Tag: Bury Me in Shadows

Hate That I Love You

Tuesday and we survived Monday, Constant Reader–that has to count for something, doesn’t it? Actually, it wasn’t that bad, to be honest. I slept decently and woke up without problem with the alarm, and didn’t feel tired for most of the day. I had a highly productive day at the office, and then I came home and worked some more on the manuscript, which I am really starting to feel good about, believe it or not. I like my characters and I like the story, and I like that it isn’t set in either Uptown or the French Quarter or–where I always go–the Lower Garden District is always the default for me. This time out I set the book in the 7th Ward, on what we used to say was the “wrong side” of St. Claude (this is also the neighborhood where my office building is now, on Elysian Fields); even now people say this neighborhood is “unsafe”; and yes, we’ve had some instances where there was gunfire outside and we went into a code and locked down the office. Maybe I just have a false sense of security–which won’t change until something bad happens to me, as usual–but I never feel all that unsafe either going to or from my car before and after work. (I also love that realtors are trying to rebrand the neighborhood as ‘the new Marigny.” Um, no, it’s not and there’s no such thing as the ‘new Marigny.’)

I also slept well last night, which is great. I feel rested and relaxed this morning, but I also have to see clients today. I’ll probably be a bit tired when I get home tonight; seeing clients can drain you a bit, which is why I don’t see clients four days a week instead of three. I got some more work on the book done yesterday, and hope to get further along today as well–no relaxing until I get my work done tonight. I had a ZOOM meeting last night so I wasn’t able to get as much work done as i would have liked–still behind, of course, as always–but I am pretty happy with the work I am doing and how the manuscript is coming together, which is always lovely. I’m not hating the manuscript as I work on it, which is kind of a nice change, overall. Maybe I have finally gotten less self-loathing about my own work, after twenty-odd years? Nah, that can’t be it! Maybe I just feel centered for the first time in a long time? That is more likely.

It’s been a time, there’s no question about that. Mom’s health had been declining for years, so that was always weighing on the back of my mind, no matter how hard I tried to not think about it or even consider the possibilities inherent in recognizing that her health was failing; there was a pandemic and a dramatic shift/change in my day job; and of course I was doing a lot of volunteering around writing and trying to keep my authorial career going at the same time. I’m surprised I didn’t have more mental breakdowns over the last few years, in all honesty. It’s no wonder I was low energy, depressed, and tired all the time. There were paradigm shifts happening everywhere in my life, and I was completely unprepared for any of them, either physically or emotionally or intellectually. I don’t remember writing the books I wrote since the shutdown three years ago; Bury Me in Shadows, A Streetcar Named Murder, #shedeservedit–I remember the young adults because I’ve been working on them for years before I sold them; but the revision process? The editing? I don’t remember a fucking thing. I do worry some about how my brain works now; one thing that has definitely happened over the last three years is a complete loss of remembering how to deal with the ADHD, so focusing is a lot harder than it used to be. I don’t know if that’s related to the ten-day COVID I had last summer, or if it’s because of all the changes and shifts, or maybe it’s even a combination of all those things. I don’t know, but I know I haven’t been functioning at full brain capacity for quite some time now, and I am starting to feel normal (or what passes for that around here) for the first time in a long time. More like myself, I should say, rather than normal; I’ve always taken great pride in not being normal–once I accepted it.

But I also don’t remember much of my life post-Katrina, either; there are years after Katrina that are foggy memories, if that. It shouldn’t come as a surprise (or a shock) that things that occur during times of trauma and stress don’t go into the permanent memory bank (which isn’t as big and powerful as it used to be). I should be used to it by now, right? But I don’t think you ever get used to traumatic events, and your brain just figures out the easiest way to get through it all without causing more trauma, and if that means not remembering things that happen, well, who am I to question how my twisted brain works and functions?

I’m just glad it’s still functioning, really, even if it is all over the place.

And on that note, I am heading into the spice mines. Have a lovely day, Constant Reader, and I’ll check in with you again later.

Our Lips Are Sealed

Back in the Lost Apartment on Orpheus Monday/Lundi Gras, and I am very tired and drained and exhausted. I’ve lost all sense of time and dates, and I am sure there are things I should have been doing that need to get done but I don’t know what any of them are and at this point, I don’t think I really care all that much. It’s depression, I know; I’ve dealt with it before and know how it feels and manifests, both emotionally and physically, in my life.

Interestingly enough, my toe seems to be getting better. The shoes I brought for the funeral were new and had never been worn before. I wrapped up the toe yesterday morning, put on the socks, and then the I was barely able to get the shoe on. It was so tight that it was almost painful, but as the day progressed it hurt less and less. This morning when I got up it was still red but the swelling had gone down a lot. I think if I wrap it up again, elevate it. and ice it a bit it may go back to normal entirely. I should probably talk to my doctor about it (I am very uneasy about the possibility of gout–how eighteenth century!–or psoriatic arthritis. That toe always has psoriasis on it, and my psoriasis causing arthritis is something my doctor has been concerned about. Yay) But it’s an enormous relief to not have to go to the emergency room or try to get into the doctor’s office; I’ll just message him on my medical app.

It’s funny, because as I was finishing listening to The Other Mother (by Carol Goodman, do yourself a favor and get a copy) on my way home today I was thinking about my mom and the fact that I’m listening to a book about mothers and that revisiting the places I based Bury Me in Shadows on and around also gave me a bit of pause because I realized that one of the major themes of the book was ,well, mothers and sons. I don’t know if I’d planned on writing it that way or if it just happened organically; I guess I would have to find my journals and notes for the book and reread them to see if it was a conscious choice or something that simply happened, or maybe I just have mothers and sons on my mind these last few weeks and it’s a coping mechanism my oh-so-clever-and-sly brain developed to help shield me. I don’t know. I don’t know much, honestly. I am very tired.

