Tag: class

Ladies Who Lunch

Americans have always been fascinated by rich people.

We all want to be rich, after all; as someone once said, “The United States is a nation of temporarily distressed millionaires.” So, in lieu of actually being rich, we obsess about them. The rich used to be celebrities for no other reason than being rich. It’s always been interesting to me that in our so-called “classless” society (which was part of the point; no class privilege, everyone is the same in the eyes of the law) we obsess about the rich, we want to know everything about them, and we lap up gossip about them like a kitten with a bowl of cream. I am constantly amazed whenever I watch something or read something set in Great Britain, because that whole “royalty and nobility” thing is just so stupid and ludicrous (and indefensible) on its face that I don’t understand why Americans get so into it; the fascination with the not-very-interesting House of Windsor, for one. We fought not just one but two wars to rid ourselves of royalty and nobility…yet we can’t get enough of the British royals, or the so-called American aristocracy. (Generic we there, I could give a rat’s ass about the horse-faced inbred Windsors and their insane wealth, quite frankly.)

I wanted to be rich when I was a kid; I spent a lot of time in my youth fantasizing about being rich and famous and escaping my humdrum, everyday existence and becoming a celebrity of sorts with no idea of how to do so. I was intrigued by the rich and celebrities; I used to read People and Us regularly, always looked at the headlines on the tabloids at the grocery store, and used to always prefer watching movies and television programs about the rich. (Dynasty, anyone?) I loved trashy novels about obscenely wealthy (and inevitably perverted) society types and celebrities–Valley of the Dolls has always been a favorite of mine, along with all the others from that time period–Judith Krantz, Harold Robbins, Jackie Collins, Sidney Sheldon and all the knock-offs. I was a strange child, with all kinds of things going on in my head and so many voices talking to me and my attention definitely had an extraordinary deficit; I always referred to it as the “buzzing.” The only time I could ever truly focus my brain was either reading a book or watching something on television–and even as a child, I often read while I was watching television. (Which is why I read so much, even though that buzzing isn’t there anymore and hasn’t been for decades.)

As I get older and start revisiting my past (its traumas along with its joys) I begin to remember things, little clues and observations that stuck in my head as a lesson and remained there long after the actual inciting incident was long forgotten. I’ve always had a mild loathing for Truman Capote, for example, which really needs to be unpacked. Capote was everywhere when I was a child; there was endless talk shows littering the television schedules those days–Dick Cavett, Merv Griffin, Mike Douglas, John Davidson, and on and on and on–and Capote was always a popular guest on these shows. I wasn’t really sure what he did or who he was, but he was someone famous and he was on television a lot. I saw him in the atrocious film Murder by Death, and I know I knew/had heard that he was a homosexual, a gay; and I also knew I was a gay. It terrified me that I was destined to end up as another Capote–affected high-pitched speech and mannerisms, foppish clothing that just screamed gay at anyone looking; Capote made no bones about who or what he was and refused to hide anything…yet he gained a kind of celebrity and fame and success in that incredibly homophobic time period, and no one had a problem with putting him front and center on television during the day time.

But this isn’t about my own self-loathing as evidenced by my decades of feeling repulsed by Truman Capote; that I will save for when I finish watching Capote v. the Swans.

“Carissimo!” she cried. “You’re just what I’m looking for. A lunch date. The duchess stood me up.”

“Black or white?” I said.

“White,” she said, reversing my direction on the sidewalk.

White is Wallis Windsor, whereas the Black Duchess is what her friends called Perla Apfeldorf, the Brazilian wife of a notoriously racist South African diamond industrialist. As for the lady who knew the distinction, she was indeed a lady–Lady Ina Coolbirth, an American married to a British chemicals tycoon and a lot of woman in every way. Tall, taller than most men, Ina was a big breezy peppy broad, born and raised on a ranch in Montana.

“This is the second time she’s canceled,” Ina Coolbirth continued. “She says she has hives. Or the duke has hives. One or the other. Anyway, I’ve still got a table at Côte Basque. So, shall we? Because I do so need someone to talk to, really. And, thank God, Jonesy, it can be you.”

I do want to be clear that once I started reading Capote, he quickly became a writer whom I admired very much; I don’t think I’ve ever read anything he’s written that didn’t take my breath away with its style and sentence construction and poetry. He truly was a master stylist, and perhaps with a greater output he might have become one of the established masters of American literature, required reading for aspiring writers and students of American literature. In Cold Blood is a masterpiece I go back to again and again; I prefer his novella Breakfast at Tiffany’s to the film without question; and I was blown away by his debut novel, Other Voices Other Rooms, which was one of those books that made me think my childhood, and my being from Alabama, might be worth mining for my work.

I read “La Côte Basque 1965” years ago, and didn’t really remember it very much other than remembering I didn’t care for it very much. I was aware of the scandal that followed its publication and that all of Capote’s carefully cultivated rich society women friends felt betrayed by it and turned on him, which sent him into a decline from which he never recovered, before dying himself. I’ve always seen Capote as an example of wasted talents. Anyway, I read the story but not being familiar with his social set, I didn’t recognize any of the people gossiped about in the story or who the woman he was lunching with represented (Slim Keith, for the record), and so it kind of bored me; it was a short story about someone having lunch and gossiping about people the reader had no way of knowing who they were or anything about. I assumed this was because the story was an excerpt from the novel, and the novel itself would establish who all these women were and their relationships with each other. But I did know it was all thinly veiled gossip about his friends, and they never forgave him for it. (I also didn’t recognize “Ann Hopkins” in the story as Ann Woodward; I hadn’t known until the television series that he was involved in her story. I primarily knew about her from reading The Two Mrs. Grenvilles and articles in Vanity Fair, and I actually thought, when reading that book, that it was based on the Reynolds tobacco heir murder that Robert Wilder based his book Written on the Wind on; it wasn’t until later that I learned about the Woodward incident) so I thought, well, it was an entertaining if confusing read.

It was kind of like listening to two strangers talk in a Starbucks and gossip about people you don’t know; entertaining but nothing serious, not really a story of any kind, and I didn’t at the time see how it would all fit into a novel as a chapter in the first place. What purpose to the overall story did this nasty gossip play? Why was it necessary for Ina to share these stories at this particular lunch (and don’t get me started on White Duchess and Black Duchess)? Were these people she was talking about important to the book as a whole? It was hard for me to tell, and I put it away, thinking at the time probably a good thing he never finished the book.

Watching the show about fallout from the story’s publication, I decided to read the story again.

And I still question why Esquire chose to publish it, as well as why Capote thought this chapter was the one to send them. Capote was a genius, of course, and after In Cold Blood was one of the biggest names in American literature (he truly invented the true crime genre); of course they are going to publish whatever he sent them, no matter how bad it was. It wasn’t promoted as a story, after all, it was a novel excerpt.

What I’ve not been able to figure out from any of this is why he thought he could publish this without any fallout from his “swans.” I guess it went to the grave with Capote, who clearly didn’t–and I don’t think ever did–understand why they were so upset with him, which just astonishes me. (Someone once thought I based a character on her–I didn’t–and was very angry with me. I didn’t care, because I neither cared about the person nor her concerns, but I know how careful you have to be as a writer with these sorts of things.)

