Category: horror

Kissin’ Time

Ah, the Tuesday after Memorial Day and back to the office with me. Such an exciting life I lead, don’t I? I didn’t sleep all that great last night, to be honest–the kind of half-sleep/sort of awake kind of nights, which I didn’t quite understand until I came downstairs to find my sleeping pill (Trazodone, if you’re keeping track) sitting next to my keyboard, where I left it last night. Mystery solved!

But as I wake up, I’m feeling better–more alive and awake than usual, but I imagine I’ll be running out of steam later this afternoon. LSU is in the Chapel Hill regional for the NCAA baseball tournament, playing Wofford. GEAUX TIGERS! I did do some other things yesterday, including finishing the dishes and laundry, and doing the floors. I think I need a new vacuum cleaner (I saw a meme the other day that said “now that I’m an adult I understand why so many prizes on the The Price is Right were appliances”, and yes, very accurate). I didn’t work on fixing the garbage disposal or get out the vacuum handbook for maintenance help this weekend, but it’s something that can go on the list for this coming weekend. I won’t have as many errands to do next weekend, if I plan properly; although I will need to go to the library to donate books.

I also managed to make it to the gym yesterday to start the arm-rehabilitation process again. I went back to the light-weight-one-set thing, worried about overdoing or re-injuring (my biggest fear, seriously) my arm…which seemed easy-peasy, but we’ll have to see if stiffness or soreness sets in any time today. But the stretching and exercise felt great, and I was on an endorphin high for the rest of the afternoon, which was pretty fucking amazing. We’ll see how long I can keep this up for…I am looking forward to re-acclimating and getting back into a regular workout routine by mid-summer. Huzzah!

I read Michael Thomas Ford’s story in the queer horror anthology We Mostly Come Out at Night, edited by Rob Costello. Ford’s story is called “Be Not Afraid”, which is what I recognized immediately as what angels say in the Bible when they appear before humans to bring them messages from God, and I love some Biblical based horror. But even better–it was a Mothman rural West Virginia story, set at Christmas, and what a delightful story it turned out to be. Ford is a master at voice, and writing sentences that make you keep reading on to see what happens next. His characters are likable and relatable and absolutely real, and it’s always delightful to read one of his stories–he always seems to write about people who are lost and become found, but not in a Christian way, if that makes sense; he writes lovely hopeful queer stories. In a just world he’d be more successful than most other authors…he’s one of those I think will be studied as a queer literary giant by future generations. He also always can do poverty in a way that isn’t moralistic or judgmental; you understand the characters and what they are experiencing, but not in an exploitative way. Highly recommended, and I am looking forward to reading the other stories in the book, too.

I wrote for a little while yesterday, too. I worked on something I’ve been thinking about over the weeks–The Summer of Lost Boys, which I think is going to be my next book, once I finish the current in-progress one–and I also did some brainstorming on the next Scotty book, which I am hoping to finish writing by Labor Day. It felt good to be writing again, even if it was so very little, and I think my creativity is coming back in a major way after being dormant for so long. It feels good when I write. The writing I did yesterday didn’t feel like it was garbage or anything, either. Here’s hoping that feeling continues, shall we?

And on that note, I am heading into the spice mines. Have a lovely Tuesday, Constant Reader, and no doubt I’ll be back later–I am definitely making progress on catching up on blog entries, which is terrific–and so I bid you adieu for now.

Private Eyes

I loved this show. 100%.

I wasn’t familiar with the characters before I started watching the show, but you can never go wrong with anything that comes out of Neil Gaiman’s classic run on The Sandman, which is where these characters originally came from, and once I’d heard that, I knew it was going onto my “must watch” list. (I also believe the Netflix adaptation of The Sandman was one of the best television shows of the last decade, and I cannot wait for it to return.) Anyway, the characters were spun off into their own comics series, and that series has now been adapted for Netflix.

I wasn’t sure what to make of Dead Boy Detectives going in–I wasn’t familiar with the characters–but I’d seen a preview so I knew it was about two ghosts who solved cases, which was an interesting idea that I rather liked (and wished I’d thought of myself). The first episode wasn’t great, in all honesty, but I rarely judge a show based on its first episode as they are generally having to do a lot of story and character introduction and set up for the show, which is not easy to pull off. It wasn’t bad, I just had hoped for better, if that makes sense, and didn’t stop watching.

And it hit its stride in episode two, with each episode building on the one before as the series went on–and of course, when we reached the end, we were sorry it was over and wanted a second season immediately.

The show focuses on the ghosts of two very young men, Edwin and Charles, who somehow have (by choice) become trapped on Earth rather than moving on their afterlife; Edwin died as a result of a hazing ritual gone wrong and his soul was sold to the devil by his schoolmates, who didn’t realize what they were doing. He spends numerous decades in hell before managing his escape, and he appears to Charles when he is near death, and comforts him as he dies. Charles is also the first human who’s been able to see Edwin, so he is charmed by that as well. They become friends, Charles dies and rather than moving on, stays with Edwin–and the two decide to become detectives…helping other ghosts trapped on this plane by finding who they are, why they got stuck here, and resolving the issue so the ghost can move on.

In the first episode, they take the case of a young psychic who is possessed by a demon, Crystal, and they exorcise the demon from her but she has memory loss. They decide to let her stay with them until she gets her memory back, and she helps them with their cases. Two other characters, Nico and Jenny, who also start helping them with their cases. There are also any number of recurring characters that are an absolute delight–Lukas Gage as the Cat King is a particular standout, as is Ruth Connell (whom I loved on Supernatural) as Night Nurse, who is responsible for getting recalcitrant souls who haven’t moved on to their proper afterlives–so Edwin and Charles are also in her sights. Each episode is a case, which also moves them forward on their personal through-stories, as well.

