Category: shopping

Superfly

Good morning, everyone, and welcome to Thursday.

I slept rather well last night, which was lovely, and today is one of my short days, which is equally lovely. I made some terrific progress yesterday on Major Project, not so much on the WIP but it’s okay. I’ve made peace with the fact I can’t work as hard in as short a period of time as I used to, and I feel confident that once Major Project is out of the way, I can make some more progress on everything else I need to get done.

I still have short stories I need to write, as well as an essay, and am hopeful that between today and tomorrow and this weekend–plus the long birthday weekend i am treating myself to next week–will give me the time to get all the things done that I want to get done. I haven’t had time to do much reading this week, but I need to get moving on S. A. Cosby’s My Darkest Prayer so I can dive into Laura Lippman’s new Lady in the Lake, which is getting raves everywhere. Again, hopefully, that will come to pass this weekend, and what a lovely birthday gift for myself to spend my birthday long weekend curled up with the new Lippman?

Life rarely gets better than that, seriously.

We finished watching Years and Years last night, and it remained interesting all the way until the end–even if the death of my favorite character kind of cost me some of my emotional investment in the show. I was quite critical of this character death yesterday, yet still held out some hope that the death wasn’t really exploitative and would make sense in the over-all story, once it was finished; you know, the sense that it wasn’t done simply to advance the story and motivate characters to the actions that would move the story to its inevitable end. I think it could have gotten to that inevitable end without this character’s death, frankly, and so it remains another sad example of show business’ favorite gay trope, bury your gays.

Overall, despite this disappointment, I did enjoy the show…although not as much as I did before bury your gays reared its ugly head.

But I am now in the short part of my work week, the two half-days that help me ease my way into my weekend. When I get home from the office late this afternoon, I can do some straightening and cleaning and I can also get back to work on Major Project, or the WIP. Tomorrow I also get off relatively early–one in the afternoon–and it has occurred to me that I could just run to make groceries then and get the mail, negating the need to leave the house over the weekend (running those errands always seems to throw me off every weekend but I need to be more disciplined anyway; soon enough Saturdays will be all about college football and Sunday will be Saints games, so my weekend productivity is about to go into a severe decline (I often read and/or edit while I am watching football games that are neither LSU nor the Saints, so there’s that), so it’s crucial that I start getting things done throughout the rest of this month. I’d like to get all these little things done this month so I can focus in September more clearly on JUST ONE THING for a change.

I’ve slowly been coming to a conclusion about my career, and I actually said it out loud to my friend Laura at lunch on Tuesday, which made it more real, and having said it out loud, it resonated inside my head and the more I think about it, the more sense it makes. Simply put, I don’t think I’m going to write much more young adult fiction, or novels that could be classified that way. Watching y/a Twitter has been horrifying, and that entire world just–yeah, no thank you. I had always wanted to write books for teenagers, going back to discovering Christopher Pike and R. L. Stine and Jay Bennett back in the early 1990’s (Jay Bennett was amazing, absolutely amazing), and it was never about trying to make a lot of money or anything (despite being accused of that any number of times), but simply stories about teens that I wanted to tell. Currently, I have three novels in some sort of progress centering teenagers; I am going to get them finished and then I am going to leave y/a behind (I still have two good ideas for y/a books; I may eventually write them, or I may not).

I’ve been reassessing my career a lot lately–I wish I had a dollar for every time someone told me I should write something more mainstream, so I could make more money….because I would then have so much money I wouldn’t need to write anything at all. There are stories I want to tell–I have ideas coming to me all the time–but I am never going to stop writing stories centering gay men. I’m just not wired that way. I may write things that are more mainstream–a lot of my short fiction isn’t about gay men–but i am never going to stop writing gay stories. I’m just not going to, nor should I have to, and while I understand the good intentions behind people telling me to write something more commercial, I can’t help but wonder if people say that to other minority writers?

I kind of doubt it.

But now I need to get ready to face my day, so it’s off to the spice mines with me. Have an absolutely lovely day, Constant Reader, and I’ll chat with you again tomorrow.

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I Believe in You (You Believe in Me)

I really need to focus and stop being distracted by shiny objects.

Stupid fucking shiny objects, anyway.

But there are so many, and they’re all so glittery and pretty and interesting.

It’s a wonder I get anything done.

Every once in a while, like now, I allow myself to get completely scattered and my inability to say no to people gets me into trouble; I then get overwhelmed and paralyzed with fear that I’ll never get everything done…thereby ensuring I won’t get everything done–or if I do, I’ll basically have to kill myself to get it all done on time. Heavy heaving sigh.

But at least now I’m aware I’m doing it again, which should count for something.

I took stock yesterday of everything I am doing, everything I’ve promised, and everything I’m in the middle of–and it was quite staggering. I have, as I said before, promised three short stories, only one of which has a completed draft (the others are still just ideas, waiting to be born on the page); I am working on a massive short-term project; a massive long term all year one; I am five chapters shy of finishing a first draft of a novel; have another novel manuscript that will need at least another two drafts; have written the first drafts of two first chapters of new novels; have a lengthy novella whose publication fell through that can be revised and rewritten and turned into a novel; and have about thirty or forty short stories and essays in some form of being written….and I keep having ideas, new ones for stories or novels, every day. Just this week I came up with another book idea called Another Random Shooting, which I quite like, and three short stories–“Festival of the Redeemer,” “Hot, Humid, Chance of Rain,” and “Flood Stage.” Yikes. I also have to run errands today–mail, bank, groceries–and am hopeful I will get some things done today and tomorrow. I slept really well last night–am still a bit groggy this morning, while i wait for the coffee to kick in. I think, probably, when I finish this I am going to go sit in my easy chair and read the Steph Cha novel. It’s really quite good, and I like the idea of spending my Saturday mornings reading a good book.

Yesterday when I got home from the office, I finished doing the laundry (bed linens every Friday), cleaned the kitchen and did the dishes, cleaned the Lost Apartment (still need to do the floors), and did some filing. My office space is always, it seems, a mess; something I’m never sure how to resolve. The truth is my office space is too small, always has been; but the primary problem that goes along with that is there isn’t any other place for my office to be located here in the Lost Apartment. Our apartment is, especially by New York/DC standards enormous, especially given what we pay for it–we’ll never be able to move because we will never find anything comparable at the same price; I’m not even certain one can get a studio for what we pay in rent. And, if I’m being completely honest, having a room dedicated to being my office would eventually not be big enough, either, as I tend to expand to fill space. But I still dream of the day when I’ll have an entire room for my office space. Anyway, when Paul got home I made Swedish meatballs (I do love cooking, I just rarely get the chance to do it anymore), and we got caught up on Animal Kingdom, and then finished The Boys, which is fucking fantastic. It occurred to me last night as I watched those final two episodes, that a world with super-heroes would probably be more akin to Greek mythology than the comic book worlds we see in most super-hero stories; capricious, mercurial beings with amazing, seemingly limitless powers, and all humankind would be at their mercy. I also liked that the human male lead, Hughie, is played by Dennis Quaid and Meg Ryan’s son Jack–and he’s quite good, and looks nothing like either of his parents–although sometimes you get a glimpse of one or the other. I have to say I liked this show a lot more than I thought I would, and we’re both looking forward to Season 2.