The drive was quick and easy. I had no idea of how to get out of where we’re from in Alabama, but I knew when the Google Maps app started giving me directions that they were different from how I got there–since I’d gotten off a highway to get the motel and the app didn’t tell me to get back on the highway to come back. It took me all through the backroads and countryside of Alabama, and then before I knew it I was crossing over into Mississippi and I still wasn’t on an interstate highway. I kept checking the phone to make sure I hadn’t missed something or had put the wrong address into it or something, but after a little while and some lovely scenery, I came into Meridian from the north and hopped on I-59 South and BOOM. Here I am. I made it in just barely over five hours, including one stop for the bathroom and gas. Why is it always faster for me to come back to New Orleans every time I drive north? Unexplained mysteries, for sure.

Well, Scooter wants some attention and I am hungry, so I am going to bring this to a close. Sorry to be brief, but I am also really tired. I’ll check in with you again later, Constant Reader. And happy Lundi Gras.

Undercover of the Night

Work-at-home Friday, during which I also have to get ready to leave town tomorrow. That means making groceries, picking up a prescription, and packing all on top of my work-at-home duties–which means I’ll have to work a little later than usual. I’ll be on Bereavement leave next week, so I don’t have to work again until Friday (which is a work at home day, but it won’t kill me to come into the office that day anyway; I’ll need to pick up my work-at-home stuff at some point–although I could swing by the office on my way home from Alabama…or, I could just drop in on Friday morning next week to pick it all up. I don’t know, I guess I am going to play it all by ear from now on.

January seemed to last forever and a day; yet February is flying past like an Air Force flyover at Tiger Stadium. Granted, I think I lost the thread of time after Mom’s stroke, but I was incredibly startled yesterday at the office writing “02/16/23” as the date on forms. 02/16/23? How weird does that look? It makes me vaguely uncomfortable whenever I see it, thinking that can’t be right, can it? But it is correct, and since I put the reminders in our clients’ files for when they need new paperwork along with the date their current expires, I have to use 2024 which really looks wrong.

It’s going to be weird being back in the part of Alabama where I’m from–I’ve not been there since my grandfather’s funeral at least twenty years ago and more likely even longer ago. I had been wanting to go back out of curiosity more than anything else; wanting to see how different it is now from what I remember, and I’d like to drive around taking pictures of things and so forth–I’d also like to see my maternal grandparents’ graves, since I am there–and just in general remember, you know? See how much of it I got wrong in Bury Me in Shadows, and if there’s anything to inspire my next Alabama book. You never know, right? I am probably going to leave early enough on Saturday so I can do some of that driving around before checking into the hotel–see how lost I can get, right?–because really it’s all not very far away from where I’ll be staying. The nearest motel is about seventeen miles away from the cemetery, and the cemetery itself is in between the county seat and where we’ll be staying. It’ll be interesting to see how differently I remembered things for the book as opposed to the current reality.

I didn’t go out to the parades because I have somehow managed to injure my big toe. This is making walking a bit of a challenge, and I am not exactly sure what I did or when it happened. I don’t think it was an obvious oh my God fucking ouch moment, but more of a little twinge or something that I thought I hope that doesn’t hurt and promptly forgot about until I stood up again, but suffice it to say the toe is painful and swollen. I don’t think it’s broken as I can move it without pain, but putting weight on it is an entirely different story. But Paul managed to get his annual shoe from Muses (a particularly nice one I’ll post a picture of at some point) before the predicted downpour occurred and managed to get home without getting wet. So, all in all Muses was quite a victory for Paul again this year, even though I had to skip it. I doubt that I will go out there at all tonight, either. If my toe is better Monday I may go out for Orpheus, but parade season has been a bust for me this year so far.

I slept late this morning, too–it’s been a hot minute since I had the chance to actually, you know, sleep late–and it did feel rather marvelous. The toe doesn’t hurt as much this morning as it did last night and I think some of the swelling has gone down. Since I’m home I can alternate heat and cold on it for a bit to see if that helps at all. I’d rather not be limping at my mother’s funeral–and seriously, how can I not remember when I did it or how? Sigh. But my coffee is wonderful this morning, and it’s chilly outside, and I have a couple of errands that need running later. Sigh–including a trip to CVS to get stuff to keep the toe wrapped up with. Such terrible timing for this, too. Heavy heaving sigh.

But I’ve downloaded Tara Laskowski’s One Night Gone and two Carol Goodmans (The Other Mother and The Seduction of Water) to listen to in the car on the way up there and back; I’ll take my hard copy of whichever one I decide to listen to in the car with me so I can finish reading it while I am there and can listen to something else on the way back to New Orleans on Monday morning.

And on that note, I am heading into the spice mines. May you all have a lovely Friday, Constant Reader, and I’ll probably post here before I leave tomorrow morning before they close the streets for Iris.

Dark Shadows (Josette’s Theme)

I always forget this when I am asked about major influences on my life, writing, and career–but probably the biggest influence on me was the television soap Dark Shadows.

“My name is Victoria Winters…”

So began the first episode, with young heroine Victoria speaking over some rather spooky music, usually with a background scene of a light in the window at the great house of Collinwood in the fog, or waves crashing against the beach, or the family cemetery, or even the Old House.

Dark Shadows is probably the root or seed from which Bury Me in Shadows was grown from, now that I think about it more. A haunted old house, an even older house in ruins nearby in the woods that was the original family home, ghosts and secrets from the past–oh yes, the framework is absolutely there, and it never even occurred to me.

