Someone really needs to do one of those music-themed crime anthologies built around either big band music, or the music of the Andrews Sisters; and In the Mood would be a great title for it, wouldn’t it? Don’t @ me, I’m not interesting in doing another anthology, thank you very much, praise Jesus and hope the creek don’t rise.
I was right; I got very mentally fatigued yesterday afternoon, and last night after we finished watching the second season of Euphoria, I was basically falling asleep in my chair. I’d swear we watched something else, too; oh yes, a stand-up comic special on Netflix, but I can’t remember the name of the comedian. I feel much more awake and alive today, which is a very good thing. I also feel a little bit behind this morning, and I am–not sure what that is about, but I am a bit off, too, I think, which is weird. But I enjoyed finishing the show–not sure if it’s coming back again or not, but the second season finale definitely wrapped everything up, so if it doesn’t the stories are pretty much finished for the most part. Zendaya was terrific–the whole cast, really; Paul and I were amused that the most level, centered and likable character on the show was Fez the drug dealer. Jacob Elordi is also memorable as sociopath Nate–casting beautiful people as monsters is genius, really.
I also didn’t write yesterday–the brain fatigue thing again, but at least this time it wasn’t the fog, you know? I do think I am starting to get back to normal, or what passes for it at any rate. It’s normal to be tired after not sleeping well. It’s normal to feel off after finally getting a good night’s sleep again. I was very tired when I got home, wasn’t I? I have some errands to run tonight, too–and tomorrow I am taking workout clothes for me to change into at work so I can go to the gym afterwards, see if this theory of changing at work and going directly there afterwards will work–we shall see, shan’t we?
One thing that I’ve been doing lately is submersing myself in the music of the 1970s, to help get myself more into the right space to write this book when I am ready to get started on it, and frankly, Top Forty music of the period–with a few exceptions–was awful and cheesy and terrible. So many novelty songs (“The Streak” by Ray Stevens jumps to mind, and there were so many others), so much cheese (Tony Orlando & Dawn, and so many other offenders), and some frankly terrible recordings surrounding the few gems that I don’t know how I listened to it growing up. But we did; both my sister and I always had our radios tuned into either WLS or WCFL for hours every day. I am trying to get the prologue to this finished this week, as well as revising another short story whose deadline is this weekend, and still really trying to get everything organized and sorted. I put some short story anthology call deadlines on my calendar yesterday, which was a nice start to get better organized, and I think, besides this book I want to finish, I am going to spend a lot of this summer trying to do more short stories. I also want to get the introduction to the short story collection finished by Monday, and a first chapter of the new Scotty done.
But my immersion in music of the early 1970’s–and other pop culture aspects of the time; television was also mostly garbage back then, too; thanks censors–also led me back around to listen to the eponymous first album by Boston in the car over the last two years, and it still holds up. It’s quite excellent, although I suppose it would be considered excessive nowadays; as rock music pushed boundaries in that decade and became more orchestral, especially in the second half of the decade. There’s not a song on that album that’s not a bop (in modern parlance), and it also put me in mind of other favorite albums from throughout my life–and making a list of them. I’ve always had a soundtrack album for my life, and revisiting music always brings back a lot of memories. Listening to the Billboard Top 100 of 1973 (awful as it was) made me remember other things–like Romper Room, Captain Kangaroo, Bozo’s Circus, and Ray Raynor’s show; the Saturday morning cartoons; and the horrible variety shows that were everywhere back then and finally died out in the early 1980’s. I really want this book to be good, and I’m going to have to go to a very dark place to write this book, too, and make it as real as possible…which is why I am immersing myself in the early 1970s. I am also reminding myself I can change things in the suburb to fit my writing needs; it doesn’t have to be exact, just as Bury Me in Shadows didn’t have to be correct about the homeplace. (My mind can be very annoying at times.)
But I feel good this morning, both mentally and physically. After work tonight I need to get the mail and make some groceries (not much, just a replace some things run) and then it’s home to write, possibly make dinner, and finish some chores. I am going to head into the spice mines now, so have a lovely Wednesday, Constant Reader, and I will be back probably later.
Despite everything that is wrong with Alabama culturally, societally, spiritually, and politically, I’m not ashamed of being from there (and never will be). I do shake my head with every new law passage or court ruling there that flies in the face of decency and the Constitution, because it is sad that the majority of people there are not only so lost spiritually and intellectually, but also defiantly cling to their backwardness. My part of the state, where my people are from, used to be very remote and rural; many native Alabamians, when I tell them where I’m from, are often confused, having never heard of it before. It isn’t on any interstate, rooming options are limited, and you really have to drive for about an hour from the nearest interstate to get there. It’s not quite as remote as it used to be; many of the roads that were dirt and/or gravel when I was a kid are paved now…but there are still plenty of unpaved roads up there in the hills and along the countryside. It’s very different there now, too–the country stores are all gone, and there’s definitely a lot more McMansions than there ever was when I was a kid. (Dad and I often marvel at the palatial homes we come across driving around the county, as Dad shows me places from his childhood and when he and Mom were first married.)
And it’s not cheap to buy property there, either, which was also a bit of a surprise.
Dark Tide was my first attempt to deal with my history and where I am from, but was cowardly in the end and wound up editing most of the backstory of my main character out. It didn’t really fit and made the book something different from what I was trying to do with the book, but as I edited it all out I also felt that I was being a bit cowardly. I knew I was going to have to deal with the troubled history (and present) of the county and state, so I wrote Bury Me in Shadows to not only try to get a better understanding of the area, but to deal with that troubled past. It wasn’t easy–I often found myself cutting things to a bare minimum in a stupid attempt to not give offense, and there were many times while writing it when I’d wince or skip a scene because I wasn’t sure how to word it properly without being preachy. I wanted to show through the story how refusing to face the past with a realistic and jaundiced eye can cause generational trauma and how that, in turn, perpetuates societal racism and homophobia in an endless cycle that strangles growth.
But writing that book also took me down a research wormhole that I’ve never really climbed back out of, and being there last weekend also reawakened some memories as well as creativity and potential future stories. (Dad and I found a really sad set of graves in the same cemetery as my maternal grandparents and uncle; parents and two small children –one was only four months–who’d died on the same day. We speculated as to how that happened, tornado or car accident or house fire, but a distant relative my father also knew explained that the father killed them all and then himself…which naturally started churning things in my brain again.)
I also discovered, during the pandemic, a horrifying documentary called Alabama Snake, which focused on the snake handling churches of northeast Alabama and a minister who tried to kill his wife with snakes…and then discovered there was also a book about the culture from a reporter who’d covered the trial, and continued investigating and looking into the snake handling churches.
I finally read it last week.
The first time I went to a snake-handling service, nobody even took a snake out. This was in Scottsboro, Alabama, in March of 1992, at The Church of Jesus with Signs Following. I’d come to the church at the invitation of one of the members I’d met while covering the trial of their preacher, Rev. Glenn Summerford, who had been convicted and sentenced to ninety-nine years in prison for attempting to murder his wife with rattlesnakes.