I think tonight we might dip into Years and Years on HBO. One can never go wrong with Emma Thompson.

Yesterday I reread my short story “Fireflies” in order to make some notes on it. I originally wrote “Fireflies” in long hand in a notebook back in the 1980’s–it’s another one of those “from the vault” stories–and I’ve worked on it, off and on, since the original draft was written. It was always slightly off, and the original ending was terrible. Fast forward, and last year I was looking at it again, and thinking about revising it, when I was invited to submit a short story to a horror anthology. I decided to use “Fireflies,” and I revised it and rewrote it a bit, smoothed over the rough transitions, made it flow better, and changed the ending along with some additions to the narrative to make it not only tighter but stronger. After submitting the story, I was contacted by the publisher and officially commissioned to write a story for the book. The anthology had a broad submissions call, anything from noir to pulp to outright horror, but every story had to have a paranormal element to it. They commissioned a pulpy noir story, and when I mentioned I’d submitted something already, they were very nice about specifically wanting the new story and would still consider the other; I wound up writing “A Whisper from the Graveyard” for it, and a few months ago they finally decided not to use “Fireflies”–but were interested in it as a novella; the true problem with “Fireflies” was its length. I immediately saw the value of the critique; I never think of writing in terms of novellas or novelettes (primarily because there really isn’t a market for these longer stories that are too short to be novels), and so made a note to reread the story and see what possibilities there were for it. So, I did that yesterday, and I was correct–the story would work better as a longer novella. I’ve written novellas before–“The Nightwatchers” and “Blood on the Moon” for those Kensington omnibus books, and I self-published “Quiet Desperation”” myself on Amazon. One of the projects I am in the midst of, “Never Kiss a Stranger,” is also going to be a longer, possibly novella length, story; I’d always thought of it from the beginning that way, and will probably self-publish it at some point on Amazon once I finish it.

“Fireflies” is another Alabama story, which means another “Corinth County” story. It was inspired by the Fleetwood Mac song, “Fireflies”, even though they have nothing to do with each other as far as content. The only connection other than the title is mood; I wanted to get the mood of the song into the story, and I think I succeeded. The song is one of my favorite Fleetwood Mac recordings, and only appears on the Fleetwood Mac Live double album. Ironically, it’s a studio recording they mixed crowd noises into, so it wouldn’t seem out of place on the live album; the original version is on Youtube without the crowd noises. I’d say the story is also strongly influenced by Thomas Tryon’s The Other, which is one of my favorite novels of all time (and overdue for a reread, as are The Haunting of Hill House and Rebecca), and I still think someone should do a biography of Tryon. I’d do it, but my research skills are subpar and non-fiction is also not my strength. But Tryon is fascinating to me–a relatively successful actor who was closeted and never quite attained stardom; then gave up on acting and turned to writing. He was also the longtime lover of the first gay porn star, Casey Donovan, of Boys in the Sand fame. Anyway, I digress (damned shiny objects, anyway). The point is there are so many Alabama stories in my files that have never been published; I think the only Alabama/Corinth County stories that have been published are “Small-town Boy” and “Son of a Preacher Man,” as well as the novel Dark Tide, which may not be actually set there but the main character is from there. Bury Me in Shadows is the first full-length thing set in Alabama for me to get this far with, and it–and “Fireflies”–are reconnecting me to everything.

I also keep thinking I need to go back there, just to drive through and take pictures, get a feel for the place again, refresh my memories.

This is how the story opens:

Jem slapped at a horsefly buzzing around his ear. He hated horseflies. They bit and left welts that hurt.

“God commands us to HONOR THY FATHER AND THY MOTHER!” Brother Killingsworth thundered from his pulpit to a chorus of scattered amens inside the little chapel. Jem could hear the sermon clearly because the screened windows were open to catch whatever cooling breeze there might be on this hot July Sunday. He could hear the fluttering of paper fans, the creak from the turning of the blades of the ceiling fans.

The Church of Christ Our Lord and Savior didn’t believe in air conditioning because the faithful suffered in the heat to listen to the Lord preach back in the Holy Land, wiping the sweat from their brows and letting the cloth stick to their wet bodies. And if that was good enough for the ones who gathered to hear the word of Jesus, it was the least the flock of the Church of Christ Our Lord and Savior could do, am I right and can I get an amen, brothers and sisters?

“Little better than snake handlers,” Jem’s mama would sniff with that mean look on her face, shaking her finger in his face, even though it wasn’t polite to point, “and you’d better stay away from there. You hear me, boy?”

Not bad at all.

And now back to the spice mines.

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Long Train Runnin’

Ah, it’s the weekend. I went to bed relatively early last night, after watching the final episode of The Last Czars (which, of course, included the horrific massacre scene in the basement in Ekaterinburg; which is probably why everyone sees the monstrous, people-abusing, careless Romanovs as tragic figures–the way they died, as opposed to the way they lived; it’s impossible to hear the children screaming and the sound of the guns without feeling badly for them) and before that, I watched Spider-Man Into the Spider-verse, which was, without question, the absolute best superhero movie, bar none, that I’ve ever seen. Well-written, well-voiced, and extraordinarily animated, it was quite an achievement in film making, and definitely a high spot when it comes to superhero films The entire time I was watching I kept thinking imagine how incredible this must have looked on the big screen. It took me a moment to get used to the style of animation, but it was absolutely amazing, and should be used as a blueprint for origin stories for superheroes. I do hope they do another; I really loved the character of Miles Morales and his family.

This morning I woke up well rested with a shit ton of work to get done today. Yesterday I was lazy; I got home from work around one and just cleaned the house. I never manage to seem to finish getting my office in order, because there simply isn’t enough space for me to put things, and I am always afraid to put thing into my inbox because they tend to get buried once they are there. I try to put things into it in ways that they can still be seen; but I don’t always have the best luck with that, and out of sight, out of mind if I don’t have it on the to-write list (speaking of which, I don’t see it anywhere, damn it to hell), which is also ridiculous when you consider how much I have to get written, or hoped to have written, by the end of this month.

One thing at a time, cross them off the list, and be done with it.

I’m also looking forward to spending some time with Steph Cha’s Your House Will Pay over the course of the weekend; after which I am going to read S. A Cosby’s My Darkest Prayer. I’d also like to get started reading the other Anthony nominees for Best Short Story (Cosby is one of my fellow nominees, along with Holly West, Barb Goffman, and Art Taylor–three of my favorite colleagues)–I still can’t believe I’m an Anthony finalist. I am very proud of my story, and its genesis; I originally wrote the first draft when I was in my early twenties or late teens, while I was still living in Kansas–close to forty years ago, and here it is, nominated for an Anthony Award.

How fucking cool is that? I had no idea when I wrote that story in long hand on notebook paper that forty years into the future it would be nominated for an award I’d not yet heard of, to be presented at a fan conference I knew nothing about, and that my life would be something I didn’t even dare dream of at that age.

