Sunday fun-day, and I am up much earlier than I was yesterday. It wasn’t a bad day, but I clearly needed to sleep in. I slept later than expected this morning, too, but here I am, up at just past eight and feeling pretty good. I really didn’t do much of anything yesterday. I did leave the house and get the mail (I got two shirts I’d ordered from Macy’s) and then swung iby the grocery store to get treats for Sparky and for us (they had the Snicker brownie cookies again, which are fucking amazing), and then I came home. I curled up in my chair with Scott Carson’s Where They Wait, which I am enjoying the hell out of, before Paul got up and we finished the first half of Bridgerton, watched The Iron Claw, and thenafter we watched the gymnastics meet last night, won by Simone Biles (of course), moved on to Hollywood Con Queen, which in interesting, if odd. I plan on spending some more time with the book today, hopefully finishing reading it this morning before getting some writing done today. I’d like to get this second draft of “When I Die” out of my hair, and I also need to reread and possibly revise “The Last To See Him Alive” before I submit it to an anthology. I have been very lackadaisical about my writing now for almost a year, and I need to start taking it seriously again. I think that’s been part of my feeling off for so long–I am not writing much, either and that always has an affect on my over-all well-being.
I also think the overwhelming pile of things I am working on has a lot to do with my feeling at sea and uninspired, to be honest. I do love to write, but as always, I have to make myself do something I love. I also am much easier to distract these days, too–which I do not like–but when I am home working it’s Sparky who distracts me (he’s adorable and sweet, so it’s hard not to give him attention when he wants some), or Paul getting up and wanting to watch something–I will always drop everything to hang out with him, whether I can afford the loss of time or no, sorry/not sorry–but I do need to get some focus. Maybe I should listen to music on my headphones? Music always works, usually; but who knows if the old tricks will continue to work now?
I also need to get caught up on blog entries, too. I still have to finish my posts about Dead Boy Detectives and Mary and George, I’ll have to do one when I finish reading this book, and of course there are any number of others that are dangling in my drafts folder. I also came up with a really good title for another story yesterday, sigh, which I scribbled down in my journal. My creativity is still there, of course, but it needs to be harnessed again so I can take it out for a ride. I also spent alot of time yesterday thinking about something I definitely want to blog about, which was triggered by Marjorie Taylor Greene, the cro magnon congresswoman from Georgia being the white trash piece of shit she was by attacking Jasmine Crockett’s appearance the other day–don’t come for Jasmine unless she calls you, bleached blonde bad built butch body bitch–and the whole “going high” thing. Much as I love Michelle Obama, I have been saying since the of Rush and Fox News that going high doesn’t work when they are going low; they see going high as being weak and they go lower. The only way to defeat them and shut them up is to give their own back to them with a vengeance–I bet the inbred trash will think twice about coming for someone’s looks again. And as someone who has had people going low at him for most of his life, I will not go high. You open that door and I will fucking shred you–and I also will not be shamed by “allies” (always straight white cisgender women, for the record) for giving it back to them. We are literally in a war for the soul and future of this country; going high with these kind of stakes on the line simply does not work, and I am tired of the right saying racist, homophobic, and misogynist bullshit while being told to “go high.” Sorry, Michelle, I love you–and I love you even more for your class and dignity, but I would love to listen to you read Melania for the racist gold-digging filth she is sometime.
The sad truth is you never win while seated on your high horse, and we as a nation simply cannot afford to lose. And they cannot stand on ANY moral high ground while pedophiles like Matt Gaetz and inbreds like Marjorie Greene are serving in the People’s House, period–as well as any traitors, and there are a LOT of those on the Republican side of the aisle right now.
(I’m also enjoying watching all the trash who hated the Chiefs because of Travis and Taylor now worshipping them because of Hairy Butt. Pick a fucking lane.)
And on that note, I am having some breakfast and then reading for a while. Have a lovely Sunday, Constant Reader, and I will probably show up again a little later.
It’s been quite a run for LSU Athletics since the football team went undefeated and was possibly the greatest college football team of all time. Since then, LSU has won numerous national titles for individuals, as well as in women’s basketball, baseball, and now gymnastics. LSU had made the post-season thirty-three times but had never won the title (only seven teams had accounted for all of them since the NCAA recognized the sport in 1982; LSU is now the eighth), always be referred to as “the only top program to never have a national title.”
That is no longer true.
I don’t remember when Paul and I started following LSU Gymnastics, but it’s been a really long time. It seems like we’ve always watched, but I know that isn’t true; it wasn’t always aired, although collegiate women’s gymnastics seems to be getting more and more popular. It certainly has caught on in Louisiana, where Tiger fans pack the PMAC (Pete Marovich Assembly Center) for every home meet; LSU fans turn out for almost all LSU sports; which is why Omaha loves it when LSU is in the College World Series. The bar that has the shots contest every College World Series tweeted at LSU fans the other day, asking hopefully if LSU would be coming back this year. The College World Series was a lot of fun last year, and an epic story of LSU coming out of nowhere and winning it all.
Last year, LSU’s gymnastics team had a lot of adversity. Several major competitors went out for the season with injuries, but they fought back and through and surprised everyone by making it into the Final Four. They came in fourth, but just making it that far was a huge accomplishment. With some great new freshmen this year and the injured stars back, there was a very good possibility that LSU, ranked number two for most of the season, could win it all–but they would have to hit every routine to have a chance against two-time defending champion Oklahoma, an unbeaten juggernaut that just kept showing up and scoring big. Towards the end of the season, LSU continued scoring consistently over 198–an important benchmark. But then Oklahoma had to count three falls in the semi-finals, while Florida and Utah sailed right past them into the finals. LSU also scored over 198 again in the semis–with a really bad vault rotation for them–vault has been their weakness all season. Yesterday they started on floor, got a huge score, and then went to vault, where they feel behind Utah. A subpar bars rotation–they usually do better–pulled them back ahead again, and then came the balance beam. Sierra Ballard kicked off beam with a 9.95, but then the next competitor fell off the beam!
OH NO!
So, we were on the edge of our seats for the rest of the beam…but everyone else scored over a 9.9. When final competitor Aleah Finnegan mounted the beam, she only needed a 9.75 to clinch it for LSU, and she nailed it with another score over 9.9, and that was it….our Tigers were national champions!
GEAUX TIGERS!
And wonderful Hayleigh Bryant won the all around the night before, which was awesome.
I may not have discovered him had I not been an award judge one year, and his book So Cold the River was entered. I absolutely loved the book, that perfect hybrid of crime and horror that is so often far too hard to find, let alone have it be done well. The Prophet and The Ridge cemented his place as one of my favorite writers. I had bought The Cypress House when it was new, but somehow had never gotten around to reading it–there are several volumes of unread Koryta books that I am looking forward to getting to at some point. I know I picked it up and started it at one point, but something happened to distract me and I never got back to it. Last weekend, I finally decided it was time.
