Category: true crime

Jambalaya

Louisiana is beautiful.

The state’s nickname is “sportsmen’s paradise,” because all of the macho male outdoor sports–hunting, boating, fishing–are available here in abundance. We’re also called the Pelican State (most prevalent) and several other nicknames, not all of which are complimentary.

Louisiana has always been a conservative state, despite the existence of New Orleans. Originally French then Spanish before becoming American, Louisiana also was a part of the Confederacy and had an economy based on enslavement. We weren’t that far removed from David Duke’s gubernatorial bid (which came all too close to succeeding), and I remember Paul had gone on site visits with his boss at the Arts Council south of the city, and came home saying, completely in disbelief, that “people had yard signs saying ‘this is Duke country’–and me replying, sadly, “in the South they don’t bother to hide the racism–they see it as a positive.” But you cannot really go anywhere in Louisiana without being awed by the natural beauty on display here. I love Madisonville, and the Tchefuncte River area. It’s always a lovely drive to take 90 east when you head north (yes, I am aware I am saying you take an east-west highway to go north; welcome to New Orleans), and head out through the Venetian Isles area and drive along that narrow strip of land separating the lakes, crossing the Rigolets bridge and heading into Slidell.

A while ago, I was following a Twitter conversation about Burt Reynolds movies from the 1970s. Mind you, when I was living in Kansas our movie options were limited. There was a drive-in movie theater on the way from our little town Americus to the county seat of Emporia, and there was a small twin cinema on Commercial Street. The summer before my senior year Smokey and the Bandit opened on a Friday, and the following Friday Star Wars opened in the other theater. Both movies ran for about three months….so I saw them both repeatedly as there was very little else to do. The 1970’s were an interesting time for depictions of rural Southern sheriffs; Jackie Gleason hamming it up and going completely over the top. This was also the same time period that gave us corrupt politician Boss Hogg and the inept sheriff and deputies he controlled. These were always played for laughs, but the thing is–there really wasn’t anything funny about these types of characters in real life. Political and police corruption have always gone hand-in-hand in the Southern states; the police merely existing to enforce and enable the existing power structure. That Twitter conversation, along with reading Ethan Brown’s Murder on the Bayou and the various true crime documentaries about the Jeff Davis 8, put me in mind of writing about that kind of corruption. But I also kept wondering, but is this still true in the South? Do these kind of corrupt power structures still exist in the South? Would this read like a period piece?

And then the Murtaugh scandal broke.

Guess what? It IS still like this in the rural South. Thanks, Murtaughs!

I already had an idea for the next Scotty, and was pulling it all together, using a relatively minor political scandal here locally as the starting point for the story–which involved a conservative politician getting involved with a teenaged boy who worked at the food court at a mall, mostly buying him presents–clothes, underwear, swimsuits–and having the kid send him pictures wearing it. The age of consent in Louisiana is seventeen, and the kid was over seventeen, but while still being an icky thing, it wasn’t illegal–and they never did anything beyond that. It was mostly a harmless flirtation, until the kid, who was gay, realized that the nice man buying him gifts was actually a hardcore far right family values politician, so he went public. I still needed a murder, but I thought it would be simple to come up with one–the politician would have every reason in the world to kill to protect his secret, and he had his parish sheriff’s department to help commit and/or cover up the crime.

I did borrow two of the Murtaugh crimes for the book, but as starting points more than anything else, and came up with my own theories of said crimes for my own story–I wasn’t writing true crime, after all, and I wasn’t interested in proving the guilt of the Murtaughs. What I was interested in was exploring the decline and fall of a politically powerful family that had controlled a parish in Louisiana for well over a hundred years, almost like an absolute monarchy with primogeniture. I had also originally started the story with the kid coming to Scotty and Frank (through Scotty’s old buddy and former workout partner, David, who now teaches at NOCCA) because he gets a text from an unknown number which contains one of the pictures he has sent his older male friend (that he doesn’t know is a family values politician), and is worried about his own future if the information comes out. I wrote an entire draft of this story, but it didn’t work and I didn’t care for it…which was when it clicked into place: use two of the Murtaugh crimes to start with, and built it out from there. I decided that the kid at the mall wasn’t the original target of the politician, and that the original target was killed in a hit-and-run accident the year before; I also used the boat crash, turning it from a boat hitting a bridge to a pick-up truck hitting a bridge and pitching the passengers in the back into the bayou.

I also liked the teenager/older man dynamic, because it had played out with Taylor in the previous book–and Scotty had his own past with an older man when he was a teenager, which I was finally able to circle back around to.

I also invented the parish–surprisingly enough, there is no St. Jeanne d’Arc Parish in Louisiana–but it’s based loosely on what are known as the bayou and river parishes (Terrebone, Lafourche, St. Charles, St. John the Baptist). I already had a fictional parish on that side of the river (Redemption), but I decided Redemption wouldn’t work for this book, so I made it a neighboring parish.

Hold On To Now

Monday and back to the office with me today. Weekends are simply not long enough, ever, and should always be at least three days, methinks. Yesterday I witnessed the dreadful Saints performance, and it was not a good weekend for Louisiana football fans; the only glimmer of light locally was Tulane’s victory. I finished reading Shawn’s book, which was marvelous, and then picked out my first Halloween Horror read: Riley Sager’s Final Girls, and it’s long past time I’ve read this book. It’s rather embarrassing that I’ve not yet gotten to it. I also downloaded the audiobook of The Only Good Indians by Stephen Graham Jones for this weekend’s drive to the Redneck Riviera, and read another Alfred Hitchcock Presents short story, from Stories for Late at Night, “The Ash Tree” by M. R. James, which was delightfully creepy and reminded me of Daphne du Maurier’s “The Apple Tree”–and that in turn made me think about creepy trees as a trope in horror, and thought perhaps I should give the trope a whirl at some point. We watched the Scouts Honor: The Secret Files of the Boy Scouts documentary–which was just as creepy and awful and horrific as I thought it would be, as well as yet another pointed reminder of how straight people have failed to protect children since, oh like forever, and then cover it up as much as possible but then have the nerve to accuse queer people of pedophilia and grooming?

Sure, Jan.

We also watched the Jennifer Garner Apple Plus series The Last Thing He Said, which wasn’t great but wasn’t terrible, either; it just kind of evolved and wasn’t very thriller-ish or suspenseful. I also predicted one of the bigger plot twists in the first episode long before it played out in the show, but it was well done and an interesting story; but it wasn’t very thrilling or suspenseful; it never really seemed like there was any danger or stakes. It ws talked about a lot, but never part of the show’s reality? It was interesting enough to hold our interest–although I think I may have approached telling the story in a different manner than they did. It’s an interesting thought, at any rate.

