Tag: Herman Raucher

Red Roses for a Blue Lady

Here we are on a cold Sunday morning and I hope everyone is doing as well as they can this morning. I went to bed early and slept well–I really do think adding another to the pile of blankets, and its additional weight, is making a difference. Today I have to do some reading and some writing, go to the gym and make groceries. I feel rested and awake this morning, so as I slurp down my coffee and wake up while Sparky wants my lap in the easy chair I have to admit I feel pretty good this morning. Maybe I shouldn’t let myself sleep so late on Saturdays? I don’t know, but the coffee is hitting the spot and I do feel more rested than I did yesterday, so your guess is as good as mine. It’s kind of gray outside this morning, and it’s forty degrees–yikes–but it’ll get warmer later once the sun is higher in the sky.

We watched LSU Gymnastics compete against three of the best teams in the country yesterday, and with half of their usual competitors out with an injury, they only came in second by three tenths of a point; and Haleigh Bryant can make that difference up all by herself, not to mention the other two powerhouses who sat this meet out–which bodes well for the rest of the season. It’s so cool knowing they are the defending national champions! We also watched some of the Australian Open last night, and I went to bed early. I also managed to get some chores done around here, and overall, it was a pretty good day. I don’t think I even went outside yesterday, to be honest–which is always a good day for me.

I spent some time yesterday morning with Ode to Billy Joe, and while Raucher is a very good writer, he doesn’t really know how to write for teenagers, I think. Just because the story is set in the early 1950s and people were more innocent (?) back then in theory, it’s almost like reading something from a past civilization, and in some ways it kind of is. Raucher tries very hard not to condescend to rural Southerners, but there is a touch of that “zoo animal” thing to the story, if that makes any sense? It doesn’t quite seem real, and Bobbie Lee, the female lead, seems so child-like it’s hard to believe she’s supposed to be fourteen, and “receiving callers”–did Southern girls still say that in the 1950’s? It’s like something from The Glass Menagerie, and I don’t know if that archaic social phrase was in use, if at all. But there’s definitely more depth to the book than there was to the movie, and I think I’m going to end up enjoying the book more than I did the movie–despite the beautiful presence of Robby Benson and his amazing blue eyes and surprisingly deep voice.

Thinking of Ode to Billy Joe being a historical now made me realize that my own 70s book is kind of an artifact of another time, too. Researching and remembering things from that time of my life is always a bit of a surprise; things that had been locked away in a corner of my brain coming back to the front of the memory banks. Television shows and commercials, the looming Bicentennial (which was, at the time, shockingly commercialized; although the Tricentennial–which I won’t make it to, but hopefully the country will–will be even worse), the gas shortages and economic fears, the ever-present threat of nuclear war and annihilation, the never-ending conflicts in the Middle East, and the massive clean-up of the country’s air, water and litter. Top Forty radio was a weird mishmash of all kinds of music, from the bubblegum of the Osmonds to the Rolling Stones, Queen, and the Who to horrible novelty songs that were incredibly popular and were overplayed to death to the point I never want to hear any of them ever again, and everyone watched American Bandstand on Saturdays to hear music and see the latest dance moves. I am really looking forward to writing it. I also have two short stories to complete sooner rather than later, and of course as always I have too much to do in too little time–but I can make it work.

I’ve also, since the election, been thinking about how to resist the new regime and the inherent hatreds, cruelties, and horrors that are coming with them. Our only hope as a country depends on the Republican-controlled Senate (well, Republicans plus the bootlicking traitor John Fetterman) actually standing up for the Constitution, and looking for a spine on the Right is as fruitless as a snipe hunt. I am not getting involved with the Democratic Party, because it feels like I’ve been throwing my time, money and energy on them while they just roll over and play dead since the 1990s; and nowadays seems to be no different. Here’s the thing about our system; the only difference between the two parties since World War II has primarily been on domestic and interior policy; the foreign policy has always been the same, and a lot of bad things have been done by our government in the name of “national security” and our endless thirst for oil. This changed a bit under the MAGA monarchy the last time around–turning our backs on traditional allies while cozying up to Russia, North Korea, and China (Ivanka needs her trademarks!). I also love how the MAGAts are so quick to whine and complain against the forever wars they fully supported, and does anyone else remember their toxic patriotism on the eves of the invasions of Afghanistan and Iraq? How questioning the invasion decisions was basically treason and not supporting the military and pissing on the graves of the 9/11 dead? Because I sure the fuck do, and I also remember how the Right created cancel culture for the Dixie Chicks, as country music began to swing from being about the working class and resisting the rich? It’s also amusing to me that they complain about “forever wars” without remembering that the same people they are supporting today are the exact same people who lied to them and whipped them up into a disgusting “patriotic” frenzy?

I spent some time this weekend thinking about writing as activism, and that it used to be just that; my very existence and my career are made political by evangelicals and others of their ilk, and I had no say in that at all. Would I prefer to be left alone to live my life and make my own decisions without government interference? Absolutely. Is that ever going to happen? Not as long as trash and liars and false prophets continue to abuse the faith and the faithful for money, power, and control. How can anyone actually be a Christian and believe that the Prosperity Gospel of wolves in sheep’s clothing like Joel Osteen and other con artists of his ilk? Sinclair Lewis exposed all of this horror with Elmer Gantry, which is still as current as it was when first published in the early 20th century. Maybe Elmer Gantry, along with All the King’s Men, should be required reading in high school–but high schoolers won’t care anymore now than they did when I was one. (Also, back to the 1970s–there wasn’t an expectation that everyone would go to college, either. Only five kids from my graduating class went to college, I think, I could be off by one or two, out of forty-eight.) I’ve not thought of my writing as a way to make political statements–or at least I haven’t in a long time, at any rate, but someone pointed out to me several years ago (or longer, who knows anymore?) that my work was a lot more important than I’ve ever thought or believed; I did document what gay life was like in New Orleans before Hurricane Katrina changed everything. I also documented life in New Orleans in general, before , during and after a hurricane. I’ve written about gay con artists and corrupt hateful politicians and the far right and evangelicals and race and homophobia and misogyny. I often explore something that I find interesting in my books so I can learn more about the topic I am writing about as well as process my own complicated feelings about sensitive subjects. I even wrote a throuple into the Scotty series long before that ever became a subject for conversation in the community. It’s weird to think that my first two novels were released before Lawrence overturned sodomy laws nationally. My sex-life was against the law until I was forty-two. Forty fucking two.

