Street Fighting Man

Saturday and all is calm within the Lost Apartment, at least so far this morning–who know what will happen later? One can never really be certain.

Heavy sigh. My dryer stopped heating yesterday–a tragedy was averted when I remembered that there was a working dryer in the carriage house so I could dry everything over there, which beats taking it to a laundromat–but rather than let that get me down or upset me at all, I figured out a solution (see sentence between dashes above) and went on with my day. I got my work-at-home duties done around doing some organizing and cleaning in the kitchen/office (I discovered more MWA stuff that can be archived and filed away) and did the dishes, making the kitchen sort of bearable to look at. I got some writing done, which was marvelous, and figured out why my printer kept jamming and fixed it (clearly, it was a solution-driven day for one Gregalicious around the Lost Apartment), so I no longer need to continue looking for a new printer/scanner/copier, which was really super great. (Especially since we now appear to be in the market for a new dryer, damn it all to hell. I think I can probably fix it–its probably a fuse, but the laundry room is really too small and inconvenient to get behind the dryer and try to remove or fix anything; I may give it a try later today to see what can be done. There’s a Lowe’s near the office I can run to after work on Monday if it’s indeed something I myself can handle–and wouldn’t it be easier and cheaper to replace a fuse rather than having to order a new one and have it delivered, making arrangements for me to be on hand for it to arrive and everything? Augh. I kept hoping it would fix itself miraculously to no avail. Heavy heaving sigh.

I slept very well again last night and even slept in a little bit this morning. I’m not sure exactly what changed with the sleep situation around here, but it’s nice. Scooter got me up at seven whining for food, but I went back to bed and fell right back asleep for another hour and a half. I feel rested and relaxed and centered this morning, which is nice. I do have to go pick up groceries I ordered today but other than that I don’t really have to leave the house. It’s gray out there this morning and it feels chilly inside–I turned the heat off yesterday because it was a bit stuffy in the house, but I don’t mind a bit of a chill, seriously. My coffee tastes marvelous this morning, and I do need to get a lot of writing done today–I got some done yesterday but not nearly enough–and of course I think my Saturday morning ritual of doing some reading before starting to write is probably a good idea. I think I am going to finish reading Other Horrors this morning and perhaps tomorrow, and then maybe start in on The Last King of California or one of the myriad of cozies I have on hand. I know I want to read the Edgar finalists I have on hand that I’ve not yet read, too.

After watching the LSU gymnastics meet against Missouri (Tigers win! Geaux Tigers!) and this week’s Servant over on Apple TV (which is really interesting), we decided to give That 90’s Show a whirl on Netflix for a bit of nostalgia. (We watched early seasons of That 70’s Show before finally giving up as it got stale) and actually kind of enjoyed it. The kids are appealing, and who knew Red and Kitty were the anchors of the original show so much so that they could anchor the reboot, too? All they need is goofy hormonal teenagers to play off and you have a show. We only have three episodes left to watch, and while it wasn’t high art by any means, it was enjoyable and entertaining enough–who needs more than that on a Friday night after a long week of reentry into reality? I kind of want to watch The Pale Blue Eye at some point over this weekend.

I’m also trying very hard not to get too giddy over how easy it is for me to deal with my emails now. I’m still not used to it, nor am I used to taking a break from doing anything and not feeling guilty about the massive to-do I’ve yet to master/conquer. (Note to self: you need to make a new one to work on) But while I was working at home yesterday and working around the dryer issue, I also managed to get the kitchen–notably my desk area–back under control, which was a very good thing. I still have more organizing and filing to do, but it’s not the enormous task now that it was yesterday morning, and I am looking forward to having it completely under control today. I was also looking through all the drafts here of my blog and am thinking a good goal for this spring would be to get them all finished and posted. I need to do some more blatant self-promotion for A Streetcar Named Murder too; I am curious, though, as to what else I can do to do New Orleans promotional posts that tie into the book somehow. Hmmmm. Maybe I need to look through the book again? Might be something to do later on after I get my writing for the day finished.

And on that note, I heading into the spice mines. Have a lovely Saturday, Constant Reader, and I will check in with you again tomorrow.

Honky Tonk Women

We don’t really hear that word used much anymore, do we–honky tonk? It was used a lot when I was a kid, mostly in country music songs, but it was also one of those words/phrases that for whatever reason grated on my when I was younger. Even now I think honky tonk just sounds silly phonetically; why this bugs me so much I will probably never know. (I think it was because it seemed coy to me when I was a kid; like it was a phrase that stood in for something you couldn’t say on television or in the movies or in a song, like making whoopie or making love when what you mean to say is fuck; I always hated that, even as a kid. Just say what you fucking mean. Seriously, y’all, the days of censorship was just incredibly stupid, and don’t even get me started on that staple of soap operas–making love. Gah.)

I am going to have to use “honky tonk” in a title sometime.

Well, last night was probably the best night of sleep of all time, bar none. I feel like I could have stayed in bed easily all day and just kept sleeping, and that was marvelous. I may not be completely awake yet–hello, coffee!–but I feel marvelously rested and relaxed this morning, and so I feel like I am going to be able to get a lot done today. I didn’t get quota yesterday–fell a thousand or so short, alas–which will have to be made up for over the course of the weekend if I am to get back on schedule. I am, oddly enough, not as stressed about this as I ordinarily would be, to be honest–I am feeling confident these days, which is a strange but lovely feeling, and one I don’t ever remember having before when it comes to writing.

No worries, I am sure it will pass soon.