It’s lovely having a kitten in the house, even if it means being more alert and having to get up more regularly because there was a crashing sound from somewhere else inside the apartment–usually followed by a galloping kitten moving at high speed away from the noise and mayhem he caused. He woke me up this morning by knocking my glasses off my nightstand table and then playfully batting them around on the floor, and once I took those away from him he went for the broom. He’s incredibly sweet, though, and I love that he’s so fearless and feels comfortable and at home enough to play. He slept on me for most of the Saints debacle yesterday, through the Boy Scout movie, and then moved back and forth between me and Paul during the Jennifer Garner show.

I also started writing the opening of a short story or a novel or something at any rate while watching the Boy Scouts documentary–part of it and the scandal was in New Orleans–and had an idea for the opening scene for something so I started writing it down; mainly about a college student away from home for the first time who’s obsessed with true crime and wants to be a true crime writer but isn’t sure how to get started chasing her dream other than majoring in Journalism at Liberty State in Liberty Center, Kansas–the town from #shedeservedit, why not reuse it? I don’t know why I started writing this when there are so many other things I should be working on. But that’s also life, you know, when you’re a writer–at least for me, there are always so many other ideas and thoughts and stories banging around in my head that it’s sometimes hard to focus on what I need to get done.

Heavy heaving sigh.

I never did make that to-do list for the week, so perhaps that should be the first thing on the list (I often do this so I can cross something off the list immediately; it’s satisfying and always seems to keep off working on getting the list completed). I also think that once I finish reading the Riley Sager I am going to reread a classic Stephen King that I’ve not revisited in a long time, The Dead Zone, which used to be one of my favorites and is still one that I think about a lot–especially during the rise of the former president, who eerily reminded me of the character of Greg Stillson, written thirty or forty years or so before the rise of the reality host/failed real estate mogul. (I’d considered rereading it in the wake of the 2016 election, but didn’t have the strength; I think now would be a good time.) I liked the opening of the Sager; which was encouraging. I hope to be able to get several books read this month…I think my reading is going to start picking up again, hallelujah. I think having a cat sleeping my lap while I read was what I was missing, and why it was hard for me to read since we lost Scooter. (I promise not to turn this into a Tug stan blog, seriously.) Today is going to be his first day left at home on his own for a while; we’ll see how he handles that.

And on that note, I am heading into the spice mines. Have a lovely Monday, Constant Reader; I’m sure I’ll be around again later on.

10 Out of 10

Paul went out Sunday evening to have dinner with a friend Sunday night, leaving me home to my own devices, and after he departed I pulled up Youtube and did a search I’ve not done in a very long time: for Friday the 13th, the television series. Imagine my delight when I found a playlist of almost every episode from it’s three year run in the late 1980’s in syndication! (It had been briefly up on Amazon Prime a few years ago, so I tagged it for Watch Later…so of course it was “unavailable in your area” when I went back to watch it.) I watched the pilot episode, “The Inheritance,” Sunday night. The video quality wasn’t great; it looked like someone had recorded it with a VCR off the broadcast and then digitized it for upload years later, and of course, the entire show had been done on a shoestring budget for syndication in the first place, so it didn’t hold up as well as I would have liked, but the show was terrific at the time. The premise of the show is that Lewis Vendredi had made a deal with the devil: immortality in exchange for selling cursed objects out of his antique shop. Lewis goes back on the deal and so the devil summons him to hell, and his niece Micky and nephew Ryan inherit the shop. Not knowing things are cursed, they have a big sale to clean out most of the inventory before Jack Marshack shows up, fills them in on the curse, and now they have to get all the cursed objects back before people start dying.

Great concept, isn’t it? In the first episode the object is a doll that can come to life and speak to its owner, and will kill people that harm the child. The little girl’s mother had died and her father has married a horrible second wife (the proverbial evil stepmother), and of course the doll ends up dispatching the evil stepmother before Ryan and Micky can get it back from her. The next three seasons explore the attempts to get the objects back. I know of two enormously successful writers who also loved the show, so there are some of us fans still out there–and this is a show I would love to reboot and modernize; same concept, but with different stories. I also have a book about the show somewhere I always meant to read; perhaps I should dig it out and read it for my Halloween Horror Month celebration–and I should watch the show whenever I am home alone again if I am too tired to read or write anything. Now that sounds like a good plan.

Everything is proceeding apace for my arm surgery. It is scheduled now for the week of Thanksgiving; my MRI is scheduled; and I am going through all of the pre-surgery hoops that need to be cleared. I am getting fitted for the new dentures this Friday, and I have my new glasses and my hearing aids. Not bad for someone who hates dealing with this sort of thing, wouldn’t you say?

We had a heavy rain last night–apparently in the early afternoon through the early evening–so of course, Cox Internet (piece of shit that it is) was spotty for the rest of the evening. Shocking, I know. Cox? Failing to live up to their end of the pay-for-service bargain? Who would have ever thought such a thing possible? It really galls me how bad their service had gotten over the last year. They were completely reliable for years. I never had a single complaint about Cox; when I returned to the apartment after Hurricane Katrina the cable was still working. Now? After a strong storm, it’s garbage. Garbage.

I went back to work on the sequel to Death Drop yesterday, but didn’t get much done on it, alas. Perhaps the jolt of diving back into writing so hard on Sunday strained the muscles, depleting the creative reserves or something because they were out of shape from not being used in so long. So, the evening wasn’t productive–primarily because of the spotty in-and-out internet frustration. I mostly watched another episode of Friday the 13th-the Series (“Hellowe’en”, if you want to know specifics) which kept freezing as the Internet went in and out, and then started watching a documentary I thought I’d seen before, Keep Sweet, that documentary about fundamentalist Mormons (it really is staggering how misogynist even the more modern versions of that religion are); I had seen it before, but when I pulled up Netflix…the Internet was spotty and Netflix recommended it to me like I hadn’t seen it before.

But I was sleepy-tired, and went to bed just around nine as i was nodding off again. I slept well last night–feel rested and good this morning–but am finding it more than a little hard to believe that September is about to be over and it will be October this weekend. So, I need to get Shawn’s book finished before this weekend, and I think I will put off my Halloween Horror Month reading until after finishing Lou Berney’s new one, which actually looks shortish, and Lou’s books always read fast. I should have read last night when the Internet started getting spotty, but my brain was already tired by then. I swung by the post office to get the mail yesterday–my shoes and zipper LSU hoody arrived, as well as a copy of The Adventures of Ellery Queen. I don’t think I’ve read any of the Queen short stories, but have read most of the novels, but can now correct that oversight. I think maybe if it isn’t raining when I get home from work tonight I may take a walk around the neighborhood; the exercise certainly can’t hurt me none, and I want to start looking for Halloween decorations. I also need to swing uptown and check out the skeleton house’s decorations this year. Halloween is such a marvelous season in New Orleans, and I love how we were ll talking about how much cooler it’s been–high eighties–after the brutality of this summer.

Ugh, so stupid, I should have started rereading Jackson Square Jazz last night. Lesson learned; before I leave the house this morning I’m putting a copy in my easy chair so I’ll remember tonight.

