, how I could write another funny, light book about a city still in ruins whose recovery was still questionable.
The series was, for the moment, over–with the personal story not resolved the way I would have wanted, but it could stand as it was, should there never be another Scotty story.
Rereading it, I couldn’t but laugh at some of the outrageous twists and turns the plot took.
Queer and Loathing in America 