I was filling out the pre-production form for Hurricane Season Hustle Friday, and I went to Amazon to look at the page for Mississippi River Mischief to see if information I needed was there–it wasn’t–but I also noticed I have forty-seven reviews and an average ranking of four and a half stars, which was kind of a surprise, albeit a pleasant one. That meant that overall there had to be more five star reviews than any other kind, else the average wouldn’t be over four, you know? This was a very pleasant surprise, in all honesty; I never look at Amazon pages for my books and especially never at the reviews; likewise, I will never go wading in the fetid swamp that is Goodreads. Who needs that aggravation? But as I said, it was a pleasant surprise, one that almost tempted me to look at the others, but I resisted the urge. I am more emotionally stable now than I’ve ever been in my life before, but why borrow trouble? And sure, it could be another ego boost but it could also be a blow.

And the last thing I need right now is something to rock my already shaky foundations.

California continues to burn, and people continue to expose how dark and twisted their souls and psyches are. It’s beginning to sound like most of these fires were started as arson–which would definitely count as a terrorist attack on Los Angeles, in my opinion; if Luigi shooting that fucking piece of shit counts as terrorism, burning down billions of dollars of property and destroying people’s lives as well as killing some of them definitely is an act if terror. Please don’t be a dick about the fires on-line, people. I’ve lived through a different kind of “act of God” that basically destroyed my city and generational wealth with it. Angelenos are still in shock and are going to be for a long time. This is a serious trauma, and believe me when I say a lot of Angelenos are going to be medicated for years to come. I’m still not entirely sure I’ve gotten over Katrina, in all honesty. So, for God’s sake, show some empathy and compassion for their suffering. Playing the blame game or bringing politics into this is fucking bullshit, so can you not do that? There’s no place in this country that is safe from an unexpected natural disaster.

And trust me, when it happens to you–you will hate those people. I’ve never forgiven any of them, including Chicago Bears fans. I had hoped that disgusting child rapist Dennis Hastert would die in prison, but he remains proof that only the good die young. Henry Kissinger and Anita Bryant is more evidence of that as well.

So, think before you post or comment. I hate Florida and Texas and their politics, but I also worry about them and try to do what I can whenever a hurricane devastates them.

And if you’re feeling smug and judgy–I’m looking at you in particular, Louisiana MAGA racists, remember that when a hurricane comes crashing through your home town.

And on that note, I am going to my chair to read my book for a bit before I get to work. I worked on the book yesterday and it went very well; I am feeling good about writing again and think I am going to be able to hit my stride again sometime soon. Huzzah! Have a lovely Sunday, Constant Reader, and I’ll talk to you again later at some point.

Oh, those wacky ballerinos!

Don’t Just Stand There

Let’s get to it, strike a pose there’s nothing to it VOGUE vogue vogue…

Sorry, couldn’t help myself there! Hard to believe how old that song is now, isn’t it? Still a bop, too.

It’s forty degrees outside this morning and it’s a biting cold today. I overslept this morning, not stirring out from underneath my comfortably warm pile of blankets; I also laundered the linens yesterday so they were clean so it was that marvelous snug, clean feeling beneath the blankets, and maybe, just maybe, it’s the weight that makes me sleep better, like how a weighted jacket will help keep a dog calm. Who knows? I have some things to do today, but this morning I am just going to drink my coffee and read for a bit before I get to work on chores and writing and some other things I need to get done. The kitchen/office isn’t nearly as messy as it can be, so won’t need much effort to get it together. There’s also LSU Gymnastics to watch today–some kind of quad meet with some of the top teams in the country–so that could be fun to watch, and I can also read during it, too. I read more into my new read, Herman Raucher’s Ode to Billy Joe, which reads well but sometimes seems inauthentic, but more on that later. We also started watching Disclaimer, which is exceptionally good, and what incredible performances from the cast! I am really curious to see how this all turns out, to be honest–and I may even want to read the book on which the show is based–because yes, I need more books on hand to read, but I’ve been good about buying books for the last two years and so splurging on another isn’t a terrible idea. (I’ve been trying to only buy non-fiction, if I buy anything. Caveat: I am still buying the books by writers I love to read when they release a new one–or an impressive debut or something. But I also don’t bulk buy anymore, either. My book budget has dramatically declined over the last two years while I try to get my spending and my overall finances back in order.)

I’m still doing my German lessons on Duolingo, and I am kind of pleased with not only how much is coming back to me (and it’s been decades), and how much I am retaining that’s new. I am hoping that doing a German lesson or two every day will also help me with my short term memory loss.

I had a lovely time dancing on Anita Bryant’s grave yesterday, how about you? I also blocked some people who dared to tell me I was a terrible person for celebrating her death; I don’t need your permission to feel, nor do I need your sanctimonious self-righteous judgment,1 nor do I need to either explain myself to you, nor do I give two fucks about what you think–so, yeah, bye bye bitch, it’ll be my great pleasure to never under any circumstances ever deal with or talk to you again. I’m too old for your nonsense, nor am I going to waste any of my time educating your stupid ass. Some gay on Threads posted about not understanding the vitriol toward Anita Bryant–who made “life difficult for a few people in the 1970’s.”2 How can anyone be so fucking stupid as to not draw the connecting line from Anita Bryant and her principle backer, Jerry Falwell, to his involvement with Ronald Reagan to the callous Republican response to HIV/AIDS. So, she is indirectly responsible for the deaths of everyone in this country from AIDS, not to mention all the kids who committed suicide because of her “christian love.” Yes, I am officially embracing my ‘grumpy old gay” persona, so watch yourselves. I am reclaiming my time, and if you ever say something stupid or ignorant or bigoted–whoooooosh, that’s the sound of you exiting through an airlock. Have fun trying to breathe in airless space, okay? (Just kidding, enjoy suffocating.)

Get back to me when you’ve acquired a soul.

And on that note, I am heading into the spice mines. Have a lovely Saturday doing whatever you so choose, okay, Constant Reader? I may be back later, one never knows.