I had a nice day yesterday. After work I had to run a couple of errands, and found Jordan Harper’s UK release The Last King of California, waiting for me at the post office from Book Depository (my go-to for UK publications), which I am kind of excited about. I want to finish reading the stories in Other Horrors this weekend, and then I think I’m going to read another cozy–I have some really terrific ones lying around here in the TBR stacks just waiting for me to pick up, and of course with the Lefty and Edgar nominations released this week my list of books to buy just continues to grow and grow and grow. I still haven’t read Harper’s Edgar winning debut, She Rides Shotgun, which everyone raves about; but it’s always so hard not only to keep up with what’s current because more and more are released every month and once you’re behind there’s no catching up. After getting home from my errands yesterday I did research for my current project (I love that watching Youtube videos counts as research for this, and I am having the best time with the research, and that is part of why I am enjoying writing this so much (I also love my main character).

It looks gray outside this morning, and I do have an errand that must be run today. Heavy sigh. It’s why I got up, after all–I was perfectly willing to stay in bed for even more time this morning–and my kitchen is a disaster and as always, there is laundry. Heavy heaving sigh. So I am going to go ahead and head into the spice mines this morning, Constant Reader. I may check in again later–but one never knows, does one? Have a lovely Friday, though, and may the odds be ever in your favor.

The Winner Takes It All

Mystery Writers of America Announces 2023 Edgar Allan Poe Award Nominations

January 19, 2023, New York, NY – Mystery Writers of America is proud to announce, as we celebrate the 214th anniversary of the birth of Edgar Allan Poe, the nominees for the 2023 Edgar Allan Poe Awards, honoring the best in mystery fiction, non-fiction and television published or produced in 2022. The 77th Annual Edgar® Awards will be celebrated on April 27, 2023, at the New York Marriott Marquis Times Square.

BEST NOVEL

Devil House by John Darnielle (Farrar, Straus and Giroux – MCD)
Like a Sister by Kellye Garrett (Hachette Book Group – Little, Brown & Co./Mulholland Books)
Gangland by Chuck Hogan (Hachette Book Group – Grand Central Publishing)
The Devil Takes You Home by Gabino Iglesias (Hachette Book Group – Little, Brown & Co./Mulholland Books)
Notes on an Execution by Danya Kukafka (HarperCollins – William Morrow)

The Maid by Nita Prose (Penguin Random House – Ballantine Books)

BEST FIRST NOVEL BY AN AMERICAN AUTHOR

Jackal by Erin E. Adams (Penguin Random House – Bantam)
Don’t Know Tough by Eli Cranor (Soho Press – Soho Crime)
Shutter by Ramona Emerson (Soho Press – Soho Crime)
More Than You’ll Ever Know by Katie Gutierrez (HarperCollins – William Morrow)
Portrait of a Thief by Grace D. Li (Penguin Random House – Tiny Reparations Books)

BEST PAPERBACK ORIGINAL

Quarry’s Blood by Max Allan Collins (Hard Case Crime)

On a Quiet Street by Seraphina Nova Glass (Harlequin Trade Publishing – Graydon House

Or Else by Joe Hart (Amazon Publishing – Thomas & Mercer)

Cleopatra’s Dagger by Carole Lawrence (Amazon Publishing – Thomas & Mercer)

A Familiar Stranger by A.R. Torre (Amazon Publishing – Thomas & Mercer)

BEST FACT CRIME

Slenderman: Online Obsession, Mental Illness, and the Violent Crime of Two Midwestern Girls by Kathleen Hale (Grove Atlantic – Grove Press)

Tell Me Everything: The Story of a Private Investigation by Erika Krouse (Flatiron Books)

Trailed: One Woman’s Quest to Solve the Shenandoah Murders by Kathryn Miles (Hachette Book Group – Workman Publishing – Algonquin Books)

American Caliph: The True Story of a Muslim Mystic, a Hollywood Epic, and the 1977 Siege of Washington, D.C. by Shahan Mufti (Farrar, Straus and Giroux)

American Demon: Eliot Ness and the Hunt for America’s Jack the Ripper by Daniel Stashower (Minotaur Books)

BEST CRITICAL/BIOGRAPHICAL

The Life of Crime: Detecting the History of Mysteries and Their Creators by Martin Edwards (HarperCollins – Collins Crime Club)

The Bloomsbury Handbook to Agatha Christie by Mary Anna Evans & J.C. Bernthal (Bloomsbury – Bloomsbury Academic)

The Crime World of Michael Connelly: A Study of His Works and Their Adaptations by David Geherin (McFarland)

The Woman Beyond the Attic: The V.C. Andrews Story by Andrew Neiderman (Simon & Schuster – Gallery Books)

Agatha Christie: An Elusive Woman by Lucy Worsley (Pegasus Books – Pegasus Crime)

BEST SHORT STORY

“Red Flag,” Alfred Hitchcock Mystery Magazine by Gregory Fallis (Dell Magazines)
“Backstory,” Alfred Hitchcock Mystery Magazine by Charles John Harper (Dell Magazines)
“Locked-In,” Alfred Hitchcock Mystery Magazine by William Burton McCormick (Dell Magazines)
“The Amnesty Box,” Alcohol, Tobacco, and Firearms by Tim McLoughlin (Akashic Books)

“First You Dream, Then You Die,” Black is the Night by Donna Moore (Titan Books)

BEST JUVENILE

The Swallowtail Legacy: Wreck at Ada’s Reef by Michael D. Beil (Holiday House – Pixel+Ink)
The Area 51 Files by Julie Buxbaum (Random House Children’s Books – Delacorte Press)
Aggie Morton Mystery Queen: The Seaside Corpse by Marthe Jocelyn (Penguin Random House Canada – Tundra Books)