I was thinking about my self-appreciation project last night, the one in which I work on stopping belittling my achievements, learn how to accept compliments, and take some pride in myself and my writing and everything I’ve done thus far in my life. Because I should be proud of myself. I’ve managed to sustain an almost twenty year career in a niche sub-genre of a genre, and not only that, I’ve accomplished quite a bit not even counting the writing itself. I was also thinking last night back to the days when I was editor of Lambda Book Report, which kind of set the stage for my publishing career. I reinvented myself, you know; I went from being a highly knowledgeable industry insider, basically running a magazine that was sort of a cross between a queer Publisher’s Weekly and a queer The Writer; for nearly two years I read a lot of queer fiction, and if I didn’t actually read a queer book, I knew a lot about it. I had already sold Murder in the Rue Dauphine to Alyson Books when I took the assistant editor job at Lambda Book Report, and that was actually the first job I ever had where I kind of flourished. It was the first job that allowed me to be creative in what I did, and where all the lessons I’d learned at various dead-end jobs along the way could be applied in a very positive way. I’d also learned how to treat writers, from being treated myself in very shitty ways by magazines and editors and papers I’d written for by this point–something I continue to do today as an editor (one of my proudest moments of my career thus far was being told by one of the contributors to Florida Happens–Hilary Davidson, a very talented writer whose works you should check out–that working with me was one of the best editorial experiences she’d had in her career thus far). Lambda Book Report seems like it was a million years ago; I actually officially resigned from the job in November 2001, three months before Rue Dauphine was published finally. I resigned because of the conflict of interest involved in running a review magazine while publishing my own novels; there was a strong sense, at least for me, that I couldn’t allow my own books to be reviewed in my own magazine, and as it was the only real game in town nationally (the odds of being reviewed in any of the national gay magazines–Out, The Advocate, Genre–were slim to none; on the rare occasions when those magazines chose to review books, it was either a straight celebrity ally’s (so they could do a feature and put straight celebrity ally’s picture on the cover), or if it was an actual queer book by a queer writer, it was never a genre work. They sniffed disdainfully at queer genre writers; kind of how Lambda Book Report did before I came along, and, all due respect, kind of how the Lambda Literary Foundation (which was always the parent apparatus of the magazine, and now runs a review website) still does. I’ve rarely been reviewed there–either in the magazine I left behind, when it was still being done as a print magazine–or on their website.

But I did a great job running that magazine, if I do say so myself, and I am very proud of everything i accomplished while working there. I met a lot of people, a lot of writers, and made some lifelong friends out of the experience.

I have also been nominated for the Lambda Literary Award, in various categories and under various names, quite frequently. I don’t know how many times I’ve been nominated, to be honest; it’s something like thirteen or fourteen times. I think the only people nominated more times than me are Ellen Hart, Michael Thomas Ford, and Lawrence Schimel. I won twice, once for Anthology for Love Bourbon Street, and once for Men’s Mystery for Murder in the Rue Chartres. The statues are somewhere around here; my Moonbeam Award medals hang from a nail right next to my desk, and my Anthony Award for Blood on the Bayou sits on one of the shelves in the bookcase where I keep copies of my books, but I’m not quite sure where my Lambda Awards are. My Shirley Jackson Award nominee’s rock is in my desk drawer, and even though it just represents a nomination (I didn’t win the award), it’s my favorite out of all the awards I’ve won. I don’t get nominated for Lambda Literary Awards anymore–I think the last time I was nominated was for Night Shadows, which should tell you how long it’s been–and I don’t really care about that anymore, to be honest. After thirteen or fourteen times…yeah, it’s just not quite the thrill it was back when I was nominated the first time. Getting nominated for things like the Shirley Jackson, or the Anthonys, or the Macavitys–those are thrilling because they come from out of nowhere, and are completely unexpected.

And let’s face it, being nominated for Best Short Story awards, for the kid who was told by his first writing instructor that he would never be published, would never have a career as a writer, and had no writing ability whatsoever–opinions all formed by reading a short story written by a kid who’d just turned eighteen–are very thrilling and satisfying. My lack of confidence in my short story writing abilities is pretty extreme, and so whenever one gets published or one gets nominated for an award or I get some great feedback from readers for one, it’s quite reassuring and quite lovely.

All right then–Steph Cha’s novel is calling my name, and I want to get some things written as well before I run my errands later this morning.

Have a lovely day, Constant Reader.

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Daddy’s Home

Hello, Thursday morning, how are you?

Another lovely night’ sleep last night, and it’s quite marvelous to feel so rested and be energetic as I have been this entire week (which undoubtedly means I’ve now jinxed it and will not sleep well tonight). Have I gotten as much finished as I wanted to this week? Of course not. I was very tired when I got home from work last night, which means I wrote maybe 100 words on Chapter Nineteen; but it’s a hundred more words than I had yesterday morning, so I am calling that not only a win but a major win; I always count anything on a day when I was tired and didn’t want to do anything a major victory.

Yesterday was a very strange day for New Orleans in July; it was actually cool-and it was about twenty-thirty degrees cooler here than it was in places like, you know, PARIS. Anytime we have a relatively lovely day in New Orleans in the summertime is highly unusual; but it also kinds of messes with the city’s mentality and energy levels in many odd and different ways. I didn’t work very much on the large project that landed in my lap recently, but I think today I’ll be able to get some work done on it. Today is the first of my two short days this week, which is lovely; I can make groceries on my way home from the office tonight, finish the laundry and the dishes, and maybe even (gasp!) make dinner tonight. Depending on what time Paul gets home–he’s buried under with grants, as always, in July, which means getting home rather late every night (last night he got home after nine). This should give me some time to get some work done around the house as well as some work done on Bury Me in Shadows.

That’s the plan, at any rate. I also have an essay to write, some short stories to get going on, and of course, the Lost Apartment is a disaster area. Keeping the apartment neat and tidy is really a full time job, it seems, and of course on my two long days I simply don’t have the energy to do anything about it–or if I do, I won’t have the energy to write. This creates a war within myself; I cannot stand having a messy home and it both bothers and distracts me from writing, but if I do something about it I won’t have the time or the energy to get the writing done. The endless struggle…

But we shall see how today turns out. I may even go make the major grocery run tomorrow after I get off work; tomorrow is an early day and I get off work around run, which is plenty of time for me to run uptown and get the mail, while circling back around to make the grocery run before heading home to both clean and write. That’s really the question, isn’t it, how do I–or any other writer–find enough time to write the things we need to get written?  It really always comes down to finding the energy, really–one of the things I was thinking about the other day when I was talking about the need for self-absorption as a writer has everything to do with not wasting energy you need for your writing on people who ultimately won’t pay off in the long run.

Also, the Macavity Award nominations came out today:

The Macavity Awards are nominated by members of Mystery Readers International, subscribers to Mystery Readers Journal and friends of MRI. The winners will be announced at opening ceremonies at Bouchercon, the World Mystery Convention, in Dallas, TX, October 31, 2019. Congratulations to all.

If you’re a member of MRI, a subscriber to MRJ, or a friend of MRI, you will receive a ballot by August 15, so get reading.

