Monday morning and it’s back to the office with me this morning. Woo-hoo! It’s going to be an oddly truncated week, I fear; the holiday on Wednesday and then driving to Florida after work on Friday definitely makes me feel the sense of claustrophobia with time; the sense that somehow I won’t have the time to do everything I’d like to do so I don’t have to worry about being off-line for three days or so. Sigh.
I slept really well last night, which was great. I didn’t want to get up this morning–not that I ever do–but the clarion call of the alarm and the knowledge that I can’t avoid it for long gradually overtakes my desire to stay warm and comfortable in the bed. We had some amazing rain yesterday (I made groceries between storms and got home before the rain started up again here; I drove home from Midcity in the pouring rain but it hadn’t gotten here yet), which was nice, and I managed to get some things done around here as well. I still haven’t gotten to the floors yet, but that could just be something I do on Wednesday. I can’t quite wrap my mind around the holiday in the middle of the week, but a day off is a day off, right?
We finished watching After the Flood last night, which had a surprising twist but an unsatisfying ending. It’s good, don’t get me wrong, but for a British crime show, that kind of last episode was a little disappointing. Your mileage might vary, of course, but overall it was a good show and we really enjoyed watching. I’d intended to start House of the Dragon last night, too, but was tired by the time the show ended and knew I wouldn’t be able to really give it the kind of attention it deserved, so put it off for at least another day. Paul generally works at home on Mondays, so we’ll be able to get our dragon fix possibly tonight.
I did get some work done on Never Kiss a Stranger yesterday, too. I pulled it apart and broke the scenes down into chapters, and now get to start piecing it all together again. I do think there’s enough story to be a short novel, probably between 70-80k, and I saw lots of places where things could be expanded or new things added; there’s a second story that needs to be woven into the text, which I always knew was missing from the story as a novella, I just couldn’t think of how to weave it in while keeping it novella length, and I think that particular subplot is maybe the most important thing to the entire story? Heavy sigh. I also started creating the characters in more depth, too, and began seeing what new characters were needed for the story. All in all, a very good day’s work. It’s not going to be easy expanding this out into a novel, and I enjoyed what I was doing yesterday; it was extremely satisfying, and again I had to wonder why I always have to force myself to write when I always enjoy it more than almost anything else in the world that I do. It was lovely feeling like a writer again, which is something I’m not sure I’ve enjoyed as much over the past few years. And yes, that is sad. What I did yesterday was mostly editorial and prep work, but it was fun in a way I don’t remember experiencing in a very long time. But that could also be my faulty memory? Stranger things have happened.
I also didn’t read as much of my book as I would have liked. I did find some shorter books to listen to on the way to Florida and back next weekend, which will be fun–I’ve really gotten into this listening on long drives thing, which is a very pleasant development–but I’ll take it with me this weekend to read.
And on that note, I am heading into the spice mines. Have a lovely day, Constant Reader, and I may be back later with a pride post. One never knows!
Happy Father’s Day to all who celebrate. As for me, I’m meeting Dad in Florida on Friday for a nice weekend in Panama City Beach, although I seriously doubt that I’ll be going outside very much. The older I get, the less I can stand to be in the heat–which is something younger Greg would have laughed at very hard. I no longer care about being tan, either, as yet another fragment of vanity disappears from my head. Today I have to go out into the heat to make groceries, but other than that I am staying happily indoors and trying to get some more work done. We also have Wednesday off, of course, for Juneteenth, which is going to make for an odd work week, methinks, which is also payday.
I am feeling a bit groggy this morning but I haven’t had my first cup of coffee, either. Ah, there’s that first sip, sending warmth and energy through my system. I plan to do some writing today; I had a really good time yesterday unpacking and deconstructing the 20k+ words I already have done for this project, and I do think expanding it out into a novel is a good idea; I think it will make for a very good book if it accomplishes what I am setting out to do with it–and of course, as soon as I have those ambitious thoughts good old Imposter Syndrome rears its ugly head. AH, well, but feeling like I’m back inside my writer’s skin inevitably was going to trigger that, wasn’t it? Sadly, it’s all part and parcel of being a writer, and I just need to shrug it off entirely and focus on the work. So, while I generally despise Imposter Syndrome, I welcome it now because it’s a signpost on the way to getting back to being a full time writer after several years of being swamped and stressed and everything else that went on since 2016, really. It’s been almost a decade since Mom’s first stroke and she started living, essentially, on borrowed time. I think that was the start of the cloud in my brain, and that odd sense that time is running out. It feels lovely to be out of that; I’ve not experienced it for quite some time now, and I think the rest of this year might actually turn out to be incredibly productive for me. Here’s hoping, anyway.
Yesterday was lovely. Sparky got me up before eight, which was fine (he let me sleep until eight this morning), and I got up and started working. I did some cleaning, and I also did some writing, and some planning. Last night I scribbled away merrily in my journal, listing characters and figuring out backstories for them, so that they can be fully realized when I write about them. I do think this one, and the one after, are going to be some of my best work, which feels great, you know? I was also looking over the prologue to The Summer of Lost Boys, and rewrote some of it in my head, which I will need to transcribe at some point today as well. I didn’t really leave the house yesterday, which was great. I spent some time reading the new Paul Tremblay, Horror Movie, which I am really enjoying. (I always enjoy reading Tremblay; he’s one of the best of the new crop of names in the horror community, and not a single book or story of his that I’ve read wasn’t an incredibly enjoyable experience.) We finished getting caught up on The Boys (it cracks me up that the right-wingers are suddenly realizing that the show actually makes fun of them, and the ‘heroes’ they were rooting for were actually the villains. Sucks to be MAGA), and then we dove back into After the Flood, which is absolutely terrific and interesting.