Another one of those tiresome women-penned essays about “gay” romance surfaced yesterday, but I’m not going to talk about that now; but it was the usual bullshit about straight women inventing gay romance and how gay men can’t/don’t write it–in general (per the essay), straight women don’t like gay fiction written by gay men because it usually will tackle social issues and/or how difficult it is to be gay in modern America but straight women don’t want to read about that. The essay itself mentions this…but the writer doesn’t see it as a problem? It’s more of the same bullshit it always is; gay men can’t write romance the way the straight ladies like it because it’s too real when they write it (this despite the fact that they also don’t want realistic gay sex scenes, either). There will definitely be more on this later.

And on that note, I am staggering back to the spice mines. Y’all have a great day, okay?

Hell is for Children

Years ago, there were things you’d never write about in books for teens and pre-teens. Now, though, many more topics are fair game. BUT are there some things you’d never write about? Because of your own feelings, or because you don’t think your audience is ready for it?

On the panel I said I’d never write about cannibalism, but of course ever since then I can’t stop thinking about cannibalism–and that’s entirely on me. I can’t even imagine writing about that.

I’m not going to say there’s anything I won’t write about because I don’t want to limit myself. If I can think of some way to write about something that isn’t pandering or exploitative or offensive, I will. I was recently reading some of my short stories because I am pulling together another collection and one of the stories–I was like, oh yeah, you can’t publish this without a major revision.

I don’t think I would ever write from the perspective of a person of color or a trans-identified individual because while I know I have a very vivid imagination and am capable of empathy, I am also a sixty-two year white cisgender male. I think I could probably do it, with help from a sensitivity reader and my editor, sure; but we need more trans writers and writers of color, not another old white man writing from their perspective. I will include those characters in my work, but not as point of view characters, because we need to make room for those with the lived experience to write those stories. I may not live long enough to see it, but hopefully in about thirty years we’ll have reached the point where exclusion of non-white non-straight non-cisgender writers will no longer be an issue, and what a wonderful world tht will be.

No offense, but none of you is in your target demographic any longer. What challenges does that present and how do you overcome them? How do you ensure that the language your characters speak is reflective of how teens and pre-teens speak today?

How very dare you! I am still a sprightly young man of…um, sixty-two. Point taken. I try to avoid slang and current language because it becomes dated very quickly; akin to how, when I was a child, I saw books and movies and television shows that tried to appeal to the youth market by trying to use current slang and it never turned out well. I mean, once The Brady Bunch kids are saying “groovy” excitedly every other sentence…it kind of killed the word and I never heard it in real life ever again. The time between when a book is written and when it’s released is long enough for current kids’ language to change. My sister’s grandkids are always saying things I don’t understand…but the next year they are speaking a different language, so I don’t try. It’s hard enough keeping up with technology, which also gets dated very rapidly.

What percentage of your readers do you think are adults? Do you consider these crossover readers when writing?

I honestly don’t know, but I wouldn’t be surprised if mine were primarily adults. I don’t set out to write books for kids, really; I write novels where the characters are teenagers. They get marketed as young adult books, which is something I have no control over. I’d like to think both adults and younger readers can enjoy my books that are so classified. If I think about the audience I am writing for when I am writing, it makes the writing more stressful and harder. I trust my editor to make sure I don’t write anything offensive or way off-base or too adult for a young adult audience–which is where my books would be shelved in the library. No one’s complained about mine yet.

Greg, your book tackles multiple contemporary societal problems. How do you balance writing about such tough topics with ensuring that your work is compelling and hits the right mystery/suspense notes?

The objective, for me, when writing about societal problems and issues is to put a human face on them, by making it personal. Societal problems are easily dismissed or ignored when they are simply abstract principles. If my characters are fully rounded, are relatable and seem real to the reader, then the reader will see, through the characters, what it is like to experience and go through these issues; and to develop a sense of empathy, so we aren’t so quick to judge and blame and not try to understand. #shedeservedit was very important to me, because with the Steubenville/St. Marysville rape cases, it made me look back over the course of my own life and remember situations I witnessed or heard about in a completely different light. For example, one of the cheerleaders at a nearby town had an experience similar to what the girls in Steubenville and St. Marysville went through…but in the 1970s, the blame solely went on the girl. When I heard the story she was a willing participant–the story was told to me in hushed whispers by another girl–and all the elements of the modern stories were there: pretty and popular cheerleader; a party with alcohol and football players; the town football team was successful and beloved in the town; and a bitter ex-boyfriend. As the story was told to me, she got drunk and “pulled a train” (a disgusting phrase, really) with five of the football players, including her ex. I was shocked at the time– to think she’d done this willingly, at a party where it was bound to get around (as it obviously did). But now, looking back–how willing was she, really? But that was how things were back then. I’d like to think things are changing, that we are valuing young girls and women as human beings more now…but are we?

Technology changes very rapidly, and teens—and younger children—are often at the forefront of these changes. How do you handle that in your writing?

Like slang, I try to use as little of it as possible. I do realize everyone is addicted to their phones now, and spend most of their lives texting and facetiming and everything else, but while I will use some basic technology–texting, emails, DM’s–I try not to get into the entire app/social media weeds too much because it may change before the book is published and I don’t want to publish a book that’s already dated. I think that if the reader really cares about your characters and the story…they won’t care so much about the slang and tech.

How has your writing evolved since you first got published? If a reader is new to your work, which book would you recommend starting with?

I’d like to think I am a better writer than I was back then. I know I’m a different writer than I was when I started; more life experience, with the concomitant increased empathy, understanding, and sympathy that comes with it. I try to push myself with every new work; it’s the challenge of doing something new and different I really enjoy.

If we’re talking my y/a, I’d started with the first, Sleeping Angel, and go from there. If we’re talking my career in general, I’d say Bourbon Street Blues or Murder in the Rue Dauphine. It’s always good to start at the beginning. If the length of both series is daunting, try either A Streetcar Named Murder or Death Drop (drops October 31!) and then move into the stand alones.

There are a small number of popular writers who spark controversy in their “real” lives. How do you reconcile a great writer with a bad person? Do you read that writer’s work?

Ah, the old “artist vs their work” question. There are writers with enormous talent whose books I’ve loved that social media has exposed as incredibly horrific people with “values” (I have a hard time using that word in reference to such abhorrent beliefs) and I have stopped reading them. I will never have time to read all the books I want to read, and if I’m able to prune my stack by removing racists and homophobes and misogynists and transphobes? Thank you for making my choices easier. I’ve always believed one should be widely read–I used to read nonfiction books about politics and social issues by conservatives because I thought it was important to listen to and evaluate their positions. After we were lied to as a government and a nation to drive popular support for a war we didn’t need to be fighting in order to drive more profits for military suppliers and oil corporations, I no longer needed those perspectives. I don’t need to read excuses and rationalizations for bigotry and prejudice and other indefensible positions for any human being to hold.

