Category: history

Darkness at the Edge of Town

I’ve kind of slowed down on my blatant self-promotion for A Streetcar Named Murder, mainly because the enormous thrill and rush of Release Day/Release Week has already come and gone. It isn’t like I’ve run out of things to say about New Orleans by any means; I could be here blogging for the rest of my life about New Orleans and never do more than scratching the surface. The depth of my lack of knowledge about New Orleans is bottomless. One thing, for example, that I can never completely wrap my head around is where the train tracks and stations were in the city, back when rail was king and vitally important to the operation of our port. I know there was a station in Storyville; part of the reason it ended up being closed was because so many men went through New Orleans on their way to serve in Europe during World War II, and the Department of War looked askance at the soldiers disembarking in a red light district (can’t say as I blame them, but on the other hand, they were heading off to the miseries of the trenches and what was, at the time, the bloodiest and deadliest conflict in human history, so why not let them get laid and party it up before getting on their troop transport?

I have always considered New Orleans to be a dark city–despite its many charms and enticements–not just because of the history here (which is plenty dark) or even the crime “problem” (which goes back over three hundred years), but because it really gets dark here at night; not quite as the true dark you can get out in the country, but for an urban area? New Orleans is the darkest city where I’ve lived. I’ve never experienced an urban area that gets so dark at night once the sun has set.

It’s like all the lights from houses and street lamps and businesses just \gets somehow sucked into the darkness and vanishes. When I come home after dark and park on my street, it always catches me by surprise when the inside of my car is lit up by one of the street lights. This happens, I think, because the massive live oaks everywhere inevitably block out the lights with their enormous branches. Oddly enough, cloudy nights generally are lighter than cloudless ones–because the cloud cover reflects back the neon of the French Quarter, turning the night sky clouds reddish-pink; it’s a phenomena unique to New Orleans that I really love. And the street lamps here seem to only cast light downward rather than up and out; it’s very hard to read street signs in New Orleans after dark.

See how dark it gets at night? It’s like the light gets eaten by the night.

Then again, that could be my eyes getting worse with age. My sister can’t see hardly at all after dark now, which worries me a little, but not a lot: her eye issues were different than mine. I was horribly near-sighted while she had an astigmatism, but my mother also has trouble seeing at night, too and she never had to wear glasses (she has reading ones now) so that doesn’t bode well, does it?

Another part of the reason it gets so dark here at night also has something to do with how many of our street lights are out, too. New Orleans street lights aren’t the kind that go up and then hang out over the street, either. Ours are the old-fashioned kind, with a bulb and its cover going up in a straight line–I think they were the old gas ones, adapted for electricity; I am not sure one way or the other. But I do like the antique, old timey look to ours. Now that I think about it, we couldn’t have the ones that hang out over the street, either; because of parade clearance! The low hanging branches of the live oaks that line St. Charles are also a problem for the larger floats, too; which is why so many of them are festooned with beads riders accidentally toss into the trees instead of to the outstretched hands of eager parade-goers–it’s going to be Carnival here sooner rather than later.

New Orleans’ haphazard approach to street lights and keeping the city lit up and visible at night also plays, interestingly enough, a role in A Streetcar Named Murder, actually; that darkness has a very strong hand on the finale of the book. When I was driving back from Kentucky after Thanksgiving, I noticed that once you got over the twin spans from Slidell and are back in Orleans Parish the lights on I-10 either don’t work or weren’t on, which gave the busy highway an eerie, almost hypnotically haunted feeling as I arrived in New Orleans East and climbed the bridge over the Industrial Canal. It even feels like the headlight beams of my car also get swallowed up into the darkness.

Is that darkness metaphorical? Maybe.

But I can only imagine how dark it must have been here at night when there wasn’t any electricity or gas, for that matter. And of course, it was very dark here after Katrina when most of the city lay in ruins. That was such a weird time.

