My flight was a bit delayed yesterday–weather between New Orleans and Fort Lauderdale–and then got stuck in a lengthy cab ride in horrific DC traffic (which is why I never drove that miserable year we lived here), but over all it was pleasant. The flight wasn’t full, I had a row to myself, and the screaming infants on the other side of the aisle weren’t too obnoxious, and I got to read Ellen Byron’s Wined and Died in New Orleans, which I’ve been calling the wrong name for quite some time now, which is more than a little embarrassing (it’s because I’ve always wanted to write something called To Live and Die in La.–which is a play on the title of a crime film from the 1980’s I remember nothing of other than the title song was recorded by Wang Chung and I kind of liked it; and I think–could be wrong–Willem Dafoe was in the cast (I don’t care enough to look it up; you can access the Google just as easily as I can). Other than that, I don’t really remember a whole lot of it.
But I did make it to the hotel, got my registration packet, and then started running into friends–first up were Barb Goffman and Dina Willner; always a treat when the first people you run into are lovely people you enjoy–and then that first night became a bit of a blur; I wound up having dinner with Julie Hennrikus and Sherry Harris, then ran into Ellen Byron (see above) and then I wound up sitting in the bar with her, Vicky Delaney, Leslie Karst, and a couple of other lovely people whose names I do not recall. Then, very tired, I repaired back up to my room and actually slept decently (for a hotel; it would have been a ‘meh’ sleep night if I were at home). The bed is actually very comfortable, the room itself is nicely sized, but cannot comment on the shower yet, as I’ve not had one but no worries–it’ll be happening very soon.
It just feels very good to be around book people again. I kind of need that, you know? Writing is such a weird profession, in that you spend most of the your time isolated from your colleagues (co-workers, really) and even if you like near other writers…everyone is busy. We all have jobs on top of our writing, we all have families and homes to keep up and errands to do and the everyday minutiae that has to be done every day…and then you have to carve out time from all of that to do your own writing. I try to be very jealous of my writing time and always try to protect it, which was always an issue before. And yes, there are many times when I’ll find something else–anything else–to do other than write, I really don’t understand it, but almost everything I love to do is something I have to make myself do. I have to make myself go to the gym. I have to force myself to write…although that usually happens when the other option is so odious that writing is preferable. But once I get started–when I finally get started–I love it. Just like the gym. I always feel so good afterwards (that endorphin rush is so marvelous)…which reminds me, I want to start taking walks every day when I get home from work, even if it’s just around the block or down to the park and back, I should spend more time outside, really.
I should do a lot more things.
But I already feel invigorated and inspired, which is really the primary benefit (for me) of coming to these things. Even yesterday on the flight I was putting Ellen’s book aside from time to time so I could scribble an idea into my journal. That’s very cool. I think this morning I’ll probably take a shower and then spend some time editing the new Scotty because I may not get another chance to work at all and I am running (as always) out of time,
So on that note, Constant Reader, I will bid you adieu. My panel tomorrow morning is early, and I have to leave for the airport relatively early on Sunday morning, too, so…this may be the last you hear from me until Monday. Can you go two days without me, Constant Reader? Chin up! You can do it. And besides, you know me. I’ll probably post something anyway.
And today I am off to the airport to head up to Bethesda for Malice Domestic. How exciting! I’ve not been to Malice in a very long time; I don’t remember what year it was, but it was also my first trip to New York for the Edgars; the two events merged into a single trip. It was quite fun. There were a lot of friends there, and I know we had a lovely after-party on Saturday night post-banquet that was so much fun my sides hurt from laughing. I don’t know that this Malice will live up to the great time I had the first time I went, but I am glad I decided to go, after a little push from Catriona McPherson once the Agatha nominations were announced earlier this year. And while I tend to not make a big deal out of award nominations, I also realized when are you ever going to be nominated for an Agatha again? Never, that’s when so bearing that in mind I decided what the hell, I’ll spend the money–which I will regret later, undoubtedly–and go.
And let’s be honest; I am not traveling for book business again for the rest of the year other than Bouchercon. (note to self: start tracking expenses for the year so you can keep up and be ready at the end of the year–something I say I will do every year and never end up doing) I’ve already checked in for my flight (huzzah!) and have my boarding pass, and it’s a nonstop, coming and going. I used to not mind changing planes when I was younger; now that I’m getting older it’s just one more ordeal as part of traveling. As much as I want to go back to Europe–we’re thinking about Amsterdam and Berlin next year–the thought of all that flying and all that time in airports just exhausts me. Maybe I can get my doctor to prescribe something for me just for the longer overseas flight that will knock me out immediately.
