Puppy Love

Thursday and my last day in the office for the week. Huzzah! I am fatigued this morning. I went to the gym on my way home last night, and while these “workouts” seem hardly worthy of the name, the way my muscles feel this morning shows me that oh yes indeed, even as light as the weights are and as few sets I am doing, it definitely still is counting. This is why I have to be patient with the progress and not get ahead of myself. Last night, I was definitely tempted to add more weight and even had to talk myself out of it, feeling like I was wimping out–but how much more fatigue would I be feeling this morning? And yes, I slept like the dead last night, too–another sign. I may take an extra rest day and not go again until Saturday. I was also tired when I got home last night, so I didn’t do much of anything, including chores….so will definitely have to do those tonight when I get home. I picked up the mail yesterday, too, so I can come straight home tonight.

And of course, tomorrow is a work-at-home day. Huzzah!

I had another surprise at the post office yesterday, too–my Nancy Drew The Secret of the Old Clock action figure! It’s pretty cool, and I may save pictures of it for here until after Pride month, because I cannot think of a way to do a Pride post about–you know what? I just thought of a way to do it, so I guess I manifested itself into being. I also managed to get a Pride post done yesterday–Calvin Klein ads–and I have some more on deck, too; I’ll give you some hints about them–Dynasty, party culture, gym culture, etc.–and who knows when I’ll get them finished and posted, but they are definitely in progress.

I also got my copy of a book I read and reread over and over again as a kid: Stranger than Science by Frank Edwards. I am slowly remembering some other things about my childhood–my interests in the occult and the unexplained. There was a lot of this sort of thing when I was growing up in the suburbs of Chicago, and I am not sure why there was so much of this in the late 1960’s/early 1970s, but there was. The Bermuda Triangle was a big thing, and so were pseudo-sciences like Erich von Däniken’s Chariots of the Gods and so on; Thor Heyerdahl was having his adventures proving that Pacific Islanders traveled much further than most believed, and he also was proving Egyptians could have made it to America on papyrus boats, which was insane but interesting at the same time. I also loved things like Ripley’s Believe It or Not, which used to be a bigger deal than it is now; weird theories about space alien astronauts and forgotten history–I was really into this sort of thing–lost knowledge has always interested me, and books about recovering lost knowledge (or treasure) were catnip for Gregalicious. I don’t know if this was a natural progression of the 1960s movements, in which we became suspicious of government and less trusting, but the 1970s were a very strange decade, and immersing myself in my memories has been interesting. Anyway, Stranger Than Science is a book telling short tales of real events with no logical or rational explanation (this was where I first learned of spontaneous combustion, for one). Edwards used to have a long-running radio show with the same name and subject matter, and my interest in his book and other unexplained phenomenon (whether true, legend, or a combination of both) had more of an influence on me as a writer than I actually remembered. I’m looking forward to revisiting this book.

I also got Paul Tremblay’s Horror Movie yesterday, and I may be moving it up on the TBR pile. He’s become one of my favorite writers lately–since I read A Head Full of Ghosts a few years back, and I’ve not read anything of his that wasn’t compelling and unputdownable since. (I’m also enjoying Grady Hendrix and Riley Sager these days as well.)

And on that note, I am bringing this to a close so I can head into the spice mines. Have a marvelous Thursday, and look for a Pride post later!

Behind Blue Eyes

So, in honor of Pride Month, I’ve decided to do things a little bit differently than I usually do when it rolls around every year. Usually, I’ll share book covers by queer authors that I either enjoyed or influenced me, either personally or professionally, in some way–or could be used for that hoary old cliché this made me gay. In a way, it’s a trip down memory lane for me, going back to my childhood, my teens, and twenties; places I am currently revisiting as I plan out The Summer of Lost Boys.

Thomas Tryon’s debut novel, The Other, is often heralded as one of the books (the others being The Exorcist and Rosemary’s Baby) that kicked off the horror craze of the 80’s and 90’s; Stephen King’s Carrie was released in 1974 and shifted the craze into four-wheel drive. I read this book when I was in the seventh grade, and it resonated with me in ways I didn’t fully understand or comprehend at the time. It drew me in, and fascinated me in ways I’d never been fascinated with a book before. Part of it was the transition I was making from reading kid’s books to more adult fare; I was already reading at a collegiate level by the seventh grade. (The Ken Holt series also resonated with me, as did the Rick Brant–which are getting their own entries.)

I wouldn’t learn until years later that Tryon was gay–although I should have known, were I more mature and gay wasn’t one of those things people didn’t talk about when I was a kid; it’s certainly there in his books–and then it made even more sense to me why the book resonated so much with me, why it intrigued me so much, and why I identified with it so much. Niles Perry, the point of view character, is a shy, reticent boy who mostly lives in his own head and world and doesn’t really interact a lot with people. He’s a nice kid who is always worried about getting in trouble and doing the wrong thing; his identical twin brother, Holland, is more of what we would now call a sociopath. But Holland has no fear, has no dread of consequence, and is more outgoing and adventurous; he’s more of a troublemaker and relishes getting revenge on people who’ve done him, in his mind, grievous wrongs. Niles loves his brother–adores him, wants to be like him, wants to be less timid–but is also afraid of him. He knows all Holland’s secrets and he knows everything that Holland does, and often he figures out Holland’s schemes and even tries to stop him…but Holland always outsmarts him, and leaves Niles to clean up his mess.