I read a great review of Gary Krist’s Empire of Sin yesterday, which pointed out that the book was about a thirty year battle between the city of New Orleans and its brand of lawlessness, debauchery, and sin; which really is spot-on accurate. New Orleans has always been fighting that branding almost from the day the French settled on the high land along the river here. There has never been a time in her history when New Orleans has not drawn in tourists due to the branding with debauchery and sin. Someone was telling me the other day that the primary problem with dating apps in New Orleans is they are always full of tourists looking to get laid and not wanting to pay for it–which made me laugh; it reminded me of the old gay truism about not looking for hook-ups on-line the week before Decadence, Halloween or Carnival–because the chatrooms etc. were full of people coming in for the weekend and looking to make hook-up dates in advance…which was so patently absurd because seriously, back in the day if you couldn’t get laid just by going out during those events…well, you should just hire an escort and be done with it. People come here specifically to have the kind of good time they can’t have at home.

So, yes, the city has always had that kind of reputation and branding, which is why I always roll my eyes when the whites who fled the city for the suburbs and/or the north shore clog up the comments on social media and news articles about crime in New Orleans, clutching their breasts and casting their teary eyes up to the heavens as they bemoan how New Orleans has somehow slid into the gutter and how crime has gotten completely out of control. Fuck off, racists–we know what your dog whistles are because we’ve listened to them ad nauseum, ad infinitum: crime is a stand-in for oh no the black people and don’t pretend like you left New Orleans because of “crime”; you left New Orleans because of desegregation, so fuck all the way off. (The people who were protesting the removal of Confederate monuments in New Orleans were not from New Orleans, either.)

So, yes, there is crime in New Orleans–always has been, always will be–and I don’t know what the answer to reducing it or bringing the numbers down. But you can be the victim of a crime anywhere–the Clutters were murdered in rural Kansas back in the 1950s, after all–and it just means always be aware of your surroundings–which is always good advice for anywhere, really.

Have You Seen Your Mother, Baby, Standing in the Shadow?

Sunday morning and probably the best night’s sleep I’ve had in quite some time. I didn’t even wake up the first time until past eight, and was so relaxed and comfortable I stayed in bed for another hour like a very bad Gregalicious. I had some vague plan when I went to bed last night that I would get up early this morning since I had so much work to get done, but the pull of a comfortable bed and warm blankets was too much for me to resist. I am now enjoying a really good cup of coffee; I cleaned out my Keurig machine yesterday, which was terribly overdue, and it does make a difference. (I should probably do it far more regularly than I do.) I also ordered groceries for pick up this morning as well, which will probably be the only time I leave the house today.

Overall, yesterday was a good day. I got up in the morning, did some cleaning and ran some errands, before coming home and doing some more cleaning while i worked. I clocked in four thousand words yesterday, which was amazing–I’ve been averaging between three and four thousand since Christmas when I write, and there were a couple of days that were between six and seven (hoping for one of those today, frankly), and all the pieces of this particular one are starting to fall into place. I’m having a very good time writing, and it’s awesome to be making it a priority in my life, too–plus it helps to not really check or examine your emails quite so compulsively. After I finished writing yesterday, I started watching some documentaries on Youtube about the Great Schism and the development of the Byzantine Eastern Orthodox church; I am probably going to try to focus my history reading for the year to be on the Eastern Roman Empire and the development of Christianity (I’d really like to reread Gore Vidal’s novel Julian the Apostate again), which has always been one of those periods I find fascinating and don’t study or read about near enough. I also spent some time thinking (while football highlights played on a loop on Youtube–I never tire of watching the last minute of the Tulane win in the Cotton Bowl) about my year and my writing plans for the year and what I would like to accomplish in 2023. I am really leaning toward trying to write an actual gay romance novel at some point in this coming year or the next; I’ve always wanted to write one and why the hell shouldn’t I give it a try at some point? (Although the romance writer who faked her own death and resurrected herself this week has me again wary of Romanceland…)

We also watched The Menu last night, which was a very strange film but highly entertaining. I’ve never been much of a foodie (I even hate the word foodie), because primarily most of my life food primarily either filled a need (the abatement of hunger) or served a purpose (as fuel, during the overly-exercised period of my life), so I never viewed it as a pleasure or an art form. Sure, I loved (and dearly miss) my annual lunch at Commander’s Palace, and I can appreciate delicious food, flavors and textures and so forth, but the plating and the rest isn’t something I’ve ever been terribly interested in. I don’t care if my food looks like a work of art on a plate. Sorry, I am a peasant at heart and peasantry isn’t that easily overcome. I did make an effort to become better in the kitchen and better at cooking while I was in my forties, and after I turned fifty I started learning how to bake things–cakes, cheesecakes, brownies, etc. But I digress. The Menu , like Glass Onion, seems to be a commentary on class and snobbery; the difference between the creators and the takers. I think the film is filled with great performances and interesting twists and turns, but ultimately it doesn’t succeed in the same ways that Glass Onion did. I do recommend it be seen; I’m curious to see what other people thought of it.