I have to finish packing in a moment. I was tired last night when I got home from work, and had to do stuff–laundry, the dishes–after working on the book and then tried to start gathering what I need to take with me. I have almost everything clothing wise gathered already; I just need my dress shoes and some jeans, my slippers and some sweats…and I also have to gather all the technology I need to take with me–cords, chargers, accoutrement for my laptop–as well as the books I am taking on the trip with me. I really don’t want to get ready or do anything; all I feel like doing is going back to bed, in all honesty–but I am sure once the coffee starts kicking in, I’ll light a fire under my ass and get me going. The weather is supposed to be rainy today; I think I’ve packed the right clothing for the trip. It’s going to be warm during the days and chillier at night; I am not taking a jacket with me so any out of doors ventures after dark will probably wind up being terribly cold for me.
I’ll live, I would imagine.
I do wish I would have had more time to work on getting the house cleaned and organized; I’m going to hate coming back home to a messy house. But I also took off Monday so I can have a day to reorient myself back to my life again, run errands, and so forth. I also have a doctor’s appointment in the afternoon that day–I’ll probably swing by the store and make groceries on the way home from that. And of course, next weekend I will be driving up to Alabama to see my dad–long story, too long for now–so yes, there will be lots of pressure and time issues when it comes to getting this manuscript finished. And I have another one to edit, great.
And on that note, I need to get back to preparing for the trip. Have a great Thursday, Constant Reader, and tomorrow I’ll be checking in from Malice.
Tomorrow morning when I am swilling coffee at this time, I’ll be getting ready to head to the airport for my flight to Washington for Malice Domestic. I am already checked in and packed; which is always a lovely thing to have accomplished before the day of the trip. I think I have everything I’ve agreed to do–drinks, meals, etc.–on my calendar so I can access it from my phone whilst I am there. I have the books I intend to read while traveling in my carry-on, and I am also hoping to get some editorial work done while I am gone but…yeah, that doesn’t always go the way I planned. I had hoped to get it to my editor by the 1st, which is Monday, but I don’t know if that is going to happen or not. I hate being as far behind as I am on this, but you never know. Stranger things have happened. I don’t want to spend my entire weekend, of course, sitting in my room editing away like a madman (I had to do that at a conference once before, and it was NOT fun at all); and I do need to reconnect with my writing and my friends in the community–always the most important part of such a conference.
It’s also Wednesday Pay-the-Bills Day, which I somehow–I am blaming the pre-trip jitters–forgot was today! How do you forget it’s PayDay? Heaven forfend. Madness. And I do have to remember to check in for my flight this morning, too. I had intended to pack last night, but went into a “revision” wormhole and stayed there for a good while until my brain stopped functioning (in part due to the loud caterwauling as his Majesty was enormously displeased that I was not providing a lap for him to sleep in) and when Paul got home we watched this week’s Ted Lasso, which was a lovely episode. Not quite as lovely as the week before’s, but still lovely. I love that they haven’t turned Nate into a super-villain and are showing his still softer sides; the romance with the waitress/hostess at A Taste of Athens is quite lovely, actually. I think I also saw the seeds of the Jack/Keeley break-up being sown; no offense but I will flip a table if the show doesn’t end with her back with Roy Kent. I mean, after all, he’s here, he’s there, he’s every-fucking-where. I also liked the continuing growth and personal development Jamie is showing…he’s becoming one of my favorite characters, which is some pristine and incredibly excellent writing, frankly. It also saddens me that every week means we are one episode closer to being finished with the show. Heavy heaving sigh. Maybe there will be a spin-off? Or several?
I had intended fully to start packing last night, at least to make a list of what I need to pack, but that didn’t happen, alas. I still don’t have a packing list, either, for that matter, which I’ll have to remedy today. I think there’s enough food in the house for Paul to fend for himself, and he certainly is capable of going to get something somewhere if there’s nothing in the house he wants, or wants to fuss with. I do need to do the dishes when I get home tonight, and a load of laundry, too. The weather is going to be a bit chillier than I would prefer; I’m probably going to need to bring along a jacket, which I hate. I may not even leave the hotel when it’s cold enough for the coat, but you also never know. I know we are leaving the hotel for dinner on Friday night, and I think tomorrow night I am also having dinner off-site with my friend Ellen. Saturday night is the Agatha banquet, where I will lose the award for Best Children’s/Young Adult, which is also fine. I never expect to win awards, and they certainly aren’t ever on my radar when I am writing something.
The revision is coming along, slowly–very slowly–but I am also really pleased with it so far, you know? The trick is to ignore the ticking clock until the deadline and focus on making the book as good as I can and not worry about running out of time and rushing the damned thing, which is what usually happens in almost every case. Heavy heaving sigh. But at least now the boys’ involvement in the case sort of makes sense. There’s going to be a lot of coincidence in this book, which always worries me, and then I remember that it’s a Scotty book so it’s supposed to be wacky and crazy and over-the-top…and then I start worrying about whether it’s over-the-top enough. Because you can never win when you’re a writer. Sigh.
And on that note, I am heading into the spice mines. Have a lovely Wednesday, Constant Reader, and will check in with you again tomorrow.