Tom Holland in Men’s Fitness.
  1. I laughed really hard at one older gay writer who pulled out the old “I’ve forgiven Anita Bryant, and how you react to her death tells me more about you than it does about her.’ How he can breathe up there on his high horse of moral superiority, but then again I didn’t become famous for writing the stupidest episode of a popular television series, so CLEARLY he’s a better person than the rest of us! However will I go on, being judged by such an enormous talent? For the record, I turned on Stephen King after aftr decades of fandom, beginning with Carrie, for lauding The Chatelaine of Castle TERF and asking about her next book under a man’s name about a man when her most recent work was a transphobic hate crime. Donated all my copies of his books–including unread ones, stopped following him everywhere, and haven’t bought anything new of his in several years. I stopped reading STEPHEN KING; you think you mattered more to me than my favorite writer for forty fucking years? ↩︎
  2. I am still shaking my head at the stupid ass (whose profile picture was of him flexing his muscles shirtless). Maybe fucking crack a book before opening your stupid mouth and making an ass of yourself publicly? ↩︎

I Go To Pieces

Sunday morning and I hope it finds you doing well, Constant Reader. It’s kind of gray outside my windows this morning, and it’s raining, off and on; not a gully-washer like the occasional tropical downpours we get on occasion, but enough so that everything outside is wet and glistening. It’s supposed to be lovely today, but the temperature is dropping overnight and it’s going to be in the bitterly cold thirties the rest of the week. Yay, but this too shall pass. Tomorrow is Twelfth Night and the official beginning of Carnival; so on my way home tomorrow night I’ll stop and get our first King cake of the 2025 season. Yay, king cake! We are both fans. Paul picked up this year’s copy of Arthur Hardy’s Mardi Gras Guide, a staple of the season. We’ve bought a copy every year we’ve lived here, and while the “parade watcher” app makes parade-going much easier, it’s also nice to have around.

What are we going to do when we lose Arthur Hardy? I don’t even want to think about it.

I have a lot to get done today. I did work some yesterday but not much; I was kind of tired after going to the gym (yay!) and making groceries, so I just kind of collapsed into my easy chair after putting the groceries away and just relaxed. I did finish reading Winter Counts (more on that later) which I enjoyed, and started reading my next read, Ode to Billy Joe by Herman Raucher. Last spring–and I don’t know why–I remembered Summer of ’42, the novel by Herman Raucher that was made into a film in the early 1970’s. I enjoyed both book and movie; it’s very poignant and sweet, and I later made the connection when I was writing my post about Robby Benson and my crush on him when I was a young gay…and then remembered he’d been in the film version of Ode to Billy Joe, which sent me down a rabbit hole–the song, the book, the movie–which is an interesting journey. I wound up ordering a copy of the novel from a second-hand book website, and so I started reading it finally. It’s weird; it was originally a haunting story song hit for Bobbie Gentry, and they decided to make a movie of it. They hired Raucher to adapt the song into a screenplay, and he went one better–not only writing the screenplay but writing a novel as well. So, is it a novelization of a movie, or a novelization of a song that became a movie? It’s actually very well written; the movie was dated and I didn’t enjoy my rewatch a few years ago, but the book still holds up. I also decided yesterday that I am going to alternate crime fiction with another genre or style of fiction, to broaden my scope and better inform my own writing.

I slept well last night, even if it took me longer to fall asleep than usual, which was odd. I wasn’t nearly as tired as I usually am when I went to bed, but I did drag my ass out of bed this morning. Sparky didn’t let me sleep late this morning–later than my usual, but far earlier than the last two mornings–so hopefully I’ll feel tired tonight. I made it to the gym yesterday, and so am a bit tight and sore this morning, but at the same time I am very pleased I did go. I tried to talk myself into waiting till today, but finally around one I snapped out of it and went. The one thing I’ve noticed besides the muscle fatigue is that mu shoulder is a lot looser and freer now–it’s been tight for a while, and sometimes it felt like it needed to, I don’t know, pop? Like a knuckle that won’t crack? But since I started working out again (granted, only twice but that’s also two more times than if I hadn’t, so there), it feels a lot better and more usable than before. Yay! Should have never stopped going last spring, but if wishes were horses and all that nonsense. Even the tightness of the other muscle groups feels kind of good. Now, if I can just remember to find time to stretch every day…

The weekend hasn’t been a waste for writing, either. I reread some works in progress, worked a bit on the synopsis of The Summer of Lost Boys, and reread Chapter 2 of new Scotty preparatory to revising it this morning. I have some short stories to work on and more to read–Saints and Sinners short story contest judging work–so I may not have as much time today to read for fun as I might want, but I think I can get through Ode to Billy Joe this week before moving on to my next read, which will be a crime novel from a marginalized author.

We finished watching Cross yesterday, and I have to admit we enjoyed it more than I thought I would. I’m not sure what I was expecting, but the show turned out to be a lot better than I was expecting. Shows produced by streaming services can often be hit-or-miss, and other than The Boys I generally don’t go into Prime shows with a lot of expectations. I think Cross could have been six episodes instead of eight, but they did an excellent job of juggling different crime storylines against each other as well as making the viewer wonder if it was two different cases or the same one. That’s not easy to do, and is even harder for a television series to pull off than a book. We then watched a really fun crime show called Killer Heat, which was a modern take on film noir/hard boiled private eye stories. Starring Joseph Gordon Leavitt (whom I will watch in anything), Richard Madden, and Shailene Woodley, it’s done very well and is quite fun to watch until they don’t quite nail the landing, but hey–it was an excellent attempt, and they got everything right–including excellent performances from the two main leads (Richard Madden was kind of wasted in the role of identical twin billionaires, one of whom’s murder opens the movie; the part wasn’t well written and any hot actor with a good body could have done the job)–and we definitely enjoyed it.

And on that note, I am heading into the spice mines. Have a lovely Sunday, and I may be back later. One can never be entirely certain, can one?

Morning Good Morning

Sunday morning and I slept late, which is fine, really. I keep forgetting that sleeping in on my days off isn’t a criminal act of any kind. After so many years of keeping myself overly busy and so I was always behind on deadlines and so forth, I’ve kind of gotten into the insane mindset that sleeping late is a waste of time that could be better utilized, writing or cleaning or reading. I do have some things I need to get done today–mostly running to the store to get the things i need to make a carrot cheesecake for a co-worker’s birthday tomorrow–but if i manage my day properly, I should be able to get things done.

I spent yesterday running errands, and trying to get things cleaned up around the house while dipping into two books–The Berlin Stories by Christopher Isherwood and Ode to Billy Joe by Herman Raucher. I ordered the latter from ebay after I started doing my research into Robby Benson for the post I made about the crush I had on him as a teenager; realizing the movie script and novel were written by Herman Raucher made me interested in reading the book, as well as wondering about Summer of ’42, and so I ordered copies of each. Billy Joe arrived yesterday, and I was curious about it. Usually novelizations were work-for-hire arrangements and the author used a pseudonym; some are better than others, of course, but just reading the first chapter of Billy Joe I can tell it’s head-and-shoulders above most novelizations, and it’s probably more thorough in telling the story than the movie was, which has me interested. I’ve also been thinking about The Berlin Stories lately, after watching the film Christopher and His Kind, and may revisit it again, too, for Pride Month; Isherwood is one of the literary gods of the gay canon, and the opening sentences of Goodbye to Berlin are perfect for parodying in the prologue to the next Scotty. I still have to finish my reread of Michael Thomas Ford’s Suicide Notes, and I think I’m going to bump the new John Copenhaver up on my TBR list. It is Pride Month, and I should immerse myself in queer lit for the month, don’t you think, Constant Reader?