Best Novel 

November Road by Lou Berney (William Morrow)

If I Die Tonight by Alison Gaylin (William Morrow)

The Lost Man by Jane Harper (Flat Iron Books)

Jar of Hearts by Jennifer Hillier (Minotaur Books)

Hiroshima Boy by Naomi Hirahara (Prospect Park Books)

Under My Skin by Lisa Unger (Harlequin – Park Row Books)

Best First Novel 

My Sister, the Serial Killer by Oyinkan Braithwaite (Doubleday)

Dodging and Burning by John Copenhaver (Pegasus Books)

Where the Crawdads Sing by Delia Owens (G.P. Putnam’s Sons)

Something in the Water by Catherine Steadman (Ballantine)

The Chalk Man by C.J. Tudor (Crown)

Best Nonfiction 

The Metaphysical Mysteries of G.K. Chesterton: A Critical Study of the Father Brown Stories and Other Detective Fiction by Laird R. Blackwell (McFarland)

Conan Doyle for the Defense: The True Story of a Sensational British Murder, a Quest for Justice, and the World’s Most Famous Detective Writer by Margalit Fox (Random House)

Classic American Crime Fiction of the 1920s by Leslie S. Klinger (Pegasus Books)

I’ll Be Gone in the Dark: One Woman’s Obsessive Search for the Golden State Killer by Michelle McNamara (HarperCollins)

Agatha Christie: A Mysterious Life by Laura Thompson (Pegasus Books)

The Real Lolita: The Kidnapping of Sally Horner and the Novel That Scandalized the World by Sarah Weinman (HarperCollins)

Best Short Story 

 “Race to Judgment” by Craig Faustus Buck (Ellery Queen’s Mystery Magazine, Nov/Dec 2018)

“All God’s Sparrows” by Leslie Budewitz (Alfred Hitchcock’s Mystery Magazine, May/Jun 2018)

“Bug Appétit” by Barb Goffman (Ellery Queen’s Mystery Magazine, Nov/Dec 2018)

“Three-Star Sushi” by Barry Lancet (Down & Out: The Magazine, Vol.1, No. 3)

“The Cambodian Curse” by Gigi Pandian (The Cambodian Curse and Other Stories)

 “English 398: Fiction Workshop” by Art Taylor (Ellery Queen’s Mystery Magazine, Jul/Aug 2018)

Sue Feder Memorial Award for Best Historical Mystery 

A Lady’s Guide to Etiquette and Murder by Dianne Freeman (Kensington)

City of Ink by Elsa Hart (Minotaur)

Island of the Mad by Laurie R. King (Bantam)

The Widows of Malabar Hill by Sujata Massey (Soho Crime)

A Dying Note by Ann Parker (Poisoned Pen)

A Forgotten Place by Charles Todd (William Morrow)

Lots of friends on that list! Congrats all!

And now back to the spice mines.

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You’re So Vain

You probably think this blog post is about you.

Vanity, thy name is Gregalicious.

Vanity is one of the seven deadly sins (which are not mentioned in the Bible, I might add; they are a part of Christian dogma and tradition, but never specifically named as such in their holy book) and I was raised to be humble, not vain; pride is also one of the deadly sins, and pride goes hand in hand with vanity.  The satisfaction of achieving or accomplishing something was theoretically enough of a reward, in and of itself, without getting praised for it; it’s wrong to bask in the glow of people’s compliments. As I have mentioned before, this has made promoting myself as a writer difficult; every time I make a post crowing about succeeding at something or winning something or being nominated for an award I can hear my mother’s voice, in her soft Alabama drawl, saying, “highs are always followed by lows, remember that, life likes to take the air out of people for having too much pride.”

It’s something I still struggle with. I was also told most of my life that self-absorption is also problematic, but a certain degree of self-absorption is necessary if you’re going to succeed at writing. (I think that like with all things, it’s a matter of degrees; some self-absorption is necessary, but anything taken to extremes is never a good thing for anyone.) Most writers have full time jobs and families, so the time they spend actually working on their writing is precious and should be sacrosanct; we give up our free time to write, and many of us get a very small return for that time. I’ve been accused of being self-absorbed by people I know most of my life, and it always used to sting a little bit, because the implication was that being self-absorbed is a bad thing. But as long as it isn’t taken to extremes it’s necessary, and when I began to notice that my “self-absorption” accusations usually came about because I was choosing to be jealous of my spare time and not do something someone else wanted me to do–I stopped caring so much about it and started embracing self-absorption.

“Sorry, I can’t do that, that’s my writing time.”

Having that statement met with anger and accusations of being selfish and self-absorbed, I realized, said more about the person saying it than me, to be honest. I am a writer, and am always in the middle of writing something, or have a manuscript or many short stories in some form of the process. I should, quite literally, always be writing and working, and I also finally realized that if a friend cannot respect my writing time, and gets angry and belligerent and nasty and insulting about me not wanting to give that time up….that person isn’t actually a friend, after all, and is everything they are accusing me of–but because of many experiences and lessons learned in my life (that I am still struggling to unlearn) my automatic default is to feel guilty and blame myself for being a bad person.

I’m learning. I am still learning, and unlearning, my conditioning. I’ll probably go to my grave still wrestling with these kinds of things, but I am getting better about this sort of thing.

My friend Laura suggested the other day that another good thing people should do is write a press release about themselves; channel their inner publicist and write a press release highlighting your achievements and accomplishments in glowing terms, without embarrassment and without shame. I’ve been thinking about that for a few days now, and looking back over my life, there have been quite a few highlights in my writing/publishing career…and I should be proud of myself. I’ve managed to publish over thirty novels and twenty anthologies and an absurd amount of short stories and essays and book reviews and author interviews and fitness columns/articles over the years. I wrote a writing column for the Erotica Writers Association for several years. I am currently writing a column called “The Conversation Continues” for the Sisters in Crime Quarterly, and have been for several years. I’ve been nominated for a Lambda Literary Award fourteen or so times, winning twice. I’ve been nominated for the Anthony Award twice, won it the first time, and will find out in Dallas how I did the second time. I have been nominated for a Macavity Award and a Shirley Jackson Award. I won two Moonbeam Children’s Book Award medals, one gold and one silver. I won a Lesbian Fiction Readers Choice Award for Anthology/Short Story Collection for Women of the Mean Streets: Lesbian Noir, which I co-edited with J. M. Redmann. My first horror anthology, Shadows of the Night, won a queer horror award, and Midnight Thirsts won a Gaylactic Spectrum Award. I won several Best of the Year awards from the Insightout Book Club, which used to be a wonderful queer version of the Book of the Month Club. I’ve published two short stories in Ellery Queen’s Mystery Magazine, and have been published in both Mystery Weekly and Mystery Tribune. I had a short story in New Orleans Noir. I’ve written for the Mystery Writers of America newsletter and for the Edgar Annual (twice), and even edited and put together the Edgar Annual once.

Wow, right? I do think it’s important, as Laura says, to take stock of everything you’ve achieved periodically, so you can get a better handle not only on your career but as to how other people see you.

You may not like me, you may not like my work, but you cannot deny me my accomplishments. And when I put them down, when I write it all down and look at it and reread it over, it is kind of staggering in some ways…particularly when you consider I’ve worked full-time outside the home since 2008, and if you take into consideration how much editing I’ve done since around 2002/2003…yeah. I’ve done quite a bit.