I honestly believe that a lot of our problems in this country are a direct result of an attempt to enforce some national prudery standard that relentlessly tries to shame any and every one of us for the perfectly natural and normal human functions of our body. We are seeing this again in this modern age, as the Morality Police (who are all-too-frequently hiding some horrific skeletons in their own closets) try to get books banned, discussions about sex and sexuality and gender stifled and silenced, and entire segments of the population erased from public view and hidden away again because it makes them, well, uncomfortable.
Well, semi-automatic weapons, religion, and bigotry make me uncomfortable, but that doesn’t matter, apparently, as I am (to borrow a phrase from John Irving and The World According to Garp) a “sexual suspect.”
Ironically, I distinctly remember what television was like back when it was heavily censored and what was considered wholesome family entertainment was aired. It didn’t mean sex wasn’t talked about, it just meant that it had to be implication rather than outright said–which led to incredibly stupid phrases to stand in for sexual contact, or sexual intercourse, that were completely transparent and frankly, kind of stupid. That was the kind of television I grew up with, where everything was plastic and phony and created a false sense of what the country was really like (where, for example, are Mayberry’s Black people?), and some people watch those old shows and think, oh, what a better and simpler time we lived in then! We must get back to that world of innocence!
Which, of course, is complete and utter horseshit. Television of the 50s and 60s most certainly were not reflections of culture and society as a whole, no matter how much someone might want that to be the truth…it was not.
When I was a child, I hated the stupid, coy euphemisms screenwriters employed to mention sexual activity and escape the censors; “hanky-panky” is perhaps one of the worst. “Making love” is another one that puts my teeth on edge; “making whoopie” still another, and perhaps the worst offenderof all was ‘vo-dee-oh-doe’ from LaVerne & Shirley. Even when I was a kid that kind of “nudge-nudge wink-wink” kind of thing annoyed me; I can remember thinking, many times, “just say fuck, for Christ’s sake.” “Making love” is one that was really popular on soaps, and it’s always said tearfully; it also made me want to slap the speaker (and of course the movie Let’s Make Love really should be Let’s Fuck). The fact that we don’t have a common, easy to use word to substitute for fucking that delicate sensibilities won’t consider profane is part of the problem in this country, frankly. Oh, no! Sex is dirty, we can’t talk about that! We can’t come up with a non-offensive word for it because just thinking about sex upsets some people. God forbid we actually have a realistic, honest conversation about sex and sexuality. I hate to break it to you prudes, but sex is normal and healthy. The fact that our culture has tried so desperately to appease the prudes by turning sex and sexuality into something we’re just not supposed to talk about has put braces on our brains, and anchored fear and loathing to our sexuality; if our mightiest God in this country is Money, the second mightiest is SHAME. Having your body react to stimulation by getting aroused? SHAME ON YOU.
When I was growing up–and granted, things have gotten a little better since then–even masturbation was considered something shameful that no one would ever admit to; nothing like learning repression when you’re going through puberty. It was an insult to call someone a jack off; you mocked boys by talking about them jacking off…which was something I did pretty regularly, so even more SHAME. And when you take into consideration the fact that even as young and sheltered as I was, that I knew my sexuality–my physical and intellectual and emotional attraction to other men–was wrong and something else to be ashamed of; not only was I masturbating but I was thinking about men while I was doing it: DOUBLE WHAMMY.
It took me years to shake off that prudish conditioning, and it wasn’t until I stopped feeling shame about sex and my sexuality that I finally started to actually live my life, rather than having a life that just happened to me. Fear and shame had made me passive; afraid that being myself and living the kind of life I wanted to would cost me friends, family and employment; afraid that embracing having sex with other men (and exploring every element of what that meant) would lead to an infection that could kill me; afraid afraid afraid.
I often say that I refuse to live in fear, but that I am also sensible; I always am acutely aware of my surroundings and everyone around me–while that may have developed from being gay and knowing that made me a target, I think it’s prudent and smart to always be aware, regardless of who and what and where you are.
Given my prudish upbringing and conditioning, as well as the shame and fear I lived with for so long, it is kind of interesting that I started write erotica in my late thirties. Writing erotica for me was an education in many different ways. I learned a lot about myself while writing it, for one thing; for another, I taught myself how to write short stories by writing erotica (beginning, middle, end is never as apparent or obvious as in an erotic short story), and I was also able to work through a lot of my own issues with shame by writing erotica. The first erotica story I ever wrote, “The Wrestling Match,” was a liberating experience for me; I found myself blushing with embarrassment as I wrote it, which was an interesting (to me) phenomenon. Why was I so embarrassed to write about desire, lust, and sex?