This brotherly dynamic–the closeness and the dominant/submissive relationship between the twins spoke to me. I saw myself as more of a Niles type than a Holland; shy and quiet and mostly keeping to myself–and always being drawn to flashier, more outgoing types as friends, to whom I was both devoted but also jealous of–a pattern I followed for most of my life. This is the same reason certain books drew me in as a teenager in most cases; A Separate Peace has that same underlying relationship theme–the flashier more outgoing more popular friend, and the quiet best friend content to live in his shadow but also being a bit resentful and jealous.

And then about two-thirds of the way through the book comes a plot twist that changes everything you’ve already read and processed and you have to see the book in an entirely new way–every time I reread it (which is every year or so since I got a hardcover copy off eBay), I try to find the clues to the twist in the first two-thirds, and they are there, but cleverly disguised so you don’t put it together until it’s literally revealed in such an incredibly powerful scene that just thinking about it–and its creepy conclusion–makes the hairs on my arm tingle a bit.

I didn’t have a brother, so I wasn’t sure about the brother dynamic Tryon explored so beautifully in the book; is that the way things work in real life between brothers? Probably not, as every set of brothers is different, of course. (I’ve rarely written about brothers, now that I think about it. Chanse has one who turned up in a short story and Scotty has Storm) But the relationship interested me, and it’s a trope that is often used in every style of fiction; two people, either siblings or close friends, one is more outgoing and daring and likes to take risks while the other is more nervous and afraid and namby-pamby, and that weird combination of love/jealousy that can often get involved in those stories.

It’s also a strong dynamic that can play out within gay couples, as well.

The Other is also written in a lyrical, beautiful, dream-like style; that lovely sense of remembering the past nostalgically, when everything was magic and the world seemed full of wonder.

I was paging through the book the other day and I began to realize that it’s impacted and influenced me as a writer far more than I had ever realized.

A Cowboy’s Work is Never Done

Sunday morning, after a gloomy rainy day (marvelous thunder and downpours off and on all day) where I pretty much just stayed indoors. I walked over to get the dry cleaning in the morning, and by the time I got back it was starting to sprinkle, and shortly after I came inside the floodgates opened. I curled up in my chair and read The Rival Queens for a while, then Paul got up and we finished watching Bodkin, which I enjoyed but didn’t care for the ending too much, after which we watched LSU lose to North Carolina (fourth ranked; LSU is number 24 and was only ranked after the SEC tournament, so no disgrace there, and they play to stay in the regional again today, against Wofford again. After the game we started Anthracite, a new French show on Netflix that is kind of off-kilter and very interesting. I did some writing in my journal, and I did do some chores around the house so it wasn’t a wash of a day, and really, who cares if it was? I really need to stop being so down on myself and recognize that sometimes I need downtime just like everyone else. I do want to do some things today, though–the whole day can’t be downtime, for sure. I also slept really well last night, for ten hours, which is insane. I am sleeping a lot lately and getting very good sleep, which has been lovely.

I have decided to do the occasional Pride blog post, about “things that made me realize I was gay” growing up, or things that I appreciated that probably were indicative of my sexual orientation from a very early age. Revisiting that dark closeted teenage space for this book hasn’t been terrific, but I think it will also help me deal with it, frankly. The 1970s are also an interesting time to go back to, as well, trying to dredge up memories that are long lost in the dark dusty recesses of my brain. I started a couple of said pride posts yesterday–one about The Other and one about Starsky and Hutch (which was really the first modern himbo show; more on that later)–and am thinking about other ones. My favorite gay anthems? I don’t know. But this year it seems very important to celebrate Pride–and shove it down the throats of the MAGA traitors and their evangelical cosplay Christian allies (looking at you, Mike the Self-righteous Johnson). After all, I can’t go anywhere without having a fucking cross shoved in my face.

Hey “christians”–more teaching by example and less demonstration of how Christian you are not, what do you think? Maybe then people will stop deserting your houses of worship, because they see the lies, self-righteousness, and utter hypocrisy that masquerades as faith in your befouled churches of blasphemy and apostasy.

It looks sunny outside this morning, so I think perhaps the rains of the last three days have now passed. That’s good, because I do want to go to the gym today to continue my rehabbing of my left arm. I am going to try this morning to get this and at least one other of the Pride posts done today; some writing and some chores, and when that’s all wrapped up I’ll head over to the gym for some rehab, come home and get cleaned up, and then read some more. I think I may stay away from LSU’s games today; if they beat Wofford again they face North Carolina again at six pm, for two games in one day, which is rough–and much as I love my Tigers, I can’t spend the day watching baseball, either.