I also want to write about Summer of ’42 at some point. Like The Other, it was an early read that was very influential on me, and one I often don’t think about when I do think about influential works I’ve read or make a list. I really do need to sit down and identify the books that really impacted me and the way I write; The Other, Summer of ’42, and so many, many others. I also want to write today; I didn’t really yesterday, but I did spend some time yesterday doing research; i.e. watching Youtube videos on the Oklahoma true crime story that fascinates me still, as well as ones that review the 1970’s and pop culture and what was going on those early years of the decade, which is when the book will be set. I think I am moving in a more historical direction rather than writing about the current day; Never Kiss a Stranger is set in the 1990s (1994, to be exact) and of course The Summer of Lost Boys is going to be set in either 1972 or 1973; I can’t decide which, although I suspect 1973 is going to end up being the winner when I finally have to decide.

We finished Under the Bridge last night, and it’s most excellent; I highly recommend it. Based on a true crime novel about the Reena Virk murder in Victoria, British Columbia back in the 1990’s, Reena was beaten badly by a group of girls–some she thought were friends–and then after the others left her broken and injured and bleeding along the river bank, a boy and a girl came back and basically, finished her off. The show reminded me a lot of Megan Abbott’s work; Abbott always writes about the mysterious world of female relationships, female rage and jealousy, and that’s what Under the Bridge does so beautifully. The acting is extraordinary; a real standout is Javon Walton as Warren, the young boy who kills Reena. Walton is very handsome in that young way, and I looked him up because the performance was so extraordinary, and turns out he also played Ashtray on Euphoria, who was one of my favorite characters on that show. Do watch it when you get a chance. I’m going to get a copy of the book now, too. Yay, more things to read! Just what I need!

We also started The Acolyte, but I was sleepy by the time it started and kept dozing off. No judgment on the show, I was just tired.

And on that note, I think I’ll head into the spice mines. I’ll probably finish the dishes this morning while making a grocery list, and then I’ll dash to the store and get gas. I may even finish one of these other Pride blog drafts, so have a lovely Sunday, Constant Reader, and I may be back later.

Ode to Billy Joe

Robby Benson. Swoon. I mean, LOOK at him.

Eat your heart out, David Cassidy!

I don’t know when I first became aware of one Mr. Robby Benson, but I do know he was a major crush of mine when I was a teenager–he and Jan-Michael Vincent–and I also think he’s another one of those who definitely helped create a type for me; dark hair and bright blue eyes, and that smile! Jesus Mary and Joseph!

ODE TO BILLY JOE, Robby Benson, 1976

I wasn’t alone in my teen years crushing on Robby; I think most teenaged girls of my generation all had a bit of a crush on him. For one, he was ridiculously beautiful; it kind of should be against the law to look that good. He was also photogenic and telegenic, and I loved his speaking voice. I know my teen years are also when I developed my love of jeans cut Daisy Duke short; and as you can see from the pictures above, Robby’s were cut so short they were basically speedo-sized. Years later, Daisy Dukes were my favorite shorts to wear, because all modesty aside, I’ve always had muscular legs; assets best displayed in shorts cut immodestly short.

But in looking up information on Robby Benson for this post, I realized I had never seen the movie Ode to Billy Joe, which was one of his best-known films. I knew about the movie, of course, but never saw it. It was released the summer we moved to Kansas and it never played in Emporia, and I never saw it on television, either. So, yesterday, I remedied that by watching it on Youtube, which has the entire movie uploaded for free.

The movie itself is simple. Based on the story song by Bobbie Gentry that is probably one of the biggest and best-known hits of all time, it’s ethereal and mysterious and unclear; and the lyrics themselves create an indelible image of a rural Southern lunch and the casual, unknown to anyone speaking, cruelty of the conversation. The narrator had a strong connection to Billy Joe, and his suicide affects her deeply, but nobody really notices. It’s genius in exposing that Southern mentality of “the girls don’t matter”–no one’s noticed that she is connected to him in some way, no one notices that she’s upset, and the way Gentry sings the lyrics is so matter-of-fact yet horrible as she recounts an emotionally troubling experience for herself, and paints such a powerful image of the invisible daughter, left to grieve on her own for the boy she loved, and does she know the reason he jumped? I’ve always liked the song, even if it doesn’t work for me musically (the lyrics don’t match the melody), because it tells so many truths about rural Southern girls that what actually happened isn’t the point–the point is the isolation and loneliness she feels, and the alienation from her own family.

The movie, screenplay and novelization by Herman Raucher of Summer of ’42 fame, fleshed out all those mysteries. It was from the movie and book that turned Ode to Billy Joe into a queer story and a tragedy; it’s also interesting that it wasn’t more of a scandal when the movie was released in 1976; maybe him having had a sexual encounter with another man and committing suicide took the sting and shock of the gay twist; after all, misery and suicide were the only possible outcomes for most queers in movies at the time. Watching the movie, but taking away my own quibbles about its depiction of southern rural life to talk about it as it stands as a queer film, it was really quite revolutionary. First of all, Robby Benson was a full-fledged teen heart throb with photo shoots in every magazine like 16 and Tiger Beat, and having someone who didn’t telegraph gay (or the societal images of what gay looked like then) who was also a heart throb playing the part was putting an acceptable face on a (at the very least) bisexual character. What was also interesting to me about the film was that it was produced by Max Baer (aka Jethro from The Beverly Hillbillies), and the man Bobby Joe had the encounter with was played by James Best, who would go on to greater celebrity and fame as Sheriff Roscoe P. Coltrane on The Dukes of Hazzard later on in the decade. Glynis O’Connor is fine as Billie Lee (seriously, Bobby Joe and Billie Lee? I have an army of relatives from the rural south, and out of all of them there is exactly ONE who has that stereotyped Southern two first names thing), but Benson’s appeal is clearly on display here–and I understand why girls loved him so much: he always played sensitive and vulnerable young men, which girls love.