I wish I could say I liked it better on the reread. I did not. It’s still the same mess it was when I originally read over twenty years ago. It’s just a rich woman being bitchy to her gay friend she feels free to be bitchy about her friends with, and when you have no context (even knowing this time who the actual people were, and yes, he barely disguised them) about the women being discussed or anything about them…it’s just boring, gossip about people you don’t know and you don’t know enough to care about, so it’s just a bitchy little boring lunch. I don’t know what could come before that or after, as an author myself; had I been the fiction editor at Esquire I would have been pissed that was what he sent in, and I would have definitely taken a red pencil to it before I would have published it–and Esquire? Why did Esquire, a men’s lifestyle magazine, publish this when the right place would have been Vogue or Vanity Fair or even The New Yorker. None of it made sense then, none of it makes sense to me now; and if this is the best example we have of Answered Prayers, maybe it’s not such a bad thing that the manuscript–if it ever existed–disappeared.

Sorry, Truman, you were a great writer but this one was a swing-and-a-miss.

Hurts So Good

Ah, Monday morning back to work blog today. I have to leave early as I have a PT appointment at four today, but that’s okay. I also have to run errands, and I will already be uptown, which is terrific. (Mail and make a little groceries, for those who are unsure what I mean by errands.) I’m usually in a good mood when I finish PT (it’s the endorphins), so hopefully that will make running the errands in the cold a little easier. It should get up to the sixties by the time I leave the office today. Parades begin next weekend (not this coming one, but the next) and I am not even remotely in the slightest prepared to deal with all the aggravation, exhaustion and fun that comes from living inside the box1, as we call it here. While it does mean having easy access to parades and catching throws, it also makes navigating every day life incredibly difficult.

Sigh.

I feel very rested this morning, after a weekend spent feeling tired most of the time. I managed to do very little this weekend other than rest and cleaning and chores. Maybe the strength PT on Friday wore me out far more than I had originally suspected; after all, it’s the first taxing kind of exercise I’ve done in over a year. (I also have to leave work a little early today as well for a session later this afternoon.) I didn’t get much done this weekend, sadly, but I consider progress on the house to be progress of a kind at any rate. I also started reading Lina Chern’s Play the Fool, which I am enjoying; the voice is quite original and delightful. We also watched another episode of Lupin last night, which is also quite good.

I was struggling there for a moment to remember what precisely I did yesterday while Paul took calls and worked upstairs; I just remembered that I spent most of the day finishing the original BBC series of Brideshead Revisited. I can see why the show was so popular back when it originally aired and why it own so many Emmys–Americans have always thought British productions of anything to be vastly superior to anything produced here–and it did remind me a lot of Downtown Abbey, which also led me to wonder why Americans are so fascinated by the British upper class. I know I certainly used to be, but my lack of knowledge regarding Brideshead seemed like a missing cultural touchstone for me, and now that I’ve seen it–yes, I can see how influential it was. There would be no Downton without Brideshead, but the original is far less soapy than the later show….and of course, Upstairs Downstairs was truly the original Downton, a soapy show about a wealthy family’s ups and downs as well as their servants. I don’t imagine the occasional thoughts I would have while watching–deep criticisms of the class system and the disproportionate division of wealth in British society of the time; how it would have sucked to have been one of their servants–would have occurred to me had I watched when I was younger. I also felt that there was more to the relationship between Charles and Sebastian than mere friendship; which is another thing it has in common with Saltburn; an ambiguous love relationship between two men. I was also rather disappointed that Sebastian disappeared from the show about halfway through so it could focus on Charles and Julia, which I felt was giving Sebastian, whom the show really centered at first, very short shrift indeed. I will go ahead and read the book–my education in Evelyn Waugh was sorely neglected–but I feel that watching the series has given me enough grounding to explore Saltburn again through that experience.

It’s chilly again this morning but nothing terribly unbearable, thank the Lord. I do feel rather good this morning, and hope I can ride that feeling through the work day, into PT and making groceries again after work tonight. This is an actual full work week, of which there have been few for quite some time for me, so we’ll see how I feel when Friday rolls around again, shall we?

It’s been an interesting and slightly uneven January so far, bit of an up and down month, in all honesty. Life is always a rollercoaster, isn’t it? Ups and downs and never certain when the next curve or sudden drop is coming, all at great speeds that sometimes never give you a chance to catch your breath. There’s nothing life can give us that we can’t handle, as Scotty always says, it’s how you handle it that matters. I’ve always found that emotional responses or reactions are often counterproductive and exhausting, and if you can somehow switch the emotional component down or off or mute it so you can engage your logical brain and figure out how to handle it and what you need to do next to start the getting through it process might not be the absolute healthiest way to handle anything, but it has always worked for me and is why people always think I am so good in a crisis–I am very good at ignoring the macro while focusing on the micro. The problem with that, of course, is that you never go back and process the feelings and emotions; they’ve been securely buried for the moment and inevitably, that results in me thinking oh I don’t need to process that after all!

When in fact I really do need to.

That’s been happening a lot for me since the concurrent COVID pandemic/shutdown coupled with me turning sixty and eventually losing my mom. I’ve been thinking about things from my past a lot more than I ever allowed myself to, identifying the lessons I’ve taken from bad experiences and how I turned that into I don’t ever want to feel like this again s so I will never do that again which may not have been exactly healthy. I don’t think I’ve ever gotten over that sense of not belonging anywhere when I was a kid, which was partly being a gay kid (I didn’t know that specifically, but I also knew I was different from the other kids) as well as having some chemical issues in my brain (ADHD, anxiety, etc.), added to the sense of not belonging because I was from Alabama and living in Chicago. New Orleans was, in fact, the first place I’ve ever felt like I belonged, and that’s part of the reason I love it here so much. There wasn’t any single one thing to blame; I always thought it was this or that or the other, but rather the combination of everything that made my childhood so incredibly difficult for me (and pretty much my life until about thirty-three or so).

I think the real reason–I was asked this on the young adult panel this weekend–I write about teenagers is I am still trying to make sense of my own experiences. I also think that my past is also filled with very rich material for my writing. I learned that with both Bury Me in Shadows and #shedeservedit–writing about things that I have had trouble understanding in my own life fictionally has not only made my work better but also has helped me process things in a healthier way than I ever have before.

And on that note, I am heading into the spice mines. Have a lovely Monday, Constant Reader.

  1. “The box” means inside the parade route for Carnival; the box being formed by Canal, Napoleon, St. Charles and Tchoupitoulas. Once parades have started you cannot cross any of those streets, and yes, I live just inside the box on the St. Charles side of the rectangle. ↩︎

Say You’ll Stay Until Tomorrow

Sunday morning and we’ve survived yet another day of a heat advisory, which was miserable when I went out to get the mail and some cleaning supplies (I also got grocery store sushi for lunch, don’t you dare judge me). But I wasn’t out in it all the much, and I managed. I slept decently Friday night, woke up a few times, like always, but went to bed and slept in until seven thirty (!) before getting up and getting started on the day. I started doing a thorough cleaning of the laundry room and the kitchen in the morning (I needed more wet Swiffer pads, which was why I had to stop before running errands, and I needed other cleaning supplies as well, too), and rearranged the top of the dresser upstairs so there was room for more books, so I took my copies of the annotated Holmes up there along with some other enormous research books that don’t fit in my bookcases and had taken up residence on top of the microwave–which I then cleaned and moved the cookbooks to (because that’s where they belong, goddamnit), which pleased me inordinately. I miss Paul, of course, but the plan to keep myself busy so as to not get lonely seems to be working out so far.