When my sister and I were kids, we moved to Chicago from Alabama. I was about two years old, give or take; I don’t remember moving up there nor do I remember ever living in Alabama; my sister was two years older. My parents both got jobs–the point of the move was for climbing the economic ladder; they both got really good jobs in factories while my dad finished his degree. But because they both worked (our friends and neighbors all felt sorry for us because our mom had to work; their moms all were housewives), we needed to be watched while they weren’t home. Our landlady recommended a woman down the street–a mother of six whose two youngest were in their last years of high school–and so we started spending our days with Mrs. Harris, who fed us breakfast and lunch, and Mom would pick us up on her way home from the bus stop. When we started school, we went there for breakfast and lunch but came home after school; school let out at 3:15 and Mom was usually home by 3:30. But it was Mrs. Harris–and my grandmother, who worked a night shift–who got me started watching soaps in the first place. One Life to Life and General Hospital sort of held my attention, but it was Dark Shadows I couldn’t wait for. I used to run home from school to try to catch the last five or ten minutes during school; it wasn’t a problem during the summer.

I loved Dark Shadows.

I was crushed when it was canceled.

I mean, look at that house!!!!

The show wasn’t canceled, although the ratings were starting to slide a bit in the later years. The truism that Dark Shadows‘ producers and writers discovered is one that practically every other continuing series having to deal with the supernatural and supernatural creatures has had to deal with: how do you keep topping yourself and raising the stakes? True Blood, Supernatural, The Chilling Adventures of Sabrina, and countless others have all run headfirst into that wall. Once you’ve done time travel and vampires and witches and werewolves and Frankenstein and other dimensions, what is left to do? I admire them for pulling the plug rather than getting more and more desperate to get the ratings up and eventually damaging the legacy of the show.

The show was a phenomenon the likes of which had never really been seen before in daytime–and the lesson learned from its success (go for the young audience!) would soon lead to the creation of youth-oriented shows like All My Children and The Young and the Restless–and of course in the mid-1970’s soaps would be forever changed when General Hospital introduced the character of teenager Laura Webber, played by an actual teenager, Genie Francis–and daytime was never the same. But Dark Shadows managed something that other soaps hadn’t–they created teen idols. Jonathan Frid as Barnabas, David Selby as Quentin, and even David Hennessey as David Collins were often on the covers of teen magazines like Tiger Beat and 16. The show even licensed FAN FICTION–a series of books based on the characters from the show, but thanks to all the fun stuff with time travel and parallel dimensions, Dark Shadows was perfect for spin-off books that took place in other Dark Shadows universe; one could even say Dark Shadows was one of the first shows to make use of a multi-verse.

The books were cheap–as you can see in the picture above (a copy sent to me by a friend with whom I bonded over our mutual love of the show) they ran between fifty cents and seventy-five cents a copy; they all had that same gold bordered cover with an oval image of characters from the show, and they were all written by “Marilyn Ross”, which was a pen name for a very prolific Canadian author named  William Edward Daniel Ross; he wrote over three hundred novels during his career, and Marilyn Ross was the name he used for Gothics–and the Dark Shadows books. (He also wrote as Clarissa Ross, and I read some of those novels as well, including The Spectral Mist.) They also weren’t particularly well written, and while they did take place outside the show’s continuity, there were also moments in some of them that didn’t make sense; in one of them, in which Barnabas shows up at Collinwood in the 1910’s, the only son of the family dies in a tragic accident…but if he was the only son, where did the present day Collinses come from? (The earlier books were told from the perspective of Victoria Winters, and in some cases the gimmick was some member of the family was telling Victoria a story about the family history.)

That’s the kind of shit that drives me insane.

But I remember when one of the off-brand television channels in Chicago (not affiliated with a major network) started running repeats of Dark Shadows from the very beginning when we lived in the suburbs in the evenings while the networks ran the evening news–guess what I was watching instead? Yup, Dark Shadows. (I always found it interesting, too, that the young actress who played Victoria Winters originally–Alexandra von Moltke–eventually became infamous as Klaus von Bulow’s mistress Alexandra Isles, who was, in the prosecutor’s theory, the reason Klaus injected Sunny with enough insulin to induce the coma from which she never woke up. But I digress.

I always wanted to write a vampire story similar to that of Barnabas Collins; I have an entire idea for a rural Louisiana version called Bayou Shadows that I’ve tinkered with off and on since the early 1990’s…but then Charlaine Harris started the Sookie Stackhouse series, which was essentially the same thing. I still might write about Bayou Shadows–the town called that has popped up from time to time in my books about New Orleans and Louisiana; most recently in A Streetcar Named Murder, actually–and if people think I’m ripping off Charlaine, so be it.

I’ll know that I’m really ripping off Dark Shadows.

The show also spawned two feature films, Night of Dark Shadows and House of Dark Shadows, each featuring one of the show’s leading men, Jonathan Frid and David Selby, respectively; the first did far better than the second. The show was revived in prime time for a single season in the late 1980’s; I watched it and loved it, of course–even got Paul to watch when it became available on DVD and I rewatched. I wish that show had been given more of a chance, because it was really quite good, and I was curious to see where the story went from that first season. It also had an excellent cast, including Hammer Film star Barbara Steele as Dr. Julia Hoffman. I did watch the Tim Burton film from this century, which had some clever moments but wasn’t quite as good; it went for the silly parody thing The Brady Bunch movies of the 1990’s did, but it didn’t land. The actress who played villainess Angelique in the original series, Lara Parker, has also written some Dark Shadows novels (I have copies but haven’t read them; I really should). Kathryn Leigh Scott, who played the original Maggie Evans on the soap (and in the first film) also has written novels; she was at Long Beach Bouchercon, where I met her and got a signed copy of her book Down and Out in Beverly Heels. She was lovely and couldn’t have been nicer; I really should read that book someday.

I’ve had Dark Shadows on my mind lately because I bonded with Carol Goodman at Bouchercon over our mutual love of Dark Shadows, and the Scotty book still in draft form takes place mostly in a rural parish outside of New Orleans; not the same parish where Bayou Shadows is located, but the next one over.

Sometimes I think it would be fun to reboot the show again, retelling the original story, or picking up from where the television series ended, or even doing a new generation, some forty years later, with David Collins as an adult with children and so forth…Carol and I have joked about coming up with a concept and trying to sell it and be the showrunners…which would be a dream.

