Category: horror

Fall from Grace

Thursday, and one more day before the weekend. The weeks just seem to flit past these days–my birthday and Bouchercon will be upon us before we know it–and August is definitely here in New Orleans. It’s so weird, as though the weather somehow knows and thinks hey, it’s August–bet you thought it was ALREADY humid, didn’t you, New Orleans? WELL HOLD MY FUCKING BEER I WILL SHOW YOU HUMIDITY. My windshield kept fogging up all the way into work yesterday morning, and for some reason when I turned on the defroster to get rid of it, it never blew warm air, which is a concern. Sigh, that means another day off and another trip to the dealer on the West Bank (but the plus to that is either Sonic or Five Guys!), but I’ll figure all that out after Bouchercon in September. And who knows? It may have just been a quirk this morning or something, who knows? I really do wish my parents had let me take Auto Shop in high school.

I also wish I had a driveway so I could wash my car at home. But if wishes were horses….that would be a good title, methinks: If Wishes Were Horses.

Yesterday wasn’t so bad, really. I slept well on Tuesday night–at least far better than I had on Monday night, for sure–and so yesterday morning wasn’t the loss that Tuesday morning was. I hate those days after insomnia takes its inevitable toll on me physically and mentally; it’s the worst, frankly. I’ve also agreed to write another short story by the end of the year–if not two, but I am not sure about either, to be honest–and I think I probably already have things on hand that I can use for both, if I so chose. There’s also a submission call for stories based on Alice Cooper songs that sounds interesting–“Welcome to My Nightmare” is such an obvious choice for me, but I would imagine a lot of people would choose that one so if I am going to write something for this I want to be a bit more obscure with my song choice….although “School’s Out” could be really fun. Hmmmm.

I also finished the revision of “Solace in a Dying Hour.” I hope they like the changes I made, else I will soon find out otherwise. I am very pleased with the story–the editorial suggestions were absolutely 100% perfect; there’s nothing like editors who are worth their weight in gold, seriously–and now…I think I am all caught up and can focus solely on Mississippi River Mischief for the next few months. I do have some other stories to write over the course of writing the Scotty, as I mentioned above, but it’s always lovely when the things that are causing you stress–even if it’s only a small bit of stressful discomfort–are taken care of and out of the way. I really loved writing this story, though, and I hope people like it when the anthology is released. It’s my second-ever story about a Louisiana “urban legend”–the first was “Rougarou,” which was about a, well, a rougarou, aka a Cajun werewolf (“rougarou” is a Cajun bastardization of the French loup-garou)–and this time I wrote about le feu follet. Maybe someday that collection Monsters of Louisiana will actually come to fruition…

I did come straight home from work yesterday, and did a load of laundry and cleaned out the sink and ran the dishwasher. I also did some filing, but by the time I retired to my easy chair to relax, I was too tired to read and so I started watching things on Youtube before remembering there was a new episode of Real Housewives of Beverly Hills, which I tuned into for awhile until Paul got home, and we switched over to Only Murders in the Building and Control Z before going to bed. I was dozing off in the chair during Control Z, which I am not really following–the plot has become incredibly insane, over the top, and hard to follow, let alone make sense of–before retiring for the evening. I think we have a fairly light clinic schedule today as well, which is always a lovely way to finish off my time in the clinic. Tomorrow morning I have a department meeting followed by the monkeypox training, which I am actually looking forward to–I did discover that I won’t be vaccinating anyone, but I am going to be trained on the virus and how it spreads and how to reduce risk for exposure and infection. (It was kind of a relief, frankly; I loathe needles and shots, and while I had come to accept that I needed to learn and it could help me get over my phobia of needles–like how doing finger-sticks every day got me over my squeamishness with blood–I am really glad, Constant Reader, that I won’t be doing it.)

I also seem to have slept really well last night, too, which is nice. I did wake up at three again–I’ve woken up at three every morning this week, which is peculiar–but was able to fall back asleep with ease and I feel pretty good this morning. Maybe not quite “I can conquer the world!” but something akin to that, methinks. I feel rested and alert, which is always a plus. I have a couple of errands to run today on the way home from work, and then I am hopefully going to be able to settle in for some Scotty writing.

One can hope, at any rate.

And on that note, I am heading into the spice mines. Have a lovely Thursday, Constant Reader, and I will check in with you again tomorrow, okay?

Sleeping Angel

I originally started writing Sleeping Angel in 1994.

That seems like such a long time ago, too. I hadn’t met Paul yet, was still working for that wretched airline at the airport, was broke broke broke and often ran out of money long before payday, and any kind of decent life for me seemed impossible. It was the next year I decided to snap out of the constant feeling sorry for myself, and instead of waiting for the world to come knocking on my door to make my dreams come true, that the only person who could make my dreams a reality was me, and that I needed to make the changes necessary to my life if I were going to become a writer for real–like stop dreaming about it and writing now and then, and start taking it seriously and writing all the fucking time, and trying to make it happen–which meant sending things out to try to get them published.