And I am very glad I chose it at last.
They’d been on the train for five hours before Arlen Wagner saw the first of the dead men.
To that point it had been a hell of a nice ride. Hot, sure, and progressively more humid as they passed out of Alabama and through southern Georgia and into Florida, but nice enough all the same. There were thirty-four on board the train who were bound for the camps in the Keys, all of them veterans with the exception of the nineteen-year-old who rode at Arlen’s side, a bou from Jersey by the name of Paul Brickhill.
They’d all made a bit of conversation at the outset, exchanges of names and casual barbs and jabs thrown around in that way men have when they are getting used to one another, all of them figuring they’d be together for several months to come, and then things quieted down. Some slept, a few started card games, others just sat and watched the countryside roll by, fields going misty with late-summer twilight and then shapeless and darl as the moon rose like a watchful specter. Arlen, though, Arlen just listened. Wasn’t anything else to do, because Paul Brickhill had an outboard motor where his mouth belonged.
What a great opening.
Koryta is an exceptional writer. He doesn’t always blend the supernatural/horror into his crime novels, but I love it when he does–very few authors (Paul Tremblay being one of them) who can deliver such extraordinary hybrid work. I’ve loved every Koryta novel I’ve read–there was one about caves that absolutely terrified me, being claustrophobic and afraid of the dark, so much so that I never did read the sequel–it got under my skin that much. (I will read the sequel, never fear!) He has also started using the name Scott Carson for these hybrid books, to differentiate them from the straight-up crime novels.
The Cypress House is a historical novel, hard-boiled and noir to its core. Set in the 1930’s during the Depression, Arlen and Paul’s journey is about finding work at government projects–they are heading for the Florida Keys to build a highway connecting the keys to mainland Florida. Arlen is a WWI veteran, a survivor of the horror that was the Belleau Wood..and it was during his service in the war that he began seeing premonitions of death in people–their eyes are filled with smoke, and he knows they are going to die. As they speed through the night in Florida, he starts seeing smoke in the eyes of everyone on the train, and knows they have to get off the train, which they do at the next stop. Paul isn’t sure he believes Arlen, but he’s attached himself to the older man like a puppy, so he also doesn’t get back on the train.
They later learn a hurricane swept through the Keys and killed everyone on the train.
The two men accept a ride to a work camp in Tampa, which winds up with them at the Cypress House, a beachfront “resort” on an inlet in the middle of the swamp jungles which is a mob front…and meet the beautiful Rebecca Cady, who runs the place. When their driver’s car explodes, they are now stuck there–and are thrown in jail for their trouble by the corrupt local sheriff and judge, Solomon Wade, who is connected to the mob all over the country and runs drugs in through the inlet. Arlen decides to help Rebecca, whom he is falling in love with, and then all hell breaks lose.
Koryta is a master of building suspense and tension, and the chapters where the three of them are riding out a hurricane/massive storm surge was absolutely chilling and terrifying, especially when you’ve done that yourself. The historical setting is apt, and as I have said before, a lot of remote places in the South are still run this way–an authoritarian sheriff and other politicians who are essentially tin-pot dictators. This book reminded me of great Florida novels of the past–John D. MacDonald and Robert Wilder’s Flamingo Road spring to mind–and this would also make a great movie.
The Cypress House is yet another feather in the cap of Koryta’s canon. Highly recommended. You should be reading Koryta/Scott Carson. Fix that if you’ve not.
I hadn’t been sure that I would keep writing young adult novels after I revised, rewrote and published the first three (Sorceress, Sleeping Angel, and Sara) I didn’t know if it was a direction I wanted to keep going in. I knew I wanted to do stand-alones–always have wanted to do stand-alones–and I also like writing about teenagers and young adults.
You may remember (doubtful) me talking about a horror novel a while ago that I started writing in the 1980’s called The Enchantress that I only got about three or four chapters into before abandoning (because I didn’t know where to go next with it; and the first chapter I specifically remember rereading at some point in the decades since and shuddering in horror at how badly it was written), but one of the places in the book really stuck in my head–an old family-owned hotel called Mermaid Inn, which sat on the shores of Tuscadega Bay (which was my stand-in for Choctawhatchee Bay–my grandparents retired to a house on that bay and I’d always wanted to write about that area; still do–it’s where “Cold Beer No Flies” was set). After shelving The Enchantress (which I do think about from time to time, and wonder if I should revisit the idea) I kept thinking, you should write a book and call it Mermaid Inn because that is a great title!
I made a folder for it, wrote a few sketchy notes, and then… it sat in my files for a very long time.
If you will remember, I had originally planned to write an entire series of interconnected young adult novels, a la the Fear Street series by R. L. Stine, and one of the varied locations they would be spread out over would be Tuscadega, Florida, in the panhandle on a fictional bay. That was part of the note I scribbled for the folder–set this in the panhandle of Florida, and somehow connect it to the fictional Alabama county you’re going to write about someday.
I decided to write Mermaid Inn sometime after Hurricane Katrina, when I discovered yet again my own ignorance of geography. I was beginning to realize that the panhandle wasn’t the right setting for this book and decided to set it on the Alabama Gulf Coast, which made me realize I had absolutely no clue about that part of Alabama’s geography. I’d just never really given it much thought, to be honest; I knew Mobile was on the bay, and I knew that when you drive on I-10 through Mobile you have to take a tunnel below the Mobile River. I just had always assumed there was nothing south of Mobile in Alabama–I mean, it’s ON the water–and figured that those lower prongs of Alabama that reach down along the sides of the bay were uninhabitable wetlands. I discovered this to not be the case when visiting friends for the first time who lived in Alabama south of Mobile. They told me to take an exit off I-10 and drive south, which I didn’t think was possible.
Turns out it was–and I realized…this will work for my book! So I filed it away and forgot about it again.
I don’t remember precisely why I decided to write Mermaid Inn, but I did, and set in a small town on the prongs, south of Mobile; my friend Carolyn Haines helped me with some background and I know she told me some stories about closeted society men in Mobile and their hijinks and I thought, I could use this for the book and I think that may have been the impetus? And then I created my character, Ricky Hackworth, from Corinth, Alabama–po’ white trash who needs a swimming scholarship to attend the University of Alabama. (Sidebar: alert readers will recognize that Beau’s last name in Bury Me in Shadows–and at one point in the story he mentions he’s only the second Hackworth to go to college; “besides my cousin who got a swimming scholarship.”)
