Tag: Donna Andrews

Shine on Me

Sunday morning.

I got up again before seven this morning–despite staying up an hour or so later last night than I usually do; I was waiting, hoping Paul would be coming home, but he didn’t get home again until after I went to bed. I didn’t get nearly as much done yesterday as I would have liked because I got distracted by reading Kellye Garrett’s marvelous Like a Sister, and by the time I finished the book it was late afternoon and the tiredness I was feeling yesterday morning–I mentioned it, remember? I wasn’t as awake and alert as I had been the day before–I decided to just kick back and relax for the rest of the day. I watched a lot of history documentaries on Youtube; watched a lot of news worried about Ukraine; and then last night I decided to watch The Drowning Pool, a 1970’s film version of Ross Macdonald’s book–with significant changes made to the book–moving it to Louisiana for one (more on this later). When the movie was finished I went to bed, and woke up early again this morning (body clock has reset, for good or ill). I have to make groceries this morning, as well as gas up the car (can’t wait to see how much gas costs today; but I am more than willing to pay more to save Ukrainian lives, frankly) and head home for some more editing work. I am going to work on my manuscript today; and I have a manuscript from Bold Strokes I need to get edited this week as well. Lots of heavy lifting to get done this week, but I think I can manage.

I also need to select my next book to read. I’ve narrowed it down some; the leading contenders include Harlem Shuffle by Colson Whitehead, The Twelve Jays of Christmas by Donna Andrews, The Prophets by Robert Jones Jr., and All Her Little Secrets by Wanda M. Morris. A plethora of treasures in my TBR pile, no? There’s also some short story collections and anthologies I want to start working my way through–not to mention a short story I need to write by the end of the month (see why I need lists?)–so I think once I get home from the grocery store I will most likely have to make this week’s to-do list. I also have some emails to write for sending tomorrow. But I don’t feel as paralyzed this morning as I usually am by a daunting pile of work that needs doing. We’ll see how I feel when I get home from the grocery store, though, I suppose. Usually dealing with the groceries wears me out and I am pretty much useless afterwards; I don’t know if that is actual physical or mental exhaustion or laziness settling in. I know that my energy levels have significantly decreased over the past pandemic years, and sometimes I do wonder if it’s maybe Long COVID; exhaustion and loss of energy seems to be one of its leading symptoms, and of course, both tend to trigger depression, which creates a massive downward spiral. But I keep testing negative for it, so what do I know?

So, The Drowning Pool starring Paul Newman as Lew Archer, renamed Lew Harper in the movie, and the location was moved from southern California to Louisiana for some reason. The movie is very cynical, so it definitely fits into my Cynical 70’s Film Festival, but it’s not a very good movie. (I’ve read the book, and while the family structure of the film seemed familiar, there’s a lot of significant diversion from the book.) One of my favorite parts of the movie is one of those things Louisiana/New Orleans people always point out in movies and television shows: the geography makes no sense. Harper is summoned to New Orleans by an old flame, whom he meets in a Royal Street antique shop for some reason. She doesn’t anyone to know she’s hired him, so why would you meet in the Quarter? The airport is in Kenner; why would you make him drive all the way into the heart of the city when you could have simply met him at a lounge or bar out near the airport, where they would be a lot more anonymity? Anyway, the old flame (Joanne Woodward, wasted in a role far beneath her talents) has gotten him a room at a motel in the small town she lives in, and she runs off, promising to be in touch…and here is the weird Louisiana geography part. He leaves the Quarter, takes the causeway across Lake Pontchartrain, eventually crossed the river in Baton Rouge, and then winds up somewhere in swampy Acadiana. That’s all fine…but why would you take the causeway to the north shore to get to Baton Rouge when I-10 heads directly there from New Orleans? He added at least another hour to his trip by crossing the lake. There’s another scene where he’s tracking someone down, following his girlfriend as she gets off the St. Charles streetcar, crosses the street, and enters a home. Harper later refers to the man’s “apartment in the French Quarter”–um, the streetcar doesn’t run through the Quarter, it didn’t in 1975, and it was clearly St. Charles Avenue (there are several more of these, in fact; the bayou area near the town was clearly filmed in the Manchac Swamp). The plot is convoluted and didn’t make a lot of sense–blackmail, Joanne Woodward’s husband is a closet case, someone has stolen an account book from a local oil baron’s company that exposes their pay-offs and bribes and other illegal activities–and Newman, while handsome and charming, doesn’t really put a lot of effort in the role. Your mileage might vary, of course, but I found it to be disappointing. The only thing about the film of note was very young Melanie Griffith playing Woodward’s nymphet teenage daughter…and I kept wondering how old IS she to be so sexualized in a film? But it was also the 1970’s…in catching up on the 1970’s films I’m constantly amazed at how much unnecessary nude scenes for women there are, or gratuitous sex scenes that add nothing to the plots in these films. But I also appreciate the grittier, more realistic if cynical point of view of the films; there’s nothing pretty or noble about humanity in these movies…which also kind of explains how “hopeful” movies like Rocky and Star Wars were so enormously successful during the latter part of the decade.

And on that note, i think I am going to head into the spice mines. Have a lovely Sunday, Constant Reader, and I will check in with you again tomorrow.