Yesterday, I cleaned.

I even moved furniture and rearranged my workspace. I also discovered that I’d bought one of those Apple speaker things I can stream Spotify through, so I can have music playing while I do things–so no risk of being detoured by television or going down Youtube wormholes. I did baseboards, Constant Reader. I really need to get some Venetian blinds for this window over my desk, much as I loathe giving in finally to the loss of the crepe myrtles. The LSU blanket I tacked up in a rather pointless display of spite and vengeance that had absolutely no effect on anything other than to further enhance the “college apartment” essence we’ve apparently been going for these last few years needs to come down. I’m a grown-up, after all, and the days of using blankets for shades should have been gone years ago.

Talk about arrested development! And as usual, the only person affected by my spite is me, as always.

But it felt good to clean everything, to pick up the rugs and beat them outside, to actually sweep the floors beneath and then wash them before putting back the rugs; moving furniture to anchor the ones more prone to moving, wiping every surface down and even getting some work done in the living room, too, which was marvelous. I also discovered that I had already written a draft of the fifth chapter–I didn’t remember getting past Chapter Four (although I thought I’d already figured it out just not written it–pleasant surprise!). Also, after putting the new drafts of chapters three of four in the three ring binder for the book (because I do this for every book), I found a note scribbled on the last page of Chapter Four–something I had noticed when I was revising it, but didn’t think was a big deal–and now I need to go back and fix it. It’s minor, not a big deal, but if I don’t catch it and fix it now…I may not and whoops! Today I am going to work on the living room some and try to get some writing done. I want to revise Chapter Five, maybe finish this next draft of a short story, and maybe finish writing the first draft of another. I also need to sit down and plot out another one.

I may clean the ceiling fans. Madness. I also need to get lightbulbs, or find the ones we already have.

I also stretched yesterday and used the the back massage roller thingee, which felt great–as did the stretching. I need to stretch more regularly; seriously. It only takes about five minutes, feels great, and always gives me a jolt of energy whenever I do it. And it’s good for me and a healthy thing to do, so why do I never think about doing it? Or why do I think about it and then just shrug it off? Perhaps someday I will understand, but it’s doubtful at this point.

I slept really well again last night, waking up relatively early this morning, which is good as I plan on having a productive day. This morning I plan to do some more cleaning, read some more, and then write all afternoon if possible. My coffee is definitely hitting the spot this morning and tasting marvelous, and here’s hoping this motivation carries through the day, shall we?

I did finish watching The History of Sitcoms last night, which I did enjoy somewhat, I could probably write an entire entry dissecting the episode about class, and the success CBS had in the 1960’s essentially stereotyping the South and Southern people with shows like The Beverly Hillbillies, Green Acres, and Petticoat Junction, among others. But the first two shows (I watched Petticoat Junction growing up, but don’t remember anything about it; the other two I remember very clearly) were actually a lot more clever that critics of the time thought–they were dismissed as very lowbrow humor, but they said a lot about class and were also kind of stinging indictments of American capitalism, mythology, and the class strictures we faced as a nation. (It was interesting that these shows about rural Southern people never address race; Granny on The Beverly Hillbillies still believed the Civil War was still on-going–she was in denial about the loss, I guess; which is certainly problematic when seen through a more evolved and modern perspective.)

I plan on finishing the downstairs today–which means the ceiling fans, or at least trying to get them cleaned; I can only reach so far with my ladder (I should have bought a six foot instead of a five foot all those years ago) but I think I can reach the blades of the fans…or at least I can change out the lightbulbs that are blown out. Then I can spend the rest of this week keeping the downstairs under control as I start working on the upstairs.

I also read two more chilling Alfred Hitchcock Presents tales, this time from Stories That Scared Even Me, “Men Without Bones” by Gerald Kersh and “Not With a Bang” by Damon Knight. I enjoyed both stories, despite having no clue about either author (these old anthologies do not include author biographies in the back, which is a rather disappointing oversight). Kersh apparently wrote the book Night and the City and lots of short stories; Harlan Ellison considered him one of his favorite writers, and “Men Without Bones” was certainly a chilling story, about a man who boards a banana boat hoping desperately for passage back to the United States, who then tells of a chilling voyage deep into the jungle to look for proof of alien visitation years ago when mankind was still in its infancy (which was a very popular trope when I was a kid; Erich von Däniken’s work was selling hundreds of thousands of copies in multiple languages); there is a very dark twist at the end of the already dark story that was rather jolting. Damon Knight was a very popular science fiction writer of the post-war period; I’ve not heard of any of his novels (he was named a Grand Master by SFWA, which he helped found; he was also very prolific as a short story writer, and he wrote the story “To Serve Man,” which became one of the more famous episodes of the original Twilight Zone. One of the things I am enjoying most about reading these old anthologies is learning about great writers of the past who may not be as well-known today as they were in their time; it sometimes makes me wonder if forty years from now some gay mystery writer could be reading old anthologies from this time and discover me? “Not With a Bang” is a post-apocalyptic story about the last two humans left alive–a man and a woman–but the woman’s experiences and what she witnessed as the world came to an end has kind of fried her brain; she cannot really process what happened and it sent her back to a rather prim-like mental state from earlier in her life; she refuses to have sex with the only man left alive unless they are married–but they cannot be married as there’s no one left alive to perform the ceremony. It’s never very clear if the man is so anxious to fuck her because he wants to repopulate the world or if its sexual anxiety and frustration; but he’s not a very good person and he also has caught the post-nuclear plague that wiped out everything the bombs and the fallout didn’t get; one of the symptoms is essentially losing the ability to move or speak and falling into a coma-like state that can be reversed with medication he has stockpiled…but once she has agreed to marry him and we realize that he’s not just frustrated with her–he’s not a good person and he plans to abuse her and be dreadful to her…and chillingly thinks and she could have a daughter…before he goes into a bathroom and freezes into the coma…with the door shut behind him and he’s lost the ability to speak.

These old macabre tales with their eerie twists at the end are probably–I am seeing now–the biggest influences I ever had with my short story writing. I still try to end my stories with a surprising twist, and that has everything to do with reading these anthologies when I was a teenager, watching Night Gallery and reruns of The Twilight Zone (as well as the reboot in the 1980s, which aired one of my favorite episodes of television of all time; a teleplay based on Harlan Ellison’s brilliant story–one of my favorites of all time–“Paladin of the Lost Hour”); these were the same influences Stephen King counts. I also read the horror/suspense comics a lot as a kid, House of Secrets, House of Mystery, Tales from the Crypt and The Witching Hour, among others; there were also little digests for Ripley’s Believe It or Not and other macabre comic tales. Apparently, you’re never too old to remember influences or learn more about yourself.

And on that note, I am going to go spend some more time with Kelly J. Ford’s marvelous The Hunt, and I will check in with you again later, Constant Reader. Have a lovely Sunday!