Sympathy for the Devil

Well, well, well. This morning I woke up to the announcement of this year’s Malice Domestic Agatha Award finalists, and mych to my pleasant surprise, our very own Gregalicious’ #shedeservedit is a finalist for Best Children’s/Young Adult novel. It was a very pleasant surprise, as I figured the Agatha short-list wasn’t in my future for A Streetcar Named Murder (which was only eligible for Best Novel, and there is WAY too much competition for that category to even consider the possibility) and honestly, I didn’t think #shedeservedit, my only other release for 2022, had a prayer of getting enough votes (if any at all), but hey. I put up a couple of “for your consideration” posts on social media, figuring it certainly wouldn’t hurt anything to at least try, and here we are. Wow. Thanks to everyone who voted for me. It’s very exciting to start out the year with what hopefully won’t be my last Lefty and Agatha nominations. The nominations are a very lovely pat on the back, and will make even nicer additions to my author bio and CV. Added to the two Anthony nominations last year for Bury Me in Shadows, and it would appear that I am having a rather lovely period in my career, am I not? Perhaps a Gregnaissance?

Okay, yeah, I hate when people do that and make up words. Forget I ever said that.

It’s work at home Friday and I have data to enter. I also had to roll out of bed and head down to Quest Labs this morning for a blood draw for my bi-annual physical, so now I have a bruise on both arms since I had my PrEP labs drawn on Wednesday. I had a good day yesterday–I managed to get back into the book, but fell 500 words short of quota, so I need to do that today as well as today’s writing so I am back on schedule. I’ve been having some moments of doubts and imposter-syndrome lately, but that always happens at this stage in a book so I dismissed it and put it right back out of my head. I was very tired when I finished yesterday’s writing, and Paul went to the gym last evening, so I went down a Youtube wormhole of research (yes, yes, justify wasting your evening, Gregalicious) until Paul got back and we watched some of the US Figure Skating Championships, particularly the Rhythm Dance. (If someone would have told me back when I moved in with Paul in 1996 that my eventual favorite discipline in figure skating would be the ice dancing, I’d probably still be laughing…) I also was remarkably hungry yesterday, which really never happens. I was so hungry yesterday afternoon when I left the office that I actually came home and ate a piece of King cake, which kept me through the night, but it was still odd. I rarely ever get hungry–which is why I often will forget to eat, especially when I am on a trip (unless you go to New York with That Bitch Ford–I think I ate more that weekend in New York than I have on every trip I’ve taken in the last ten years combined)–so it bears noting when I actually realize that I am hungry. My weird relationship with food and my body is something I should probably write about sometime.

One of the problems I face when I think about writing personal essays (did you enjoy that segue, Constant Reader? I usually struggle with transitions) is, of course, Imposter Syndrome. Whenever I sit and think about writing a personal essay, I immediately start to doubt myself. What insights and perceptions and conclusions can you possibly draw about this that hasn’t already been said, probably better and more eloquently, by many others already? I can be pretty oblivious, too–something that is patently obvious to everyone else is something that startles me when I recognize it, mainly because I never think about it; it’s just something that already is, so I don’t think about it. Like one day when I was visiting my parents in Houston a news promo ran on the television calling Houston the “space city,” which was something I clearly was aware of since my parents lived two exits from NASA, and “Houston we have a problem.” But when I heard it that day, it connected in my head, oh, Houston the space city, that’s why the baseball team is the Astros and the basketball team is the Rockets. I said this out loud and my mother looked at me like I was insane (a look I am quite used to, so no worries on that score) and started laughing. I guess my obliviousness was amusing, but I just had literally never thought about it–they were the Rockets and the Astros, and that was that; didn’t matter why they were called that. But this is the kind of thing that makes me worried about trying to write personal essays–that, of course, and my faulty and failing memory, which is yet another reason why I don’t write a memoir…although I could write a really good one. But the problem–even if I trusted my memory–is that everyone remembers everything differently, so I could write about something the way I remember it but the other people involved could remember it completely another way. Who is right, and what is the truth? That hurdle is something I’m going to have to clear–after all, “I Haven’t Stopped Dancing Yet” is a terrific personal essay, and a piece of work of which I am particularly proud; so I know I can do it. I suppose the true fear is that I won’t strip naked and show myself to the world, and will color and/or distort things to make me not look quite as bad as I actually was in the moment. That’s one of the reasons why I love writing fiction; I can take personal experiences and twist them into something that can fit into a good story, or make them better in some ways.

And believe me, there was a lot of bad behavior in my past.

You learn to live with it.

Sigh. I do have a lot to get done over the course of this weekend–cannot forget the ALA event tomorrow morning–and of course, there’s a lot of writing to be done and the US Figure Skating Championships to watch. I’ll need to make groceries at some point, too, and I have prescriptions to pick up at CVS and of course, next weekend I am off to Alabama (yay!) for two of my favorite events of every year, Murder in the Magic City and Murder on the Menu, which will take me to Birmingham and Wetumpka. Yay!

So, I am feeling a little more confidence this morning about my writing and everything in my life. I’m enjoying my day job and my new responsibilities, my writing career is doing okay, and I can’t really complain about too much. I’m going to return to the gym in April and start working on that part of my physical self. I am getting the hearings aids process started, and at some point I am going to need to have another eye exam later this spring. I have a lead on a dentist to get my teeth fixed so I can stop looking like a hillbilly, and start getting things figured out with a plan for my writing future.

And on that note, this data ain’t gonna enter itself. Have a lovely Friday, Constant Reader.