We then started watching a new prime series called The Rig, with an excellent cast headed by Iain Glen (Game of Thrones), Emily Hampshire (Schitt’s Creek, Chapelwaite), and Martin Compston (Line of Duty); the cast is diverse and the tale is interesting. An off-shore oil rig, somewhere in the North Sea I think, is riding out a terrible storm when something strange and seismic happens; whether it’s an earthquake on the ocean floor or some kind of volcanic activity isn’t clear. As the rig loses its connections to the outside world–internet, telephones, etc.–a terrifying fog comes rolling in, and something supernatural or mysterious but rooted in science is going on, particularly with a crewman who suffers a terrible fall that should have killed him; there are internal injuries they can’t do anything about–but he starts getting better, which shouldn’t be possible, and he has terrifying visions of the future. We watched one, and then couldn’t resist the temptation of staying up later and watching another. It’s quite good, and I highly recommend it. I am very curious to see how it winds up playing out.

I am going to finish this, grab a second cup of coffee, and repair to my easy chair to read for about an hour or so; A Walk on the Wild Side is calling to me, and I’d prefer to finish it before my trip (I don’t think that will happen, but one never knows), before I start writing again and dive into the day’s work. Have a lovely Sunday, Constant Reader, and I will check in with you again later.

Twelfth Night

The other night, as I walked to Lilette to meet my friend Laura for dinner, I walked past this house:

It made me smile, as the New Orleans dedication for decorating for the holidays (any holiday, really) always does.

I posted this picture after taking it, along with a caption along the lines of it’s almost Twelfth Night and the start of Carnival! Someone commented, a bit surprised, “already?” which once again made me realize how different living in New Orleans is from living anywhere else, really, in the country. Nobody outside of Louisiana (unless they’re Catholic) understands how Carnival actually works, which makes sense. If it doesn’t affect you, how would you know? So, I decided explaining Carnival would be an excellent blatant self-promotion post, particularly since A Streetcar Named Murder is built around (sort of) a Carnival krewe and their membership recruitment ball. So, buckle up, Constant Reader, I’m going to give you a sort of primer for New Orleans Carnival.

Carnival begins on Twelfth Night, January 6th, and the season continues until it ends at midnight on Fat Tuesday (Mardi Gras is actually the last day of Carnival, not the entire season; but over the years Mardi Gras has become synonymous with Carnival, but the locals will always correct you when you call it Mardi Gras instead of Carnival; and ‘mardi gras” literally translates from the French to Fat Tuesday), when the bells of St. Louis toll the beginning of Lent and the police clear everyone off the streets of the city (no one is supposed to be out on the streets after midnight; I used to love to stand on the balcony at the Parade watching the mounted police officers slowly making their way down Bourbon Street as the crowds disperse before them–and behind them the street is empty). I’m not going to get into the history of Carnival and how it all began as a “farewell to the flesh” before the religious solemnity and penance of Lent; but that’s the part most people don’t get if you’re not from here or Catholic. Christmas, Carnival, Lent, and Easter are all tied together. Twelfth Night is always a fixed date because Christmas is fixed for December 25th; but since Easter’s date is never the same, neither is the date for Mardi Gras/Fat Tuesday, which is always forty days before Easter.

So, first things first. If you want to know all there is to know about each year’s Carnival, you start by getting a copy of Arthur Hardy’s Mardi Gras Guide, seen below. (You can order it on-line if you’re curious about it.)

(Don’t @ me, I know it should be Carnival Guide, but Mr. Hardy is Mr. Expert on all things Carnival, so we let him get away with it every year.)