Tonite

Getting back to reality was very strange yesterday.

Obviously, I had work to do–I’d been out of the office for over a week and yes, my data entry and uploading and everything was way behind; but fortunately it was also Carnival time so we weren’t all that busy in the clinic during my absence. But it felt very strange being in the office again, like I hadn’t been there in years, which is of course patently absurd on its face. It only seems that way, and let’s face it, I’ve not been good with days and dates for quite some time now, if we’re going to be completely honest, which is something I am trying much harder at these days. Although honesty isn’t always the best policy (“oh what an adorable baby!” is always better than recoiling and saying “yikes!”, even if the second option is probably the most correct one), the truth is so much easier to keep track of–but then again, do you remember the truth? Our memories are colored by our perceptions and biases, and we often rewrite our memories to make ourselves look better than maybe we actually were at the time. I don’t quite trust my memories as absolute truths anymore.

I came home and did a few things, finished reading Abby Collette’s charming Body and Soul Food (more on that later), and then I basically sat in my chair thinking for the rest of the evening, until Paul took a break and we watched the final episode of the first season of Class. It’s so interesting, as the story-lines and characters are essentially the same as season one of Elité, but with enough tweaks and changes, some of them cultural, to make it very interesting. I also wound up going to bed early, which was kind of nice. I didn’t sleep great last night–I kept waking up, and often had trouble falling back asleep–and I know we’re going to be busy in the clinic today, too, which is going to be a challenge–so we’ll see how it goes. My fuse for the dryer is supposed to arrive today as well, so if it does and I am not too tired when I get home from the office, I may go ahead and attempt to see if I can get the dryer to work again. If it doesn’t, well, we’re going to have go get a new dryer to go along with the new refrigerator we’ll be getting once the festivals are over.

I just plan on trying to make it through today, really. Paul probably won’t be home until very late again tonight, and so I will inevitably end up in my chair to make a bed for Scooter, so I can use my cat-bed time to read and ice my toe and keep it elevated. It’s not nearly as swollen or painful as it was, and I did leave a message for my doctor yesterday to see if I should get it checked out; I thought about making an appointment but then decided to opt for the message route–mainly because the appointment times were really inconvenient, not soon, and so I figured meh, send a message through the app and see what happens. I hate being so indecisive, but what’s the point of seeing the doctor if I can’t get in to see him until next week? Worst case scenario is I haven’t heard back from him by tomorrow, at which point I’ll go ahead and take one of those appointments. I don’t feel like an emergency room is the best option–I could be there for hours, which I can’t afford to do right now–nor is an Urgent Care because they might need X-rays, and I don’t think you can get that done at an Urgent Care. And while it’s unpleasant, it’s certainly not still as unpleasant as it was when it first happened or while I was in Alabama, so at least it’s getting better? I don’t know, I am beginning to think maybe I am not handling this the right way. I don’t know. Adulting is hard.

Heavy heaving sigh.

I also am pretty confident that if I can get myself to start writing again, my world will settle back down and I’ll be able to get a better grasp on everything.

And on that note, I am heading into the spice mines. Have a lovely Tuesday, Constant Reader.

Messages

My God, my email inbox is completely out of control.

At one point in mid-January and before February I had it almost emptied; there was blank space at the bottom of the inbox for more emails to be viewed but there weren’t any. It was a glorious feeling, frankly, for the few weeks it lasted before everything went off the rails. I suspect now that I can get through it all even faster than I did back in mid-January, but it’s sooooooo daunting.

Yesterday I swung by Home Depot to buy the fuse I need for the dryer, which they don’t keep in stock. The helpful man in the Appliance Accessories aisle told me of one place I may be able to find it in stock, and so I called them (and Lowe’s) from the parking lot and found that neither do, so I went ahead and ordered it on-line and it should be here Tuesday. The suspense, right? Will we need a new dryer, or will Greg somehow be able to repair the one they already have? There will undoubtedly be an update on this fascinating case on Wednesday; in which we either have a working dryer or have gone ahead and ordered a new one. Sigh. I also swung by the mail and the Fresh Market; I am going to have to actually venture into the grocery store at some point this weekend (Sunday morning most likely) because I also woke up to an email that my grocery order was canceled due to the system at the store being down this morning; it was originally postponed from yesterday to today, so I think the system has been having problems for a hot moment already; although I do suppose I could order them from the store on the West Bank, which means I could stop at Sonic on the way home and…it really takes so little to make me happy.

I finally booked my flights for San Diego Bouchercon! So my two trips for the year–Malice Domestic and Bouchercon–are all booked and ready for me to travel. I also need to do some more organizing and filing this morning, too–I also have to put the dishes away and do another load of laundry, and I really should work on cleaning up around here. My toe was worse yesterday than it’s been in a while, but this morning the swelling seems to have gone back down and while it’s still painful, it’s not throbbing the way it was last night, which was very painful. Adding message doctor tomorrow on medical app to the to-do list. We also watched two more episodes of Class last night, which differs from Elité enough to make it something new, but it’s funny how the personalities of the actors affect the characters. While many of the storylines are the same, the season of this Indian version is a few episodes shorter, so some of the emphasis on secondary storylines isn’t there as much as in the Spanish. But I want to finish it because Outer Banks’ third season dropped last night, and it looks completely insane and over-the-top, which is wild because the entire run of the show has been insane and over-the-top; I’m really glad it hasn’t been one of those Netflix shows that get orphaned after an amazing first season (so many I couldn’t even begin to name them all). So, today I think I am going to spend some time in my easy chair with my toe elevated and an icepack on it. I want to finish reading Body and Soul Food so I can move on to another book in the TBR pile–there are so damned many, Jesus Lord God–and I do want to keep my reading habit satisfied. I’m been struggling not to buy more books–it’s so damned tempting, especially when you have books out there by favorite authors just begging to be bought–and I also need to start writing thank you cards to everyone for their kindnesses these last few weeks.

And of course, there’s that horrible inbox. But if I start answering and saving my answers as drafts this weekend, I can maybe have the entire thing cleaned and cleared out by Monday afternoon? Perchance to dream….

And then of course I am very behind on writing everything I should be writing, but have had little to no desire to even look at anything these last few weeks. I’ve always felt writer’s block had more to do with depression than anything else; an endlessly revolving cycle in which you get depressed about not writing and then can’t and that renews the depression. I do think I need to start writing something for myself about Mom–if for no other reason than to keep the memories fresh–and I do think that could break the logjam in my brain and get me writing again.

And on that note, I am going to make some more coffee and repair to the chair with the icepack and the book. Have a lovely Saturday, Constant Reader, and I will check back in with you again later.