The church was on a narrow blacktop called Woods Cove Road, not far from the Jackson County Hospital. I remember it was a cool evening. The sky was the color of apricots, and the moon had just risen, a thin, silver crescent. There weren’t any stars out yet.
After I crossed a set of railroad tracks past the hospital, I could see the lights of the church in the distance, but as I drew nearer I started to wonder if this was really a church at all. It was, in fact, a converted gas station and country store, with a fiberboard facade and a miniature steeple. The hand-painted sign spelled the preacher’s first name in three different ways: Glenn, Glen, and Glyn. A half dozen cars were parked out front, and even with the windows of my own car rolled up, I could feel the beat of the music.
It’s very difficult to think about Alabama without religion being involved in some way. Alabama is a very religious state, with churches everywhere–one of the things I always comment on whenever I am up there driving around with Dad is “there sure are a LOT of Churches of Christ up here”–you really can’t go anywhere without driving past at least two. Both of my grandmothers were devout (paternal family was Church of Christ; maternal Southern Baptist, although both my mom and uncle married into CoC and joined), but only the CoC was a fanatic with a Bible verse for everything and the uniquely American/Christian methodology of interpreting everything to justify her own behavior and conduct–which wasn’t actually very Christian (memorization doesn’t mean comprehension). I can remember driving around down there once with my grandmother–either in Alabama or the panhandle of Florida, where she wound up after retiring–and driving past a church (I won’t name it because she was wrong) and I said something and she sniffed in disgust. “They speak in tongues and take up serpents,” she replied. “Which is apostasy.”
Apostasy. What a marvelous word, and one that has always snaked its way through my brain, and comes up often whenever I talk about religion. But I digress; I will someday finish the essay in which I talk about my relationship with Jesus and my rejection of dogma.
I also liked the phrase “taking up serpents,” and always wondered why she said that instead of snake-handling.
I had originally thought, when I bought this book, that it was about the attempted murder by rattlesnake and subsequent trial, like the documentary I mentioned; rather it’s an exploration of this sect of Christianity by a curious reporter, and how being exposed to this style of worship made him rethink his own past, his relationship with his own faith, and about Alabama people in general. One of the reasons I enjoyed the book so damned much–even as I was repelled by its subject matter (snakes are the source of some of my worst nightmares; even harmless little garden snakes turn my stomach and engage my flight mechanism)–was because Covington has a very easy, natural and authentic authorial voice, and he really can put you into his mind as he witnesses and experiences this uniquely American brand of Christianity. It was also interesting as he got caught up in the entire experience, as he talked to the members of the various sects (there’s no national structure to the snake-handling churches, as there is with say the Southern Baptists or the Methodists), and watched them actually take up their serpents in the name of the Lord.
There’s also interesting information in the book about how these sects were created–or how they were descended from, surprisingly enough, the Methodists and how that evolved into these Appalachian sects, as well as where the people of the Appalachian regions came from, and that entire Southern mentality of fighting for their traditions and their “way of life” (it was also interesting that it’s a white phenomenon, at least as best I could tell in the book); of how they secluded themselves up in their mountains and hollows and were self-sufficient…but modern technology has forced them into a world that has left them behind.
I’ve always wanted to write about snake handlers…but as I mentioned before, snakes are the stuff of my worst nightmares, so yeah going to witness in person their rites is a big “no” from me, but I feel like I can maybe do that now, or at least make an attempt. I don’t know how much more research I’d need to do to fictionalize snake handlers, but some day it will happen.
Well, it’s back to the office Monday and I am feeling pretty good about the weekend. Did I get everything done I needed to get done? Of course not, I never do. But the house is in good enough shape that if I maintain it every night then next weekend I can move on to some further cleaning/organization/declutter project because I don’t have to start over catching up on the the basics yet again. I also made dinner last night for the first time in forever, actually cooking, and it was kind of nice and the meal was actually quite good. I also was creative this weekend, and maybe very little actual writing was done but a lot of planning and thinking about the projects and so forth that need to be worked on and I also had a lot of really good ideas. I started thinking about the projects in terms of what I was trying to do, what the point of the story was, and how best to get the message across to the readers while also telling a compelling story. This is the kind of thing I miss doing, and am usually so rushed with impending deadlines and so forth that I don’t have enough prep time before I start writing, if that makes any sense? It did to me, and I think that’s another reason I have Imposter Syndrome on a regular basis; I kind of leap blindly into the project and hope that it works out all right.
I slept very well last night and didn’t want to get up this morning (or at least out of bed, which was warm and comfortable), but as I swill this first cup of coffee I am starting to come to life and that’s a good thing. I am not patient-facing today–it’s my in-office administrative day, and I am pretty caught up on my work. The downstairs looks nice and neat and orderly this morning; there’s dirty dishes in the sink, of course, but that’s easily rectified. On the way home tonight I have to stop and get the mail and pick up a prescription. I am leaving for Alabama/Kentucky the week after next, and so that’ll be nice. I’ll take some books to read, and I imagine we’ll do some sight-seeing in Kentucky while I am up there this year. It’s nice visiting Dad, and seeing my sister. Mom’s death brought the survivors closer together, which is nice. They still live too far away for regular visits, but it’s nice to be closer to them both.
Overall, it was a nice weekend. I got some rest and recovery time, and feel much better this morning than I did any morning this weekend–which might be related to staying in bed longer–and we started watching a terrific new show last night called Vigil, which is from the same team that did Line of Duty, which was exceptional. Vigil, which isn’t something I thought I’d be too keen on–a murder mystery on a nuclear submarine that also includes international intrigue on top of the crime–but always trust people who’ve produced another show you liked, really; Vigil is superb (submarines absolutely terrify me–my claustrophobia would drive me insane within an hour of getting on board, and if it didn’t before, it would definitely happen once we submerged; this is why that novel The Chill by Nick Cutter was so unsettling–underwater in a submarine in the dark. No fucking thanks) and absorbing. I cannot wait to watch more of it tonight after writing and doing some more clean-up around here. My writing goals for this week are to make more progress on the book, finish revising “Passenger to Franklin” and “When I Die,” and get a good night’s rest. I also have some emails to reply to, as well as some others I need to generate. I did make progress on finishing some of these draft posts I’ve had in the files forever–some going back as many as four years (I wrote down my initial impressions of January 6, which I do need to finish since we are heading for another precipice)–and it’s nice to get some of this stuff cleaned out. I still have more drafts back there than needed; I think there are numerous ones that can be actually combined, since I started a related topic more than once, methinks–usually because something makes me angry or frustrated enough to forget oh yes, started something on this very subject several times already, maybe should combine them all into one.