And seriously, no wonder I am tired all the time.

Today Paul is heading into the office and then is spending the evening with friends; leaving me here all alone by myself in the Lost Apartment for the majority of the day. I have a lot of work to get done here this weekend–not just cleaning and so forth, the usual, but I also have a lot of emails to get through, some writing to do, and some revising/editing to do. I need to get the mail and I’d also like to get some groceries at some point today; I’m not precisely sure how that’s going to play out, frankly, but it’ll get taken care of. I started rereading Bury Me in Shadows while sort-of watching the fifth episode of The Last Czars (“Revolution”), and then after Paul got home we started watching the CNN series The 2000’s on Netflix–the episodes on technology and the first one on television in the twenty-first century, which is, as always, fascinating. (We’ve really enjoyed all of CNN’s decade-documentary series, from The 1960’s on.)

Rereading Bury Me in Shadows also was a bit of a struggle, you see, because while I have talked endlessly about the troubles I am having writing this book, some of them are due to stubbornness and some of them are due to technical challenges for my writing. The stubbornness comes from the refusal to let go of the opening sentence, which I love (The summer before my senior year my mother ruined my life.), but the reread showed me it really doesn’t work and doesn’t fit with the story or the style of writing I am using. The style of writing–remote first person present tense–is a departure from the way I usually write a book and something new and difficult I am trying, and after decades of  tight first or third person past tense, I have to actually pay attention because if I am not I will, by default, slip into the past tense. The first chapter is going to need to be completely redone, almost completely reworded, from start to finish. I’d like to finish reading it and making notes this weekend; I’d also like to finish writing Chapter 18, and also would like to revise some other short stories and other chapters of books in some sort of progress–I want to reread that first Chanse chapter I wrote, for example, and look at the first chapter of Chlorine again–and I should probably start working on some promised short stories I have to write.

It’s daunting, but I need to make a list, keep it handy, and just mark things off as I go.

It’s always worked in the past, so I should stop resisting, do it, and be done with it all.

And on that note, Constant Reader, I am heading back into the spice mines. Have a lovely Saturday, however you choose to spend it.

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Shambala

Thursday afternoon, home from work and the grocery store. It’s overcast outside–there was a monsoon earlier, but no flooding–and I am really glad I made it home before it starts pouring again. I really should be putting the groceries away, but it’s so hot and muggy outside I wanted to just sit for a minute before I get up. I also have laundry to do, and might as well get started on the slog of cleaning the kitchen/office/living room. Heavy heaving sigh. I also want to do some writing or editing this evening before I give up for the day and start dinner and relax.

Storms clouds have rolled in since I got up and put away the groceries and put the laundry into the dryer. It’s weird because I can visually tell it’s darker outside–if I turned off the kitchen lights it would ridiculously dark–but when I look up out the windows through the crepe myrtles next door,  all I see is blue sky and white clouds.

Ah, New Orleans weather and its many peculiar vagaries.

Shit, I just remembered there are clean dishes in the dishwasher. Be right back.

Okay, that’s one, and I have Pet Sounds by the Beach Boys playing through the stereo unit in the Lost Apartment (those harmonies!) As I look around at the kingdom of my office, I spy things that need to be put away, things that need to be handled, things that need to be put away. I’m also kind of avoiding my email inbox, because I also don’t want to deal with any of that, either.

I’m still thinking about Laura Lippman’s lovely essay that I read the other day, as I continue to struggle to get a grip and handle on everything I’ve managed to again fall behind on.

One of the more interesting–perhaps curious is a better word–things I’ve noticed over the course of my lifetime is the change in what the cultural definition of what is (or isn’t) sexy when it comes to men and masculinity. I can remember when I was a kid that bodybuilding was primarily seen as the province of queers; I’m not sure how or where I became aware of that, but I know the eschewing of weight lifting for men (and younger men) was not something that was a cultural norm; health clubs didn’t really start proliferating until, best as I can recall, the late 1970’s/early 1980’s. Even then, the idea wasn’t to get ripped or cut or to have a six pack, it was just to have a bigger overall physique.  I don’t remember how old I was when I began having a love-hate relationship with my body; I joined my first gym in 1981. Over the course of the next ten years I joined several others; I never lasted more than a few weeks. I wasn’t particularly motivated–I wanted to look better and feel better about myself, but I found the weight room horrifyingly intimidating and gyms not particularly welcoming. I am sure some of that had to do with the PTSD acquired as a tween and teen with gym class, athletics, and everything to do with those things. I tried several times, and it never took.

I always blamed those failures on my own laziness. Now, though, I am beginning to wonder about that more; if there was more to it, on a psychological or subconscious level. I know when I joined a gym in January of 1995, I was determined to accomplish change, not only in my body but in my life. I also joined a gay owned and operated gym; which was not only welcoming and friendly, but kind of nice. Everyone who worked there was friendly and available to answer questions and help. That made a huge difference. I liked my gym, I liked going there, and the changes I was seeing in my body–I was also on a very strict eating plan–were enough reward to keep me going. And I also noticed that the way I was treated in general was better–bartenders, servers, sales clerks, even the passengers at the airport–were friendlier and nicer to me the more my body shape shifted and changed. I was very dedicated to this self-improvement kick; I also have a tendency to be obsessive when I become interested in something. When I lost my job at the airline, I decided the next step in my career would be to work in health and fitness, trying to help people who were like me and pay it all forward.

I fell off the fitness wagon about ten years or so ago; primarily because I injured my back and also started working full time outside of my home. The adjustment to finding time to work out around a forty-hour work week, a brutal editing schedule, and an insane writing treadmill (which led to the publication of a ridiculous amount of novels and short stories over a highly productive few years) made finding time to workout more and more difficult. The injury didn’t help…and I would always try to come back too soon and aggravate the obviously-not-completely healed injury. I even hired a trainer to make me go to the gym–I’d keep appointments, even if I couldn’t be bothered to go to the gym at other times. A few years ago the tightening of my finances and the need to buy a new car forced me to let Wacky Russian go as an expense, which sucked…because I’ve never really been able to find a rhythm for working out again since then. I keep meaning to go…but then I am so tired, and I can’t keep up with my writing and my emails and my cleaning, and then…

Yes, excuses. I can always find them. Never fear.

I’m also going to be fifty-eight next year. I am not as concerned as I was when I was in my thirties whether other people think I’m hot–or as Laura said in her seminal essay, “fuckable”–and ironically, doing it for my health, to improve my sleep and my energy, doesn’t seem to be motivation enough to get me to go. I am not, after all, going to hang out in the Quarter all weekend long with very little clothing on during Southern Decadence, nor am I going to pick out a slutty Halloween costume, or go out dressed nearly naked as a masked professional wrestler again. But feeling better–and I always do after I work out, after I stretch, etc.–should be enough of a motivator to get me to go. And yet, somehow I will always find some kind of excuse for it (I intended to go during my Staycation a few weeks ago; then I left my headphones for my phone at the office and since I couldn’t listen to music–I can always find an excuse) and wind up not going.