And I am excited about writing again. It’s a lovely feeling. I’m not sure entirely what all I want to accomplish at this point other than trying to get the work done, but I definitely can get it all done if I keep my nose to the grindstone and keep working. I’m on my own schedule, so the only person being hurt if I take a day or so off from writing is me.

And on that note, I am heading into the spice mines. Have a lovely Sunday, Constant Reader, and I’ll probably see you again later today.

Kissin’ Time

Ah, the Tuesday after Memorial Day and back to the office with me. Such an exciting life I lead, don’t I? I didn’t sleep all that great last night, to be honest–the kind of half-sleep/sort of awake kind of nights, which I didn’t quite understand until I came downstairs to find my sleeping pill (Trazodone, if you’re keeping track) sitting next to my keyboard, where I left it last night. Mystery solved!

But as I wake up, I’m feeling better–more alive and awake than usual, but I imagine I’ll be running out of steam later this afternoon. LSU is in the Chapel Hill regional for the NCAA baseball tournament, playing Wofford. GEAUX TIGERS! I did do some other things yesterday, including finishing the dishes and laundry, and doing the floors. I think I need a new vacuum cleaner (I saw a meme the other day that said “now that I’m an adult I understand why so many prizes on the The Price is Right were appliances”, and yes, very accurate). I didn’t work on fixing the garbage disposal or get out the vacuum handbook for maintenance help this weekend, but it’s something that can go on the list for this coming weekend. I won’t have as many errands to do next weekend, if I plan properly; although I will need to go to the library to donate books.

I also managed to make it to the gym yesterday to start the arm-rehabilitation process again. I went back to the light-weight-one-set thing, worried about overdoing or re-injuring (my biggest fear, seriously) my arm…which seemed easy-peasy, but we’ll have to see if stiffness or soreness sets in any time today. But the stretching and exercise felt great, and I was on an endorphin high for the rest of the afternoon, which was pretty fucking amazing. We’ll see how long I can keep this up for…I am looking forward to re-acclimating and getting back into a regular workout routine by mid-summer. Huzzah!

I read Michael Thomas Ford’s story in the queer horror anthology We Mostly Come Out at Night, edited by Rob Costello. Ford’s story is called “Be Not Afraid”, which is what I recognized immediately as what angels say in the Bible when they appear before humans to bring them messages from God, and I love some Biblical based horror. But even better–it was a Mothman rural West Virginia story, set at Christmas, and what a delightful story it turned out to be. Ford is a master at voice, and writing sentences that make you keep reading on to see what happens next. His characters are likable and relatable and absolutely real, and it’s always delightful to read one of his stories–he always seems to write about people who are lost and become found, but not in a Christian way, if that makes sense; he writes lovely hopeful queer stories. In a just world he’d be more successful than most other authors…he’s one of those I think will be studied as a queer literary giant by future generations. He also always can do poverty in a way that isn’t moralistic or judgmental; you understand the characters and what they are experiencing, but not in an exploitative way. Highly recommended, and I am looking forward to reading the other stories in the book, too.

I wrote for a little while yesterday, too. I worked on something I’ve been thinking about over the weeks–The Summer of Lost Boys, which I think is going to be my next book, once I finish the current in-progress one–and I also did some brainstorming on the next Scotty book, which I am hoping to finish writing by Labor Day. It felt good to be writing again, even if it was so very little, and I think my creativity is coming back in a major way after being dormant for so long. It feels good when I write. The writing I did yesterday didn’t feel like it was garbage or anything, either. Here’s hoping that feeling continues, shall we?

And on that note, I am heading into the spice mines. Have a lovely Tuesday, Constant Reader, and no doubt I’ll be back later–I am definitely making progress on catching up on blog entries, which is terrific–and so I bid you adieu for now.

Private Eyes

I loved this show. 100%.

I wasn’t familiar with the characters before I started watching the show, but you can never go wrong with anything that comes out of Neil Gaiman’s classic run on The Sandman, which is where these characters originally came from, and once I’d heard that, I knew it was going onto my “must watch” list. (I also believe the Netflix adaptation of The Sandman was one of the best television shows of the last decade, and I cannot wait for it to return.) Anyway, the characters were spun off into their own comics series, and that series has now been adapted for Netflix.

I wasn’t sure what to make of Dead Boy Detectives going in–I wasn’t familiar with the characters–but I’d seen a preview so I knew it was about two ghosts who solved cases, which was an interesting idea that I rather liked (and wished I’d thought of myself). The first episode wasn’t great, in all honesty, but I rarely judge a show based on its first episode as they are generally having to do a lot of story and character introduction and set up for the show, which is not easy to pull off. It wasn’t bad, I just had hoped for better, if that makes sense, and didn’t stop watching.

And it hit its stride in episode two, with each episode building on the one before as the series went on–and of course, when we reached the end, we were sorry it was over and wanted a second season immediately.

