Category: history

Time Is On My Side

It really isn’t, you know. Each and every day I become more and more aware of how precious time is, how quickly it can pass, and how finite it actually is. That makes the time I am forced to spend recharging my batteries or simply resting–something I need to do more and more of the more that goes by–into something I resent automatically and always have to remind myself that I am no longer not only forty but not even fifty and sixty is in the rearview mirror now, and don’t have the energy or stamina that I used to take for granted.

I’ve taken a lot for granted my entire life, in truth.

Yesterday was one of those work-at-home with tasks that are relatively mindless while doing chores that are also relatively mindless. This was a very tiring, up and down week (I always marvel at how whenever I should be having a good time and enjoying something, I inevitably end up having to deal with something unexpected and irritating. It does keep me grounded, I suppose, and my ego in check–those great reviews won’t pay for a new tire or change this one or heal your arm, will they? As though I actually need anything else to keep my ego in check. I am trying to actually develop more of an ego, and more of a selfish nature. Perhaps ego isn’t the right word? I don’t like it–for me the word has negative connotations–and I think confidence is a better fit and more accurate. I am working to increase my self-confidence, and my belief in my own value and the value of the work that I do.

I was talking to a friend recently about my future–what’s left of it, at any rate–and what I should be doing and focusing on. I’ve not made plans in years, or thought very far ahead much with my career; I think the lack of cogent plan with my writing career is fairly apparent from a quick glance at its history. I think after Katrina I made up my mind that making plans was a waste of energy and/or time, as one has no control over one’s future. Life is always going to be throwing spitballs and curveballs at you, no matter how good your stance or your grip on the bat and the technique of your swing, you’re going to miss more often than you hit one out of the park. It is very easy for me to get distracted and side-tracked–thank you, brain chemistry–anyway, and oft times I will be thinking quite enthusiastically about one idea when I get another and the first one is forgotten, lost in the mists and cobwebs of the farthest reaches of my imagination, only to be stumbled across years later with an oh yeah lightbulb going on over my head. But I am going to carve some time out this weekend to try to plan ahead a bit, or at least try to plan my writing year for 2023. I have so many things in progress already that need to be finished that it’s not even funny–which I should also make a list of; not the short stories (far too many of those unfinished to make a list–it was somewhere over eighty the last time I counted them) but the books and novellas and other things that I’ve made a start on that need finishing at some point.

I allowed myself to sleep in this morning until eight, and then over my coffee I finished reading Wanda M. Morris’ superlative Anywhere You Run, which was simply marvelous and superb and fantastic–it’s hard to believe she is only two books into her career; it will be interesting to see how she continues to grow and develop as a writer as she gets further into her career–and yes, there will be more about this book later. I feel marvelously rested this morning, and the coffee is doing a lovely job of waking me. I am going to do some futzing this morning–dishes, filing, cleaning a bit–before getting cleaned up and diving into my manuscript for the rest of the day. I really need to stop being so goddamned lazy and get on with it, you know? It simply isn’t going to write itself, and I am very hopeful that I can make some terrific progress on the book today. There’s not any college football today–the season is over except for bowl games and play-offs–and so there are no distractions to be had; no “Oh I’ll just turn on the television to check some scores” only to transition to “oh, it won’t hurt to watch the rest of this half” to “oh, well, tomorrow I can work on my writing.”

And the hilarious part of it is that I will always, always, feel enormously satisfied, pleased, and happy when I stop writing for the day. Every single time.

Oh! I also taped Susan Larson’s The Reading Life, which you can click here to listen to if you are so inclined.

And on that note, I am heading into the spice mines. Have a lovely Saturday. Constant Reader!

Tell Me

Friday and a work-at-home day, except for the morning department meeting I have to attend in person, which means I didn’t get to just roll out of bed, wash my face, brush my teeth, throw on some sweats, and get a cup of coffee just before nine…no, I have to be there at nine. I’ll run a couple of errands on my way home, which spares me from having to leave the house on Saturday; I may order groceries for pick-up on Sunday, but I don’t need to decide that right now.

This week wore me down and wore me out. I didn’t sleep terrific all week long to begin with, then of course it was one thing after another to have to deal with. But it’s Friday and I am relatively unscathed, methinks; I slept really well last night and think that could again be the case tonight. I was completely worn out when I got home from work last night, so I collapsed into my easy chair and watched a lengthy James Somerton video on Youtube called “What Ever Happened to Good Taste?”, which was about camp classic films, beginning with All About Eve before cycling through Whatever Happened to Baby Jane?, Mommie Dearest, and the drag queen road movies of the early 90s, The Adventures of Priscilla Queen of the Desert and To Wong Foo, Thanks For Everything, Julie Newmar. (I must confess to being enormously disappointed that Showgirls didn’t make the documentary; it is, after all, an all-time classic.) Paul got home shortly after I finished watching (it was two hours long) and we watched another episode of Welcome to Chippendales, which could have been just a movie and not a series I think; there’s a lot of padding out of the story to stretch it out into a mini-series. I have a lot to do this weekend; one of my tasks for today is of course a to-do list for the weekend. I need to get caught up on the book, I need to get caught up on a lot of things, and I want to finish reading Wanda Morris’ marvelous latest work. Perhaps after I get home from the meeting at the office this morning and get through my work-at-home chores today, I can spend some time with Wanda’s book and finish it. I am going to run some errands on my way home from work today, too–hoping that I won’t have to leave the house much this weekend so I can get things done.

My arm continues to get better every day, so I think it is something that didn’t necessarily require the emergency room costs or a forced-onto-the-schedule doctor’s appointment. It means I won’t be able to start back to the gym this weekend as I’d planned–I like to start going again before the new year when everyone’s resolutions crowd the place to within an inch of its life come January–but I cannot lift weights with this arm, which pretty much eliminates every upper body exercise. I could, I suppose, go a couple of times a week and simply focus on legs–but the weight plates would be a problem, too, you see. So, that’s going to have to go back on hold until my arm feels better.