Edwin is gay, as is the Cat King, and Edwin is a bit in love with Charles–who has chemistry and an attraction to Crystal. However, this potential “love triangle” is headed off perfectly; Edwin confesses, and Charles–not gay–doesn’t rule it out but certainly not right now, and it doesn’t change how Charles feels about him–he loves him and they are best friends. Sensitively handled and brilliantly welcomed by this viewer, to be sure.

And the Cat King’s barely concealed double-entendres and attraction to Edwin steals the series.

Bravo and well done.

I Will Follow You Into the Dark

I’ve always thought that my favorite two literary genres–crime and horror–were flip sides of the same coin. I sometimes reduce my theory to the barest of bones–both are about death but in crime the monsters are human. Horror novels always have elements of mystery and suspense woven into the story–there are always characters trying to figure out what is actually going on, and usually suspecting humans, only to find out it is not–and there’s also a lot of death. You have to figure out what is causing those deaths, and the best horror novels seem like straight-up mysteries until you find out otherwise. I didn’t really start reading horror until Stephen King and Peter Straub, and much as I love the genre, my first love will always be mysteries…but reading the kids’ series, with all their phony ghosts and hauntings and phantoms and spirits, got me really interested in the concept of ghosts–something that stays with me to this very day. (I mostly write about ghosts when I try horror; because Gothic is my absolute favorite and that runs across both genres.)

This is one of the reasons I fell in love with Michael Koryta’s novels. The first I read was So Cold the River, which was more of a ghost story/mystery about a haunted and cursed resort hotel in Indiana, which was a wild ride and great fun to read. He’s also written some other crime novels that crossed over into the supernatural; The Ridge was another favorite. I also wondered how he was writing both straight up crime fiction and sometimes supernatural styled mysteries; I was always told you couldn’t write in two genres like that under the same name.

And then he started releasing those types of novels under the name Scott Carson, so maybe there is something to that old publishing truism? I don’t know why he rebranded those books under a different name and it’s none of my business other than to satisfy idle curiosity. But I did recently finish one of his Scott Carson novels, and Where They Wait is an excellent illustration of the blurred line between horror and crime.

I was never a dreamer.

I mean that in the most literal sense. Figuratively speaking, I absolutely consider myself a dreamer. Aspirational, at least. Optimistic? To a point, although my profession–journalism–mandates a certain cynicism. When I say I was never a dreamer, I mean at night, in the depths of sleep.

No dreams. Just didn’t have ’em. Not good, bad, happy, or sad.

Slept well, though. I slept well. That’s hard to believe these days, but I know that it was true once.

People talk about their dreams all the time. I dated a woman for a few years who would wake up and recite the bizarre and vivid stories that had accompanied her through the night. Sometimes, I’d be tempted to pretend that I could share the experience. Dreaming sounds normal, right? Seems like something that should happen to all of us. And yet we don’t know much about the mechanisms of dreams, for all of our scientific research and psychological theorizing. We believe dreaming is tied to memory, that REM sleep is an archival process. We believe dreams are indicative of repressed emotions, or perhaps harbingers of maladies that haven’t yet offered physical symptoms. Warnings. Messages from the dead. From God. We believe all of these things and more, but what we know is this: dreams are still not fully understood after all these years. They come and they go.

For most people, at least.

I have always been interested in dreams, and what they say about our psyches and consciences. I’ve never studied the psychology of dreams–what little I did read was all supposition and theory, as there is no real answer to what dreams mean–is it just our brains doing freestyle, like a jazz singer bopping up and down the scales using their voice as an instrument, or are they the key to who we are, our hopes and dreams and traumas? I like to play around with dreams a lot in my work, since there is no real consensus on why some people do and some people don’t, why some remember their dreams and why others don’t; do people not remember their dreams because there’s nothing to remember, and on and on from there.

But dreams are at the heart of this chilling and masterful suspense novel, which is really more about tech horror than anything else. Our main character is a journalist who reported on the Afghanistan war, has recently been laid off from his job, and gets a call from an old buddy from the area where he grew up to write a puff piece on a local tech company and it’s newest development; a wellness relaxation app which sounds like every other relaxation app–other than it’s not. Given the latest version of the app to experiment with and write about, it starts affecting him in dreams–scary nightmares about an a shipwreck, and ghosts coming to visit him ,and the dreams are so incredibly vivid that he’s not entirely sure whether they were dreams or not. And as he discovers more, he finds that everything to do with the app is connected to him in some way, as his dreams become more vivid and sometimes waking; to the point he’s not sure if things are actually happening or he’s losing his mind.

This book was fantastic: the story is great, the pacing fantastic, the characters absolutely real–and the horror is terrifying, absolutely terrifying. Carson knows how to build suspense and suck the reader in along for the ride.

Highly recommended.

Heartaches by the Number

Sunday fun-day, and I am up much earlier than I was yesterday. It wasn’t a bad day, but I clearly needed to sleep in. I slept later than expected this morning, too, but here I am, up at just past eight and feeling pretty good. I really didn’t do much of anything yesterday. I did leave the house and get the mail (I got two shirts I’d ordered from Macy’s) and then swung iby the grocery store to get treats for Sparky and for us (they had the Snicker brownie cookies again, which are fucking amazing), and then I came home. I curled up in my chair with Scott Carson’s Where They Wait, which I am enjoying the hell out of, before Paul got up and we finished the first half of Bridgerton, watched The Iron Claw, and then after we watched the gymnastics meet last night, won by Simone Biles (of course), moved on to Hollywood Con Queen, which in interesting, if odd. I plan on spending some more time with the book today, hopefully finishing reading it this morning before getting some writing done today. I’d like to get this second draft of “When I Die” out of my hair, and I also need to reread and possibly revise “The Last To See Him Alive” before I submit it to an anthology. I have been very lackadaisical about my writing now for almost a year, and I need to start taking it seriously again. I think that’s been part of my feeling off for so long–I am not writing much, either and that always has an affect on my over-all well-being.