The guide is invaluable, even though now there’s a parade tracker app so you always know where the parades are. The parades are what most people associate with New Orleans and Carnival/Mardi Gras; the big ones that shut down St. Charles Avenue and Canal Street aren’t until the last two weekends before Fat Tuesday. I don’t even know how many parades pass by our corner during parade season, but it’s a lot. (I’m hearing that the parade routes are being truncated a bit because of not having enough police officers to pull parade duty, but I don’t pay a lot of attention and just look at the Guide–which I have yet to get a copy of this year.) So, parade season is the two weekends prior to Fat Tuesday. The first weekend is easy, really; there’s parades on Friday night, Saturday afternoon and evening, and Sunday afternoon. Then we get a two day respite before they start in earnest, and there’s always at least two a night beginning the Wednesday before Fat Tuesday. Muses is Thursday night, following two others; there are also three on that Friday. Saturday afternoon is my favorite, Iris, which is followed by Tucks. Endymion is the big parade on Saturday night but it has a different route; it doesn’t come down St. Charles unless rain has caused it to be postponed for a night (when Endymion rolls down St. Charles on a Sunday night it’s a nightmare out there at the corner because Endymion is HUGE). There are parades all day Sunday, culminating with Bacchus Sunday night; Orpheus is the grand finale on Monday night, and of course on Fat Tuesday Rex follows Iris and then come the truck parades. There are also other, smaller, walking parades earlier; Krewe de Vieux, for example, is enormous and is a Saturday night later this month. After Twelfth Night and before Parade Season, there are balls and parties and walking parades and all kinds of celebrations leading up to the parades. The bleachers are already going up at Liberty Circle and all along St. Charles.

So, what does A Streetcar Named Murder, which is set in October, have to do with Carnival, and how is this a blatant self-promotion post?

Because the plot of Streetcar is set around an October costume ball for one of the newer Carnival krewes, the completely fictitious Krewe of Boudicca (it was Athena in earlier drafts, until I realized that I should check to make sure such a krewe doesn’t exist anywhere and sure enough, there is one; either in Metairie or on the north shore), which is also kind of new-member rush for the krewe. Our main character, Valerie, has no interest in belonging to a krewe; as she says, she’s fine “just going to parades and catching throws.” But her neighbor/best friend Lorna wants to join Boudicca, and she is dragging an unwilling Valerie along for the ball. It’s at the ball that the murder takes place; turns out the membership chair for Boudicca is Valerie’s nemesis, and of courea Valerie is the one who finds the victim after she’s stabbed.

And of course, it’s Carnival season again in New Orleans! So more info and blatant self-promotion to come!

Homeward Bound

So, when Ellen Byron was preparing to interview me for our live stream event from Murder by the Book, she sent me some questions to prepare myself with. They were good questions, actually, and I thought that taking time to answer them when I can think about the responses would be an excellent BLATANT SELF-PROMOTION post.

So, without further ado, here we go!

What inspired your book? Series premise and the specific story?