The show focuses on the ghosts of two very young men, Edwin and Charles, who somehow have (by choice) become trapped on Earth rather than moving on their afterlife; Edwin died as a result of a hazing ritual gone wrong and his soul was sold to the devil by his schoolmates, who didn’t realize what they were doing. He spends numerous decades in hell before managing his escape, and he appears to Charles when he is near death, and comforts him as he dies. Charles is also the first human who’s been able to see Edwin, so he is charmed by that as well. They become friends, Charles dies and rather than moving on, stays with Edwin–and the two decide to become detectives…helping other ghosts trapped on this plane by finding who they are, why they got stuck here, and resolving the issue so the ghost can move on.

In the first episode, they take the case of a young psychic who is possessed by a demon, Crystal, and they exorcise the demon from her but she has memory loss. They decide to let her stay with them until she gets her memory back, and she helps them with their cases. Two other characters, Nico and Jenny, who also start helping them with their cases. There are also any number of recurring characters that are an absolute delight–Lukas Gage as the Cat King is a particular standout, as is Ruth Connell (whom I loved on Supernatural) as Night Nurse, who is responsible for getting recalcitrant souls who haven’t moved on to their proper afterlives–so Edwin and Charles are also in her sights. Each episode is a case, which also moves them forward on their personal through-stories, as well.

Edwin is gay, as is the Cat King, and Edwin is a bit in love with Charles–who has chemistry and an attraction to Crystal. However, this potential “love triangle” is headed off perfectly; Edwin confesses, and Charles–not gay–doesn’t rule it out but certainly not right now, and it doesn’t change how Charles feels about him–he loves him and they are best friends. Sensitively handled and brilliantly welcomed by this viewer, to be sure.

And the Cat King’s barely concealed double-entendres and attraction to Edwin steals the series.

Bravo and well done.

I Will Follow You Into the Dark

I’ve always thought that my favorite two literary genres–crime and horror–were flip sides of the same coin. I sometimes reduce my theory to the barest of bones–both are about death but in crime the monsters are human. Horror novels always have elements of mystery and suspense woven into the story–there are always characters trying to figure out what is actually going on, and usually suspecting humans, only to find out it is not–and there’s also a lot of death. You have to figure out what is causing those deaths, and the best horror novels seem like straight-up mysteries until you find out otherwise. I didn’t really start reading horror until Stephen King and Peter Straub, and much as I love the genre, my first love will always be mysteries…but reading the kids’ series, with all their phony ghosts and hauntings and phantoms and spirits, got me really interested in the concept of ghosts–something that stays with me to this very day. (I mostly write about ghosts when I try horror; because Gothic is my absolute favorite and that runs across both genres.)

This is one of the reasons I fell in love with Michael Koryta’s novels. The first I read was So Cold the River, which was more of a ghost story/mystery about a haunted and cursed resort hotel in Indiana, which was a wild ride and great fun to read. He’s also written some other crime novels that crossed over into the supernatural; The Ridge was another favorite. I also wondered how he was writing both straight up crime fiction and sometimes supernatural styled mysteries; I was always told you couldn’t write in two genres like that under the same name.

And then he started releasing those types of novels under the name Scott Carson, so maybe there is something to that old publishing truism? I don’t know why he rebranded those books under a different name and it’s none of my business other than to satisfy idle curiosity. But I did recently finish one of his Scott Carson novels, and Where They Wait is an excellent illustration of the blurred line between horror and crime.

I was never a dreamer.

I mean that in the most literal sense. Figuratively speaking, I absolutely consider myself a dreamer. Aspirational, at least. Optimistic? To a point, although my profession–journalism–mandates a certain cynicism. When I say I was never a dreamer, I mean at night, in the depths of sleep.

No dreams. Just didn’t have ’em. Not good, bad, happy, or sad.

Slept well, though. I slept well. That’s hard to believe these days, but I know that it was true once.

People talk about their dreams all the time. I dated a woman for a few years who would wake up and recite the bizarre and vivid stories that had accompanied her through the night. Sometimes, I’d be tempted to pretend that I could share the experience. Dreaming sounds normal, right? Seems like something that should happen to all of us. And yet we don’t know much about the mechanisms of dreams, for all of our scientific research and psychological theorizing. We believe dreaming is tied to memory, that REM sleep is an archival process. We believe dreams are indicative of repressed emotions, or perhaps harbingers of maladies that haven’t yet offered physical symptoms. Warnings. Messages from the dead. From God. We believe all of these things and more, but what we know is this: dreams are still not fully understood after all these years. They come and they go.

For most people, at least.

I have always been interested in dreams, and what they say about our psyches and consciences. I’ve never studied the psychology of dreams–what little I did read was all supposition and theory, as there is no real answer to what dreams mean–is it just our brains doing freestyle, like a jazz singer bopping up and down the scales using their voice as an instrument, or are they the key to who we are, our hopes and dreams and traumas? I like to play around with dreams a lot in my work, since there is no real consensus on why some people do and some people don’t, why some remember their dreams and why others don’t; do people not remember their dreams because there’s nothing to remember, and on and on from there.