Adventures on Trains: Murder on the Safari Star by M.G. Leonard & Sam Sedgman (Macmillan Children’s Publishing – Feiwel & Friends)
Chester Keene Cracks the Code by Kekla Magoon (Random House Children’s Books – Wendy Lamb Books)

BEST YOUNG ADULT

Pretty Dead Queens by Alexa Donne (Random House Children’s Books – Crown BFYR)
Frightmares by Eva V. Gibson (Random House Children’s Books – Underlined)
The Black Girls Left Standing by Juliana Goodman (Macmillan Children’s Books – Feiwel & Friends)
The Red Palace by June Hur (Macmillan Children’s Books – Feiwel & Friends)
Lock the Doors by Vincent Ralph (Sourcebooks – Fire)

BEST TELEVISION EPISODE TELEPLAY

“One Mighty and Strong” – Under the Banner of Heaven, Written by Brandon Boyce (Hulu/FX)
“Episode 1” – Magpie Murders, Written by Anthony Horowitz (Masterpiece/PBS)
“Episode 1″ – Karen Pirie, Written by Emer Kenny (BritBox)
“When Harry Met Fergus” – Harry Wild, Written by David Logan (Acorn TV)
“The Reagan Way” – Blue Bloods, Written by Siobhan Byrne O’Connor (CBS)

“Eighteen Wheels A Predator” – Law & Order: SVU, Written by Brianna Yellen & Monet Hurst-Mendoza (NBC Universal)

ROBERT L. FISH MEMORIAL AWARD

“Dogs in the Canyon,” Ellery Queen Mystery Magazine by Mark Harrison (Dell Magazines)

* * * * * *

THE SIMON & SCHUSTER MARY HIGGINS CLARK AWARD

Because I Could Not Stop for Death by Amanda Flower (Penguin Random House – Berkley)

The Woman in the Library by Sulari Gentill (Sourcebooks – Poisoned Pen Press)
The Disinvited Guest by Carol Goodman (HarperCollins – William Morrow)
A Dreadful Splendor by B.R. Myers (HarperCollins – William Morrow)
Never Name the Dead by D.M. Rowell (Crooked Lane Books)

THE G.P. PUTNAM’S SONS SUE GRAFTON MEMORIAL AWARD

Secret Lives by Mark de Castrique (Sourcebooks – Poisoned Pen Press)

An Unforgiving Place by Claire Kells (Crooked Lane Books)

Hideout by Louisa Luna (Knopf Doubleday Publishing Group – Doubleday)

Behind the Lie by Emilya Naymark (Crooked Lane Books)

Secrets Typed in Blood by Stephen Spotswood (Knopf Doubleday Publishing – Doubleday)

THE LILIAN JACKSON BRAUN MEMORIAL AWARD

The Shadow of Memory by Connie Berry (Crooked Lane Books)

Buried in a Good Book by Tamara Berry (Sourcebooks – Poisoned Pen Press)

Smile Beach Murder by Alicia Bessette (Penguin Random House – Berkley)

Desert Getaway by Michael Craft (Brash Books)

The Marlow Murder Club by Robert Thorogood (Sourcebooks – Poisoned Pen Press)

SPECIAL AWARDS

GRAND MASTER

Michael Connelly

Joanne Fluke

RAVEN AWARD

Crime Writers of Color

Eddie Muller for Noir Alley and The Noir Foundation

ELLERY QUEEN AWARD

The Strand Magazine

Little Queenie

Thursday! I survived Pay-the-Bills Day with little incident–by some mysterious quirk of the calendar and pay periods, I only had two bills to pay this time around (which means almost everything will fall due after the next Pay-the-Bills Day) and I also managed to get three thousand words written yesterday–yep, I got back on the horse and was able to dive headfirst into the writing of my next book again. I know it’s silly, but I always manage to do so despite all my worrying to the contrary yet that doesn’t ever stop me from worrying the next time around. I’ve also reached a point where I am no longer dreading having to do it; once I get started I just dig down into it and go for it, you know?

Which is kind of lovely, really.

I was exhausted after I finished writing yesterday, and even dozed off in my chair for a little while (having Scooter sleeping in my lap and purring in his sleep had a lot to do with it). Paul worked late again last night and wasn’t home before I went to bed so of course Scooter was super-needy and wanted to just be in my lap all night–even staying in the chair and waiting for me to come back every time I got up. I slept great again last night, too–I’ve been sleeping marvelously ever since my return home on Sunday (other than Sunday night which is odd), and hope the streak will continue again tonight for my work-at-home day tomorrow. It’s kind of weird that it’s the weekend again (almost) already; this week has kind of flown past, and that’s fine, I suppose. It’ll be February and Carnival before we know it again, which is wild. I’m not in good enough shape for standing at the corner this year, either, but we’ll see how it all goes, won’t we?

I’m still listening to the Hadestown cast recording and I am really enjoying it still. It’s perfect for the car on the ride to work–especially the song “Way Down Hadestown”, which seems particularly appropriate for the drive to work, you know? I also was reminded yesterday that I am appearing at the ALA event here in New Orleans a week from Saturday, and then the next weekend its off to Alabama for my twofer weekend, at the library in Birmingham and then again on Sunday in Wetumpka, which is becoming my favorite town in Alabama (I keep thinking it would be fun to write a cozy series based on Wetumpka), and then after that, of course, we’re in the midst of Carnival madness. Next thing you know it’s March and the Festivals are here…which is how time flies when you’re my age. Next thing you know it’s summer again, and then I’ll be sixty-two and then it’s football season again and so the cycle of time goes. My life generally is measured in terms of deadlines, which makes the time fly even faster. Heavy sigh.