Repeat after me, Gregalicious: three times a week is optimal, two times is better than one, once is better than none.

So, my plan is to give it another shot this weekend. I do miss the gym, you know. I miss watching other people work out and making up stories about them in my head. I miss the smell of the weight room, the clanking sound the weights make, the friendly people who work at my gym, and even the water I drink–I hate water, don’t drink nearly enough, and working out forces me to drink it.

And on that note, I am going to try to get some of this mess cleaned up and maybe even do some writing.

Have a lovely rest of your day.

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I’m Gonna Love You Just a Little More Baby

I wrote twenty-three hundred and sixty-six words yesterday; a rather precise amount, I admit, but I am rather proud of them, as I’ve not written anything new in nearly two weeks, I think.

It was also new, nothing do with any of the many works in progress I am in the midst of; it was one of those things where the idea came to me, and I knew how to write the chapter, so I sat down and I did lest I forget it. I also wanted to see if I could get the voice right, the tone, and all of that. I think it kind of works, but I am going to let it sit for a moment or two (or weeks) and see what I think of it then.

It’s the first chapter of Chlorine, which is a start. Probably not what I needed to be writing or working on, but

I do want to get back to the WIP–and I’m not really sure why I keep calling it that. Why am I superstitious about sharing the title of this book? I like the title, and I believe I have even mentioned it before. I originally had the idea a million years ago, when I was a little boy. My grandmother–the not sane one–used to love to tell me stories about the past; she always swore on the Bible the stories were true, but I’ve long suspected that most of them were invented or stories she read somewhere–she did like to read, and encouraged both my sister and I to also read. I never wrote the stories she told me down, but I do remember bits and pieces of them, and one of those bits and pieces became a short story I wrote in college called “Ruins.” I wrote it as a ghost story, weaving what I remembered from my grandmother’s story into a modern-day story in a fictional county based on the one my family is from (I also planned to do a lot of writing about this fictional county when I was in college…I have published some work about the county; it’s where Scotty’s sorta-nephew Taylor is from and where Frank’s sister lives. It’s where my main character from Dark Tide  was from, and also where “Smalltown Boy” was set, along with various other short stories, like “Son of a Preacher Man”…so I’m using some of those old ideas today. There are also any number of short stories in some form of completion set there, and the current WIP is, of course, set there). I always thought “Ruins” (still unpublished) could be expanded into a pretty decent novel, and that’s what I am currently working on, have been for the last few months. I no longer call it “Ruins”–that title has already been used multiple times for a novel, and why invite comparison–but when I needed a new title, I wanted something more poetic. I started looking through poems (can you imagine? I know so little about poetry it’s staggering) and wanted something Barbara Michaels-ish. I decided to riff on her title Be Buried in the Rain, which is from a poem, and then a lyric from The Band Perry’s song “If I Die Young” stuck in my head, and I started using that as the title, Bury Me in Satin. But that didn’t really work or fit, and it evolved into Bury Me in Shadows, which had the right creepy, spooky, Gothic feel to it that I wanted, that I am trying to get in the book. It’s a ghost story of sorts, it’s set in the woods of rural central-western Alabama, and there’s a ruin of a plantation back in the woods, which an archaeological team from the University of Alabama has started excavating. There’s a legend about the “lost boys” around the ruins; two boys who disappeared during the Civil War. I’m also working rural drug addiction into it, as well as the Klan, and racism and homophobia. It’s a lot, and it has to been done correctly, in order to get the points across that I want to make in the book. This is why it’s been such a slog, really. I am trying to make points about important topics without sounding too preachy-teachy, while trying to weave in an interesting story, all told from the point of view of a rather intelligent gay teenager from Chicago, who has to spend the summer in Alabama being the point person for the family while his grandmother, who has had several strokes, dies in her own crumbling Victorian style home from the late nineteenth century, and then the archaeologists discover the skeleton of a young man. Is he one of the lost boys from the Civil War, or is there something more sinister going on back in the woods?

I’m trying to write about race sensitively, without giving offense. I am trying to be conscious of my own internalized prejudices and bigotries, which is sadly a life-long process of deprogramming. (But that’s a subject for another time.) But I am hopeful that my own keen editorial eye will catch things in the editing process, and there’s also going to be my editor’s eyes on it. So, hopefully it won’t turn out to be yet another sad white person’s attempt to deal with race that turns out to be problematic.

I am also writing it in a style different than what I usually use–first person present tense, and it’s obvious when I reread chapters I’ve written that it’s not my default; I slip into the past tense very easily and naturally and because I’m so used to writing that way it’s easy for me to miss things in the wrong tense.

I’m up early because today returns normality to my life; this is my first work week that won’t be disrupted this month. First it was a brief vacation, and of course last week was disrupted by Barry. I got very little accomplished over the last few days–storm disruptions make it very hard to focus or get anything done, frankly; as you wait for the storm you don’t want to start anything in case you lose power suddenly, plus there’s the weird tension of waiting for the unexpected. When I walked to Touro to get my car yesterday and run by the grocery store, it was strange; the city was still deserted and lifeless. There were a few cars out driving but not the usual amount of people out and about on a Sunday, even in the rain. I actually think we got more rain yesterday than we did from the storm on Saturday, frankly. I was soaked by the time I got to the car–$21 is a very low price to pay to keep your car safe, to be honest–and of course, everything at the grocery store was on sale because it was old and ripe; I got a great deal on two enormous smooth avocados, and there were still some Creole tomatoes out, but the grocery store was still depleted from people stocking up for the storm. I came home, we got caught up on Animal Kingdom, and last night we watched The Spy Who Dumped Me, a cute comedy starring Mila Kunis and Kate MacKinnon. I love both women, and they worked very well together, and the plot was clever and funny enough to hold my attention, but it could have been better–but it was mostly the charisma of the two women, and their chemistry together, that made the film enjoyable.

So, wish me well on my first full week of work this month. It’s gray and drizzly outside my windows this fair morning; I’m hoping my shoes have dried out from yesterday as well. (note to self: order new shoes, you’re due.)

And now back to the spice mines. Have a lovely Monday, Constant Reader.

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Say Has Anybody Seen My Sweet Gypsy Rose

Paul and I both stayed up way past our bedtimes last night, finishing the third season of Stranger Things. I had spent the afternoon finishing The Pacific on HBO streaming service (it’s really quite brilliant and moving and heartbreaking and horrifying; probably one of the best things about the horror of war I’ve ever seen, and how it wrecks the young men who fight them–if not physically, than psychologically). As such I slept later than I usually do this morning–much later than usual, which is obviously a problem as I have to go back to work tomorrow morning which means getting up extremely early. I’m not terribly concerned, however; it is what it is.

We never lost cable or power yesterday; and it didn’t even rain in our neighborhood until later in the evening; I think it was around eight-thirty that I got a tornado warning alert on my phone. I checked it out on my computer–it wasn’t for our area, but further downtown and in the lower river parishes, who also had overtopped levees and flooding. That was when I noticed it was raining outside. There wasn’t thunder or lightning, just rain. We’re still in a flash flood alert, but I think I’m going to go take a long walk in the rain and retrieve my car from the Touro parking lot, where I took it Friday afternoon just to be on the safe side. I need to stop at the grocery store, but I suppose it will also depend on if one’s open. I suspect the city is fairly operating normally again today, but I’ve also just woken up and am still on my first cup of coffee, so I could be wrong.