I was very surprised and pleased yesterday to see that a couple of Instagram users did “reels” talking about A Streetcar Named Murder, and I have to confess this week–shitty as it was personally–has been a really terrific week for me professionally. It certainly was a good one for my writer’s ego, for sure. The outpouring of support and appreciation for my book from the cozy reading and writing community has been quite nice, rather unexpected, and I am enormously appreciative and grateful for it all. In some ways, it’s kind of validating; over the past few months I’ve really come to understand that I have an enormous chip on my shoulder when it comes to my own writing, and have tried unpacking that a bit. (I’ve spent quite a bit of time since turning sixty in the wake of a global pandemic unpacking my behaviors and the events that occurred that shaped those behaviors.) How different would my life have been had I gotten support and encouragement when I was younger? Had people taken my ambitions and desire to write seriously rather than dismissively? I honestly don’t know, can never know, will never know–the great pleasure of human life is you can never do anything more than speculate about how differently a shift in something, even a very small minor one, can alter the course of a life and a career.

The other night, before my Murder by the Book event with the marvelous John McDougall and my very dear Ellen Byron, John asked me “Now that I’ve read your book, Greg, I have to ask–why did it take you so long to write a cozy? Why haven’t you been doing this all along?” and my answer was “I really don’t know.” It absolutely gave me pause, and has lived rent-free in my brain ever since Tuesday. Why did it take me so long to write a cozy? I still don’t have an answer that makes any kind of sense. Let me see, I’ve always read them, always appreciated them, and have always done my best to fight the stigma attached to them by some elitists who need to feel better about themselves by looking down on a subset of other writers. I hate that, particularly because I know how it feels to not be taken seriously or be respected by your peers (there’s that enormous chip on my shoulder again).

But despite all the difficulties encountered during the time of its writing, I really enjoyed writing A Streetcar Named Murder. Sure, it was hard, and sure, I had to make myself do it (like always), but when I finally held the finished copies in my hands, I was incredibly proud of it. I have always said that I want to always be challenged by what I am writing, that I don’t ever want to fall into a familiar pattern of writing that feels like painting by the numbers (which is why I ended the Chanse series), which is incredibly easy to do. Writing a cozy presented me with a challenge, and yes, it was hard and yes, it was outside of my comfort zone. But I created likable, believable characters and an interesting story, with new situations and paradigm/life shifts that all played out throughout the course of the story. Now that it’s out in the world, it is an interesting question as to why I never tried to write one before, or even why I believed that I couldn’t write one in the first place.

And in some ways, it’s almost like starting my career over again. I am finding a new audience. I didn’t center queer characters and stories. I just wrote about New Orleans again but from an entirely different perspective, and it was enjoyable.

And I am proud of the book, and of myself. It feels weird to say that, but at the same time it also feels good to say it.

And on that note, tis back to the spice mines with me. Have a lovely Friday, Constant Reader, and I’ll check in with you again tomorrow.

Not Fade Away

And here it is, Sunday morning already, and where did my weekend go? I am not sure, but somehow yesterday managed to get away from me somehow, and I didn’t get nearly what I had hoped done–or at least looked at, at any rate. I allowed myself to sleep in yesterday–today too–and it felt really nice. I got some things done around the house and then ran my errands. When I returned, I realized I had something to do that I’d forgotten about–I remembered right when I was leaving to run the errands (okay, I saw the reminder email before I left to run those errands)–and so I had to prepare something to eat. A friend had offered to let me guest blog at Mystery Lovers’ Kitchen, where you promote yourself and your new book by sharing a recipe. No problem, I thought, forgetting that I don’t really use recipes after the first or second time I make something, and then I never ever make it the same way twice again. I love cooking, I really do, and I think I’m good at it. I’m not a chef by any means–I cannot identify flavors by taste, and I am not familiar enough with tastes and textures to think of combinations that would work together into something delicious without a reference or a starting place. And truth be told, I subscribe very heavily to the notion that if you base your cooking in the basics of Louisiana-style food, it’s always going to be delicious. You can never go wrong with anything that starts with a roux as the base, let’s be honest. Many years ago I had a recipe in the Mystery Writers of America Cookbook, which was way fun; it was a recipe I’d been making for years and years and years and tinkered with a lot, going through many delicious and delightful variations–so I knew I had it written down somewhere. But after I got the reminder email I looked at what was required–and saw to my horror that I also needed pictures. I am not one of those people who regularly documents their food preparation, so I realized that I was going to have to actually make it so I could take the needed pictures; and there were things I would need from the market as I didn’t have them on hand. I also found the recipe and realized I’d improved on it quite a bit since I wrote it down for the cookbook, and I had to rewrite and revise it.

Constant Reader, those meatballs were goddamned delicious.

And I documented their making, as well as took a photo of the plated end product.

LSU got beaten yesterday, 50-30, in the SEC championship game. Georgia was better, as I expected, and none of the breaks really went LSU’s way; and for them to win, they needed all the breaks they could get, Georgia to not play well, and the Tigers needed to play out of their ass. Back-up quarterback Garrett Nussmeier looked amazing, frankly–the future of LSU football clearly on display; a little more control and better chemistry with his receivers and he could become Joey Burrow 2.0. Am I disappointed? Sure, a little, but mostly I am proud of this team and have far they have come since last January and that bowl game, or how far they’ve come since the start of the season. But they won the toughest division in college football, and did some things no one could have predicted. The future looks bright, and LSU is going to be elite again, very soon. (And a shout out to Tulane for winning their conference and winning a trip to the Cotton Bowl. No one saw that coming, either.) TCU lost, which, along with USC’s loss, will cause enough of the chaos I was hoping to see this weekend…although I do think Georgia and Michigan are without question the two best teams in the country, and there’s really no need for a third or fourth place seed. Now we just have to see which bowl game LSU ends up in, and the season is over–far better than anything I had any reason to expect back in August, so thanks again, Tigers. It was an interesting, up and down and exciting season, with some amazing games.

