So, this is another Monday in one of the last weeks of 2025. I slept well, and only hit snooze twice, which was unusual. I feel rested and good this morning, which is absolutely delightful. I didn’t get all my chores done over the weekend, so I’ll have to put away dishes and so forth when I get home from work this evening. I also have some dishes to wash and put through the dishwasher, too. Yesterday was a nice, lovely, relaxing day. I finished watching The American Revolution and New Orleans Soul of a City (the last one was about the Saints and the Superdome–so the series was food, music, Carnival, and the Saints; pretty much the soul of New Orleans). The college football play-off seedings were released, to the anger of several fan bases, and LSU is going to the Texas Bowl to play Houston in Houston. We also watched The Roses, which was interesting. I also spent a lot of time scanning journal pages into my computer so I can get all my notes over the years on Chlorine easily accessible and in one place. It’s chilly this morning, but the rest of the week (I think) will have highs in the 1970s.
ICE is here, sweeping the city with a goal of five thousand “criminals” to deport from the New Orleans area–and they are doing it so far with all the skill, efficiency, and Constitutional adherence they’ve shown everywhere else they’ve invaded with their Gestapo tactics. The reports so far seem to have netted only thirty-eight arrests, a third of whom had criminal records (odds they’ll be here through Carnival?), and they seem to have primarily focused on the immigrant community in Kenner, the suburb with the airport and the last one before you hit swamp heading west on I-10. A friendly reminder, that always needs to be mentioned, that immigrants rebuilt the city after Katrina. That’s why New Orleans was a sanctuary city: gratitude, which always seems to be in such short supply in the American psyche. I’ve been blocking the racist trash from the outer parishes and “metro area” who always claim to be from New Orleans but never are, who show up with their hateful bullshit on social media. I drove one bitch all the way off Threads recently, who pulled the I live in New Orleans which then became I’m from New Orleans to I was born in New Orleans but a quick search of her social media (wide open, I might add) showed she actually lives in ALABAMA, like the lying piece of racist trash she was, and that her husband worked for a government contractor. When I asked her how her husband’s employer would react to her being a racist lying piece of shit on-line, POOF. She was gone.
Keep New Orleans out of your disgusting, filthy, lying racist-ass mouths–and if you’re going to be such a troll on-line, don’t use your real name and leave all of your social media open. They’re rarely smart, you know?
And for the record, racist skanks in the burbs, New Orleans has always had crime; it’s a port fucking city. The history of this city is drenched in blood spilled by violence. Y’all fled the city after integration. Fuck ALL the way off.
Nothing makes my blood boil more than non-New Orleanians complaining about New Orleans. Begone! You have no power here!
But as always, going through the journals to scan my notes from Chlorine (I actually found the very first time I wrote the idea down, which was kind of cool) was revelatory; I really need to go through my journals more regularly to remind myself what is in there. There are some terrific ideas for short stories and essays in there, as well as notes on multiple projects that are still unfinished. As I was saying yesterday, my journals are far more informative about my writing process than anything in the files, so I think one of my projects for the rest of December is to ditch a lot of my files and get everything compressed into the filing cabinet. I also need to prune the books some more, and start clearing out the storage attic, and take everything off the tops of the kitchen cabinets (I literally have boxes of books everywhere).
And then there’s that moment when Carl Hiaasen shares your newsletter post reviewing hid book Fever Beach–yes, I still fanboy all the time. Eeee! (And it’s getting lots of likes and shares, which is really cool and was never the point of the review!)
And so, without anymore delays, I am heading into the spice mines this morning. Have yourself a merry little Monday, Constant Reader, and I’ll be back on Tuesday morning!
The river parishes light bonfires on the levees to direct Papa Noel, an incredibly cool Louisiana tradition. They feature prominently in Ellen Byron’s mystery A Cajun Country Christmas.
Good morning, Sunday! I slept late again this morning despite Sparky’s best efforts, and after all those years of insomnia, I do enjoy getting up later. Yesterday was a pretty decent day, overall. I did some things, ran some errands, did chores and kind of overdid it…I was tired by the mid-afternoon, so just hung out in my chair with Sparky in my lap, and we watched some television while Paul dozed on and off for the rest of the day. Some of what we watched was research, so it’s not like I blew off the entire day or anything. The weather has also cooled; it was in the mid-eighties yesterday with a very low degree of humidity so it was actually pleasant outside (and yes, calling the mid-eighties pleasant and almost fall-like is an indication of how hellishly hot here these last few months)–supposed to be similar today, and since I have to walk to Walgreens later on, I’m hoping it is just like yesterday. I think we’re supposed to have cooler weather the rest of the week? The Katrina anniversary is also this Friday–so glad it’s my work-at-home day.
We finished watching Smoke last night and we really enjoyed it. Taron Egerton is a terrific actor, and I love Jurnee Smollett in everything I see her in. There were lots of twists and turns, and the show changes its centering in almost every episode, with some very clever writing sleight-of-hand along the way that always keeps you guessing. It was very well done, and I do recommend it.
I also watched the HBO documentary The Serial Killer’s Apprentice (I also have the book in my TBR stack). I’ve been interested in the Dean Corll/Candyman murders since I first heard about them when I lived in Houston back in 1989-1991, and one of my future projects is rooted in that horrific true crime story. We certainly do know a lot more about psychology, abuse, and grooming nowadays, and so Dr. Katherine Ramsland, who wrote the book based on her interviews with Corll’s teenaged ‘helper’, Elmer Wayne Henley Jr. The documentary doesn’t get into what Corll and his helpers did to those poor boys, but it was horrific. One torture detail that has stuck in my mind all these years since I first heard about the case and read a book about it–I don’t remember the title, but it was fairly old and was written shortly after the trials, and wasn’t terribly long. (When I talk about The Summer of Lost Boys, that’s my Candyman book.) Watching this documentary gave me some other ideas about how to write and structure said book.
I also had the television on for background noise while I was cleaning and doing things yesterday, and tuned in for the Kansas State-Iowa State game from Dublin (KSU lost). I cannot believe it’s football season already, with LSU playing this coming Saturday at Clemson.