Because years of conditioning to associate shame with desire and sexuality had taken firm root in my mind. It was an interesting experience–and the next time I wrote an erotic story, tit was an entirely different situation; there was no shame or embarrassment. Apparently, all it took was writing that first story to work through it…it was also interesting, because around that same time I was trying to get caught up with all the queer fiction and nonfiction I hadn’t known existed for such an extended period of time, and reading has always been how I learned about anything. I was reading Dorothy Allison’s essay collection Trash (which should be required reading, really), and Dorothy’s point that if we spoke honestly and openly about sex and sexuality (and other aspects of human life that for whatever reason we’ve been conditioned to think we can’t talk about) a lot of the stigma and shame most people feel would be eliminated. As long as your fantasies don’t involve hurting anyone or children–if everyone involved is able to give informed and full consent–there’s nothing to be ashamed of, really. But we’ve been conditioned in western civilization since Catholicism conquered the Roman Empire to consider anything of the body to be sinful and shameful; things of the mind and spirit are what we are supposed to focus on while denying the earthy sinfulness of our sexual desire. (This also goes for other bodily functions, like waste and gas) This is particularly true when it comes to kink. We’ve been conditioned in this country to think anything besides missionary position between a man and a woman is something so beyond that it must be shamed, and reacted to with revulsion. Why? As long as no one is being hurt and everyone is on board, I don’t care if you like being spanked, or lashed with cat o’nine tails; or if you like to wear leather and get a thrill from it. My own kinks primarily are focused around the domination/submission play of wrestling; I’ve written about that extensively enough to not feel the need to go into it again here (but check out my erotic pro wrestling novel, Going Down for the Count, available at any bookseller on-line!).
We don’t have honest conversations about sexuality and desire in this country. Writing an erotic short story was incredibly freeing for me; it broke the bonds of shame that indoctrination had built up in my brain. It may not be the case for everyone else, but it’s always interesting to me that people never question themselves when it comes to their own prudery, lusts and desires. (The way they depict it on the hilarious animated comedy series about puberty, Big Mouth, is particularly genius: the Shame Monster.) If you feel shame about your sexuality and your desires, shouldn’t you examine that? Where did it come from? Why do you feel this shame, and what is its root cause?
I do spend a lot of time gazing at my own navel and trying to figure out where all of my phobias and fears and so forth come from, so it’s always interesting to me when people don’t and seem to have no interest in self-examination. Maybe it’s just another form of my own narcissism and self-absorption; that could easily be the case. I sometimes wonder if the reason others don’t reflect on themselves and self-evaluate is because they are somehow more comfortable in their own skins than I am in mine. It’s certainly possible.
But the only way we can stop a lot of the bigotry and hatred in this country is to start being open and honest about sex, sexuality, and desire. To stop shaming people for being interested in sex, and exploring their fantasies and desires. Almost all of our prejudices are rooted in this fear of sex and sexuality; white supremacy is, in some ways, about protecting the “purity” of their blood and “womanhood” from the sexual predation of non-whites. (That was really what the trial in To Kill a Mockingbird was about; but interestingly enough Harper Lee, in illustrating Southern white bigotry through a rape trial, was also unintentionally sending a very strong message to her readers about class structures in the South; but that’s a subject for another time. White people really love that book….)
Banning books and discussion of sexuality and gender doesn’t make those things go away; instead, it just makes them even more enticing as forbidden, things that are dirty and we aren’t supposed to talk about.
Then again, if we are going to talk about these things, people also need to listen–and the ones who need it most? Never are the ones listening in the first place.
Tuesday morning. I slept decently last night, which was lovely, but I did want to stay in bed rather than spring forth from under the covers wide awake and ready to face the day. I mean, I’m not worried about facing the day, but man, I’d rather be back in bed under the covers.
I did make some progress on the book yesterday; every drib and drab helps get me closer to the goal line, so I am taking that as a win-win-win for now. I wasn’t terribly tired when I got home from the office yesterday, either. We started watching The Watchful Eye last night, which is interesting and is obviously from the Only Murders in the Building school of thrillers. There’s all kinds of stuff going on in this building, mostly concerning the family who originally built the building and members of which still live there–and spy on each other and manipulate each other and yeah, it most definitely held our interest until it was time to go to bed. It’s not the greatest thing I’ve ever seen, and it does somewhat come across as a bit derivative (exclusive apartment building in Manhattan filled with rich people! Crime! Money!) but it’s entertaining enough. There seem to be several different storylines running, and trying to keep track of them before they are introduced is a bit of a challenge; apparently our main character, the new nanny, has lied and faked her resume to get the job because for some reason she needs to be in the building. She is working with her boyfriend, who also happens to be a cop, but we don’t find out what that’s about until the second episode. There also appear to be ghosts (or at least one) in the building, too–so it’s maybe kind of a cross between Only Murders in the Building and maybe Rosemary’s Baby?
Overall, yesterday was a good day, I think. I am hoping for a good week, after a bad weekend. I was a little mopey last night, not gonna lie about it, but not as bad as I was over the weekend. I also didn’t get much progress on the book done yesterday either, but what I did was good–it’s interesting how uninspired I can feel and yet still do really good work; I was thinking about this last night actually–how I have really not felt particularly inspired and how the writing itself has felt like drudgery now for going on several years, and yet I am still producing what is probably the best work of my life in this stage of it. How peculiar is that? My last four books (Royal Street Reveillon, Bury Me in Shadows, #shedeservedit, and A Streetcar Named Murder) are works that I am particularly proud of; I am sure at some point when this fucking Scotty I am currently fighting my way through is finished I’ll probably wind up proud of it too–although at the moment that is impossible to imagine or conceive. Some of the short stories I’ve done during this period are also ones of which I am inordinately proud–I am really looking forward to “Solace in a Dying Hour” seeing the light of day in the anthology This Fresh Hell. Go figure, right? I am doing my best work when I am not enjoying doing it? That sounds about like the story of my life, to be sure.