And he is just stunningly beautiful in this movie.

Benson’s most successful role of all time was, ironically, from voice work: he voiced the Beast in Disney’s Beauty and the Beast.

I also found it interesting the Bobby Joe committed suicide in the Tallahatchee River, which was also where the white supremacists dumped Emmett Till’s body…so that river is kind of hexed, wouldn’t you think?

He also aged incredibly well–Benson is still quite beautiful.

American Pie

Saturday! Woo-hoo!

Yesterday was an odd work-at-home Friday. Our power went in and out a few times during the day, and that threw everything off–laundry, work, plans for the day. But it did gradually and eventually all get finished in the end so Paul and I could spend the evening riveted by Under the Bridge. We only have two episodes left and it’s soooo good, and so delightfully queer-which was a delightful and unexpected surprise. Lily Gladstone continues to own the screen, and I can’t wait to see the final two tonight when Paul gets home from tabling at Pride for Saints and Sinners.

I slept really well last night, which was marvelous. I woke a bit later than I originally had intended, but that’s okay. I want to get some more cleaning done around the house this morning before I take books to the library sale, pick up the mail, and make groceries; then I intend to get some more writing done today. I did some more thinking about it last night before Paul got home, and I think I almost have the voice right. I also did some more research while he was at the gym–nothing like reexamining pop culture and the news during a distant time period (note to self: TV Guide archives must be checked as well), because it brings back memories, which also helps put me in the right mental place to write and create the story. I also kind of know how the story is going to go, and I also came up with another idea for the beginning, which I also really like. (I just had one of those imposter syndrome moments, where my brain suddenly panics and thinks, that isn’t going to work. Sometimes I really hate my brain…

During one of the power outages yesterday I decided to use the time productively and walked to the gym to do rehab exercises. It made sense when I thought about it–I mean, without power or Internet I can’t work, so utilize the time, right?–but after getting damp with sweat walking over there on a “feels like 105” afternoon, sweating more during the rehab exercise, and getting soaked with sweat walking home to a house without power that was getting hotter wasn’t perhaps the wisest choice? The power was still out for about an half hour or so at that time, so I took a very quick shower while the apartment began cooling down again and felt ever so much better. I also don’t feel exhausted or tired this morning, so maybe physically I am beginning to get back my stamina and getting back to normal, which is terrific. I was starting to worry that I was never going to do so, and I am nothing if not incredibly impatient.

I also watched Ode to Billy Joe yesterday (the film is on Youtube for those inclined to watch it again) because I’d been looking into Robby Benson for a Pride post, as he helped me understand that I liked men instead of women–so, so beautiful–and I realized I’d never watched this movie….and the movie, it turns out, is what fleshed the song out to give us a reason why Billy Joe jumped off the bridge; he’d been with a man, and the shame drove him to it because it was such an ugly thing to be that suicide made the most sense as an option. I’d heard the theory that he killed himself for being gay before, but didn’t realize it came from the movie…and the novelization of the script was written by Herman Raucher, who’d also written Summer of ’42, a coming of age novel and movie that were also kind of formative for me. Looking into it, it was released in the summer of 1976. We moved to Kansas that summer and the movie didn’t play locally, and I’d never watched any of its television airings. Anyway, the movie was interesting but there were lots of parts to it that didn’t play well for me today–I am always prickly about the way films have rural Southern people talk–but keep an eye out for my Robby Benson post if you’re interested in him.

I do feel good this morning, which is nice. I’ll go get cleaned up in a bit, but am going to work on either entries or the prologue this morning. I also plan on doing some rereading of my own work today–I am definitely moving Never Kiss a Stranger to the top of the to-write pile, because I am not entirely sure about the y/a I want to turn from novella into novel; I’m not entirely sold on the plot, to be honest. I also want to work on the kitchen this morning, too; I did buy the wrong vacuum cleaner (mine is a rug cleaner; so I can put water and shampoo in it to clean the carpets too, but it does work as a very powerful vacuum, so I’ll go ahead and use it–and maybe next weekend, I’ll clean the Oriental rugs with it.

Yesterday the right, through The Federalist, decided to come for Dolly Parton and basically call her a false prophet and a “danger” to Christianity. The recovering alcoholic who wrote the hit piece, Ericka Andersen, is about what you’d expect: a self-righteous born-again Christian who thinks she knows the faith better than anyone who ever lived or ever will live, which of course is apostasy, but she’s a soulless troll who got the attention she wanted. Andersen’s social media is now completely shut down as she is in the find-out phase of coming for Dolly. Dolly has not only given the world decades of amazing music and entertainment, she is also one of the most generous people alive, using her money and her fame to do good works in the world and is always kind and understanding and sympathetic; the woman literally loves everyone even her harshest critics. If ever there was an example of what it is like to truly follow the Christian path, it’s Dolly Parton–but you know, giving kids free books, donating millions of dollars to charity every year, and her incredible generosity to her employees at Dollywood? Sorry she won’t condemn people you don’t like, cosplay Christian piece of shit. And for the record, Megan McCain is married to the head of the Federalist Society–which is all anyone needs to know about what utter and complete garbage they are.

Seriously, they’ve come for Taylor Swift and now Dolly. Next thing you know they’ll come for Cher–which is something I would love to see them try.

And on THAT note, I am heading into the spice mines. Have a lovely Saturday, and I’ll be back later, okay?

Young Offender

As I said yesterday, I had been wanting to reread Summer of ’42 for quite some time now, and finally decided to bite the bullet and start it yesterday.

He always intended to come back, to see the island again. But the oppertunity had never quite presented itself. This time, however, with a break in his schedule and with events moving remrkably in his favor, he had driven far up the New England coast to see if the magic still prevailed. Aboard the old ferry his Mercedes convertible earned the icy nonchalance of a half dozen craggy islanders, for very few new cars ever make that crossing. Cars that came to Packett Island are usually well into the varicose stage of their lives, and as such, they are by time and temperament unconcerned with a return trip to the mainland. “Cars come to this fuckin’ island to die.” Oscy had said that. Oscy, the big deal philosopher. And it was as true in 1970 as it had been in 1942.

He studied the faces around him, each turned to the wind, taking the breeze full face. It was apparent that none aboard remembered him. But then, he was barely fifteen that last time he forked over the twenty-five-cent fare. And in the intervening years nmuch had changed, including the twenty-five cents, which was now a dollar, and himself, which was now forty-two. How, then, could anyone remember him? The nerve.