The Cracker Barrel uproar from the MAGA morons has been incredibly amusing, but they do have a point. The redesign of the interiors is soulless and horrible, but as for removing the old man and the barrel and the words “old country store” off their logo? It is just rebranding to try to get a new customer base since theirs is dying off. Why is change so hard and terrifying for people to accept? I’ll never understand the perpetual victimhood of right-wingers, myself–yet they call us snowflakes. God, there are few things I despise more than hypocrisy. The only constant in life is change, so fighting change is a fool’s errand, and I sure don’t have time for that, although it sure seems a lot of other people do. It must be nice having a life that allows you the energy and time to waste bitching about a corporate decision that ultimately doesn’t affect or impact anyone in any way, shape or form.
But they have opinions, and of course, it’s the libs’ fault, even though most of couldn’t possibly give less of a shit about Cracker Barrel’s logo. But that redesign of the restaurant space is a mistake, a very big mistake. I maybe eat at a Cracker Barrel once a year with Dad when I’m in Kentucky, but that’s about it. Cracker Barrel hasn’t gotten this kind of attention since they were racist homophobes back in the day.
Had I but known how triggering this would be for the right-wing snowflakes, I would have pushed for a logo redesign for Cracker Barrel decades ago.
And on that note, I am heading into the spice mines. There’s a lot of mess I need to clean up this morning, and I want to read a bit before Paul goes to his trainer. Have a lovely Sunday, Constant Reader, and I’ll be back either later or tomorrow, okay?
For the first time in decades, I am not taking my birthday off.
That’s why I am up at this ungodly hour, swilling down coffee and consuming coffee cake like it’s going out of style. I need to conserve my PTO, because I am going to the panhandle (barring unforeseen circumstances) for a week with my dad in October after a weekend in Alabama for Dad’s and Mom’s birthdays. I also have to take some time off during Bouchercon–there’s no way I can work all day and then host Noir at the Bar that Thursday, and probably not going to be able to do much work that Friday, either. I think I’ve managed to get it all planned out so that I will have just enough vacation time left to do the family thing in October, and then let things start building back up again for the new year. It’s going to be weird going to work on my birthday–I generally take the day off because I don’t need or want the attention that comes with it–but I will survive, I am sure.
Sixty. Four.
Christ on the cross.
I never planned for my future because I never thought I would have one. When I was a kid, I was certain I wasn’t going to have much of an adult life; I always had nightmares about not only dying but how I would die; either in a car accident, or a fall from a high place. This is why I am always, to this day, a little bit tense when I’m in a car and a LOT tense when I am the passenger. In my early twenties, I thought I was going to seroconvert and die from AIDS–why would I ever think that I would survive that pandemic? The next thing I knew I had somehow made it to fifty, then sixty–and now I am sixty-four, with another milestone birthday just a year in my future, should I make it till then. I am woefully unprepared for retirement, so most likely will continue to work for another few years to at least try to get my debt down to a manageable place. Ha ha ha ha, I’m so adorable, aren’t I?
I guess the ship has sailed on me dying young, hasn’t it?
But it’s been a pretty good life thus far, I have to say. I’ve written and published a shit ton of work, which can never be taken away from me, and neither can the awards I’ve either won or made the shortlist for…how many authors never make a shortlist of any kind? But the childhood conditioning that celebrating myself and things I’ve accomplished is a hubristic tempting of fate; how many stories and myths and fables are there about hubristic humans who anger a god? Like I often say, I live in the city I love with the man I love doing work that I love. All of my dreams came true, no matter what happens in the future.
My sixties haven’t been easy on me, and I don’t have the energy I used to have so recovery from physical, emotional, and professional blows doesn’t happen as fast as it used to; but I’m still pretty pleased and happy with my life. I try not to worry about future outcomes that I can’t control, and can only prepare for the things I can. If my thirties were about getting myself mentally healthy so I could have the life I wanted, and the forties were about getting started in my career and the fifties were about getting further along and getting better as a writer, my sixties have been a time of revisiting and rethinking my past, finally getting to understand myself and where a lot of my neuroses stem from. The anxiety medication has helped me enormously in that regard, too. Realizing how emotionally crippling my anxiety was when I was a minor also has enabled me to remember, and those memories aren’t painful anymore because so much of my misery was directly attributable to said anxiety.
So now I am sixty-four. I am older than my grandparents were throughout my childhood, which is also a staggering realization. It’s also weird to think that I was born sixteen years after the end of World War II, the country was sinking into the depths of the Cold War, and President Kennedy hadn’t even been in office for a full year yet. I never imagined what it would be like to be this age, mainly because I, as stated earlier, never thought I would live this long. I’m trying not to be that old person–you know, “When I was your age” or “We used to call it” and that sort of thing, because no one really wants to hear it. I’ve seen a lot in my life, witnessed all kinds of events (the Challenger explosion, 9/11, Watergate hearings, on and on), and lived through all kinds of things. I’ve lived in Alabama, Chicago, Kansas, California, Houston, Tampa, Minneapolis, and New Orleans. I went to two high schools in different states, and two colleges in different states. I went to Italy for a week over ten years ago. I’ve had so many jobs, but being a writer/sexual health counselor were the only things that took with me.
Life’s been good to me so far.
After work, I am going to head home and just hang out with Sparky. If I had to hazard a guess, Paul will probably get us Hoshun for dinner tonight. But I got my vacuum cleaner last week, and that’s all I really cared about.
Happy birthday to me! And may my next year be a lovely one!
The only picture of my face as a baby, my first day home from the hospital.
Sunday morning and all is quiet in the Lost Apartment. Sparky’s been fed and I am almost finished with my first cup of coffee, and it’s about time to put bread in the toaster. Sparky let me sleep later than usual this morning, which was nice, and now I am down here in the workspace waking up to face a new day and week. I have a doctor’s appointment tomorrow morning, and then of course I am heading to Alabama Wednesday afternoon (this trip has strangely snuck up on me) to see Dad for a few days before returning back here on Saturday. Paul has his trainer this afternoon, so he won’t be home, so I should be able to get chores done while I am restlessly watching LSU play today for the College World Series championship.
The Tigers did win last night (hence a shot at winning the whole thing today) over Coastal Carolina 1-0; ending the Chanticleers’ 26 game winning streak. It was, as pitchers’ duels and close games always are, intense and nerve-wracking. The Tigers scored their lone run in the first inning, and made that lead hold through all nine innings behind pitcher Kade Anderson, who played the entire game and threw the last pitch of the game. I had seen Coastal Carolina’s team’s press conference, where they mocked and dragged LSU–which is an incredibly cocky and ignorant thing to do; that’s the sort of thing that motivates your opponents to whip your ass and last night, that’s what happened. I hope it’s all over this afternoon, frankly–but if there needs to be an intense and nerve-wracking third game Monday night, I’ll be watching, GEAUX TIGERS!