Promises in the Dark

I grew up loving both horror and crime stories–those wonderful old black and white Universal monster movies used to scare me to death, not to mention all the marvelous ghost stories and mysteries that got filmed back in the day. I also watched a lot of the 1950’s paranoia horror monster movies–Godzilla and its ilk–and those also used to give me horrible nightmares. I also liked how twisted horror comic books like The Witching Hour, House of Mystery and House of Secrets were. I’ve always wanted to write those kinds of stories, but if you think I have zero confidence in my abilities as a crime/mystery writer, there’s even less when it comes to my writing of horror. I never feel like I ever get it right, you know, and my stuff is macabre and peculiar and slightly twisted, but it’s not really scary. But like I did with the mystery novels and movies I watched as a child, I was always looking for myself in those tales and not finding myself. Oh, every once in a while there would be some homoeroticism in some horror I would be reading (Peter Straub’s If You Could See Me Now comes to mind), but for the most part, there wasn’t much. Thomas Tryon’s The Other resonated with me–it wasn’t until decades later that I learned Tryon was gay, and that sensibility infused all of his work, hence my connection with it–but usually when gays showed up in horror they inevitably were effeminate and soon to become victims. (Kill your gays has always been a thing, clearly.)

When I was going through my “I want to be the gay Stephen King” phase in the 1980’s, I didn’t put gay characters or themes in any of my stories–although rereading my attempts at horror from then now, I can see the sensibility was always there–but the horror novel I started writing in about 1986 or 1987, The Enchantress, had a gay point of view character, even though I didn’t really know what I was doing. I was always afraid, you see, to include gay characters in anything I hoped to get published because I was so busy keeping my two lives completely separated that I feared writing sympathetic gay characters would out me. (During my many writings about my high school students from Kansas, one of them was actually gay and was probably the most realistic and honest character in all of those writings) Trying to salvage those stories now, decades later, I sometimes will revise one and make the point of view character gay–which inevitably makes the story work better, incidentally–and they see publication eventually; “Crazy in the Night” was one of those stories, and another morphed into Bury Me in Shadows, actually. Just this morning I was thinking about some more of those old stories and how to make a couple of them work–partly because I spent the last two mornings reading Other Terrors: An Inclusive Anthology from the Horror Writers Association, edited by my friends Vince Liaguno and Rena Mason. The point of the anthology was to focus and highlight horror stories from marginalized writers–where they are marginalized by race or religion or sexual orientation or gender identity, and it includes stories from some of the top names in horror publishing today.

As with any anthology, some stories stick with the reader more than others; this isn’t a dis on any of the contributors to the anthology–every story was incredibly well-written–it’s just that everything is subjective and some stories stick with the reader longer than others. For me, the standouts were Jennifer McMahon (“Idiot Girls”); Alma Katsu (“Waste Note”); Gabino Iglesias (“There’s Always Something in the Woods”); Hailey Piper (“The Turning”); Larissa Glasser (“Kalkriese”), Michael Thomas Ford (“When The Lovelight Gleams”); M. E. Bronstein (“The Voices of Nightingales”); and S. A. Cosby (“What Blood Hath Wrought”). These were the ones that really resonated me, with the connections of strong writing, three dimensional characters, and completeness of the story. For many of the contributors, this is my first experience with their work, and I will definitely look out for more of their work. These were the ones that made me start thinking about ideas and stories and characters; stories that not only were enjoyable and immersive to read but also kick-started my own creativity and inspiration.

And what more can you ask from a reading experience, as a fellow writer?

Now I want to write more horror.

Definitely check the book out, Constant Reader, I think you’ll enjoy it.

Jumpin’ Jack Flash

He’s a gas, gas, gas!

Here we are on another gray weekend morning. It was supposed to rain off and on all day yesterday–it didn’t–but it turned out to be a pretty good day. I wrote about eight thousand words or so, give and take, and made groceries in the afternoon. I did take care of some chores around the Lost Apartment, too, and I spent some time yesterday morning with Other Horrors, which I should finish this morning as I only have three stories left. There have been a couple that puzzled me, but overall, I’ve enjoyed the collection for the most part. I’d be pressed to pick a favorite story, though. Reading it has again reminded me that I am not, no matter how much I wish I was, a horror writer. I just don’t have the imagination, I don’t think, to be a horror writer. I can write Gothic suspense–suspense stories with a touch of the supernatural in them, like Lake Thirteen and Bury Me in Shadows–but I just don’t have the kind of mind that goes to horror when I think about writing.

We also finished off That 90’s Show last night and started watching Mayfair Witches, an adaptation of Anne Rice’s Mayfair trilogy, beginning with my favorite of her novels, The Witching Hour. I am predisposed to like this, since I loved the book so much (the rest of the trilogy not so much), and of course I drove past the house they turned into the Mayfair house for filming on Prytania Street all the time. (They did not use the actual house at First and Chestnut; one thing I did have a problem with was the way they showed Dierdre’s porch, which was different on the actual house than how depicted on the show) There are two more episodes for us to get through tonight, which is cool. I slept extremely well last night again–it’s remarkable how well I’ve been sleeping since getting back from New York–and my psoriasis seems to be under control again for the first time in years. There are a few things I need from the grocery store, but I think I can safely put that off until tomorrow and can stop on the way home from work. This morning I did get up earlier than I wanted to–I am sleeping so well I could stay in bed all day without an issue, I think–but I eel good. My legs have finally stopped feeling sore and tired, thank God, and I think I can safely say that I have completely reacclimated to my day to day life again.

I’m still listening to the Hadestown score, but I also started listening to the Christine McVie-Lindsay Buckingham album the two recorded a few years ago, and it’s quite good. The harmonies! Although I can’t help but think two things while listening: first, I wish Lindsay Buckingham had produced one of her solo albums and second, the one thing missing is Stevie Nicks and this would have made an amazing Fleetwood Mac album, which I think was what it was originally intended to be but Stevie wasn’t available or something or another. It’s also sad to know there will never be another Fleetwood Mac album since Christine’s untimely passing last year (not with my favorite line-up, at any rate). I need to move her solo album from the 1980’s back into my rotation–it’s a great and always underrated record. It’s hard to imagine the band moving on without either Christine or Lindsay (whom they fired), and Stevie already has a band she tours with as a solo act…sigh. Fleetwood Mac was the soundtrack of my teens and twenties and it’s just very weird that it’s finally over after all these years for me. When I write about the 1970’s–which I probably will do either later this year or sometime next–it will indelibly have Fleetwood Mac music all over the score of my work.