I also want to finish the blog posts about my books already published. I am not sure where I left off–I know the last one I did was for Dark Tide, but I think I’ve already done The Orion Mask, which leaves Timothy because I know I did a lot of promotional posts for both Bury Me in Shadows and #shedeservedit. I’ve also already done the most recent Scotty books, too–I think I’ve covered that entire series already. I know the last Chanse book is still there in the drafts, too–I thought I’d need to reread it since it’s been so long since I wrote it, which isn’t a bad idea. I don’t really remember Chanse’s voice, and am not sure I can still hear it if I want to. I know I’ve written a Chanse short story since the series ended, and I have a Chanse novella in progress that went off track and needs to be steered back onto the tracks. I do have another idea for a Chanse book, but I am thinking he might just be a supporting character and I can center the book from another point of view, which could be interesting. See what I mean? My creativity has really come roaring back.
And on that note, I am going to bring this to a close and get cleaned up to head into the spice mines. I hope you have a lovely day, Constant Reader, and I’ll check back in with you again a little later.
Doesn’t look like he likes the photographer’s direction to “arch your back a little and stick your butt out”, does he?
I hadn’t been sure that I would keep writing young adult novels after I revised, rewrote and published the first three (Sorceress, Sleeping Angel, and Sara) I didn’t know if it was a direction I wanted to keep going in. I knew I wanted to do stand-alones–always have wanted to do stand-alones–and I also like writing about teenagers and young adults.
You may remember (doubtful) me talking about a horror novel a while ago that I started writing in the 1980’s called The Enchantress that I only got about three or four chapters into before abandoning (because I didn’t know where to go next with it; and the first chapter I specifically remember rereading at some point in the decades since and shuddering in horror at how badly it was written), but one of the places in the book really stuck in my head–an old family-owned hotel called Mermaid Inn, which sat on the shores of Tuscadega Bay (which was my stand-in for Choctawhatchee Bay–my grandparents retired to a house on that bay and I’d always wanted to write about that area; still do–it’s where “Cold Beer No Flies” was set). After shelving The Enchantress (which I do think about from time to time, and wonder if I should revisit the idea) I kept thinking, you should write a book and call it Mermaid Inn because that is a great title!
I made a folder for it, wrote a few sketchy notes, and then… it sat in my files for a very long time.
If you will remember, I had originally planned to write an entire series of interconnected young adult novels, a la the Fear Street series by R. L. Stine, and one of the varied locations they would be spread out over would be Tuscadega, Florida, in the panhandle on a fictional bay. That was part of the note I scribbled for the folder–set this in the panhandle of Florida, and somehow connect it to the fictional Alabama county you’re going to write about someday.
I decided to write Mermaid Inn sometime after Hurricane Katrina, when I discovered yet again my own ignorance of geography. I was beginning to realize that the panhandle wasn’t the right setting for this book and decided to set it on the Alabama Gulf Coast, which made me realize I had absolutely no clue about that part of Alabama’s geography. I’d just never really given it much thought, to be honest; I knew Mobile was on the bay, and I knew that when you drive on I-10 through Mobile you have to take a tunnel below the Mobile River. I just had always assumed there was nothing south of Mobile in Alabama–I mean, it’s ON the water–and figured that those lower prongs of Alabama that reach down along the sides of the bay were uninhabitable wetlands. I discovered this to not be the case when visiting friends for the first time who lived in Alabama south of Mobile. They told me to take an exit off I-10 and drive south, which I didn’t think was possible.
Turns out it was–and I realized…this will work for my book! So I filed it away and forgot about it again.
I don’t remember precisely why I decided to write Mermaid Inn, but I did, and set in a small town on the prongs, south of Mobile; my friend Carolyn Haines helped me with some background and I know she told me some stories about closeted society men in Mobile and their hijinks and I thought, I could use this for the book and I think that may have been the impetus? And then I created my character, Ricky Hackworth, from Corinth, Alabama–po’ white trash who needs a swimming scholarship to attend the University of Alabama. (Sidebar: alert readers will recognize that Beau’s last name in Bury Me in Shadows–and at one point in the story he mentions he’s only the second Hackworth to go to college; “besides my cousin who got a swimming scholarship.”)
Bold Strokes didn’t like the title, and for perhaps maybe the fourth or fifth time in my career my original/working title didn’t make it on the cover. They recommended Dark Tide, which I really liked because it gave the sense of the book’s mood and tone and voice…and darkness.
The engine of my pickup truck made a weird coughing noise just as I came around a curve in the highway on the Alabama Gulf Coast and I saw Mermaid Inn for the first time.
My heart sank.
That’s not good, I thought, gritting my teeth. I looked down at the control panel. None of the dummy lights had come on. I still had about a half tank of gas.I switched off the air conditioning and the stereo. I turned into the long sloping parking lot of the Inn, pulling into the first parking spot. I listened to the engine. Nothing odd. It was now running smooth like it had the entire drive down. I shut the car off and kept listening. There was nothing but the tick of the engine as it started cooling.
Maybe I just imagined it.
Hope springs eternal.
The last thing I needed was to spend money on getting the stupid old truck fixed. Maybe it just needed a tune-up. I couldn’tremember the last time it had one.
Dad gave me the truck when I turned sixteen. It had been his work truck since before i was born–it was two years older than I was. He’d finally broken down and bought himself a new one. This old one was dependable and had almost two hundred thousand miles on it. Dad had taken good care of it. He’d babied it, gotten an oil change every three thousand miles without fail, and I could count on one hand the number of times it had been in the shop to be repaired.
It still had the original transmission.
It might not have been the nicest or prettiest car in my high school parking lot, but it got me where I needed to go and got good gas mileage. Since I was saving every cent I could for college, that was a lot more important than horsepower and cosmetics and a loud stereo that rattled your back teeth. The swimming scholarship I’d accepted from the University of Alabama wasn’t going to remotely cover anything close to the lowest estimate of what my expenses might be, but it was the best offer I’d gotten.
And I was grateful to have it. If they hadn’t offered, I wouldn’t be going at all.
Swimming was my ticket out of Corinth, Alabama.
That opening scene!
Dark Tide was probably my most hard-boiled young adult title published to that point. It was a dark story, and Ricky was poor–an economic condition I’d touched on with Sara, and something I generally try to avoid when writing. I’ve been poor, and I know how it feels; I don’t like remembering those days of checkbook mistakes and bounced checks and not having enough money from one paycheck to another. Ricky has taken a summer job as the lifeguard at Mermaid Inn in Latona, Alabama (Latona is another name for Daphne, which is actually a town on the prongs below Mobile), to save money to pay for college expenses his swimming scholarship to the University of Alabama wasn’t going to cover, and the water being there meant he could continue training. Once he arrives and is shown to his room on the uppermost floor of the building and meets the owner’s daughter, he learns that his predecessor from the summer before had simply disappeared–and young teenaged boys disappear with an alarming regularity over the past few years. He starts asking questions, mostly out of curiosity, and also starts having horrible dreams, about vicious mermaids beneath the water, and there are a lot of stories about killer mermaids from the days of the indigenous people and the Spanish. I wrote some terrific scenes in this book that I was really proud of–one particular dream sequence was especially chilling–and I was also trying something with the rhythm of the words, which I hadn’t done in a very long time, and I think it worked.