That’s an interesting story, actually. I had been toying with the idea of writing a cozy for a long time–I’ve always liked them–but never was sure I could do it; there were rules, after all, and I’m terrible about following rules, always have been. Several friends have been encouraging me for years to do it, but I always hesitated. It was (I thought) outside of my comfort zone, and while I would toy with ideas here and there, none ever came to anything. My partner’s office is near a costume shop, and he’d had to go in there one day for some reason or another, and as is his wont, he struck up a conversation with an employee about the costume business, how they made money, how they stayed open all year, etc etc etc. He’s very curious. Anyway, that night I mentioned to him that someone had yet again suggested I write a cozy, and he wasn’t sure what one was, so I gave him a thumbnail overview, and he said, “Oh, you should do a costume shop” and proceeded to tell me about his conversation with the shop employee. I agreed it was an interesting idea, and stowed it away in the back of my head for future reference, and would think about it now and then, come up with characters and a community for the main character to be a part of, and so on. But at the same time I kept thinking New Orleans wasn’t the right place for a cozy series–basically looking for ways to fail instead of reasons to succeed, which is the underlying theme of my life, really–and so it went. An editor I’ve worked with before was interested in the idea of my writing a cozy series, so I wrote up a proposal and sent it off. They liked it, but couldn’t sign it, and recommended I take it somewhere else, so I did. It evolved from a costume shop to an antique shop during the process of me signing a contract with Crooked Lane; they liked everything about my idea except for the shop itself, so I had to change that. I went down to Magazine Street and walked for a block, writing down every kind of shop I saw, and sent the list in–and we all came to an agreement about the series being structured around an antiques business. As for the story, well, I wanted to talk about and explore the gentrification of New Orleans that has been ongoing almost this entire century, and how real estate has just exploded around here. (It still staggers me that our rent was $450 when we first moved here; the lowest rent I’ve seen advertised in our neighborhood is around $1500 for less than thousand square feet. Our original apartment now rents for $2500 per month now, which is insane.) What happens to Valerie–the fear of a new tax assessment pricing her out of her house–actually happened to a friend of mine; and the prices just seem to keep going up all the time. You can’t even buy a condo in my neighborhood for less than $350, 000 now–the asking prices for houses in the neighborhood are completely insane. Every time I see a new listing in the neighborhood for half a million dollars or more I think, we really should have bought when we moved here–but home-ownership is New Orleans isn’t something Paul or I have ever been terribly interested in. Termites, tornados, hurricanes, floods, black mold–no thanks! But man, what a return on our investment had we bought in 1996!

We both write series set in New Orleans. Why do you find it so inspiring? Especially when you’ve lived in so many other places?

I’ve lived all over the country–we’re from Alabama, and I’ve lived in Chicago on the south side, the suburbs, Kansas, Fresno, Houston, Tampa, Minneapolis and then New Orleans. New Orleans is the only place I’ve ever been to where I felt like I belonged, where I fit in; where I didn’t seem like the eccentric one. New Orleans embraces its eccentrics and doesn’t judge them, and I like that. I knew that first time I came here on my birthday in 1994 that if I moved here all my dreams would come true. And they have, which has been kind of lovely. And no writer could ever exhaust the inspiration New Orleans provides. I’ve written fifteen books set here and countless short stories at this point, and haven’t even scratched the surface. I’ve never written about the music scene here, for one glaring example, or restaurants or the food industry or…you see what I mean? There’s not enough time in my life to write everything I want to about New Orleans.

Tell us about your protagonist. Where did the inspiration for her come from?

My sister never had any interest in going to college or having any kind of career other than being a wife and mother. She was a straight A student and had numerous scholarship offers, but had little to no interest. I used to always think she had wasted her potential, but gradually came to the realization that she has the life she always wanted when she was growing up, and has never missed having a career outside of the home–so rather than feeling bad about her lost potential, I should have been happy that her dreams came true. I started thinking about that more, and thought that would make a great starting place–a woman like my sister who wasn’t really very interested in college but went because it was expected of her…only to fall in love, get married, and drop out when she had twins. I really like the idea of a woman who’s not yet thirty, who wasn’t really sure what she wanted from life and then sidetracked to wife-and-mother, but with her kids now off to college and her husband having died…what do you do for the rest of your life when you’re a widow at thirty-eight and your kids have left for college? And the more I thought about her, the more I liked her and wanted to write about her.

Why did you choose the Irish Channel as the neighborhood?

My Scotty series is set in the French Quarter, and the Chanse series was set in the lower Garden District (where I’ve always lived and always default to it for that very reason), so I wanted to do something different this time out. Before I moved here, I had friends who lived in the Channel and I loved their house and I loved their neighborhood. I had already started writing a novella set in their old house, and I thought, why not use that same house for this series? The Channel did used to be considered a bad part of town, too, when we first moved here (so was the lower Garden District, which we didn’t know), and so I thought the gentrification issue would work better there than in my neighborhood. That part of the Channel is one I used to spend a lot of time in. As my character mentions in the book, I used to hang out at the Rue de la Course coffee shop at the corner of Magazine and Harmony–it was where I would meet friends for coffee. I’m still bitter it closed.

Similarities in our series: both widows, both have family mysteries, both live in the Irish Channel, you have jokes about potholes, I have a plot point about them. Let’s talk about NOLA’s potholes.