Today I have to go pick up the groceries I ordered; I think the meatballs will get me through the week for lunches, and so I don’t think I need to cook anything else today. I’ll probably have to stop at the market on the way home from work on Monday, after I get a better sense of what we need after putting everything away today (don’t ask, it makes sense in my fevered brain)–I may want to get a salad, or the produce necessary to make one.

As I have been writing my Blatant Self-Promotion posts for A Streetcar Named Murder I have also been realizing that a feeling I’ve been having for quite some time isn’t actually accurate. I have posted a few times over the last few years about feeling disconnected from New Orleans in some weird way, that something had changed and I wasn’t sure what it was, if it was the city itself–which has changed–or something in me or some combination of the two. But in writing these posts about New Orleans, I find myself smiling as I write them–I certainly was smiling when I was writing that guest post the other day for the Wickeds blog, “The Orange Cone” (which could also be the seeds of a longer comic essay about life in New Orleans)–that what has actually shifted is that I’ve kind of gone native. For years, I wrote about the wackiness and silliness and delicious little ironies of life in New Orleans, the eccentricities and oddities, because they stood out to me. They no longer do. I take that stuff for granted now, and it doesn’t even register with me anymore because I’ve become so accustomed to it. Writing about potholes and orange cones, and how they are easily not only in the Top 5 for conversation material between total strangers in the city made me laugh, made me shake my head at the wackiness and strangeness, and well–the whole New Orleans of it. That’s the thing. I never thought I would get to the point where the oddities of New Orleans life would become so commonplace as for me to pay it no mind, but here I proverbially am.

And I kind of love that for me. I love this city. I am by no means an expert on New Orleans; what I do not know about this city, its people, its history and its legends and lore could fill the Great Library at Alexandria. I continue to learn more every day, and with the more I learn the more I realize I don’t know and that I will never become expert, no matter how much I learn and read and absorb and experience. I always kind of smile to myself when people say that I am an expert on all things New Orleans because I am all too aware of how little I actually do know. I don’t know that I will ever stop writing about New Orleans. Writing that historical Sherlock Holmes story set here was so much fun to write and research–and I’ve also discovered an enormous flaw in my research and writing for that story since writing it, which serves as yet another example of the limits of my knowledge and how much deeper you have to go when researching a period of history here (one of the biggest hurricanes to ever hit New Orleans came through the year before the story’s setting; no commentary on rebuilding or about the disaster is a glaring omission). I want to write about Madame La Laurie; I want to write about the Sultan’s Palace and the trunk murders and the kidnapping of that little boy back in the late nineteenth century. I want to write about Storyville and musicians and Prohibition and bootleggers. I want to write about the Axeman, and the grinch, and other legends and lore; every time I find something new in a history or an a New Orleans history website, I immediately start thinking of ways to write about it. I will never run out of material to write about here, never.

And on that note, I am heading into the spice mines for the day. I am going to read for a little while as I drink coffee and wake up, and then I am going to write until it’s time to go get the groceries…and then come home to write some more. Have a lovely Sunday, Constant Reader, and I will check in with you again later.

Come On

Yesterday was World AIDS Day, something I didn’t mention on yesterday’s blog because well, it was early in the morning and I literally forgot about it until I got to work yesterday morning (I probably should have prepared a post ahead of time to memorialize and commemorate those we lost; next year–I will put it on my calendar so I won’t forget).

To be fair, I was also all aglow from that terrific review Oline Cogdill gave A Streetcar Named Murder (you can still preorder! Release date is 12/6!). And this morning, I am the guest blogger over at The Wickeds, talking about orange cones and a particularly vexing New Orleans problem, the perennial and pesky potholes.

I slept really well last night, not alighting from the arms of Morpheus until seven thirty this morning. I felt absolutely like a lag-a-bed, a lazy swine, for sleeping so late when my eyes opened to see the red digital numbers glowing in the morning light. I’ve been getting up at five or five thirty all week, so was kind of wondering whether or not I’d sleep late this morning. (I did wake up at three, but went back to sleep almost immediately.) Today I am working from home. I do have some errands I must do at some point, and there’s data to enter and so forth, and oddly enough I feel rested this morning. Usually on Fridays I am a bit worn down from the week, low energy and so forth (which makes the data entry perfect as a job duty for the day), but I don’t feel that way this morning. I don’t feel like I can conquer the world, but I do feel like I can get some things accomplished today. The sink is filled with dirty dishes and of course, there’s always laundry (it never ceases to amaze me how much clothing Paul and I can dirty up all week). I was also very tired when I got home from work last night. Paul didn’t come home until after I groggily climbed the stairs around ten to go to bed, so I spent much of the evening with Scooter purring in my lap while I watched some documentaries on Youtube. James Somerton has a great new one about gay body culture and its origins in Nazi Germany (!), and how the ubermensch Nazi culture of the perfect body was brought home by GI’s after the war. It was fascinating–and it’s been something that’s been on my mind a lot lately (well, over the last few years since the pandemic started) as I’ve looked into gay history and have thought about writing historical gay noirs set throughout the twentieth century (Chlorine, Peplum, Obscenity, Indecency). Watching the Somerton documentary reminded me of Michelangelo Signorile’s Life Outside, which spent some time examining gay body culture, and 2001’s The Adonis Complex, which was a look at the development of male body culture that couldn’t be taken seriously as they erased the gay male experience completely (by not mentioning or acknowledging its existence) which completely invalidated almost everything they wrote about in the book; you cannot talk about male physical perfectionism and only talk about straight men. As Somerton points out in his video–being in good physical condition as a male after your teens used to be a tell about not being straight, as I also mentioned recently on here (when I was talking about using pictures other than of shirtless men).