Red Frame/White Light

AH, the first day of the week that doesn’t have a name–after Lundi Gras, Mardi Gras, and Ash Wednesday, just plain Thursday seems a bit on the dull side. Today is the last day before I return to work; and yes, I am working at home tomorrow, in case you were wondering–but I do have to run by the office at some point to pick up some more of my work at home work. I figure tomorrow morning I’ll get up, bang out my blog entry, and then work until I am caught up before taking this work back into the office and picking up more work. Yesterday was a stunningly beautiful day for running the errands I needed to get done–CVS, mail, making groceries–the high was in the eighties and it was sunny as fuck; the low being only 63. I continue to make my way out from the emotional devastation and move toward an uneasy and unwilling acceptance. The world keeps turning, after all, and much as I would love nothing more than the self-indulgence of wallowing in self-pity, I have things due and things to do and books to write and books to read and errands to run and a life to maintain. I need to get my life together and make plans. I need to get back into shape by taking exercise more regularly and I need to take better care of myself. A lot has happened in the world since everything around me turned upside down; things I ordinarily would have taken some kind of stance on or said something about–like all the nastiness about how Madonna looked at the Grammys, or the Palestine East train disaster, or Marjorie Traitor Green’s call for secession (because it worked out so well for the conservatives the last time they tried to leave the Union). In some ways it was kind of nice to have something that crowded out all the rest of the noise in the world; being caught up in my own stuff enabled me to dismiss Traitor Green’s idiocy as precisely what it was–her pathetic need for attention and validation from people equally stupid as she is and from the media because that’s what she is all about; attention and grifting. While there are criticisms that can be leveled at Madonna, trashing her appearance is reductive and misogynistic. I would have preferred Madonna to age gracefully and not have any work done, personally–what a message of solidarity about the misogyny of agism she could have sent by staying natural–but it’s her body, her face and her decision. She would be criticized for aging naturally (“MADONNA LETS HERSELF GO is what they would report, with lots of bold type and exclamation points) or for gaining weight (remember the breathless reporting about Elizabeth Taylor’s weight?); so why not let her do what she wants to do and what makes her feel good about herself? If you want to be horrified by how she looks, why not use that as a way to extrapolate out into a broader commentary about what our society and culture does to women in the public eye?

But that would require intelligence and work, and why do anything hard when it’s easier to get clicks by being shallow and horrible?

Yay for freedom of the press!

Anyway.

I allowed myself to sleep late again this morning–it’s kind of sad what I consider “sleeping late” these days–but it was another good night’s sleep, which I am grateful for. I did run errands yesterday, which was necessary, and then when I got home I started working on cleaning the apartment: laundry, dishes, etc. After awhile of that, I curled up for a few hours with Tara Laskowski’s marvelous One Night Gone, which I am greatly enjoying, and then I made dinner last night before watching a few more episodes of Class, which we should finish soon–since Outer Banks‘ third season is dropping tonight or tomorrow. Today is the last day of this bereavement leave, which I did need–there was simply no way I could have returned to work on Monday, seriously–and I am not even sure this coming Monday’s return to the office will be okay. But I can’t stay out forever, but I am also forcing myself to use this time to rest and relax. My toe is still throbbing a bit this morning, but I am going to rewrap it in a little while and of course it’s going to be elevated and iced and all that jazz. I do find that I am still short of temper and easily irritated; I seriously snapped at Paul yesterday which was completely unnecessary. I guess I am still dealing with it on some interior levels below the consciousness. It did occur to me yesterday that one thing I should do, or try to, is write a long essay about my mother. Not for publication, of course, or even for posting on here (the further we get away from the funeral, the more uncertain I am growing that I should have even brought it up here at all in the first place). That might help, I think.

And it might get me writing again. I do have that short story I need to be working on (although an alternative story occurred to me last night–one that would need some revisions, but could work; I just need to dig it out and reread it), and I do want go get all this filing done today before working tomorrow at home. I also need to investigate my dryer situation and see if it is, indeed, something I can potentially repair myself–it would be marvelous to not have to buy a new dryer–but that will require me to spend some time on researching it on-line, which I can do as long as I don’t bother getting sidetracked or distracted by some other shining object in the meantime. I think I am going to spend some more time reading my book this morning before moving on to filing and dishes. I also need to trim some books that I can take to the library sale this weekend, and of course, I need to start revising and editing the manuscripts.

Life goes on, the world keeps turning, and tax liabilities continue to accrue, so I am heading into the spice mines. May you have a marvelous Thursday, Constant Reader, and I will check in with you tomorrow.

Electricity

Ash Wednesday and the party is over for another year. It feels a bit weird to have not gone to a single parade and have missed out on all the festivities, but I will always remember 2023 as the Carnival when Mom died.

I allowed myself to sleep in this morning. I’m still out of the office on leave, which is nice. I am getting better but am still a bit shaky, if truth be told, and so these extra days to kind of get my act together before going back to work are going to be a bit nice. I did manage to get some things done yesterday. I had a Facebook page takeover promo thing to do, which turned out to be a lot of fun–it was a very nice group, and I have to say, the cozy audience (writers and readers both) are amazing. They are welcoming and friendly and inclusive and supportive and I have to say, this entire experience has been really marvelous. While I was doing that I was cleaning out my inbox and working on filing and organizing. This morning the kitchen/office looks much better than it has since this whole business with Mom started; today I plan to do some more. I also need to make a minor grocery run (probably will go to Fresh Market today) and will order for pick-up on Friday to do the bigger stuff (mainly because they’ll have restocked after the Carnival madness by then). I also need to start working on the books again, and I still have that short story to write, and there’s of course all those emails in my inbox (yesterday I was just basically deleting the junk). I was still exhausted for the most part yesterday still, so focusing wasn’t easy, so I spent most of the day watching documentaries about history on Youtube and making Scooter happy by giving him a lap to sleep in. We also started watching Class last night on Netflix, which is basically an Indian remake of Elité, which makes it kind of fun. The actors are all young, pretty and talented; the show seems a bit less glossy and a lot grittier in this version–can an American version be far behind? (I suppose Gossip Girl would qualify, but it’s not in the same league and the reboot is terrible to the point of being embarrassing.) Class also moves faster than Elité; we discover the identity of the first season’s murder victim at the end of episode 2, whereas in Elité we didn’t know it was Marina until halfway through the season–I also think this version’s seasons are shorter. But it’s fun to watch, even though we know what’s going to happen, just seeing how they did the adaptation and how they had to change things because it’s now set in Delhi, India rather than Spain.

My toe is less swollen, less red, and less painful this morning as well. I am beginning to suspect it’s psoriatic arthritis, but I am going to send a message to my doctor about it through the phone app. I also need to buy more wrap for it; I don’t know where the wrap I bought before the trip disappeared to; I may have left it in the hotel room (note to self: never buy black tape again) since I can’t seem to put my hands on it around here. I can swing by CVS on the way to get the mail to buy more, but it’s not cheap and it’s very irritating to have lost the rest of the roll. Now, the toe is just annoying and irritating, but I need to get to the bottom of what happened to it in the first place.