Writing Dark Tide was important to me because this was the book that reminded me again that I was writing stand-alones to help keep the series books fresher, more creative, and less paint by the numbers, too.
Monday morning and up too early for PT before work. Heavy sigh. My body aches this morning–my back is especially tight–which means today will be exhausting. It’s a paperwork/admin day anyway–unless I have to cover for someone–and it’s also terribly cold this morning: 41 degrees, to be exact. I collapsed into bed last night somewhere around nine, and was dead to the world in a matter of minutes. It was a good night’s sleep, but I really need to sleep late sometime soon–probably not till this weekend, alas.
I did listen to River Road by Carol Goodman in the car both ways instead of The Drowning Tree, and as always, loved every minute of it. I still had some time left to listen to something, but only had a short time left, so I went ahead and started an Amazon Short by Zakiya Dalila Harris, “His Happy Place”, which was decidedly creepy but also extremely well done. More on both to come, of course, once I’ve gotten back into (what passes for) a normal routine around here. This will probably be a rough, tiring week, but I hope to manage. This weekend I am going to drop off beads and books for donations, and will also hopefully keep working on the apartment.
The coffee is starting to work, which is nice. My brain and body are starting to wake up, which is great. I’m also a bit hungry, so will probably make something to eat before I leave. I have dry noodles at the office to have for lunch, and will take some breakfast snacky things with me. Tomorrow I know we are going to be super-busy in the clinic, which will make for a rough day as well. Fortunately, I enjoy my job! But this weekend will be the hard reset I need, and I just have to make it through this week, which seems to be stretching out far into the distance and is a bit overwhelming to contemplate. I also need to make a grocery list, and today I have to run some errands after I get off work. Tomorrow I’ll make groceries after work, and hopefully I’ll start feeling more settled in. Sparky was a bit stand-offish when I got home yesterday–just mewed at me reproachfully for a while, but after a few hours he forgave me and was very affectionate, obviously having missed me while I was gone. I do kind of feel like our earlier cats were more Paul’s than mine, but Sparky is kind of mine. Of course, I was chair bound for almost three weeks, so he had a place to cuddle and sleep and hang out all day, and now of course no one’s home with him all day. Once the Festivals are over, he’ll be home more and then he and Sparky can bond some more.
So really, my return to normality after Carnival has been pushed back on the calendar because of the trip over the weekend. My word, how my imagination was out of control while driving and staying in Alabama. I remembered stories and ideas I’d forgotten about as well as having more ideas (just what I need, right?) and I also figured out how to finish off my short story collection. I am hoping to get some more stories finished this week and get off to submissions while working and planning my next book. I also have a shit ton of unfinished drafts here I’d like to get done at some point so I can clear out the drafts folder.
I also took a lot of pictures this weekend, to help me describe places when I write about Alabama some more. I also realized that fictionalizing the place where I was born means it doesn’t have to be exactly the same in my work than it is in real life, you know? But that’s also my own stubborn brain trying to make everything correct when it doesn’t have to be, which happens a lot. It’s not like New Orleans, which appears as it is in my work. Corinth County is based on where we’re from, but it’s not the same. I had an idea for something completely new on my way up there; there was an In Cold Blood-kind of slaying there in the late 1960’s; a couple who ran a corner store were brutally killed and robbed, and so when I got home I started looking for information about it on-line (I’ve done this before, but not for a potential writing project; more out of idle curiosity when I was writing Bury Me in Shadows) and interestingly enough, there have been any number of crimes down there over the last forty or so decades; in fact, in one article about another murder I read a quote from someone at a café in town that the county “seems to be cursed”–which I must have read before because that has always been the underlying theme of the fictional county; it’s even in Bury Me in Shadows with people saying “the history of this county is written in blood.” Anyway, I would be interested in writing about that 1967 shooting–either fictionally or as true-crime.
And on that note, I need to get ready for PT and then heading straight to work from there. Have a lovely Monday; I may be back later as one never truly knows.
I’ll be driving back to New Orleans in a little bit, and I am exhausted. I went to bed last night ridiculously early–so early that I don’t want to admit to it publicly. I was very tired when I got here Friday afternoon. I made very good time despite some highway construction stupidity in Mississippi (which is always) but for the most part it was a nice drive and I got up here relatively easily. I stopped to get gas and eat in Toomsuba, which I’ve not done in a long time, and as I feared, once I slowed down and sat down to eat lunch, fatigue set in. I did have PT yesterday morning and left afterwards (and a few errands for good measure) and so, like always, was worn out by the time I got here.
It’s also cold here, which is hard for me to get used to as I haven’t been here during the winter very often in my life, so I always think of home as being hot and humid and muggy and miserable (going to Murder in the Magic City and Murder on the Menu doesn’t count because that doesn’t involve my kin in any way). It was bitterly cold here today as we drove around with Dad showing me places from his and my childhood. We went down to the bottoms of the Sipsey River on what used to be my grandfather’s land, which I hadn’t been to since I was a kid, and the river was really high and rushing quickly because of all the rain. (It rained really hard on Friday night). I actually slept well–which should be an indication of how tired I was, as sleeping in a hotel isn’t usually easy for me. Maybe the new drugs have helped in that regard too? I was very calm as I drove and didn’t feel the pressure of the ticking clock or the need to get there as fast as I could and feeling frustrated and irritated by any delays en route. I do not miss my anxiety in the least.
But, oh the memories that came back to me as we drove past my grandmother’s house (now crumbling and in disrepair) which was an indelible part of my childhood. My grandfather’s house, where my dad was born and raised, is also gone. I was also getting all kinds of ideas, as I always do when I come to or through this part of the state, and started really getting into this idea of a sequel to Bury Me in Shadows, only with Beau Hackworth was the main character. I really do want to write more about Alabama, and several other ideas of stories that are either in progress or exist in a very rough draft. It even occurred to me that I could do an entire collection of short stories set in Alabama. I have already published a couple of them, and I have enough ideas for another collection just for those alone–but I suppose I should finish my next one first before I think about another one, right?
This place will always have a hold on me, and it does worry me a bit that once Dad goes, my last connection to the county and my childhood summers here. And yes, I am aware that I am looking back through the nostalgic rose-colored glasses of sentiment. But summers here–how to describe them? Hot and humid, dragonflies and dirt daubers and five o’clocks, fried baloney sandwiches and buttermilk, sweat tea and cobblers, mosquitoes and watermelon and fresh blackberries from the woods, trips to town to the Piggly Wiggly and the library, long rows of cotton and corn and watermelon vines, red dust and orange clay roads, heat shimmering up from blacktop roads and how everything was so still in the lazy heat of the mid-afternoon, ghost stories and Civil War legends and lost treasure.
I miss my mom. It’s hard to wrap my mind around the idea that she’s buried here, that her remains are there under the ground between the big HERREN headstone and the foot-stone with her name and the dates underneath. It was such a cruel twist of fate for her to go on Valentine’s Day, which was also the anniversary of their first date sixty-six years ago. But in this time since she died I’ve also spent a lot more time with Dad and have gotten closer to him, which is really nice. I’ve also spent more time with the rest of the family, too, which is even nicer.