It’s weird how you forget things about books you’ve written until something out of left field reminds you of something. Julie Hennrikus, during our Sisters in Crime podcast interview, asked me about writing young adult fiction, and how I came to do that. The story is very simple, really; after discovering Christopher Pike and R. L. Stine and other young adult authors who wrote young adult novels that were either crime or horror or a cross of the two, I decided to take the book I was writing at the time–Sara–and write it as a young adult novel instead of as one for adults. It really didn’t take a lot, to be honest–I removed the framing device that firmly set the book back in the 1970’s–and turned it into a modern day story about teenagers (which it always was). After I finished Sara, I wrote another called Sorceress–and when I finished it, I began writing Sleeping Angel. I still didn’t have a strong grasp of how writing actually worked (which is kind of embarrassing when I remember how naive and stupid I actually was back then, but what did I know. seriously? Very little.) and so I never rewrote anything; I just printed them (I had bought a very inexpensive word processor that I loved, and wrote on) out and saved the originals. I was about half-way through Sleeping Angel when I discovered there was such a thing as queer crime novels…so I abandoned writing young adult fiction and started thinking more in terms of writing a gay private eye series…which eventually became the Chanse MacLeod series and Murder in the Rue Dauphine.

Flash forward another decade or so, and in the spring of 2005 I attended BEA and the Lambda Awards in New York. I lost twice that year (Best Gay Mystery for Jackson Square Jazz and Best Scifi/Fantasy/Horror for Shadows of the Night) and then on Saturday night I attended a cocktail party for the Publishing Triangle. (It was at this party that I met both Tab Hunter and Joyce Dewitt.) I also met a very nice man who was familiar with my work, and asked me if I had ever considered writing young adult fiction with gay characters and themes? I laughed and replied that I had two completed first drafts and a partial for another in a drawer back home; he then gave me a business card and told me he would love to take a look at them with an eye to publishing. I lost the card years ago, probably in the Katrina aftermath, but he was an editor for Simon and Schuster Teen, which was very exciting. I told him I would revise one and send it to him as soon as I finished Mardi Gras Mambo, which was at that point over a year overdue (I didn’t mention that part). This was exciting for me, as one can imagine; another opportunity gained by simply being in the right place at the right time, which has been the story of my career pretty much every step of its way. Once I finished Mardi Gras Mambo that August, I started revising Sara.

And then came Hurricane Katrina, and everything went insane for a few years, and I abandoned the attempt to rewrite Sara. There was just too much going on, I was displaced and finding it hard to get back into writing, and I just wasn’t in the right place emotionally to revise or rewrite a book. I’ve always regretted that last opportunity.

Flash forward another year or so and I casually mentioned to a friend this missed opportunity. What I didn’t know when I mentioned it (bemoaned it, really; I still regret this lost chance) was that she had been working for another publisher as an acquiring editor for young adult/children’s work. “Would you rewrite one of these for me? I’d love to pitch this to the company.” So….rather than Sara, I went with a rewrite of Sorceress, which had a teenaged girl lead character and I didn’t see any place to add queer content (I’d been adding that to the revision of Sara ) and sent it to her. Alas, before she had the opportunity to pitch it the line she acquired for was closed down and that was the end of that….until a few years later when she decided to start her own small press for juvenile/young adult fiction, and wanted Sorceress. I sent it to her, we signed a contract…and then I realized I needed to let Bold Strokes Books know I was doing this. I emailed them, and they replied, “You know we do young adult?”

Well.

I wrote back and mentioned I had two others collecting dust, and so I contracted both Sara and Sleeping Angel with them. I decided to do Sleeping Angel first–which is odd, as I didn’t even have a completed first draft; I don’t remember why I decided to do this, frankly–and so I started writing and revising.

The really funny thing–just looking at the cover for the book–is that the character name “Eric Matthews” was one I came up with when I was in college; I had an idea for a book set in my fraternity, and came up with three names for characters that were pledge brothers and friends: Eric Matthews, Chris Moore, and Blair Blanchard. I used Eric and Chris for Sleeping Angel (completely forgetting that I had already used those names in Every Frat Boy Wants It a few years earlier), so yes, even though the fraternity books I used were by “Todd Gregory”, I accidentally re-used the character names.

Whoops.

The original intent with my young adult fiction was to connect it all together, the way R. L. Stine did with Fear Street, and sort of how all of Stephen King’s work is as well. The three books I started with–Sara, Sorceress, and Sleeping Angel–were connected, and were the springboard from which the others would come–or were supposed to come, from. Sara was set in rural Kansas. The main character of Sorceress moved from rural Kansas to a small town in the mountains in California, Woodbridge, which was also where Sleeping Angel was set. The main character of Sara moved to Kansas from the Chicago suburb where the main character of Lake Thirteen was from, and so on. (Likewise, the main character from Dark Tide was also from the same county in Alabama where Bury Me in Shadows took place, and #shedeservedit was set in the town that was the county seat for that rural Kansas area where Sara was set.) I’d consciously forgotten that, but fortunately my subconscious still holds on to things the forefront of my brain doesn’t.