I did some work yesterday, and hopefully will get some more done today. The house is a mess–I ran errands and had groceries delivered–and so I need to put everything away and I also need to do some things, like make watermelon gazpacho, and clean out the refrigerator and pick up the rugs and so forth. I also need to do some filing to clear up the clutter around my workspace; and I don’t have to go anywhere today, which should make things a lot easier around here to get done. I also spent some time with my y/a reread, Sing Me a Death Song (Jay Bennett was truly a great and under-appreciated writer), and started The Crying Child by Barbara Michaels. I’m hoping to get further into Summerhouse today as well–but that kind of depends on how much writing I am able to get done this morning before the game (I should write before the game, because I can always read during the game) and how much cleaning I am able to do this morning to set the apartment to rights. I kind of was a bit on the lazy side yesterday, in all honesty, and let things slide a bit because I was busy relaxing.
And apparently we are now involved in yet another Middle Eastern conflict. Jesus fucking Christ, how do we as a nation never learn from our mistakes? Weren’t all the LIES we were told in 2003 about Iraq bad enough? Yes, I am old enough to remember that, and all the other bullshit the Right pushed through Congress (the PATRIOT Act needs to be repealed, and clearly Homeland Security needs to be abolished) as a result of 9/11, using fear and intimidation tactics to silence any opposition. Remember the Chicks? Whenever someone on the Right bemoans “cancel culture,” I do like to remind them they invented it–and the Chicks were fucking right; have we ever as a nation collectively apologized to them? But at least the mask is completely off; the last election was all about racism and misogyny. THANK GOD we didn’t elect the biracial woman, right? Miss me with your MAGA regrets–and I hope all your sons are lining up to enlist.
I love that we have money for a war but no money for Medicaid and Medicare. Choices.
Yesterday afternoon, I watched two documentaries while doing other things, and yes, I rewatched Surviving Ohio State, which deserves its own entry (and paying more attention made me realize how much worse everything was there than I thought, even after a scattered initial watch) and one called Southern Fried Lies, about criminality in a small Arkansas town (it kind of reminded me, at the end, of Mildred Pierce), which was also kind of nuts and crazy. I do recommend it–those small, rural town tales always make me smugly thing of all the odes to idyllic small town life, and how it’s so much better than urban life…sure, Jan, sure. (I always think what fucking small town are you talking about?) I have an idea for a murder story in a small town of less than a thousand people, and yes, that small town is in Kansas. (I have a lot of Kansas and Alabama stories to write; funny how I write so little about Houston and Fresno and Tampa.)
And on that note, I think I am going to head into the spice mines for the day. Have a lovely Sunday (we’re in yet another heat advisory), and I’ll be back tomorrow morning before I see my doctor.
Baryshnikov. Don’t really need to add anything, do I?
Ugh, the forecast for Milton and Florida remains extremely dire this morning. I feel you, Florida. It also hasn’t escaped me that I am writing a hurricane book for Scotty and this hurricane is Milton–which is Scotty’s actual first name(!!!). I hope everyone able to leave were able to get out safely, and that those who could not are safe as they can be when this storm comes ashore.1 Please help out wherever you can for the victims of this, while not forgetting those still struggling to get over Helene’s fury. Awful, just awful. (And yes, hurricane victims DO need feminine hygiene products, so get the fuck over yourself, Senator Cornpone. I know how squeamish vaginas make you, but that doesn’t change women’s realities, you miserable piece of shit.) I will never understand why men like him hate women so much–and I don’t get how the women in his immediate family haven’t smothered him in his sleep yet, but here we are.
Yesterday was exhausting, not going to lie. This week has been exhausting at the day job this week. My supervisor is in London for two weeks, so I am loosely in charge of my program and I. Do. Not. Like. This. One. Bit. She’s been gone for two days. TWO DAYS. So many things have gone wrong, so many challenges have come up, and I’ve had to come up with workable solutions. It’s not that I can’t do this kind of work–I definitely can–but I do not like to do this kind of work. I don’t want to feel like something Sparky dragged in when I get home, so I am too tired to write or read or do much of anything. This is why I have never wanted to be in management, you know? But all I can do is my best–it’s hard to keep up with everything, I can see why she’s pulling her hair out on a daily basis–and hope that’s good enough. No pressure at all, right? But…I also don’t want her to come back to the office after two weeks and have everything be on fire–especially since I am going to Kentucky a few days after she gets back.
I am definitely leaving for Alabama on Friday. I am going to do my work-at-home chores, and then hit the road and head north. It’ll be nice to see Dad again; one of the only good things that’s happened since we lost Mom is Dad and I have become a lot closer and have spent a lot more time together than we ever have. It’s actually very nice. I just wish Kentucky wasn’t so far away; if he were over in Houston or Alabama, I could make it over there for a weekend every month like I used to do when I worked for the airline and lived in Tampa; at least once a month I’d hop a flight for Houston to go chill out and visit them. I missed that when they moved to Kentucky, but a twelve hour drive is still a twelve hour drive. It’s why I didn’t see Mom more, and that’s something I’ll probably carry to my grave with me.
I also had a ZOOM meeting last night with some writer friends about a project we’re working on, which is always delightful; spending time with writers, even if we aren’t specifically talking about writing and publishing, is always lovely. Paul got home late last night, and all I basically did after the ZOOM call was escape to my easy chair to be a Sparky cushion. I watched hurricane updates and the news, as is my usual wont, and Paul came home just as I was getting ready to go upstairs and go to bed. I slept well last night, which was great, and my brain feels alert and ready to go even if my body feels a bit tired. Tonight on the way home from work I am going to go uptown to get the mail and maybe stop to make groceries…I’m not so sure because I have to figure out how to feed Paul while I am gone–and the big grocery run will have to wait until I get back.