I know I’ll be exhausted tomorrow and I am starting the day with PT, so I will be really tired when I get home tomorrow night. I guarantee when the weekend rolls around again, I am sleeping as late as I feel like on Saturday, period.
Well, I didn’t get to post this before Dad called my room to get me to come downstairs for breakfast, after which I helped him load up his truck, I loaded my car, and we said our goodbyes and I headed for New Orleans while he made a detour on his way to Kentucky to say goodbye to Mom again.
The drive back to New Orleans was easy, little traffic, and I made it in slightly under four and a half hours, which is excellent time. I was exhausted once I got home, and then Paul and I got caught up on Abbott Elementary, we watched an unsettling documentary (but really, aren’t they all?) and then I started watching Alexander. Paul went upstairs to work, and so I did some chores and then remembered I never posted this. Not really sure what I’ll write about tomorrow morning, if anything at all. It’s going to be a long, tiring day.
And on that note, I am going to go sit in my chair and finish watching Alexander on Netflix. Maybe I can talk about that tomorrow? Have a lovely evening.
So, are you ready for some MORE blatant self-promotion?
During the Bold Strokes Book-a-thon, the other panel I was on had to do with writing young adult fiction (the other panelists were amazing, I might add), and once again, I am answering the questions sent to us by the moderator to turn into an interview with JUST me (because it’s all about ME ME ME) but I do urge you to seek out the video of the panel. It was terrific, and I was definitely the most uninteresting person on the panel, seriously; this is NOT self-deprecation. (I bought everyone’s books during the panel, I might add; definitely check out Lauren Melissa Ellzey.)
What is the definition of Young Adult? How does it differ from other genres?
I think it’s primarily an age distinction, to be honest, which is something that always makes me uncomfortable. Growing up I read far above my age level; when I was in seventh grade I was reading at a college level, per the tests and so forth. I mean, I did read The Godfather when I was ten; my parents, despite their conservative religious beliefs and values, let me read whatever I wanted without having to ask permission–I think when I asked Mom if I could read something the last time she replied “Read whatever you want, I don’t care” and after that I never asked again. When I was a kid, there was no such thing as young adult; everything was either for adults or “juvenile.” The juvenile category contained multitudes, beginning with the Little Golden Books and picture books to kids’ mysteries to Judy Blume. I think sometime in the 1980’s the genre was separated into “juvenile” for kids 8-12 and “young adult” for 12-18.
But there are kids like me, who can read above their age/class level and others who can’t read at their age/class level, and I think in some ways that differential could be harmful for those who are below-average readers–reading is the most crucial aspect of education, because if you can’t read…and no matter how many ways they try to make the language around slower readers more accepting and less stigmatizing…it doesn’t really help kids to be told they’re below average or not as smart or quick as the other students. (One of my primary problems throughout my education is I would understand something the first time, while others inevitably didn’t, and as the teacher explained for a second or third or more time, my ADD would kick in and my mind would wander because I didn’t need to listen and then wouldn’t be listening when the teacher moved on.
Ah, well.
Oh, and all subgenres of fiction also have the middle grade/juvenile and young adult sub-sub-genres.
Why or how did YOU choose YA?
I don’t know that I chose y/a so much as it chose me.
I started writing when I was a child (all my childish scribblings are lost to moves and time passing), and I wrote about kids my age. My first attempts at writing were always some kind of kids’ mystery series, a la The Hardy Boys and The Three Investigators (I’d still like to do this, frankly), and when I became a teenager, I started writing about teenagers. I wrote a bunch of short stories while in high school about the same group of kids going to the same high school. Those stories slowly but surely grew into a sprawling, handwritten novel about the county with plots and subplots and main characters and minor characters and all of this history; a “Peyton Place in Kansas kind of thing”. I worked on it for like five years, and eventually had this enormous sprawling mess that needed to be revised and rewritten and typed…and since I didn’t know how to type, made that part of it a problem. So I shoved it into a drawer and started pulling from it rather than revising it; taking out plots and characters and using them in other books and other stories.
After I finished that, I spent the next five years mostly working on short stories. I started another book, more horror than anything else, but never got further than the third chapter. I finally decided to write a horror novel built from my old manuscript and those short stories from high school. I was about three chapters into it when I discovered two things: there was a big market in y/a horror at the time (Christopher Pike and R. L. Stine were HUGE during this period) and so I bought some of them. When I finished, I thought, “You know, I should turn Sara into a y/a novel” (because I thought somehow that would be easier? Foolish, foolish rookie) and so… I did. I was right in that thinking of it in those terms made it possible for me to finish a draft, but I wasn’t very happy with it so I put it aside and started writing another one, Sorceress, which was also horror but also had some strong Gothic moments in it. When I finished that one, again I wasn’t pleased with it so I started another–Sleeping Angel–which was the one I thought really had potential. I never finished that draft–by this time I’d discovered that gay fiction and nonfiction existed, so I started reading that and trying to write about gay characters instead.
Those manuscripts remained in my drawer for well over a decade, until a friend of mine took a job as a young adult acquisitions editor, and she wanted to work with me. I told her I’d written three (although it was technically two and a half), and gave her a brief synopsis of them. She liked Sorceress the best, so I started revising and editing it and turning it into something publishable. Once it was all done, she’d left that publisher, but started her own small press for y/a books for underrepresented teens, and she wanted to launch the press with Sorceress. I said “okay” and we were off. I eventually realized I needed to let Bold Strokes know, and when I did, I got an email back saying you know we do y/a, too? And so I sold the other two to them, and have never looked back since then.
Are there specific rules for writing YA (things you can’t do)? Does Bold Strokes add on or impose specific or additional rules?
I don’t pay too much attention to rules, frankly. There’s no graphic sex in my books, but it’s hinted at. I also try to swear less in young adult books than I do in adult fiction, which is probably not as big of a deal as I think it is? The society I grew up in was a lot more puritanical–believe it or not–that the one we live in today. So I always default to that setting, and then have to shake it off. Swearing isn’t as big of a deal as it used to be. No one thinks they’re marrying a virgin anymore, and on and on. And having been attacked for daring to accept an invitation to speak to queer high school students, I tend to tread softly. There have been a couple of times where I’ve had to change language, or how a scene went, because my editor thought it might be problematic; and frankly, I never want to be offensive, so I have no problem with it. I don’t see it as a free speech issue the way so many intentionally offensive writers claim it is. I shouldn’t take offense to someone calling me a faggot? Grow the fuck up. The so-called free speech “crusaders” are always defending hate speech as well as trying to shut up the people who find it objectionable. You do not have a constitutional freedom from consequences or getting a negative response to things you say and do, period. It’s really not hard to understand unless you want to be passive/aggressive and childish and a moron.
How do you remember back to these days, specifically how it felt or feels? (this is coming from your moderator who is much older than you are)
Well, for one thing, I’ve always kept a journal and I still have them all. (I was insufferable when I was younger, seriously.)