Oh! And House of the Dragon returns tonight. Huzzah!
I slept well again last night, so getting up to Sparky’s determination to get fed was fine with me this morning. The first cup of coffee is currently working its magic in my bloodstream and I am waking up, which is marvelous. I do have some things I need to do this morning–the kitchen is a bit of a wreck this morning, and the floors need to be done–but I am hoping to spend the day, outside of the grocery store, inside working on the book and getting my shit together for the week. Make a to-do list, try to remember all the things I want to submit to, and get organized. I never feel organized, and haven’t in a while, which is part of the off-balance thing that’s been going on since 2016 or so.
And on that note, I am heading into the spice mines. Have a lovely Sunday/Father’s Day, and I may be back later with some other posts about being gay and Pride and other great moments from my gay life.
We made it to Wednesday! Huzzah! Huzzah! Here I sit with my coffee on my middle of the week morning, and I feel pretty good, to be honest. I was very tired yesterday, but not in the “I can’t even think” way, but rather the “hmm, I feel fatigued” way, which is fine. Yesterday was Sparky’s birthday, and so I gave him extra treats and pretty much played with him for most of the evening until he went to sleep in my lap. He really is a dear, even when he has Big Kitten Energy.
It’s been a bit of a week thus far, hasn’t it? Who knew that Ginni Thomas wasn’t the most awful SCOTUS wife? AND THAT IS SAYING SOMETHING. I saw someone on social media suggesting we change it, as a society, from “Karens” to “Martha-Anns,” since that name isn’t as common and she is clearly the GALACTIC EMPRESS of “I need to speak to a manager.” Madame Torquemada wouldn’t think Isabella the Catholic wasn’t religious enough for her, and clearly she’d love to implement the Inquisition, too. Thanks again to the third party votes who gave us the president who would appoint him for your service–and again for your service in 2016. I mean, what a vicious, venomous little spider she is, sitting in her house brooding over people being mean to her, waiting for the day she can be spiteful–the irony is it doesn’t make her look like the wife of a Supreme Court justice, but the Alitos clearly have delusions of grandeur and think they’re superior to everyone else. Whatever, trash. Don’t call yourselves patriots when you’re preference is to wipe your ass on the Constitution, and I also love that Alito thinks he’s a superior legal mind to, I don’t know, say every previous justice, which is rather telling. He certainly should not be a judge. But again, me and everyone else not white-cishet were screaming from the rafters that 2016 was about the Supreme Court, and as usual, no one listened–and that was also the case with the 2000 election, too. Sigh. It’s the pits, sometimes feeling like Cassandra on the walls of Troy.
I do feel much more lively this morning than I have any morning this week, but that’s got to be the better night of sleep last night–best of the week, in fact. I have to go pick up the mail today, my copies of the new Paul Tremblay should be there as well as another book from my childhood, Stranger than Science, which I am justifying getting because I plan to use it in The Summer of Lost Boys, which makes it research. I started thinking more about the next book yesterday, too, and how to expand this novella out into a novel. I am of course still going back and forth on it; it could be a novel, or it could just be the novella I stick at the end of my short story collection, but I think it would be too long for that. I need to write the introduction for that and finish the final stories and get it turned in. I know that Never Kiss a Stranger is already about 23k words in length, and there are at least two other subplots I need to weave into it, which should make it all the more interesting. I’ve not done nearly as much writing this week as I would have preferred, but there’s still a few days left in the week, so I can hopefully make up for lost time. What I need to do is summarize what’s already done, figure out where to slot in the subplots, and then buckle up and do the work. Next week is also going to be a little odd; we have Wednesday off for Juneteenth, so I have to work two days, be off one, work two more, and then drive over to Florida to meet Dad for the weekend. Their anniversary is next week–the 20th, to be exact, so Dad wants to go visit Mom and then he’s going on down. It’ll be a nice, relaxing weekend, methinks.
I’m not even going to take my computer with me. I’ll be ignoring everything until I get back.
Today is also the anniversary of the massacre at Pulse nightclub in Orlando, God rest their souls. That resonated because of course it was a dance club, and I had images of it happening here at either Oz or the Parade, which is chilling–and I really hated that the reboot of Queer as Folk was set here and a club shooting was central to the story. Has there been a true crime book about that yet? I feel like someone should, but not me. I am not the right person to do true crime, because I write fiction, I’d probably be unable to resist the urge to twist facts and evidence to fit any theories I might have, and that’s a disservice to the victims. I have thought, numerous times, about the possibility about writing a true crime book based on this case I am following in Oklahoma–without actually talking to any of the people or visiting the area–because one of the more interesting aspects of it all is the reaction, and how it’s all playing out on just this one Facebook page I joined. It still doesn’t make sense that the investigation was so fouled up from day one. How did anyone ever accept the theory that he was hit and killed by the side mirror on an eighteen-wheeler, and besides, I don’t care how drunk you are–there are conflicting reports on how drunk he was, but the autopsy did say .14 blood alcohol content–you’re not going to be unaware of an eighteen-wheeler coming up behind you on a country highway. And there was no wreckage or debris of any kind where the body was found. Sounds intriguing, doesn’t it? At some point I’ll probably write a blog entry about this case, but I don’t think, as much as I believe I could base a compelling novel in it, that I’ll eventually do so unless I can come up with a artistic thesis (that sounds pretentious, doesn’t it?) for it.