I don’t always agree with Somerton, but I always enjoy his videos. They make me think, even when I agree with him, and I do enjoy hearing different perspectives.

Progress on the book is being made. It’s been slow going this week, but I am hopeful to make all kinds of progress this weekend. I do have some errands that must be done this weekend, not the least of which is making groceries, and of course I’ll have to watch the SEC Championship game since LSU is playing Georgia, but the loss last week took most of the urgency out of this game, so I can just watch and not mind how it turns out. As I said the other day, finishing the regular season at 8-3 with a trip to the conference championship was something I couldn’t have imagined in August or September–so it’s wonderful to see LSU relevant again after the tragedies that were the last two seasons. Who knows what the future may hold for the Tigers? But it’s nice to be competitive again with the big boys. Like I said, last summer I would have never believed LSU would beat Auburn, Florida, and Alabama this season, yet here we are. GEAUX TIGERS!

I need to get my act together today. It’s been nice (seriously) getting up this week when I wake up; I’ve loved having that extra hour (or half hour, depending on which day it was) to get things done before heading for work. And while I was tired in the evenings when I got home, realistically I was able to get some things done in the evening as well. I need to check my to-do list and clean some, as already mentioned; I also have errands to do and I want to get some work on the book done as well as some more Blatant Self-Promotion posts. The book comes out on Tuesday officially, which is terribly exciting.

And on that note, I am heading into the spice mines. Have a lovely Friday, Constant Reader!

Say Goodbye

Christine McVie died yesterday, or it was announced yesterday. It came as a bit of a shock to me, particularly realizing that she was nearly eighty. Eighty. I never really think too much about how old celebrities are (unless someone is making a big deal about it) and like people I know, I think my brain freezes everyone in amber at the age they were when I first found out about them/met them.

I discovered Fleetwood Mac when I was in high school. One of my friends was really into them, to the point where it was almost tiresome, so I was initially resistant to their allure. The fact that the band had three different lead singer/songwriters who all had their own distinctive style didn’t help–I had heard “Dreams” and “Go Your Own Way” and “You Make Loving Fun” all on the radio but had no idea it was all the same band because they sounded like three different ones. One day when I was at my friend’s house, he put the Rumours album on the stereo while we were studying…and I not only liked it, I loved it. I was stunned to learn it was all the same band! The next time I went to a record store (or a department store that had a records section) I bought the first of three copies of the album I owned on vinyl (I wore the first two out, and the third was well on its way to unplayability but we’d moved on to CD’s by then; Rumours was one of the first three CD’s I bought once I had a CD player; that CD is in the glovebox of my car right now because I do have a CD player in the car I bought), and then went back and bought the first Fleetwood Mac album released after Stevie Nicks and Lindsey Buckingham joined the band (I also hadn’t know they had recorded “Rhiannon” and “Say You Love Me,” either). From thereon out, I bought every new Fleetwood Mac album on the day it was released, and I’ve enjoyed them all. Rumours is the gold standard, but one of the things I’ve always loved about the Mac was that every album was different, had a different sound and structure, than any of the preceding ones. And of course, while I definitely could tell who wrote and sang which song by simply listening, I never tired of them. Some of the albums aren’t as good as others–we all have preferences–but Rumours has remained my favorite album for almost fifty years.

Fifty years. Fuck.

Stevie Nicks, of course, is the band member I became the biggest fan of–of the three, Lindsey has always been my least favorite, despite the fact my favorite song of theirs is his, “Go Your Own Way,” which is absolute genius–but I always loved Christine’s voice and her songs. Some of the ballads (“Oh Daddy” and “Songbird”) aren’t my favorites–I really have to be in the mood to listen to either–but she is responsible for some great Fleetwood Mac music–“Say You Love Me,” “Little Lies,” “Hold Me,” “Mystified,” “Everywhere,” “Don’t Stop,” among many others–and her voice! So smooth, so beautiful, so calming and capable. She released a solo album in the mid-1980’s called simply Christine McVie which is another one of my favorite albums of all time, too–there’s not a bad track on it, and I have it on my Spotify–listen to it and thank me later–and I actually should listen to it more myself.

I knew eventually the day would come when the door would close on the possibility of any new Fleetwood Mac music from my favorite line-up of the band, but I rather hate that the day has finally come.

But I choose to be grateful to Christine McVie for the legacy of great music she left for us rather than sad that she’s gone. She was a gift we didn’t deserve.

Friends and Neighbors

Ah, community.

What is a cozy mystery without one? I don’t know because I’ve never read one that didn’t have a strong sense of community in it, but for me, the depictions of community is one of the primary draws of cozies.

As I have mentioned before, the vast majority of cozies are generally set in small towns, small communities where everyone always seems to come together, everyone knows everyone, and there’s an undercurrent of caring about others that makes them cozy and comfortable to read. I was worried at first about setting one in New Orleans, to be honest; New Orleans is many things to many different people, but I’ve kind of always seen New Orleans as a darker city than most, and that darkness that is always out there on the periphery of the bright sunshine, no matter how cheerful you might be or how lovely of a day it is. Part of it is the history here–New Orleans was a center of the slave trade, after all, and you don’t get much darker than human trafficking–and of course, the city has always been a major port…and ports aren’t exactly known as sedate places. There has always been a lot of crime here, and you really can’t go anywhere in New Orleans without overhearing people talking about the “crime problem” and shaking their heads at the decline of Western civilization as we know it down here by the riverside.