The vast majority of my one-star reviews on-line are from conservatives deeply offended by the “politics” of my books. Yes, because a book about gay men by a gay male author is where you should go to get your bigoted world-view validated. If you want that, read Andrew Sullivan. His nonfiction diatribes about social and political issues is some of the best fantasy being published currently.

Who are some of your biggest writing influences?

God, there are so many. I think my y/a is very strongly influenced by Lois Duncan, Christopher Pike, R. L. Stine, Caroline Cooney, and a long forgotten y/a crime writer named Jay Bennett. He won two Edgars for Juvenile, and was nominated a third time. His work is extraordinary; I’ve not read many other writers with that same extremely tight, terse, and taut style. Jay’s books put teenagers in terrible situations where they had to decide what is right and wrong and what to do. They read very quickly, too. I describe him as the y/a James Cain.

As for adults, everyone I read is an influence; even the books or writing styles I don’t care for, because they make me think how would I have done that differently? But definitely John D. Macdonald, James M. Cain, Charlotte Armstrong, Daphne du Maurier, Phyllis A. Whitney, and the old Alfred Hitchcock Presents anthologies, which I am revisiting. The old Three Investigators and Encyclopedia Brown series for kids, too.

Latest trends in Middle Grade and YA fiction?

Diversity, which is fantastic, and hot social issues!

The Anthony nominees panel for Best Children’s/ Young Adult panel at Bouchercon, with moderator Alan Orloff, Fleur Bradley, your humble author, and Lee Matthew Goldberg.

Paper Rosie

Wednesday morning and back up at an ungodly hour to make it back to work. But I was also kind of tired of lolling around the apartment on pain meds, doing very little to nothing, including not much thinking. It’s nice sometimes to not have to think, but I always worry that not using my mind is making it lazy, if that makes sense? Probably not, but I know what I meant. I always worry that my brain will atrophy if I don’t use it. Well, that made more sense. See what I mean? You see why I am concerned?

I didn’t sleep well last night–not bad, just not great. I’ve gotten used to ten to twelve hours of sleep per night since the surgery, so I wasn’t sure how getting up this morning would go. Not bad, to be honest; I don’t think I had a good night of sleep because of anxiety about not waking up, but I feel okay so far. I’m just so tired of soft food. Today I’ll be taking baby food with me to the office, and I am not really looking forward to that, in all honesty. I think I’ll take ice cream for lunch–I will miss eating ice cream every day when my mouth finally heals, but I am so ready for solid food you have no idea. I am so going to Five Guys when this is all over!

I didn’t get much accomplished yesterday. The pain pills don’t make me loopy the way the ones they used to prescribe (the highly addictive oxy family of opiates), but they do something to the wiring in my brain that doesn’t quite make sense to me. I did get a load of laundry done, another load of dishes, and I filed and straightened up the workspace–which looks a lot more bearable this morning than it did yesterday morning–but I didn’t get as much accomplished as I would have liked because my mind was spacy and I kept losing track of time. Paul got home late last night and we watched another episode of Painkiller, which is such evidence of how broken our entire system is (I still get angry at the Sacklers just thinking about it) that I don’t know how anyone could watch it and not fall into despair.

I did find myself–I blame the pain meds–falling into a pit of anxiety yesterday afternoon, spiraling and everything, but once I realized what was happening I thought use this nervous energy and that’s when I started cleaning. I put the kitchen rugs in order and swept, put away dishes and started filing and organizing. My computer files are a disaster that will take days, if not weeks, to sort out; I did make some attempt at it yesterday to no avail. I also went into another research wormhole about the Filipino community of southeastern Louisiana–I love that there’s always something new and startling to learn about this region–and I really would like to write about Manila Village, or St. Malô; it was known by both names. It could be another Sherlock story, I think, since I so strongly established him in 1916 New Orleans; Manila Village/St. Malô was destroyed in the hurricane of 1915 (which also wiped Freniere off the map, and I want to write about Freniere as well; the witch’s curse and all)–a lot was going on in the New Orleans era during the twentieth century teens decade (there was also an outbreak of bubonic plague and the last really bad yellow fever epidemic during that decade, and then of course there’s the banana wars, which is also endlessly interesting) and of course, I would love to write about it all.

I want to write about everything.

It’s also Pay-the-Bills day; time slipped past me while I was recovering from this oral surgery mess–and of course Friday is my appointment with the Tulane Institute of Sports Medicine about my arm (I’ll talk more about that later)–and I do think that I am going to need to work on the filing system this weekend. The LSU-Mississippi State game is at the ungodly hour of eleven a.m., so I can probably get some work on the filing done during that. I have duplicate files and the problem–the primary problem–is I allowed the files to get out of control during the pandemic and the system I’d been using completely broke down. The file cabinet itself has been a mess for years, and what I really need to do is decide on a new system or figure out if the old one can still be used, despite how much work it’s going to take. I also need to take stock and figure out what needs to be worked on and what needs to be done, and where I am at with everything. I don’t have any contracts currently in place (which is usually a very scary place for me to be, frankly, but I am not letting the anxiety about that make me do what it usually does; throw out a bunch of proposals only to end up with too many deadlines and more stress than any writer needs.

And on that note, I am heading into the spice mines. Here’s hoping my energy doesn’t flag and I make it through the day safely. I hope you also have a lovely day, Constant Reader, and I’ll check in with you again probably tomorrow.

Torn Between Two Lovers

Tuesday morning and back to work tomorrow. I had thought about canceling my sick time and going back into the office today; but I got so easily tired yesterday that I changed my mind. I’m pretty sure a lot of it has to do with the starvation–liquid and/or soft food just isn’t satisfying, and I am hungry all the time (one would think a diet that includes ice cream would be awesome, but I am so sick of it all I think I may never eat it again once this is all over). Well, not all the time, but I do feel hungry here and there before it, as usual, goes away. I think the low calorie intake is also affecting my energy levels. I’m a bit sore this morning (was hoping to not get loopy from taking pain pills today, but I’m going to have to) and I’m still a few days away from chewing noodles or anything soft like that, so it’s more baby food, oatmeal, and protein shakes for me today. Woo-hoo.

One thing I absolutely need to do before going back to work tomorrow is clean out my inbox, at least for today. There’s a couple of little things I need to definitely get done, or get started, today while I have the leisure of not being at the office. It’s going to feel weird waking up at six tomorrow morning, but…no other choice. It would be great to stay out until my mouth is healed completely and no longer aches, but I don’t have that kind of sick time left from everything that went on earlier in the year and so forth–and I have a surgery to be scheduled yet. I guess I’ll worry about that when it comes to it, and when I know when the surgery is going to be. I also need to get a grip on my finances again and make sure all my due dates are on the calendar. I also have spent money with the debit card that’s not recorded so I don’t know my bank balance for sure, either. All things that can be easily remedied, of course, but tend to be a bit tedious and so I dislike doing them.