It does feel weird and somewhat disrespectful to pick up the reins of my life again and start moving forward. What is an appropriate period for mourning in modern times? I don’t think I’ll ever stop mourning, to be honest; it’s just something else you have to learn to live with and never get over completely. I remind myself regularly that this isn’t unique to me–I am hardly the first person to lose their mother, nor am I the last–and that really, I was pretty lucky that I had my mom for sixty-two years and I still have my father. I am still processing this, and probably will for a while. It’s very weird that it takes something like this to give you clarity on a lot of things, or insights that should have been fairly obvious all along but never crossed my mind because there wasn’t a reason to even think about it; they just were, you know, and why question these things or think about them? It also forced me to look back at my life (which I don’t like to do, but have been doing more and more since I turned sixty and the realization that the sands in my hourglass are almost finished running through), and realize that sometimes it’s not necessarily a bad thing to look back. The interest in the past that I’ve always had but never extended to my own has now been triggered, and I suspect more and more of my future work is going to be somehow tied to the past–either being set there or things in the past are affecting things in the present. I also need to assess where I am with regards to my plans for the year; I didn’t really have plans–more of an amorphous this is what I’d like to write for this year thing than anything else–especially since I never really make writing plans because they inevitably are changed or have to change and I am very resistant to change (not sure why that is, my entire life has always been about changing), but I do have a vague idea of how I want the rest of the year to play out writing-wise. I also have to start being more restrictive of my traveling because I am going to start needing to go to Kentucky more often every year (yay for audiobooks!) or at least meeting my dad in Alabama to visit Mom (Alabama is much easier than Kentucky for me, obviously).

So, today is catch-up day; finishing laundry and dishes and chores, running errands, organizing and filing, maybe doing some reading (I am really enjoying One Night Gone by Tara Laskowski), and I also need to start trying to figure out how to fix the dryer, or if I even can. Paul was kind of adamant about not buying a new one at first, but as this has gone on for weeks (I’ve been gone the last three weekends) he is getting more and more resigning to buying a new one. So on the to-do list I am going to update after I post this will go figure out if I can fix the dryer myself. I don’t have to work in the office on Friday, but I do need to swing by there to pick up some more work, and there’s a Lowe’s out by the office I can swing by the see if they have the fuse I may need (I may just need to unplug it and vacuum out the lint thing; it’s the simplest solution and definitely worth a try). I also need to order a Bluetooth keyboard for the laptop; the one I am using now is battery operated and of course, the batteries are always dead when I need to use it, so I need to get one that is rechargeable.

But I feel good and rested and at peace this morning, so I am going to focus on that and get moving. Have a lovely rest of your day, Constant Reader, and I will check in which you again later.

Every Woman in the World

Our power went out for nearly two hours last night–we were watching The Housewife and the Hustler, the damning ABC News documentary focusing on the crimes of celebrity lawyer Tom Girardi and his spouse, Real Housewives of Beverly Hills cast member Erica Girardi (whose alter-ego is entertainer Erika Jayne, who has had some hits on the dance charts)–and while it was out, I fell asleep in my chair and when it came back on, I was too drowsy and tired to write last night. I had done about two or three hundred words before we started watching the documentary, and was really looking forward to making some more progress on the novella last night. Alas, it was not to be–and I have yet to check the progress of the tropical depression in the Bay of Campeche, which is aiming directly for us and would arrive at some point over the weekend. (note to self: fill car’s gas tank TODAY)

UPDATE: I just checked. Strong possibility it will form into Hurricane Claudette, but the primary threat appears to be heavy rainfall over the weekend as it comes ashore. Sort of relief, not really. What it does mean is errands must be run and completed before the weekend; we could lose power at some point; and probably at least being housebound with the car at risk of being flooded (and ruined) if the street floods.

Oh, well, I’ll worry about that tomorrow.

I had weird restless dreams last night–nightmares, actually–so I am not as well rested as I could be this morning. I also made it to the gym last night, so my muscles are a bit achy and tired this morning. But I am not sorry I went to the gym–and believe me, I had to make myself go–but I could do without the groggy tiredness this morning. I have a lot to get done today and very little desire to do any of it; but am also up way earlier than I usually am on a Thursday so hopefully that will translate into a lovely night’s sleep tonight.

I can dream, at any rate.

Any way, as I walked home last night from the gym, sweating sweating sweating, I continued the Instagram experiment, which is actually going fairly well. I did worry about it a bit last night–thinking to myself you don’t want to get addicted to likes and so forth, and allow your obsessive personality to take over here–but at the same time, if I can subversively slip some promo in, why not? I also love taking pictures–I have literally tens of thousands of picture files saved in various digital storage locations, and since I am never going to ever be a professional photographer, why not share the with the world? At least the good ones? And I do live in a very picturesque area in an incredibly beautiful city. Last night, for example, I took a picture of a house that I used in The Orion Mask; the house in New Orleans my main character, Heath, inherited from his mother the painter–who died from a gunshot wound when he was a toddler; the story being it was self-inflicted–and the actual house was merely a starting place. I loved this house in my neighborhood; still do, it’s one of my favorite houses in the city, actually, but I changed and made alterations to it. I needed the gallery to run all the way around the house, on each side, rather than just in the front (like the original’s); and I have no idea what the house’s floor plan was. In the book I made the entire downstairs one big room, with the amazing ten foot windows and shutters on each side; so that when the shutters were all opened the downstairs would be flooded with light–and her studio was a corner of that room, figuring a painter would want lots of light and lots of windows for views and inspiration from the gorgeous colors of the vegetation in the city.

New Orleans really is a breathtakingly beautiful city.

It occurred to me though, as I was posting the picture of Heath’s inheritance, that I don’t ever really write about working class or poor people, at least in my books (and of course, now that I’ve written that, Heath was from a middle-class background and worked for an airline; the hero of Dark Tide was definitely working class/poor, and the main character in Timothy wasn’t exactly rolling in money either–before marrying the master of Spindrift, at any rate. Likewise, Tony in Sara wasn’t even middle class, either. Okay, maybe I shouldn’t be so rough on myself about issues of class) and I can’t help but think I should do that some more. I know that if I ever write Where the Boys Die (and I will; it’s really just a matter of time and when I will get to it; MUST FOCUS ON WRITING) it’s going to be set in a white-flight suburb and focus on families at various levels of the class system in this country; as would You’re No Good, should I ever get to that one as well.

So many ideas to write. Honest to God, I will never have the time to write them all, especially since my work ethic isn’t what it used to be–which is mainly from not having the energy I used to, in all honesty. I keep hoping that going to the gym regularly (if and when I ever get to the point where I have developed a routine that I can stick to) that there will be an increase in stamina and energy for me as I get back into better physical condition. I can dream, I guess.

All right, it’s nearly time for me to head back into the spice mines. Y’all have a great Thursday, okay?

Age of Consent

I slept late this morning–I didn’t even, as I inevitably do, wake up at five and fall back asleep, instead sleeping until almost eight thirty and then taking another fifteen minutes or so to acclimate myself to the idea of getting up. It wasn’t easy, as my entire body was still relaxed and the bed so accommodating and comfortable, but there was simply no way I could stay in be any longer. I have, as always, too much to do and get one today and as lovely as the thought of staying in bed for another couple of hours may have been, it was simply not to be. But the sleep felt marvelous; I don’t think I’ve slept so deeply in quite some time, to be honest, and while you may not be as fascinated as I am by my sleeping, I did feel it necessary to comment on such a good night’s sleep for a change.