When I originally envisioned Sleeping Angel back in 1993 (or 1994, I don’t remember which), the concept I wanted to explore was something, a concept, that Dean Koontz had used in his book Hideaway–that someone was in a car accident and died, only to be resuscitated by the EMT’s. But when he came back to life, he brought back something with him from the other side that gave him a psychic connection with a serial killer. It was an interesting idea–I wasn’t using the serial killer thing–but I loved the entire concept of someone being brought back with something extra (which, now that I think about it, is also the entire conceit Stephen King built The Dead Zone around). I decided to keep the car accident to open the book in the new version, but the opening I originally wrote had to be tossed. I also came up with an entirely new concept for the book: what if you were in a bad car accident, but there was a dead body in the car who was NOT killed in the accident but had been shot and was already dead when the car crashed? And if the main character has amnesia….who killed the kid in the back seat?

And away we went.

He was driving too fast, and knew he should ease his foot off the gas pedal, bringing the car down to a safer, more manageable speed.

But he couldn’t bring himself to do it.

“Hang in there, buddy,” he muttered grimly under his breath, taking his eyes off the road for just a moment to glance in the rearview mirror into the backseat. What he saw wasn’t encouraging. Sean’s eyes were closed, and he couldn’t tell if Sean was still breathing.

The blood–there was so much of it, and it was everywhere.

He swallowed and took a deep breath, trying to hold down the panic. He had to stay calm. He couldn’t let the fear take over, he just couldn’t. He had to hold himself together. He had to get to town, to get Sean to the hospital before it was too late–if it wasn’t already too late.

Not a bad beginning, right? Pulls you right into the story.

I don’t remember what–if anything–I was expecting when Sleeping Angel was finally released (it actually wound up coming out before Sorceress, ironically); it had not even been six years since the right-wing homophobes had come for me for daring to accept an invitation to speak to high school students in a Gay-Straight Alliance. And now I’d actually dared to write a book about teenagers, for teenagers. The horror! But the book come out and there wasn’t even the slightest whisper of controversy about the “gay pornographer” writing a y/a book. It got really good reviews for the most part, people really seemed to enjoy it, and it eventually won a gold medal for Outstanding Young Adult Mystery/Horror from the Moonbeam Children’s Book Awards, which I’d never heard of but was kind of a big deal, or so I’m told. The gold medal was nice, too–very pretty (but it’s not the rock from the Shirley Jackson Awards–the smooth polished stone I got for being a finalist may be my favorite thing I ever received as recognition for my writing).

I’m still pretty proud of Sleeping Angel.

Twisted

Ah, Tuesday morning and back to the office. I slept decently last night–woke up a couple of times, always able to go back to sleep–so I feel somewhat better this morning than I usually do on Tuesday mornings, but then again, we’ll just have to see how the rest of the day/week goes. I did my work at home duties yesterday, some chores and errands, and last night we started watching the new season of Stranger Things, which I think is the final season. The first episode was a bit off to me, but it certainly started picking up speed in the second and now we are all in after the third. I didn’t write or read much last night after work, but I do have some things i need to get finished today–quite a few things, actually–but I feel rested and maybe when I feel more awake than I do now, it might not be a problem getting everything done today that needs to get done. Stranger things, indeed.

I do have things I need to get ordered on-line today, too–and we need to go to Costco again at some point, perhaps this weekend. It’s always something.

I’m still, to be honest, coasting a little on the high from this past weekend in Florida, if I am being completely honest. I’m still feeling connected to my writing, which is lovely, even if I have to figure out a few things and get a few things pulled together. I also can’t believe it’s July already–and we’re almost halfway through the month, at that. Crazy, you know. But this year is already have over as well–what the hell? And then the next thing you know it’s football season. The twitter accounts for both LSU and the Saints are counting down the days until the season starts. It’s a new era for both–new coaches, essentially new teams, for that matter–so it will be interesting to see how the season goes for both. I also have a book to write during football season (as ever yet again), which will be challenging of course, as it is always is, and then it’s Christmas and New Year’s and BOOM. Carnival time again! #madness

Oh, and I have a book coming out in December right around the time my next Scotty manuscript is due, so as always, the promotion of a new book will have to occur (or start occurring) around the same time as I have to finish another. Now, there’s the workshop I would like to attend: how do you stay focused when you are finishing a book at the same time you are promoting a new release without going completely insane? That’s the part they never tell you about in creative writing classes and workshops–although I suppose those who have agents probably have the agent to walk them through that part (although sometimes I do wonder if I over-romanticize what it’s like to have an agent, since I’ve never had one? Oh if I had an agent they’d take care of this for me–I suspect that’s all too often not accurate. I also suppose that if and when I do ever land one, I will inevitably be disappointed with what they don’t do for me). Someday, I suppose, I’ll find out one way or the other.

And on that note I am going to head into the spice mines. Have a lovely Tuesday, Constant Reader.

Street Angel

Ugh, another toxic Tuesday.

I mean, if Monday is manic, Tuesday can be toxic; Wednesday can be woeful; and Thursday can be…something. Regardless, I am awake at the usual Tuesday morning godawful toxic time, swilling coffee and getting ready to head into the office. Huzzah.