We are currently watching Painkiller, which is yet another mini-series built around the evil corrupt Sacklers and the opioid epidemic they started in order to make billions by convincing doctors that their version of heroin wasn’t addicting. The Sacklers were undoubtedly be studied by future historians as an example of the worst kind of horror capitalism and its ethos of greed is capable of creating; the paralysis of the FDA and the corruption inherent by bribing (er donating) money to politicians to advance the gutting of what little power the FDA had to monitor and control this sort of thing, and so on (looking at you, paragon of corruption and enemy of the people Marsha Blackburn!). The suffering and destruction and death and havoc wreaked on families and communities while these monsters and their agents of addiction and death made money is incalculable…and they don’t care. Even after all the lawsuits, after losing the company, all the deaths, the Sacklers are still sitting on a mountain of money. They are pariahs, rightfully shunned, but dollars-to-donuts they’re back manufacturing medicine in twenty years when most Americans have forgotten their heinous crimes.

I seem to have let yesterday slip through my fingers in a painkiller fog–super strong ibuprofen also messes with your head the way Vicodin and oxycodone do–but it’s more of a losing track of time sort of thing. I did get the sink cleaned out and did a load of laundry (waiting to be folded) and there’s all sorts of filing and organizing to get done this morning. I want to read more of Shawn’s book today, and I’d like to get prepared for going to work tomorrow with a clear conscience. The great heat wave has finally broken. It’s still humid but not as bad, and it’s not getting as hot as it had been during the course of the summer–it actually feels pleasant when I go outside.

My tests for COVID are still coming back negative so I am going to assume I missed the Bouchercon spread. I hope everyone who did catch it at (or around) the convention are on the road to recovery and all had very mild cases. I’m seeing my new primary care doctor a week from Friday, so I am hoping to get the new booster and a flu shot when I see her. I am also hoping to get some feedback from her on the big toe on my right foot situation; you probably don’t remember but it’s been sore since Mom went into hospice and was swollen so badly I had to wear house shoes to her funeral? He gave me anti-inflammatory cream and that was it. Well, it’s eight months later, it still hurts when I bend it, and it still swells up periodically–not as bad as originally, but I can’t help but think it might be something more than what he rather pointedly dismissed? He was wrong about my arm, after all. And now the other big toe is starting to do the same thing.

But I’m sure it’s nothing.

Uh huh.

Forgive me if I don’t believe anything that hack said to me about anything.

But that’s a story for another time.

I do feel more like myself than I have since the surgery on Friday, so that’s something…but then I also just took my pain meds, so I don’t know for sure how long that feeling will last. But I have to do something about this mess around here, and maybe I can even do some writing today. I have already started working on the plan for the sequel to Death Drop, and I also need to plan out the sequel to A Streetcar Named Murder. I already know what the story is behind that one; I just don’t have a title yet but I do know what the first chapter is going to be. Maybe I should just go ahead and write that, get it under way and see how it goes? I also want to start working on the edit of Jackson Square Jazz, and maybe even revise it some. I resisted the temptation to revise and re-edit the Chanse books for their ebooks, and did the same for Bourbon Street Blues, but Jackson Square Jazz is actually the book that sets the backstory for Mississippi River Mischief, so I need to be certain everything lines up the way it’s supposed to–and I can also change some things predicated on what has happened in the series since, because I know what is coming (which I didn’t know when I wrote the book originally). This might also be a good time to finally put together the Scotty Bible (I’m only nine books in now) which should make writing the next one even easier. It’s a lot of work, but with my memory getting shittier and shittier with every passing day, it’s something that really needs to be done. If I write another Chanse (it’s possible; I never say never), I would definitely have to do the same because I really don’t remember much about any of those books.

And I have some short stories that need to be finished for anthologies.

So on that note, I am calling this entry for the day and heading into the spice mines. I may be back later; there are still unfinished blog posts in my drafts (I’ve managed to get some of them out there over this past weekend, even though I don’t count blog posts as writing, it really is and I really should), and of course, laundry to fold and dishes to put away and a refrigerator to clean out. Have a lovely Tuesday, Constant Reader!

I’ve Already Loved You in My Mind

Yesterday was a great test for me when it comes to fighting my anxiety.

I slept incredibly well, finished reading Laura Lippman’s Prom Mom, wrote three blog entries, and started doing laundry. I also spent a lot of time on social media, stealing pictures from the weekend because I never remember to take any myself, and just was kind of taking it easy for the day. We had a thunderstorm blow through right after Paul left for the gym, and therein came the test. I did all the laundry, and when the sheets were finished I took that basket upstairs (Paul hates putting on the fitted sheet and I hate shoving the pillows into their cases, so I put on the sheet and he does the pillow cases, if you were wondering) and only wearing socks–which I never do because the stairs were varnished and are insanely slippery and steep, and they make two ninety degree turns on the way up–when I stepped into a puddle after the first turn. What the hell? I thought as I stepped onto another puddled step, and still another–only to get hit on the head with several drops of water. I looked up and just before the second ninety degree turn is a light fixture–the primary one for lighting the stairs–and the water was coming from the fixture! Fortunately it was off–I don’t even want to think about if it had been on–and I put on the sheet, changed my socks, grabbed my slippers, and a handful of towels. I mopped up the mess with one towel before covering the rest of the steps that had been wet with towels, going down a few more steps with the towels just in case.

Immediately, I thought oh my God we have a leak from a big thunderstorm that caused street flooding, which means that water has probably been pooling somewhere inside the house somewhere; we haven’t had a downpour that caused flooding most of the summer (its usually a weekly occurrence in the summer time), which further led to oh no what about mold and will the wall have to be ripped out again to well at least we know where the problem is to great termites love wet wood before I was able to take a breath and recognize that I was spiraling and the anxiety was starting to spread to a physical and emotional reaction. I took a deep breath, and remembered that it’s out of my control. Getting worked up and emotional will not stop the leak or repair the wall. I was borrowing trouble and letting my mind start to control my narrative and I don’t want that. I sat down at my desk and thought, “Okay. When Paul gets home I’ll tell him to call the landlady. She’ll need to come see it, then call someone. So I have to get the living room picked up and make it look better. I still need to put away the dishes and I need to make a to-do list because I have things I need to get done this week. Will this be convenient with everything I have going on this fall? No, but when has life ever been convenient?