So, how can I write a light, breezy novel about a city that is so dark?

The key was community, of course. New Orleans is a city, but it’s also a city of neighborhoods, and always has been. Generations of families passed homes and property down to their children and their children and so on. “Where’d you go to high school?” was a question asked because the answer told the asker lots of things. Private school or public? What neighborhood did you grow up in? And as I thought more about it, I realized my lonely block in the lower Garden District has that sense of community to it. Neighbors look out for neighbors. We’ve lived in the same place since either 2002 or 2003; I’m never really sure I can remember when we moved onto the property; those years between moving back here in 2001 and Katrina are kind of blurry for me. But we’ve gotten to know our landlady pretty well as well as some of our neighbors; others have come and gone over the years but we always all end up down at the corner for parades during Carnival, catching throws and hanging out and having a good time.

And I realized I could do the same for Valerie.

In A Streetcar Named Murder I only introduced the reader to a few members of Valerie’s community in the Irish Channel: her best friend and neighbor Lorna; the gay couple next door in one side of a double and one’s mother, Mrs. Domenico, on the other side; and her friend Stacia who lives further down the street. I also mentioned there were a couple of houses being used as Air BnB’s, which may play a part in a book should the series get picked up. I had learned my lesson from the failed Paige spin-off series years ago; the mouthy, brash and snarky best friend cannot be the main character, but the book/community needed someone like that in the book. The main character has to be kind–but there’s always a more colorful secondary character necessary to say the funny and borderline mean things in place of the main character.

This is where Lorna comes in.

Lorna is very colorful indeed, and was a lot of fun to create. She’s married to an airline pilot who is often gone for long stretches of time (his name is Jack Farrow; since he’s a pilot she calls him Captain Jack Farrow). She’s British, speaks multiple languages, is fiercely intelligent and doggedly loyal. She also writes lusty romance novels that are huge bestsellers under the name Felicity Deveraux. Lorna is a great best friend who is also always up for anything, and naturally, she has a huge imagination and a big personality. Interesting and fun as Lorna is, I don’t think I would ever write about her as the main character because, like Paige, she would need to be toned down and I don’t really want to do that to her.

It is Lorna’s ambition to join a Mardi Gras krewe that actually puts Valerie at the scene of the crime in the book. See how that works?

But her neighborhood isn’t her only community, either; there’s a community around Rare Things, the antiques store she inherits–Randall Charpentier, her new boss; Dee, her co-worker; and of course the people who are in and out of the shop–the hot guy from an outer parish who repairs and refinishes furniture, for one–on a regular basis. If it becomes a series, I can flit the cases back and forth from her neighborhood to the store and vice versa; there are all kinds of plots and stories I can tell that could come from both.

And there’s still another community that Valerie belongs to that was only touched on in the first book–the parents’ group at Loyola High (it doesn’t exist in real life, folks, but it’s based on Jesuit), the Cardirents. This is how Valerie knew the victim in this book; they were both in the group, with a fraught history (which is more fraught than Valerie ever knew).

So, yes, it is possible to create the sense of community a cozy mystery requires in New Orleans; New Orleans, in fact, is ripe for it.

And on that note, I will sign off here. More blatant self-promotion to come, no worries on that score!

Come

I woke up this morning to a marvelous thunderstorm, complete with pyrotechnics and thunder so close and loud that the house shakes a little bit. These are the kinds of mornings where you want to turn off the alarm, curl back up and go back to sleep again, but alas and alack, I had to get up for work this morning. I think I slept pretty decently last night; I don’t feel tired this morning and I did wake up at five as has been my wont lately. I was a bit tired when I got home from work yesterday; Paul didn’t get home until later and so I worked on the book for a little while until my mind gave out. I tried to read but was tired, so I just watched some history documentaries about the French royal family until I decided to go to bed and be done with it all. It was a pretty decent day yesterday overall; I managed to get through the day and get all caught up on my day job duties without any issues. Which was nice, of course.

It’s hard to wrap my mind around the concept that today is the last day of November already and December is practically here. Christmas already? I’m not ready for it in the least. We don’t decorate anymore since Scooter came to live with us–he sees the tree and decorations as Disneyworld and Epcot–so it never really feels like Christmas completely to me. Maybe this year I should watch A Charlie Brown Christmas? That always used to put me in the Christmas feels. I need to do my Christmas cards this weekend, and I need to ship a box out, as well as try to figure out what to get my parents for the holiday. Paul and I have already discussed and decided our Christmas present will be a major appliance purchase, if our landlady signs off on it; we’ve needed a new refrigerator for quite some time now and I really want to get one with the freezer on the bottom; it makes more sense to have to bend down for the freezer–something you don’t do very often–rather than to get things from the bottom shelves of the refrigerator. Getting old is kind of a bitch. you know? My parents have two refrigerators with the freezer on the bottom, and it really is so much easier on my back and knees….

I did ask for and receive a month’s extension on the book, which is a huge relief and took away a lot of my stress. I still have a lot to do, but at least the pressure valve was turned on and the internal pressure in my brain sort of released a bit. Huzzah? Huzzah. I still want to finish reading Wanda Morris’ book–it’s so good and so well done that whenever I am sort of tired I put the book back down because I want to give it my full and not-tired attention so I can appreciate the writing the way it deserves (check her books out, if you haven’t already. Wanda is fantastic.); maybe this weekend, after errands and editing work on the book, I can curl up in my easy chair and while away a few hours with Wanda.