I do think I am going to take a week vacation at some point this spring and not really go anywhere or do anything much other than clean and organize, maybe go see the World War II museum and the Chalmette battleground, or even just take a day to go exploring the river and bayou parishes. The only trips after Alabama at the end of this month I have planned currently are Bouchercon in San Diego and later Kentucky for the holidays again. I am thinking I may go to Boston to visit some friends I’ve not seen in a very long while–way overdue–and I am not sure how my vacation time got so whacked and out of control this last year, but I also traveled a hell of a lot more than I had in the two previous years.

And on that note, I am going to head into the spice mines. Have a happy Thursday, Constant Reader, and I’ll check back in with you again later.

Live With Me

Wednesday and Pay the Bills Day has rolled around yet again. Woo-hoo!

Yesterday I was working on cleaning out my inbox–an ongoing struggle, but it’s suddenly gotten easier lately–and around noonish an email from Left Coast Crime dropped in letting me know that A Streetcar Named Murder had been selected as a finalist for the Lefty Awards! I certainly wasn’t expecting anything like that to ever happen, so thanks to everyone who listed me on their ballot. It’s a tough category–the other nominees are Ellen Byron for Bayou Book Thief, Catriona McPherson for Scot in a Trap, Jennifer Chow for Death by Bubble Tea, and A. J. Devlin for Five Moves of Doom. Such a thrill, really, and to be nominated against authors for whom I have so much respect and admiration for their talents and achievements already? And so many other amazing nominees in the other categories as well–including lots of friends! Kellye Garrett, Alex Segura, James L’Etoile, Karen Odden, Laurie R. King, Gigi Pandian, Rob Osler, Eli Cranor, Wanda Morris, and Catriona again (nominated TWICE!!!!). I’m really sorry I won’t be going to Left Coast this year. I had a marvelous time last year, but it’s also the week before TWFest and Saints & Sinners, and there’s no way I could take that much time off so close together–let alone leave the week before the festivals. I’d come home to find the locks changed, seriously. So many amazing reads this past year on this list, and there I am, right there with some of my favorite people.

It’s always lovely to get recognized, of course. Award nominations are always a lovely pat on the back, and yes, while I often joke about always losing everything I am ever nominated for (I love pretending to be bitter and cynical about losing awards), it is indeed a great honor and a thrill and all those things they’re supposed to make you feel like. Being nominated for mainstream awards, like this and the Anthonys, was never in my thoughts or calculations (to be fair, I never think about awards when I’m writing something)–so yes, for the kid who used to give acceptances speeches to the mirror holding a shampoo bottle as a stand-in for an Oscar, it’s an honor and a thrill and a privilege. I mean, winning isn’t really in my control–anyone who’s ever nominated’s control–so I just look at it as a lovely nice job thumbs-up from the community and add it to my author bio.

I slept really well again last night and this morning I don’t feel tired or sore and my mind is completely alert–yesterday there was some residual fog from my trip still, and leftover exhaustion–but today feels absolutely great. I ran errands after I got off work yesterday–some books and other things came in the mail yesterday, including my Rainbow candles (a client gave me one for Christmas; I loved the smell, and then had to go searching on line to find more of them) and the leather-bound copies of Rebecca and Echoes from the Macabre by Daphne du Maurier as produced by the International Collectors’ Library (about time I got two really nice editions of two of my favorite books). I was terribly tired when I got home from work yesterday so I pretty much melted into my easy chair with Scooter asleep in my lap and just watched videos on Youtube (I went down a Rihanna wormhole for a good while–I’d forgotten how amazing her music was–while also looking up videos from Hadestown, whose score I’ve been listening to every since I got home; I cannot tell you how much I loved this show). I need to pay the bills today and get back to work on the book–I’m behind again and am really going to have to work my ass off to get it done by the end of the month now, no time for goofing off or anything other than a major push; I also have a short story to finish that I’ve promised to a friend for an anthology; that will be a nice creative and intellectual challenge to try to get finished around the book, too.

So, yes, Constant Reader, as you can probably tell I’m in a really good place this morning. My coffee is marvelous, I got a lovely pat on the back from the mystery community yesterday (“they like me! they really like me!”), and I am feeling great about my writing and my future. We’ll see how long this happy feeling and inspiration lasts, won’t we? I also think the cold or sinus thing that’s been going on with me since I flew to New York has finally been given the boot by my immune system, which is really nice. (I always feel terrible when I travel–part of it is the lack of sleep and the dehydration caused by the pressure changes required for flying; one of these days I’ll learn to drink water and replenish electrolytes when I travel instead of just drinking Cokes and coffee and alcohol; you’d think I’d know better by now but I clearly do not) But I feel like me again for the first time in what seems like a really long time, and it’s going to take some getting used to and adjusting again. (This weekend especially is going to feel weird as fuck, to be honest.)

And on that note, I am heading into the spice mines. Have a lovely Wednesday, Constant Reader, and I will chat with you again tomorrow.

Arizona

Holy. Shit.