Never. And that’s what Paul and I discussed last night: getting frustrated, irritated, and upset by things you have no control over is a waste of time and energy. Dealing with the anxiety is a big part of this with me; I can’t control the physical reaction, but I can the emotional and mental, and as long as I keep that under control and don’t spiral, I will be okay. Things have to be taken care of, and that includes what I always call “odious chores,” or what other people might call “adulting” (I hate the turning nouns into verbs that don’t need to be verbs, and so I try not to ever use that word–it’s always grated on me. When you’re not adulting, are you childing? Of course not. That’s why it grates.). I don’t like conflict, and this is also a part of my anxiety–the fear of conflict creates anxiety and keeps me from doing things that might cause conflict, even though they rarely do. At one point last night as we caught up on our shows, I said, “I wish today was Saturday because I don’t want to get up in the morning” and Paul replied, “let it go”–we’d had a conversation about all of this and stopping being negative about things we can’t control and etc.–and I said, “you’re right. I have to get up early and moaning about it won’t change it, so why bother? It just is.” So I came back downstairs and watched this week’s My Adventures with Superman (it really is a. great show) and then Paul joined me for Only Murders in the Building, Ahsoka, and then we started a MAX (that is weird to me, just like saying X instead of Twitter–but fuck Elon, that I will never do) documentary called Telemarketers which is incredibly fascinating. There will be more on that later, once we’ve finished it (and I remember getting calls from these people back in the day; I always felt sorry for the callers as I always do with any kind of telemarketer–but after watching the first episode I don’t feel as sorry for them as I used to).

Ironically, my body clock is also all screwed up somehow. I was exhausted last night and was falling asleep in my chair by nine; so I went to bed early and am up and awake at five am this morning. It was a very good night’s sleep, too. So here I am last night whining about getting up early briefly–and this morning I voluntarily got out of bed an hour earlier than normal because I was awake and clearly wasn’t going to fall back asleep at any time. So here I am at my desk, swilling coffee and blearily thinking about all the things I need to get done before Friday. Tonight I am picking up my hearing aids after work, getting the mail, and running by the grocery store. I have to finish paying the bills. I have a million emails to respond to as well as numerous to generate.

It’s also funny that, after years of not thinking about the past or revisit it, I’ve started doing that more and more, especially since Dad is now telling me things I didn’t know before. Since I turned sixty, I started looking back over the years, which I had always seen as pointless before. You can’t do anything about the past, after all, and we also have a tendency to view the past as better and rosier than it actually was the further in the past it becomes. Sure, Mom dying earlier this year and talking to Dad about the past certainly has something to do with it all–but I had already started down that path. What is it, I wonder, about that particular milestone that resonated with me so deeply that I turned philosophical and decided to start unpacking my past? I don’t know. But I saw something on Facebook the other day about someone’s first words, and that made me remember that my parents always said I didn’t start talking until I was almost three years old (Mom would always add “and you haven’t shut up since”), but I was walking at nine months; they also always said that ruefully and with regret, because they believed the issues with my leg joints–the rolling ankles, the ease with which my hips will pop out of joint–is because I started walking too young. I never really thought anything about it, really, other than well thanks a lot for those issues…but this time I thought, “that must have really been weird and scary for them as parents barely out of their teens,” and you know every other adult and parent they knew privately judged them while offering all kinds of unsound advice and old wives’ tales from the country that made no sense and had no basis in any kind of science. Such a shame about their boy, you think he’s retarded? (Yes, that word–preferably not used anymore–was in common usage when I was a child, and yes, I heard adults talking about when they thought I was out of earshot. I think that was about the time my “selective hearing” started; being able to hear clearly for the first time in my adulthood tonight after getting the hearing aids did make me wonder do I really want to be able to hear everything?)

And yes, my primary takeaway from Bouchercon this weekend was feeling something I’ve not felt in a long time, and definitely not since the pandemic: ambitious. I told Paul last night (and someone over the weekend, probably my poor friend Teresa, aka Carsen Taite) “I kind of feel like life is happening to me, rather than me living my life, and I don’t like that feeling.” So, it’s time for me to start planning and mapping things out and deciding what I want and setting goals and figuring out how to get what I want again. I also realize I have to be very careful with what I agree to do this fall–not knowing how long some of these recoveries from procedures will take, for one thing–and I need to stop having anxiety about not having books under contract and then throwing out a bunch of proposals and getting deadlines. No, I need to plan. I need to strategize. I need to get my shit together and set some goddamned goals.

And on that note, I am going to head into the spice mines so I can make this week’s to-do list and start tackling the email inbox. Have a lovely Tuesday, Constant Reader, and I will be back later without doubt.

You Never Miss a Good Thing (Till He Says Goodbye)

Saturday morning and I slept in. I stayed in bed until eight thirty (perish the thought! What a lazy lagabed!) with the end result that I will not, in fact, be driving over to the West Bank this morning to get my oil changed and fluids checked. It’s not due, but (anxiety) the heat has been so intense, I want to make sure the engine is being looked after properly and of course, the fluids. Now it will have to wait until I get back as the dealership isn’t open on Sundays and I leave Wednesday for San Diego Bouchercon. I am starting to get some anxiety about the trip, but I am trying to ride herd on that. Whereas before it was gnaw away at me and build, now I just dismiss those thoughts as “anxiety” and move on from it. I doubt this methodology will be a long term solution–I probably should see a therapist again–but I already take an anti-anxiety medication to control my mood swings; do I need something else on top of that? Probably not. I am leery of medications to begin with–the opioid disaster always is there in the back of my head, plus the fear of addiction.

But since I didn’t get up, I will be staying in for the rest of the day and working on the apartment and writing and so forth. Tomorrow I am going to get fitted for hearing aids, so anything I might need to get by going out into the world today (I was thinking about doing a minor grocery run to get a few things) I can get tomorrow at the Rouse’s on Carrollton. I am kind of excited about being able to hear properly; I don’t think I’ve ever been able to my entire life, although I always passed hearing tests. My problem is low voices and ambient noise. I can’t hear anything in a crowded bar or restaurant. And I have my appointment about my arm in a few weeks, and of course, I am getting my teeth taken care of once I get home from San Diego. I will be a completely different person by the end of the year than I was when I started the year, won’t I? Maybe not The Six Million Dollar Man, but the surgery isn’t going to be very cheap.

We finished watching Swamp Kings last night, and I was right–it was really a puff piece, focused on making Urban Meyer as good as possible and not focusing on any of the criminal charges or how the University covered it all up because at that time, Florida football was the face of college football and everyone was watching and they were making the University a shit-ton of money. (Not to single out the Gators–although this documentary was about them, so it does raise these questions organically–these kinds of abuses and corruption happen all too often at far too many programs. LSU has had its own history of cover-ups and looking the other way to protect star players in the past, for example, and I’ve always been disappointed at how those situations were handled by my own favorite team. Hiring Joe Alleva as Athletic Director at LSU was a huge mistake, as he repeatedly showed Tiger Nation, over and over again. His replacement has done a fantastic job rebuilding LSU athletics from the ashes left by Alleva’s miserable tenure.) But I love college football, and I remember that time period particularly well. I have always stuck to the SEC mantra of “hate them in the conference, root for them in the post season” (which everyone does except Alabama fans for the most part–which I just now realized is probably a leftover remnant from the Civil War “us against them” mentality and my stomach turned a bit; but that’s also a good focus for the essay I want to write about LSU and football in the south in general, “Saturday Night In Death Valley.”) I am very excited and happy college football season is nigh. Woo-hoo!