I was a bit amused to see some reactions to my questioning yesterday about whether I should continue to use pictures of men with amazing bodies or just pictures in general–no one said to stop using the hot men pictures, so I am going to continue to use them. I may start mixing in some other type pictures, of New Orleans or Louisiana; there are some fantastic local photographers who do amazing work that I would like to promote here, with buy links to websites and so forth, to help support local artists, but at the same time I am not certain if that would be a copyright violation or not? I think it’s okay as long as credit is given and I am not using the images to sell something? Of course, I have a gazillion pictures I’ve taken that I own the rights to, so maybe I could just use those. I don’t know. I’m not entirely certain why I am even worrying about the hot guy pictures now when it never bothered me or even occurred to me that I should change my ways before. I also don’t want to keep doing the same thing simply because it’s what I have always done, either; that kind of thinking has always annoyed me. Change isn’t always a bad thing and sometimes its necessary for growth. As someone who would like to keep growing in every way (except for weight) rather than atrophying in my sixties, I like to keep my options open at any rate. But at least for now, I will commit to using the hot-guy images through the end of the year; I do need to find my archive of Christmas themed hot men, though. Tis the season and all that. I also need to gather a list of Christmas song titles to use for the holiday posts. Heavy sigh, my work here in never done.

And on that note, I am heading into the spice mines. Have a lovely Wednesday, Constant Reader, and I will check in with you again tomorrow morning.

Goodbye Baby

Tuesday morning and all is quiet at this ungodly hour.

I’m up earlier than usual because I made the decision, whilst I was out of town, that the smart thing to do was get up when I actually wake up, rather than just continuing to lie in the bed awake. It’s comfortable, to be sure, and getting out from under my pile of blankets is never an easy thing to do….but it’s also wasteful of time and staying in bed doesn’t make getting up with the alarm any easier, nor does it make me less tired later in the day. All in all, it’s not going to kill me to get up earlier, so today is my first day trying it (not really, I woke up an hour earlier than necessary yesterday and just went ahead and got up then, so this is my second day of trying this to see how it all works for me). I had errands to run after work last night and I had to write a promotional piece for another blog for A Streetcar Named Murder–there really is no worse timing than having a book coming out as you are trying to meet the deadline on another.

It’s also weird because at the same time I have to try to remember things from Streetcar, which was finished months ago, and of course I’ve moved on to something new that I need to focus on. Heavy sigh. But I think the post I wrote last night is fun and interesting, and hopefully will spark some interest in the book. I’ve also been asked to sign at an event here in New Orleans in January–I want to say ALA, but I could be wrong–and I’ve also agreed to return to the dual Murder event weekend in Alabama yet again. I think this is the fourth time I’ve been invited? I love Margaret and Tammy, and I always have a lovely time at the event.

WE started watching that Hulu series about Chippendales last night, Welcome to Chippendales, starring Kumail Nanjiani as Steve Batterjee. I’ve watched a couple of documentaries about Chippendales and the resultant murder of one of the partners, but I’d forgotten about Dorothy Stratten’s connection to the club before she was murdered (someone really needs to do another series or movie about her life and death; Star 80 was good but…). It’s entertaining enough, and Chippendales also has something to do with the societal change in the sexualization and objectification of the male body that began in the 1970’s (along with the explosion of gay porn and Playgirl, followed by Calvin Klein ads in the 1980s), as well as the beauty standard for men. I recently (it may have been longer ago than what counts as recent, but time has lost all meaning to me now) commented to one of my younger gay male co-workers that “you used to be able to tell if someone was gay or not by how well built they were; if they clearly spent time on their bodies at the gym and ate right to improve the way they looked, they were gay because straight men didn’t give a shit.” Tribal tattoos also used to be a tell that a hot guy was gay. NOT ANYMORE. And the guys today–whatever their sexual orientation–have even more amazing bodies than we used to have back in the day; the definition and the focus on ab development and the absence of any body fat is far more pronounced amongst hot young men these days than it used to be. And they are everywhere. My Instagram and Twitter feeds are often filled with beautiful shots of incredibly handsome young men with unbelievable bodies; some of which I’ve sometimes shared here on the blog. I’ve also been seriously considering going to something else with the blog images, to be honest–I know some people would miss the sexy men images, but it also might be keeping other people away at the same time. I don’t know. But I started using pictures of hot men years ago because when the blog cross-posted to social media it would always show up as with a pale blue square box with a pencil in it, which I hated. When I talked about books, the book cover would come over, so I decided to use images of very hot men that essentially pop up somewhere on the Internet throughout the course of the day and it kind of became an ingrained habit, a default if you will, perhaps even a brand–I hate thinking of myself or anything I do as a writer as a ‘brand,’ and yes, I do recognize that my writing is a product for sale, but it’s not a pack of T-shirts or underwear or a pair of pants hanging on a sales rack. So, do I really want my ‘brand’ for my blog to be sexy shirtless men?

Probably a little late to worry about that now.

The Chippendales calendar–how many years did I buy that? I can remember being deathly afraid to take it to the cash register at the bookstore…but now that I am thinking about it, I don’t remember which bookstores I used to patronize in Fresno. Perhaps a Barnes and Noble at the mall? A Waldenbooks, maybe? But yes, I used to feel my face burning with embarrassment as I tried to nonchalantly buy a Chippendales calendar, all the while thinking the cashier knows I am gay because why else would I be buying this calendar? Now I laugh at the memory of the shame I used to feel. The cashier couldn’t have given two shits about what I was buying, and even if they did, who cares? I had always been attracted more to athletes than any other type of male; I always had a thing for muscles and worked out bodies. Why, I don’t know; whether I was simply wired that way for physical attraction, or if it’s because the first naked bodies of men that I saw were those of athletes in school. Junior high was the first time I ever had to change into gym clothes, shower and be around other naked boys, and I was never comfortable doing so. The locker room before and after gym in junior high was a nightmare, but once I was in high school and on sports teams…the boys I was attracted to were usually athletes. That never really changed over the years as I got older and grew more comfortable with my sexuality–what changed were the bodies. Whereas only athletes and dancers, gay men, and narcissistic straight men used to regularly go to the gym and work out their bodies to build muscle, gradually it became a thing for all men across the board, regardless of orientation. On the rare occasions when I go to the gym now, I see incredibly well-built and well-muscled young men all the time–and while thirty years ago I would have assumed they were gay or bisexual, now I can’t assume anything. I just marvel at the shift in societal attitudes towards men no longer in school who continue to exercise and work out–whether to be healthier or for something to show off and attract women, who knows?