Oh, the potholes! Ironically, an active one ate one of my car tires a few weeks ago. Usually, if I am going someplace and have to turn around, there’s usually room for me to make a U-turn or I can turned into a driveway and turn around. This particular day the bar on the corner had reopened after being sold, closed, and renovated for a few months. So, there were cars everywhere, including blocking the driveways, and I thought, fine, I’ll just go around the block, which I hadn’t done in years. Because I hadn’t done that i years, I forgot there’s a massive pothole right when you make the turn so you have to jog left to avoid it. I hit the pothole, hard, and when I did, I thought oh that’s not good and as I continued driving I noticed the car was pulling to the left–which was the tire that hit the pothole. Sure enough, it was flat. It had a nail in it, and I happened to hit the pothole perfectly so that the nail dragged, tearing a hole in the tire. So, yes, New Orleans is a city of potholes–all different shapes, sizes, and depths. When the streets flood the water hides the potholes, and if they are really deep…the one on our street (which is reforming after being filled in and paved over for like the fiftieth time) ate a pick-up truck when that end of the street flooded a few years ago, so our street was blocked until the water went down and a tow truck could get in.

You have a Nolier than thou joke – I have OhNo!LA, an app that’s a runner in the book.

I wish I could claim credit for that joke, but I stole it from Bill Loefhelm, another New Orleans crime writer when we were on a panel together talking about writing about New Orleans and the need to get things right. He responded to a question about accuracy by saying something like “Yes, you really don’t want to set off the Nolier-Than-Thou people” and it still makes me laugh whenever I think about it because it’s so true! In all honesty, I am one of those people–nothing is more infuriating to me than reading something set in New Orleans that doesn’t get it right–but I’ve loosened up some as I’ve gotten older. I was even wondering if that was still a thing while I was writing this book…but since it’s come out I’ve seen any number of locals posting reviews and comments about “how (he) got New Orleans right” so it is still a thing. (And I’m glad and grateful people think I get ir right.)

How would you say your past experiences and jobs in life inform your writing?

I always say that life is material, as is every experience you’ve had. I’ve had so many jobs over the years and have been fired so many times I can’t keep track of them all anymore. But I also had a huge variety of jobs–fast food to retail to food service to banking to insurance to an airline to being a personal trainer to managing a health club to being a magazine editor to my present job working in an STI clinic as a sexual health counselor. Whenever I am creating a character and need a job for them, I inevitably fall back on one of my experiences. The main character in The Orion Mask worked at an airport–I’ve written a lot of characters who work for airlines–and so I try to get away from my own experiences once I catch myself doing it again. I have always had jobs that required interaction with other humans, so I’ve gotten to observe a lot of human behavior. I’ve written about high school students in Kansas (where I went to high school). I’ve written about fraternities because I was in one (hard as it is to believe now). I played football in high school, I’ve written about football players in high school. The only places I’ve lived that I’ve not written about are Chicago, Houston, and Tampa (I have written about Florida, but just the panhandle, where I spent of time as a kid).

I read a blog post where you talked about your relationship with the city. How has it morphed over the years and where does it stand now? It sounded like doing promotion and writing about the city reignited your love for it. What’s your writing process? You write in different genres. Is the process different?

As sad as it is to admit, it’s very easy when you live here to start taking New Orleans for granted. As I said before, I usually am so focused on what I am doing–work, writing, errands, chores, etc.–that I don’t pay much attention to my surroundings as I should (I think we are all guilty of this to some degree). About a year before the pandemic, my day job moved. I had worked in our office on Frenchmen Street for well over ten years–right across the street from Mona’s, in that block between Decatur and Chartres, so I was a block outside the Quarter five days a week, and we also used to do a lot of testing in the French Quarter gay bars and passing out condoms during Carnival, Southern Decadence, and Halloween. So I used to spend a lot of time in and around the Quarter. It was lovely–I could go to the Walgreens or the Rouse’s on Royal and there was a bank branch on Chartres Street, too, by the Supreme Court building. Anytime I didn’t have anything in the house to pack for lunch I could just walk into the Quarter and get something not only amazing but inexpensive. I used to walk past where Scotty lives all the time. After we moved into our new building in the 7th Ward, I don’t go into the Quarter much anymore. So I was starting to feel a bit disconnected from New Orleans already before the pandemic shut everything down. But I realized when I started doing promo for this book that I am not disconnected from New Orleans. I’ve just lived here so long that I don’t take as much note of the unusual or the weird as I used to–it’s become normalized to me. I’ve acclimated. It’s still just as weird and wild and crazy here as it always has been, it just doesn’t strike me as weird and wild and crazy the way it used to. I need to take more walks and spend more time exploring the city and checking things out. I don’t know if all the hidden places I used to take friends to eat in the Quarter are still there, either. Maybe after Mardi Gras…