My sister has a theory that we forget a lot of the pleasant memories from our childhoods, but remember the traumas in great detail. I believe the truth of that, because school was a nightmare for me from the day we moved to the suburbs until I was done with it. I remember how it felt to read Greg Herren sucks cock on a desk at school. I remember how it felt to be mocked, laughed at, and bullied by assholes. I do remember the good things, though I tend to always focus on the bad.
The first thing I always do is abandon whatever “wisdom” about life I’ve theoretically learned since leaving high school, and put myself into the teenager mindset: they think they are the main characters in everyone they know’s story, and everything is the end of the world or their life is ruined and you are the most horrible parent ever! I’m not entirely sure I’ve escaped thinking that way, to be brutally honest: I am horribly selfish.
How do you come up with your characters? Your stories?
I am weird in that I inevitably always start with a title. I hear something or read something and think, that would make a good title. The next question is what story would fit that title? And it kind of goes from there. The title may change, the character names and story might change and evolve, but I can’t write anything that doesn’t have a title. Bizarre, I know. Usually with my young adult stuff it’s an idea I’ve had for a number of years and finally decide to explore whether it’s a novel or a short story, and go from there.
Dark Tide was originally called Mermaid Inn, Bury Me in Shadows was originally Ruins, but the others pretty much stayed the same from beginning to end.
I wrote #shedeservedit because I was angry about the Steubenville/Maryville rape cases, and remembered stories and gossip from when I was in high school and college…and rethinking them through a more evolved brain about women and misogyny… well, it made me angrier. I had already planned on writing a story set in the same town with the same characters and opening with the same murder (I always referred to it as “the Kansas book” for years), but the motive was something I always had trouble grounding in reality. After those cases…it clicked in my head. You need to write this story about small town misogyny, protecting the star jocks from the girls at all cost, and make that the plot. It was easy to write because I was angry. Making it a compelling read was harder, because the subject matter was sickening to me.
I needed to write that book, and I don’t regret doing it, either…but it’s not exactly a feel good story people can escape into, either.
Why do you think YA is so popular?
It’s more accessible, I think. I mentioned reading ability before, and I do think that most readers aren’t into the Great Literary Tomes, hundreds of pages of beautiful writing with no real point or story. People kind of want to escape their cares and worries, and y/a books tend to be really entertaining. We’re competing with phones and tablets and streaming, so we need to write entertaining and engaging books.
Any specific must do-s or must-haves to get your writing each day?
I’m not nearly as anal about that as I used to be, before I returned to work full-time. I am very aware that I have little time to waste when I write, and thus must seize whatever opportunities to write show up. But if pressed, coffee. I can’t write unless I’ve had coffee when I got up.
I think this is all of them, but I could be wrong.
Ah, Monday morning back to work blog today. I have to leave early as I have a PT appointment at four today, but that’s okay. I also have to run errands, and I will already be uptown, which is terrific. (Mail and make a little groceries, for those who are unsure what I mean by errands.) I’m usually in a good mood when I finish PT (it’s the endorphins), so hopefully that will make running the errands in the cold a little easier. It should get up to the sixties by the time I leave the office today. Parades begin next weekend (not this coming one, but the next) and I am not even remotely in the slightest prepared to deal with all the aggravation, exhaustion and fun that comes from living inside the box1, as we call it here. While it does mean having easy access to parades and catching throws, it also makes navigating every day life incredibly difficult.
Sigh.
I feel very rested this morning, after a weekend spent feeling tired most of the time. I managed to do very little this weekend other than rest and cleaning and chores. Maybe the strength PT on Friday wore me out far more than I had originally suspected; after all, it’s the first taxing kind of exercise I’ve done in over a year. (I also have to leave work a little early today as well for a session later this afternoon.) I didn’t get much done this weekend, sadly, but I consider progress on the house to be progress of a kind at any rate. I also started reading Lina Chern’s Play the Fool, which I am enjoying; the voice is quite original and delightful. We also watched another episode of Lupin last night, which is also quite good.
I was struggling there for a moment to remember what precisely I did yesterday while Paul took calls and worked upstairs; I just remembered that I spent most of the day finishing the original BBC series of Brideshead Revisited. I can see why the show was so popular back when it originally aired and why it own so many Emmys–Americans have always thought British productions of anything to be vastly superior to anything produced here–and it did remind me a lot of Downtown Abbey, which also led me to wonder why Americans are so fascinated by the British upper class. I know I certainly used to be, but my lack of knowledge regarding Brideshead seemed like a missing cultural touchstone for me, and now that I’ve seen it–yes, I can see how influential it was. There would be no Downton without Brideshead, but the original is far less soapy than the later show….and of course, Upstairs Downstairs was truly the original Downton, a soapy show about a wealthy family’s ups and downs as well as their servants. I don’t imagine the occasional thoughts I would have while watching–deep criticisms of the class system and the disproportionate division of wealth in British society of the time; how it would have sucked to have been one of their servants–would have occurred to me had I watched when I was younger. I also felt that there was more to the relationship between Charles and Sebastian than mere friendship; which is another thing it has in common with Saltburn; an ambiguous love relationship between two men. I was also rather disappointed that Sebastian disappeared from the show about halfway through so it could focus on Charles and Julia, which I felt was giving Sebastian, whom the show really centered at first, very short shrift indeed. I will go ahead and read the book–my education in Evelyn Waugh was sorely neglected–but I feel that watching the series has given me enough grounding to explore Saltburn again through that experience.
It’s chilly again this morning but nothing terribly unbearable, thank the Lord. I do feel rather good this morning, and hope I can ride that feeling through the work day, into PT and making groceries again after work tonight. This is an actual full work week, of which there have been few for quite some time for me, so we’ll see how I feel when Friday rolls around again, shall we?
It’s been an interesting and slightly uneven January so far, bit of an up and down month, in all honesty. Life is always a rollercoaster, isn’t it? Ups and downs and never certain when the next curve or sudden drop is coming, all at great speeds that sometimes never give you a chance to catch your breath. There’s nothing life can give us that we can’t handle, as Scotty always says, it’s how you handle it that matters. I’ve always found that emotional responses or reactions are often counterproductive and exhausting, and if you can somehow switch the emotional component down or off or mute it so you can engage your logical brain and figure out how to handle it and what you need to do next to start the getting through it process might not be the absolute healthiest way to handle anything, but it has always worked for me and is why people always think I am so good in a crisis–I am very good at ignoring the macro while focusing on the micro. The problem with that, of course, is that you never go back and process the feelings and emotions; they’ve been securely buried for the moment and inevitably, that results in me thinking oh I don’t need to process that after all!
When in fact I really do need to.