I didn’t feel well this morning when I got up, but I took my weekly return-to-work COVID test and it was negative. I am not really sure why or how I ‘ve managed to go this entire pandemic without getting infected (particularly when you take into consideration how many possible exposures I have had with my job since this all began), but I also managed to get through the entire (and ongoing) HIV/AIDS pandemic without getting infected, either. Just one of the lucky ones, I guess? But as my coffee sinks in and courses through my veins–and the Claritin-D kicks in–I am feeling a lot better. Still a bit tired, but can definitely make it through the day, which was questionable when I first got up this morning. I’m not sure what that was about, but am glad it is passing (or is past).

I have so much to do it’s a bit overwhelming, but when I got up this morning I didn’t have the strength and/or energy to even face up to everything that I have to do, but I am starting to get that necessary second wind and maybe–just maybe–the strength and brain focus necessary to start plowing through this massive to-do list, which also needs to be updated. SO much to do this week, but I also have a three day weekend looming so maybe I’ll be able to actually get some things done this weekend rather than trying to recover from an exhausting week? My energy levels is something that I’ve been very concerned about for quite some time; by the time I generally get home from work the day–from getting up early to being out in the heat to running errands–I am so tired that I have trouble working on my writing and my to-do list, and giving into Scooter’s demands that I sit in my easy chair and provide a lap for him in which to sleep while I watch documentaries or go down Youtube wormholes is way too easy and tempting to avoid–and once I am in that chair, it’s game over for the night.

Paul didn’t get home until late last evening so I watched some documentaries, including Scream Queen, about Mark Patton, the closeted gay lead of what is considered the gayest horror movie of all time–A Nightmare on Elm Street II: Freddy’s Revenge. I remember seeing it and not liking it when it first was available to rent–I rented a lot of movies back in the day–but primarily because the connecting thread from the first movie wasn’t there other than Elm Street and Freddy. Now that I’m hearing about all the gay subtext–some of which was apparently overt–I kind of want to see it again; I’ve never wanted to watch it again because I didn’t enjoy it when I was in my twenties (a foul, horrible decade and probably one of the worst of the seven–yes, seven, this is my seventh decade on the planet–decades of my life. I do have fond memories of the 1980’s, but I also have a lot of horrific memories of that same decade) but now I am thinking I’d kind of like to see it one more time, looking at it with a fresher perspective than I had in my twenties.

And I really need to finish reading John Copenhaver’s The Savage Kind. I’ve agreed to read a friend’s manuscript with a gay character in it, but I can’t read two new-to-me pieces of fiction at the same time. (This is not true for non-fiction; I am reading both Robert Caro’s The Power Broker and The Great Betrayal now, and I am trying not to start reading Paul Monette’s Becoming a Man) I need to work some more on all my various writing projects; there are some short stories coming due, deadline-wise, relatively soon that I’d like to write something for, and so I can’t just not be writing in the evenings consistently the way I have not been doing since the summer weather arrived.

Heavy heaving sigh. And on that note, tis off to the spice mines I go. Have a lovely Tuesday, Constant Reader, and I will check in with you again tomorrow.

Boogie Fever

In March of 2020, something I had only been vaguely aware of became something I was acutely aware of, seemingly overnight: the world, in fact, shut down in the face of a virulent and potentially deadly disease that was communicable. I went to work one morning and all of our appointments had been cancelled; they’d put up shields everywhere in the testing rooms and at the front desk; and after we were there for about a couple of hours the word came down from the chief medical officer: we were shutting down. It happened so fast my head spun. Within days the Tennessee Williams Festival was cancelled, the Edgar banquet was in jeopardy, and false information was spreading even more quickly than the virus. I also remember thinking that the measures we were taking as a country were so drastic that “surely it would be over in a few weeks.”

Ah, naivete.

Stressed out and concerned about everything and everyone, I did what I always do in stressful times: I turned to books. And, as is my wont, I decided to read about plagues. I got down my copy of Barbara Tuchman’s A Distant Mirror to read the bubonic plague chapter again; I have a copy of a book called The Black Death (whose author I cannot recall) that I also read; I revisited The Stand by Stephen King (an all-time favorite of mine); Thomas Mann’s Death in Venice; Camus’ The Plague; and even got down Katherine Anne Porter’s short story collection to reread “Pale Horse Pale Rider.” I was, as you can obviously tell, interested in seeing how previous plagues had been dealt with, survived, and the changes they wrought on civilization and society. I also wondered how to write about the pandemic (it not being my first pandemic, either; I always felts queers of a certain age were a little better prepared for the coronavirus outbreak than the rest of the world because we’d already been through HIV/AIDS), and if I would eventually; I wrote a short story called “The Flagellants” which I hope to publish someday somewhere, probably in a short story collection of my own, and even came up with an idea for a Scotty: Quarter Quarantine Quadrille.