But dreams are at the heart of this chilling and masterful suspense novel, which is really more about tech horror than anything else. Our main character is a journalist who reported on the Afghanistan war, has recently been laid off from his job, and gets a call from an old buddy from the area where he grew up to write a puff piece on a local tech company and it’s newest development; a wellness relaxation app which sounds like every other relaxation app–other than it’s not. Given the latest version of the app to experiment with and write about, it starts affecting him in dreams–scary nightmares about an a shipwreck, and ghosts coming to visit him ,and the dreams are so incredibly vivid that he’s not entirely sure whether they were dreams or not. And as he discovers more, he finds that everything to do with the app is connected to him in some way, as his dreams become more vivid and sometimes waking; to the point he’s not sure if things are actually happening or he’s losing his mind.

This book was fantastic: the story is great, the pacing fantastic, the characters absolutely real–and the horror is terrifying, absolutely terrifying. Carson knows how to build suspense and suck the reader in along for the ride.

Highly recommended.

Heartaches by the Number

Sunday fun-day, and I am up much earlier than I was yesterday. It wasn’t a bad day, but I clearly needed to sleep in. I slept later than expected this morning, too, but here I am, up at just past eight and feeling pretty good. I really didn’t do much of anything yesterday. I did leave the house and get the mail (I got two shirts I’d ordered from Macy’s) and then swung iby the grocery store to get treats for Sparky and for us (they had the Snicker brownie cookies again, which are fucking amazing), and then I came home. I curled up in my chair with Scott Carson’s Where They Wait, which I am enjoying the hell out of, before Paul got up and we finished the first half of Bridgerton, watched The Iron Claw, and then after we watched the gymnastics meet last night, won by Simone Biles (of course), moved on to Hollywood Con Queen, which in interesting, if odd. I plan on spending some more time with the book today, hopefully finishing reading it this morning before getting some writing done today. I’d like to get this second draft of “When I Die” out of my hair, and I also need to reread and possibly revise “The Last To See Him Alive” before I submit it to an anthology. I have been very lackadaisical about my writing now for almost a year, and I need to start taking it seriously again. I think that’s been part of my feeling off for so long–I am not writing much, either and that always has an affect on my over-all well-being.

I also think the overwhelming pile of things I am working on has a lot to do with my feeling at sea and uninspired, to be honest. I do love to write, but as always, I have to make myself do something I love. I also am much easier to distract these days, too–which I do not like–but when I am home working it’s Sparky who distracts me (he’s adorable and sweet, so it’s hard not to give him attention when he wants some), or Paul getting up and wanting to watch something–I will always drop everything to hang out with him, whether I can afford the loss of time or no, sorry/not sorry–but I do need to get some focus. Maybe I should listen to music on my headphones? Music always works, usually; but who knows if the old tricks will continue to work now?

I also need to get caught up on blog entries, too. I still have to finish my posts about Dead Boy Detectives and Mary and George, I’ll have to do one when I finish reading this book, and of course there are any number of others that are dangling in my drafts folder. I also came up with a really good title for another story yesterday, sigh, which I scribbled down in my journal. My creativity is still there, of course, but it needs to be harnessed again so I can take it out for a ride. I also spent alot of time yesterday thinking about something I definitely want to blog about, which was triggered by Marjorie Taylor Greene, the cro magnon congresswoman from Georgia being the white trash piece of shit she was by attacking Jasmine Crockett’s appearance the other day–don’t come for Jasmine unless she calls you, bleached blonde bad built butch body bitch–and the whole “going high” thing. Much as I love Michelle Obama, I have been saying since the of Rush and Fox News that going high doesn’t work when they are going low; they see going high as being weak and they go lower. The only way to defeat them and shut them up is to give their own back to them with a vengeance–I bet the inbred trash will think twice about coming for someone’s looks again. And as someone who has had people going low at him for most of his life, I will not go high. You open that door and I will fucking shred you–and I also will not be shamed by “allies” (always straight white cisgender women, for the record) for giving it back to them. We are literally in a war for the soul and future of this country; going high with these kind of stakes on the line simply does not work, and I am tired of the right saying racist, homophobic, and misogynist bullshit while being told to “go high.” Sorry, Michelle, I love you–and I love you even more for your class and dignity, but I would love to listen to you read Melania for the racist gold-digging filth she is sometime.

The sad truth is you never win while seated on your high horse, and we as a nation simply cannot afford to lose. And they cannot stand on ANY moral high ground while pedophiles like Matt Gaetz and inbreds like Marjorie Greene are serving in the People’s House, period–as well as any traitors, and there are a LOT of those on the Republican side of the aisle right now.

(I’m also enjoying watching all the trash who hated the Chiefs because of Travis and Taylor now worshipping them because of Hairy Butt. Pick a fucking lane.)