I also figured out how to rewrite a story for an anthology call for submissions yesterday, which is very exciting. I am hoping to get that all worked on and going over the rest of the week. Going to Alabama while I am rewriting an Alabama story–the very first one I ever wrote, back in 1983–and I think I can finally make the story work the way it should have all along. I’m also finding that lately I am solving a lot of problems in work of mine that has been stalled for a long time, which is very exciting. I am hoping to have a very productive 2025, in all honesty, and bearing any tragedies or disruptions (God only knows what’s around the corner for me) but there’s nothing wrong with making plans, you know? So what if plans can get disrupted for reasons that are out of my control? (There’s so little in life that is actually under our own control; the only thing we do control is how we handle things, how we react, and how it changes us in ways we won’t understand until later–sometimes much, much later.)
And I have, recently (pardon me if I mentioned this already) realized that, with my anxiety medicated and under control, I’ve been able to be a lot calmer and cooler about things, and realized how much of my own behavior was anxiety-driven and the result of “trauma” (I feel like this word is used too much…to the point where it’s becoming almost meaningless) I experienced and learned (not always the right lesson) from. I’ve also realized that I’ve never put myself first–especially not my own mental health–and that is going to be a huge priority going forward for me. People may not like it, but I also don’t give much of a fuck what other people think, you know? You don’t like me? Not my problem, really. I feel like that’s an important breakthrough for me. Maybe it’s homophobia, maybe they think I am an asshole, but it’s really none of my business what other people think of me, and it is assuredly not my problem. And it feels good, you know? I always worried that I was too selfish (been told that enough by toxic narcissists to believe it), and yes, I can be…but I also don’t want to let anything or anyone come between me and my writing anymore (well, that doesn’t include Paul, of course).
And on that note, I am heading into the spice mines. Have a great Wednesday–oh, it’s even Pay-the-Bills Day! I may be back later.
Why is “sweaty shirtless man holding a tire” a trope in physique photography? I’m assuming it’s because of Herb Ritts.
After Katrina, I made the decision to never be one of those horrible people who blame victims for their bad luck; it isn’t cheap to evacuate by any means, and some people can’t afford to, don’t have an automobile that can last in evacuation traffic, or have some other reason they can’t go. Don’t judge them, for fuck’s sake, you heartless assholes. No one “deserves” this. ↩︎
John Copenhaver, one of queer crime’s latest (and brightest) stars recently (you should read his books, frankly; I am looking forward to his latest, Hall of Mirrors) wrote a brilliant essay on the concept of writing complex queer characters, and the artistic need to push beyond ‘gay is good’ messaging and not worrying about the question of role models which you can read by clicking here. I highly recommend it–it’s well thought, reasoned, and stylishly written, and the kind of thing I wish I could write.
But reading this essay made me think about my own work, the pressures I’ve had–either real or imagined–about representation and addressing social issues through the framework of queer people and characters, and made me think about the work I do from not only a creative view (which is how i always view my work) but from a cultural, political, and societal perspective. That’s not something I’ve ever really consciously done (“oh, let’s make this political“) but one thing I’ve never done is worry about how straight people might react to my work…primarily because it isn’t really for them that I write my books in the first place. If my work offends straight people that isn’t my problem, nor is their whining about how queer people see and perceive them…and it’s not like there aren’t millions of books designed as comfort reads for cishet white people. I’ve also never understood taking offense at a book. I’ve read plenty of books whose point of view I’ve neither understood nor care to; and I tend to not read anything that I think is going to either offend me or be antithetical to everything I read–I tend to avoid Westerns, international spy thrillers, and war novels, and mostly for the same reason I tend to avoid most cishet white male authors. Your work isn’t written for me, and I can’t imagine westerns to be not problematic1–likewise, I’m not interested in reading about toxic male he-men that are racist rah-rah-rah books to make white men feel better about themselves (you know who you are) and so I avoid covers that pretty much spell out to me what the contents are going to be–women who exist only to be beautiful sex toys, any gay characters are offensive stereotypes and usually die, and so on and so forth; I love my country in spite of its flaws, and that love is strong enough to bear critiques on our nation and the people who run it, so I don’t need to read fiction designed to make me thump my chest and scream AMERICA LOVE IT OR LEAVE IT at anyone who dares critique the country and its domestic and foreign policies.
If cishet white people enjoy my work, fine. If they don’t, well, as I said it isn’t intended for them in the first place.
first author photo
When I first dreamed of being a writer, it never occurred to me to write about gay characters or themes. I was a child, for one, and for another that child was terrified that anyone might figure out that I wasn’t one of the “normies”, and what I actually was inside was something they’d all view with contempt. When I was a kid I wanted to write a kids’ series, like Nancy Drew or the Hardy Boys, and even came up with multiple different ones that I wanted to write, and came up with a rather lengthy list of titles for the books (which I still have, because I’d still like to try this at some point before I die), and gradually moved on to wanting to write other styles of books as I got older and began reading more. My addictions to soaps, both daytime and nighttime, during the late 1970s thru the early 1990’s, had me looking at writing more about towns and large casts of characters, and I always wrote a murder mystery into my ideas for these Peyton Place type novels I wanted to write; I also wanted to write Gothic suspense novels, and Stephen King had me also wanted to write mainstream horror novels…and later on, I moved into wanting to write horror/suspense/crime novels for young people.
It wasn’t until I met Paul, and I found gay bookstores, that I realized I could write gay stories and themes and characters, and I decided I wanted to write gay crime novels, set in New Orleans, and so that’s what I set out to do, starting a novel called The Body in the Bayou, which I had already thought up as a series about a straight Houston private eye–so I made the main character gay and moved it to New Orleans. I threw out the first ten chapters within two weeks of moving here, and started over again.
Promo photo for my old training business
And then I found myself in the conundrum John talks about in his essay so brilliantly; is it okay to have queer characters be the bad guy? Do we have to write all of our stories and novels from a thematic viewpoint that ‘gay is good’? Do we as creators have a responsibility to the community to only present queer people as heroic, or can they be flawed or even bad?
Author photo from 2007
I’ve talked about this before–how the idea for the case in Murder in the Rue Dauphine came to me, and I also worried about how the book would be received because I was explicitly creating a case and a world where not all queer people were good people. It was inspired by a gay man who came to New Orleans, got involved in the non-profit world here, threw a bunch of money around, and then disappeared overnight as his house of cards was about to collapse, stealing a shit ton of money and owing everyone a lot of money. That was when I realized how we always are welcoming to other queer people and we can sometimes overlook red flags and warning signs because you’re working with another queer person. We tend to give other queer people the benefit of the doubt and more chances than we would a straight person…and I wanted to explore that in fiction. Shining heroes without feet of clay also aren’t fun or interesting to write about, either.