But I was also seeing people saying they wouldn’t read fiction set during pandemic times; and other authors shying away from it. I kind of shook my head but understood; I remember how New Orleans writers didn’t want to deal with Hurricane Katrina afterwards–I certainly didn’t when I was living through the aftermath–but we all eventually came around to writing about it. Even if it’s fiction, I feel like we need to have documentation of what it’s like to go through things like hurricanes and pandemics and other paradigm shifts that change the world as we used to know it before the shift.

This past week I started reading an advance copy of the new Chris Helm book, Child Zero, and finished it yesterday–and yes, it’s a pandemic story, and no, it’s not about COVID-19…but what it is, is one hell of a read.

Pike and his men reached the encampment’s southwest gate at precisely 3:15 a.m.

Twelve minutes earlier, their sleek black SUV’s–three in total, armored, tinted, and stripped of emblems, license plates, and VINs–entered the Lincoln Tunnel in Weehawken, New Jersey, having passed the darkened tollbooths without slowing. Two minutes after that, they emerged beneath the murky waters of the Hudson River in Midtown Manhattan and zigzagged until they reached Eighth Avenue.

The stoplights blinked yellow in all directions. They encountered neither traffic nor pedestrians. Three years ago, Pike thought, these streets would’ve been bustling–even at this time of night. Now, thanks to the citywide curfew, they were empty save for police cruisers and sanitation crews.

The forer rolled lazily through intersections, or idled nose-to-tail beside one another so their drivers could converse. The latter clung to the side of tanker trucks in hazmat suits, or wandered two-by-two with smaller canisters strapped to their backs spraying bus stops, subway stations, and other public spaces with disinfectant foam. Fresh from the nozzle, it was enough to make your eyes water, but within minutes it dissipated to a lacy film that turned to fine white dust when touched, and smelled like some fragrance chemist’s idea of clean.

My assumption is that smell was either lemon or pine, or a combination of both?

Child Zero is, more than anything else, a rapid-paced thriller about a future world in which antibiotics have become useless; a virus has spread throughout the world rendering them (I won’t go into the technical details here; it’s explained much better within the pages of the novel and I am no scientist) ineffective in stopping infections or bacteriological diseases of any kind. A cut or a scratch can literally lead to death, and the world has clamped down into an authoritarian society that is even more frightening to contemplate than the pandemic itself. Would this be considered a science thriller? I’m not sure how you would classify this book within the world of crime fiction; it’s definitely a page turning thriller (once I got going yesterday there was no way I was putting it down until I reached the end), and kind of reminded me of Michael Crichton’s The Andromeda Strain, only better (The Andromeda Strain scared the shit out of me when I read it as a teenager a gazillion years ago); Chris Helm is a better writer than Michael Crichton at his best, and it’s amazing what a difference sentence structure, word choices, and intense character development can make in a thriller. Focusing on a pair of cops, one white male and one Muslim woman, who get drawn into an investigation into a mass shooting event at a quarantine camp in Central Park (“Park City”), their investigation soon runs afoul of powerful people, within the government and without; Jacob Gibson is soon put on leave but soon they are witness to another mass death event; and find themselves helping a young illegal immigrant, twelve-year-old Mateo–who is the target everyone is looking for.

You see, all the murder victims in Park City were, surprisingly enough in a time of pandemic, completely healthy–which makes no sense. Somehow, Mateo is the key to everything…and time is running out because Jacob’s four year old daughter is sick.

This is a non-stop thrill ride from start to finish, but what makes it better than your average thriller is not just the timeliness of the story but the fact that the characters aren’t two-dimensional Hero, Sidekick, and Target, the way they so often are in thrillers. They have interior lives, are sharply drawn, and you care about what happens to them–which, to me, is perhaps the most important part of a thriller (and why so many thrillers, in my opinion, miss the mark).

Get it pre-ordered if you haven’t already. It’s truly terrific.

The Wisdom of Time

Hello, Monday morning, how are you?

It was cold when I woke up this morning–but its warming up; definitely springtime in New Orleans where the differential between night and day can range from about ten degrees to as much as thirty. Yay?

Well, that there was an interruption, wasn’ it?

I took today off because I had appointments this morning–hello, Metairie!–and thus wasn’t able to get this finished before leaving the house. Sorry about that, y’all; I know how important it is to you all to get your started with Gregalicious and coffee, and I have failed you miserably, and on a Monday, too. There’s simply no excuse for this, is there? I am hanging my head in shame as I type.

But yesterday was a good one. I started reading Alex Segura’s marvelous Secret Identity, read some issues of the Nightwing Rebirth run, finished editing that manuscript I was working on (now I have to get the edits into the electronic version; I work on hard copies because I find electronic edits make it hard for me to see the overall story and its arc–which is one of the reasons I don’t edit much anymore. y old-fashioned methodology for working shouldn’t cost us the rain forest when it’s easier for me to stop doing that kind of work. I then started watching the Young Justice series on HBO MAX–which I really am enjoying as well; looks like Alex has dragged me back into the world of comics and super-heroes again for another round. I also went down some Nightwing Internet wormholes.

I really love Nightwing, if you couldn’t tell.