I was talking to a friend recently about Lolita–I can’t remember how or why the subject even came up in the first place–butthat conversation put me in mind about how we as a society have changed when it comes to the sexualization of teenagers by adults. I recently watched a terrible show called A Teacher, about a woman in her twenties who teaches high school and ends up having an affair with one of her students, and how this basically ruins their lives on both sides. There has been a lot of that in Louisiana over the past decade–there were two teachers in Destrehan having affairs with male students, occasionally have three-ways with them a while back–and it seems like these kinds of scandals break down here all the time. Teenaged boys and older women have long been looked at societally as not the same thing as the reverse–inevitably triggering responses from adult men things like I wish I’d had some older woman to teach me a few things and so forth, that whole “boys will be boys” mentality that still pervades the culture and society to some degree. This is something I may write about at some point, because it interests and intrigues me–even if it is a bit of a third rail, a dangerous path to follow with lots of potential pitfalls along the way. Teenagers often confuse hormonal responses as love–the whole conflation of sex and love that usually most grow out of it at some point–and of course, teenage boys are easy to manipulate because of their hormones. I think the primary problem I had with A Teacher was I never understood the woman’s motivations; it never made sense to me that she would be so self-destructive; they tried tacking on some back story after the affair was exposed which involved a difficult relationship with her own father, but it didn’t work for me. I also think back to all of the “coming of age” fiction I read when I was a kid, and how inevitably such romances/relationships were always seen as positive things, or depicted that way; there was always some inexperienced teenaged boy falling for some beautiful older woman who inevitably will take his virginity–going back as far as Tea and Sympathy, where the woman did it to “cure” the boy of suspected homosexuality, through Summer of ’42 (I also read the book of this, which impacted me with its tale of loss and longing, and how thirty years after that summer the now adult man still remembers her with love and longing; it would not be depicted that way now) to Class, which really does not hold up well AT ALL. There was a few of these in the early 1980’s–I remember another one called My Tutor, where a wealthy man hires a beautiful woman to tutor his son, they have sex eventually and then the boy (played by Olivia Newton-John’s then husband, Matt Lattanzi, who was stunningly beautiful) finds out his father not only hired her to tutor him but to seduce him (“make a man out of him” is how it was put, how it was always put)–but for a very long time adult/teenager relationships like this were seen as no big deal, at least in films; but I also think it’s pretty safe to say that this was also true societally as well; a father would tend to be proud of his teenaged son for fucking a teacher, rather than being horrified and pressing charges….I think A Teacher missed a beat there, frankly; by having the main male character being raised by a single mom instead of a single dad or at least both parents (or one being even a step-parent) they miss the chance to really address this aspect of toxic masculinity; naturally a mother would think of her child as being molested, whereas a father….that would have been interesting.

It is something I am considering for a Scotty story; it’s all amorphous up there in my brain right now, but it’s slowly forming.

And of course, if the teenaged son was having an affair with an adult male, the father’s reaction would be vastly different than if the affair was with an adult woman.

Yesterday I watched the film version of Sarah Waters’ The Little Stranger, which wasn’t nearly as good as it could have been. The film came across as very cold, and also got off to a very slow start. It was enjoyable for the acting, which was top notch–and one can never go wrong casting Charlotte Rampling–and it was a beautifully done film; a very quiet British style ghost story (I really have been enjoying British ghost stories over the past few years, and now I want to read The Little Stranger, of which I have a copy somewhere), and the film has a very dream-like sense to it that is rather marvelous…but that same sensibility also keeps the viewer at a slight distance, which results in the viewer not getting emotionally invested in the characters or the story. (At least, that’s my takeaway from it.) It also put me in mind of Sarah Waters, who is an enormously talented, award-winning British lesbian writer. I reviewed her first novel, Tipping the Velvet, years ago when I still a reviewer, and was blown away by it completely. At some point since then I stopped reading her–not sure why, and I don’t think it was a conscious choice, to be completely honest; I think she somehow just fell off my radar–but watching this film reminded me of what great writer she is, and perhaps I should go back and read her entire canon, including rereads of the first couple of books–I believe her second novel was Affinity–but…as always, time stands in my way.

I also was thinking of revisiting some Agatha Christie; Catriona McPherson posted on Facebook the other day about a talk she is giving for a public library (I believe in South Carolina?) about Nancy Drew and Agatha Christie, which put me in mind of Christie again–sending me own a rabbit hole of memories of her novels–in particular my personal favorite of hers, Endless Night–and how I came to read Agatha Christie in the first place. (I picked up a copy of Witness for the Prosecution off the wire paperback racks at Zayre’s; I knew it had been a movie and I knew who Christie was, but had never read her and was beginning to transition from kids’ mysteries to adults. I also didn’t catch the smaller font words beneath the title reading and other stories; I thought it was a novel and was most startled to discover it wasn’t. So the first adult mysteries I read were Christie short stories, which blew me away. The first actual Christie novel I read was The Clocks–after which I was hooked. Remembering this made me also remember the great mass market paperback publishers of the day: Dell, Pocket Books, and Fawcett Crest. Almost every paperback I read as a teenager was from one of them, and I do remember those publishers very fondly.) I have some Christies here in the Lost Apartment,–I was thinking of rereading either A Caribbean Mystery or Nemesis. I always, for some reason, preferred Miss Marple to Poirot; still do, to this very day. I read the first few paragraphs of Nemesis last night, and was, as always, entranced. So perhaps for this weekend I shall reread Nemesis and some short stories, around working on the book.

Because I absolutely, positively, must work on the book.

And on that note tis back to the spice mines with me. Have a lovely Saturday, Constant Reader, and don’t forget there are panel discussions for Saints and Sinners up on the Tennessee Williams Festival’s Youtube channel.

This Time of Night

It rained pretty much all day yesterday; it was grim and gray until the sun went down. It continued to drizzle overnight, and it’s gray and cold and wet outside this morning. When I first woke up (I stayed in bed for at least another hour) it was still raining; I could hear it pelting the windows, which were also rattling with the wind. But now I am awake, Scooter has received his morning insulin shot, and I am sitting down at my computer with my first cup of coffee sort of ready to face this blustery day. I managed to get a lot done yesterday–I even worked on the book last night!–and then we got caught up on both Servant and The Stand. I have to say, I had high hopes for this remake/reboot/whatever-want-to-call-it of The Stand; it’s long been one of my favorite Stephen King novels, if not the absolute favorite, and I greatly enjoyed the original television miniseries from the early 1990’s, even if it was flawed. This version? I give them props for telling the story in a completely different, non-linear way, and the casting was very well thought out. But…I suddenly had some misgivings about the plot, the story, and how it was being depicted on the screen; “New Las Vegas”, in both book and both adaptations, was supposedly a new wicked city, on the lines of the great Biblical cities of sin like Sodom, Gomorrah, and Babylon the Great; and as I watched the so-called debauchery of this new edition of the Biblical cities of sin, I began thinking about the queers, and how we are completely missing from this narrative; also, about how “sinful debauchery” was being depicted on the screen.

And it didn’t really sit well with me, to be completely honest. There’s I think maybe one more episode left, and we’ll watch as we are completists; we generally don’t finish things that we don’t like but if we don’t absolutely hate something or think it’s completely terrible, we tend to finish watching. Servant is far superior; dark and demented and twisted, and getting even worse with each successive episode as Lauren Ambrose’s descent into madness grows worse and worse with each episode, and her brother and husband’s consistent enabling of her demented fantasies “to protect her from a truth she cannot handle”–well, good intentions and all that, you know. It’s fascinating to watch, frankly; just when we think it can’t get any more insane it laughs in our faces and yells, “Watch this, bitches!” Really, it’s quite extraordinary.