Time Changes Things

I was a late adaptor to audiobooks; just like I was with ebooks (which I still kind of recoil away from, for some unknown reason; during the early stages of pandemic shutdown I revisited Mary Stewart and several other favorites on my Kindle or iBook apps and enjoyed them heartily–yet for some reason I never go back to the iPad to read…probably the enormous stack of hard copies in my TBR pile glaring at me from directly across the room from my chair). I always worried, you see, that I would get so caught up in listening to the book that I wouldn’t pay attention to the road, or my mind would wander and I’d miss something important. Several years ago on a trip to Kentucky I listened to A Game of Thrones on the way up and End of Watch (by Stephen King) on the way back; both turned out to be highly pleasant experiences and yes, while my mind did wander at times–my subconscious was listening so I never got lost when I was able to give the book my attention again. The last time I drove to Kentucky I listened to Foundation on the way up and Donna Andrews’ delightful The Falcon Always Wings Twice on the way back. Audiobooks make the time pass much faster than listening to music and singing along (I am quite the rock star in my car), and so, when it was time to drive up to Birmingham this past weekend, I selected Lisa Lutz’ The Passenger to listen to on the way up and back; it wasn’t quite long enough to last the entire drive…but I also had some Lisa Unger short stories downloaded as well, and I figured once the Lutz was finished, I could listen to one of those.

But the Lutz…my God. Why on earth did I wait so long to read/listen this impressive work?

When I found my husband at the bottom of the stairs, I tried to resuscitate him before I ever considered disposing of the body. I pumped his barrel chest and blew into his purple lips. It was the first time in years our lips had touched and I didn’t recoil.

I gave up after ten minutes. Frank Dubois was gone. Lying there all peaceful and quiet, he almost looked in slumber, but Frank was noisier asleep than he was awake. Honestly, if I had known what kind of snorer he was going to turn into, I never would have married him. If I could do it all over again, I never would have married him even if he slept like an angel. If I could do it all over again, there are so many things I would do differently. But looking at Frank then, so still and not talking, I didn’t mind him so much. It seemed like a good time to say good-bye. I poured a shot of Frank’s special bourbon, sat down on Frank’s faux-suede La-Z-Boy, and had a drink to honor the dead.

In case you were wondering, I didn’t do it. I didn’t have anything to do with Frank’s death. I don’t have an alibi, so you’ll have to take my word for it. I was taking a shower when Frank died. As far as I could tell, he fell down the staircase all on his own. He had been suffering from vertigo lately. Convenient, I know. And I doubt he mentioned it to anyone. If I had waited for the place and told them the truth, maybe life could have continued as normal. Minus Frank.

This book was recommended by practically everyone I know; I’m not really sure why I never got around to reading it. I did read her next novel, The Swallows, and absolutely loved it; I also have her new one sitting on my coffee table waiting for me to get to it.

And as I said, now that I’ve listened to this one, I am really pissed off at myself for taking so long to get to it. I am not joking. When I arrived at the hotel in Birmingham on Friday, I literally stayed in the car until the chapter finished. When I got in the car to drive to Wetumpka Sunday morning, I even left earlier than I needed to in my eagerness to get back to the book, it was that good–and I had no idea how it was all going to turn out.

That opening! How do you stop reading after that? Who is this woman? Why does she have to go on the run after her husband’s accidental death? Who and what else is she running from? And most importantly–who is she? We’re never sure who “Tanya” really is; she picks up and discards new identities (who knew it could be so simply done? Even if it’s only temporary? But something bad happened in her past–something she is still terrified about, and doesn’t want the police to find her, so clearly it’s pretty fucking bad. As she goes on the run yet again, we start to understand who she is, in some ways–there are some things we’ll simply have to wait for Lutz to let us know about “Tanya”–but you can’t help but root for her. She has a sense of humor about her horrible situation, and you also can’t help but like her, whatever it is she did in her past. As the narrative continues, we are also fed some email communications between “Jo” and “Ryan”–one quickly picks up that at some point in her past, “Tanya” was also “Jo”–that rather cryptically talks about the past and the original situation that set her on the run.

And while “Tanya” never talks about what that was, or much about her past, we do get some information from her on that score: a distant mother who was alcoholic and went through men like Kleenex; an unstable home environment, she used to swim competitively–and each new piece of the puzzle fits securely into place.

As the book continues, she breaks the law to survive from time to time, and each new identity she takes on comes with its own challenges and difficulties and dangers. We follow her from one end of the country to another and back again; it’s almost like a series of vignettes, really, strung together into one over-arching narrative that you can’t stop reading. How is she going to get out of this? you wonder every single time, and the book just keeps barreling along until all the threads of her many lives come together at the very end, with a startling final twist just before the final resolution.

Do yourself a favor, Constant Reader, and get every Lisa Lutz book and read it. I certainly intend to.

My Favorite Things

And so we have reached the last day of 2021 at last (it’s still hard for me to wrap my mind around the fact that it has been 2021 for a year; 2022 is going to seem even stranger, methinks). I’m on a holiday, so there’s no work for the day-job to be done today, but there’s plenty of other things that need to be done. I need to work on the book some more, I need to clean, I need to run some errands, and I’d also like to do some reading. It’s a lot, I know, and who knows how much I can or will actually get done around here? Yesterday I did data entry, made condom packs and rewatched the original Clash of the Titans (starring a very young Harry Hamlin and his nipples; seeing this in the theater made me a Harry Hamlin fan for life) while I did so. I also was able to pick up two boxes of home COVID-19 tests (the day-job procured you them for the staff as a preventive measure, which are apparently like gold these days.

It was a very challenging year in many ways. I suspect that if I looked back at a list of my goals for the year, two of the most key things–getting an agent and finishing Chlorine–would not be able to be checked off the list. My faulty memory–I keep, for one thing, conflating the last two years as one and the same mentally–has something to do with it. I know I wanted to write more short stories in 2021, and I don’t know that I succeeded at that. I know I had a couple of stories of which I am very proud come out this past year (my first ever attempt at writing a Sherlock Holmes story for one), and of course I finished writing two books while trying to finish yet a third under contract, and trying to get Chlorine done.