The Mercedes moved with disinterest along what purported to be the Packett Island Coastway, for the speed limit was thirty, hardly a challenge for an exhumed LaSalle, let alone a hot Mercedes-Benz. To his left were the familiar dunes, sulking in the grass, incongruously scattered with the uncatalogued refuse and bleached timber that the sea could toss so casually across the road whenever it felt so disposed. And to his right, the sea itself, choppy and gray-green. And large. Very large indeed. One of the largest in the world.

I first read Summer of ’42 when I was either eleven or twelve; I don’t remember which; I just know that we had already moved out to the suburbs and I bought a copy off the wire racks where the Zayre’s stocked paperbacks, cover out and about four books deep. I’m not really sure why I picked it, of the scores of paperbacks from Dell and Fawcett Crest and Pocketbooks; there had to be a reason but nearly fifty years later I cannot remember. The movie was out at the time, and the cover art was from the movie, with Jennifer O’Neill standing in the sand looking out to see, and Gary Grimes seated in the sand behind her looking at her longingly; her little beach cottage was in the background along with the dunes and sea grasses. Was it because the cover depicted a beach scene, and we were beginning to spend our summer vacations including the Gulf Coast of the Florida panhandle in our annual jaunts to Alabama to visit family? The answer is lost in the mists of time, alas, but I did buy it, I did read it, and never really forgot it. It’s a lovely little book, nostalgic and sweet with a little tinge of sadness running through it; I think I also identified very strongly with Hermie, the main character (obviously, standing in for Herman Raucher; the book is supposedly semi-autobiographical). Hermie was a dreamer whose family didn’t really understand him, he had an older sister who is barely a presence at all in the book, and his fantasy life/world was just as strong as mine. He often went off into daydreams the same way I did, and he didn’t really fit with his friends, whom he enjoyed and was annoyed by in equal measure. At just fifteen, he is just starting to experience his own sexuality, and that summer of 1942 he becomes obsessed with a beautiful young woman who stays in a cottage just outside the small town on the beach. He sees her with her husband–also stunningly handsome, and they are so clearly in love, and begins to sort of watch them whenever he gets the chance. The husband goes off to the war, leaving her alone, and he contrives a way to meet her, offering to help her carry packages home when she is overburdened. He is also clumsy and awkward; saying and doing things that embarrass him, and they begin to develop a kind of weird and different little friendship. She just thinks he’s a sweet boy, but he is crazy about her, and she becomes his sexual fantasy; speeding along his awakening awareness of sex and sexuality.

The book is entirely from his point of view; so deep inside that we really don’t get to know any of the other characters in the book other than from his perspective and how he perceives them. There are parts that are actually quite funny–the scene where he buys condoms is hilarious–and the bittersweet feeling that she was his first love that he can never quite forget is the motor that drives the engine of the story forward. It’s melancholy, and Raucher was a really good writer; he captures that awkwardness of being insecure in your own skin at fifteen beautifully, and the entire tone of the book–that bittersweet melancholy for a lost love and a lost time and really, lost youth–is rendered exquisitely.

And yet…

He doesn’t know this woman at all, other than she’s quite beautiful and in their little exchanges, very kind to him, if a bit confused by his behavior. He doesn’t even know her name until the book is almost finished. (SPOILER) And when she does have sex with him in the end–after getting the shattering telegram that her beloved husband has been killed in the war and she’s been drinking, in the throes of a powerful grief–it never really made sense to me. Why would she do this? She’s in her early twenties and he’s fifteen. And despite her vulnerability in that moment, she’s the adult here…when I first read the book and saw the movie, that power differential wasn’t anything I noticed (as I said, I wrote my own story inspired by this one without a second thought about statutory rape and so forth), but now…it’s weird. And he of course has never forgotten the first woman he had sex with (they say you never forget the first) but it also doesn’t go into any of those directions, and why now has he decided to go back and see the place? There’s a lot left out, and I actually was thinking, as i read it this last time, how much I would have liked to have seen the story from her point of view.

It’s a short book and, as I said, the writing is well executed and it flows nicely. It made me start thinking about my own story and how I could possibly rewrite it now. I was able to read over the course of the afternoon (like I said, it was really short) and I did enjoy the reread…but this time it raised a lot more questions than it did to my much younger self.

But like Hermie, I also never forgot the story, so that’s something, right?

Turn

Saturday morning and I’m up much earlier than I usually am; I woke up around seven–the last time; it was a restless night–and finally decided to just go ahead and get up. We have to take Scooter to the vet at eleven for follow-up blood work (monitoring his diabetes) but other than that, the day is pretty free for me. I am thinking about going to the gym later to do arms (I skipped them last night because…well, because there were too many people there in the small space that is the gym and I don’t like having to force my way into spaces because so many gym-goers seem to feel like they are the only people there or they own the gym or something; I despise many things, but I have an especial hatred for inconsiderate assholes at the gym; always has been a pet peeve of mine) and was actually thinking it might be a good idea to go to alternating workouts; arms on one workout, shoulders/chest/back/legs on the other, with a goal to eventually give legs its own day in June). My muscles feel tired this morning, which means I worked them hard yesterday. That is a good thing. I also don’t want to waste today–which has a tendency to happen far too often on these weekends. The apartment needs some work done on it (it’s horrifying how much I’ve allowed the housework to slide since the first of the year) and perhaps getting up early this morning and using this time to actually do stuff rather than be a slug will help.

We shall see how this day progresses, at any rate.

One would never guess, looking around my apartment this morning, that I prefer to be organized, that’s for certain.

I’ve kind of decided to reread Summer of ’42 by Herman Raucher next. I think I need a break from reading crime fiction–a palate cleanser, if you will–and I’ve been thinking a lot about this book and the film made from it lately; I don’t know why, or I don’t remember the reason it came up in my brain recently (hell, it may have been two years ago for all I can remember; I have absolutely no concept of time anymore). I read the book when I was eleven or twelve; I’m not sure when, but I know it was when we lived in the suburbs, and I’m also not really sure why I was so interested in it. I know I didn’t see the movie until it aired on television, and years later I rented the video to see the unedited version, but it always stuck in my head–so much so that I wrote a short story somewhat predicated on the same premise; nostalgic looking back at the coming of age of the main character. The story was called “The Island”, and rereading that story about ten years ago–I was fond of it, and it was very popular in the creative writing class I wrote it for–I realized, in horror, that it was very clearly a product of its time and could never be published without an extensive rewrite. There was a young woman in that creative writing class, and she hated the story, which of course deeply bothered me; particularly because her criticism was based on nothing–she had nothing concrete other than “it just made me squirm a bit,” was all she could say, and of course everyone else in the class just kind of rolled their eyes and dismissed her. On the reread, I realized precisely why it made her squirm, even though she couldn’t–or was afraid to–put it into words: the main character was thirteen and is seduced by a woman in her early twenties, so I kind of unintentionally wrote a grooming/pedophile story but wrote it as a nostalgic, coming of age romantic story. Ick ick ick. In retrospect, her reaction was the right one to have, frankly. I tried to rewrite it and make the characters closer in age–making the main character seventeen and the young woman twenty–but it still had an ick factor to it. I thought about changing it to a gay story, but that made it even ickier.