Bold Strokes didn’t like the title, and for perhaps maybe the fourth or fifth time in my career my original/working title didn’t make it on the cover. They recommended Dark Tide, which I really liked because it gave the sense of the book’s mood and tone and voice…and darkness.
The engine of my pickup truck made a weird coughing noise just as I came around a curve in the highway on the Alabama Gulf Coast and I saw Mermaid Inn for the first time.
My heart sank.
That’s not good, I thought, gritting my teeth. I looked down at the control panel. None of the dummy lights had come on. I still had about a half tank of gas.I switched off the air conditioning and the stereo. I turned into the long sloping parking lot of the Inn, pulling into the first parking spot. I listened to the engine. Nothing odd. It was now running smooth like it had the entire drive down. I shut the car off and kept listening. There was nothing but the tick of the engine as it started cooling.
Maybe I just imagined it.
Hope springs eternal.
The last thing I needed was to spend money on getting the stupid old truck fixed. Maybe it just needed a tune-up. I couldn’tremember the last time it had one.
Dad gave me the truck when I turned sixteen. It had been his work truck since before i was born–it was two years older than I was. He’d finally broken down and bought himself a new one. This old one was dependable and had almost two hundred thousand miles on it. Dad had taken good care of it. He’d babied it, gotten an oil change every three thousand miles without fail, and I could count on one hand the number of times it had been in the shop to be repaired.
It still had the original transmission.
It might not have been the nicest or prettiest car in my high school parking lot, but it got me where I needed to go and got good gas mileage. Since I was saving every cent I could for college, that was a lot more important than horsepower and cosmetics and a loud stereo that rattled your back teeth. The swimming scholarship I’d accepted from the University of Alabama wasn’t going to remotely cover anything close to the lowest estimate of what my expenses might be, but it was the best offer I’d gotten.
And I was grateful to have it. If they hadn’t offered, I wouldn’t be going at all.
Swimming was my ticket out of Corinth, Alabama.
That opening scene!
Dark Tide was probably my most hard-boiled young adult title published to that point. It was a dark story, and Ricky was poor–an economic condition I’d touched on with Sara, and something I generally try to avoid when writing. I’ve been poor, and I know how it feels; I don’t like remembering those days of checkbook mistakes and bounced checks and not having enough money from one paycheck to another. Ricky has taken a summer job as the lifeguard at Mermaid Inn in Latona, Alabama (Latona is another name for Daphne, which is actually a town on the prongs below Mobile), to save money to pay for college expenses his swimming scholarship to the University of Alabama wasn’t going to cover, and the water being there meant he could continue training. Once he arrives and is shown to his room on the uppermost floor of the building and meets the owner’s daughter, he learns that his predecessor from the summer before had simply disappeared–and young teenaged boys disappear with an alarming regularity over the past few years. He starts asking questions, mostly out of curiosity, and also starts having horrible dreams, about vicious mermaids beneath the water, and there are a lot of stories about killer mermaids from the days of the indigenous people and the Spanish. I wrote some terrific scenes in this book that I was really proud of–one particular dream sequence was especially chilling–and I was also trying something with the rhythm of the words, which I hadn’t done in a very long time, and I think it worked.
Writing Dark Tide was important to me because this was the book that reminded me again that I was writing stand-alones to help keep the series books fresher, more creative, and less paint by the numbers, too.
Tuesday and feeling a bit better after the wasted weekend (I wasn’t wasted, but rather wasted the weekend; but I need to stop looking at it that way and realize both my body and my brain wanted, and needed, rest). I wrote another chapter last night and am back into the book; here’s hoping it will last and I’ll keep writing as more time passes. The work wasn’t great, but it’s done and it’s fixable. This weekend I am going to have to really dive into things for sure, and I am hoping this week I’ll be able to keep up with the kitchen and everything else so I don’t have to spend a lot of time doing that this weekend and instead can dive headfirst into writing and reading.
I stopped to pick up a few things on the way home from the grocery store last night, and then once I was home I emptied the dishwasher, bonded with Sparky a bit, and then sat down to work. Sparky wasn’t especially fond of this idea–he’s not fond of anything I do that doesn’t involve either providing a lap for him to sleep in, filling his food bowl, or playing with him. I do think we’re going to have to make a Costco run this weekend at some point–we’re running low on some things–and there are some other things I need to order for delivery this weekend, too.
But I am happy I am writing again. I’m sorry I didn’t have the time or energy to edit “Passenger to Franklin,” which I was writing for the Chessies chapter’s next anthology; but it wasn’t ready to be submitted and had I done so, it would have been rejected anyway. The nice thing is this anthology–themed around urban legends–provided two short stories for me–“When I Die” and this one; both of which need editing, and both of which I think are going to be terrific stories and perfect for my collection, too. I have found the voice for “Passenger,” which was missing in the first draft, and “When I Die” needs to be revised so I can make the main character gay; it works better that way, especially with an unrequited crush on his wealthier roommate. I like the idea of them visiting the graveyard at Frenier as kind of a fraternity prank; the rich roommate thinks it might be a fun thing to do to all the pledges, and the one they take out with them into the Manchac Swamp is a pledge who looks up to both of them, in a smarmy way the main character doesn’t necessarily like–and we see a personality change come over him as they cruise through the swamp at night. (I also need to look up boats, and sometime I have to drive out to Laplace so I can take the old highway and see what that’s like so I can write about it some more. The college and town I am writing about on the North Shore is fictional, of course; but Frenier and the swamp are real.
And both legalizing cannabis and protecting abortion are now on the ballot in Florida, which makes me absolutely giddy with joy. This is very good news for the Democratic Party and really bad news for trash like DeSantis and that ghoul Rick Scott; I would hope it means a huge turnout which always is bad news for Republicans–that’s why they are always screaming about “voter fraud” and trying to suppress people’s right to vote; free and open elections generally aren’t good for Fascists.
After I got my word count for the day, Paul and I settled in and started watching Apples Never Fall, which we are really enjoying. It’s based on a book by Liane Moriarty (also the author of Big Little Lies and a few others; I’ve enjoyed everything of hers that I’ve read thus far) and I like how this is playing out so far. It’s so nice having Paul home in the evenings again–I’d forgotten how much I just enjoy our down time together in the evenings.
And on that note, I am heading into the spice mines. Have a lovely Tuesday, Constant Reader, and I may be back again later; one never knows.