I always feel sort of weird at the end of the year when I compile my favorite things (books, movies, television) because I never limit myself to things that were new to the year, but rather new to me during the year; I am always so woefully behind on everything I read and watch that it doesn’t seem fair to leave off things that didn’t debut in 2021. Besides, it’s always kind of fun, I think, to remind people of things they themselves might have missed and forgotten about. But when I started thinking about all the books I read this past year, I would have sworn that I hadn’t read this much, or that I couldn’t have possibly read this many books–and I know I am also forgetting some, and these are the ones that stand out enough to be remembered. My favorite reads of the year were, in no particular order, The Turnout by Megan Abbott; The Collective by Alison Gaylin; Dream Girl by Laura Lippman; The Gift of the Magpie by Donna Andrews (I read three or four Andrews novels this past year, and loved them all, frankly); Velvet was the Night by Silvia Moreno-Garcia; Jar of Hearts by Jennifer Hillier; Razorblade Tears by S. A. Cosby; A Beautiful Crime by Christopher YBollen; Yes Daddy by Jonathan Page-Ramage; The Other Black Girl by Zakiya Dalila Harris; These Toxic Things by Rachel Howzell Hall; Invisible City by Julia Dahl; and By Way of Sorrow by Robyn Gigl. I also read a lot more cozies than I generally do, which were quite fun–I highly recommend checking out Leslie Budewitz, Vivien Chien, Sherry Harris, Ali Brandon, Miranda Harris, and Carolyn Haines, among many others–my TBR pile is nothing if not a treasure trove of terrific reading–and I am hoping to get even more reading done in the new year as well.

As for movies, I also watched a lot of movies. I saw a lot of classic cinema of the past I’d never seen before–my Cynical 70’s Film Festival had some marvelous entries this past year–as well as revisited some favorites. I greatly enjoyed Dune, which I thought was incredibly well done, and Shang-Chi and the Legend of the Ten Rings was a great super-hero film, with just the right amount of spectacle, humor, and humanity to ground it in enough reality that an audience could relate to it. I don’t remember any other new films that we saw in this past year, but I am sure there were some–the direct-to-streaming/limited theatrical release model for the pandemic ensured that I saw some things much sooner than I probably would have otherwise–but give me a break, I am still on my first cup of coffee after a lovely and deep night’s sleep.

Television again is something a bit blurry for me; the lines between 2020 and 2021 also blurring a bit here. I know we loved Mare of Easttown, Ted Lasso (a true gem of a show), The Mandalorian, Elité, Superman and Lois (probably the best version of Superman since the first two Christopher Reeve films), the original Gossip Girl (which is winding down now with a last season that is rather disappointing, alas), Hacks, One of Us is Lying, Cruel Summer, and Only Murders in the Building, which was also a jewel. But maybe my favorite show of the year was HBO’s It’s a Sin, which was not only well done, but powerful and thought-provoking. I had debated whether I wanted to see it or not; entertainment about HIV/AIDS, particularly about the height of the plague, has never sat well with me–either pandering nonsense or heavy-handed. The gold standard for me has always been Longtime Companion, but after watching I had to say It’s a Sin belongs up there. It was hard to watch at times–and I realized that the reason was the characters were all the same age that I was when it all started, which was a big part of it–but it also made me acknowledge and understand any number of things about myself and my past; namely that I had never grieved, just going numb at one point and deciding to keep moving forward and not think about anything. Watching the show brought back a lot of memories which, while painful at times, was necessary and needed.

I also spent time writing and working on two novellas, “Festival of the Redeemer” and “Never Kiss a Stranger”; one thing I really want to be able to do in the new year is get the novella collection together as well as another collection of short stories. Lots of plans for the new year, including a new Scotty novel I’ve been itching to get to, and another stand alone, in addition to Chlorine. I was able to visit my parents twice this past year, and I was also about to make it to New York and then Boston for Crime Bake, which was simply marvelous. I have lots of travel plans for the new year that I am hoping new pandemic variants aren’t going to jettison–I really do want to be around writers again, seriously–and over all, the year wasn’t as terrible as it easily could have been (2022, do not take this as a challenge). I got a new computer, paid off a lot of debt, and over all, I have to say, all things considered, 2021 wasn’t altogether terrible. I wish I had been more productive, but I also wish that every year.

And on that note, this next chapter isn’t going to write itself, is it? Have a lovely New Year’s Eve, Constant Reader, and I’ll talk to you next year!

Feliz Davidad

And so it was Christmas.

I have to say this weekend has been quite lovely thus far. I’m getting work on the book done, I am getting things done, and I am somehow remaining relatively relaxed and sane while I accomplish things, which has been quite nice. I am sleeping very well and sleeping in every day, which is going to require some adjustments when Monday rolls around again, sadly. I feel remarkably well-rested and refreshed this morning, which is also nice as I sip my coffee and think about what to have for breakfast; probably yogurt and fresh berries, before they go bad. I am going to make pulled turkey today for the holiday in the slow cooker, so dinner’s already sorted for me, which is also kind of nice. I am intending to clean out the refrigerator today as part of my chores for the day; Paul is going to work out with his trainer this morning and I am not sure what his plans for the rest of this holiday might be. I need to write a chapter of the book today, which shouldn’t be terribly hard–I’ve written some really dreadful chapters over the last few days–and should probably spend some time with Vivien Chien’s Death by Dumpling today; I had hoped to have it finished before today so I could spend the day with the most recent Donna Andrews novel; but I may just make that my New Year’s Day reading, to close out the holiday season (even though Carnival will be starting on Twelfth Night, which is even sooner than one might think).