It’s funny how writing is like just about everything else in my life, isn’t it? The more I do it the better I write, the more I enjoy the other parts of my life, and if I take a break from it, it takes a while to shake off the dust and scrape off the rust and reactivate my creativity and my writing muscles. I also forget how to write a book sometimes, and that becomes a bit scary until I start remembering things, like oh yes you always have a point to the book you’re writing and you know what theme you want to explore, or I’ll remember something about the process and wonder if I’ve always done it that way because I don’t really remember. I am also finding I am forgetting a lot of the scenes and characters and plots of some of the books I’ve written, which is even scarier–what if I repeat myself, like with Scotty’s predilection for getting into car accidents? Heavy heaving sigh. This is why being a writer is an exercise in madness, really.
And on that note, I am heading into the spice mines. Have a delightful Wednesday; there may be a pride post later on; one never knows.
I don’t think I’ll ever get old enough to be thrilled about paying bills. It is satisfying to be able to do so and not ever worry about them–oh, those dark days when it was hard to pay the bills, or I didn’t make enough to cover them, or…yeah, let’s not go there. Deeply unpleasant, and why I endlessly empathize with people who struggle financially; been there, done that, no desire to ever go back there, either.
I slept well last night again. We started watching Under the Bridge last night, which we are really enjoying; it dovetails in with the Oklahoma true crime case I am following in real time with some similarities. Paul got home late, so I spent most of the evening sitting in my chair reading The Rival Queens while trying not to get chewed up by a playful kitten with Big Kitten Energy until he got home. I was tired–I gradually grew more tired the longer the work day went on, but since school’s out (thank you, baby Jesus) traffic isn’t nearly as awful on the way home as it usually is. I went uptown and got the mail as well as picked up two prescriptions, and by the time I’d fed Sparky and let him chase the red dot for a while until he got bored with it, I was pretty much done for the day. I did write for a while last night (and am very pleased with what I did write, which is super cool), so that felt pretty good. It’s not coming along very quickly; I’m trying to find the right voice for this section (the story will be told in two similar, but very different, voices) and that’s why it’s taking me longer than usual to get this bit finished. It’s at about 2500-3000 words right now, and I need to add more. It’s still not completely right, nor am I super-satisfied with it–it’ll need to be gone over a few more times–but I am very close, and that’s probably good enough for me to put it aside. I think I am also going to write a synopsis that breaks the book down into the sections I am going to use to tell it–there’s no guarantee I’ll remember the story I have in my head right now, so best to get it down.
I do feel good this morning, like I can get everything done that needs to be done, and that’s always a nice feeling. I am not tired, maybe a little bit out of it and maybe a step slower than I was yesterday morning physically, but mentally I am awake and raring to go. Another cup of coffee will undoubtedly finish the job. I have to pick up the mail and make a grocery run on the way home this afternoon, and then I can relax into my evening. We’ll see how I feel when I get home, but there are chores that will need to be done as well as the usual bonding with Sparky (after he eats; he’s a big fan of food and cuddles after eating). Tomorrow is my last day in the office for the week (I think; there’s a department meeting on Friday but I am not sure if it’s mandatory-in-person or if I can call in from my computer at home–fingers crossed), and I plan to get some things done this weekend around the house. I broke down and ordered a new vacuum cleaner that should arrive today, actually; so I can do the floors. I am still going to try to see if I can fix my current one, and if not, I am throwing both of the old ones–neither of which work very well–out.
Such the exciting life I lead, right?
And today I get to call the IRS–hurray–to check on my return (it was filed almost a month ago, and should have processed already; maybe it was because it was late? I don’t know), and I need to make an eye exam appointment, which means seeing if Costco takes my vision insurance. I’ll be meeting Dad over in Florida later this month, so I’ll need some kind of sunglasses–when I went in October it was so blindingly bright it hurt my eyes–or at least find some clip-ons to go over my glasses; I certainly don’t give a shit if it looks ridiculous or stupid or not, which is one of the great joys of getting old…not giving a shit about what other people think. To quote Bette Davis, “other peoples’ opinions of me are none of my business”–which is great life advice, really. It’s so freeing.
And on that note, I am heading into the spice mines. Have a lovely Wednesday, everyone, and I’ll check in with you again probably later.
Sunday fun-day, and I am up much earlier than I was yesterday. It wasn’t a bad day, but I clearly needed to sleep in. I slept later than expected this morning, too, but here I am, up at just past eight and feeling pretty good. I really didn’t do much of anything yesterday. I did leave the house and get the mail (I got two shirts I’d ordered from Macy’s) and then swung iby the grocery store to get treats for Sparky and for us (they had the Snicker brownie cookies again, which are fucking amazing), and then I came home. I curled up in my chair with Scott Carson’s Where They Wait, which I am enjoying the hell out of, before Paul got up and we finished the first half of Bridgerton, watched The Iron Claw, and thenafter we watched the gymnastics meet last night, won by Simone Biles (of course), moved on to Hollywood Con Queen, which in interesting, if odd. I plan on spending some more time with the book today, hopefully finishing reading it this morning before getting some writing done today. I’d like to get this second draft of “When I Die” out of my hair, and I also need to reread and possibly revise “The Last To See Him Alive” before I submit it to an anthology. I have been very lackadaisical about my writing now for almost a year, and I need to start taking it seriously again. I think that’s been part of my feeling off for so long–I am not writing much, either and that always has an affect on my over-all well-being.