I am up earlier than I have been since before the surgery (no, I don’t want a cookie–never been a cookie fan, even as a kid), and feel pretty good this morning. Yesterday was a pretty good day, over all. I didn’t really leave the house at all, but I worked on getting things more under-control around here–the kitchen has been a mess since the ceiling collapse, and the cabinets and drawers need some serious organizing–and also spent most of the day doing other chores around here, while thinking about getting back to work writing. The brace is still awkward to work around, but it feels like I’m getting more used to working with it on–and having a cleared and cleaned off desk surface also helps with that as well. I am going to run some errands this afternoon, but there’s not college football today to distract me or send me to the easy chair for the day, so I have little choice about blowing the day off, methinks, which is not a bad thing. I also did laundry and more dishes yesterday, and I have some other things I need to do here in the kitchen/office today as well. I also spent some time reading the second book in Raquel V. Reyes’ delightful Caribbean kitchen cozy series (Calypso, Cooking and Corpses), which is just as delightful as the first, and then…well, I fell down a Youtube/Twitter wormhole that was eye-opening and shocking before Paul got home from the gym and we watched this week’s Fellow Travelers, which, interestingly enough, kind of tied into the wormhole in some ways; as you may recall, just the other day I was talking about how these stories (Fellow Travelers), while sad and depressing, were necessary to remind people of how awful the past was for queer people not that long ago; we don’t have much of a societal memory for things that happened as recently as twenty years ago. There’s a large gap in our community that was created by the HIV/AIDS pandemic, so the oral traditions within the community of passing along our history was horrifically interrupted and many younger queers–and those that aren’t that young–have no way of connecting to the past, and don’t even know where to start looking.
During the shutdown I spent a lot of time in my easy chair making condom packs for the day job to justify getting paid for being at home–there were other job duties I could do at home, but mostly I made a shit ton of condom packs–and so I spent a lot of time looking through streaming apps on my Apple TV for things to watch while my hands worked. This was how I discovered the endless wormholes of Youtube video essays and documentaries; and of course, algorithms started suggesting other videos and channels of “influencers” similar to the videos I had watched and was finding on my own. Discovering Matt Baume’s delightful channel about queer rep in popular culture was a joy for me; he named sources for his information, was very clear about what was fact, what was unknowable, and what was his opinion–and since most of it was stuff that aired or happened while I was alive, it was a lovely trip down memory lane for me, reminding me of the few things that resonated with me growing up as a lonely queer kid and what shaped my views on what it was like to be a gay man in America. (Also, once I discovered there was such a thing as queer books and queer publishing, spent most of the 1990’s reading mostly queer stuff…and I’ve always been a voracious reader.) Anyway, watching Matt’s videos and subscribing to his channel shifted the algorithms, and I started getting other videos and channels suggested to me….and one of those belonged to a queer video essayist named James Somerton, and one of them–called Evil Queens and having to do with Disney–I don’t remember the actual name of the video, and he has since scrubbed his entire Youtube channel (more on that drama later)–and thought, interesting–a long time ago I read and reviewed a book called Tinker Belles and Evil Queens by Sean Griffin, but you can’t copyright a title and can you talk about queer coding and such in Disney and not use the words “evil queens”? Disney has always fascinated me, since I turned into a Disney queen after The Little Mermaid (I was never a big Disney kid; that waited until my adulthood and coming out, oddly enough), and Griffin’s book was so astonishing and good and insightful that I never forgot it. I watched Somerton’s video, and it all seemed incredibly familiar to me–and I did note he said some things that were wrong; mainly Gay Days/Gay Nights at Disneyworld were never official, Disney-sponsored events…which I know because I lived in Florida and used to gofor Gay Day. I also thought it was odd that he left out how the Southern Baptists tried to boycott Disney to stop Gay Days…and were ground completely into the dust by the Mouse. But it didn’t fit the narrative of the video essay–how Disney queer baits us for money then betrays us by not giving us rep in their films1. I also thought it was weird that the book–which so much of the video’s content was dependent on for its facts; the stuff that was wrong I assumed was from Somerton himself–wasn’t credited for anything, or even mentioned as a companion reading piece to the video itself. Periodically, after that, Youtube would suggest other videos to me from him, and I’d watch them, mainly out of curiosity…and began noticing things.
Like how his entire video about queer coding in Hollywood film seemed incredibly familiar–like I’d read it all already in the uncredited The Celluloid Closet by Vito Russo, which had already been made into a documentary in 1996…so much so that I bought an e-book of it to see and yes, it was used almost word for word with no attribution. And some of his other videos…were not only offensive but just bald-faced lies, things he’d made up, or okay, let’s be fair–conclusions he drew were from cherry-picked facts and broad speculations made from those facts; it seemed, in his video on gay body image issues, that he took the old 1990’s term for gym and body culture (the “you have to be a ripped muscle god to have any sexual currency”), which was “body fascism”, and somehow extrapolated from there the bizarre notion that Nazis created body culture and American GI’s brought it back from Europe after the war…and even weirder, somehow we didn’t get it from the Soviets because they were so “bundled up” we couldn’t see their bodies. (Maybe he should have read Michelangelo Signorile’s Life Outside, which explored how body culture morphed into something even bigger after the advent of AIDS because a strong, muscular, defined body was the antithesis of the wasting most people dying from AIDS experienced at the time; fit body= not infected; seriously, dude.) He was also horribly misogynistic at times–he didn’t like lesbians, and he hated straight women, and was also borderline transphobic at times despite trying to champion transpeople? It was all very weird, but I would periodically put on one of his videos that sounded interesting, even as he made claims that didn’t make sense or was simply restating things I’d already read somewhere. I didn’t think much of it, but I was idly curious–the way I often am; periodically I think about influencers and how to write a crime novel around one, and Youtube influencers seemed like the way to go if I were going to do that, and so I always chalked it up to research…and sometimes, the wrong things he said would send me off in search of the actual facts, so it was kind of educational by reminding me of things I’d forgotten about.
Turns out, he plagiarized almost all of his videos, never credited or named sources unless called out for it (he took down the videos about Disney and queer coding and put them back up as “based upon” the books he literally was quoting verbatim); the scandal dropped this week–I only found out yesterday–with two other Youtube influencers making really long videos about the plagiarism and the harmful lies he was spreading, as well as the self-loathing, misogyny, and transphobia. I went down that wormhole yesterday, watching both videos–which were long as the crimes were plentiful–and now his Youtube channel is gone, completely. As I said, I didn’t put a lot of thought into it–but he had a Patreon, and his Youtube channel was monetized, which meant he was profiting from the work of other queer creators that he was plagiarizing and stealing, then playing victim when caught…until he was literally destroyed by these other two Youtubers this week. He was apparently making a shit ton of money–and you know, there’s the plot for an influencer crime novel.
It was very eye-opening.