I went down an Internet wormhole over the past few days involving one of my favorite characters from history, Catherine de Medici Queen of France. I’ve always been interested in her and that particular period of French history: the dying out of the Valois branch of the ruling dynasty and the Wars of Religion that sundered France, and especially have always been interested in her Flying Squadron (l’Escadron volant); beautiful women she had trained in the art of conversation and seduction whose primary function was to bed the Queen’s enemies and spy on them, reporting back to her. I’ve always thought it would be interesting to write from the perspective of one of those women–intrigue! Suspense! Danger! Who is a Spanish spy, and who is an English spy? Who is a Huguenot and who is working for the Pope? The French court was rife with intrigue and conspiracy in that period, which would be so much fun to write about.
I still would like to write that popular history of the sixteenth century focusing on all the women who held power in that century, which I would be more than willing to go out on a limb and say was more commonplace in that century than in any other, before or since. (What can I say? When I am down and in the dumps, as I have been these past few days, Internet wormholes about periods of history that fascinate me draw me like honey draws bees) I’ve even been thinking about the introduction to it lately; it’s been in my mind. The more rabbit holes about the sixteenth century I go down the more it interests me, you know?
And on that note, I am heading into the spice mines. I hope you have a lovely Tuesday, Constant Reader, and I will check back in with you again tomorrow.
Monday morning of Malice week. Ugh, all the little things one has to do to get ready for traveling. Make a list of what to pack, take inventory of the kitchen to make sure Paul has what he needs while I’m gone, and so on and so forth. Heavy heaving sigh. But my flight Thursday isn’t super early; eleven-ish, if I recall correctly, which means I don’t have to be at the airport until around nine, which isn’t bad. I’m going to take some books with me to read for pleasure at the airports and while in flight; I will be editing when I can in my room periodically trying to get this revision finished by the end of the month. The weekend wasn’t nearly as productive as it could have been–there was another wave of depression and grief to be gotten through this weekend, unfortunately–but I did make some progress, which I am taking as a win. I did also make a to-do list for the week; that should help in some ways.
We watched A Knock at the Cabin last night, which I enjoyed; a lot more than I usually enjoy an M. Night Shyamalan movie. I had also enjoyed the book on which it was based, The Cabin at the End of the World by Paul Tremblay, who is one of our best horror writers today; I’ve enjoyed everything of his I’ve read thus far. The film follows the book very closely; it’s one of those claustrophobic horror stories where some city folk take a vacation in the country at a remote cabin–but remote and country are very much staples of horror; someone really should do a look at the trope of “city folk in the country” horror–and things of course go very south. The film is very well cast; Jonathan Groff and Ben Aldridge play Eric and Andrew, a gay couple who’ve adopted a young Asian girl they’ve named Wen and they make an adorable little family group. The location of the cabin is idyllic and tranquil and beautiful; the perfect spot for some city folk who want to get away from the every day and rest and relax. Wen collects grasshoppers in a jar because she wants to study them; the movie opens with her catching grasshoppers and then catching a glimpse of a very big man coming through the woods to talk to her. This is Leonard, played very well by Dave Bautista, who is the leader of a group of four people who have seen visions and have concluded that in order to stop the apocalyptic end of the world, they must come to this cabin and present the family with a horrible choice: they have to sacrifice one of their own in order to stop the end of the world. Are they crazy? They sound like it, as they try to reason with the family…but what if they aren’t? The movie’s ending is different than the book’s–there was no way they could film the book’s ending, really–but I do prefer the book’s ending than the film’s; it seemed like the inevitable outcome, and made the most sense. It’s a good movie, I do recommend it, but one thing I’ve always been curious about since reading the book and was only heightened by viewing the film: why a gay family? I gave Tremblay props when I read the book, because they were very real and didn’t seem forced or stereotypical at all; I thought it should stand as an excellent example of someone who is not gay writing gay characters. The politics of the representation–gays in peril–is one I am not going to give any time to; sure, the gay family was in danger almost from the minute the credits rolled, and it was nice having a gay couple to root for in a horror film. Horror by its very nature is disturbing and tragic; you cannot have gay representation in horror and then not expect the gay people to go through some things, you know? And having gay characters also adds another dimension to the home invasion situation–are they crazy, are they telling the truth, or did they target a gay family purposely? There’s an essay to be written about the book and the movie from a sociopolitical and sociocultural perspective, but I don’t know that I am the right person to write such a thing; I’m not an academic, after all, and have very little desire to ever be an academic.,.although that sometimes can explain my insecurities about thinking deep and heavy thoughts and wanting to write deep and heavy essays picking apart and deconstructing gay representation in modern fiction, with an emphasis on horror and crime.