I managed to get absolutely nothing done over the course of the last four or five days; the city flooding and that aftermath, while trying to prepare for the arrival of a tropical storm/hurricane kind of drains you of most energy and your ability to focus. The waiting is also horrible, I might add, the wondering endlessly if you made the right decision or not, whether you should have fled when you had the chance, and so on. This is how it ever was, and how it ever will be. Paul and I were talking about this very thing on Friday, as we adopted our usual wait-and-see mentality. We have actually only evacuated twice; once for Katrina, and for Isaac (or was it called Ike?) in 2008. The other I storm left us without power for the week leading up to Labor Day in 2013, I think it was–I just remember we had tickets for the LSU game that Saturday, and the irony of sitting in the heat all day that Saturday after complaining all week that we didn’t have a/c or power, only to have it come on the night before was kind of the most Louisianan thing we’ve ever done.

I also feel that all of my friends and family deserve an apology for the horror that was the storm coverage all week, culminating in emails, texts, and posts/PM on social media. And admittedly, the arrival of hurricane sex symbol Jim Cantore from the Weather Channel here on Friday was not a good sign. New Orleans and tropical weather has been major news, alas, ever since the levees failed, and nothing gets clicks and views like apocalyptic headlines and news coverage. I’m sorry all the 24 hour channels and even some reputable news organizations decided to go down the terror route for everyone; I’m sorry you all had to be put through that kind of stress and worry on our behalf.  Don’t get me wrong, it makes my heart feel full that so many people nationwide care, not only about New Orleans, but about Paul and me and our friends and our lives here. Thank you for that. I just wish the media wouldn’t put you all through it…as we always say down here, this kind of coverage is what makes the really dangerous storms get not taken as seriously as they should be.

Paul and I are also very prudent, and cautious. In our twenty-odd years here, we’ve learned what to listen for and who to listen to; which local stations are dependable, which models of storm tracking to pay attention to, and we also aren’t ever locked into a decision–we make a decision based on the information available at the time, continue to check, and adjust decisions accordingly based on new information. We’re not meteorologists by any means, of course, and there’s always the possibility we’ll make a wrong decision–and your concerns and worries mean so much to us. Don’t ever think that’s not the case.

And once New Orleans is out of danger, it’s truly awful and sad to see how quickly the story dies…despite the damage that actually was wrought, and continues to be, from this storm system. New Orleans isn’t the only part of Louisiana that is below sea level, and protected from flooding by an at best iffy levee structure system. This system is going to continue to dump lots of water everywhere on its path, and it has the upper Mississippi valley, already in flood stage, square in its sights. Even as I type, the north shore is in tornado warnings, and there are also flood warnings for rivers on the north shore. The North Shore and the I-10 corridor between New Orleans and Baton Rouge were horribly, unexpectedly flooded several years ago–places that generally never flood, or at least, not often–and they are still recovering from that horror. (I think that was August 2016?) So, do keep those areas in your thoughts.

Storm days, as we call them down here–the free days off from work because of weather, the tropical version of Snow Days–aren’t conducive for getting anything done, at least not for me. Even though I ignore the doom-and-gloom news, and pay attention to the reports I’ve found reliable over the years (I still miss Nash Roberts!), there’s always that nagging sense in the back of your head, that horrible little voice whispering are you so sure? Are you so sure that not leaving is the right thing to do? That is, as you can imagine, emotionally draining and exhausting, and also makes it hard to focus on anything. I can never write or edit during these times; reading is often difficult as well. So I wind up watching a lot of television: this time, Band of Brothers (still unfinished), The Pacific, and Stranger Things. I did enjoy this third season of Stranger Things, even if there are enormous holes in the plot and things that didn’t make a lot of sense; but as entertainment it really did a great job–and it also introduced new characters to the cast seamlessly; not an easy task.

But I do think this enforced period of inactivity–in addition to my vacation the week prior–may have done some wonders are far as kicking my creativity back into gear, which is lovely. I think today–after getting the car and doing a minor grocery gathering–I may sit down with the first seventeen chapters of the WIP and reread them, making notes and figuring out the final act of the book so maybe, just maybe, I can get a strong, workable first draft finished by the end of this month. That puts me behind schedule, of course, but I think I should be able to work on my next project alongside a revision of the Kansas book for the next two months. Maybe that’s an overestimation of what I can do, and get done–it is, after all, going to be the dog days here–but we’ll see.

And on that note, it’s back to the spice mines and getting back on track. The house is a mess and needs straightening–and it’s not beyond the realm of possibility that we could still lose power.

Thanks for all the good thoughts, y’all. Greatly appreciated.

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Dancing in the Moonlight

Friday morning, Barry eve. Paul and I, for those who are curious, are electing to stay rather than go. We may end up regretting that decision, but it’s not like it would be the first time we made a decision we wound up regretting deeply (hello, year in Washington).

It’s sunny yet cloudy outside this morning, giving the morning a weird, yellow-grayish tint to everything (sepia!). I am most likely going to venture out this morning at some point; I still need to fill the car with gasoline, and later I am also going to decide whether to take the precaution of parking in a garage somewhere in the CBD, to get the car above whatever possible floodwaters might be coming. There’s also some things I should pick up at the grocery store–although I imagine the candle and bread aisles have already been decimated. Paul and I both don’t have to go to work today, so we will undoubtedly end up watching a lot of television and getting caught up on our shows–we fell behind while he was at his mother’s. Moving the car to a garage might not be necessary, but I’d rather pay a daily parking rate somewhere than over a thousand dollars making my car operational again–or losing it entirely to water. If experience has taught me anything, getting a car operational after it gets flooded also means it never quite runs right again, and why risk it as I am getting so close to owning it outright?

It’s supposed to rain off and on all day today as Barry gets closer to shore. It’s getting darker even as I type this right now, and so I guess that means it’s getting ready to rain at any moment.

Yesterday was probably the most beautiful day of the summer; low eighties with little to no humidity, and a cool breeze. Wednesday I was pretty tired all day, and that kind of carried over into yesterday. I got nothing done–this entire week has been a bust for the most part, other than reading to edit some things I’ve already written–but maybe I can correct that a bit today. I don’t know, we shall see, won’t we? Right now I am feeling pretty good and well-rested and like I can get some stuff done–but where that will wind up, nobody knows.

Yesterday was also a lovely day for me on Twitter; that’s twice in the last week or so I’ve had an absolutely lovely day on social media. Twitter, and social media, can be lovely places to connect and reconnect and speak (albeit electronically) with friends; I’ve tried for a very long time to keep my social media upbeat and positive, rather than allowing myself to get sucked into the toxicity rampant on all social media sites. I have no desire to argue with anyone, about anything; no one has ever been convinced to change their minds by a social media argument. If anything, it seems to harden people against opposing views, so why even bother? My time and my patience and my emotional investments are limited, as is my energy, and I’d rather use all of them productively and positively, rather than trying to score points on people with opposing views that I find repugnant.