So today, now that my appointments are over and I am home, I think I’m going to take the rest of the day off. Yes, there’s always work I could be doing–always, but that doesn’t mean I can’t take some time away from the world every now and then. I need to get ready for the workshop I am teaching on Friday–it’s been soooooo long since I’ve taught; I definitely will need to do some rehearsing at home–and I also need to prepare for my panel on Saturday (why I hate moderating; if you’re on the panel you can just show up), but I have so much to do I am not going to get much chance to enjoy either the Tennessee Williams Festival or Saints & Sinners this year. Sunday I probably won’t even head down at all; I’ll need to get over two consecutive days of public speaking for one thing (just thinking about it wears me out) and then I have about two weeks to get ready for the trip to Albuquerque for Left Coast Crime (my first time ever).

I also stopped in the Barnes & Noble on Veterans’ while i was out there, between appointments, and picked up Rob Hart’s The Paradox Hotel and Mia P. Manansala’s two Tita Rosie’s Kitchen mysteries, Arsenic and Adobo and Homicide and Halo-Halo. I also got The New Orleans Voodoo Handbook by Kenaz Filan because, well, why not? I don’t know an awful lot about actual New Orleans Vodoun, and since I’ve been doing all these New Orleans and/or Louisiana deep dives over the last few years, I thought it time to get something to supplement Robert Tallant’s Voodoo in New Orleans, which I don’t think I trust entirely. That pretty much is the case with a lot of the old New Orleans histories–the trinity of Tallant, Lyle Saxon and Harnett T. Kane are suspect, and that’s a generous assessment–but they are interesting to look through and read to get a better grasp of the legends and stories.

And legends and stories can make an excellent starting place for my own fictions.

And on that note, I am heading back into the spice mines. Y’all have a good Monday, okay?

Joy to the World

Sunday morning after probably the best sleep I’ve had in quite some time; it felt lovely, and I am still a bit groggy as I sip my first coffee of the morning. Yesterday was a good day–not a great one–and so this morning I am going to work on some things I didn’t get around to yesterday; running errands, even as briefly as I did yesterday, always seems to throw me off my game for the rest of the day. I did get some cleaning done, did get some organizing done, and today I am going to have to finish those edits and maybe do some reading and cleaning and organizing. Tomorrow morning I am going to get up early and take the car in for an oil change–there’s no end to the excitement around here–and it’s also apparently the first day of spring today. Yay!

We finally were able to watch the latest Scream last night, and we really enjoyed it. I thought it was fairly clever–I also wasn’t really sure how they could do another one–but the meta humor was absolutely there (“it’s a requel! Not a reboot but not a sequel! THE RULES ARE DIFFERENT!”) as well as “I’m Sidney fucking Prescott, of course I have a gun.” Scream was the first slasher movie I saw that I really and truly enjoyed; I loved the addition of humor (that danced very close to the edge of camp but never quite crossed over) in addition to the tension and suspense. We also watched the first episode of The Woman in the House Across the Street from the Girl in the Window or whatever the hell the title is. It’s not bad, but it’s not great, either. Kristen Bell is so eminently likable that it’s easy to watch her (although I kept waiting for her to say that’s a secret I’ll never tell, xoxo Gossip Girl), but it seemed a bit slow. I was, however, impressed with the fact that it’s parody being played absolutely seriously; the title alone tells me it’s parody, but if you go in expecting something along the lines of Airplane! or Police Squad–which is what I thought it was–you’re going to be disappointed. I am not sure if we’ll keep watching–I might, Paul is moving into the hotel on Wednesday and I’ll be home alone until Sunday evening–which means lots of boredom and lots of free time to get things done, I suppose.

Heavy heaving sigh.

I did make my to-do list yesterday so I can start working my way through it this morning. Yay! Always a plus. There’s supposed to be bad weather today, but right now the sun is out and it’s definitely New Orleans spring out there somehow, which is lovely and nice. I should start trying to make it back to the gym more regularly now; definitely should head over there today after I get some things done around here before the afternoon–reading and editing, being worn from working out inevitably keeps me from being productive after I get home; although I suppose I could go later in the day. Decisions, decisions. But it will make me feel a lot better–always a plus–and it should also help me sleep better as well. I am not sure what my work-at-home day tomorrow is going to be like; I may end up having to take the day off depending on how the oil change and so forth goes. (Maybe I should wait until next week. I can’t decide. My oil life still has about 20% use before it becomes a problem; I just worry it will become a problem on a day of the week that I have to work and can’t take it in immediately.) Decisions, decisions….

And on that note, I am heading into the spice mines. Have a lovely Sunday, Constant Reader, and enjoy your first day of spring.

I Guess I’ll Always Love You

Sunday, Sunday.

Yesterday morning my all-in-one printer/scanner/copier bit the dust. It was fine, really; it was cheap and a stopgap when my last nice one died; and it was hard to find the ink for it. So, I went to Office Depot before starting my errands and bought a new one–fancier, to be sure–and it took me a while to get it set up and functioning properly–and then I had issues with my computer for a bit; which was particularly annoying because I was also working on my book–and Microsoft Word kept crashing; at one point my computer restarted all on its own because the crash was so bad. But it eventually worked itself out somehow, and I was able to get the work done that I needed to get done. Tomorrow will be trickier; I have one chapter to revise and another one to write from scratch and then edit/revise…and I think there’s going to have to be at least one more chapter after that as well. I should still be able to get it turned in on time, but it’s going to be a slog and a lot of work.