And on that note, I am having some breakfast and then reading for a while. Have a lovely Sunday, Constant Reader, and I will probably show up again a little later.

Along Came Jones

Our power went out last night, around 5:45 a.m. per the email from Entergy (if our power is out, how do they expect me to read an email? I guess my cell phone, but still), but for whatever reason, somehow Paul got up to wake me up at the time I usually rise (my Cat Alarm, aka Sparky, also failed this morning but once Paul got up, he started), but I slept so well last night that it took me awhile this morning to get up and going. Not sure what that’s about (thunderstorm, no doubt), but my coffee tastes good and it looks like the kitchen roof didn’t leak last night, so that’s a good thing. We’re supposed to have heavy weather this morning with off and on showers all day (at least that was the forecast yesterday). A quick glance at my phone, however, has let me know that later this morning it will get sunny and it will stay that way the rest of the day. That’s nice. In fact, the sun is out already so I think that forecast may be off. I know there were tornado warnings west and north of the city last night, and most of the truly bad weather missed us.

I’m not going to lie, I felt very off-balance at work yesterday. It started raining in the early afternoon, which certainly didn’t help (damp air and rain always makes me sleepy), and there were some other things that went on in the early morning after I arrived at the office that had me wondering why the hell didn’t you call in sick this morning, dumb ass? But it all worked out in the end, and the rest of the day went swimmingly. I ran my errands once I was out of the office, and then came home. I was a little tired by then, so didn’t get much of anything done last night other than bonding with Sparky (i.e. being a cat bed). We started watching a new British show called After the Flood, which looked really interesting, but I also noted that only the first two episodes (of six) were up on Britbox, which is…odd. We really liked the show, so I am going to have to figure out how to watch the other four episodes. But that’s peculiar, isn’t it? I think I may have let my subscription go, which is probably why we can only access the first two episodes. Heavy sigh. I really need to get a handle on the streaming services I pay for, don’t I?

I am trying to get a handle on easing back into my normality again–a week off is so disorienting, but nice at the same time–so I figured this wasn’t going to wind up being highly productive, either. I need to at least stay on top of things, though, so I am not buried this weekend trying to get caught up. I need to get the dishes done tonight when I get home, and there’s some laundry and other straightening up to do, and I need to get back to reading my book, too. I managed to get all the book posts done yesterday, but still need to get the one for Dead Boy Detectives, which I loved, finished as well. If you’ve not watched, you really should get cracking on it; it’s definitely one of my favorite new shows of the year. It’s been so long since I finished watching that it may be difficult to write about it now (I finished before I left on the trip), but it pleased me enormously, and I loved all the queerness, especially the Cat King (Lukas Gage, who is fantastic in the part). Of course, you can never go wrong with Neil Gaiman’s The Sandman, or anything that comes out of it.

I didn’t read last night when I got home, either, being tired. But I am looking forward to spending some more time with Where They Wait, which I was really enjoying reading last week in Kentucky. I also kind of feel a bit off with the writing stuff, too–it’s been a hot minute since I’ve written anything other than the blog, so the muscles, already rusted, have kind of tightened up on me again, but I also need to deal with things I’ve been putting off because I didn’t want to deal with them and that’s really not a good way to deal with anything. I need to make a to-do list, too.

And on that note, I am heading back into the spice mines. Have a lovely day, Constant Reader, and I hope to be back here at some point later on.

The Deck of Cards

Wednesday and we’ve made it to mid-week, Constant Reader. Huzzah? Huzzah indeed. The weird vibe of the week continued through yesterday–everyone at the office seemed to be a bit off-balance too, and I am not entirely sure what this week’s weirdness is actually all about. But I got some things taken care of–rescheduling my doctor’s appointment, picking up a delayed prescription, and some other annoyances (for the record, I hate having to make phone calls and yesterday required several of them). But day job duties will be all caught up today before I leave to come home, and so I won’t have a lot of catching up to do when I return from my trip. It also occurred to me last night that of course my own vibe is off this week–the trip is looming in my subconscious, but it’ll be nice, ultimately.

Last night I was okay when I got home from work. I did some laundry and worked on the neverending sink full of dishes, which has been particularly annoyingly Sisyphean lately. I did some more research last night, and also stumbled on a peculiar unsolved murder/accidental death of a nineteen year old named Noah Pesgrove, from last September in Oklahoma. It’s an interesting case, involving a four day birthday party (!!!), obviously lots of drugs and alcohol, and then his body was found about a mile away, naked other than a pair of mismatched shoes. It really sounds like a drunken accident, like he fell out of the back of a truck bed and landed on the back of his head. But the other injuries are strange, as is the fact the body was found curled into a fetal position and covered with a bloody tarp. This is the kind of thing that could have easily happened any number of times when I was in high school in Kansas (I never was invited to these kinds of parties, ever, at either high school–which was probably a good thing) which of course made me think some more. I’ve already written one horrific short story about a high school murder at a party, so is writing another simply repeating myself? And why do I always revert to young people when I have these ideas? Shouldn’t I be writing about older gay men now?