But aesthetically, I appreciate them.

So, the quandary remains. Do I try to rebrand the blog by using other types of pictures, and if so, what kind should I start using? Would people miss the hot guys? Would more people be drawn to the blog rather than closing the browser window as soon as the hot guy loads?

Or do I just not worry about it–as I have never worried about people coming here to read the entries–and keep on as I have been? Decisions, decisions.

And on that note, I am heading into the spice mines. Have a lovely Tuesday, Constant Reader, and I will talk to you again tomorrow.

The Irish Channel

Writing a cozy set in New Orleans seemed, at first, to be a little daunting.

One of the key tenets of a cozy is the sense of community one gets while reading it (see Donna Andrews’ Meg Langslow series for the perfect example; I love Caerphilly, Virginia, and enjoy revisiting twice a year to see how everyone is doing), and it took me a moment to readjust my thinking from “community means a small town” to “no, you moron, anything can be a community; and you can certainly find community in New Orleans.” And then I remembered Leslie Budewitz’ superlative Spice Shop series, which is set in Pike’s Market in Seattle. Seattle is a city, just as New Orleans is; and sure, it might be easier to just invent an entire new fictional small town to set a cozy series in, but if anything, there’s more sense of community in New Orleans than I’ve ever felt in other cities…and it was really about creating a community around my character, Valerie, and picking a neighborhood for her in which to live took me a while as I weighed pros and cons; the only thing that was definite was she was NOT going to live in the French Quarter (there’s a throwaway line where she thinks about how long it’s been since she’s been to the Quarter, and maybe she and her two best friends should arrange to have dinner at Galatoire’s or Antoine’s–yes, I used two of the better known restaurants in the city and the Quarter for the examples, but I also knew I could mention them without needing to explain them to the reader). I did go back and forth about the Marigny or Bywater, but finally decided to put her into a neighborhood that did not flood during Katrina, which narrowed the choices dramatically.

New Orleans is a city of neighborhoods, and those neighborhoods used to be so distinct that knowing what part of the city someone lived would automatically create some assumptions–just as how the ever-popular question of where’d you go to high school used to be another way to connect with someone you’ve just met–there are any number of differences between those who went to Newman or Jesuit or Holy Cross or Ursulines or Ben Franklin or Warren Easton or McMain Magnet. New Orleans is a small enough city that chances were, you’d also know (or ar related to )someone else who’d gone to that high school at the same time, or you also knew other people who lived in their neighborhood. Obviously, the French Quarter is perhaps the most famous neighborhood in New Orleans, followed by the Garden District, working down through the Marigny, the Bywater, Mid-city, Gentilly, Lakeview, Broadmoor, etc. (With the gentrification of the city over the past sixteen or so years, realtors have also started creating new neighborhoods–which can be confusing. For example, they are trying to rebrand the Central Business District–the CBD–into SoMa, South of Market, which makes no fucking sense whatsoever as there is no market for the area to be south of; I often will have someone mention one of these new neighborhoods by name to me and I have no idea what they are talking about. They are also trying to rebrand the 7th Ward as the “new Marigny”…good luck with that.)

Scotty lives in the Quarter, and Chanse lives in the Lower Garden District–I’ve also written a lot of stories set in that neighborhood, which is also where I’ve always lived, and is quite distinct from the actual Garden District–I used to joke that we lived four blocks and three decimal points from the Garden District. So having done those neighborhoods already extensively, I wanted to pick a new place for Valerie to live and for me to write about.

I’ve always kind of been partial to the Irish Channel, although we’ve always lived in the Lower Garden District (distinct from the Garden District). I wrote one book about the Irish Channel already (aptly titled Murder in the Irish Channel), and of course, when I needed a place for Valerie to live, I decided the Channel would be the perfect place for her. Twenty years or so ago there will still blighted and crumbling houses in that neighborhood just waiting to be purchased, renovated and gentrified. The stretch of Magazine she lives near used to be one of my favorite parts of the city–I met any number of people for coffee at the Rue de la Course that used to be there, I used to really enjoy the Semolina’s restaurant as well as the Middle Eastern place whose name I can’t remember now (Byblos? it was the last restaurant meal in New Orleans before Hurricane Katrina), and of course I sometimes shopped at the A&P or the Walgreens–before I realized Prytania and Tchoupitoulas were the easiest and quickest ways to get uptown; I wasted a lot of time stuck in Magazine Street traffic back in the day. Our friends Carrie and Lisa used to rent half of an enormous Victorian house near Third and Constance; I loved that enormous, drafty and dusty old house (it’s actually where my main character in my in-progress novella Never Kiss a Stranger lives), and was very sorry when they moved further uptown. Paul and I used to have a lot of fun looking for costumes and other home decor in the numerous thrift shops on Magazine; the one for St. Vincent de Paul (at the corner of Robert and Magazine, which eventually closed and became a Vitamin Shoppe; I don’t think the space is currently in use) was amazing. They used to sell handmade wooden tables and bookcases, made by monks in a monastery somewhere in northern Louisiana, and this furniture was not only solid, but it was inexpensive. We still have the bookcases and tables–one of them is my desk, the other is Paul’s–and I don’t think we spent much more than a hundred dollars on the two tables and the four bookcases. We must have bought that all after we moved back here after the year that should be forgotten; we didn’t move much furniture there or back.