I also think the overwhelming pile of things I am working on has a lot to do with my feeling at sea and uninspired, to be honest. I do love to write, but as always, I have to make myself do something I love. I also am much easier to distract these days, too–which I do not like–but when I am home working it’s Sparky who distracts me (he’s adorable and sweet, so it’s hard not to give him attention when he wants some), or Paul getting up and wanting to watch something–I will always drop everything to hang out with him, whether I can afford the loss of time or no, sorry/not sorry–but I do need to get some focus. Maybe I should listen to music on my headphones? Music always works, usually; but who knows if the old tricks will continue to work now?

I also need to get caught up on blog entries, too. I still have to finish my posts about Dead Boy Detectives and Mary and George, I’ll have to do one when I finish reading this book, and of course there are any number of others that are dangling in my drafts folder. I also came up with a really good title for another story yesterday, sigh, which I scribbled down in my journal. My creativity is still there, of course, but it needs to be harnessed again so I can take it out for a ride. I also spent alot of time yesterday thinking about something I definitely want to blog about, which was triggered by Marjorie Taylor Greene, the cro magnon congresswoman from Georgia being the white trash piece of shit she was by attacking Jasmine Crockett’s appearance the other day–don’t come for Jasmine unless she calls you, bleached blonde bad built butch body bitch–and the whole “going high” thing. Much as I love Michelle Obama, I have been saying since the of Rush and Fox News that going high doesn’t work when they are going low; they see going high as being weak and they go lower. The only way to defeat them and shut them up is to give their own back to them with a vengeance–I bet the inbred trash will think twice about coming for someone’s looks again. And as someone who has had people going low at him for most of his life, I will not go high. You open that door and I will fucking shred you–and I also will not be shamed by “allies” (always straight white cisgender women, for the record) for giving it back to them. We are literally in a war for the soul and future of this country; going high with these kind of stakes on the line simply does not work, and I am tired of the right saying racist, homophobic, and misogynist bullshit while being told to “go high.” Sorry, Michelle, I love you–and I love you even more for your class and dignity, but I would love to listen to you read Melania for the racist gold-digging filth she is sometime.

The sad truth is you never win while seated on your high horse, and we as a nation simply cannot afford to lose. And they cannot stand on ANY moral high ground while pedophiles like Matt Gaetz and inbreds like Marjorie Greene are serving in the People’s House, period–as well as any traitors, and there are a LOT of those on the Republican side of the aisle right now.

(I’m also enjoying watching all the trash who hated the Chiefs because of Travis and Taylor now worshipping them because of Hairy Butt. Pick a fucking lane.)

And on that note, I am having some breakfast and then reading for a while. Have a lovely Sunday, Constant Reader, and I will probably show up again a little later.

Along Came Jones

Our power went out last night, around 5:45 a.m. per the email from Entergy (if our power is out, how do they expect me to read an email? I guess my cell phone, but still), but for whatever reason, somehow Paul got up to wake me up at the time I usually rise (my Cat Alarm, aka Sparky, also failed this morning but once Paul got up, he started), but I slept so well last night that it took me awhile this morning to get up and going. Not sure what that’s about (thunderstorm, no doubt), but my coffee tastes good and it looks like the kitchen roof didn’t leak last night, so that’s a good thing. We’re supposed to have heavy weather this morning with off and on showers all day (at least that was the forecast yesterday). A quick glance at my phone, however, has let me know that later this morning it will get sunny and it will stay that way the rest of the day. That’s nice. In fact, the sun is out already so I think that forecast may be off. I know there were tornado warnings west and north of the city last night, and most of the truly bad weather missed us.

I’m not going to lie, I felt very off-balance at work yesterday. It started raining in the early afternoon, which certainly didn’t help (damp air and rain always makes me sleepy), and there were some other things that went on in the early morning after I arrived at the office that had me wondering why the hell didn’t you call in sick this morning, dumb ass? But it all worked out in the end, and the rest of the day went swimmingly. I ran my errands once I was out of the office, and then came home. I was a little tired by then, so didn’t get much of anything done last night other than bonding with Sparky (i.e. being a cat bed). We started watching a new British show called After the Flood, which looked really interesting, but I also noted that only the first two episodes (of six) were up on Britbox, which is…odd. We really liked the show, so I am going to have to figure out how to watch the other four episodes. But that’s peculiar, isn’t it? I think I may have let my subscription go, which is probably why we can only access the first two episodes. Heavy sigh. I really need to get a handle on the streaming services I pay for, don’t I?

I am trying to get a handle on easing back into my normality again–a week off is so disorienting, but nice at the same time–so I figured this wasn’t going to wind up being highly productive, either. I need to at least stay on top of things, though, so I am not buried this weekend trying to get caught up. I need to get the dishes done tonight when I get home, and there’s some laundry and other straightening up to do, and I need to get back to reading my book, too. I managed to get all the book posts done yesterday, but still need to get the one for Dead Boy Detectives, which I loved, finished as well. If you’ve not watched, you really should get cracking on it; it’s definitely one of my favorite new shows of the year. It’s been so long since I finished watching that it may be difficult to write about it now (I finished before I left on the trip), but it pleased me enormously, and I loved all the queerness, especially the Cat King (Lukas Gage, who is fantastic in the part). Of course, you can never go wrong with Neil Gaiman’s The Sandman, or anything that comes out of it.

I didn’t read last night when I got home, either, being tired. But I am looking forward to spending some more time with Where They Wait, which I was really enjoying reading last week in Kentucky. I also kind of feel a bit off with the writing stuff, too–it’s been a hot minute since I’ve written anything other than the blog, so the muscles, already rusted, have kind of tightened up on me again, but I also need to deal with things I’ve been putting off because I didn’t want to deal with them and that’s really not a good way to deal with anything. I need to make a to-do list, too.