I also read some academic treatises this weekend, one about being gay and the gay rights movement’s intersectionality and how it got away from that in the beginning only to circle back around to it in the present day, and the other about the television show Dark Shadows, which probably had more influence on me, my writing, and my preferences when it comes to reading, film, and television than anything else I’ve watched or read in my life. I know I used to watch classic black and white films with my grandmother (she was a big fan of the gay icons, ironically: Bette Davis, Joan Crawford, Barbara Stanwyck, and Katharine Hepburn; she also liked horror and noir, and she was a fan of Dark Shadows, as was our babysitter down the street, Mrs. Harris), so pretty much my course was set when I was a little boy–gay writer was my future. I should write more about Dark Shadows–I was actually thinking last night that I should write a memoir of being a writer; my influences and how they shaped my creativity and what I actually write–not that anyone would be interested in reading such a thing, of course; which is partly why I don’t write more personal essays. Just as I’ve never really been interested in writing a writing manual, or one of those Greg Herren teaches you how to write a novel things. I always feel like a fraud when I talk about writing; never does my Imposter Syndrome strike as hard as it does when I am talking about writing or teaching a workshop. I don’t know.
It’s back into the office with me today. It’s a light day for me; mostly busy work, like data entry, filing, resupplying testing rooms, that sort of thing. It’s always nice to ease back into the week with an easy day in the office. It’s also weird to know that I am leaving on Thursday morning; the trip doesn’t seem real to me yet even though I’ve already made plans to meet up with people while I am there. Looks like I’m going to have to take a Lyft or an Uber from the airport once there, which is fine. And then of course when I get home I have to make up for lost time with the manuscript. Heavy heaving sigh. It wasn’t a good weekend for working, really; I kept spiraling and had to finally, on both days, remind myself that my mental health was more important than a deadline and so focused on positivity and and worked when I was able to get things done. The house isn’t nearly in the kind of shape I would like for it to be in when I am leaving for a weekend (two in a row; the next weekend I am off to Alabama) but seriously–when is it ever? I just need to make sure everything is in order before I go away on Thursday morning. Heavy heaving sigh.
And my books that I’ll be taking to read with me are going to be That Summer Night on Frenchmen Street, Wined and Died in La,, Let Me Die in His Footsteps, and Monday’s Lie. I am not going to get through all of these, of course; I may even cut it down to two–like I won’t be buying books in the book room, please–and I will also be working on the revision while I am there, too. (I so wanted to be finished before I leave…)
And on that note, I am going to get cleaned up and head into the office. Have a lovely Monday, Constant Reader, and I will check in with you again tomorrow.
Sunday morning and it looks to be a lovely day out there today. Yesterday, while I ran my errands, I was regularly amazed at how nice of a day it was, and how I wished I could take full advantage of it. It would have been a wonderful day to take a walk. Instead I was inside doing stuff and trying to get everything under control; the apartment mess, the book, and so forth. I have a long day in the spice mines ahead of me today, too. I also cannot believe that I’ll be at Malice this week; leaving on Thursday morning. I’ll need to make a packing list, of course, and I am looking forward to all the lovely plans I have for that weekend. I know I’m having dinner with some friends on different evenings, and brunch with another friend on Saturday after my signing, and of course Saturday night is the banquet.
I slept pretty well last night, and was already awake when the caterwauling began this morning. I stayed in bed for a little while longer after getting His Majesty’s breakfast for him, but finally decided to stop avoiding getting up and getting back to work. SO here I now sit, with a cup of steaming coffee in front of me, trying to decide what to have for breakfast. Toast? Cereal? A sausage, egg and cheese croissant out of the freezer? Or nothing at all, which is also always an option. I’ve also got some mess here in the office area I need to take care of this morning as well before I can really and truly dig into the manuscript.
We finished the second season of P-Valley last night, and got caught up on Yellowjackets, too. This means tonight we don’t have anything to watch–I am going to suggest we watch A Knock at the Cabin, and maybe the latest Scream is streaming already? I don’t know. I enjoyed P-Valley; I always kind of like shows about marginalized people doing what they need to in order to survive, as well as getting the occasional shot at higher stakes than usual. The next season is already set up so we’ll be watching out for that in the near future, but what I really want to see is the second season of Reacher. I did go up into the storage attic yesterday and found a box that can go directly to the library sale; alas, then I remembered I won’t be in town for the next two Saturdays so there was no point to bringing the box down. I also made the decision yesterday that I am most likely going to just go ahead and destroy my papers. I’m tired of having them around, frankly, taking up space and collecting dust, and no one is ever going to want to look through all that crap anyway. It’s all disorganized and scattered and in no particular order; who is going to ever have the time or inclination to go through all of that shit? And almost everything I have on paper is available electronically. There may be some things, some older manuscripts, that I no longer have electronic versions of anymore because the programs have aged out; old Word files and old operating systems no longer open with current systems anyway. But if I can clean out all that paper, and donate all those books in the attic, I can store other stuff up there and alleviate the clutter in the apartment itself. That is the plan for the rest of the year; and hopefully by December I’ll be able to close out the storage unit.