This set me to thinking about how our viewpoints on this sort of thing have changed over the course of my life, and whether Summer of ’42, which inspired the story in the first place, would still read the same way all these years later. NOW I REMEMBER! (There’s still some juice in the old brain yet!) I started thinking about my story again when I made the list of all the unpublished short stories I have in my files, and I remembered, not only this story but another one I wrote for that class that was never published anywhere, “Whim of the Wind”–and I was thinking about that story a lot over the last year because that one was also set in Corinth County, Alabama–the place I was writing about in Bury Me in Shadows, and the two stories (“The Island” and “Whim of the Wind”) are forever linked in my head because I wrote them for the same writing class and turned both in together (we could turn in as many stories as we wanted, but had to turn it at least once twice in the semester…I turned in two the first time, and six the second time; the first example of how prolific I can be when I set my mind to it and do the work). But I digress. Back in the day, when I was growing up and even up to my thirties and forties, the age gap thing–and the sexuality of teenagers–wasn’t as big a deal as it is today, if that makes sense. Even now, when there’s a scandal about a teenaged boy having sex with an adult woman–usually a teacher in her early twenties–a lot of men don’t see the problem and say lucky kid or wish I’d had a teacher like that when I was in high school and things like that; as though there’s something natural and “manly” and normal about a teenaged boy having sex with an adult (incidentally, if the teacher is male these same responses are most definitely not used; adult male teachers who have sex with girl students aren’t treated or looked at the same way, nor are male teachers having sex with male students; adult men are inevitably seen as predators–the very same type of double standard the classic Tracy/Hepburn film Adam’s Rib addressed in 1949).

It’s rather interesting now, as sixty looms on the horizon, to look back and see how the world has changed since I was a kid.

We got caught up on Cruel Summer last night, then tried watching The Serpent on Netflix–I’d read Thomas Thompson’s book about the murderous couple, Serpentine, years ago–but it didn’t really hold our interest, so we decided to skip it and move on to something else.

Okay, I’ve put off getting the day started for long enough now. Talk to you tomorrow, Constant Reader.

All Too Well

Saturday morning, and there’s sunlight streaming through my windows–a lovely change from the majority of mornings this past week. I overslept this morning, something that has been happening with greater frequency over the last few weekends, but I also have been staying up later than normal and having trouble falling asleep when i finally do go to bed; I may have to change my pre-bed routine and go back to reading a bit before tumbling into bed. There was some study I read several years ago that indicated the light from screens made it harder for one’s mind to relax and turn off before bed, making sleep even more elusive than it already is for me.

The last thing I need in this world is to make it harder for myself to fall asleep.

I also realized yesterday afternoon when I finished work that I’ve been depressed for well over a week; going back to the week of my birthday. Depression is rather sneaky that way; I always forgot just how sneaky and malicious it actually is. You don’t have to feel sorry for yourself or have that ‘woe is me’ consciousness; it can manifest in being tired, having little or no energy, no desire to do your work, and thinking okay if I can just make it through this day. I literally felt myself come out of it, physically and emotionally, last evening after I finished my day’s work; the swing back to I can conquer the world was so palpable I actually can tell you what time it happened: 5:27, as I was loading blankets into the washing machine. These swings used to be much more obvious and apparent, and maybe…maybe I need something stronger than what I am taking to control all the chemical imbalances in my head. I don’t know. I worry so much about addiction that I am not even certain I should be taking the medication every day, and I also sometimes think I should take a week to wean myself off of it, to be certain, but then I remember that one of the symptoms of not taking the medication is an inability to sleep and like I need anymore assistance in THAT area.

It also never helps to have hurricane season amp up during the Katrina anniversary week. Sigh.

So, in this week’s film festival:

I watched Midway, the 2019 film about the climactic battle in the Pacific Theatre of World War II, which was the first American victory over the Japanese in the war and a major turning point; military historians consider it one of the most important naval battles in history, along with Salamis, Lepanto, and Trafalgar. I generally don’t watch war movies–I’ve never really cared for them much, and while I was watching Midway I realized why: I despise, and have always despised, toxic masculinity, and war movies are all about that amped up, testosterone driven macho bullshit. The main character of the film was someone who made me extremely uncomfortable with his posturing and, for want of a better term, dick-swinging; it wasn’t until he finally realized his posturing had resulted in the death of one of his airmen that he started to get it, and softened a bit, and became more likable (I also realize that this macho attitude is undeniably necessary for soldiers and the military; these are people who are putting their lives on the line and it really is a matter of kill or be killed; the problem is that it is incredibly difficult to shed that kind of training when you’re not on duty anymore or a civilian again, not to mention the PTSD). It also wasn’t until the end of the film, when the characters were shown as played by the actor with the story of what happened to them in their lives later, and the actor morphed into the real person on screen, that I realized that almost everyone in the movie was based on a real life person, not just the big admirals and so forth; that did make the movie a lot more powerful as I realized that not only was what I had just watched a fairly accurate depiction of the historical battle, but the individual experiences of the actual men who fought it. It’s a gorgeous film with stunning visuals, and the Pacific Theatre of the war never gets enough credit or recognition from us–we tend to remember the war primarily as being against the Nazis and the battle to free Europe from the Germans; bit the Pacific Theatre of the war is just as compelling, and the opening sequence–the horrific bombing and slaughter at Pearl Harbor–was just horrible to watch (one of the most moving experiences of my life was my first visit to the Arizona cemetery and memorial out in Pearl Harbor, where the water is so clear you can see the ship resting on the bottom, and oil bubbles are still escaping from the wreckage).