And on that note, I am heading back into the spice mines. Have a lovely day, Constant Reader, and I hope to be back here at some point later on.

The Deck of Cards

Wednesday and we’ve made it to mid-week, Constant Reader. Huzzah? Huzzah indeed. The weird vibe of the week continued through yesterday–everyone at the office seemed to be a bit off-balance too, and I am not entirely sure what this week’s weirdness is actually all about. But I got some things taken care of–rescheduling my doctor’s appointment, picking up a delayed prescription, and some other annoyances (for the record, I hate having to make phone calls and yesterday required several of them). But day job duties will be all caught up today before I leave to come home, and so I won’t have a lot of catching up to do when I return from my trip. It also occurred to me last night that of course my own vibe is off this week–the trip is looming in my subconscious, but it’ll be nice, ultimately.

Last night I was okay when I got home from work. I did some laundry and worked on the neverending sink full of dishes, which has been particularly annoyingly Sisyphean lately. I did some more research last night, and also stumbled on a peculiar unsolved murder/accidental death of a nineteen year old named Noah Pesgrove, from last September in Oklahoma. It’s an interesting case, involving a four day birthday party (!!!), obviously lots of drugs and alcohol, and then his body was found about a mile away, naked other than a pair of mismatched shoes. It really sounds like a drunken accident, like he fell out of the back of a truck bed and landed on the back of his head. But the other injuries are strange, as is the fact the body was found curled into a fetal position and covered with a bloody tarp. This is the kind of thing that could have easily happened any number of times when I was in high school in Kansas (I never was invited to these kinds of parties, ever, at either high school–which was probably a good thing) which of course made me think some more. I’ve already written one horrific short story about a high school murder at a party, so is writing another simply repeating myself? And why do I always revert to young people when I have these ideas? Shouldn’t I be writing about older gay men now?

I’ve also been thinking a lot about my career lately, and trying not to look at it in a mostly negative way, which is par for the course. I’ve never really had a plan for my career, with established ambitious goals and so forth to work towards. I did have a plan back in the early days, but Katrina’s floodwaters washed that all away, and so I’ve kind of been moving forward a little blindly, mostly focusing on what I wanted to write without any thoughts to any kind of cohesive career path forward, which is unfortunate. Then again, I rarely plan for the future in any meaningful kind of way, either–but that’s pretty fucking obvious, isn’t it? I’ve always pretty much, since Katrina, written what I wanted to or what I was asked to write (with a cash offer) without any thoughts about how that particular book might advance my career in a more-upward fashion. I never established myself firmly as any kind of writer–although I suppose I am mostly known as a crime writer, and I’ve pretty much always stuck to that kind of novel, even if some of them are a stretch. Some are borderline supernatural on top of the crime, but other than that and the occasional outright horror story, I’ve mostly focused on crime. I have any number of book and story ideas that are neither, but I never try to pursue writing those. Maybe I should? I always think that my short stories are really where I get to play with voice and pacing and style, and each one usually teaches me a little something more, gives me another insight on how to make my writing even stronger.

I also stumbled over some local assholes posting on social media about the Tulane protests, spearheaded by some trashy local bitch who claims to work for the Times-Picayune, so I started collecting screen shots for the formal complaint I intend to file with the paper’s management. Among her marvelous posts were demanding to know why no one is investigating the “protestors aren’t students” (um, you’re supposedly a journalist, ma’am, maybe put your fucking phone down and investigate) because she “knows what Tulane students look like (???1)” and “Tulane’s students are studying for finals so their parents can take them to Europe for the summer” and other horrific, bitchy commentary that was completely unworthy of any adult sentient adult who’s not a puppy-killer like Kristi Noem. Reading her and the approving responses to her bigoted bitchiness literally made me shake with rage…and then I realized bitch I write crime fiction–prepare to die in a book and I realized, Scotty’s nephew goes to Tulane…hmmm. And of course, our governor is very busy turning Louisiana into Gilead, and we have no recourse. Our Supreme Court is racist garbage and will rubberstamp anything Landry signs into law, and we certainly have no recourse with the US Supreme Court, which makes ours look positively progressive.

Maybe that’s my metier for the future; writing about how the Republican Party is taking Louisiana back to 1850. Come on, Landry, flame out like Jindal did.

And on that note, I am heading into the spice mines. Have a lovely day Constant Reader, and I may be back later.

  1. Typical Uptown white bitch shit right here, am I right? What exactly does a Tulane student look like, because I’ve worked with any number of Tulane graduates, and I can tell 1. their parents weren’t rich and 2. they did not fucking look alike in any way, shape of form, you miserable bitch. So, since she “knows” what a Tulane student looks like, let me share with you what an Uptown white bitch looks like: tennis skirt or yoga pants, a sleeveless blouse, bleached hair and bad lip fillers, make-up designed to repel from forty yards, driving an expensive white SUV with a diamond tennis bracelet at her wrist, holding her phone in one hand and a Starbucks cup in the other while she goes through lights and stop signs obliviously, with an overwhelming Karenish narcissism and a complete refusal to realize or recognize there are other drivers. ↩︎

Tell Him No

I did get tired yesterday afternoon, but I think it was more from malnutrition somehow than anything else. My breakfast and my lunch did not fill me up1, and after I had lunch I did feel like my batteries were starting to run down a bit. It was, all in all, a good day for the most part. I did make it through the workday. I ran errands after work (got some things for Sparky from Chewy, and the last batch of new shirts arrived); started organizing the draft blog posts to determine which can be combined (same topic started on different days, months, years) and which can be finished and which can be deleted; I finished the revision of “Passenger to Franklin” (and I think it’s much much better now); and started getting my (delayed and extended) taxes together. Ideally, I can get that done this week and to my accountant by Friday so that will be one thing more that’s been hanging over my head like the sword of Damocles out of the way. Huzzah! I also took a look at “When I Die,” and while this one is going to take a lot of fucking work, it’ll be so much better when I finish it!