I also think the overwhelming pile of things I am working on has a lot to do with my feeling at sea and uninspired, to be honest. I do love to write, but as always, I have to make myself do something I love. I also am much easier to distract these days, too–which I do not like–but when I am home working it’s Sparky who distracts me (he’s adorable and sweet, so it’s hard not to give him attention when he wants some), or Paul getting up and wanting to watch something–I will always drop everything to hang out with him, whether I can afford the loss of time or no, sorry/not sorry–but I do need to get some focus. Maybe I should listen to music on my headphones? Music always works, usually; but who knows if the old tricks will continue to work now?
I also need to get caught up on blog entries, too. I still have to finish my posts about Dead Boy Detectives and Mary and George, I’ll have to do one when I finish reading this book, and of course there are any number of others that are dangling in my drafts folder. I also came up with a really good title for another story yesterday, sigh, which I scribbled down in my journal. My creativity is still there, of course, but it needs to be harnessed again so I can take it out for a ride. I also spent alot of time yesterday thinking about something I definitely want to blog about, which was triggered by Marjorie Taylor Greene, the cro magnon congresswoman from Georgia being the white trash piece of shit she was by attacking Jasmine Crockett’s appearance the other day–don’t come for Jasmine unless she calls you, bleached blonde bad built butch body bitch–and the whole “going high” thing. Much as I love Michelle Obama, I have been saying since the of Rush and Fox News that going high doesn’t work when they are going low; they see going high as being weak and they go lower. The only way to defeat them and shut them up is to give their own back to them with a vengeance–I bet the inbred trash will think twice about coming for someone’s looks again. And as someone who has had people going low at him for most of his life, I will not go high. You open that door and I will fucking shred you–and I also will not be shamed by “allies” (always straight white cisgender women, for the record) for giving it back to them. We are literally in a war for the soul and future of this country; going high with these kind of stakes on the line simply does not work, and I am tired of the right saying racist, homophobic, and misogynist bullshit while being told to “go high.” Sorry, Michelle, I love you–and I love you even more for your class and dignity, but I would love to listen to you read Melania for the racist gold-digging filth she is sometime.
The sad truth is you never win while seated on your high horse, and we as a nation simply cannot afford to lose. And they cannot stand on ANY moral high ground while pedophiles like Matt Gaetz and inbreds like Marjorie Greene are serving in the People’s House, period–as well as any traitors, and there are a LOT of those on the Republican side of the aisle right now.
(I’m also enjoying watching all the trash who hated the Chiefs because of Travis and Taylor now worshipping them because of Hairy Butt. Pick a fucking lane.)
And on that note, I am having some breakfast and then reading for a while. Have a lovely Sunday, Constant Reader, and I will probably show up again a little later.
It’s been quite a run for LSU Athletics since the football team went undefeated and was possibly the greatest college football team of all time. Since then, LSU has won numerous national titles for individuals, as well as in women’s basketball, baseball, and now gymnastics. LSU had made the post-season thirty-three times but had never won the title (only seven teams had accounted for all of them since the NCAA recognized the sport in 1982; LSU is now the eighth), always be referred to as “the only top program to never have a national title.”
That is no longer true.
I don’t remember when Paul and I started following LSU Gymnastics, but it’s been a really long time. It seems like we’ve always watched, but I know that isn’t true; it wasn’t always aired, although collegiate women’s gymnastics seems to be getting more and more popular. It certainly has caught on in Louisiana, where Tiger fans pack the PMAC (Pete Marovich Assembly Center) for every home meet; LSU fans turn out for almost all LSU sports; which is why Omaha loves it when LSU is in the College World Series. The bar that has the shots contest every College World Series tweeted at LSU fans the other day, asking hopefully if LSU would be coming back this year. The College World Series was a lot of fun last year, and an epic story of LSU coming out of nowhere and winning it all.
Last year, LSU’s gymnastics team had a lot of adversity. Several major competitors went out for the season with injuries, but they fought back and through and surprised everyone by making it into the Final Four. They came in fourth, but just making it that far was a huge accomplishment. With some great new freshmen this year and the injured stars back, there was a very good possibility that LSU, ranked number two for most of the season, could win it all–but they would have to hit every routine to have a chance against two-time defending champion Oklahoma, an unbeaten juggernaut that just kept showing up and scoring big. Towards the end of the season, LSU continued scoring consistently over 198–an important benchmark. But then Oklahoma had to count three falls in the semi-finals, while Florida and Utah sailed right past them into the finals. LSU also scored over 198 again in the semis–with a really bad vault rotation for them–vault has been their weakness all season. Yesterday they started on floor, got a huge score, and then went to vault, where they feel behind Utah. A subpar bars rotation–they usually do better–pulled them back ahead again, and then came the balance beam. Sierra Ballard kicked off beam with a 9.95, but then the next competitor fell off the beam!
OH NO!
So, we were on the edge of our seats for the rest of the beam…but everyone else scored over a 9.9. When final competitor Aleah Finnegan mounted the beam, she only needed a 9.75 to clinch it for LSU, and she nailed it with another score over 9.9, and that was it….our Tigers were national champions!
GEAUX TIGERS!
And wonderful Hayleigh Bryant won the all around the night before, which was awesome.