I’ve also been thinking a lot about my career lately, and trying not to look at it in a mostly negative way, which is par for the course. I’ve never really had a plan for my career, with established ambitious goals and so forth to work towards. I did have a plan back in the early days, but Katrina’s floodwaters washed that all away, and so I’ve kind of been moving forward a little blindly, mostly focusing on what I wanted to write without any thoughts to any kind of cohesive career path forward, which is unfortunate. Then again, I rarely plan for the future in any meaningful kind of way, either–but that’s pretty fucking obvious, isn’t it? I’ve always pretty much, since Katrina, written what I wanted to or what I was asked to write (with a cash offer) without any thoughts about how that particular book might advance my career in a more-upward fashion. I never established myself firmly as any kind of writer–although I suppose I am mostly known as a crime writer, and I’ve pretty much always stuck to that kind of novel, even if some of them are a stretch. Some are borderline supernatural on top of the crime, but other than that and the occasional outright horror story, I’ve mostly focused on crime. I have any number of book and story ideas that are neither, but I never try to pursue writing those. Maybe I should? I always think that my short stories are really where I get to play with voice and pacing and style, and each one usually teaches me a little something more, gives me another insight on how to make my writing even stronger.

I also stumbled over some local assholes posting on social media about the Tulane protests, spearheaded by some trashy local bitch who claims to work for the Times-Picayune, so I started collecting screen shots for the formal complaint I intend to file with the paper’s management. Among her marvelous posts were demanding to know why no one is investigating the “protestors aren’t students” (um, you’re supposedly a journalist, ma’am, maybe put your fucking phone down and investigate) because she “knows what Tulane students look like (???1)” and “Tulane’s students are studying for finals so their parents can take them to Europe for the summer” and other horrific, bitchy commentary that was completely unworthy of any adult sentient adult who’s not a puppy-killer like Kristi Noem. Reading her and the approving responses to her bigoted bitchiness literally made me shake with rage…and then I realized bitch I write crime fiction–prepare to die in a book and I realized, Scotty’s nephew goes to Tulane…hmmm. And of course, our governor is very busy turning Louisiana into Gilead, and we have no recourse. Our Supreme Court is racist garbage and will rubberstamp anything Landry signs into law, and we certainly have no recourse with the US Supreme Court, which makes ours look positively progressive.

Maybe that’s my metier for the future; writing about how the Republican Party is taking Louisiana back to 1850. Come on, Landry, flame out like Jindal did.

And on that note, I am heading into the spice mines. Have a lovely day Constant Reader, and I may be back later.

  1. Typical Uptown white bitch shit right here, am I right? What exactly does a Tulane student look like, because I’ve worked with any number of Tulane graduates, and I can tell 1. their parents weren’t rich and 2. they did not fucking look alike in any way, shape of form, you miserable bitch. So, since she “knows” what a Tulane student looks like, let me share with you what an Uptown white bitch looks like: tennis skirt or yoga pants, a sleeveless blouse, bleached hair and bad lip fillers, make-up designed to repel from forty yards, driving an expensive white SUV with a diamond tennis bracelet at her wrist, holding her phone in one hand and a Starbucks cup in the other while she goes through lights and stop signs obliviously, with an overwhelming Karenish narcissism and a complete refusal to realize or recognize there are other drivers. ↩︎

Tell Him No

I did get tired yesterday afternoon, but I think it was more from malnutrition somehow than anything else. My breakfast and my lunch did not fill me up1, and after I had lunch I did feel like my batteries were starting to run down a bit. It was, all in all, a good day for the most part. I did make it through the workday. I ran errands after work (got some things for Sparky from Chewy, and the last batch of new shirts arrived); started organizing the draft blog posts to determine which can be combined (same topic started on different days, months, years) and which can be finished and which can be deleted; I finished the revision of “Passenger to Franklin” (and I think it’s much much better now); and started getting my (delayed and extended) taxes together. Ideally, I can get that done this week and to my accountant by Friday so that will be one thing more that’s been hanging over my head like the sword of Damocles out of the way. Huzzah! I also took a look at “When I Die,” and while this one is going to take a lot of fucking work, it’ll be so much better when I finish it!

I slept well last night, and my coffee is rather delicious this morning. It was cold yesterday morning when I left for work–surprisingly so–but it warmed during the day so my car was very hot when I got into it after work. It’s going to get warmer consistently later in the week–I still can’t get over it being eighty-eight last Friday, it’s only April for Pete’s sake–which means it’ll probably be hot and sunny as I visit graveyards with Dad the weekend after next. I was thinking last night, as we watched Vigil (it’s terrific, highly recommended), that I’m almost in a good place again for the first time in almost ten years or so. My stress levels are way down, my moods generally are good and even, and I don’t have flashes of anger anymore (mostly while in my car). Other idiot drivers are still annoying, but don’t send me into a rage anymore. Now, it’s more like I get annoyed, say very calmly, “yes, you’re an asshole who can’t drive” or “yes, you are so much more important than all the rest of us”, but as I said, it’s calm–and I can absolutely live with that.