But it extrapolates further to what I’ve been thinking about since starting to watch Fellow Travelers–dark and sad and depressing as these stories are, they are important because our history is always erased; how are queer kids supposed to feel pride and understand where we’ve come from and what we’ve fought for, if they never hear about it, can’t find it, and are never told? The kids I work with (with an age range from early thirties to early twenties) don’t remember how horrible HIV/AIDS was because they hadn’t been born yet or weren’t old enough to really pay attention before the cocktail and the new meds changed it from a fatal disease to a chronic one (with treatment). There’s SO MUCH bad information out there about sexually transmitted infections, and so little education, that it frightens me on an almost daily basis as I work with my clients.
Obviously, this is what I’ve been wrestling with lately, with myself and my own artistic work (yes, I am starting to think of myself as an artist, which I should have done all along); what responsibility do we have to the younger people who don’t know our history, the history I lived through? It’s part of the reason I started writing “Never Kiss a Stranger”, and set it in 1994; I wanted to show what gay life in New Orleans was like during the time when HIV/AIDS was still a death sentence, and the city was also crumbling and dying itself before the wave of renewal and gentrification that started before Katrina and kicked into high gear; who is going to write that story if I don’t?
And what responsibility do I have to current and future generations of queer people as an artist? Do I have any? Or is my only responsibility as an artist to myself?
Something to think about, at any rate.
And on that somber note, I am heading into the spice mines. Have a marvelous Sunday, Constant Reader, and I’ll probably be back later; I can never stay away for long.
Uh, I guess he never saw the Disney documentary about Howard Ashman, who was partly responsible for the Disney animation renaissance and who died of AIDS before the release of the last film he completed, Beauty and the Beast; to date the only animated film to be Oscar nominated for Best Picture, and won three other Oscars, including two for Ashman? ↩︎
I love Alyssa Edwards. She’s the perfect reality star; a completely delusional human living in her own reality, yet also funny and witty with a highly expressive and thoroughly meme-able face, and basically harmless. I’ve always meant to catch her reality show on Netflix about her dance studio–which is so fricking cool that she does that–but have never gotten around to it. I was amused by her on her initial season, but really hated her feud with Coco Montrese, and of course that was also the season won by the marvelous Jinkx Monsoon. Alyssa was also terrific on All Stars 2, which made the rigging of the season all that much more disappointing. (We also gave up on Project Runway after one season where it was clear they’d already decided who was going to win at the start of the season. Don’t give me a rigged competition, thank you very much; if I want that, I’ll watch professional wrestling, thank you very much.)
Which makes it interesting for me to write a book about a drag pageant. I already have tons of ideas for the book, and it’s going to be very brutal in how it approaches the homophobes who have wrested control of Florida from the sane people (hey Moms4Liberty, how’d those elections turn out for you, you pathetic soulless pieces of shit? Your tears are as delicious as mimosas at a gay Sunday drag bunch, you miserable fucking bitches.) and have taken the state, once a beautiful place with scenic beaches and lovely weather, on its final steps to a complete and utter hellhole. Bravo, by the way; nicely done.
Anyway, back to drag; sorry about that sidebar. But that kind of shit will always enrage me. Nothing makes me angrier than misplaced self-righteousness. I may no longer be a practicing Christian, but I know that faith far better than many–if not most–of its most ardent public proselytizers and purveyors.
Gender-bending, of course, is nothing new. For centuries, women weren’t allowed on the stage so female roles were always played by men. This was certainly true in Shakespeare’s day, and often he wrote plays with characters pretending to be the other gender. So there’s a long, proud history of men doing drag in theater and performance art. Who decides what is masculine and what is feminine, anyway? As I have said numerous times, I love this new young generation of leading men and actors who are abandoning traditional black-tie male drag for new and inventive outfits that showcase their youth, beauty, creativity, and personal style; there’s nothing quite so stifling as toxic masculinity and it’s regular insistence that there is only one way to be a man–which is not only stultifying but incredibly limiting. Film and television (and theater, to a far lesser degree) have long influenced what is considered masculine in this country–the prototype being, of course, John Wayne. (Probably the funniest scene in both La Cage aux Folles and it’s American version The Birdcage is when the more butch of the gay couple tries to get the more feminine partner to be more masculine–telling him to walk like John Wayne…which was the first time I ever noticed how peculiarly John Wayne walked. Also amusing is that Mr. American Macho Man John Wayne–and Mr. Patriotism Ronald Reagan–didn’t serve in World Was II…but played war heroes in movies about it. Style over substance.)
But the history of the colonizing of this continent is very queer. Do we really believe those frontiersmen, trappers, hunters and explorers simply went for months and even years without having sex? There weren’t enough women to satisfy the need–and cattle drives? Pshaw. In any purely male society like that–the cattle drive, the explorations, etc.–there is always male/male sexual contact; “helping a buddy out.” This has been erased from history as effectively as if it had never happened–as though homosexuality is some modern thing that never existed before.
It’s always struck me as odd that the masculine ideal (as shown to us by Hollywood, at any rate) inevitably is depicted in all male environments–war movies, cattle drive movies, Westerns–with the occasional token female thrown in as a supporting love interest. These women are often set up to be abused–spanking was often popular in these films; how many times did John Wayne spank a woman in a movie?–and mocked and made fun of; if they had any kind of mind of their own, well, they had to be tamed.
Anyway, I digress.
I also know there are women who despise drag, see it as mocking women and misogynistic. I can actually see how they could feel that way, and far be it from me to tell a woman–any woman–how she should or shouldn’t feel about something, particularly when it comes to misogyny. (I sure don’t want anyone telling me what to think is homophobic or not.) I don’t think drag is misogynistic; if anything, it’s critiquing the misogyny of society. Dolly Parton also exaggerates femininity to the point of being a drag queen–she even says it about herself. Mae West was so good at this exaggeration that people believed she was an actual drag queen for years. Marilyn Monroe, Jayne Mansfield, and Jane Russell became sex symbols (and stars) by exaggerating their bodies and the way they dressed and their make-up and hair; how is that not female-drag as the converse of over-exaggerated masculinity (John Wayne, Charles Bronson, Clint Eastwood); establishing exaggerated norms of masculine and feminine that subconsciously altered what the over-all culture thought in terms of gender roles.
If I had a dollar for every time someone has told me to be more manly…
But the reason gender roles exist are because they are more comfortable for most people than thinking about it at any great length. You were born with a penis, so you should be interested in sports and guns and hunting and wear pants; your parents don’t have to think about it and neither do you. But for those of us who weren’t comfortable in those comforting boxes society so gladly constructed for us all to fit into–it’s not quite that easy. I hated having to do “boy” things and hated the expectations that since I was a boy I should like something in particular–and being incredibly stubborn, being told that I should like something was much more likely to make me disdain it. I didn’t want to play sports or even watch them when I was a kid; I just wanted to read. My struggles with wrapping my head around my gender and my sexual identity as a child were difficult, and those scars are still there–some of them are still scabbed over and not healed. All the messages I was being sent through popular culture, school, and society were telling me that something was wrong with me–and you don’t get over that overnight. I’m still unpacking a lot of that to this very day.