I also found an essay I’d been looking for; I, like Paul, have an obsessive side to my personality that I try to combat and not give into when it takes hold of my brain; often to no avail, sadly: when my brain goes into obsessive mode, there’s really not much else I can do rather than either ride it out (not easy) or give in to it. This most recent obsessive conduct had to do with an essay I had written; the other day I remembered it and started looking for it, despite the fact that I couldn’t remember what the file was named. I had been asked to write a letter to myself at age sixteen the summer we went to Italy; I started writing it before we left for the trip but had never finished it. I eventually finished it, as I recalled vaguely the other day, on the trip to Venice from Florence; I wrote it on the train, saved the file, and hit send. I could not find it anywhere; and obsessed about it all day yesterday as I dug through electronic files (which are in much worse condition as far as organization than I even feared, which I will have to do something about at some point). After Paul got home, I talked to him about it and as I spoke to him it hit me: I had emailed the story in, maybe it was in my ancient sent email folder. And sure enough, there it was; and doing a second search by the title proved that it was saved nowhere in my files; I am not sure how that could have happened, but my biggest fear about my electronic files has now proven true: there are things that have disappeared from them over the years.

But this Christmas miracle is worth enjoying; a piece I’d feared had disappeared forever (the website where it was posted no longer exists; so much for the Internet is forever) has been retrieved, and it can be the opening piece in my collection of personal essays, should I ever decide how to do that and how to pull it all together.

If 2021 was the year of finishing things–Bury Me in Shadows and #shedeservedit having been in progress for years, even decades–I think that mentality needs to continue forward in 2022: finish things. I do want to finish the novellas, the short story collection, and potentially the essay collection; I also want to finish Chlorine, and possibly something else. I’ve also spent some time going over my blog from the earlier part of 2021, to try to remember things I watched and books I read; my memory is even faultier than I remembered it being in the first place. But it’s also kind of fun seeing what I was reading and watching earlier this year–the impact of HBO MAX’s It’s a Sin combined with my sixtieth birthday this year had me revisiting and thinking about the past a lot, for example, and forced me to process a lot of things I had never processed before, which may have had something to do with a lot of my own issues: never deal with it, just keep moving forward may not have been the most mentally healthy plan for me to get through my life, but it was also necessary for survival, and I will not/shall not judge my younger self for whatever coping mechanisms and skills I may have developed in order to get through everything I had to deal with in this my life.

And on that note, I think I am going to finish this, eat my breakfast, and head into the spice mines for a little visit. Have a lovely Christmas, Constant Reader, even if it’s just another Saturday to you.

Away in a Manger

And it’s Wednesday, my last day in the office before Christmas holidays. We have the next two days off for the holiday, so we all have a lovely four day weekend. Huzzah? At least I don’t have to make condom packs, which will be kind of nice, but I do have things to do. The book is proceeding apace, if a trifle slowly, but I am happy with the work I am doing on it but the question is, as always, will I get it done in time? Heavy heaving sigh. It is definitely going to be a lot of work to get done in a very short period of time, but it will get done eventually. I will most likely take Christmas day itself off from doing anything; a recharging day, if you will, but that and New Year’s Day should be enough of a recharge to keep me going. I’ve been sleeping much better lately–the cold snap (such as it is) has been an enormous help in that regard–and so am feeling more rested than I have in quite some time. I am also trying really hard to not let my stress levels go up; stress, not fear, is the mindkiller, thank you very much, Frank Herbert.

It’s also Pay-the-Bills Day; huzzah? At least I don’t have to worry about being able to pay the bills, which lessens the sting somewhat. It doesn’t make paying them any more enjoyable, mind you; it just makes it hurt a little less.

I don’t think I will ever stop resenting paying the bills–but you can certainly see that the heat has broken; the power bill this month is less than half of the last one.

Silver linings, you know.

The manuscript is coming along nicely, sort of; I write about 2500-3000 really shitty words per day (a chapter a day, really) and keep going, and then I spend a day trying to clean up the mess I’ve created. It’s working so far, and at the pace I am going I should pass the midway point this weekend–if I stay focused–and might actually get it all finished by the deadline. Huzzah, indeed!

It’s cold again in New Orleans today–well, cold for New Orleans; as always, I assume everyone north of I-10 will snicker behind their hands as they do whenever I complain about it being cold here–but I am actually going to wear a sweatshirt beneath my Crescent Care T-shirt today, and the floor here in the Lost Apartment absolutely felt cold to my stockinged feet this morning so I had to put on my slippers–but I would like to remind everyone it’s not a dry cold down here but rather a damp one. Cold and damp is miserable.

It’s going to be lovely having four days off, which should–laziness, cold, and procrastination aside–enable me to get a lot of work done, as well as organizing and cleaning of the Lost Apartment. I am going to have to start taking boxes out of the attic and determining what is to be done with them; most likely I will be donating a lot of books to the library sale in the future, and I figure if I target one box per weekend minimum it won’t take more than a few months to clean out a lot of what is up there and make room for other things I need to put up there. I really do need to stop buying books for a while; the apartment is quickly becoming overtaken with them yet again, and the TBR stack was already well out of control. Tonight I am going to spend some more time with Vivien Chien’s Death by Dumpling–I want to finish it so I can read Donna Andrews’ The Twelve Jays of Christmas on Christmas itself (after getting my writing done for the day–yes, I am not going to be able to take any holidays off until the book is completed, and all the other things I am writing are done.

Progress. I must always make progress.

And I really need to make that to-do list, which means I need to see what I’ve agreed to write and when it is actually due. I know I have some tighter deadlines than perhaps I would prefer; but that’s the writer’s life and it certainly always has been mine; months with nothing really due for a really long time, then a flurry of requests and deadlines all within a ridiculously short period of time.

And I had wanted to start talking about #shedeservedit every day on here, but I am not sure I have anything to say about it today? Really, it could and should probably wait until the lead-up to the actual release date (1/12/22) but preorders are shipped early–as early as 1/1/22, in fact–and I’ve even gotten my author copies already. So, is it too early to start talking more about this book? My experiences in Kansas? Will people be heartily sick of me talking about it before the book is even released?

Tis a fine line one must walk when doing blatant self-promotion. Although my stand methodology of blog posts is no one else reads this besides you so write about what you want to write about.