Yesterday I watched Blade Runner Final Cut  as part of my Cynical 70’s Film Festival (and yes I know it was released in 1982, but I consider it to be one of the last films that count as a Cynical 70’s film), and was most impressed. Rutger Hauer, of course, stole the film completely, and it was also a bit funny to me that the movie supposedly was set in 2019 (what an enormous disappointment 2019 turned out to be, given how Ridley Scott originally saw it forty years ago); visually it’s an amazing film, and I can also see how the visuals and art design of the film has influenced filmmakers ever since–the constant darkness and rain in Los Angeles (I kept thinking it’s rained more in this movie than it has in Los Angeles in the last year) reminded me of the  Alien film franchise and Altered Carbon and any number of other films. It was also interesting to see Sean Young and Daryl Hannah in the roles that first really brought them to audience attention–Sean Young was on the brink of major stardom for a while until she got labeled “troublesome and crazy; makes you wonder if she refused to fuck Harvey, doesn’t it?–and of course, a still young Harrison Ford just owns the screen. The concept behind the movie was interesting as well; it made me want to go back and read the source material (I’ve not really read much of Philip K. Dick, and given how influential his work was…yeah), and I still might. I bought a copy of Do Androids Dream of Electric Sheep?–great title–a few years back, but I can’t seem to put my hands on it now.

We also watched two documentaries last night: Class Action Park, about the exceptionally dangerous water park in New Jersey and the Showtime documentary about the Go-Go’s,  The Go-Go’s. Both are excellent and I do recommend both; I’ve always wanted to write about an amusement park–I have a short story somewhere set in one based on the old Miracle Strip in Panama City Beach–and still might; I’d hoped to do a Scotty book back before Katrina set in Jazzland, which is now, of course, a derelict ruin. The Go-Go’s, of course, were and remain one of my all-time favorite bands; I still listen to their music today and of course, contributed my story “This Town” (one of my favorites) to Holly West’s anthology Murder-a-Go-Go’s.

So, I am now awake after two cappuccinos (Gosh, why do I have trouble sleeping? A mystery for the ages), and looking ahead, there’s a lot to get done for me this weekend. I am way behind on both emails and the book, and of course I want to start reading Little Fires Everywhere, and the filing! Good lord, the filing. I also need to make notes from All That Heaven Allows, the biography of Rock Hudson I recently read as research for Chlorine, so I can return the book to the library this week; and it wouldn’t hurt to go through Tab Hunter Confidential and at least mark the pages that would be of use to me later.

We also finished watching The Case Against Adnan Syed, and I definitely have some thoughts and opinions about that case and show.

Watching Magic the other day, and a young Jerry Houser’s appearance in a bit role as the cab driver reminded me of another movie from the 1970’s, which I wanted to rewatch to see how it holds up: Summer of ’42, which also has one of the most beautiful scores every recorded (it won an Oscar for Michel Legrand, who composed it). I read the novel by Herman Raucher, and the book and movie are both considered seminal works and examples of the “coming-of-age” novel–and thinking about it now, how exactly would that work out nowadays? The main character was a teenager–15 or 16, I don’t remember which–and he becomes obsessed with a beautiful woman in her early twenties whose husband is off to war; when the husband is killed in her insane grief she sleeps with the young boy, who returns, even more deeply in love with her, the next day to find a goodbye note and her gone. The book and movie are told in retrospect; many years later, as an adult, he returns to Nantucket, still remembering her, and then the story is told in flashback, and then at the end he sadly looks at her old beach house and drives away. This remembrance also reminded me that I had written, as a short story, my own version of the same story–which never really worked–called “The Island”, which I still have here somewhere and could possibly at some point revise and rewrite; the primary problem for me with the story I wrote was the main character was only thirteen–RED FLAG–and just now I figured out how I could revise it and make it work (definitely not with a thirteen year old main character).

I might to actually spring for the $1.99 to rent Summer of ’42 on Prime, and see how, and if, it fits into my Cynical 70’s Film Festival.

And now it is time for the spice mines. Enjoy your Saturday, Constant Reader!

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Tusk

As Constant Reader is aware, I’ve always had issues with my weight and, by extension, my body. I am trying–the goal is, anyway–to get down to 200 pounds. I am currently hovering at a plateau of 212, with fluctuations running from 210-215. Tuesday I tried on a pair of pants I’ve not been able to wear for several years and they fit comfortably; yesterday was the true acid test of my black Levi’s–which I haven’t gotten on in almost four years.

Not only did they fit, they fit fairly comfortably…and as the day progressed so began the ever-green struggle to keep pulling them up constantly as they slid down. I don’t know what that means–other than the reality that jeans do stretch when you wear them–but I’d like to think my body shape has changed. That fifteen or so pounds I lost has made a difference.

Huzzah! Now, of course, I should use that as motivation to improve my bad eating habits and start going to the gym with some degree of frequency…and also need to keep reminding myself that no matter how sore I may get, or how tired, or how little I want to lift the weights–I always feel better afterwards.

I worked a little on the WIP yesterday–not as much as I would have like or preferred, but so it goes, you know? I am still reconstructing that first chapter, which, now that I’ve started pulling it apart and trying to put it back together to try to make it more compulsively readable, isn’t quite as good as I may have thought it was when I originally conceptualized, and wrote, it. A lot of that probably has to do with originally conceiving the book as first person/past tense; and now I am shifting it to first person-present tense, so the reflective tone of the opening paragraphs no longer works.

The opening sentence, which I’d loved, has to go: My mother ruined my life the summer before my senior year of high school.

Don’t get me wrong, it’s still a good opening sentence, but it doesn’t really work anymore. Choosing to write in the present tense–which most y/a fiction I’ve read recently seems to be in–changes that dynamic; plus I always seem, at least in the early draft stages, to have a tendency to create a reflective, looking-back framing device for the story, like my character is remembering how it all happened from the vantage point of the adult he now is–and that’s just reflexive and lazy writing on my part. (It’s not a bad device, I’m not saying that by any means; but I use it too frequently, or try to, at any rate. I blame reading Herman Raucher’s Summer of ’42, which used this device beautifully; as did Pat Conroy’s The Prince of Tides. Perhaps someday I will use it when it is appropriate and will work. I need to reread the Raucher; I bet it doesn’t hold up–primarily since it’s theme is about a teenaged boy who has sex with a woman in her twenties and he basically stalks her; hmmm, there could be a really interesting essay in there…)

I hope to get that first chapter revised, restructured, and rewritten this evening, since it’s one of my two short days this week; and tomorrow I can move on to the next chapters. I  started reading The Woman Who Fed The Dogs, part of my TWFest homework, and I also need to get that finished so I can read the last bit of my homework, Samantha Downing’s My Lovely Wife. 

Always, always, always so much to do!

And on that note, tis back to the spice mines with me!

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