I may not have discovered him had I not been an award judge one year, and his book So Cold the River was entered. I absolutely loved the book, that perfect hybrid of crime and horror that is so often far too hard to find, let alone have it be done well. The Prophet and The Ridge cemented his place as one of my favorite writers. I had bought The Cypress House when it was new, but somehow had never gotten around to reading it–there are several volumes of unread Koryta books that I am looking forward to getting to at some point. I know I picked it up and started it at one point, but something happened to distract me and I never got back to it. Last weekend, I finally decided it was time.
And I am very glad I chose it at last.
They’d been on the train for five hours before Arlen Wagner saw the first of the dead men.
To that point it had been a hell of a nice ride. Hot, sure, and progressively more humid as they passed out of Alabama and through southern Georgia and into Florida, but nice enough all the same. There were thirty-four on board the train who were bound for the camps in the Keys, all of them veterans with the exception of the nineteen-year-old who rode at Arlen’s side, a bou from Jersey by the name of Paul Brickhill.
They’d all made a bit of conversation at the outset, exchanges of names and casual barbs and jabs thrown around in that way men have when they are getting used to one another, all of them figuring they’d be together for several months to come, and then things quieted down. Some slept, a few started card games, others just sat and watched the countryside roll by, fields going misty with late-summer twilight and then shapeless and darl as the moon rose like a watchful specter. Arlen, though, Arlen just listened. Wasn’t anything else to do, because Paul Brickhill had an outboard motor where his mouth belonged.
What a great opening.
Koryta is an exceptional writer. He doesn’t always blend the supernatural/horror into his crime novels, but I love it when he does–very few authors (Paul Tremblay being one of them) who can deliver such extraordinary hybrid work. I’ve loved every Koryta novel I’ve read–there was one about caves that absolutely terrified me, being claustrophobic and afraid of the dark, so much so that I never did read the sequel–it got under my skin that much. (I will read the sequel, never fear!) He has also started using the name Scott Carson for these hybrid books, to differentiate them from the straight-up crime novels.
The Cypress House is a historical novel, hard-boiled and noir to its core. Set in the 1930’s during the Depression, Arlen and Paul’s journey is about finding work at government projects–they are heading for the Florida Keys to build a highway connecting the keys to mainland Florida. Arlen is a WWI veteran, a survivor of the horror that was the Belleau Wood..and it was during his service in the war that he began seeing premonitions of death in people–their eyes are filled with smoke, and he knows they are going to die. As they speed through the night in Florida, he starts seeing smoke in the eyes of everyone on the train, and knows they have to get off the train, which they do at the next stop. Paul isn’t sure he believes Arlen, but he’s attached himself to the older man like a puppy, so he also doesn’t get back on the train.
They later learn a hurricane swept through the Keys and killed everyone on the train.
The two men accept a ride to a work camp in Tampa, which winds up with them at the Cypress House, a beachfront “resort” on an inlet in the middle of the swamp jungles which is a mob front…and meet the beautiful Rebecca Cady, who runs the place. When their driver’s car explodes, they are now stuck there–and are thrown in jail for their trouble by the corrupt local sheriff and judge, Solomon Wade, who is connected to the mob all over the country and runs drugs in through the inlet. Arlen decides to help Rebecca, whom he is falling in love with, and then all hell breaks lose.
Koryta is a master of building suspense and tension, and the chapters where the three of them are riding out a hurricane/massive storm surge was absolutely chilling and terrifying, especially when you’ve done that yourself. The historical setting is apt, and as I have said before, a lot of remote places in the South are still run this way–an authoritarian sheriff and other politicians who are essentially tin-pot dictators. This book reminded me of great Florida novels of the past–John D. MacDonald and Robert Wilder’s Flamingo Road spring to mind–and this would also make a great movie.
The Cypress House is yet another feather in the cap of Koryta’s canon. Highly recommended. You should be reading Koryta/Scott Carson. Fix that if you’ve not.
I hadn’t been sure that I would keep writing young adult novels after I revised, rewrote and published the first three (Sorceress, Sleeping Angel, and Sara) I didn’t know if it was a direction I wanted to keep going in. I knew I wanted to do stand-alones–always have wanted to do stand-alones–and I also like writing about teenagers and young adults.
You may remember (doubtful) me talking about a horror novel a while ago that I started writing in the 1980’s called The Enchantress that I only got about three or four chapters into before abandoning (because I didn’t know where to go next with it; and the first chapter I specifically remember rereading at some point in the decades since and shuddering in horror at how badly it was written), but one of the places in the book really stuck in my head–an old family-owned hotel called Mermaid Inn, which sat on the shores of Tuscadega Bay (which was my stand-in for Choctawhatchee Bay–my grandparents retired to a house on that bay and I’d always wanted to write about that area; still do–it’s where “Cold Beer No Flies” was set). After shelving The Enchantress (which I do think about from time to time, and wonder if I should revisit the idea) I kept thinking, you should write a book and call it Mermaid Inn because that is a great title!
I made a folder for it, wrote a few sketchy notes, and then… it sat in my files for a very long time.
If you will remember, I had originally planned to write an entire series of interconnected young adult novels, a la the Fear Street series by R. L. Stine, and one of the varied locations they would be spread out over would be Tuscadega, Florida, in the panhandle on a fictional bay. That was part of the note I scribbled for the folder–set this in the panhandle of Florida, and somehow connect it to the fictional Alabama county you’re going to write about someday.