That’s been happening a lot for me since the concurrent COVID pandemic/shutdown coupled with me turning sixty and eventually losing my mom. I’ve been thinking about things from my past a lot more than I ever allowed myself to, identifying the lessons I’ve taken from bad experiences and how I turned that into I don’t ever want to feel like this again s so I will never do that again which may not have been exactly healthy. I don’t think I’ve ever gotten over that sense of not belonging anywhere when I was a kid, which was partly being a gay kid (I didn’t know that specifically, but I also knew I was different from the other kids) as well as having some chemical issues in my brain (ADHD, anxiety, etc.), added to the sense of not belonging because I was from Alabama and living in Chicago. New Orleans was, in fact, the first place I’ve ever felt like I belonged, and that’s part of the reason I love it here so much. There wasn’t any single one thing to blame; I always thought it was this or that or the other, but rather the combination of everything that made my childhood so incredibly difficult for me (and pretty much my life until about thirty-three or so).
I think the real reason–I was asked this on the young adult panel this weekend–I write about teenagers is I am still trying to make sense of my own experiences. I also think that my past is also filled with very rich material for my writing. I learned that with both Bury Me in Shadows and #shedeservedit–writing about things that I have had trouble understanding in my own life fictionally has not only made my work better but also has helped me process things in a healthier way than I ever have before.
And on that note, I am heading into the spice mines. Have a lovely Monday, Constant Reader.
“The box” means inside the parade route for Carnival; the box being formed by Canal, Napoleon, St. Charles and Tchoupitoulas. Once parades have started you cannot cross any of those streets, and yes, I live just inside the box on the St. Charles side of the rectangle. ↩︎
I slept well last night but my blankets were all tangled up this morning, indicating the sleep was more restless than it has been for weeks. I also wasn’t in the mood to write my blog when I first woke up, so I decided to read, drink my coffee, and maybe have some breakfast before getting cleaned up. I usually write this over my morning coffee, and since I don’t reread or re-edit once it’s written, that could explain the run-on sentences, word repetitions, and occasional poor grammar no one ever points out to me. This blog began nineteen years ago (!!!) on Livejournal (the anniversary was 12/26), migrated over here in about 2016 or so, and still somehow keeps chugging along. It always surprises me that people read it, to be honest. It was always meant mainly for me, and was originally intended as a daily exercise to get me writing again. I guess it worked. When I started I had published four novels, a few anthologies, and some short stories. Nineteen years later, I’ve way surpassed that total, despite some fallow years in which I produced nothing.
I did some more picking up around here yesterday while watching football games. It was fun watching Mississippi beat Penn State, and don’t even get me started on the Florida State-Georgia game. I get the disappointment at not making the play-offs, but you also knew you were scheduled to play Georgia, another team disappointed in not making the play-offs, but instead of showing everyone that the committee was wrong and showing up to beat Georgia…and Georgia also had star players injured and over a dozen opting out and even more entering the transfer portal. This would have been a play-off game had either Auburn or Georgia beaten Alabama this year, but that’s how things go. Auburn went 13-0 in 2004 and wasn’t invited to the BCS title game. You don’t always get what you want in life or sport, and the question is how you handle that. If this was going to be the case, don’t accept the damned bowl bid. Your fans spent a lot of money to go to that game, and it was incredibly disrespectful to the team, the fanbase, and the university to show up and get embarrassed like that. After Coach O was fired in 2021, LSU went to its bowl game with 39 scholarship players and got trounced by Kansas State….but how does it appear in the record books? KSU 42, LSU 21. Twenty years from now when people look back at the history of college football and bowl games, it will read Georgia 63, Florida State 3. It’s a program and culture problem, and all the FSU fans apologizing for this disgraceful beating–do you quit when you don’t get a raise or promotion you worked hard for and feel like you deserved? The word for that is quitter…and for the record, Georgia played it’s back-ups, walk-ons and so forth in the second half and still beat your ass 21-0.
And if LSU went 12-0 and didn’t get picked for the play-offs…and pulled the same shit? Sure, I’d be angry about the play-offs but I’d also call out the Tigers for embarrassing the state and the university that way.
I’m really enjoying Danielle Arsenault’s Glory Be, and am savoring every word. What a fresh and unique voice! I have to say I am so glad I realized I needed to be better about my reading choices and should read more diverse writers. It’s been a great education for me as a reader, a writer, a person and a citizen. I’m still learning how to be better about race and gender and gender identity and sexuality; and I strongly encourage other readers to do the same. Crime fiction is so much stronger and healthier when it represents everyone, I think, and while I don’t consider reading diverse writers to be the total education I need on any social issues facing the country–I need to read more non-fiction and theory.
I rewatched The Birds yesterday after the football games, and it was pretty much as I remembered it. I’d only seen it twice before; originally as a child edited for television, when it frightened me so badly that I had nightmares (I was prone to them growing up) and for years could never see crows on a jungle gym or a wire without feeling uneasy and then again as a rental in college after I’d read the short story again and wanted to see how faithful the film was to the story. I didn’t care as much for it the second time around–the acting is really terrible and so is the script–but the suspenseful parts still held up and were scary. This third time around confirmed my second viewing; and I noticed some other flaws in the picture. Rod Taylor’s mother isn’t much older than he is, and why is there about a thirty year age gap between him and his sister? I think the short story is better than the film, but I can also see why people like it. I do consider it one of Hitchcock’s lesser films.
Since tomorrow is a day for thinking ahead and coming up with some goals for the new year, I suppose today should be a recap of sorts of this past year. It was, as I mentioned in a previous entry, a rather up-and-down rollercoaster of highs and lows with very little level ground in the middle. The recognition of mainstream award nominations for my work–even queer work–was a delightful surprise this past year. But even more important than that is I think my work is getting better. I had felt, some years ago, that my writing was becoming stale and that I wasn’t growing as a writer anymore; I’d become stagnant and that was one of my biggest fears. I wound up deciding to take some time away from writing books on deadline and write things just for me, things that I wanted to write but also wanted to take the time to do correctly. It was during this time that I worked on both #shedeservedit and Bury Me in Shadows in early drafts, and also started the novellas and working more intently on my short stories. I accepted the challenge of writing stories to themed anthologies, and produced some terrific ones of which I am really proud. When I dove back into series work with Royal Street Reveillon, I wanted to write something non-formulaic for the Scotty series. I also wanted to shake things up with Scotty a bit, as the series was getting a bit too comfortable and safe for me. Royal Street Reveillon certainly was neither comfortable nor safe, and neither was Mississippi River Mischief.
Bury Me in Shadows was not easy for me to write. When I went back to the book after setting it aside for awhile, I realized several things: I couldn’t ignore race and racism, I had to address the Lost Cause narrative, and I also had realized while doing more reading and research that the stories my paternal grandmother used to tell me about the Civil War and Alabama and the family were apocryphal stories you can turn up about almost everywhere in the rural South. The book wasn’t working, in fact, because I was trying to elide those issues because I was afraid of doing it wrong…so it pushed me to do better. And actually addressing those issues made the book easier to write. The same thing was true of #shedeservedit; I’d been working on this book in one form or another since I actually lived in Kansas. But again, I realized when I went back to it that what I was doing didn’t work because I wasn’t going there with toxic masculinity and rape culture because it wasn’t personal enough for my main character, and so I bit the bullet and made it more personal for him. It dredged up a lot of memories, some of them painful, but it also made the book better and stronger. I had been wanting to write a cozy for the longest time, and decided to try it for something different and new–and that became A Streetcar Named Murder. I was also very pleased with it, even though the deadline and the turnaround on it was a bit insane…but I still managed to take my time and turned it into something I was proud of when I got the final author copies.