Writing Death Drop forced me to start thinking about these things again–gender markers, gender identities, the duality of our natures (no one is 100% one or the other, I think; I will always believe that gender and sexuality are a lot more fluid than anyone thinks)–and what makes one male and what makes one female. I hope, in writing more about Jem in the future, that it will help me understand myself better as well as society.
It truly is incredible what a shithole of a site The Site Formerly Known as Twitter has become under the tenure of that brilliant modern thinker Elon Musk (Narrator voice: those adjectives were meant as sarcasm). Every time I go there to cross-post the blog or something, it only takes a moment or two before I am getting the fuck out of that hellish place. I know I should probably just deactivate and be done with it as it fades away into memory like MySpace did once upon a time, but something keeps me there–despite knowing its immoral to even scroll a little bit, and definitely against my own personal ethics–but I think it’s more along the lines of watching a slow-motion disaster movie, frame by frame.
If only it would bankrupt him financially, to go along with his moral and ethical bankruptcies.
Yesterday wasn’t a very good day around the ranch. I was low energy all day, and while i did get all of my work-at-home duties taken care of and handled, after running errands and having a ZOOM call with three very dear friends (who undoubtedly are sick of me talking too much on ZOOM calls), I was just flat out exhausted and simply collapsed into my easy chair with my purr kitty for the evening. I did watch a lengthy documentary about the Eastern Roman Empire, and how the Holy Roman Empire was western Europe’s attempt to recapture and regrasp the legacy of Imperial Rome, to the point of rebranding the real Roman Empire as the Byzantine, or Greek, Empire. (The history of “western” civilization is full of these sorts of reclaimings and rebrandings, as the West sought to basically claim the history of civilization in general.) It just goes to show you–the history we all learned in public school was biased and written to enhance and create a foundation for white supremacy to rest upon. There’s a rather lengthy personal essay to be written about having to relearn everything I learned as a child as an adult because it was all wrong–or people could just read Howard Zinn’s work.
Today I do have some errands to run and vaccines to get injected into my arms; I also have things around the house I need to get done. I am going to make Swedish meatballs today in the slow cooker, I think; that’ll be a nice treat to go along with the LSU game tonight against Georgia State. There really aren’t many great games today–everyone has an “easy” game scheduled for the weekend before the Thanksgiving rivalry games, many of which this is the last go-around for. It’s weird to think LSU won’t be playing their most hated rival, Florida, every year any more (but how delightful to go out with a five game winning streak over them, ha ha ha ha and fuck off, Gators), or that other classic games won’t occur anymore. I don’t know why or when LSU’s Thanksgiving rivalry weekend opponent changed from Arkansas to Texas A&M; that was a fun rivalry with the Razorbacks pulling off some upsets over the years–why is it that everyone plays lights-out when they play LSU?–but that was also a manufactured rivalry that didn’t exist before Arkansas joined the SEC.
I also want to spend some time reading this morning; Lou Berney’s Dark Ride is calling my name and I am really enjoying it. The fun thing about Lou’s work is everything is always different; no two books are ever the same, or even the same kind of voice or style. Every book is an original in every way, and I will go to my grave with The Long and Faraway Gone as one of my favorite crime novels of all time. The one thing I am looking forward to after this surgery is more time to read, and if need be, I can read on my iPad–it’s not like I haven’t downloaded hundreds of books over the years. I’m still enjoying The Rival Queens–man, I love that period of French history–and I think my next read after Lou’s will be Zig Zag, by J. D. O’Brien; since it’s about a weed dispensary heist, coming after Lou’s stoner noir seems like the proper pairing, and then after that I am moving on to the new Angie Kim.
I was exhausted last night so I slept incredibly well. I even slept in this morning, not getting out of bed before eight-thirty like a slag. I feel much more rested and emotionally even this morning, which is a very good thing. I want to get a lot done today–I really need to move furniture and figure out how to make my work station more Big Kitten Energy proof, which is possible but will take some figuring out, and I won’t be able to move anything after Tuesday’s surgery, after all, so I have to get all this stuff done before hand. I don’t feel like I’ve had the chance to think everything through the way it needs to be thought through, nor do I feel like I am prepared for the aftermath and recovery period–which I think was the explanation for yesterday’s low energy; created and maintained completely by my anxiety.
I also want to read this original text version of The Mark on the Door, a Hardy Boys mystery.
We watched Blue Beetle last night, and I really enjoyed it. First, it was lovely seeing a Latinx family centered in a super-hero movie, and to have a super-hero of Mexican ancestry. It had some really funny moments (as well as some that made me go huh?), and as far as DC/Marvel movies go, it was one of the more solid plots and origin stories, but I’m also not terribly familiar with the Blue Beetle character. I primarily remember/knew him from the Justice League comic books of the late 1980’s/early 1990’s, and he was often teamed up with Booster Gold for comedy. I don’t know what has happened to the character with all the reboots since then, but I appreciated seeing something different from a comic book movie. The lead actor, young Xolo Maridueña, was handsome and appealing and charismatic, and the rest of the cast is fine other than the old witch who gave us Presidents Nader and Sanders because she doesn’t vote with her vagina (maybe you should have, you fucking piece of trash, since your mouth and going everywhere all over 24 hour news to trash Hillary helped give us the current Supreme Court, and you should be shunned and forced to take a Game of Thrones walk of shame down Pennsylvania you fucking hateful bitch–I will carry that grudge to the grave, skank). Seeing that fucking trash was in the cast made me seriously reconsider watching, frankly, and her “acting” was a joke and so horrific that Paul and I spent a good hour recasting with actresses who wouldn’t have just cashed the check and phoned it in the way she did.) The movie is actually strongest when it focuses on the Reyes family and their dynamic (Nana is the absolute best), and while it didn’t pull down the kind of financial numbers a movie like this is intended to (and odds that it’ll be blamed by Hollywood on centering a Latinx family are pretty strong), I do think this is one of the movies that in the future will be reclaimed as a classic and one of the best in the field. I hope there will be a sequel, as was teased at the end.
But I think they’re rebooting the movie universe for DC, so who knows.
And on that note, I am heading into the spice mines. Have a marvelous, marvelous Saturday, Constant Reader, and may whatever teams you’re rooting for today have a nice win–unless you’re a Georgia State fan, of course.