There’s a lot of files in my filing cabinet I can dispose of, too; I don’t need all my tax records going back to 2007, for sure (I saw them in there yesterday when filing away this year’s return) and do I really need contracts for short stories going back to 2000? Probably not. Anything where the rights have reverted back to me can certainly be tossed, and old file folders for ideas that may never go anywhere at this point might as well be discarded as well. I just really felt, yesterday, very strongly, for the first time utter and total disgust with all of this clutter and stuff. I’m thinking about it because of course my sister and nieces are helping my dad go through Mom’s stuff and things, and she was a bit of a packrat who didn’t like to throw things away as long as there was still a use for them–clothes and so forth, as well as papers; they found the receipt for the first washer and dryer she ever bought, back when we moved to the suburbs in 1971 and how pleased and delighted she was to no longer have to drag everything to a laundromat (kind of how I was when I got my first ones in 2005–there was something adult like about buying appliances, you know?) and realizing I don’t want anything to have to sort through all of this shit when I die; may as well make it as easy as possible for the survivors, whoever they may be.
Grim to be thinking in those terms, but once sixty is in your rearview mirror, you need to start thinking that way. How much mess is someone going to have to deal with when cleaning out my home? I’ve always been singularly unprepared for almost every life-changing thing that has happened to me; maybe I should actually prepare for this one. No worries, everything is still working the way it’s supposed to and while my working parts may not work as well as they used to, but overall I am still relatively healthy. And I am looking forward to getting back into the swing of regular trips to the gym next month as well.
And on that note, I am heading into the spice mines. I’m going to finish this, drink some more coffee, finish all this filing, and get cleaned up so I can dive headfirst into this revision. You have a lovely day, Constant Reader, and I’ll check in with you again tomorrow.
It’s a bright and sunny morning in the Lost Apartment today and I feel rested. I slept deeply and well, only waking once to deal with a hungry caterwauling animal before going back to bed for some more sleep. It’s funny how eight can feel like sinfully slothful sleeping in when your body has gotten sort of used to being untimely ripped from the clutches of Morpheus at six.
Yesterday wasn’t a good day, which caught me by surprise but I rolled with it. Grief can sucker-punch you when you aren’t expecting it, and last night was one of those nights. Days, really; the sucker-punch came while I was working but managed to hold off on the emotional crash until I finished my day job duties. I managed to get the laundry and dishes done, but not much of anything else the rest of the day once my day went off the rails. We did finally watch this week’s Ted Lasso last night together, and it was even better the second time; I think that’s what had been missing the previous episodes–that sense of, to be corny and play into the episode some, “everything’s going be all right.” The Jamie-Roy scenes were particularly lovely, and I’m hoping that Rebecca’s encounter with the boat man has made her regain some of that sense of self she really needs to get back. And of course, the Trent-Colin scenes were particularly lovely. We then watched the season finale of The Mandalorian, which was the best episode of the season, and then started our way through P-Valley again before retiring for a good night’s rest. This morning I feel good and balanced; I am going to have to run errands today, which will make today’s working on the book interrupted and a bit messed up. I am way behind on this, and really can’t allow myself to get sidetracked and/or distracted at all, because I have other things I need to be working on that I am not working on and that cannot be allowed to continue. The ability to juggle and keep many plates spinning at the same time has kind of slipped these days; I don’t know if it’s a skill set I’ve lost for good or if it’s a temporary thing; I hope it’s a temporary thing, quite frankly.
If it is, I’m going to have to rethink a lot of things about how I get shit done. Yikes. Adaptability is always important…even if I am fucking sick and tired of having to adapt all the time. Heavy heaving sigh.
I still haven’t selected my next book to read. The choices are Ellen Byron’s Wined and Died in LA; Lori Roy’s Let Me Die in His Footsteps; Jamie Mason’s Monday’s Lie; and Chris Clarkson’s That Summer Night on Frenchmen Street. I am leaning toward the Clarkson simply because it’s not a crime novel, and I feel like I need to take a little break from crime fiction for awhile. That Summer Night is a young adult romance novel, and it’s probably the only one I know of set in New Orleans (I know that can’t be right, but right now on my second cup of coffee I simply can’t think of another one–I know there was a really bad one about a ghost from Lafayette Cemetery #1 that i read about a decade ago whose name I cannot recall, and it did make me think writing y/a set in New Orleans was probably not the best idea, even though I had an idea for one or two because of course I always do), and I really liked Chris when we were on the panel together at Saints and Sinners…plus it’s a New Orleans book. I am really making an effort to get through the TBR pile before adding more to it–although I will always be adding more to it–and I think 2023 is a good year to do that. Now if I can only stay motivated….