Fortune Teller

Very glad it’s Thursday already. I am tired again this morning–there was some insomnia last night, but not nearly as bad as that if the night before–but I am waking up and slurping coffee and getting ready to face the day. I did manage to get all the bills paid yesterday and did some writing–which wasn’t easy. I’m hoping to get some more of that done tonight and hoping that it actually will get better and easier the further I get into this new project. But in checking my emails there’s not a weather advisory today for the first time since before Christmas, what with freezes, high winds, hail, tornadoes, flash flood warnings, and dense fog advisories. Yeesh, that’s something, isn’t it? It’s like the weather has lost its mind down here–well, everywhere in the country for that matter, really–but climate change is a myth, y’all. (eye roll to infinity)

The schedule at work is picking up, too, and probably within a few weeks I won’t have time to breathe during the day anymore in the clinic. We have gone back to appointments every half hour rather than every hour–which is what we did before the pandemic–and that’s going to take some getting used to, I think. After work last night I had dinner with a very dear friend at Lilette, a lovely place on Magazine Street where they have amazing passionfruit bellinis (I limited myself to one, but easily could have slurped down three or four) and got caught up with each other. I really do have the best friends–such a blessing so late in life, you know, to make some amazing friends past forty. My life has gotten significantly better the older I get, which is probably the best way for that to occur…I just wish I had the energy I used to have so I could enjoy it more. That’s something I should have added to my goals for 2023: take time to appreciate and enjoy the good things in my life more. It’s so damned easy to only see the negative and the bad, which are always far outweighed by the good and positive. I’m going to try to get as much of my email inbox deleted before next Monday–or at least addressed in some way–and as my term with Mystery Writers of America starts to come to a close, I can also start archiving all my emails having to do with MWA business.

The sky is turning blue which means the sun is rising over the West Bank (don’t ask), and it’s only in the low fifties this morning, which probably means high sixties-low seventies during the day and when I get off work. I have to run errands when I leave the office this afternoon, and then I am going to come home and try to dive more deeply into the book I am currently writing–which is wickedly fun–and hopefully Paul will get home at a relatively decent hour so we can watch more Sherwood, and hopefully I can stay awake for a while tonight at any rate, LOL. Yesterday afternoon was when I hit the wall, which had me deeply concerned because I was having dinner with a friend I’ve not seen in nearly a year. But I came home from work, shaved and showered and got dressed, and felt fine as I drove uptown. I was early, as I always am, so I wandered around the neighborhood (a part of the city I am rarely in) and took pictures of houses with their Christmas lights or just some interesting shots of houses with their regular lights on. I need to do more of that, really–one of these football free weekends I need to take the streetcar (or walk) to the Quarter and take a look around, get more of a feel for it again. I am planning on spending the weekend of the festivals (TW, S&S) at the Monteleone this year (which means coming home periodically to feed the cat and spend some quality time with him), which will also help me explore and get to know the city a bit more, or re-familiarize myself with it. It occurs to me that probably a lot of my private places–the ones I could take friends for meals and drinks that were off the touristy beaten path–probably aren’t in business anymore. I know I recently saw the Green Goddess had closed because of the pandemic, which has me a bit concerned about the other places I used to take folks. But I am also getting to know my own neighborhood better–I can always bring people down to the Lower Garden District to eat and have cocktails; St. Vincent’s is a really nice place here in the neighborhood, and there’s that awesome Vietnamese café next to our vet, and of course Lilette and Coquette and all the other marvelous place uptown of the Quarter to eat.