When I finish this book, I have to spend February revising Mississippi River Mischief and should spend some time doing a massive copy edit of Jackson Square Jazz so I finally have all of the Scotty series for sale as ebooks at long last. Once I get that done, March will be spent revising the one I am writing now, and then finally come April I can get back to work on Chlorine at long last. I’d like to get a draft of it finished in April so I can write another first draft of something else in May (I already know what it is going to be) and then will probably spend the rest of the year writing short stories and novellas and revising everything to see what can happen with them. Next year I want to write yet another Scotty book and that’s when I am going to try to write my 1970’s Chicago suburb boys-are-disappearing novel, too. None of this is carved into stone tablets, either–things always come up along the way, new ideas or hey Greg want to write a book we’ll pay you xxx for it and I never ever say no to things like that. I’d also like to come up with a new short story collection at some time, or perhaps the three-in-one book novella collection; it’s hard to say. And I kind of want to try to write a romance. There’s always so much I want to write, isn’t there?

Heavy heaving sigh. I don’t think I’ll ever match the days when I used to write four or five novels per year, but I do think I am going to be able to get a lot more writing done now in the next few years. Next weekend I am doing a signing at the ALA event here in New Orleans at the Convention Center, and of course the next weekend I am off to Alabama, and then it’s Carnival. Utter madness!

And now I am going to head into the spice mines. Have a lovely Sunday, Constant Reader, and I will probably check in with you again later.

Play with Fire

Well, I met quota again last night which was marvelous. It’s still a bit chilly this morning. By the weekend it should be back into the seventies (it was yesterday as I ran my errands after work; it’s sixty-one this morning but it does feel colder outside of my bed and blankets), as the Alabama and Kansas State fans start arriving for the Sugar Bowl. LSU is also playing on New Years’ Day in the Citrus Bowl against Purdue, which will probably be the only game I actually watch that day.

There’s been a conversation going on over at Book Twitter lately that doesn’t really impact me in any way, but it’s been kind of interesting to follow. The conversation has to do with concerns about what is and isn’t considered y/a fiction as well as what is, or should be, considered age-appropriate reading material for teenagers and pre-teens. It doesn’t impact me because no one considers me a young adult writer, for one thing; despite having written numerous books with younger and/or teenaged characters (Sorceress, Sleeping Angel, Sara, Lake Thirteen, Dark Tide, Bury Me in Shadows, #shedeservedit), most people think of me as a gay mystery writer. Everything published under my own name is a mystery novel of some sort, whether it’s one of the series books or one of the stand-alones. I’ve never really marketed myself as a writer of young adult fiction, really; I shy away from that, I think, because of The Virginia Incident and the subconscious fear that one day that controversy might resurrect itself (which is ludicrous, and I know that; it certainly would have by now and it hasn’t, which further proves my belief that The Incident had nothing to do with me or my writing or my career and everything to do with systemic homophobia and othering used for political gain). It just seems weird to me that in less than five years after that happened–when I was deemed a menace to America’s youth–I could publish books for teenagers without a single whiff of complaint or scandal or even the raise of a single eyebrow.

Interesting, isn’t it? Almost like the whole thing was just more smoke and mirrors whose sole intent was to rile the homophobic base.

I just love that my existence is considered by some as a constant and continued threat to children.

One of the things that has always mystified me over the years is what is and isn’t considered age-appropriate. Intellectually I was far more advanced that most of my classmates (my emotional and personal maturity being an entire other subject–I’d say I am still behind on that score) and I started reading early. The library and the Scholastic Book Fairs were my best friends as a child, and I read everything I could get my hands on. I loved history, from which grew an appreciation and love for historical fiction (which I really don’t read much of anymore, which is odd. I really want to read Hilary Mantel’s Cromwell books…) and of course, my grandmother got me interested in “scary” movies and mysteries.

You’d think I’d be a huge fan of historical mysteries, but I actually don’t read many of them. I did love Elizabeth Peters’ Amelia Peabody series, and I’ve become a huge fan of Laurie R. King’s Mary Russell series…I think exploring historical mysteries might be a project for 2023.

But the point was I was reading books far too advanced for most people my age when I was young. I freely will admit that in my first read of Gone with the Wind at age ten I didn’t know Rhett raped Scarlett the night of Ashley’s surprise birthday party–it wasn’t until a reread in my late teens where I thought oh, this isn’t right–let alone that she enjoyed being overpowered and forced. I also read The Godfather when I was ten, and there was no mistaking anything about Sonny Corleone and Lucy Mancini. He had a cock the size of a horse’s and her vagina was apparently the Lincoln Tunnel. (Although the she felt something burning pass between her thighs still mystifies me to this day.) I also read The Exorcist when I was ten and I was also very well aware of what was going on in the crucifix masturbation scene. As a kid, I was fascinated by these sex scenes (aka “the dirty parts”), and it wasn’t until I was older than I began to question the entire Sonny-Lucy thing (and why it was even in the book in the first place); and while the crucifix scene was gross, shocking and basically icky to me at ten–when I reread the book sometime in the past decade it seemed prurient, to be honest–used primarily for shock value and to get people to talk about it.

So, yes, I started reading books for adults when I was around ten. I also read Antonia Fraser’s Mary Queen of Scots and Robert K. Massie’s Nicholas and Alexandra that same year–I remember doing a book report on Mary Queen of Scots and my teacher not believing that I had read the thick volume; he started opening the book at random and asking me questions–which I was able to answer, so he grudgingly accepted the book report and gave me an A. (Teachers have doubted me all of my life; can’t imagine why I am insecure about my intelligence…)

Over the course of my teens I also read books by Harold Robbins, Sidney Sheldon, Jackie Collins, Jacqueline Susann and Gordon Merrick-every last one of them crammed to the gills with racy sex scenes. I was also reading Stephen King, Irving Wallace, Herman Wouk, Agatha Christie, Ellery Queen, Jean Plaidy, Victoria Holt, Phyllis A. Whitney and any number of authors who wrote for adult audiences not teens. Were there things in the books I didn’t understand? Sure there were. Were there things in those books that were probably inappropriate for teenagers? Undoubtedly. (I’ve also never forgotten the scene in Joyce Haber’s The Users where a Liza Minnelli-based character fucked herself with her own Oscar; some images are simply too vivid to forget methinks.)