Yesterday, though, was lovely; what social media can be if we avoid toxicity. Alex Segura had been doing some gratitude posts there, thanking people who have helped, encouraged, and supported him on his journey as a crime writer (if you haven’t checked out his Pete Fernandez series, you simply MUST); I thought to myself, self, you really need to do the same thing, and so I started a tweet-thread in which I did the same; thanked people for their support and help and encouragement over the now near-twenty years of my writing career. I naturally forgot some people–there have been so many–and I was trying to do it as I went, but the responses turned out to be a lot of fun and people are still responding to that thread this morning. But the tweets and responses were a lot of fun, and almost every new notification brought yet another smile to my face, and made me feel all warm and fuzzy inside (as opposed to the usual, in which I’m dead inside…KIDDING), and made me feel quite grateful; grateful for my career, grateful for the terrific people I’ve met along the way, grateful for all the help and encouragement and support. Writing can often feel like an incredibly lonely business; most of the time it’s just you and your computer screen and your imagination, typing away while going deep inside your own head. Social media has made it much easier for us to connect outside of the conferences, your Bouchercons and Malice Domestics and Left Coast Crimes and Tennessee Williams Festivals–and helps deepen the bonds formed at those events, and makes you look forward to seeing everyone at the next one. I am already looking forward to seeing everyone in Dallas at this year’s Bouchercon…which will be here sooner than I expect and will also wind up being over much sooner than it should be.

So, I am going to spend this morning trying to sort my kitchen again–it’s astonishing how quickly it gets out of order–and probably reading this book I need to write an introduction for soon. I also have some terrific new books: Clandestine by James Ellroy (which I want to read again); Paper Son by S. J. Rozan; Life After Life by Kate Atkinson; and The Ceremonies by T. E. D. Klein. I may also reread some short stories that need to be edited; I may even try to write on the WIP–but let’s not get too crazy or ahead of ourselves here.

So, I guess it’s time to start getting my act together this morning. Have a great day, Constant Reader; hopefully we’ll still have power at this time tomorrow.

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Loves Me Like a Rock

Saturday.

So, yeah, yesterday was something. I slept relatively well on Thursday night, woke up at eight, and while doing my usual morning blogging over my coffee as I woke up, I kind of casually mentioned an idea for a book I had several years ago–and now that I think about it, talking about James Ellroy, which then morphed into talking about Megan Abbott’s staggeringly brilliant period noir novels was what brought it back to the front of my mind–and some friends on Twitter fell in love with the idea for the book and began pressing me to go ahead and write it, which was really unexpected and lovely and overwhelming and nice. I posted the blog entry, went and did the dishes, and when I came back to the computer my Twitter mentions had blown up (I think that’s the way to say that, hopeless Luddite that I am).  Then I walked away again, started laundering the bed lines and then cleaned the staircase only to come back to even more mentions, and some lovely new followers.

But like I always say, I never ever will have enough time to write everything that I want to write. I had already kind of decided that next year’s plan was to write three gay noirs I’d been wanting to write for quite some time (Chlorine was one of these, the others being Muscles and Heatstroke), and then a couple of weeks ago I sat down and wrote the first chapter of yet another Chanse book, despite the fact I’d officially retired the series with Murder in the Arts District several years ago. The Chanse story is already burning in my mind, aching to be written, and I’d kind of figured I’d try to get it written by the end of the year…and all the while these thoughts and ideas and creativity are running through my fevered little brain, I am also not working on the WIP or the revision of the Kansas book, which I kind of need to get done at some point….and there’s yet another unfinished manuscript (it needs another two drafts, at least) languishing in my CURRENT PROJECTS folder.

This is why writers drink.

I also spent some more time with Angie Kim’s Miracle Creek, which is simply extraordinary. I’m not even a fifth of the way through and it’s a marvel I cannot recommend to you highly enough, Constant Reader; it makes me wish I was a judge reading for a Best First Novel award so I could pick it, it’s really that good.

But I did manage to get the proofing done, or at least a first pass at them (I’ll most likely do it again this weekend since I got a bit ahead on things with it). They aren’t due back until Monday, so I think I’ll probably give them another going over tomorrow, with fresher eyes again, just to make sure nothing gets missed. Huzzah!

I have to venture out into the heat today–we are in a heat warning, I think, and an air quality warning as well–to get the mail and make groceries. Usually going out into the heat drains me of all energy, but I think what I’m going to do when I get home is self-care–use the back roller/self massage thing, exfoliate my skin, shave my head and face, so a psoriasis treatment, take a long hot shower, and perhaps then recline for a moment or two in my easy chair with Angie Kim’s novel.

I’ve not written a word this entire vacation, but I am going to get my proofs finished, which is lovely, and I’ve gotten a lot of cleaning done, too. I’ve wasted more time than I’ve spent doing things, but I don’t care. I’m allowed to have some down time, and I feel very rested, which is cool. I also seem to have trained myself to go to bed every night around ten…and get up around eight. Ten hours of sleep per night has been lovely; no wonder I’m rested, right? Also, I’ve managed to stay off social media for most of the time, other than yesterday’s Chlorine-fueled blowing up of my Twitter mentions. I also have discovered these amazing, short videos on Youtube that look at some moment in history–the Wars of the Roses, the fall of the Byzantine Empire, the Hundred Years’ War, Charlemagne’s empire–with animation, humor and all in under ten minutes. They’re terribly clever, and are also informative in a very macro way; there was a lot, for example, that I didn’t know about the collapse of the Ottoman Empire that was filled in by the video explaining it in ten minutes, which also explained how the British came to be in charge of Palestine and Egypt, as well as how the French wound up with Algeria–which I’d never really known before. This also led me to researching the history of the Franco-Spanish kingdom of Navarre; I never really quite understood how Henri IV, King of France, managed to be the son of a regnant queen of Navarre–particularly since Navarre is barely ever mentioned throughout European history (Richard the Lion-Hearted’s wife was from Navarre); I now understand it.

I love how, despite knowing more history than most people, there are so many gaps in what I do actually know.

I also need to figure out what I have agreed to write. I think there are at least three anthologies I want to write for, or have been asked to write for, so I need to figure out the deadlines and what I want to write for them. I am going to try for the Mystery Writers of America anthology again–I have a story already written that fits; it just needs some serious tweaking and revising before submission–and I think there are three others I’ve been asked to contribute something to? I really have been scattered this spring/early summer, which is disconcerting. I also, because of all the Chlorine stuff on Twitter yesterday, sat down and wrote down all the manuscripts I have started and have some version of finished, as well as the others I want to do, and some others I’ve been asked to pitch, and I am sure it will come as no surprise that Greg, the underachieving overachiever, has ten books on said list; and I want to do them all.

And of course, that doesn’t mean I won’t have more ideas in the meantime, either.

This is also why writers drink.

Correction: I just remembered two more, so it’s a list of twelve.

Yup, I am certifiably insane, in case there was ever any doubt.

And on that note, the bathtub isn’t going to scrub itself, the bastard.

Off to the spice mines, have a lovely day, Constant Reader!

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