I slept well last night, and my coffee is rather delicious this morning. It was cold yesterday morning when I left for work–surprisingly so–but it warmed during the day so my car was very hot when I got into it after work. It’s going to get warmer consistently later in the week–I still can’t get over it being eighty-eight last Friday, it’s only April for Pete’s sake–which means it’ll probably be hot and sunny as I visit graveyards with Dad the weekend after next. I was thinking last night, as we watched Vigil (it’s terrific, highly recommended), that I’m almost in a good place again for the first time in almost ten years or so. My stress levels are way down, my moods generally are good and even, and I don’t have flashes of anger anymore (mostly while in my car). Other idiot drivers are still annoying, but don’t send me into a rage anymore. Now, it’s more like I get annoyed, say very calmly, “yes, you’re an asshole who can’t drive” or “yes, you are so much more important than all the rest of us”, but as I said, it’s calm–and I can absolutely live with that.

I got a short story rejection email yesterday, and I was completely ambivalent about it. The problem is you’re never sure if the story just doesn’t work for them or if the fact that the main character is gay was a problem for them. Sure, the rejection had the standard form please submit to us again, but…yeah, not so much. This is what straight white cisgender people don’t get, with all their whining about “merit”–the only people who they think actually earn their careers are straight white cisgender people, after all–because you can never be certain that it’s the story that they didn’t like enough or whether homophobic concerns come into play: our readers might get mad at is if we shove queer down their throats or we don’t want to become known as the queer crime publication and every other iteration of that you can imagine…any excuse not to publish a queer writer. Many years ago, I decided that I would never allow suspicions of homophobia affect my writing career, and I would always assume it was the story that was the problem. But…you have to wonder. When a magazine only buys your work when you send them things with straight main characters (twice) but rejects everything with a gay main character or even a gay theme, you have to start to wonder.

And given how few of the magazines that actually pay well for short stories (or pay at all) there are and how little queer work they actually publish…you begin to wonder. You don’t want to believe it’s homophobia or homophobic concerns, but here we are, you know. The stories I am working on now aren’t really crime stories, they’re more supernatural/horror stories, but I do think “The Last To See Him Alive” is not only a good story but it’s written really well. I need to revise it and edit it, of course, but it’s in really good shape already which is pleasing. “When I Die” needs a complete overhaul, but that’s fine. It’ll be a better story for it when it’s finished. And while these stories I am working on could complete the collection, this morning I am wondering if I should include horror in this book or not.

I really do not understand these new state laws (here in Louisiana we got one, too) allowing people to drive their cars into protestors, something which inbred morons Tom Cotton of Arkansas and eternal bitchboy Josh Hawley of Missouri are all about. Nothing says leadership like telling people to kill or injure other people. As always, these kind of Nazi-lite fascistic laws come to you courtesy of the Republican Party and MAGAt. I personally am looking forward to driving my car into a crowd of Trump protestors and hitting the gas pedal, frankly. When I saw this on social media yesterday, I responded with Never thought I’d see the day when the Kent State massacre would have fanboys, which prompted some responses which, of course, made the most sense: they had them at the time. I was too young to remember the right-wing response to the Kent State shootings, I just remember being appalled that the National Guard murdered four students on a campus, and I have always viewed it as a disgrace and a tragedy…but of course the right did not see it that way–just as they backed William Calley as a hero after the My Lai massacre in Vietnam. Even I–who have always known how vile and unpatriotic the right in this country is and always has been–didn’t think they were that callous and awful.

They are, they always have been, and they always will be.

The thing that always amuses me about this is the “patriots” of the right always forget that the only reason we exist as a country was because of mass protests….which led to a revolution. So, by that way of thinking, the most patriotic thing you can ever do is protest, really. Remember the Tea Party, the seeds that grew into MAGA? Remember the stolen election of 2000? Remember how Reagan dismantled and changed (and ruined) Social Security? The only reason there’s an issue with it now is because of Reagan, St Ronnie of the Right. The Republicans are the party of Joe McCarthy, Richard Nixon, Ronald Reagan, Henry Kissinger, and people like Cotton, Marjorie Taylor Greene, Josh Hawley, and Matt Gaetz are their heirs.

Remember back when I was thinking about starting to read and study poetry? I got a great recommendation from a dear friend at S&S of where to start–Mary Oliver’s Why I Wake Early–and I’ve been paging through it randomly, reading poems here and there, glimpsing fragments, and I think I’m slowly starting to come to an understanding of poetry I never had before. I am not going to review poetry on here as I am nowhere near knowledgeable enough and I don’t want to make a fool out of myself self-teaching and coming to what regular readers of poetry already understand from studying it. It’s a wonderful education, and one I kind of wish I had started earlier. Ah, well.

I also decided to postpone reading the Paul Tremblay and take it with me to Kentucky to read. Instead, I’ve decided to reread a book I don’t remember much of–Suicide Notes by Michael Thomas Ford. He published a sequel this past year that I would love to read, but not remembering the first one was a problem, so I decided to go ahead and reread it. I don’t talk about Ford much, but he really is one of the most underrated queer writers of our time. He can basically write anything (a blessing and a curse, as I know all too well), and he does it extremely well. Rereading the first chapter last night pulled me back into the story effortlessly, and the voice is so compelling and hauntingly real…and likable. I’m looking forward to reading more of it.