Lefty Award Nominees

Our thanks to all who submitted their nomination forms. The Lefty Awards will be voted on at the convention and presented at a banquet on Saturday, March 18, at the El Conquistador Resort in the Oro Valley of Tucson, Arizona. We are delighted to announce the Lefty nominees.Lefty Nominees for Best Humorous Mystery Novel

  • Ellen Byron, Bayou Book Thief (Berkley Prime Crime)
  • Jennifer J. Chow, Death by Bubble Tea (Berkley Prime Crime)
  • A.J. Devlin, Five Moves of Doom (NeWest Press)
  • T.G. Herren, A Streetcar Named Murder (Crooked Lane Books)
  • Catriona McPherson, Scot in a Trap (Severn House)

Lefty Nominees for Best Historical Mystery Novel
(The Bill Gottfried Memorial) for books set before 1970

  • Dianne Freeman, A Bride’s Guide to Marriage and Murder (Kensington Books)
  • Catriona McPherson, In Place of Fear (Severn House)
  • Wanda M. Morris, Anywhere You Run (William Morrow)
  • Karen Odden, Under a Veiled Moon (Crooked Lane Books)
  • Ann Parker, The Secret in the Wall (Poisoned Pen Press)
  • Iona Whishaw, Framed in Fire (Touchwood)

Lefty Nominees for Best Debut Mystery Novel

  • Erin E. Adams, Jackal (Bantam Books)
  • Eli Cranor, Don’t Know Tough (Soho Crime)
  • Ramona Emerson, Shutter (Soho Crime)
  • Meredith Hambrock, Other People’s Secrets (Crooked Lane Books)
  • Harini Nagendra, The Bangalore Detectives Club (Pegasus Crime)
  • Rob Osler, Devil’s Chew Toy (Crooked Lane Books)
  • Jane Pek, The Verifiers (Vintage Books)

Lefty Nominees for Best Mystery Novel
(not in other categories)

  • Kellye Garrett, Like a Sister (Mulholland Books)
  • Laurie R. King, Back to the Garden (Bantam Books)
  • James L’Etoile, Dead Drop (Level Best Books)
  • Gigi Pandian, Under Lock & Skeleton Key (Minotaur Books)
  • Louise Penny, A World of Curiosities (Minotaur Books)
  • Alex Segura, Secret Identity (Flatiron Books)

Walking to New Orleans

One thing I do miss about Carnival season is walking home from work along the parade route–and I could tell I was out of practice walking this last weekend in New York, trust me.

For years, I worked on Frenchmen Street, one block downtown from the Quarter. I live inside the Carnival parade route (we call it “inside the box” here–the box boundaries being Tchoupitoulas, Napoleon, St. Charles and Canal–which means those streets generally close to traffic (only the downtown-running side of St. Charles closes; the uptown side does not, but you can imagine how horrific the traffic is on that side when there’s a parade on the other side of the neutral ground) about an hour or so before the first parade rolls, which means if I didn’t have my car “inside the box” before the streets closed, I’d have to wait until after the parades all ended–usually sometime after eleven, and the last thing I’d want to do is walk blocks to where I’d left the car to bring it home through all the after-parade traffic and mess–yeah, no thanks. We also used to do a lot of condom outreach during Carnival nights, setting up a table at the corner of Bourbon and St. Ann. So, on days when I had to actually go into the office I took the streetcar (which doesn’t run on Lundi Gras, so I had to walk the entire way) and walked through the Quarter–then would go do outreach and walk home from there. It was always tricky crossing the parade route itself; if I timed it right and got to Canal between parades, I could cut across to the inside easily; if not, I’d have to walk up Baronne to Harmony (formerly Lee) Circle, and I could always cut across at St. Charles (in the CBD and along Canal Street, barriers are erected to keep people out of the street). I may have been tired, but I always was in a good mood by the time I got home because I’d have a lot of beads already from walking along the parade route.

People used to love my post-parade bead selfiesas you can see, I am wearing my work shirt, so these beads were caught while walking home. Also, disregard the horror show that are my kitchen counters, thank you.

It’s funny, because I used to always bitch about having to walk to the office or condom outreach, and then having to walk home after. So, of course now I miss it.

I also sometimes take selfies when I am out on the parade route, to give everyone an idea how the throw-catching is going.

Obviously, I don’t care how I look as long as the throws are visible. This is from Iris in 2020, the last carnival before the pandemic.

And yes, the correct terminology is “throws,” because the krewes throw more than just beads. They throw candy, bubblegum, plush toys, moon pies, bags of potato chips, boas, and go cups, for starters. And of course some of the krewes have signature throws, such as the Zulu coconut, the Muses shoe, Tucks’ toilet themed throws (sunglasses that look like toilets, rolls of toilet paper) and the King Arthur grails. The signature throws are coveted, by the way; you’d be surprised at the way people will fight and claw and shove to get them.

One of our many Muses shoes. Isn’t it pretty? Paul manages to get at least one every year.

New Orleans is an extremely walkable city in my part of town. Twenty minutes maximum to Canal Street, another twenty minutes the other way to Touro or the Fresh Market, and of course the Marigny is another fifteen minutes past Canal. I don’t walk as much as I should; maybe after work every day from now on when I get home I can take a walk until I’m certain my arm is better and I can go back to the gym again. I love walking to the gym, I love walking through the Garden District–but sometimes it’s way too hot to walk, and of course, there’s always a chance of getting caught in a sudden thunderstorm/downpour (it’s why we own so many umbrellas; you end up getting caught out in a storm without one so of course you buy another). That was something I wanted to stress in A Streetcar Named Murder–that someone who lives where Valerie does, for example, can pretty much just walk anywhere to do her errands; I lived in New Orleans without a car for two years. (Good thing my parents insisted on me taking their old Oldsmobile–the Flying Couch of yore–that summer of 2004, or we would have been trapped here for Katrina.)