I also got a contract for a story for an anthology–the Anne Rice tribute thing, and my story is called “The Rosary of Broken Promises,” which was actually a better title for the story I was actually originally using it for, to be honest; but I think I came up with a good replacement title for the story I stole the title from, which is now called “When Wrens Make Prey”–which is part of the Shakespearean quote that includes the title Alistair MacLean made famous, Where Eagles Dare (it’s from Richard III, by the way, he typed pedantically, and no, I can’t quote Shakespeare from memory; I even had to look this up to see where I got it from just now). I also spent some time moving files around from the cloud to my back-up hard drive, so I have back-ups–it’s astounding how many duplicate files there are when I look for a file. I was looking for another file yesterday, my figure skating noir story, and it wasn’t on the back-up anywhere. (It is now, in case you were wondering.) I may have a home for that story, which was started a long time ago, and I also know what it wrong with it–and maybe, just maybe, how to fix it.

We’ve started watching Archive 81, which is really creepy, well done, and interesting. I’m not really sure where the story is going–we’re only three episodes in–but so far it’s really not looking all that great for our hero. Our hero is hired to go live on a creepy estate and restore video recordings that have been damaged in a fire, which he is an expert at doing, and as he watches the videos after he repairs them–they follow a young documentarian who moved into an apartment building with the idea of making an oral history film of the building; but the truth is, she is looking for the mother who abandoned her as a child and whose last known residence was this building–from where she disappeared entirely. It’s a terrific premise, and the way it is filmed is quite excellent; very high production values, and the mystery is also somehow tied to the main character’s father in some way; the missing woman who made the tapes was also a patient of his father.

I did manage to get a lot done yesterday, but today’s work is going to be ever so much harder than yesterday’s, frankly. I have one more chapter to revise, and as I mentioned before, I have to write at least two new ones to end the book before turning it in. I don’t know that I’ll be able to get both written today; I have some other chores and tasks to do today and tomorrow as well, and at some point I need to run to the grocery store. Heavy heaving sigh. It never ends around here, does it? But there’s nothing to do but buckle down and get to it, I suppose. It’s certainly not going to do itself–the bastards never do it themselves–and realistically, I do think I can get it all done over the course of the next few days. I slept deeply and well again last night–the bed was so warm and cozy and comfortable this morning that I didn’t want to get out from under the blankets. (Plus, I knew I had a lot to get done today on my plate, and therefore…yeah, didn’t really want to get up and start working.) But now I am up and swilling coffee, and I actually feel awake and energetic, so hopefully as long as I don’t lose any steam along the way I should be able to dive into everything and get some stuff done.

And on that note, tis time to head into the spice mines for the day. Have a lovely Sunday wherever you are, Constant Reader, and I hope you aren’t too cold or too buried in snow to enjoy your day. Talk to you tomorrow!

I’ll Be Home With Bells On

To be honest, I’ve never really understood what the phrase today’s song title means. Did people actually used to go to things wearing bells? I suppose it’s more along the lines of oh I am going and you will SO know that I am there, but it’s puzzled me ever since I was a child. Not enough to look it up, of course, but it’s still a mystery to me. Okay, I looked it up–it means arriving in a noticeably festive way.

Although if someone literally showed up anywhere with actual bells on, they’d deserve what happened to them next, methinks.

Last night wasn’t the best night of sleep I’ve had this week, but I shall have to persevere and push through this day. I am sleepy/tired as I sip my coffee, looking out my windows at the darkness, but hopefully it will revive me enough to get me going and through the morning. Damn, I am sleepy still. Hope the groggy wears off, but that’s what the coffee is for–although doesn’t it seem unnatural to wake up before you’re ready and then to use a stimulant to help you wake up? That’s why I hate getting up to alarms, to be honest, and always have. Oh, Greg, you’re just lazy, is the response I always get when I make this comment, but doesn’t it make more sense to listen to your body’s needs? My shoulder feels better this morning–speaking of listening to your body’s needs–so I might, depending on how this day goes and how the tired/grogginess develops/fades throughout the day–make an attempt at going to the gym tonight.

Or should I let it rest another day and try tomorrow? Decisions, decisions.

But as I sit here this morning swilling coffee groggily and hoping to wake up, I am all too aware of the ticking clock on my manuscript and a short story revision that is due around the same time as well as the fact that my next book will be released around the same time as those are due; one month from today is the due date for everything, and the book will come out three days prior to that…and I will be in New York that same weekend. I worked on the book last night–the work is slow but I also don’t have a lot of time dedicated to it every day, so that’s to be expected–but it’s taking shape nicely, which makes me feel a lot better about everything. If I buckle down on the weekends, I should be able to get it all finished on time–but yes, that does require buckling down on the weekends, doesn’t it? Heavy heaving sigh.