This is one reason I shy away from calling some of my books with teenagers “young adult” novels. Megan Abbott’s Dare Me centered teenagers, but I would never consider Dare Me a young adult novel. I was thinking about this the other night while watching Sex Lives of College Girls (it’s hilarious, you really should be watching); can I authentically write about teenagers anymore? Have I ever been able to? I don’t speak their language anymore, and I haven’t been one in over forty years (!!!!); I don’t know the technology they use or their slang or what they watch or listen to. I don’t know what today’s teens think about virginity and sexuality these days; do the tired old tropes still exist? Does that whole “good girl/bad girl” dynamic still exist, or are today’s teenaged girls a bit more sophisticated than they were when I was in high school when it comes to sex and sexuality? (Contrasting two high school shows with queer content makes you wonder–there’s the jaded cynicism of the rich kids in Elite vs the wholesome purity and innocence and sweetness of Heartstopper, which also had me wondering–although I feel certain Heartstopper might be closer to reality than Elite…or that’s just my hope?) Of course I have other ideas for more books about young people–I have another in-progress one that’s been sitting around for a very long time that I need to repurpose–and I’d kind of like to write more at some point, but I don’t know. My suburban 70’s serial killer preying on teenaged boys book would be told from the perspective of a twelve year old, but it would definitely not be a young adult novel–but will probably be marketed and sold as one.

And on that note I am heading into the spice mines on my last day in the office for 2022. Check back in with you later, Constant Reader.

Santa Tell Me

It’s always amused me that Santa is an anagram for Satan.

They may even be the only anagrams possible for each word, too.

We’re in a severe weather alert, but mostly the fear is flooding and torrential rain–the massive area under tornado watch is north of here–and it’s dark outside this morning as I sip my coffee and write this. My sleep was spotty again last night–waking up occasionally before falling back asleep again–but I do feel rested, and that’s the most important thing. Progress was made on the book yesterday, which is terrific and ever-so-pleasing to me. I did my errands yesterday after work without issue, but of course once I was home and had worked on the book for awhile, was terribly tired. I cannot allow that to happen when I get home this evening, as there are dishes to be put away and another load to be put into the washer. I’d like to spend some more time with A Walk on the Wild Side this evening as well; I need to finish it if I want to read the new Donna Andrews on Christmas day.

It’s hard to believe that Christmas is next weekend already. It doesn’t seem like it, but what would be really lovely–if it’s not a downpour when I get home from work tonight–would be to take a walk around the neighborhood and through the Garden District documenting decorations. I should make a point of this every year during Christmas and Carnival, frankly. I’ve never seen a city before that loved to decorate as much as New Orleans does–or does it even remotely as well.

But the coffee is good this morning and it’s getting light outside–grayish, really–and hopefully I won’t get rained on while driving to work. (Note to self: if it isn’t raining, bring umbrella inside from the car in case it’s raining when I leave.) I think we’re going to buy our new refrigerator this weekend, which is good since the one we currently have is absolutely on its last legs. I wanted to gt one with the freezer on the bottom, but for some reason those are a lot more expensive–by an absurd amount. So, it looks like we’ll probably get the normal kind with the freezer on the top–or maybe we can spring for a bit more and get one with side by side doors, which would be almost as effective (it’s the bending down that’s starting to get to me), but we’ll see. I think we’re just going to go to Costco and see what they have.

Yesterday a friend posted a list of all the things she accomplished in 2022–which she compiled after feeling like she really hadn’t done much during the year, and was pleasantly surprised to see how much she had, in fact, managed to do. I was thinking about this myself the other night–not that I hadn’t done much throughout the year, but rather that I’d had a rather bad year, but once I sat down and started thinking about it, it’s actually been a good year for me; actually a very good year indeed when all is said and done. Oddly enough, when I sit and look back emotionally, without going into much more depth, it was a year in which my primary memories are tired and miserable. And yet…productivity wise it may not have been my strongest year, but it was still a good year. Bury Me in Shadows was nominated for two Anthony Awards at Bouchercon this year; it’s not the first time one person was nominated multiple times in the same year (hell, S. A. Cosby was nominated for three awards, and I think Tracy Clark was also up for two this year alone) but it’s a select group to be sure and one to which I am proud to belong. I have no way of verifying it either, but I am pretty certain it was the first time the same book was nominated in two different categories. Those were also my third and fourth Anthony nominations, which I think may also make me the most nominated queer author? It’s hard to say because they don’t have full lists of the finalists from every year anywhere, so you can’t really look it up and verify anything, so I hate to make claims that may not be true. But I think they’re true, and even if they aren’t, I am certainly one of the most nominated queer authors. The positive reception Bury Me in Shadows got on its release continued into the early part of this year as well, just as #shedeservedit came out. That one didn’t get near the attention as its predecessor, but it’s a book I am really proud of and am happy to have not only finished but published. I also finished writing A Streetcar Named Murder earlier this year, and I couldn’t be more pleased with its reception, either. I worked on other things throughout the year–short stories, some novellas, and two other novels (Chlorine and Muscles, to be precise)–and while I didn’t get a lot of stories out there and sold this year, I did sell a couple of which I am proud–one I can’t mention as it isn’t public yet, and the other being “Solace in a Dying Hour,” which I sold to an Austalian anthology and it’s a pretty damned good story. I also sold “The Rosary of Broken Promises” to an Anne Rice tribute anthology, and I still have one out on submission. “This Thing of Darkness” was in Cupid Shot Me, an anthology that was released on Valentine’s Day last year–so yeah, that’s at least four stories, and there’s another anthology that’s supposed to come out sometime this month which has my story “A Whisper from the Graveyard” in it.