It has always, after all, served me well.

And on that note, tis time to head into the spice mines and hope to not freeze to death. 😉 Have a lovely Christmas Eve Eve Eve, everyone!

Silent Night

And just like that, it’s Thursday again. The sand in the 2021 hourglass is running ever more quickly with each passing day, Christmas is nigh, and I think I have everything figured out that I want to get Paul for Christmas. He is very hard to buy for, and he is so much more thoughtful than I am–he always gets me the best gifts–so I am hoping that he will be pleased with what I get him this year.

Yesterday I wasn’t nearly as tired as I usually am on a Wednesday; even stranger, I was more energetic and rested than I’d felt earlier in the week. Bizarre, I know; I wasn’t quite sure what to make of it, either, but chose to run with it rather than wonder about it. It was a pretty good day, really; I kind of got a little stuck on the manuscript, so did what I always do when I get stuck–went back and read/edited the previous chapters–and hopefully that kick-started my creativity again. We’ll see; I am going to give it another try after I finish working today. I do feel a lot better about getting it done on time–not to the point where I am not experiencing a lot of stress, however (stress is my go-to, really)–but a lot better about who my character is and what the story should be and so on and so forth.

I slept well again last night, which was lovely–I really didn’t to get out of bed this morning; my body was so relaxed it had become one with the mattress and covers–and it looks a little gray outside this morning; my coffee tastes marvelous and I feel so relaxed…it’s a nice feeling, really. I am going to miss my work at home Thursdays next month when I go back to four days in the office per week; yes, it’s going to suck and yes, it’s going to suck a lot to have to get up at six a.m. four times per week instead of three, but on the other hand I am probably going to sleep extremely well when Thursday nights roll around again.

I think I have all of my Christmas presents for Paul sorted; nothing terribly exciting, as ever–he is so much better at gift-shopping than I am it’s almost sad (I mean, it’s good for me as the recipient of his thoughtfulness, but at the same time terrible for me because I am such a shitty gift-giver). That’s another thing about Christmas that its commercialization has done–the stress and pressure of buying gifts for people that they will not only appreciate but are thoughtful can often be, for obsessives like myself, extraordinarily stressful, and the failure to get someone something that makes them happy is horrifically disappointing. But that is not the proverbial “reason for the season”, and this year I am focusing on the messages of Donna Andrews’ marvelous Christmas mysteries: happiness and joy and the simple pleasure of giving.

And isn’t that the most important thing?

It should be, at any rate.

I see that the year’s Best of lists are coming out, which means I should probably do something along those lines here–my favorite reads, movies and TV shows of the year–but the problem is a problematic memory with the last two years actually kind of blending together into one, and alas, I don’t always talk about everything I read or watch on here, so I have to rely on memory in so many cases. I read a lot of good books, watched a lot of good movies and television shows, and will, when making a list, inevitably forget some that were worthy of mention. As I look back this morning and try to remember what all I read this past year, I am a bit amused because I often berate myself for not reading more (there literally is nothing I will not berate myself for at some point; I really need to dig into that and figure out why and where that comes from and maybe if I do, I might actually be able to fucking stop twisting myself into pretzels all the time and torturing myself), because I actually read an awful lot in this past year. And I read some amazing books! I’d hate to not mention any one I really enjoyed…but on the other hand, it’s not like my blog is this highly read information source for book information.

And on that note, tis off to the spice mines.

Just One Look

I am now almost completely caught on the Donna Andrew canon, with only The Twelve Jays of Christmas, this year’s Christmas Meg mystery, to go. I have already decided to save it for Christmas Eve and Christmas day reading; what better way to celebrate the holiday with yet another visit to Caerphilly at Christmastime? I have also realized that I have done something I try to never, ever do; once I have finished that particular Meg story, I won’t have another to read until next year’s release. Insane as it may sound, I never want to run out of books to read by favorite authors; it’s oddly comforting to know there’s still another one left for me to read. I still have about three to go with Sue Grafton, and there’s one Elizabeth Peters novel still left unread for me to sink my teeth into with a heavy sigh someday. I know it makes little to no sense to think this way, and it’s kind of irrational, but I’ve never claimed that my brain and its peculiarities and weird ways of working makes sense to anyone who is NOT me

And in complete honesty, I’m not entirely certain I understand how my brains works. It certainly mystifies me most of the time.

“Mom?”

I kept my eyes firmly closed and focused on breathing in and out in the slow, deliberate way that was supposed to make you feel better when you were stressed. One…two…

“Mom,” Jamie repeated. “I know when you’re doing your yoga breathing we’re not supposed to interrupt you unless there’s actual bleeding involved.”

“Or open flames,” his twin brother, Josh, added.

“But I kind of think this might qualify,” Jamie went on.

My eyes flew open.

All I could see for a second were the muddy shins and baggy knees of the woolen hose they were wearing as part of their medieval costumes. I craned my neck to see upward, past the well-worn lether doublets to their faces. Josh was leaning on his longbow as if it were a staff. Jamie had his lung over his left shoulder. Neither appeared to be injured. But they both looked…anxious. And that wasn’t a look I saw very often on the faces of my not-quite-teenage sons.

“What’s wrong?” I asked.

They exchanged a glance. Were they deciding what to tell me? Or just sorting out who had to do the telling?

“We think we found a body,” Josh said.

“A dead body,” Jamie clarified.