And one of the best memories I have of all Carnivals was the 2006 one, when New Orleans briefly flared to life again in the midst of the reconstruction, when for a few brief shining days it felt like New Orleans again, and gave us all hope that someday we would have our beautiful, wondrous, wacky city again. That Fat Tuesday was so beautiful; it was in the 70’s, clear sky, cool breeze, and no humidity. As I said that day, marveling at how gorgeous it was, “To be fair, Mother Nature kind of owes us.”

And I definitely need to spend more time walking around my beautiful city finding hidden treasures.

2000 Light Years from Home

Tuesday morning and back to the office.

I slept incredibly well on Sunday night–there really is nothing like your own bed–but despite feeling rested, my body was still exhausted and tired. I had to run some errands and make groceries, which us always tiring, but i also managed to get some other blog posts done yesterday morning. (After all, I didn’t post on either Saturday or Sunday, so had to catch up and make up for lost time.) I got the laundry caught up, and did some chores around the Lost Apartment–dishes, filing, organizing–and reread the manuscript to get a handle on where I am at so I could plan the next stages of finishing this sucker.

But yesterday was about re-acclimatization into my reality, and I think I did a nice job. I picked up my prescription and the mail, and made groceries. I was very tired still–exhausted, really–but managed to get some things done around the house; little things that are nevertheless time-consuming but need to be done. I think another project for the overall year will be to organize my picture files. They are a mess, always have been, and none of them are actually labeled or have been renamed; they all sit in my back-up drive as IMG-number, and only in a few instances have they been grouped into a labelled folder for ease of discovery. I also went to bed relatively early last night and finally slept through almost the entire night in a good, relaxing sleep. My legs still ache from soreness, a result of all that walking I wasn’t used to (I really do need to start going for walks–even if short–in the evening after work) over the weekend but not to the point of such exhaustion that I want to cry when I have to get up, thank God.

My voice is still raspy, too. But I feel much better this morning, which is a good thing as I have to not only go into the office but I also have to get back to writing the book this week and I can’t afford a single day off from writing or I won’t be finished by 1/31, which is the original plan. But I had suspected that my not feeling 100% and slightly flu-ey was a result of not enough rest, and now that I’ve slept well for an entire night, my suspicions have apparently been correct all along. I was too mentally fatigued still yesterday to do much beyond simple, menial tasks–my mind was too tired to handle any reading, so I won’t be getting back to Other Terrors until tonight after work. We also watched a documentary on Netflix called The Hatchet Wielding Hitchhiker, which was interesting–I’d never heard of this story, but apparently it went viral in 2013–particularly on how some people in the entertainment field tried to cash in on his viral story and success without doing any due diligence or any looking into his past or who he was at all. That was the most interesting part of the story to me–the way people saw him as a way to make money and didn’t care about anything beyond that, and so it’s hard to feel sympathy for any of them when the truth–(no spoilers here)did finally come out.

It inevitably does.

I’ve still not completely wrapped my head around the end of my volunteer work. I spent some time yesterday archiving all the emails from the last three years and deleting the folders they were originally filed away in–which made me realize that my email folders need to be overhauled, as there are any number of them that are no longer needed or necessary, or are actually duplicated–and of course, organizing always makes me incredibly happy. I have a lot of work to do in this first quarter of 2023 (!!!! I still can’t believe it’s this far into the third decade of this century…) and I want to make this a good year for me productivity wise; I am going to start looking for an agent probably come March or April. Nothing ventured, after all, and let’s face it, I’ve never really made much of an effort into finding one, and maybe send out a couple of proposals before giving up and pulling back and hoping for the best. I need to make a blanket effort–going after all of them at the same time–but I am always afraid that they’ll all say no and that’s the end of it. Honestly, the way this business is so brutal on your ego while at the same time requiring you to actually have one (you have to believe in yourself to some degree otherwise you’ll never get going on it and that’s the end of that).

And on that note, I am heading into the spice mines. Have a lovely Tuesday, Constant Reader!

The Power of Goodbye

At 3:00 pm, Saturday, January 14th eastern time, I officially (and symbolically) turned over my gavel as Executive Vice President of the Board of Directors of Mystery Writers of America.

It’s going to take some getting used to, methinks.

As you get older, your perspective changes on things when you look back. I’ve never been one to look back at my past–I’ve always tried to focus on the present and the future–but once I hit sixty, it was inevitable. January 20th this month is the twenty-first anniversary of the release of my first novel, Murder in the Rue Dauphine, and with the closing of this chapter–my service to MWA–it’s hard not to look back and remember.

When I was first published, my mystery writer friends kept urging me to pursue mainstream markets and join mainstream organizations. A lot has happened since 2002: Lawrence v. Texas still hadn’t been decided so my sex life was still a crime; “don’t ask don’t tell” was still in place; and it’s not like you could get married to your same-sex partner when our sexuality was criminalized. That was a completely different world and society and culture than the one we currently live in. For one thing, for a gay mystery author, there were queer newspapers and magazines and bookstores. It was entirely possible to make a living and a career for one’s self outside of the mainstream–and this situation developed because of the mainstream’s rejection of most things queer. There had been some queer publishing booms, but I came in at the tail end of the last one–as all the New York publishers had started canceling queer imprints and slowly but surely removing queer writers from their lists. I decided that I would try to arrange signings and appearances at mystery bookstores as well as queer ones, and that was a lesson in homophobia I’ve never forgotten. One mainstream bookstore actually hung up on me after nastily cutting me off to say we don’t carry those kinds of books in our store–some variation of which I heard from all of them except one (which is why Murder by the Book in Houston will always hold a place in my heart). A friend bought me a membership in an organization as a gift (I won’t name it) but it was made abundantly clear to me that mainstream spaces weren’t welcoming or safe for a fledgling queer writer, so I didn’t bother joining any others or going to any mystery conferences–my concerns were always poo-poohed by straight mystery writer friends, which now, in reflection, was a kind of gaslighting, but I was inevitably always proven right (it’s always nice to be told you’re “nobody”). But when I emerged from the haze of the aftermath of Hurricane Katrina and the wreckage it made of my life, publishing had significantly changed, as had the rest of the world. The queer stores were closing, and our newspapers and magazines were shuttering–as were some of our publishers. I took a look around and thought, what am I going to do now?