I also edited the Bouchercon anthology, which took up a lot of my time between January and June. Land of 10000 Thrills is a great anthology, with some absolutely amazing contributors and great stories, and the contributors themselves were not only amazing talents but delights to work with. The anthology caused me a lot more stress than editing an anthology used to–primarily because there were so many demands on my time this past year, which I think is part of the reason I felt miserable for most of the year; my massive to-do list never seemed to get finished and always seemed to keep growing. It satisfies my OCD and need for completion to finish to-do lists, and it also subconsciously makes me think I’ve accomplished things. When tasks don’t get done because I simply don’t have the time or the energy to get to them, that makes me feel like I am failing. I also have to adjust my expectations downward, because I am older and don’t have the energy I used to have–and I really don’t want or need to start taking any kind of stimulant. I probably should cut back on the coffee, frankly.

And on that note, I am going to head into the spice mines. Have a lovely day, Constant Reader, and I’ll check in with you again tomorrow.

Rockin’ Around the Christmas Tree

Monday morning and back to the office with me! It was a pretty good weekend, overall; I got some work done on the book, made groceries, did all kinds of chores, finished reading my Wanda Morris book and started reading another, and somehow managed to get some rest around all of that as well. I was very pleased with the work I did on the book, and who knows? Maybe I’ll even somehow manage to get it turned in by the extended deadline. #madness

And now it’s Monday morning, and I am up earlier than I need to be. I really need to focus, as a lot of things have been slipping lately as I focus on the book and getting it finished, and there’s been a kind of malaise–the feeling that usually comes along when I’ve actually finished a book, and has never before come while I was writing one. These last few years haven’t been easy for writing, to be honest, and yet–I’ve also produced some of my best work somehow during this time. I think Bury Me in Shadows is one of my best works, and while I don’t think it’s as good, #shedeservedit was also one I was terribly pleased with. And all I’ve seen anywhere for A Streetcar Named Murder has been highly positive. Land of 10000 Thrills was also one of the better anthologies I’ve done, and some of the short stories I’ve been doing during these last few years have also been really good. I also think that some of the stuff I have in progress–“Never Kiss a Stranger,” “Festival of the Redeemer,” Chlorine, Muscles, etc.–are also really good stuff. Some of the work I did this weekend is pretty damned good. I don’t think I’ve ever felt this confident in my writing before in my entire life, to be honest, but as long as I keep confidence from bleeding over into ego, I should be okay.

We watched all four episodes of Three Pines last night, and i think it’s very well done. Alfred Molina is perfect as Inspector Gamache, and while I must confess to only have read the first Louise Penny novel, Still Life, I was very impressed with it and liked it a lot (not sure why I’ve not gone back and read more of them; I do have the first three or four, but it probably has more to do with time and the massive TBR pile than anything else). I thought the show didn’t have the same feel as the books, in some ways, but it’s also a different medium and there are always changes. When I was reading the book (and again, only the first in the series so I am hardly an expert on Penny’s writing or her series) I like the town, and enjoyed my visit there. It was a nice, quirky, small town–but translating that to the screen is an entirely different ball of wax. I think the producers and writers decided that because the show is about murder, it needed to be a little darker, and Three Pines comes across as a small town full of eccentrics in the show, more like Twin Peaks, Picket Fences, and Northern Exposure than Penny’s creation….but I think it was a smart direction to go with the show. Penny’s strength is offsetting the charm of the town against the darkness of the crimes committed there, and I don’t know how well Penny’s vision could have translated to the screen any better. We both really liked it. We also watched a true crime documentary about Charlie Cullen, the killer nurse–which was creepy as fuck.

I’m hoping against hope that this good feeling will last all week. I’m going to have to stop and make groceries on the way home from the office–heavy sigh–but no need to swing around uptown for the mail until tomorrow. I have to remember to buy a shipping envelope to mail a copy of Streetcar to the winner of the drawing from Mystery Lovers’ Kitchen–I should add that to my to-do list…which I need to make a new copy of it. The problem is I don’t remember everything I am supposed to be doing, and I need to get back into the habit of making a new list every weekend so things don’t get lost.

I also spent some more time with Nelson Algren’s (I was spelling it wrong in the last blog) bleak A Walk on the Wild Side, which I am enjoying but isn’t precisely a quick read by any chance. It reminds vaguely of another novel set in the same time period, A Garden of Sand by Earl Thompson, which I’ve started any number of times but have never managed to get very far into because it is also not an easy read. I am going to try to devote an hour to reading every night–an hour a day is far better than what I’ve been doing, which hasn’t been helping to budge the TBR pile at all–and I think tonight we are going to finally start watching Wednesday. I’ve been reluctant to jump into it, despite the great reviews, because the Christina Ricci version from the 90’s films was, at least for me, definitive. But we keep hearing good things about the show as well as Jenna Ortega’s performance in the lead, so I think tonight will be the night we take the plunge.

It rained all day yesterday–it was even raining when I went to pick up the groceries–and it seems a bit gray outside this morning as well. I have a lot of emails to write and a lot of emails to answer and all kinds of stuff to do today–one of the reasons I got up an hour earlier than I needed to this morning–so I am trying to be proactive and not laze in bed the way I usually do on the mornings when I don’t have to get up at six. I am getting used to getting up early for the first time ever in my life, and quite frankly, I don’t like it. But I also don’t see the clinic hours being changed any time soon, either; I fear my afternoon/early evening shifts are a thing of the remote past now.

And on that note, I have quite a bit to do today, so it’s perhaps best that I make another cup of coffee, some toast, and dive right in. Have a lovely Monday, Constant Reader.