My two releases of this year–Death Drop and Mississippi River Mischief–are also books of which I feel proud. I also published three terrific short stories this year: “Solace in a Dying Hour” in This Fresh Hell; “The Ditch” in School of Hard Knox; and “The Rosary of Broken Promises” in Dancing in the Shadows.
I think I’m settling finally into an acceptance that I am pretty good at what I do. I may not have the master’s or PhD in creative writing or literature of any kind; but I’ve never really wanted to be an academic writer. I never wanted to be Faulkner, but Faulkner did inspire me to interconnect novels and stories in my own fictional world (also Stephen King). I would like to do some non-fiction studies of genre and writers I enjoy, but in an accessible rather than academic way. Academics used to make me feel stupid and uneducated, and I also used to envy those writers who had that kind of background because I felt it made their work stronger than mine, or gave them insights into writing and building a novel that I’d never had, which made me and my work somehow lesser. But that wasn’t on them; that was on me. I was the one who felt inferior and lesser, not talented or good enough. That chip was on my shoulder and I was the one who put it there. My peers actually consider me a peer, and newer writers look at my longevity and my CV and are impressed by the prodigious output, if nothing else. I used to think all the award nominations were kind of hollow because I so rarely won; which was incredibly ungracious because some writers are never nominated for anything…but it doesn’t mean their work isn’t good. Now, I just find myself grateful to make a short-list of five out of all the possibilities for that slot, you know? I’m lucky, and I’m blessed.
I’ve reflected a lot on my life and my career this past year–Mom’s death had something to do with that–and I’ve identified, in many cases, why I am the way am by remembering the event that triggered the response in my brain of “okay, never want to experience that again” which led to so many self-toxic and self-defeating behaviors. But the bottom line of it all is I’ve finally accepted myself for who I am, have determined to stop self-deprecating, and take some pride in myself and my career and my life. I know the most amazing people and have the most incredible friends. I have a day job where I make a difference in people’s lives. I have an awesome life-partner, an enviable writing career, and I get to live in New Orleans.
I finally slept last night, and it felt amazing. I could have easily stayed in bed for another two or three hours, but that 9-to-5 is calling to me (well, 7:30-4:30, but you know what I mean). I was worried that I was getting sick–surgery recovery, medication changes, not being able to sleep, dehydration, occasionally feeling slightly feverish, and some occasional nausea (while eating, so I wasn’t eating as much, either. My COVID tests were always negative (still are, this morning), so I have to put it down to simply being exhausted from not being able to sleep, because this morning I feel good, if a bit sleepy. Everything was dragging ass last night when I got off work; but I made myself run the needed errands on the way home, and thus today I am really delighted to know that I can come straight home from the office and get caught up on some other things. I also did some chores, despite feeling like I was at death’s door by the time I got home. (And I am so glad I bought that wagon; it makes life so much easier and I will continue to use it even after the brace is gone and my arm is healed.)
Insomnia is the worst. I don’t know how people who have it chronically manage, seriously. One night is bad enough, but a couple of nights in a row is enough to completely derail me, so I cannot imagine having it every fucking night. I mean, it wouldn’t really take much to drive me over the edge anyway–I always have such a delicate grip on my sanity as it is, without having further contributing factors. I was too tired to read last night, so I figured doing chores was the right way to go with everything last night. I did think about the new book I am writing, so even though I didn’t add to my word counts yesterday, I did think about where the book needs to go, and thinking about what I am writing and puzzling out the plot and where the book needs to go next counts. We also finished Big Vape last night, which was really interesting and made me think about a lot of things, and started A Murder at the End of the World while we wait for Prime to drop season two of Reacher, which is finally launching this Friday (huzzah! I love Alan Ritchson, and have since he first appeared as Aquaman on Smallville), and of course the bowl games are also starting this weekend–but there really aren’t many this early that I care about watching; most of the bowls end up serving as background noise while I do other things–clean, prune the books, write in my journal, read, edit pages–but seriously, now that I’ve slept well for one night, I feel like I can conquer the world again, and I’ve not felt that way in a very long time. It’s a nice feeling, really.
This year has been, as I said, a rollercoaster that doesn’t seem to be coming back to the station any time soon, and this wild up-and-down ride this year has made me reflect on who I am, why I am who I am, and reset my brain and attitudes about a lot of things because once I realized oh this is why you’re like this and that and so forth I could dissect, and rethink those attitudes–a lot of which was childhood training about how to approach life, which I inevitably took to extremes. Be humble and don’t brag became self-deprecating to the point that I would think or say things about myself or my career that would be horribly offensive if said by someone else…because in my chemically-unbalanced brain, criticism won’t bother you as much if you preempt it, which is the same weirdly off mentality that led to the complete lack of self-esteem about my body and my looks and my intelligence and well, pretty much everything….which means that I was always looking for affirmation from others, and when it didn’t come, it simply confirmed the negative things I was thinking and/or saying about myself.
There’s nothing wrong in being proud of yourself; as my friend Laura says, “Sing out, Louise!” because the obverse of the way I think about negative commentary (“need to fend this off by beating them to the punch”) also works the other way–“If I don’t believe in myself, why would anyone else?”
And I am proud of myself, and the writing career I’ve somehow managed to blunder and stumble my way into. As the tarot card reader told me when we first moved to New Orleans twenty-seven years ago, I did become an author but it’s nothing like I ever dreamed of, imagined, or considered possible. I’ve written so many books, short stories, essays, book reviews, blog posts, and edited so many anthologies that I am not even sure how many there are now–and it’s even more than most people know, because there are pseudonyms I’ve never publicly claimed and books that were ghostwritten or work for hire under a veritable plethora of other names. I think my last six (!) books (Royal Street Reveillon, Bury Me in Shadows, #shedeservedit, A Streetcar Named Murder, Death Drop, and Mississippi River Mischief) are some of my best work, and the last few short stories to come out (“The Rosary of Broken Promises”, “This Thing of Darkness”, “The Affair of the Purloined Rentboy”, “Solace in a Dying Hour”, and “The Ditch”) are also some of my best stories. I am very pleased with how I’ve grown and developed in my writing, and I want to continue to grow and develop and keep getting better. My biggest fear is that my best work is behind me and I’ll keep going, getting worse with every new project until finally no one is buying anything I write anymore. I’d still write, anyway–I’ll be writing on my laptop on my death bed, and they will have to pry it from my cold dead fingers–and probably self-publish or something.
And on that note, I am heading into the spice mines on this cold morning in New Orleans. Have a marvelous Wednesday, Constant Reader, and I’ll check back in later.
Queer and Loathing in America 