And on that note, I am heading into the spice mines. Have a lovely Tuesday, Constant Reader, and I’ll probably be back later.

  1. I also ate dinner late on Sunday night, which I usually don’t do and am sure that had something to do with it, but given I don’t really get hungry all that often it was kind of cool. ↩︎

Are You Lonesome Tonight?

Lonesome is a great word that doesn’t get as much use as it used to; it was a very popular emotion/feeling for songwriters (especially those in the genre then known as “country and western”) to write about back in the 50’s and 60’s. It’s a very evocative word, and I am not sure why I don’t hear it as often as I used to. I love the word, and one of my ideas is to write a book called Kansas Lonesome at some point. The premise would be that there’s a podcast called that, which covers Kansas true crime stories throughout the state’s history; I am not sure how that podcast will play into the story I want to write, but that’s the foundation of that book, whatever it turns out to be. I am currently in the process of writing a short story (one of many, by the way) with a college student investigating a crime site out in the countryside to sus out background information for a podcast episode for the producer/star of the podcast. I do think the book may be inspired (Kansas Lonesome) on a homophobic incident that occurred in my old school district in Kansas; a young lesbian was put off the bus and banned from riding for saying she was a lesbian. The school district tried to cover up everything, but it turned out the girl was the only one telling the truth, the bus driver was fired, and the superintendent lost out on a big career move…and a few months later, she disappeared. Her name was Izzy Dieker, and as best as I can tell, she’s not turned up yet and it’s been over two years since she went missing. There are just some articles noting her disappearance, and then….nothing.

That is a great premise for a crime novel, isn’t it? Kansas Lonesome is becoming what I will soon probably be referring to now as “the Kansas book,” now that the other one was finally finished and published. But I think I will probably write The Crooked Y first; there is so much material in Kansas for prairie noir, isn’t there?

It really is amazing how much crime–specifically brutal murders–have happened in such a sparsely populated, deeply Christian red state. (“But crime only happens in those scary big cities!” Fuck off, trash. And by the way, immigrants aren’t coming for your women or your jobs.) The Benders are another grisly story from Kansas’ blood-drenched past, and I’ve always wanted to write about them, too; and hope to do so before I run out of time on this mortal coil.

And last week I stumbled across another fascinating tale of corruption and illegality involving a district attorney, a judge, and a police chief…a truly horrifying tale about how justice can be (and is all too frequently) twisted to fit the agendas of people who are evil but so convinced of their own righteousness that bending rules and not turning over evidence to defense attorneys, suborning perjury and coercing confessions from people?

Sidebar: Yes, Sarah Palin, that’s the real America, you charlatan snake-oil salesperson. Hope you’re enjoying being completely forgotten, grifter and Grandmother of Bastards.

Anyway, that’s a lot of words to talk about how Kansas is actually a horrific true crime state, with lots of examples of horrible murders and desperate people. I sometimes wonder if has anything to do with how flat the state is, and how sparsely populated. I know sometimes those winter winds off the prairies are brutal, whistling around the house and rattling the windows, trying to find a way into the warm cozy inside. Sometimes that wind can whistle, too–and I can imagine in a time without electricity or much entertainment, listening to that wind and being so lonesome out on the prairie could easily drive you mad1. I could write a book of short stories and simply call it Kansas Lonesome, with the premise that the podcast host and researchers are doing the background research into these old crimes or something. That could be an interesting way of bringing those stories together…but I also think Kansas Lonesome is too good of a book title to not use it for the novel I was thinking about earlier in this entry–the one about Izzy Dieker.

Loneliness, though, while sad and depressing, is a writer’s friend. When you’re lonely, you have to entertain yourself, and I always drag out the journal at those times, or warm up my computer and start writing away. I think a lot of my creativity came from being lonely as a child, the recognition I clocked early that I wasn’t like other kids in many ways so I stayed away from them because I didn’t know if they were going to make fun of me or bully me. and so I retreated very often into my own mind. I read a lot, obviously, and watched a lot of television and movies (while reading), and I just kind of lived in my imagination for lengthy periods of time. I preferred my own world, frankly, and still do; I hate leaving my own world for the real one.

I do wonder sometimes if I would have still wanted to be a writer if I had felt like I belonged, if I was like every other little boy. But even when I was a kid, I looked at the future that was expected of me and found it wanting. A Lot. I hated the very idea of fitting into one of the ticky-tacky houses in the suburbs and the day job that was all-consuming and the wife and the kids and the lawn work and upkeep on the house and…yeah, that sounded always terrible to me, and the older I got the more I resisted that future. Had I followed the path laid out for me by society and family I would have been absolutely miserable by now. Would I have been so attached to books if I had friends, kids in the neighborhood and the comfort of knowing people did actually like me? It was the love of books and wanting to give other people the feeling I got when I read one I enjoyed that made me want to be a writer in the first place, and the more I read the more I wanted to write. I used to write all the time when I was a kid–things I didn’t take seriously at the time, and would completely dismiss…but I was always writing. I made up a world once, with its own countries and lineages and so forth, kind of a fantasy alternate kind of history. I wrote my own versions of the Hardy Boys and Nancy Drew. I wrote short stories in high school. I started writing a novel when I was seventeen, and while I might have gone months without writing at times, I always was writing, always coming up with titles and ideas, and I was always happiest when I was creating.

And now, here I am hurtling toward my sixty-third birthday with a lot of publishing credits to my name and boxes and boxes of ideas…that I want to digitize and throw away the paper files in an attempt to cut back on clutter. I have my next two years’ writing schedule pretty much figured out already. I’m happy. That’s the bottom line of everything, isn’t it? Being happy? I love my life. I love writing. I love connecting with readers and other writers. And I think I am continuing to grow and develop as a writer. I don’t ever want my best work to be behind me, and I don’t think it is. I’m feeling good and optimistic again, and that’s always a good thing.