In checking my emails this morning I’ve got an invitation to write a story for a tribute anthology for charity–it’s something I would really like to do, but it’s going to depend on the timing, really; or whether I have something on hand already that can easily be adapted to fit the theme; which basically is “gothic,” which is definitely in my wheelhouse; it’s also going to depend on whether I have the time to look for something that can be adapted to fit into the theme. I am sure I have some Gothic stories on hand that can be adapted; I love Gothic, and it’s really the only kind of horror that I do write, really–and so this means I really do need to buckle down on the weekends.

And while it’s nice to fantasize abut “all the writing I could do” if I didn’t have a day job, the truth is…I probably wouldn’t write more than I do now. I’d find incredibly creative ways to avoid writing. I know this because there were periods of time where I not only did not have a day job, but years where I only worked part time…and I’ve actually been more productive while having a full time job. Does this make any sense? It only does in Gregalicious land.

I did spend some time before Paul got home last night reading A Caribbean Mystery, and while you may remember me reading, a while back, a piece about “problematic” Christie books and titles that needed to be changed–and wondering why this book was included–I’ve come to realize I must have misunderstood the article I was reading; they meant the book when they referred to this title–which was some seriously unclear writing, frankly. But the book is incredibly racist; there have been several times where something I’ve read has made me wince–the locals on St. Honoré are clearly seen by the colonialist British ruling class as sub-human, barely better than animals, and definitely uncivilized. I’m close to the end–I know who the killer is; I remember, and I also remember the clue Miss Marple missed in correctly identifying the killer earlier on in the book–and so will probably be able to finish it tonight. And then I think I am going to move on to either Vivien Chen’s Death by Dumpling or Julia Henry’s Pruned to Death.

And on that note, tis time to head in ye olde spice mines. Have a lovely Wednesday, Constant Reader.

It Came Upon A Midnight Clear

So, over the weekend I finished watching Chapelwaite.

What a terrific series this is!

When I started watching, I must admit I wasn’t compelled to continue watching past episode one. The story it’s based on (“Jerusalem’s Lot,” the only original story written for Stephen King’s collection Night Shift) was never one of my favorites, and I remembered it primarily as an epistolary story that never really got anywhere, if that makes sense–it really was just the letters of a man who was losing his mind, trying to get to the bottom of the weirdness going on in his inherited home, Chapelwaite, and there was something about “the worm” and so on. King described it as “Lovecraftian” in his seminal work on horror, Danse Macabre; and I had never gotten into Lovecraft, so I always figured I was missing something in the story because of that, and never revisited it. The first episode moved kind of slowly, as first episodes are often wont to do, and it did inspire me to reread the story–which I liked a lot more on a reread. But the episode started too slowly for Paul, and so we abandoned the show. A friend recommended it highly–“stick with it, it really picks up” so during my condom packing duties last week I started again with episode 2.

Very glad I did; and I really need to remember the truism that one should always give a show at least two episodes before abandoning it–unless that first episode is really and truly terrible (I’m looking at you, I Know What You Did Last Summer). Chapelwaite’s first episode was not terrible; but it was a very slow burn to set up the story. One thing I did greatly appreciate with how this show was done and cast was how the main character, Charles Boone (played perfectly by Adrien Brody), was more fleshed out and developed than he was in the short story. In the story, no mention was made of any spouse or children for him; his only family was the cousins who lived at Chapelwaite. The show gave him a Pacific Islander wife–who was already dead when the show opened, and three children, Honor, Loa, and Tane. In the show Boone was a whaler who lived at sea with his wife and children; the much-loved wife died of tuberculosis, and the younger daughter has rickets, so one of her legs is in a brace. The children are quickly seen as outsiders because of their mixed race heritage in the small town of Preacher’s Corners, the nearest town to the house; it isn’t just the mixed race children that are the source of the animus of the townspeople toward the Boone family. The Boones are blamed for a mysterious “illness” that infects and gradually kills the villagers; no one really knows what causes the illness or how to combat it effectively.

Charles is soon having weird visions, and hearing rats–or something–scratching within the walls of the house. An exterminator finds nothing in the walls, no signs of rats or mice or anything, which makes Charles think he might be going insane. He also engages Rebecca–who is not your run-of-the-mill nineteenth century young woman in small village in Maine. Rebecca has ambitions and desires of her own–to escape Preacher’s Corners, to become a writer, and she has been educated; so she comes to Chapelwaite to tutor the children and get them up to speed. Of course, the other children at the school are horrific to the Boone children, just as most of the adults are horrible to Charles. (Rebecca is played perfectly by Emily Hampshire, better known as Stevie on Schitt’s Creek, and the range she has is clear in this role; which is as far from Stevie as she could possibly get.)

But once the show starts rolling–as Charles and Rebecca and the children begin to find out what is really going on at Chapelwaite, and in the nearby abandoned town of Jerusalem’s Lot–it just keeps picking up speed. It is also truly Gothic in tone and feel; beautifully filmed and shot and the cast is perfect in their roles.

Highly recommended; one of the best King adaptations I’ve seen.