As always, Meg has her hands full as the book opens. Not only have the twins discovered what may be a dead body in the woods near the house, the reason they are dressed in medieval costume is because Michael, her husband and a professor of drama at the local college, is mounting a production of Macbeth, and the twins have (small) roles. Because of insane and arcane academic inter-departmental politics, the Drama department has had to enlist the assistance of the History department in a skirmish against the villainous English department, which has resulted with a group of re-enactors camping out in the field on her parents’ neighboring property; the leader of the group is a royal pain in the ass. There’s also a house full of relatives, as per usual, and due to the on-going housing situation in Caerphilly, many of the cast of the show are having to stay, if not in Meg’s and Michael’s house, then camping out around it. There have also been some incidents of vandalism, inside and outside the house–and oh, yes, there’s a documentary filmmaker staying in his trailer, also on the property and also proving to be a bit of a handful.

Never ever a dull moment in Meg’s life, certainly!

If that’s enough, the area is in the middle of a drought, and someone has been lighting campfires in the woods. Rose Noire, Meg’s cousin and an herbalist/naturalist/holistic healer type, is convinced that whoever is lighting the campfires is up to no good–and the discovery of a page torn from a book with an evil spell written out in nearby only seems to back up Rose Noire’s intuition (Rose Noire is becoming a favorite of mine; I love all the characters in this series–the ongoing feud between Meg’s grandparents is a personal favorite on-going subplot of mine–but Rose Noire was a bit irritating at first, but as I’ve spent more time with her she has definitely grown in my estimation; and her devotion to protecting animals–as happens throughout this book–played no small part in that rise) that the miscreants are definitely up to no good.

I don’t want to give away too much of the plot–which is, as always, interwoven with various subplots and minor mysteries, which only serve to complicate and confuse the reader (not so much Meg) while trying to solve the central mystery–but the book is, as always, a charming experience that engaged me throughout, making me laugh aloud several times, and while I was glad to get to the bottom of the mystery, and the ending was enormously satisfying…at the same time I was a little morose to be done with my latest visit to Meg’s world.

And I only have one more to read. Heavy sigh.

Do You Hear What I Hear?

What I am hearing is that Donna Andrews is a master of writing about Christmas.

It’s incredibly easy to become cynical about Christmas; American capitalism’s infection of the holiday has made such cynicism almost de rigueur. The commercialization of what is supposed to be a religious holiday has been a concern for decades–A Charlie Brown Christmas was, after all, produced in 1965–and it is has even been politicized for the last thirty or so years (war on Christmas, anyone?). And while the argument over whether one should say “Merry Christmas” rather than the more inclusive “Happy holidays” has always struck me as particularly stupid (in a multi-cultural society where one cannot easily identify which particular holiday a stranger might celebrate, why would anyone want to risk giving offense? I really don’t understand this modern sensibility that good manners no longer matter), it becomes easier and easier to become tired of the entire thing and want to wash one’s hands of it all.

But Donna Andrews’ Christmas mysteries hit precisely the right chord, and can revive that holiday spirit in even that most cynical of hearts and souls, my own; so much so that I may even revisit the books every December as a necessary reminder of what this season is really supposed to be about.

“Cow manure?”

I was talking into my cell phone, but my friend Caroline Willner, who’d just popped into the kitchen with an armload of brightly wrapped presents, must have thought I was talking to her.

“Is this part of the whole not-swearing-in-front-of-the-boys thing?” she asked. “And what did I do to deserve–oops!” Her voice sank into a whisper. “Sorry! I didn’t realize you were on the phone.”

Although I could see her curiosity was aroused.

“We have access to a variety of manures–cow, horse, sheep, goat, and llama,” I said into the phone. “Much of it’s even organic. Is there a particular reason you want cow manure?”

“Well, any of those would be acceptable,” my caller said. “Especially the organic ones. I just don’t want chicken manure.”

“Of course not,” I said. “It’s so apt to be infected with salmonella. Give me your address and let me know when I can drop by–would sometime later today work? If you can show me the area you want fertilized, I can figure out how much manure is required and how many volunteers we’ll need to spread it.”

It is, as one can assume by the cover and title of this particular Meg Langslow mystery, Christmas time in Caerphilly again, and as always, Meg has her incredibly capable hands full with everything that is going on that she needs to make sure gets taken care of (her competence, list-making, and multi-tasking are all things that I aspire to, and inevitably always fall short on). Caerphilly’s Interfaith Council has, this particular year, come up with an amazing idea to help people out called “Helping Hands for the Holidays”–in which those in need of help can ask for assistance, and Meg and her group will find volunteers to get things taken care of for those in need. It’s an absolutely lovely idea, and who better than mayoral assistant Meg to take charge of such a program as part of her official duties? A Caerfully Christmas, which has become a major source of tourist revenue for the small town, is also in full swing; her house is filled with relatives; and she is hoping, for once, to have a relatively peaceful Christmas.

But that is not to be. One of the projects involved helping Harvey Dunlop (aka Harvey the Hoarder) declutter and de-hoard his home. Harvey’s neighbors loathe him because of his hoarding tendencies (the town has already helped him declutter his yard to mollify his neighbors), and naturally he is suspicious of the de-hoard assistance he is being offered at first, but with so many people willing to chip in and help out–with Meg there to assure him that the purpose isn’t to get rid of everything, but to help him sort and decide what to keep, as well as moving it all out so the house can get some much-needed repairs, Harvey begins to slowly come around. It would be easy to make Harvey the butt of many jokes here, and a lesser writer would probably do so. However, Andrews completely humanizes Harvey, and as we the reader get to know him better, understand his loneliness and sadness and how the hoarding has so completely overwhelmed him…we can’t help but root for him. The lovely people of Caerphilly even throw an impromptu holiday party for Harvey in the warehouse his things are being stored in (honestly, my bitter old cynical self would love to live in this marvelous lovely town full of kind, caring people who look out for everyone), and Harvey actually begins to come out of his shell, has a lovely evening, and everything is look up for him…

..until later that night when he is brutally attacked, and later dies in the hospital.