  1. There was a really great chapter in James Michener’s Centennial that talked about this very thing; how on the prairies in the winter the wind could drive one mad. After I read that book I could never listen to the wind again without remembering that. ↩︎

Hawaiian Wedding Song

I am a bit tired this morning. All those errands I ran yesterday? Apparently I have not recovered my stamina yet, because I am feeling it this morning. My legs are very tired, and I did not want to get out of bed this morning…which was also partly because Sparky turned into a purring cuddlebug while trying to get me to get up–lying on me and rolling and purring and head butts and making biscuits. It was actually kind of lovely, really, but now I am up, a load of laundry is started, and I am drinking and loving my coffee. LSU is competing for the national championship in Gymnastics at 3, which is probably going to suck all the oxygen out of the day, so I’ll need to get a lot of things done today before three, won’t I? GEAUX TIGERS!

Yesterday was a rather interesting day, social media-wise. After I posted yesterday morning and as I was getting ready to dive into the day, I shared the post on my social media as I always do, and I had some extreme irritations, all related to my years in Kansas, of all things; like all this writing and thinking about Kansas and ideas for books/stories there manifested some people I went to high school with, as well as some other unpleasantness. For the record, straight white cisgender, this is the sort of thing we’re talking about when we talk about microaggressions and safe spaces. The first thing that popped up at me on Facebook was some tired old bitch of a white woman’s post sharing an interview with Dawn French, in which she not only defended the Chatelaine of Castle TERF, but chastised everyone. After all, as a straight cisgender white woman, it’s our responsibility as queer people to explain it all to HER, and if we’re not willing to do so, their lack of understanding is on US.

Fuck off, Dawn French. Queer people don’t have to explain their humanity to you, you miserable fucking bigoted bitch. “Well, I don’t understand this, so please explain to me why you deserve to be treated like a human being.” That’s it right there. Doesn’t sound so nice when it’s put that way, does it? Is it really too much for you to treat other people with respect and kindness even if you “don’t get it”? And when exactly do I get my fucking paycheck for explaining our HUMANITY to someone with a blackened, dead soul and no empathy for anything outside their own experience? The arrogance!

Anyway, this former Facebook friend shared this and said, “I agree.” Someone else, another former Facebook friend, commented “Yes, absolutely.” I unfriended and blocked both, and then posted in my anger “If you are a defender of the Chatelaine of Castle TERF, just unfriend me now.” Another former Facebook friend then announced his departure. He only unfriended, so I blocked his homophobic ass, too.

As if that wasn’t enough, someone I went to high school posted a funny meme I was going to comment on, when a homophobic piece of trash from high school tried TAGGING me on it because I had unfriended her after getting sick and fucking tired of her MAGA posts and remembered the time I heard my “friend” mocking me with other people in the high school cafeteria for being gay. Again, I don’t owe anyone any explanations for cutting you out of my life because I fucking refuse to explain why I deserve to be treated like a human being and not as the butt of a joke or something to hate and despise because a verse in Leviticus says so.

Jesus, right? It’s so tiring.

And then, in the biggest irony of ironies, another person I went to high school with–who is always posted queer ally stuff, which I’ve always appreciated–did so again yesterday further down on my feed, and of course someone had to come in waving their cross and Bible, but what was truly nice was seeing how many people went after the Bible-thumper, quoting the Bible and the Sermon on the Mount back to her, and it was on that thread I discovered she had a younger sibling that is gay (I wasn’t the only one to graduate from that school, apparently) and then someone else from high school commented “My brother is gay, too”–and the irony of that was almost too delicious to savor. You see, the second “my brother is gay” poster? She and her troglodyte best friend loved called me a fag quite often and quite happily my senior year…and while that was satisfying enough, I then remembered that she and her bitch friend would say it and laugh…in front of her brother….so his situation was worse than mine, and I went from smug to sad. Her brother was also an asshole to me (which I understand; I avoided other kids who got slandered and mocked and called that), but knowing that he was gay and was listening to his sister and that other bitch call me that? How he must have hated himself every time she said it. I wonder how suicidal he was? And truly, how sad was it that we are so socialized to avoid other kids with that same stigma and shame we experience rather than supporting each other? I think that’s also one of the many reasons I have trouble trusting gay men as I do straight people–another kid who was gay-presenting at my high school in the suburbs and was friends with people who treated me like shit….out of curiosity I looked him up and he too is out and proud now. How sad he joined in so his friends wouldn’t think he was a fag, too.

But at the same time, it’s giving me an insight into Kansas that I didn’t have before. The state, which I should have known, isn’t full of homophobic MAGA trash, and neither is the area I lived and suffered through for five years. And that could make for an interesting approach to another book. I had thought Sara, with my out gay character in a rural Kansas high school, was a bit much–I didn’t think kids could be out there–and turns out that while it’s not appreciated, those brave kids are facing it all down and defiantly throwing it back in their tormenters’ faces. I actually even thought for a moment last night that it might be worth it to go back sometime, to just look around and see how different everything is from my old memories.

And on that note, I am going to get cleaned up and going on my day. I may be back later, I really do want to get all of these draft posts finished and out of the drafts file at some point, but I also don’t know how the day will play out so we’ll just have to see, Constant Reader. Have a great Saturday regardless.

Drop Me Off In New Orleans

Ah, some more blatant self-promotion! I’ve done some on-line panels so far this year, which has been terrific. Here are the questions from one I did, turned into an interview so I can promote myself! I believe these questions were for a queer crime panel, and the credit for the questions goes to the one and only J. M. (Jean) Redmann; you can order her books here.

Why did you choose your characters and their professions? What drew you to them?