Gay isn’t always good.
Most recent author photo, and I definitely need a new one.
And we aren’t doing our readers any services by creating “perfect” characters, either. Neither Chanse nor Scotty is perfect (although Scotty’s definitely an idealized person, I have to admit, but he does have flaws and blind spots) and the main characters in my stand alones are often messy, sloppy people who need to get out of their own way sometimes. Those are the kinds of characters I like to read about–because they are human.
I also find gay criminality enjoyable to read. James Robert Baker’s books were like being slapped in the face; full of gay anger and revenge and bitterness about the homophobic world in which we all exist–but Baker’s messy characters are active; they want revenge on the world and by God they are going to get it. The Ripley books by Patricia Highsmith are magnificent. Christopher Bollen’s A Beautiful Crime was terrific with its messy gay characters perpetrating a fraud.
I think we relate to and enjoy messy criminal queers because they are so relatable to us. There’s no worse feeling than powerlessness, the inability to control your own destiny and life, and always wondering …is it because I’m gay? I’ve gotten angry about this any number of times during my life, and I have always wondered somewhat would this happen to a straight man? and the answer is always no.
But do read John’s article. It’s very well done and thought provoking, and I’m going to let it simmer in my head for a while longer.
Westerns would be a good discussion for another time, actually. ↩︎
It’s always weird for me to talk about my writing and my books and so forth on here; I always worry that I am either contradicting and/or repeating myself. When you’re as self-obsessed as I am, that can be a problem; talking about myself is probably my favorite thing to do–on here, at least. And I feel like I’ve told the story of where Chanse came from and how the series developed from the very beginning many, many times.
It was when I was living in Houston that I rediscovered crime fiction, and the old love was even deeper once it was rediscovered. This was the period when I read most of the Perry Mason novels, discovered Paretsky and Grafton and Muller, and decided to give Travis McGee and John D. MacDonald another try. (I had read The Dreadful Lemon Sky when I was a teenager, but I hadn’t liked it; I was more into the classic detective mystery, with lots of suspects and a denouement with everyone gathered in a drawing room as the identity of the killer was unveiled–the McGee series was definitely not that. But MacDonald had written a superb introduction to Stephen King’s first short story collection, Night Shift, and I had always wanted to give him another chance–pun fully intended.) I devoured the McGee series this time around; and I really admired the character and how fully rounded and developed he was (I should give the series a reread; I’d be curious to see how they hold up now)…and armed with all these new private eye novels and Perry Mason puzzles, so I started coming up with my own version. Even the name was a shout out to McGee. My character was also tall with sandy/dirty blond hair, a former college football player, and he lived in Houston, with an office downtown and a secretary named Clara. The title of the first book was going to be The Body in the Bayou, and I started basing the case on the tragic Joan Robinson Hill case, immortalized in Tommy Thompson’s Blood and Money (the premise of the story was that the character representing Joan’s father hires Chanse after Joan’s death to find dirt on John–and then John is murdered; fictionalized, of course.) I wrote about six or seven really bad chapters long hand before giving up. I didn’t know how to write a novel then nor did I understand the concept of rewrites and revisions and drafts. (My ignorance was truly astounding.) The hurdle I couldn’t clear was typing. I was a terrible typist. I’d had a job in California working for an insurance brokerage that was computerized, and had a word processing program that I used to write short stories on; it made such an incredible difference that I knew I would have a much better shot at actually making my dreams come true if I only had a word processor…
In 1991, after I moved to Tampa, I managed to get a word processor, and that was what I wrote my first two and a half young adult novels on–the original drafts of Sara, Sorceress, and Sleeping Angel–and used it happily for several years until it finally died on me. But by then, I was living with Paul and had swung back around to wanting to write adult crime fiction again, and I wanted to write the Chanse character that I’d already created…so I picked back up on The Body in the Bayou, moved it from Houston to New Orleans, got rid of the office and the secretary, and made Chanse gay. I kept the title, but threw away the story; I wanted it to be a gay story, too. I don’t really remember the plot, but it had to do with the murder of a beautiful boy-toy for a wealthy closeted gay man in New Orleans…and Chanse knew the boy-toy from his days working as an escort before he landed the rich man, I wrote about six or seven chapters of this before we moved to New Orleans….and I realized I’d have to throw it all out again because it was all wrong; I’d made the classic mistake so many writers make when writing about New Orleans: writing about it having never lived here, I only had tourist experiences–which are vastly and dramatically different from the actually “living here” experiences. So, once again, I threw it all out and started over, this time calling it Tricks instead of The Body in the Bayou.
The title morphed again to the less saleable Faggots Die after the first draft; and I remember talking to Felice Picano–he was coming into town for the Tennessee Williams Festival, and I picked him up at the airport. As we drove back into the city from Kenner, we talked about my book and the series, and he nixed the new title as well as the old one. “No one, ” he wisely said, “will pick up a book called Faggots Die, and Tricks sounds like a pornographic memoir of your sex life.” Felice was actually the one who suggested I mimic titles for the series from a classic writer…and we were throwing titles around in the car when I said, “You know, the streets in the Quarter are technically rues–Rue Bourbon, Rue Royale, Rue Dumaine–and the murder happens on Dauphine. Maybe Murder in the Rue Dauphine?”
“That’s perfect,” Felice said, and then we played with Poe titles the rest of the way into the city–incidentally, one of them was The Purloined Rentboy, which became my short story “The Affair of the Purloined Rentboy”, so never throw anything away.
And thus was Murder in the Rue Dauphine titled; and the plan for the series titles was also devised–the branding was changed by the publisher, but I can honestly say my first book was titled by Felice Picano.
Murder in the Rue Dauhoine has had three covers in its 21 years of existence. This center one is the current.
Never come to New Orleans in the summer. It’s hot. It’s humid. It’s sticky. It’s damp. It’s hot. Air conditioners blow on high. Ceiling fans rotate. Nothing helps. The air is thick as syrup. Sweat becomes a given. No antiperspirant works. Aerosols, sticks, powders, and creams all fail. The thick air just hangs there, brooding. The sun shows no mercy. The vegetation grows out of control. Everything’s wet. The buildings perspire. Even a simple task becomes a chore. Taking the garbage out becomes an ordeal. The heat makes the garbage rot faster. The city starts to smell sour. The locals try to mask the smell of sweat with more perfume. Hair spray sales go up. Women turn their hair into lacquered helmets that start to sag after an hour or so.