We have a new refrigerator, and it is marvelous in our eyes.
The delivery was actually two hours early and went incredibly smoothly. I did have to take the kitchen apart and rearrange a lot of things, which triggered the old your filing system is completely out of control and has been for quite time, and the duplicates, dear God, the duplicates. But having a new, working refrigerator (we really put up with the malfunctioning old one, which was never the same after whatever evacuation that was in 2008–Ike? Isaac? who knows. So, this kind of was the impetus for me to reorganize the cabinets, throw out a lot of stuff I didn’t even know I had (forcing me to recognize that I still have food hoarding issues), and do something constructive with the filing. This morning I am going to move the rest of the food over from the carriage house refrigerator, and make notes on what I need to get at the grocery store. My hope is to get that all done this morning, spend some time reading the Elizabeth Hand (which I am greatly enjoying), and then tackle the filing and get this under control once and for all.
And this is just a small step forward in a big journey I am taking–in which I need to organize and/or discard things I no longer need. I have more ideas than I will ever write about, or have the time to write; I get more ideas every fricking day. Do I really need to hold onto old file folders crammed full of ideas I don’t even remember that I have? And if I do remember it, and it turns into something–I will just create a new file rather than go look for the old. I should scan old contracts, shred tax returns, and who knows what kinds of treasures I may find in the files as they come together at long last? I’m still unsure of the system I am going to use, but I need to get all the things that are like each other together–files about Alabama, files about New Orleans and Louisiana, files about Kansas and California and Chicago and its suburbs and Houston and Florida and crime stories and all kinds of things; research versus actual fiction–book ideas v, short story ideas; fiction vs nonfiction–and so forth.
I also worked on the laundry room some, and also managed to watch a lot of football games–Alabama against Arkansas, Tennessee-Texas A&M, and finally Auburn-LSU. I still don’t know what to think about the conference race this year, other than both divisions go through Georgia and Alabama again this year, and I don’t see anyone beating Georgia during the regular season. Texas A&M’s loss at Tennessee is their second in conference and third overall; no division title or shot at the play-offs for them; yet they are a good team and can still play spoiler. Tennessee still has Alabama and Georgia and Kentucky. The West is pretty much still up for grabs, with Alabama in the catbird seat; still tied for first even if they somehow lose to LSU. I don’t know what happened to Auburn after the Georgia game–which they had a shot at winning–because that team didn’t show up in Tiger Stadium last night. LSU’s defense, which finally started playing at a higher level in the second half of last week’s Missouri game, looked really good…or was Auburn’s offense really that bad? I thought their defense was for real–but how good were they really, because they didn’t look like an elite SEC West defense last night. LSU does have an incredible offense, no mistake or question, but are they really forty-eight points on Auburn good? After Georgia escaped them with a 27-20 win on the plains? That’s why you play the games, people–anyone can win on any given Saturday.
I slept very well last night, which was awesome. I feel quite well rested this morning, and so today’s chores do not sound either ominous or terrible. The filing is indeed going to be a chore, as is moving the food back over and making two grocery runs, but better to get it all over with today, wouldn’t you think, so I can go home straight from work tomorrow? We’re having a “professional development day” that starts at City Park at ten in the morning, after which we go to Dillard for a presentation and then back to Ralph’s on the Park for another. Lunch and dinner are being provided, which means I am not going to be able to eat anything, most likely, which will be very unpleasant for me, I think, but I’ll deal with it. Tug is also settling in more–it’s very obvious that he knows he is home, and this is where he belongs. So bold, so curious, so playful, so adorable. He sleeps completely relaxed and sprawled out on whichever laps he chooses, and he’s started doing to Scooter thing where he’ll go back and forth between us for naps, which is adorable.
And he does love chasing the red dot.
He’s having particularly big kitten energy this morning, too.
And on that note, I am going to go start moving the food back over and making the grocery list. Have a lovely Sunday, Constant Reader, and I may be back later; if not, then tomorrow.
Yesterday was a little frustrating, I am not going to lie. The day went off the rails early and just never seemed to get back on track. Frustrating news, irritation, depression, and high anxiety all combined to make yesterday a challenge for me to stay on track and balanced, so much so that I just felt overwhelmed and didn’t even try to cope or stay centered because I felt tired all day on top of everything else that was going so irritatingly wrong yesterday.
I did sleep well Sunday night, but I was still worn out from the driving and so forth from the weekend.
So yeah, I was channeling some Major Bitch Energy yesterday, but managed to keep it all inside and not inflict it on anyone else. This was the big win of the day–because I used to just give rein to it and everyone else would just need to get out of my way or else. But I didn’t snap at anyone, I didn’t swear at anyone when I was driving home after work–but I did drive straight home after work, despite needing to run errands. I was smart enough to realize how close I was to snapping at someone or just being a dick in general, so I went home to spare the world and some unsuspecting person my foul mood.
Sigh.
And then I got home to find out that they’d started working on the house today–not really sure what they are doing but it’s an old house in New Orleans so it literally could be anything–and didn’t give any warning–as evidenced by the kitchen wall clock lying in pieces on the kitchen floor (it’s easy to put back together), and then I noticed a lot of the framed pictures in the laundry room were on the floor. The workers didn’t give any warning nor did our landlady; but Sam the handyman knew there were things on the walls so he called Paul. He got five minutes notice, but didn’t think about the clock in the kitchen–and why would he? It’s a whole different room, even if it is connected to the laundry room and one wall is also the back wall of the house.
I also slept wrong or something either Saturday or Sunday night so my neck was sore yesterday (still is this morning, in fact)–turning my head to the left hurt, which of course made driving an absolute joy. I do remember taking good health and not always hurting for granted for way too long. Sigh, I guess there is some truth to that saying you really don’t know how much you’ll miss something until it’s gone; it never even crossed my mind to be grateful I was in good physical condition. I didn’t even know how lucky I was; but I certainly am very well aware that I am a physical wreck at sixty two. Heavy heaving sigh. My neck is still sore this morning, but Ben-Gay has been doing the trick and it’s not quite as bad this morning as it was yesterday.
So, by the time I finally got the laundry started last night, I was already in a mood and said fuck it and repaired to the living room with Tug for some lap time. A purring sleeping kitten in your lap is the best thing for anxiety and stress after a bad day.