I decided to write Mermaid Inn sometime after Hurricane Katrina, when I discovered yet again my own ignorance of geography. I was beginning to realize that the panhandle wasn’t the right setting for this book and decided to set it on the Alabama Gulf Coast, which made me realize I had absolutely no clue about that part of Alabama’s geography. I’d just never really given it much thought, to be honest; I knew Mobile was on the bay, and I knew that when you drive on I-10 through Mobile you have to take a tunnel below the Mobile River. I just had always assumed there was nothing south of Mobile in Alabama–I mean, it’s ON the water–and figured that those lower prongs of Alabama that reach down along the sides of the bay were uninhabitable wetlands. I discovered this to not be the case when visiting friends for the first time who lived in Alabama south of Mobile. They told me to take an exit off I-10 and drive south, which I didn’t think was possible.
Turns out it was–and I realized…this will work for my book! So I filed it away and forgot about it again.
I don’t remember precisely why I decided to write Mermaid Inn, but I did, and set in a small town on the prongs, south of Mobile; my friend Carolyn Haines helped me with some background and I know she told me some stories about closeted society men in Mobile and their hijinks and I thought, I could use this for the book and I think that may have been the impetus? And then I created my character, Ricky Hackworth, from Corinth, Alabama–po’ white trash who needs a swimming scholarship to attend the University of Alabama. (Sidebar: alert readers will recognize that Beau’s last name in Bury Me in Shadows–and at one point in the story he mentions he’s only the second Hackworth to go to college; “besides my cousin who got a swimming scholarship.”)
Bold Strokes didn’t like the title, and for perhaps maybe the fourth or fifth time in my career my original/working title didn’t make it on the cover. They recommended Dark Tide, which I really liked because it gave the sense of the book’s mood and tone and voice…and darkness.
The engine of my pickup truck made a weird coughing noise just as I came around a curve in the highway on the Alabama Gulf Coast and I saw Mermaid Inn for the first time.
My heart sank.
That’s not good, I thought, gritting my teeth. I looked down at the control panel. None of the dummy lights had come on. I still had about a half tank of gas.I switched off the air conditioning and the stereo. I turned into the long sloping parking lot of the Inn, pulling into the first parking spot. I listened to the engine. Nothing odd. It was now running smooth like it had the entire drive down. I shut the car off and kept listening. There was nothing but the tick of the engine as it started cooling.
Maybe I just imagined it.
Hope springs eternal.
The last thing I needed was to spend money on getting the stupid old truck fixed. Maybe it just needed a tune-up. I couldn’tremember the last time it had one.
Dad gave me the truck when I turned sixteen. It had been his work truck since before i was born–it was two years older than I was. He’d finally broken down and bought himself a new one. This old one was dependable and had almost two hundred thousand miles on it. Dad had taken good care of it. He’d babied it, gotten an oil change every three thousand miles without fail, and I could count on one hand the number of times it had been in the shop to be repaired.
It still had the original transmission.
It might not have been the nicest or prettiest car in my high school parking lot, but it got me where I needed to go and got good gas mileage. Since I was saving every cent I could for college, that was a lot more important than horsepower and cosmetics and a loud stereo that rattled your back teeth. The swimming scholarship I’d accepted from the University of Alabama wasn’t going to remotely cover anything close to the lowest estimate of what my expenses might be, but it was the best offer I’d gotten.
And I was grateful to have it. If they hadn’t offered, I wouldn’t be going at all.
Swimming was my ticket out of Corinth, Alabama.
That opening scene!
Dark Tide was probably my most hard-boiled young adult title published to that point. It was a dark story, and Ricky was poor–an economic condition I’d touched on with Sara, and something I generally try to avoid when writing. I’ve been poor, and I know how it feels; I don’t like remembering those days of checkbook mistakes and bounced checks and not having enough money from one paycheck to another. Ricky has taken a summer job as the lifeguard at Mermaid Inn in Latona, Alabama (Latona is another name for Daphne, which is actually a town on the prongs below Mobile), to save money to pay for college expenses his swimming scholarship to the University of Alabama wasn’t going to cover, and the water being there meant he could continue training. Once he arrives and is shown to his room on the uppermost floor of the building and meets the owner’s daughter, he learns that his predecessor from the summer before had simply disappeared–and young teenaged boys disappear with an alarming regularity over the past few years. He starts asking questions, mostly out of curiosity, and also starts having horrible dreams, about vicious mermaids beneath the water, and there are a lot of stories about killer mermaids from the days of the indigenous people and the Spanish. I wrote some terrific scenes in this book that I was really proud of–one particular dream sequence was especially chilling–and I was also trying something with the rhythm of the words, which I hadn’t done in a very long time, and I think it worked.
Writing Dark Tide was important to me because this was the book that reminded me again that I was writing stand-alones to help keep the series books fresher, more creative, and less paint by the numbers, too.
Tuesday and feeling a bit better after the wasted weekend (I wasn’t wasted, but rather wasted the weekend; but I need to stop looking at it that way and realize both my body and my brain wanted, and needed, rest). I wrote another chapter last night and am back into the book; here’s hoping it will last and I’ll keep writing as more time passes. The work wasn’t great, but it’s done and it’s fixable. This weekend I am going to have to really dive into things for sure, and I am hoping this week I’ll be able to keep up with the kitchen and everything else so I don’t have to spend a lot of time doing that this weekend and instead can dive headfirst into writing and reading.
I stopped to pick up a few things on the way home from the grocery store last night, and then once I was home I emptied the dishwasher, bonded with Sparky a bit, and then sat down to work. Sparky wasn’t especially fond of this idea–he’s not fond of anything I do that doesn’t involve either providing a lap for him to sleep in, filling his food bowl, or playing with him. I do think we’re going to have to make a Costco run this weekend at some point–we’re running low on some things–and there are some other things I need to order for delivery this weekend, too.