This was, for me, a complete and total shock. I had suspected that Harvey–with his hateful neighbors and even more hateful relatives–was going to be the murder victim at the heart of this story, but kept hoping he would be the suspect whom Meg would have to clear instead, and as the book progressed and I came to like him as a character more and more, finding so much joy in the way everyone in Caerphilly was working with him to make his life better and the way he was responding to the kindnesses he was being shown, it was a horrible shock to me…which, of course, is yet another testament to Andrews’ gifts as a novelist. I mean, I was seriously upset that he was murdered.

So upset, in fact, that I grimly looked forward to the murderer being caught and thinking of the most horrible ways for them to be punished, and as I kept reading to find out who this monstrous villain was, I was actually angry and outraged and was certain that whatever their fate might be, it wouldn’t be horrible and gruesome enough to satisfy the bloodlust I was feeling.

But this is Caerphilly, and Donna Andrews, and a Christmas book. There are some major twists along the way to the final denouement, and as always, there was a most satisfying conclusion to the mystery and the book, which enabled me to close it with a happy sigh, again reminded of what the season is truly about, and wishing the world was more like the fictional one that exists in this magical series.

(She’s a) Very Lovely Woman

Saturday morning and it looks kind of gray outside the windows this morning as I look out at the world blearily and drink my first cup of coffee. I slept very well last night–which is always welcome–but woke up feeling a bit groggy this morning. I am sure the caffeine will work–it generally does–but as I glance around at the chaos of my office/kitchen my inclination is to pour the coffee out and go back to bed and sleep the rest of the day away, hoping magical elves or something else will show up whilst I sleep to finish organizing and arranging this mess into something resembling workable order. On the other hand, I don’t think that’s going to happen, so I am going to need to wake up, buckle up, and put my nose to the proverbial grindstone. I’ve got to contain this mess–and do it properly, no more sweeping things under proverbial rugs to get mess out of sight–and I’ve got to work on the book today and I need to run some errands. I also have to go to the gym today, so I will most likely follow football championship games today by periodically looking on-line to check scores only. Paul is going into his office this afternoon to do some work as well, and I need to update my to-do list and…yes, it’s a very busy day for a Gregalicious.

I finished reading Murder Most Fowl by Donna Andrews last night–charming, as always, delightful and witty and funny–and decided, since I was talking about how much I preferred Miss Marple to Hercule Poirot the other day, that I should revisit one of the Marple stories. I have a hardcover copy of A Caribbean Mystery–I don’t recall where it came from–but it has some sentimental value for me in that it was the first Marple novel of Christie’s I had read all those many moons ago when I was a child, holing up in my room on Saturdays with a book and a bag of Bar-B-Q Fritos. (My first Poirot was actually Halloween Party, which I also have a hardcover copy of and again, do not recall where I got it or how long I have had it; I read most Christies in paperbacks purchased at the Bolingbrook Zayre’s off their wire paperback racks) In those first few pages of the book, it spelled out exactly what I loved about the Marple stories–about how living in a small village actually exposes one to almost every kind of human behavior there is in a smaller ecosystem, and the great irony that the smallness and rural aspects of the small community are all too frequently seen as provincial and inexperienced in the world (why Grace Metalious’ Peyton Place was so shocking when it was originally published some seventy years ago; that placid, idyllic on the surface looking village/small town/rural community has a lot more going on than one would think at first glance). This is an excellent set-up, really, for the story Christie is writing about this fictional resort on a fictional West Indies island; her nephew, the successful novelist Raymond West, has paid for this trip for her to get some sun and recover from an illness…and when she originally protested about the expense and “who will watch out for my home in St. Mary Mead”–this response (which I hadn’t remembered) hit me right between the eyes:

Raymond had dealt with everything. A friend who was writing a book wanted a quiet place in the country. “He’ll look after the house all right. He’s very house proud. He’s a queer. I mean–“

He had paused, slightly embarrassed–but surely even dear old Aunt Jane had must have heard of queers.

Now, what is one to make of that? It was a jolt, certainly. It put me in mind of something I came across on Twitter the other day, written by Wil Wheaton, in which he had answered at a con somewhere a question regarding the current debate of “can you separate the art from the artist?” This is something I’ve pondered about quite a bit–most recently, the feeling of guilt I experienced in rewatching Chinatown, knowing now what I–we all–know about Roman Polanski. I enjoyed Chinatown every time I’ve seen it, and I was now watching–rewatching–through a different lens than I had before; I was watching in terms of my own Cynical 70’s Film Festival, to see how a 70’s film that actually harkened back to old-style crime/hard-boiled/noir styles, but with a more modern (at the time) sensibility fit into that 70’s cynicism and darkness about humanity and human behavior. But the discomfort kept popping up, particularly because Polanski himself appears in the film…and I eventually decided not to rewatch another favorite, Rosemary’s Baby, because of it.

I am not going to consign Agatha Christie to the trash heap of history; she was an extraordinary writer, and one of the most influential in the field in which I myself write. Nor do I think a simple throwaway line or two in a book originally published in 1964 is enough to dismiss Christie and her canon as homophobic and never revisit her work. In fact, given the time period in which the book was written, I am surprised the two sentences weren’t, frankly, much worse. Reading the sentences didn’t offend or outrage me; it was just a surprise, primarily because I didn’t remember them at all in a book I’ve read multiple times over the years–and I think when this hardcover came into my possession (I won’t swear to it, but I think I got it during one of my many eBay buying frenzies after Hurricane Katrina, when I felt it necessary to get copies of books with some sentimental value to me) I did actually read it again because I didn’t remember the plot–and this either went right past me or I noticed and didn’t think much of it.

Revisiting this book and viewing it through a modern lens is going to be interesting. And like I said, the reference could easily have been worse–but seeing queer used in this way reminds me of how it used to be used. The younger generations are reclaiming the word, and I myself have been advocating for it as a generic term for the non-straight community for eons…but I also can see why there are people of my generation/the one before me/the one after me who object to its use and why.