As I sat in my easy chair watching the LSU-Auburn gymnastics meet (before we moved on to our shows) I found myself writing notes for not just “The Rosary of Broken Promises” but for “To Sacrifice a Pawn” and “Never Kiss a Stranger” last night. It dawned on me during the uneven parallel bars performances by LSU that the primary problem I’ve had with “Never Kiss a Stranger” when writing it was because I was starting the story in the wrong place; my main character has just retired from the military after twenty years of service–he was tipped off that he was most likely going to be caught up in the next “gay sweep” before ‘don’t ask don’t tell” takes effect, so he filed the papers and got out. With nowhere really to go to start his life anew, he comes to New Orleans (around 1994/1995) and as he starts living as an our gay man, he rents an apartment from a widow whose only child died of AIDS the year before, begins coming to terms with who he is and what he wants from life while working as a barback at Oz, and meets a young man he begins to have feelings for…but he can also feel the presence of his landlady’s dead son in his apartment, and there’s a serial killer in New Orleans praying on gay men, the city itself is crumbling and decaying and dying, and how I want to pull all those separate threads together. Obviously, it’s fairly complicated, but I was starting the story with him arriving in New Orleans on a Greyhound bus and renting a room at the Lee Circle YMCA and looking for a place to live….and it dawned on me last night that that is all backstory, and the story should open with him finding the apartment and renting it….and then voluminous notes followed before I jumped into the other two stories. So I am feeling creative and getting stuff finished on that level; which is very cool and pleases me. Today I have some errands to run, some cleaning to do and as always, of course there is writing to be done because there is always writing to be done. But if I can get these next chapters done that I want to get done today, I can have an easier day tomorrow doing edits on the hard copies of the finished chapters and plan what else needs to be done this week. I am taking Lundi Gras off, so next weekend will be a lovely four day weekend following two work-at-home days, which will be really nice–and should help me get very much further on this book being completed. Huzzah!

Yesterday while I was making condom packs I decided to view my first film in what I call the 80’s Teen-sploitation Film Fest. I’ve always thought there were a clearly delineated line between movies directed for a younger audience prior to the 1980’s and those that came after; I, as always, have an uneducated film student type theory that has probably already been deeply explored, debunked, and argued about endlessly. My theory is that the one-two punch of Porky’s and Fast Times at Ridgemont High forever changed the face or youth movies; Porky’s was all about the raunchy teen sex comedy, all about sex-crazed teen boys; Ridgemont High showed that girls were just as obsessed/concerned about sex as the boys, and the idea that breaking the rules for kids–drinking, having sex, experimenting with drugs–required punishment of some sort–they needed to suffer for the experimentation, was kind of thrown out the window (although slasher films targeted at the youth market were also on the rise during this time; and as was pointed out so brilliantly in the Scream movies–the victims often were being punished for breaking the rules; another interesting theorem branching off from the original). So, I decided to revisit a film I saw in the theater and actually enjoyed at the time–and did also on subsequent viewings on cable: Class.

Reader, it does not hold up at all–if it ever did, frankly; the misogyny is so deeply embedded in this film that it’s hard to imagine there being anything left if the misogyny is removed. Class is really two movies combined into one: a coming of age movie about a young scholarship student who bonds with his wealthy roommate, which is kind of a sex comedy; and a deeply tragic story about the wealthy student’s mother. The always exquisite Jacqueline Bisset plays the mother opposite Cliff Robertson as her austere and cold husband–there was a lot of story there the screenwriters sadly chose to ignore at the expense of the teen sex comedy they were aiming for. The result is the movie doesn’t really work, and Bisset’s character, Ellen, never really makes any sense other than “oh she has psychological problems, takes drugs and drinks too much.” This is basically shrugged off like it’s nothing, nor is the damage this bad marriage has inflicted on their son ever explored or thought about or even discussed. The son is played by a young and incredibly beautiful Rob Lowe; the scholarship student is played by Andrew McCarthy in his debut film. The friendship between the two is the core of the movie; but even it never makes sense. Rob plays Skip–extroverted, beautiful, young, and rich– as an immensely likable asshole with an over-the-top sense of humor. There are some funny scenes, but the core of the movie is based in the hormone-riddled sex fever dreams of teenaged boys who drink and smoke pot and try to get laid and spend most of their time figuring out ways around the rules and partying. There are some funny moments–but for the most part the movie can’t make up its mind as to whether its supposed to be comedy or drama. One of the fun things about the movie is seeing any number of young stars of the future in small roles–John Cusack, Joan Cusack, Virginia Madsen, and Casey Siezmansko all are in the movie, as well as it being McCarthy’s debut and an early film in the Lowe canon. The retread plot, which has Jonathon (McCarthy) going to a bar in Chicago (sent by Skip) to try to get laid, being humiliated by a woman who also looked familiar, and then finally Ellen (Bisset) taking pity on him and seducing him, beginning an affair in which he meets her in Chicago every weekend. She of course doesn’t know he’s a high school student; even as young as he looks, one would assume a man you meet in a bar would be over eighteen–and it’s on a trip to New York for the weekend that his wallet falls open while he’s trying on close and she sees his student ID. She flees, and that’s the end of the affair. Later, when Skip brings Jonathon home with him, he discovers he’s been sleeping with his best friend’s mother–and then it turns truly tragic. Ellen is for some reason now obsessed with Jonathon, calling him all the time at school and begging him to meet her until he finally agrees–and of course, Skip and his buddies crash the hotel where they have gotten a room (somehow finding out their room number) and bust in on them. The rest of the movie has Skip choosing not to reveal a secret of Jonathon’s about cheating on the SAT, the two of them getting into a brutal fist fight–and once it’s over, they are friends again. Roll credits.

It is only recently that we as a society have begun to view the older woman/teenage boy sexual dynamic as abusive rather than as a fantasy; there were a rash of these type films in the early 1980’s (another that comes to mind is My Tutor, with gorgeous Matt Lattanzi being seduced by a beautiful woman hired by his father to tutor him–sexually as well as academically, and Weird Science also had the same premise–but I don’t think the boys ever had sex with their creation) which was part of the weird “boys are studs/girls are sluts” mentality that has been so pervasive in our society for so long–I’ve never seen it, but I also believe Tea and Sympathy falls into this category, as does Summer of ’42–and as I said, it is only recently, with several high profile cases, that we as a society have begun to look a little askance at this idea (we came to the conclusion that older men/teenaged girls was abuse much, much sooner). I hated A Teacher as we watched it, but now…having seen Class again and remembering these other films, which portray these kinds of relationships as something to be desired…I might have to rethink my opinion of how heavy-handed A Teacher was in its “this is a LESSON we all need to learn” stridency. There have been a score of these types of court cases in Louisiana–the Destrehan one where two young female teachers were fucking a student comes to mind–and it’s something I would really like to explore in a book sometime.

And on that note, tis time for me to head back into the spice mines. So much to do, so much to get done….and so little time in which to do it all. Have a lovely Saturday, Constant Reader!