Even the flies get lazy.
My sinuses were giving me fits as I left the airport and headed into the city. It was only 7 o’clock in the morning but already hotter than hell. The air was thick. I reached for the box of tissue under my seat and blew my nose. The pressure in my ears popped. Blessed relief.
As I drove alongside the runways I could see a Transco Airlines 737 taxiing into takeoff position. I saluted as I drove past, thinking it might be the flight that my current lover was working. Paul looked good in the uniform. It takes a great body to look sexy in polyester. He does.
He’d be gone for four days on this trip. I was at loose ends. I’d wrapped up a security job for Crown Enterprises the previous Wednesday. The big check that I’d banked guaranteed I wouldn’t have to worry about money for a while. I like when money’s not a concern.
And so began a series that lasted for seven titles and about twelve years or so; I don’t remember what year the last book in the series was published. I never expected anyone would publish it; it was intended to be a “practice novel” so I would get used to rejections and learn. It was also the first manuscript I ever wrote that went through multiple drafts before I thought it was finished enough to send out on query. It was supposed to be an exercise in learning humility and getting experience with the business while I wrote the book I did expect to get an agent with and sell–which was what I’d always called “the Kansas book” for over a decade at this point. (It eventually morphed into #shedeservedit.) But you never really learn what you’re supposed to when you’re stubborn, thin-skinned, and used to being demeaned and talked over and not taken seriously, for any number of reasons. I sent the manuscript to three agents: two sent me lovely but form rejections, which was disappointed but not surprising. I took this well, put the manuscripts away to send to three more once the final rejection came.
It came on a Friday, if I recall correctly. I went to pick-up the mail and my manuscript was there. Not a surprise, of course, but still a little disappointing. I went out to my car and opened the package…and paper-clipped to the title page of the rubber-band bound manuscript was a torn piece of used paper, with a note in ink reading I find this manuscriptand characters neither interesting or compelling with the agent’s initials at the bottom.
It was like being slapped in the face.
By the time I got home I was in a raging fury. I was literally shaking with rage when I came inside. How fucking unprofessional, I thought as I sat down at my computer to check my emails, trying to decide how I would enact my vengeance on this rude piece of shit.1 There was an email there from the editor I was working with on an anthology which had taken my first-ever fiction short story and thus would be my first publication. I had never read the signature line–mainly because I was so excited for my first fiction sale (NARRATOR VOICE: it was porn). This day, he concluded his email with Please send us more work. We definitely want to see more from you and as my ego preened, slightly soothed from the insulting agent note from earlier in the day2, I also looked down at the signature line and realized I was communicating with the senior editor at Alyson Books! I immediately wrote him back a very short note: I’ve written a novel with a gay private eye set in New Orleans, would you be interested in that? and before I could talk myself out of it, hit send.
He wrote back immediately and said please send it to me ASAP!
I put the same manuscript back in a new envelope, and drove back to the postal service to get it in the mail before I changed my mind, and breathed a sigh of relief once I got back to the car–and immediately forgot all about it.
Six weeks later I came home to a phone message from the editor. I called him back, he made me an offer, and my career leapt forward much faster than I expected…and it started a roll of good luck and “being in the right place at the right time” that has kept me publishing almost non-stop since Murder in the Rue Dauphine was released in 2002.
It sold really well, got mostly favorable reviews, and scored me my first Lambda Literary Award nomination.
Not bad for a manuscript and characters who were neither interesting or compelling, right?3
It also took me a long time to realize–or rationalize–that the note wasn’t meant for me. (I was most offended that I wasn’t even worthy of an actual form rejection letter; that was the truly insulting part for me.) I realized when telling this story on a panel somewhere, that the note was probably meant for an intern or a secretary or an assistant, who just shoved the whole thing in an envelope to do the rejection and through some wild Lucy-and-Ethel office shenanigans, it went out without the rejection letter and with the note intended for internal eyes only…and made me wonder, how different would my career and life be had that fuck-up not happened?
We’ll never know, I guess.
Not really proud of this reaction, but I did get the last laugh. ↩︎
Said agent died a few years later. I may have smiled and said good, a la Bette Davis vis a vis Joan Crawford’s death. ↩︎
I may be more forgiving about a lot of things these days, but I will always be petty about that hateful agent. ↩︎
I am always delighted when people think I capture New Orleans perfectly in my work.
I love New Orleans, and while I, along with everyone else who lives here, reserve the right to be irritated, exasperated, and annoyed with the city–God help you if you talk shit about the city if you don’t live here (“bitch, you live in Metairie”) in front of people who do.
Trust me, it won’t end well.
I fell in love with New Orleans officially when I came here to visit for my thirty-third birthday, which was a lot of fun and probably one of the best birthday weekends of my life, if not the best one pre-Paul (we had yet to meet at that time). I do sometimes wonder when I think back to visiting, and then living, in New Orleans in the 1990’s, if there’s nostalgia involved in my memories. That New Orleans no longer exists; the flood waters from the levee failure after Hurricane Katrina ended that time with a very firm line of demarcation so that everything was thus defined ever after as before and after. There were also the post-flood years in which the city was being rebuilt and rescaled and rethought and repopulated, but it’s never been the same as it was before the flood and it never will go back to that. There was a definite sense before that New Orleans was stuck in time and nothing was going to change anything–something drastic was needed to solve all the problems. It was thought at the time that the one positive was that maybe New Orleans would rise from the ashes like the mythological phoenix; a hard reboot that could fix everything.
It didn’t. Some of the old problems remained, some of them were eliminated, and new ones arose. The streets still collapse into potholes and constantly need repair; the sidewalks still tilt and get broken up by ground subsidence and live oak tree roots. There’s always something for the locals to complain about when it comes to life and living here in New Orleans. When Paul and I first moved here all those years ago, we had no idea what we were in for–but the nice thing was it was the first place I’d ever lived where I felt like I chose it; Mom and Dad chose where I lived for most of my life. I chose Tampa over Houston, but it wasn’t from an overwhelming decision that I desperately wanted to live in Florida (I didn’t; I moved for my job). But New Orleans–New Orleans was the first place I ever visited that I wanted to live. It’s really the only place I’ve ever wanted to live, or had an opinion about, or actually felt anything for; I am a New Orleanian, and a Louisianan by extension.