I took a deep breath and joined Mystery Writers of America. Within a year I was asked to run for my chapter board, and then was asked to run for chapter president, which would also give me a seat on the national board. I remember going to New York for my first board orientation, staying at the Roosevelt Hotel–I always loved staying there; it made me feel like an author the way I only really feel when I am in New York, to be honest–and walking into the room where the meeting was being held. I had already met MWA staffer Margery Flax (at the time administrative director, now Executive Director), who had made me feel not only welcomed but like I belonged, which was something I had only rarely ever felt outside of queer publishing. I remember being awestruck that I was in the same (proverbial) room where it happened; the same board meeting that giants of our genre had attended in the past. I was stunned when a beautiful woman asked me if the seat next to me was taken and I was like oh my god, that’s Harley Jane Kozak! (I knew her from my long addiction to daytime, but also from other films she’d done.) I sat there quietly, overwhelmed, absorbing it all, and that night at dinner I had the thrill of sitting next to Jess Lourey, and as we talked over dinner we became friends–something that has lasted to this day; I will always love Jessie–and over the next four years I slowly found my voice and began taking on more and more responsibilities. It became a huge part of my life, and I kept working, as is my wont, to try to achieve equity for everyone in MWA, specifically with the goal to make queer writers feel welcomed and a part of the organization as a vital part of our community. I made a lot of friends that I cherish to this day, and it felt very weird when my time there was finally up and I stepped away. Being involved with MWA, and making friends in the organization (which led to making even more friends in the genre) was what got me to start attending our genre conferences, getting involved and being more active in the community, and becoming better known than I was before.

It would have been easy to give up after the collapse of queer media and outlets. Mystery Writers of America gave me hope that my career could and would continue, and that the best part was yet to come.

So one can only imagine my surprise when four years after I left the board I was asked to return and serve as Executive Vice President (basically, chairman of the board). I was thrilled, flattered, and honored, particularly for being the first openly gay one in the history of the organization. What better way, I thought, to let queer writers know they were welcome than by being in a leadership position? There was admittedly some hubris involved in saying yes–the making history thing, for one, as well as thinking I could handle all that responsibility while maintaining a full time job and a full time writing career. I will never regret saying yes; the only regrets I have are the mistakes I made (there were plenty) and not having as much time to devote to the office as was needed so I could get everything done that I wanted to get done while I served. But I am not going to focus on the regrets, ever; instead I shall take pride in the things we were able to accomplish.

And now, it’s over. I could have served five years total, but bowed out after three. Were we still living in the same world we were in when I was initially approached in the fall of 2019, I probably would have stayed for the full five. But we’re not living in that same world–the pandemic that shut down the world within two months of my taking office overwhelmed every aspect of my life, from day job to running errands to my writing and publishing career to helping to oversee the operations of the organization. (I like to joke about how I was not only the first gay EVP in history but also the first EVP to cancel the Edgar banquet) Navigating an organization through the unknown waters of a pandemic and a changing world, where there was no previous experience to draw from was challenging, especially since I had to worry about my day job, adjust to working from home on some days and helping with the COVID testing at our office, exposing me to something that could quite possibly kill either Paul or myself every day I was there. The years between 2020 and now are all kind of blurry to me now; sort of the way everything from the Katrina evacuation through about 2009 is either a blank or blurry.

It’s going to take some getting used to, and it’s going to take a while before it sinks in that it’s no longer my responsibility.

I wouldn’t trade the experiences–both good and bad–for anything. Even though sometimes it was stressful and disruptive, and there were times when I got incredibly frustrated because I was very short on time and in the middle of a book that I needed to focus on, it’s going to be weird for me for awhile. It was very weird checking my emails this morning and seeing that there were none with (MWA) in the header line. I worked with some great people and made some friends–at least I like to think so, their mileage might vary–that I would have never made had I not served. I learned a lot about myself, and strangely enough I also think serving somehow has made me a better writer somehow; I know the work I am producing now is vastly superior to the work I did before I served. I know I have a stronger sense of the genre after my total of seven years of service.

The hardest part, I think, is going to be remembering that I no longer have anything other than an opinion and that I am now just one of the many members.

Thanks to everyone I served with, the membership, and the community. I no longer feel like an outsider looking in at the community, and maybe, just maybe, I made a small difference.

I can live with that.