But I would a thousand times rather see the word queer used in an Agatha Christie novel than faggot. And I also remember the sympathetic depiction of a lesbian couple in my favorite Marple, A Murder is Announced.

Interesting thoughts on a Saturday morning. The sun has come out now and it’s not quite so gray outside; the second cup of coffee is certainly hitting the spot right now and the grogginess is beginning to leave from not only my head but from my body. I still don’t want to straighten up this mess, but there’s no choice, really, and I want to get some good work on the book done today and tomorrow. I need to go to the gym either today or tomorrow as well; perhaps later this afternoon once I get some writing/cleaning/organizing completed. I cannot be completely lazy this weekend, much as I would like to be; I have to get things done, and the more things I get done now the fewer things I will have to do later this month (I am not, for example, going to want to write on Christmas). But once a procrastinator, always a procrastinator.

And now it occurs to me that perhaps I am procrastinating here, so I am going to bring this to a close. Have a lovely Saturday, Constant Reader, and will talk to you soon.

One for One

FRIDAY!!!!

Yesterday was a good day. I slept extremely well, got up, answered some emails and printed some things out that I needed to sign and scan and send back, data entered, and then made condom packs. Once I was finished with my work-at-home duties for the day, I went to the gym. Yes, that’s right–one more time for those in the back: I went to the gym again. It was a lovely late afternoon–early December is so lovely here, Constant Reader, you have no idea–and so the walk was nice. People out walking their dogs, dogs running around having a good time in Coliseum Square, a nice coolness…it’s so lovely here once the blast furnace of the summer is over.

I also wrote for a bit–not one of my better writing days, alas–and so took a break and read Donna Andrews’ Murder Most Fowl for a while until it was time for us to watch last night’s batch of episodes of Gossip Girl. The last three episodes of the reboot–although I suppose it’s really more of a sequel series than a reboot–have dropped, but last night’s was rather lame; the season is sputtering its way to the finish line, which is a shame, since it started so well with guns blazing–and we’ve come to the conclusion that we much prefer the OG. We saw the first two episodes of Season 2, and are all in once again; despite the fact that the season one finale was such a disappointment. New characters, new romances for the characters, and lots of new drama, which is wonderful. I still can’t believe we didn’t ever tune in when it was originally airing.

Today is another work-at-home day, mostly data entry but with some condom-packing perhaps later. Yesterday’s condom-packing movie was another entry in the Cynical 70’s Film Festival, and I decided to check out Shaft, the original from 1971 starring Richard Roundtree–who was sexy as fuck. I’ve never seen the original Shaft movies; there were three of them in total (Shaft’s Big Score, Shaft in Africa) released in the 1970’s, and while it’s terribly dated now, it still holds up as entertainment. And one cannot really dismiss its importance as a film, given the time in which it was produced. Here we have, in 1971, six years after the Voting Rights Act and other important civil rights legislation, a complex Black private eye as the hero of a crime film; it is a mere four years after the Oscar-winning In the Heat of the Night, with Sidney Poitier as a Philadelphia police detective solving a strange murder in rural Mississippi and having to deal with the horrific racism of the region. The film was a huge hit at the time, and it’s famous “Theme from Shaft” by Isaac Hayes won the Oscar and was a huge hit record; I believe the entire soundtrack also sold extremely well. The character of John Shaft was created by a white writer named Ernest Tidyman–no #ownvoices there–who also co-wrote the screenplay (he also wrote the screenplay for that same year’s The French Connection–he was definitely having a good year); and published a number of novels featuring the character. Just as Virgil Tibbs and In the Heat of the Night were created by a white writer named John Ball–the novel the film was based on in that particular case was problematic–so was John Shaft; but in looking up Tidyman, I also saw that he received an Image Award from the NAACP. The plot of the movie is pretty straightforward; the Mafia is trying to muscle in on a Black mobster in Harlem, so they kidnap his daughter, so he hires Shaft to find and rescue her. The NYPD is concerned about a possible mob war between to the two rival syndicates, and also is pressuring Shaft to give up what he knows and get involved. It was very much a film of its time; I always love seeing movies film on location in New York during that time, when the city was much grimier than it is now, and its success may have been integral in the development of what came to be known as the “Blaxploitation” film in the 1970’s–when studios realized there was a big audience for films about the Black experience in America, with strong Black lead characters, giving rise to the careers of Black stars like Pam Grier, for one–and some of Chester Himes’ novels were given the Hollywood treatment. Are there any books, I wonder, about this period? Why did they stop making these movies? (They must have stopped making money, which is usually the reason Hollywood stops making any kind of film) I must make a note to do some research.

I also worked on cleaning and organizing last night, so there’s some finishing up to do here in the kitchen/office. I also had to answer some questions regarding the proofs of my story “The Snow Globe” (which will be in the upcoming anthology Murder is Magic, co-edited by Donna Andrews, Barb Goffman, and Marcia Talley), which was nice; I was very glad that story finally found a home somewhere. It was originally, of all things, a Halloween story that morphed into a Christmas story–I’ll write more about it when the book comes out–but the opening line came to me one Halloween night as I stood on the balcony of the Parade watching all the costumes down below on Bourbon Street, when someone dressed as Satan came out of Oz. The costume was totally slutty-gay; a guy with a phenomenal body wearing red boots, a red bikini covered in sequins, horns, and red body paint. Wow, I thought, Satan has a great six-pack, and laughed, because I realized it was a terrific opening line for something–short story or a book or something–and pulled out my phone and texted it to myself so I wouldn’t forget. It sat in a folder called Satan costume for many years…until I realized I could turn it into “Santa” and turn it into a Christmas horror story. And the rest, as they say, is history.

All right, it’s time for me to get back to data entry. Have a lovely Friday, Constant Reader, and will check in with you again tomorrow.