It’s weird to think that I’ll be leaving town on Thursday, too. I definitely need to make a to-do list and start working my way through it. At this time next Saturday I’ll be signing in the book room at Malice Domestic, dealing with exhaustion, and trying to find some downtime to get work on the book done. I am flying home on Sunday, so I also took Monday off so I can recalibrate and get caught up on things like groceries and so forth. It’s almost May, Christ. I need to get this fucking book revised and out of my hair so I can move on to writing something the fuck else.
I also saw this morning that Alex Segura won the LA Times Book Award for Best Mystery/Thriller for Secret Identity, an award which I whole-heartedly endorse. It was one of my favorite books of last year, and Alex also happens to be one of my favorite people in this business. Yay! I love when this sort of thing happens to wonderful people who write wonderful books. Yay!
And on that, I should probably head into the spice mines. Have a lovely Saturday, Constant Reader, and I may be back later. If not, tomorrow.
For me, one of the great joys and pleasures of being an author and being part of the business is getting to meet and discover new-to-me talents. I am very quirky when it comes to reading; I do things like always leave one book by an author unread so I know I still have one more book of theirs to read–there are a couple of authors I am caught up on completely and waiting for another title is agony (looking at you, Laura Lippman and Megan Abbott and John Copenhaver).
I had heard of Scorched Grace before this past Saints and Sinners; Paul had asked me if I knew the author and explained everything about her and her debut novel several months before the event. I was of course completely fascinated; how can you not be fascinated by “her main character is a chain-smoking tattooed lesbian former punk rocker who is now a nun”? I immediately ordered a copy–isn’t that cover amazing?–and then at Saints and Sinners, I heard Margot read from it, and then attended a panel she was on and was terribly impressed. I decided it absolutely had to be my next read. It took me a lot longer to read than it should have–particularly since I was enjoying it so much–which has more to do with other obligations and pure exhaustion so shouldn’t be used as a gauge of the book’s quality.
Because this book deserves your full attention.
The devil isn’t in the details. Evil thrives in blind spots. In absence, negative space, like the haze of a sleight-of-hand trick. The details are God’s work. My job is keeping those details in order.
It took me four and a half hours to do the laundry and clean the stained glass, and my whole body felt wrecked. Every tendon strained. Even swallowing hurt. So, when my Sisters glided into the staff lounge for the meeting, folders and papers pressed against their black tunics, I slipped into the alley for some divine reflection–a smoke break. It was Sunday, dusk.
Vice on the sabbath, I know. Not my finest moment. But carpe diem.
An hour to myself was all I needed. An aura of menace taunted me all day. The air was thick and gritty, like it wanted to bare-knuckle fight. Sticky heat, typical in New Orleans, but worse that day. The sun, the swollen red of a mosquito bite. Slow simmer belying the violence of the boil. I couldn’t sit through another reprimand.
Sister Holiday is easily one of the most compelling, and interesting, main characters to come along in crime fiction in quite some time. And while there is a good and involving mystery at the core of this novel–who is setting the fires at the convent school? Who killed the maintenance worker? Was the fire set to cover up the murder or are they part and parcel of the same thing?–the absolute strength and power of this book comes from the narrative voice of this peculiar, not your average not-taken-her-vows-yet nun. She’s fascinating, and the voice is so strong and powerful: cynical yet innocent, bitter yet hopeful, Christian yet not. Her back story, which we learn through her progression of following clues and interviewing suspects and trying to put all the shifty pieces together, is enough in and of itself to keep the reader involved and turning the page.
And the language! My word, the power of Douahy’s language choices, sentence and paragraph structure! Here are some examples I marked:
Revenge is a stupid way to feel in control. Like all drugs, it doesn’t last, but it sure is fun in the moment. (p. 75)
Most boys couldn’t be trusted. Testosterone poisoning, Moose was fond of saying about guys and their bluster. I imagined the cartoon poison flowing through boy veins whenever my brother said that. (p. 79)
There is a sublime wholeness in holding one another, fitting into other bodies. We eat the body of Christ. We drink the blood. So many years later, Nina’s taste still laced my mouth–champagne, sweat, graphite licked off a thumb. (p.106)
New Orleans was ornate in every way, especially in its punishment. Like wispy fiberglass, the city doesn’t feel like it is of this world. (p. 107)
Everything in New Orleans is overdue, overgrown, dripping. The oak trees decked with boas of Spanish moss. Frogs creaked and peeped until the moon set. Morning glory vines strangled pink roofs and wisteria tentacles swayed in the cross breeze. A row of traditional, one-level shotgun homes: bright orange window frames, mint-green wooden shutters, and bright white columns A cat meowed on a nearby porch. (p. 123)
We are all like stained glass, beautiful and complicated and fragile as fuck. We all need care. And some of us don’t get what we deserve. (p. 233)
What a glorious read this was. I look forward to the next in the (planned) trilogy; and will probably revisit this one, too. Get a copy now.
Queer and Loathing in America 