A Walk on the Wild Side

When I was a kid, my grandmother got me started watching the 3:30 afternoon movies on WGN (I think); most of them were classic old Hollywood movies (where my affections for Stanwyck, Crawford, Davis and Hepburn began) but essentially, they were usually older films or ones that had already been shown once or twice in prime time before being relegated to afternoon and late night. They were also edited for content and for “appropriate” viewing for kids–since we were all home to watch–and housewives. I remember watching A Walk on the Wild Side with Barbara Stanwyck and Jane Fonda, but it didn’t make a lot of sense–primarily because it was a racy film and they’d shredded it to get it past television censors; every once in a while I think oh you should watch it again because you can probably get the unedited theatrical version through some service or another but never get around to it. A friend recently posted that he was going to watch it that evening, which led me down a rabbit hole which ended with me discovering that it was based on a novel (which I hadn’t known), and that the author was the same man who also wrote The Man with the Golden Arm, which was made into a rather good film with Frank Sinatra, Nelson Algren. Algren was one of those literary lions who was championed and respected by critics and literature professors–The Man with the Golden Arm won the very first National Book Award–but seems to be relatively forgotten today. My pompous and condescending Lit professors in college certainly never assigned us any Algren; so it made me rather curious. I had also forgotten that a significant part of the story is actually set in New Orleans–which was all it took for me to get a copy.

I finished reading it as my flight to New York was taxiing to the gate.

“He’s just a pore lonesome wife-left feller,” the more understanding said of Fitz Linkhorn, “losin’ his old lady is what crazied him.”

“That man in so contrary,” the less understanding said, “if you throwed him in the river he’d float upstream.

For what had embittered Fitz had no name. Yet he felt that every daybreak duped him into waking and every evening conned him into sleep. The feeling of having been cheated–of having been cheated–that was it. Nobody knew why nor by whom.

But only that all was lost. Lost long ago, in some colder country. Lost anew by the generations since. He kept trying to wind his fingers about this feeling, at times like an ancestral hunger; again like some secret wound. It was there, if a man could get it out into the light, as palpable as the blood in his veins. Someone just behind him kept turning him against himself till his very strength was a weakness. Weaker men, full of worldly follies, did better than Linkhorn in the world. He saw with every enviously slow-burning.

“I ain’t a-playin’ the whore to no man,” he would declare himself, though no one had so charged him.

Six-foot-one of slack-muscled shambler, he came of a shambling race. That gander-necked clan from which Calhoun and Jackson sprang. Jesse James’ and Jeff Davis’ people. Lincoln’s people. Forest solitaries spare and swart, left landless as ever in sandland and Hooverville now the time of the forests has passed.

Whites called them “white trash” and Negroes “po’buckra.” Since the first rock has risen about the moving waters there had been not a single prince in Fitzbrian’s branch of the Linkhorn clan.

Sigh, where to being with this?

First, let’s get the obvious out of the way–the book is very, very dated. There’s language and mentalities and attitudes–while probably common usage for the time it is set as well as the time it was written, we’ve progressed a lot since then–that do no hold up today and made me wince as I came across them–and not just about race, either; there’s a lot of misogyny and ableism pervading the manuscript. There’s also not really a story here, either; the book focuses on Ftiz Linkhorn’s son Dove, who becomes involved with a diner owner but then robs her and takes off riding freight trains to New Orleans. He encounters a young runaway–Kitty Pride–on the trains but they become separated, and he gets to New Orleans on his own and becomes one of the con artists who always seem to proliferate here, but the focus of the middle of the book turns away from Dove and to Dockery, who runs a bar and bordello on Perdido Street (where they moved after Storyville was shut down) and the story shifts to some of the hookers, the bordello owner, and Dove exists only on the periphery; Dove actually becomes a sex worker–it kind of glosses over that he gets paid to let people watch him deflower a virgin (who is actually another one of the bordello girls)–while he learns how to read and write, learning from one of the hookers with whom he is kind of involved with, which brings him into conflict with a former professional wrestler and circus worker who has lost his legs–and Dove gradually winds up going back to south Texas, back where he came from, no better off or worse than when he left.

The writing is very good–I marked some pages that had some insightful sentences that were beautifully constructed–but over all, this falls into the category of what I (snidely) refer to as “mid-twentieth century straight white man MFA style.” We don’t need a story with a beginning, middle and end; we don’t need to see character growth or development; Dove is precisely the same person he was when the book opened. There’s also no real depth to any of the characters; it’s written in an omniscient point of view, like someone is telling you the story but because it’s being narrated, we don’t really get to know any of the characters–who they are and what makes them tick and what makes them behave the way they do–and this is something I’ve always taken issue with when it comes to books about the poor and those who lived on the margins; Algren creates these fascinating characters but gives them no complexity or depth, because they are poor, we are led to believe, they are simple and stupid and incapable of growth and since those kinds of people aren’t really people–we don’t need to see any of their humanity, therefore we are unable to identify with any of the characters or even feel empathy for any of them; which we really should. Why write about these characters and this world and this life if we aren’t going to get any insight? For me, it felt like a peepshow; he’s holding back the curtain to give us a peek into the lives of desperate people but in more of a “point and moralize” way which I frankly didn’t like or enjoy. It felt like poverty porn to me (don’t even get me started on The Grapes of Wrath), and he didn’t even remark on the symbolism of these bordellos and bars being located on Perdido Street–perdido means lost in Spanish–and rather than feeling any sympathy or rooting for these characters, they just left me cold since we didn’t understand their motivations or who they were or had any insight into why they were doing the things they were doing.

I don’t regret reading the book–I never even thought about putting it aside and not finishing–so that’s something. I was just disappointed, I guess, by the lack of insight. I guess that’s why I enjoy genre fiction so much; characters are everything in genre fiction, and I want to know the characters I am reading about rather than just having the curtain pulled back and being a passive viewer at the window into their lives.

(And yes, Lou Reed did get the title for his classic song from the title of this book and film.)