It’s really beautiful here, and I thought so when we moved into this crumbling neighborhood in a decaying city whose best days looked to be past already. In the daylight the city’s scars and wounds and damage is clear; but in the night, with shadows dancing and the light limited, it was still so gorgeous it can steal your breath away–and great apartments were enormous, high-ceilinged, hardwood floored, and cheap.
1996 was a whole different world; Bill Clinton was about to be reelected, gay sex was still a crime, and “don’t ask don’t tell” didn’t solve anything; it just made the realities of being a queer in military service even more difficult. There was still the remains of the Camp Street on-ramp to the Crescent City Connection on the neutral ground on the other side of Martin Luther King Drive; the Coliseum Theater was still there–closed and shuttered, but still existing, and there was this incredibly beautiful old house that was a ruined, crumbling wreck that looked haunted and absolutely fascinated me; I wish I’d taken pictures of it. (It has obviously been renovated.) Paul and I moved into the Lower Garden District right before it’s renaissance and gentrification. We lived on the Square; the park was just outside our front door and down the walk and across the street. Coliseum Square was dark at night then; all the streetlights in the park were either shot out or burned out, and the fountains were dry and rusted. The beautiful, graceful live oaks were there, of course, resting some of their heavy branches on the grass. All the big gorgeous houses around the park were derelict and run down, gorgeous ruins waiting for a buyer with money and a love for old houses. A gay couple bought one of them and spent the next year renovating it; it’s still a stunningly beautiful house. One by one those old houses were bought up and remade–and now Jennifer Coolidge lives in a house fronting the park (she sometimes comes to our corner at St. Charles for parades during Carnival).
I always think of Scotty as kind of a gay personification of New Orleans; the two are always entwined in my brain. Uninhibited, unashamed, unabashed, and always up for a good time–you could say that easily about them both. It’s really funny that back when I created him I didn’t think there was enough story in him to be a series–and here we are, on the eve of the ninth being released. Obviously, people responded to him in the way that I wanted them to; they’ve embraced his weirdness and eccentricity, and that of New Orleans as well. I couldn’t create a character like Scotty who lived anywhere else; anywhere else he wouldn’t work, would be judged harshly and looked down on by people for his hedonistic attempts to suck all the juice out of life as he can.
And I’ll probably still be writing him when I die–which, hopefully, won’t be for a long time yet.
Drag is a part of queer culture I’ve always known about but has also been something primarily on the periphery of my gay life and world; I’ve only occasionally ever thought about perhaps doing it–as a gag or as a costume at some point; a very dear friend has always wanted to dress me up as Joan Crawford (narrow waist, big shoulders, enormous eyebrows), which is something I would consider doing if it wasn’t so much work–I am way too lazy to ever do drag properly and respectfully. I did a very poor attempt at drag many years ago, for a Showgirls themed birthday party for a friend; the result was far from pretty. I did sometimes used to use mascara and eye liner when I would go out; it emphasized my enormous and expressive eyes which most people have always considered my best feature (although aging has deprived me of my eyelashes). Drag was just another part of the community and culture, like leathermen, bears, and gym queens–another patch on the quilt that makes up our queer world.
My primary interest in drag has always been historical and cultural; drag culture has always been a part of the gay bar scene, since time immemorial, it seems. I have always been interested in every aspect of gay culture since coming to terms with my own sexuality and recognizing that not coming to terms with it meant a lifetime of guaranteed misery, and shouldn’t I really take a chance on being happy? There was always a lot, for me, of misunderstanding about drag culture and its place in the gay community; but that also primarily came from people outside of the community and therefore didn’t have the slightest grasp of it–i.e. ignorant slurs that all gay men dressed like women whenever they had the chance, you know–not “real men.”
But seriously, who wants to buy into the cult of toxic masculinity? No fucking thanks.
I don’t know the history of drag, but I did know–from the very beginning–that there was a significant difference between drag and the trans experience; there’s definitely crossover, but the Venn diagram of drag and trans is not a complete circle. I understood this always, even when I knew very little of either. This was always the issue I had with To Wong Foo Thanks for Everything Julie Newmar–the queens in the movie didn’t just do drag for performance or pageants, but dressed as women in their everyday life…which made them transwomen who also did drag. The failure of that film to define the difference between the two, I think and believe, has a lot to do with the current-day conflation by the Right of drag queens with transwomen. Likewise, was the Nathan Lane character from The Birdcage (and the French original) a transwoman or a drag queen?
And the fact that I, knowing as little about gay life and culture as I did in 1994, knew that the Wong Foo movie was conflating two completely different things as the same certainly means that other, better-educated people should have, as well.
But it’s also important to remember that the movie wasn’t made for the queer community–no Hollywood studio film with queer characters is intended for a queer audience, and thus there’s a falseness to them that rings hollow to me (don’t even get me started on Philadelphia); what Sarah Schulman once (paraphrasing) described as “the creation of a fake public homosexuality that will play in Peoria.”
There’s an essay in that, methinks.
The first time I went to a gay bar in Houston is my first true memory of seeing someone in drag performing on the bar in person. She was doing Liza as Sally Bowles from Cabaret, and as I walked in the door with some co-workers from That Airline, the first thing I saw was her up on the bar, with a musclebound dancer on either side of her in bikinis or thongs, and I can remember thinking wow this is decadent like Isherwood’s Berlin–but I liked it. I felt at home there, in a way I never did in gay bars in Fresno (or anywhere else I was able to sneak away and visit one), and felt like that night was when my gay life actually began: I was with co-workers, I was going to a gay bar openly, and the co-workers knew I was gay but had never really experienced being gay as anything but misery and depression and a curse. I don’t remember the name of the queen, but ever since then, “Mein Herr” always brings a nostalgic smile to my face.
But again, I didn’t go out much or do much during those two years in Houston as I still wasn’t completely comfortable being totally out. I moved to Tampa in 1991 and started living as an out gay man…and started spending more time in gay bars. A popular night for airline employees as Tuesday Nights at Tracks, where cocktails were only fifty cents and no cover before ten. There was also a drag show at midnight, with an actual stage in a show room, and that was my first real experience watching drag queens perform. There was a gay paper there–I cannot remember what it was called to save my life; I know the one in Texas was This Week in Texas, called TWIT by everyone–but it often had information about performances and other night life ads and so forth. I began to get a better understanding of drag, its place in the community, and its importance to gay culture, period.