But I am happy I am writing again. I’m sorry I didn’t have the time or energy to edit “Passenger to Franklin,” which I was writing for the Chessies chapter’s next anthology; but it wasn’t ready to be submitted and had I done so, it would have been rejected anyway. The nice thing is this anthology–themed around urban legends–provided two short stories for me–“When I Die” and this one; both of which need editing, and both of which I think are going to be terrific stories and perfect for my collection, too. I have found the voice for “Passenger,” which was missing in the first draft, and “When I Die” needs to be revised so I can make the main character gay; it works better that way, especially with an unrequited crush on his wealthier roommate. I like the idea of them visiting the graveyard at Frenier as kind of a fraternity prank; the rich roommate thinks it might be a fun thing to do to all the pledges, and the one they take out with them into the Manchac Swamp is a pledge who looks up to both of them, in a smarmy way the main character doesn’t necessarily like–and we see a personality change come over him as they cruise through the swamp at night. (I also need to look up boats, and sometime I have to drive out to Laplace so I can take the old highway and see what that’s like so I can write about it some more. The college and town I am writing about on the North Shore is fictional, of course; but Frenier and the swamp are real.
And both legalizing cannabis and protecting abortion are now on the ballot in Florida, which makes me absolutely giddy with joy. This is very good news for the Democratic Party and really bad news for trash like DeSantis and that ghoul Rick Scott; I would hope it means a huge turnout which always is bad news for Republicans–that’s why they are always screaming about “voter fraud” and trying to suppress people’s right to vote; free and open elections generally aren’t good for Fascists.
After I got my word count for the day, Paul and I settled in and started watching Apples Never Fall, which we are really enjoying. It’s based on a book by Liane Moriarty (also the author of Big Little Lies and a few others; I’ve enjoyed everything of hers that I’ve read thus far) and I like how this is playing out so far. It’s so nice having Paul home in the evenings again–I’d forgotten how much I just enjoy our down time together in the evenings.
And on that note, I am heading into the spice mines. Have a lovely Tuesday, Constant Reader, and I may be back again later; one never knows.
I am up earlier than I have been since before the surgery (no, I don’t want a cookie–never been a cookie fan, even as a kid), and feel pretty good this morning. Yesterday was a pretty good day, over all. I didn’t really leave the house at all, but I worked on getting things more under-control around here–the kitchen has been a mess since the ceiling collapse, and the cabinets and drawers need some serious organizing–and also spent most of the day doing other chores around here, while thinking about getting back to work writing. The brace is still awkward to work around, but it feels like I’m getting more used to working with it on–and having a cleared and cleaned off desk surface also helps with that as well. I am going to run some errands this afternoon, but there’s not college football today to distract me or send me to the easy chair for the day, so I have little choice about blowing the day off, methinks, which is not a bad thing. I also did laundry and more dishes yesterday, and I have some other things I need to do here in the kitchen/office today as well. I also spent some time reading the second book in Raquel V. Reyes’ delightful Caribbean kitchen cozy series (Calypso, Cooking and Corpses), which is just as delightful as the first, and then…well, I fell down a Youtube/Twitter wormhole that was eye-opening and shocking before Paul got home from the gym and we watched this week’s Fellow Travelers, which, interestingly enough, kind of tied into the wormhole in some ways; as you may recall, just the other day I was talking about how these stories (Fellow Travelers), while sad and depressing, were necessary to remind people of how awful the past was for queer people not that long ago; we don’t have much of a societal memory for things that happened as recently as twenty years ago. There’s a large gap in our community that was created by the HIV/AIDS pandemic, so the oral traditions within the community of passing along our history was horrifically interrupted and many younger queers–and those that aren’t that young–have no way of connecting to the past, and don’t even know where to start looking.
During the shutdown I spent a lot of time in my easy chair making condom packs for the day job to justify getting paid for being at home–there were other job duties I could do at home, but mostly I made a shit ton of condom packs–and so I spent a lot of time looking through streaming apps on my Apple TV for things to watch while my hands worked. This was how I discovered the endless wormholes of Youtube video essays and documentaries; and of course, algorithms started suggesting other videos and channels of “influencers” similar to the videos I had watched and was finding on my own. Discovering Matt Baume’s delightful channel about queer rep in popular culture was a joy for me; he named sources for his information, was very clear about what was fact, what was unknowable, and what was his opinion–and since most of it was stuff that aired or happened while I was alive, it was a lovely trip down memory lane for me, reminding me of the few things that resonated with me growing up as a lonely queer kid and what shaped my views on what it was like to be a gay man in America. (Also, once I discovered there was such a thing as queer books and queer publishing, spent most of the 1990’s reading mostly queer stuff…and I’ve always been a voracious reader.) Anyway, watching Matt’s videos and subscribing to his channel shifted the algorithms, and I started getting other videos and channels suggested to me….and one of those belonged to a queer video essayist named James Somerton, and one of them–called Evil Queens and having to do with Disney–I don’t remember the actual name of the video, and he has since scrubbed his entire Youtube channel (more on that drama later)–and thought, interesting–a long time ago I read and reviewed a book called Tinker Belles and Evil Queens by Sean Griffin, but you can’t copyright a title and can you talk about queer coding and such in Disney and not use the words “evil queens”? Disney has always fascinated me, since I turned into a Disney queen after The Little Mermaid (I was never a big Disney kid; that waited until my adulthood and coming out, oddly enough), and Griffin’s book was so astonishing and good and insightful that I never forgot it. I watched Somerton’s video, and it all seemed incredibly familiar to me–and I did note he said some things that were wrong; mainly Gay Days/Gay Nights at Disneyworld were never official, Disney-sponsored events…which I know because I lived in Florida and used to gofor Gay Day. I also thought it was odd that he left out how the Southern Baptists tried to boycott Disney to stop Gay Days…and were ground completely into the dust by the Mouse. But it didn’t fit the narrative of the video essay–how Disney queer baits us for money then betrays us by not giving us rep in their films1. I also thought it was weird that the book–which so much of the video’s content was dependent on for its facts; the stuff that was wrong I assumed was from Somerton himself–wasn’t credited for anything, or even mentioned as a companion reading piece to the video itself. Periodically, after that, Youtube would suggest other videos to me from him, and I’d watch them, mainly out of curiosity…and began noticing things.