Hmmm. This is tough, because I have so many books and so many different main characters…I think I’ll stick to my two primary series to answer the question. I wanted to write about a gay private detective in New Orleans, and I wanted him to be a big man, a former college football player who may have been able to be a journeyman NFL player had he not been injured in his final college game. I wanted him to be uncomfortable in his gay skin, and the point of his journey throughout the series was to grow and learn until he was finally comfortable in that skin, and able to be loved and give it.

Scotty, on the other hand, was created as a stand-alone character and I wanted him to basically be the antithesis of Chanse; in which he had few if not hang-ups, was completely comfortable being a sexually active gay man with a snarky sense of humor covering an incredibly big and kind heart. He didn’t really need to grow much–he usually is the catalyst for other characters’ growth–but as he’s aged, I’ve really enjoyed his journey.

What attracted you to writing mysteries?

I always liked them. As long as I can remember, my two biggest reading passions were history and mystery, with horror/Gothics close behind. I would check anything out of the library with mystery, haunted, ghost, phantom, secret, or clue in the title. Then I discovered the series books–The Three Investigators, Trixie Belden, et al–and after that there was no turning back.

What does being queer/gay/lesbian bring to your story?

I think queer people have the outsider point of view down to an art form because that’s how we see the world–from the margins. The easiest way to critique society, the culture, and how people interact with each other is from a remove–and queer people see all of those things from a remove through no fault of their own. I didn’t have role models when I was growing up, at least to teach me how to be a decent adult gay human being, so I had to learn it all on my own for the most part. I’ve also been confused and mystified by American culture, philosophy, and society, because it wasn’t designed for people like me. When I came out, I was just at sea in the queer world as I always had been in the straight one, and I’ve never forgotten those experiences, either, and they also inform my work.

How do we deal with how the wider world deals with queer characters? Especially in these times?

It can be depressing, which is emotionally and psychologically dangerous. It’s bad enough experiencing homophobia, but then to immerse yourself in it in order to write about it? Even more horrific. Watching Pray Away this weekend made me furious with the ex-gay movement all over again; listening to queer people hating themselves and their desires in order to be at peace with God in some twisted way? But if God is infallible…this is the doctrine Christianity gets hung up on. They think we’re mistakes, but if their God is infallible, He had to have made us perfect and its willful sin or the devil whispering in our ears. This is their incredibly harmful and dangerous rhetoric. If God tests humans, perhaps he made queer people to test the faithful–and they are failing.

But they can never admit to that.

How do you deal with diversity? No author can be everything their characters need to be, how do you handle reflecting the wider world?

I write mostly about New Orleans, and beyond that, mostly the south with occasional forays into other areas of the country–upstate New York, Kansas, California–and you cannot write about a city like New Orleans realistically without having Black characters, period. New Orleans is a majority Black city. You also can’t write about the South without touching on the issues of race and a problematic history. I’ve always included diverse characters in my books. I don’t like to describe skin color, frankly, and most white writers do it in the form of food, which I find unsettling–do you want to eat them? Cinnamon skin, cocoa, cafe au lait, eggplant, dark chocolate, etc.–I’ve seen all of those used to describe skin color and it always makes me recoil because it’s so damned lazy. I don’t think I would ever write from the perspective of a Black character–there are plenty of Black authors who can do that more authentically, and given how most diversity pledges by major publishers also inevitably end up in quotas, I don’t want to take a spot from a Black creator. I do love reading work by racialized authors, but I would never try to write from that perspective.

How do you use setting? What does it bring to the story?

Setting is one of my strengths, I think, so I always use it to enhance my story. I am also very lucky in that I live in New Orleans, where anything can happen on any given day and you can never go too far over the top about anything–if anything, you have to tone things down to be believable. I think setting is important because it tells you so much about the characters–why do they live there, how has it shaped them, did they live somewhere else, how do they deal with the challenges, what annoys them, what do they love–and is an important foundation for your story.

How do your books start—not the book beginning, but the start of the process of writing the book. Where do the ideas come from and how does that coalesce into a book?

It usually is something I find interesting and I think I should write about that. Sometimes the ideas take years to coalesce and come together, sometimes they are immediate. The Scotty books inevitably begin with three disparate things I want to address in one book, and then I have to figure out how to combine them all into a story. The next Scotty’s prompts are evacuation, statute of limitations, and obsession. It’s coming together in my head enough that I think I’ll be able to write it this fall.

Once you’re writing, what’s your process? Outline? Write from start to finish?

I used to outline, but now I kind of have it in my head and then will only go back and outline when I am stuck, so I can see where I went wrong in the manuscript. I always write from beginning to end. I don’t know how people can write backwards! I’ve thought about trying it sometime, though.

What are the hard parts of writing for you? The parts you enjoy?

Definitely the middle. The middle is soul-destroying, and always triggers Imposter Syndrome. I also hate copy edits, but recognize them as a necessary evil.

I love the actual writing and revising and all of that. There’s nothing like putting down a good word count for the day, regardless of how bad those words might be. I think revising is magic: you take garbage and turn it into something terrific.

Which writers influenced you?

All of them, in one way or another. I especially love Shirley Jackson, Patricia Highsmith, Daphne du Maurier, and John D. MacDonald. Currently? Alison Gaylin, Megan Abbott, Laura Lippman, Michael Koryta, Alex Segura, Michael Thomas Ford, S. A. Cosby, Kellye Garrett, and Alafair Burke–there really are so many. I always take something away from everything I read, whether good or bad.

What are you working on now?

Right now I am writing a sequel to Death Drop, in the Killer Queen series. I also have a ton of short stories and novellas in progress, and I already have ideas for the next three or four (or more) books.

Any advice for newer writers?

Keep writing and keep believing in yourself, and keep reading.

Last words of wisdom?

If you want to be a writer, read Benjamin Dreyer’s Dreyer’s English and Stephen King’s On Writing.