I got a short story rejection email yesterday, and I was completely ambivalent about it. The problem is you’re never sure if the story just doesn’t work for them or if the fact that the main character is gay was a problem for them. Sure, the rejection had the standard form please submit to us again, but…yeah, not so much. This is what straight white cisgender people don’t get, with all their whining about “merit”–the only people who they think actually earn their careers are straight white cisgender people, after all–because you can never be certain that it’s the story that they didn’t like enough or whether homophobic concerns come into play: our readers might get mad at is if we shove queer down their throats or we don’t want to become known as the queer crime publication and every other iteration of that you can imagine…any excuse not to publish a queer writer. Many years ago, I decided that I would never allow suspicions of homophobia affect my writing career, and I would always assume it was the story that was the problem. But…you have to wonder. When a magazine only buys your work when you send them things with straight main characters (twice) but rejects everything with a gay main character or even a gay theme, you have to start to wonder.

And given how few of the magazines that actually pay well for short stories (or pay at all) there are and how little queer work they actually publish…you begin to wonder. You don’t want to believe it’s homophobia or homophobic concerns, but here we are, you know. The stories I am working on now aren’t really crime stories, they’re more supernatural/horror stories, but I do think “The Last To See Him Alive” is not only a good story but it’s written really well. I need to revise it and edit it, of course, but it’s in really good shape already which is pleasing. “When I Die” needs a complete overhaul, but that’s fine. It’ll be a better story for it when it’s finished. And while these stories I am working on could complete the collection, this morning I am wondering if I should include horror in this book or not.

I really do not understand these new state laws (here in Louisiana we got one, too) allowing people to drive their cars into protestors, something which inbred morons Tom Cotton of Arkansas and eternal bitchboy Josh Hawley of Missouri are all about. Nothing says leadership like telling people to kill or injure other people. As always, these kind of Nazi-lite fascistic laws come to you courtesy of the Republican Party and MAGAt. I personally am looking forward to driving my car into a crowd of Trump protestors and hitting the gas pedal, frankly. When I saw this on social media yesterday, I responded with Never thought I’d see the day when the Kent State massacre would have fanboys, which prompted some responses which, of course, made the most sense: they had them at the time. I was too young to remember the right-wing response to the Kent State shootings, I just remember being appalled that the National Guard murdered four students on a campus, and I have always viewed it as a disgrace and a tragedy…but of course the right did not see it that way–just as they backed William Calley as a hero after the My Lai massacre in Vietnam. Even I–who have always known how vile and unpatriotic the right in this country is and always has been–didn’t think they were that callous and awful.

They are, they always have been, and they always will be.

The thing that always amuses me about this is the “patriots” of the right always forget that the only reason we exist as a country was because of mass protests….which led to a revolution. So, by that way of thinking, the most patriotic thing you can ever do is protest, really. Remember the Tea Party, the seeds that grew into MAGA? Remember the stolen election of 2000? Remember how Reagan dismantled and changed (and ruined) Social Security? The only reason there’s an issue with it now is because of Reagan, St Ronnie of the Right. The Republicans are the party of Joe McCarthy, Richard Nixon, Ronald Reagan, Henry Kissinger, and people like Cotton, Marjorie Taylor Greene, Josh Hawley, and Matt Gaetz are their heirs.

Remember back when I was thinking about starting to read and study poetry? I got a great recommendation from a dear friend at S&S of where to start–Mary Oliver’s Why I Wake Early–and I’ve been paging through it randomly, reading poems here and there, glimpsing fragments, and I think I’m slowly starting to come to an understanding of poetry I never had before. I am not going to review poetry on here as I am nowhere near knowledgeable enough and I don’t want to make a fool out of myself self-teaching and coming to what regular readers of poetry already understand from studying it. It’s a wonderful education, and one I kind of wish I had started earlier. Ah, well.

I also decided to postpone reading the Paul Tremblay and take it with me to Kentucky to read. Instead, I’ve decided to reread a book I don’t remember much of–Suicide Notes by Michael Thomas Ford. He published a sequel this past year that I would love to read, but not remembering the first one was a problem, so I decided to go ahead and reread it. I don’t talk about Ford much, but he really is one of the most underrated queer writers of our time. He can basically write anything (a blessing and a curse, as I know all too well), and he does it extremely well. Rereading the first chapter last night pulled me back into the story effortlessly, and the voice is so compelling and hauntingly real…and likable. I’m looking forward to reading more of it.

And on that note, I am heading into the spice mines. Have a lovely Tuesday, Constant Reader, and I’ll probably be back later.

  1. I also ate dinner late on Sunday night, which I usually don’t do and am sure that had something to do with it, but given I don’t really get hungry all that often it was kind of cool. ↩︎