I spent some time with Kelly J. Ford’s The Hunt, which is actually quite marvelous. I haven’t had the bandwidth lately to read novels–mostly sticking to my Alfred Hitchcock Presents project–but I was enjoying her book when I started reading it a few weeks ago and had been wanting to get back to it. But anxiety and stress and the fucking heat have sapped so much out of me every day that it was hard to focus on reading a novel. Kelly is a marvelous writer, which is terrific–there’s really nothing like a queer writer with a working class background writing about the South they grew up in, is there? Kelly is kind of a lesbian cross between Tom Franklin, Carson McCullers, and Dorothy Allison, with some Faulkner and Ace Atkins thrown in for good measure. Her debut novel Cottonmouths was a revelation (I can’t tell you how thrilling it is for this old man to see so much amazing crime writing coming from new queer writers), and her second, Real Bad Things, is nominated for an Anthony Award next week–so she joins the few queer crime writers of queer crime novels who’ve been nominated for an Anthony Award! We’re a small but growing club, which is also very exciting. GO QUEERS!

So, yes, a lovely day of preparation for going away next weekend. Today I should go ahead and make my packing list–I could even go ahead and pack the rolling briefcase, couldn’t I?–and clean and do things around the house and read and maybe even do some writing. It feels cool today in the house–but of course it’s still morning–and just checked my emails and yes–there it is; today’s heat advisory with temperatures feeling like up to 114 until eight pm tonight. It’s really going to feel like winter to me in San Diego, isn’t it?

And on that note, I am heading into the spice mines. Have a lovely Saturday, Constant Reader, and I will check in with you again later or tomorrow.

Here You Come Again

Monday! Back to the office for the weekly routine! It took me awhile to fall asleep last night, but eventually Morpheus opened his arms and welcomed me into the Dreaming, although I don’t remember anything I dreamt last night. Yesterday was, over all, not bad. I’d slept fairly decently Saturday night, but had some trouble with motivation yesterday. I did write a little bit, but for the most part felt burned out and mostly tired for most of the day. The end of the month is nigh, of course, which is a bit of a trip–can it really be August already–and the year is slipping past. I have a busy rest of the year ahead of me, too–after Bouchercon I am having oral surgery, and I am trying to schedule a consultation so I can get my arm surgery scheduled before the end of the year. I’d prefer to do neither, but I am tired of mouth pain and am not sure how much longer I could last dealing with the pain from my teeth. I am just ready to be done permanently with mouth pain.

It was raining when I went to bed last night, so I imagine the sound of rain helped me fall into a deep sleep; if only we could have a thunderstorm every night when it’s time for bed. Paul is leaving Wednesday, so when I get home from work that night he won’t be here. I am kind of in denial about it, to be completely honest. I’m going to be excessively bored, undoubtedly, but the key is to make sure I utilize the time effectively rather than allowing myself to be bored, you know? I can always read something, there’s a lot of shows for me to catch up on that Paul’s not interested in–Superman and Lois, and I should finish Titans, and My Adventures with Superman–and there are other classic films I’d like to watch as well. I can also watch the television in the bedroom and read in bed every night if I so desire.

We did finish watching Last Call last night, which was terribly sad because of how the killer was able to get away with it–twice!–before they finally linked him to the gruesome murders, and the difficulties prosecutors had in determining jurisdiction. We had a serial killer in the aughts who was preying on gay men down in the bayou parishes of Terrebonne and Lafourche back in those pre-Katrina times; no one’s ever written about him as far as I know, and most of his victims were homeless and/or hustlers, so no one cared much about the victims (similar to what happened with the Jeff Davis Eight in the same time period–women with records for prostitution and drugs murdered and no one ever caught or prosecuted) but at least they did finally catch the Bayou Killer (that’s not what his name was; I’m not even sure they gave him one since no one cared about the victims), but what the primary underlying theme to both true crime stories is that the police, for the most part, didn’t care about the victims so they didn’t try terribly hard to find them justice.

Yet another example of the fraught relationship between my community and the cops.

We also watched the first three episodes of Gotham Knights, which was better than I was expecting. DC’s continuity is something I no longer understand, as there are any number of Batman children and Robins and so forth having accumulated over the years, so I am not really sure about how the cast of this show came together–Batman’s adopted son, who isn’t a Robin, is accused of hiring the Joker’s daughter and some sidekicks to murder Bruce Wayne/Batman for the inheritance. Now they–with the help of a young Black female Robin–have to clear their names and catch the real killers, which involves the Court of Owls. I have no idea what’s going on these days in the comics with the Batman family–but I will always think of them as the originals I grew up with: Batman, Robin, Batgirl, and Nightwing (my favorite).

I also spent some time reading Kelly J. Ford’s The Hunt, which I am enjoying a lot. Kelly really gets the Southern working class voice and setting perfectly, and of course, she’s very literate in the way she writes. The book is layered and textured, and captures that small Southern community feeling more perfectly than most writers I’ve encountered. The queers are doing some really great work in crime fiction these days, which is pretty amazing–with amazing new voices coming along, it seems, fairly regularly over the last few years. Kelly, John Copenhaver, Margot Douaihy, Marco Carocari, Rob Osler and PJ Vernon are all doing amazing work and getting mainstream recognition, which is even cooler. Rob’s Devil’s Chew Toy continues to wrack up award nominations for debut novel; he’s currently up for both the Anthony and Macavity, and was one of the finalists for the first ever Lillian Jackson Braun award. Well done, Rob!

I, of course, didn’t complete my ambitious plans for the weekend, and that was in no small part due to that little voice reminding me in my head repeatedly what are you going to do while Paul’s gone–and of course, it never takes much persuasion for me to procrastinate or to be lazy, so I would give in and go do something besides sit at the computer and write, which is of course terrible. But I also didn’t want to not spend time with Paul while he was awake, either, since he’s leaving on Wednesday. Sigh. It truly never ends.

And on that note, I am heading into the spice mines. Have as lovely a Monday as possible, Constant Reader, and I will check in with you again later.

One More Chance

My first series will always be special to me, even though I’ve retired Chanse MacLeod…at least for now, at any rate; I’ve learned (sometimes the hard way) that I shouldn’t ever say never when it comes to my writing career. Chanse will always be special for me in that he was the main character in my first book to be published as well as the first series of mine to see print. I originally created Chanse in 1989–can you believe that? Thirteen years from the time I first started constructing the character and him getting into print.