And of course, once I moved to New Orleans, there was Bianca del Rio.
The mainstreaming of drag actually began in the early 1990’s, with RuPaul having a surprise hit record out of nowhere, “Supermodel (You Better Work)”, which started exposing more people to drag who ordinarily would have never seen one. RuPaul was everywhere in the early 1990’s, and even had her own talk show on MTV for a while. The Adventures of Priscilla Queen of the Desert and its homogenized American version To Wong Foo, Thanks for Everything, Julie Newmar were both incredibly popular. (I enjoyed Priscilla, and I’ve already touched on my issues with Julie Newmar–which will probably become an essay at another time.)
There were, of course, other successful queens out there before RuPaul’s big breakthrough and later, comeback with Drag Race, but few had as large a profile in the culture as RuPaul. Lady Bunny, Miss Coco Peru, Miss Richfield 1998, and Varla Jean Merman were all making a pretty decent living as performers before the drag explosion that followed the launch of Drag Race.
I’ve met numerous drag queens on the local scene both in and out of drag–I’ve always been fond of Princess Stephaney and Blanche Debris (who is retired now), and the drag community of New Orleans was always incredibly supportive of the NO/AIDS Task Force. I met Bianca out of drag a couple of times, but I doubt he remembers me…but Drag Bingo at Oz on Sundays with Bianca and Blanche (I just realized their first names both translate into English as white) was always a blast–and I made a point of never trying to get Bianca’s attention because she was always quick and that tongue was sharp as a scalpel always.
I also work with several co-workers who either did drag or have started doing it while I’ve known them, which indirectly helped me with the writing of Death Drop and my original story for a drag queen. Jem is sort of patterned in some ways on one of my former co-workers who actually went to a drag school here in New Orleans–and eventually quit his full-time job to do drag full-time. He’s been in Queer as Folk and numerous other shows filmed here, and has been booking gigs all over the country–check out his Instagram, isn’t he fucking gorgeous? So that gave me the idea to make the first book with Jem his drag origin story.
Learning about drag to write this book–and its sequel–has been an enjoyable learning experience for me. At some point I know I am going to have to do a transformation; I need to know how it feels to have the make-up and the padding and the wig and the dress and shoes on. I can imagine it all from doing theater in high school, but it’s not the same.
And yes, I will share the pictures when and if it does happen.
We have a new refrigerator, and it is marvelous in our eyes.
The delivery was actually two hours early and went incredibly smoothly. I did have to take the kitchen apart and rearrange a lot of things, which triggered the old your filing system is completely out of control and has been for quite time, and the duplicates, dear God, the duplicates. But having a new, working refrigerator (we really put up with the malfunctioning old one, which was never the same after whatever evacuation that was in 2008–Ike? Isaac? who knows. So, this kind of was the impetus for me to reorganize the cabinets, throw out a lot of stuff I didn’t even know I had (forcing me to recognize that I still have food hoarding issues), and do something constructive with the filing. This morning I am going to move the rest of the food over from the carriage house refrigerator, and make notes on what I need to get at the grocery store. My hope is to get that all done this morning, spend some time reading the Elizabeth Hand (which I am greatly enjoying), and then tackle the filing and get this under control once and for all.
And this is just a small step forward in a big journey I am taking–in which I need to organize and/or discard things I no longer need. I have more ideas than I will ever write about, or have the time to write; I get more ideas every fricking day. Do I really need to hold onto old file folders crammed full of ideas I don’t even remember that I have? And if I do remember it, and it turns into something–I will just create a new file rather than go look for the old. I should scan old contracts, shred tax returns, and who knows what kinds of treasures I may find in the files as they come together at long last? I’m still unsure of the system I am going to use, but I need to get all the things that are like each other together–files about Alabama, files about New Orleans and Louisiana, files about Kansas and California and Chicago and its suburbs and Houston and Florida and crime stories and all kinds of things; research versus actual fiction–book ideas v, short story ideas; fiction vs nonfiction–and so forth.
I also worked on the laundry room some, and also managed to watch a lot of football games–Alabama against Arkansas, Tennessee-Texas A&M, and finally Auburn-LSU. I still don’t know what to think about the conference race this year, other than both divisions go through Georgia and Alabama again this year, and I don’t see anyone beating Georgia during the regular season. Texas A&M’s loss at Tennessee is their second in conference and third overall; no division title or shot at the play-offs for them; yet they are a good team and can still play spoiler. Tennessee still has Alabama and Georgia and Kentucky. The West is pretty much still up for grabs, with Alabama in the catbird seat; still tied for first even if they somehow lose to LSU. I don’t know what happened to Auburn after the Georgia game–which they had a shot at winning–because that team didn’t show up in Tiger Stadium last night. LSU’s defense, which finally started playing at a higher level in the second half of last week’s Missouri game, looked really good…or was Auburn’s offense really that bad? I thought their defense was for real–but how good were they really, because they didn’t look like an elite SEC West defense last night. LSU does have an incredible offense, no mistake or question, but are they really forty-eight points on Auburn good? After Georgia escaped them with a 27-20 win on the plains? That’s why you play the games, people–anyone can win on any given Saturday.
I slept very well last night, which was awesome. I feel quite well rested this morning, and so today’s chores do not sound either ominous or terrible. The filing is indeed going to be a chore, as is moving the food back over and making two grocery runs, but better to get it all over with today, wouldn’t you think, so I can go home straight from work tomorrow? We’re having a “professional development day” that starts at City Park at ten in the morning, after which we go to Dillard for a presentation and then back to Ralph’s on the Park for another. Lunch and dinner are being provided, which means I am not going to be able to eat anything, most likely, which will be very unpleasant for me, I think, but I’ll deal with it. Tug is also settling in more–it’s very obvious that he knows he is home, and this is where he belongs. So bold, so curious, so playful, so adorable. He sleeps completely relaxed and sprawled out on whichever laps he chooses, and he’s started doing to Scooter thing where he’ll go back and forth between us for naps, which is adorable.
And he does love chasing the red dot.
He’s having particularly big kitten energy this morning, too.
And on that note, I am going to go start moving the food back over and making the grocery list. Have a lovely Sunday, Constant Reader, and I may be back later; if not, then tomorrow.
Queer and Loathing in America 