Hopefully today will be a good day. I am going to attempt to start eating more “not soft” foods this week at some point. I do still have a lot of that soft food stuff to get rid of anyway, so its just as well I was wrong about how long it would take to get my dentures (I don’t think I ever really told a timeline, which was why I got confused) because all this remaining soft food I’ve not gotten to yet will get used and it won’t just sit in the cabinet for months (years) waiting for me to get fed up at last and start pitching things, right? And I don’t need to have the expensive ice cream–it just has a high calorie count and is very filling and I like it, so I can probably start doing without that; maybe switch to something less expensive and with chunks of stuff in it. I don’t know that I can’t chew so much as I can’t bite into things, which is why I am going to start practicing with other foods. Most of this soft stuff is just carbohydrates, which my body is turning into sugar which is making me pre-diabetic which is also building up my uric acid which is manifesting as gout (everything is connected in your body–everything). I did make it into work, only had to use two hours of my sick time (I get to use two more on Wednesday when I get my sonogram), and managed to get some things done both there and on the home front.
As I was driving both to and back from Panama City Beach over the weekend, I also went down memory lane back to my childhood again. I hadn’t been back to Panama City Beach since the summer I graduated from high school, back in 1978; we went on a trip to visit the relatives and the beach and all for about three weeks that summer, right after I graduated. We never used I-10 back then–was there an I-10 then? Probably–but once I took the exit for 331 south, I knew exactly where I was; Defuniak Springs, and 331 was the road to my grandmother’s old place on Choctawhatchee Bay. And sure enough, 331 took me to the bridge over the bay–no longer a draw bridge or a two lane bridge; now it’s two separate bridges with two lanes crossing in either direction–and the gas station at the corner where you’d turn to go to my grandmother’s is now a park, which I didn’t catch until I was past it. I was going to turn and drive down there on the way home, just to take a look, but by the time I got across the bridge I was deep into The Only Good Indians and I was tired and just wanted to go home. But these old sites–and the incredible beauty of the beach at Panama City Beach–brought back a lot of memories and thoughts about me, my life, and my writing; as did spending time with my aunts and uncle on my father’s side of the family–none of whom I’d seen outside of weddings or funerals since that last trip down there before we moved to California in the the first months of 1981, and that made me go down that road. We spent most of Saturday after I arrived watching football games–Alabama-Texas A&M, and then Notre Dame-Louisville–which reminded me again of how deeply rooted football is as a family thing; we bond over watching football games, pretty much rooting for the same teams while hating the same ones. (They all overlook my LSU fandom, but they’re all Auburn fans who hate Alabama with a passion–my dad and mom and our little branch were the exceptions; rooting for Alabama unless they were playing Auburn. For me, the SEC is now LSU–with Auburn a distant second and Alabama just behind them in third. We all hate Tennessee and Florida–but they hate Georgia; I don’t. Even Dad hates Georgia.) But it made me think more about the panhandle books and the Alabama books I still want to write–and I was also laughing at myself for trying to make the books set there (like the ones in Kansas) so based in fictionalized reality that I feel tied to making the towns almost exactly the same; it’s fiction, lunkhead, so you can change things; it’s okay. (This also kind of dovetails with my “NOLier than Thou” post; because I realized I’ve always created fictional places in New Orleans while still trying to get the city right…it’s really about the mentality than the actual geography.)
But I would like to go back and explore; perhaps Paul and I can find a place over there to rent for a few days–a condo or something so we can eat at home and so forth; Paul would be more than happy to just be given beach access 24/7–and then I could think about the two or three books I want to set there. (I also want to set some books and more stories in the fictional town of Tuscadega, which I invented and based on Freeport, where my grandmother lived. “Cold Beer No Flies” was set there, for example. And driving through Mobile made me think of Dark Tide, too.) It was also interested because the Google Earth views I’d looked at made Panama City Beach look a lot different. It is a lot different than it used to be–more built up, no vacant lots, and yes, there are condos and massive resort hotels built on the beach side of Lower Beach Road (there was only a Beach Road back in the day–now there’s Lower, Middle, and Upper Beach Roads), but there are still public beaches where you can drive up and park right by the dunes and walk a very short distance to the beach, and those tourist-serving little shops that sell gimcracks and souvenirs and beach towels and inflatable rafts and suntan lotion are still there–not as many, but there are some, bearing names like Surfin’ Safari and so forth. I also took some pictures to help me remember things if and when I write about the area again. (It’s where I want to set my Where the Boys Are/slasher novel mash-up that I am calling Where the Boys Die. )
And another story–another one of the ones from back in the day when I was still in college and trying to figure out how to become a writer (which is what I thought those classes were for; they were not) I had written another one that I had turned in with “Whim of the Wind” (the first semester with a good teacher, I had started to feel like I could be a writer again, and by the second semester when I took the class a second time–you were allowed to take it twice–I decided to write a lot of stories to turn in….which was when I first started writing fast, I suppose. Anyway, when I turned in “Whim of the Wind” I turned in another story called “Thunder Island,” which was also set in the panhandle. It was also well received by the class, but not as well as the other, and so I’ve never really thought much about the second. I tried rewriting it once, but to no avail, and since then it’s just kind of been languishing in the files. Ironically, the story was about someone who was returning, after a long time, to the area after a funeral and was remembering a summer when he was a kid, staying on the bay with his grandmother…but while the story was good and worked, now it’s problematic. I’d have to update the story and change some things, and it’s not a crime story at all–although technically in its original problematic form it was an inadvertent crime story. Funny that I completely had forgotten writing a story set in the panhandle almost forty years ago that actually predicted the drive I just took. Maybe I should look it over again? May not be a bad idea.
But the most important thing for me to do today is assess my situations and figure out where I am at with everything, and what I need to get done. I am still in the midst of medical processes–part of yesterday’s problems stemmed from me either never being told or misunderstanding the denture process, which is much longer than I thought and I won’t be getting the final ones for another four to five weeks–and tomorrow morning I am having a sonogram on my heart and Friday an MRI on my shoulder. I need to get a handle on things because all the medical stuff keeps pushing everything else out of my brain; how do people prepare for surgery when they have a gazillion other things to do on top of that? I guess you just endure. I have no control over the situation–which is probably part of my problem with the whole thing–and just have to put my fate in the hands of others, which is something I never like doing and always chafe at; it’s part of the reason why flying is such an issue for me (one of the many reasons, all of which have to do with my faulty brain wiring)–I have no control over anything. You have to surrender control of your fate to the airline once you walk into the airport until you walk out of the airport at your destination and that really chafes at me. Anxiety, of course–on the one hand I know what the general disorder is and that everything else I thought was wrong with my brain’s wiring is just a symptom of the macro disorder, and I am better about controlling it now that I know what it is…but yesterday was one of those days where I felt no control at all over my life and situation and so that started the spiraling and it just got out of control.
But I am happy that I’m better and more balanced (and better rested ) this morning–the neck is still stiff and sore–and on that note, will head into the spice mines. Have a lovely day, Constant Reader, and I will be back later, probably.
Queer and Loathing in America 