When I left California and moved to Houston that year, I decided to put the miseries of the 1980’s behind me, forget the past, and try to move on to the future I wanted for myself. I still had no idea what I wanted to do to make a living, but I knew I was never going to become a writer unless I actually, you know, wrote. When I moved to Houston, I moved away from reading mostly epic fantasy and horror to reading crime and horror. Sue Grafton’s F is for Fugitive had just been released, and the bookstore–Bookstop?–I frequented in Houston had a store catalogue that had book reviews and author interviews, and Sue Grafton was on the cover. I thought the alphabet titles was a great idea, so I bought the first three and took them home. I loved them, and started diving back into the crime fiction genre headfirst. I also started reading the Erle Stanley Gardner Perry Mason novels again–I’d read some when I was a kid–and I also started reading the rest of the Travis McGee series (I’d read, and not liked, The Dreadful Lemon Sky when I was thirteen; I wasn’t old enough to appreciate the series) and absolutely loved them. I loved McDonald’s writing style more than anything else, and the descriptions of McGee sounded, well, hot.

I started creating Chanse MacLeod as a blend of Kinsey and Travis McGee, really; I was driving to work one day and crossed a bayou. noticing the sign for the first time, and thought “The Body in the Bayou would be a great title for his first book” and so i started constructing the character and his world. He was a former cop turned private eye in Houston; he’d played college football at Auburn but suffered a career-ending injury his senior year and so he went into law enforcement, eventually going out on his own. He had a secretary named Clara that he shared with a couple of lawyers in an office suite in downtown Houston, and most of his work involved trying to get evidence of adultery for wealthy and suspicious spouses. In 1994. after I fell in love with New Orleans, I moved Chanse to New Orleans and his college experience to LSU; I also was discovering gay crime novels around this same time, so I decided to make Chanse a gay man; from a small town in Texas with homophobic parents and family, playing a sport where homophobia is rife, and he too discovered and fell in love with New Orlean…so he became a cop when his football career ended, eventually becoming a private eye. I started rewriting the four or five chapters I’d written with the story set in Houston…but once I moved to New Orleans and began to grasp what it was actually like to live here, I threw the entire thing out and started over.

That manuscript I started over became Murder in the Rue Dauphine, and the first place I submitted it to offered me a contract six weeks after I mailed them the manuscript. Alyson was home for the first five books in the series…before Alyson Books went belly-up, without paying me the advance for the fifth book and no longer paying me royalties on the others (the entire series was still in print when Alyson folded).

Burn in hell, corporate trash who bought Alyson.

(The company had been doomed for a while, and the unfortunate last minute attempt to rescue it failed, which I thought was horrifically unfair to the person who they brought in to save it. The final collapse was hardly his fault; his predecessors had made so many unbelievably stupid mistakes there was no saving the business, really. And ebooks and so forth started eroding away at the reader base, at the same time the business began to crumble. I’ve always felt bad for the poor dude who was the last to hold the title of publisher. I don’t think he had any staff and he was the only person working there by the bitter end.)

But when Alyson went belly-up and chose to stop honoring their contractual obligations to pay their writers, I’d already moved the Scotty series to Bold Strokes Books and was doing not only anthologies for them but also editorial work for them, so moving the Chanse series there was a no-brainer.

The last two books in the series were done with Bold Strokes Books.

As with anything with my career, I had a plan for the Chanse series but of course, man plans and the gods laugh. I had always intended the series to be seven books, from the very beginning, and I had this emotional journey for him all mapped out: the series would chart his progression from lonely, damaged and scarred loner with a snide sense of humor to more centered, more grounded, more mature and more settled into his life. So, when the series opened, he was–against his better judgment–seeing a hot flight attendant, and wondering if he was actually falling in love and had the opportunity to be happy for once in his life. I really did give him a miserable backstory; alcoholic mother, abusive drunk redneck father, grew up living in a trailer park in a snotty small Texas town where no one would let him forget he was trash until he showed some football playing ability–and he was just cynical enough to understand they still considered him trash, but trash with a skill they appreciated. He went to LSU and joined a fraternity in a final attempt to banish the homosexuality from his brain (it didn’t work), and then was injured in a bowl game so his career was over–he’d been considering going for the NFL draft. He was a big man, as such; and spent a lot of time in the gym working out and keeping fit. I also had to make a horrific decision while writing the second book–with every intention of walking that ending back in the third.

And then Katrina happened, and everything changed.

My editor at Alyson Books at the time, Joe Pittman, was new. He had come on board shortly after my previous editor was let go (I had a different editor for each of the first three Chanse books, and in fact had a different for the last two–so the Chanse series went through five editors at Alyson…now I would see that as a sign), and I was assigned to him as a gay mystery writer. He got in touch with me after Katrina to check in on me and of course, to encourage me to write about Katrina, which I did NOT want to do whilst I was in the middle of experiencing the aftermath still. I was still unhoused at the time, staying with my parents in Kentucky, before moving back to Hammond, Louisiana, just before Rita to housesit. Paul and I talked on the phone one morning and suggested we do a fundraising anthology for Katrina victims…but I wasn’t interested. Joe called me that afternoon and with the same suggestion, so I told him Paul wanted to do one and that was how Love, Bourbon Street came to be. Joe also kept insisting to me that I should write a post-Katrina book as the next Chanse book, and despite my reluctance I decided to go ahead and do it. Part of the problem, as I saw it, was, how do you end a book on a hopeful note when the city is still in ruins and most of the population still displaced? Joe kept pushing me, and I finally agreed to write Murder in the Rue Chartres–and I really don’t remember anything about writing the book other than I did actually write it, and it turned out to be one of my best books. It won the Lambda, for one thing, and got great reviews everywhere.

The fourth Chanse novel was, in my opinion, the weakest of the series. They’d fired my editor before I signed a contract for the fourth book, and when that finally happened, they needed me to write in like eight weeks. I asked for a two book contract so I would never have to write another book in eight weeks again (LOL at my naivete), and they were so desperate for the fourth they agreed. (I had already written a Scotty book that was just sitting in a drawer; I turned it into the fourth Chanse and to this day I think it was a mistake.) Of course, they did publish the fifth, but they never paid me a dime for Murder in the Garden District. The only money I’ve made off that book is from the ebook Bold Strokes put up–I gave them the entire Chanse backlist for ebooks, and those Chanse books still sell.

Maybe I shouldn’t have ended the series at seven?

But it felt like the right place to stop. Chanse’s personal story of personal growth and how it happened kind of got lost along the way; he grew and changed as the series progressed, but writing the last two–which I also think are good–felt a little paint-by-the-numbers for me; I felt that writing the sixth and when I felt it again in the seventh, I decided to stop there. I wasn’t getting any satisfaction for writing the books anymore, there was no joy derived from doing them, and since I’d already planned to stop at seven…I stopped at seven.

I still get ideas for Chanse books, of course. I have an LSU fraternity murder that would be a perfect Chanse story–I planned it as a novella–and of course, I’ve always wanted to fictionalize the Jeff Davis Eight murders as a Chanse novel, too. Maybe I could do three Chanse novellas published in one book?

That would make a lot more sense, and could be even more fun to write than one long single story novel.

Or I may not do anything with Chanse at all, and use those stories/plots for something else.