Like how his entire video about queer coding in Hollywood film seemed incredibly familiar–like I’d read it all already in the uncredited The Celluloid Closet by Vito Russo, which had already been made into a documentary in 1996…so much so that I bought an e-book of it to see and yes, it was used almost word for word with no attribution. And some of his other videos…were not only offensive but just bald-faced lies, things he’d made up, or okay, let’s be fair–conclusions he drew were from cherry-picked facts and broad speculations made from those facts; it seemed, in his video on gay body image issues, that he took the old 1990’s term for gym and body culture (the “you have to be a ripped muscle god to have any sexual currency”), which was “body fascism”, and somehow extrapolated from there the bizarre notion that Nazis created body culture and American GI’s brought it back from Europe after the war…and even weirder, somehow we didn’t get it from the Soviets because they were so “bundled up” we couldn’t see their bodies. (Maybe he should have read Michelangelo Signorile’s Life Outside, which explored how body culture morphed into something even bigger after the advent of AIDS because a strong, muscular, defined body was the antithesis of the wasting most people dying from AIDS experienced at the time; fit body= not infected; seriously, dude.) He was also horribly misogynistic at times–he didn’t like lesbians, and he hated straight women, and was also borderline transphobic at times despite trying to champion transpeople? It was all very weird, but I would periodically put on one of his videos that sounded interesting, even as he made claims that didn’t make sense or was simply restating things I’d already read somewhere. I didn’t think much of it, but I was idly curious–the way I often am; periodically I think about influencers and how to write a crime novel around one, and Youtube influencers seemed like the way to go if I were going to do that, and so I always chalked it up to research…and sometimes, the wrong things he said would send me off in search of the actual facts, so it was kind of educational by reminding me of things I’d forgotten about.
Turns out, he plagiarized almost all of his videos, never credited or named sources unless called out for it (he took down the videos about Disney and queer coding and put them back up as “based upon” the books he literally was quoting verbatim); the scandal dropped this week–I only found out yesterday–with two other Youtube influencers making really long videos about the plagiarism and the harmful lies he was spreading, as well as the self-loathing, misogyny, and transphobia. I went down that wormhole yesterday, watching both videos–which were long as the crimes were plentiful–and now his Youtube channel is gone, completely. As I said, I didn’t put a lot of thought into it–but he had a Patreon, and his Youtube channel was monetized, which meant he was profiting from the work of other queer creators that he was plagiarizing and stealing, then playing victim when caught…until he was literally destroyed by these other two Youtubers this week. He was apparently making a shit ton of money–and you know, there’s the plot for an influencer crime novel.
It was very eye-opening.
But it extrapolates further to what I’ve been thinking about since starting to watch Fellow Travelers–dark and sad and depressing as these stories are, they are important because our history is always erased; how are queer kids supposed to feel pride and understand where we’ve come from and what we’ve fought for, if they never hear about it, can’t find it, and are never told? The kids I work with (with an age range from early thirties to early twenties) don’t remember how horrible HIV/AIDS was because they hadn’t been born yet or weren’t old enough to really pay attention before the cocktail and the new meds changed it from a fatal disease to a chronic one (with treatment). There’s SO MUCH bad information out there about sexually transmitted infections, and so little education, that it frightens me on an almost daily basis as I work with my clients.
Obviously, this is what I’ve been wrestling with lately, with myself and my own artistic work (yes, I am starting to think of myself as an artist, which I should have done all along); what responsibility do we have to the younger people who don’t know our history, the history I lived through? It’s part of the reason I started writing “Never Kiss a Stranger”, and set it in 1994; I wanted to show what gay life in New Orleans was like during the time when HIV/AIDS was still a death sentence, and the city was also crumbling and dying itself before the wave of renewal and gentrification that started before Katrina and kicked into high gear; who is going to write that story if I don’t?
And what responsibility do I have to current and future generations of queer people as an artist? Do I have any? Or is my only responsibility as an artist to myself?
Something to think about, at any rate.
And on that somber note, I am heading into the spice mines. Have a marvelous Sunday, Constant Reader, and I’ll probably be back later; I can never stay away for long.
Uh, I guess he never saw the Disney documentary about Howard Ashman, who was partly responsible for the Disney animation renaissance and who died of AIDS before the release of the last film he completed, Beauty and the Beast; to date the only animated film to be Oscar nominated for Best Picture, and won three other Oscars, including two for Ashman? ↩︎
Queer and Loathing in America 