But oh, how I would love to get some more of those bookcases. They are sooooo solid…

Plus, putting Valerie in the Irish Channel gives me the opportunity to write about St. Patrick’s Day–which I’ve never done with either of my other series–at some point in the future.

The Irish Channel obviously takes its name from the fact that many Irish immigrants settled there when they came to New Orleans. The Historic Landmarks Commission defines its boundaries as Jackson Avenue to Delachaise Street and Magazine Street to Tchoupitoulas. However, the New Orleans City Planning Commission defines the boundaries of the Irish Channel as these streets: Tchoupitoulas Street, Toledano Street, Magazine Street, First Street, the Mississippi River and Napoleon Avenue.

See what I mean about how confusing the city can be? We can even properly define the boundaries of our neighborhoods. I’ve always considered the Channel to start at Jackson (as does the Garden District proper) and end at Louisiana; with the other boundaries Magazine and Tchoupitoulas.

But I did think having her live so close to Louisiana Avenue–between Seventh and Harmony–would put her right smack dab into the heart of that neighborhood and in walking distance of practically anything she might need. I wanted her to be able to be able to do her errands most of the time on foot, because that also (in my mind) cemented the sense that it was a neighborhood and a community, if that makes sense? And once I’d picked where she lived, I was able to start building her community around her.

But that is a tale for another time.

I love these kinds of double houses!

The Second Time

Saturday morning and LSU plays at eleven, which means I have an extremely short window to get things this morning. I fell asleep in my chair watching the debut episode of Dangerous Liaisons, which was a great idea for a series in theory, but I wasn’t impressed with the execution. I doubt we’ll continue with it–a shame, because it’s one of my favorite stories of all time; I read the original novel after the Glenn Close film was released in the 1980’s and have loved it ever since. (I also love the Cruel Intentions adaptation of it; I even adapted it into my gay erotic fraternity novel Wicked Frat Boy Ways) It also rained overnight–I slept very deeply and well last night–and of course I woke at five again this morning but napped on and off until rising just before eight.

LSU can actually clinch the West Division of the SEC today with a win over Arkansas–either outright and a share of it; should Alabama beat Mississippi today, it’s theirs if they win. If Mississippi wins, the pressure is back on LSU to win out; both would end up tied for the West if they both win out, but LSU goes to the championship game by virtue of having beaten Mississippi when they played. It’s a very chaotic college football season, folks; the kind that rarely comes around and things happen that never usually happen. (I still can’t believe LSU beat Alabama last week.) Just a month ago, things looked very bleak for the season indeed for LSU, and I am so proud of how they bounced back after that embarrassing loss to Tennessee. Several things happened this year that have never happened before: LSU had never beaten both Auburn and Florida on the road in the same season before, let alone beaten them both on the road AND beat Alabama. LSU hadn’t beaten Alabama in Baton Rouge since 2010 (the last time Alabama had lost twice this early in the season–but I doubt they will go on to lose to Auburn in the Iron Bowl as they did in 2010), hadn’t beat Florida four years in a row since 1977-1980, and the Tennessee loss was the first time the Vols have beat LSU since 2005.

Okay, I’ll stop boring you with my football fandom. GEAUX TIGERS!

Although I have to add I don’t know how I’ll manage to stay calm during the LSU game–and today I find myself rooting for Alabama. College football always gets interesting later in the season…

I’m going to try to work on edits during the games today; I am not sure how well that is going to go. I’m probably not going to leave the house this weekend outside of a lunch date tomorrow; I really need to work on the book and I’m even going to have to (sigh) not watch the Saints game tomorrow and work instead. I’m running out of time on my deadline, which is terrifying to me, and I have a lot of other things I have to write as well. I really need to make a thorough and complete to-do list; maybe after I finish and post this. I did get a lot of chores done yesterday around the work-at-home duties; laundry and dishes and the kitchen are under control this morning, so I don’t need to do anything this weekend on that score. But whoa boy, was I worn out once five thirty rolled around. I repaired to my chair and watched Youtube videos (and yes, I watched the LSU-Alabama highlights again because I still can’t believe LSU beat Alabama)–I watched a really great historical one about the fall of Constantinople in 1204 to the 4th Crusade, and another interesting one about the camp aesthetic of Mommie Dearest–until Paul got home, and we got caught up on Andor, which I am really enjoying; I’ve actually enjoyed all the Star Wars television shows other than The Book of Boba Fett, which I should probably give another chance to, before switching to Dangerous Liaisons, which was, frankly, boring and the revised plot doesn’t make much sense–a wealthy older noblewoman would not be able to confer a title on anyone; that was the prerogative of the King and the King only, especially in absolutist France of the eighteenth century, so yeah–it wasn’t just being tired. I can forgive historical inaccuracies as a necessity for dramatizations, but being so blatant and deliberate in being wrong like that for the purpose of plot and story is something I cannot condone by rewatching. I am not a purist either when it comes to adaptations of novels into series and films, either–I enjoyed Cruel Intentions, after all–but in all honesty, there was so much more to the original story that had to be cut and removed from any film adaptation of Les Liaisons Dangereuses that could have been implemented into telling the story over the course of a season–perhaps even a second–and the fallout and aftermath from the exposure of the Marquise de Merteuil’s letters could have also been interesting.

Ah, well. Great idea, poor execution.

And on that note, I am heading into the spice mines. The game starts in less than two hours (!!!) and I need to get some things done. Have a happy Saturday, Constant Reader!