I really do love living in New Orleans. It’s quite marvelous, really–sure, there are endless frustrations and irritations every day (someone needs to make everyone in the city take a remedial driving course like yesterday), but it’s so beautiful here. Last night was a lovely evening, and as I walked around taking pictures of houses with their Christmas lights (or just their normal lights) I kept thinking to myself you really are so lucky to be able to live here. It still hits me sometimes when I am driving around running errands; I’ll notice something I’ve driven past thousands of times before that never registered and I’ll smile and think god damn, I live in fucking New Orleans! and it really makes my day.

And at this time next week I’ll be waking up in a hotel in New York–hopefully having slept decently. I am kind of excited about the trip–time has really flown since I booked my flights and things–and since it will be my last hurrah…I do have mixed feelings about stepping back from my role there. Sure, I will miss it–it actually could be a lot of fun a lot of the time–but there are also things I am not going to miss. I’ve always been super-hard on myself, and rarely, if ever, give myself credit for things I’ve done and accomplished. Part of this comes from not taking myself terribly seriously–I laugh at myself ruefully all the time–and I’ve always had this mentality that if I did something, it must not be a big deal because I am no more than, if not below, average. But I don’t believe that as deeply as I used to, nor do I think it’s necessary for me to constantly be humble about things I’ve done, either. I think it’s also time for me to update my CV again, which will enable me to count all my stories and novels again for an update.

And on that note, I am heading into the spice mines. Wish me well, Constant Reader, and I will do the same for you. And I will check in with you again tomorrow.

Mother’s Little Helper

Well, I guess it’s been a hot minute since my last bout of insomnia, so I guess I was due. Sigh.

It’s also Wednesday Pay the Bills Day, so yay? And one week from today I’ll be heading to the airport to fly into New York for the weekend. Yikes! Time certainly does fly. I feel okay this morning, despite the insomnia–we’ll see how this plays out in the long run, won’t we?–but I was very tired yesterday. I had felt really good upon finishing Mississippi River Mischief and turning it in; and felt great most of Monday, so I figured the emotional/physical exhaustion from finishing a book must have somehow been bypassed, maybe by remaining calm over that last week? I was wrong. I slept well Monday night and felt good yesterday morning, but by the afternoon was dragging and drained and tired and had trouble focusing. Paul and I continued watching Sherwood, which has really picked up and is quite good–I love that the entire mystery is focused on fallout and unresolved issues from the miners’ strike back in the 1980’s–and then I retired relatively early as I was barely able to keep my eyes open–and then of course never fell deeply asleep last night. I am having dinner with a friend in from out of town tonight, so hopefully I’ll be on my game tonight. I think another shower and clean-up after work is probably in order, and will work for the best.

Sigh, so, so much to do and get done, seriously.

Hilariously, the other day I got an email that someone had commented on my old Livejournal blog, the original Queen and Loathing in America, which was kind of odd, so I went and had a look. It was on my New Year’s post of goals for 2012, and I had to laugh as I scrolled through them and saw these last two:

6. Work on my motivation. I would like to be less lazy in 2012, and be better about staying on tops of things-no more putting off till tomorrow because I don’t feel like doing it today. This can certainly help with everything above, that’s for fricking sure.

7. Always stay focused on the positive. It’s very easy to get distracted as well as discouraged by on-line idiots hiding behind the security of their keyboards and saying things they would never have the courage to say to someone’s face. It’s also easy to get sidetracked by the on-line viciousness of the bitter, the jealous, and the nasty. I’ve gotten much better about this, but could be better still. I pledge that in 2012 that said people and their vitriol will continue to be viewed with contemptuous amusement by me, and I will continue to laugh at their bitter nastiness–and despite all the petty jealous attacks disguised as ‘book reviews’–I will continue to write and publish and have a career. And you know who you are. Just know that I truly pity you–because your talent is just as small as you are as a person.

The more things change, the more they stay the same. One of the goals I did see on that list that I think I’ve managed was to diversify and expand my writing to try new things and explore new styles, not only of writing but of genres. I think I’ve done a pretty good job of that–my books are all varied to a degree–which reminded me of another question I was asked, by John at Murder by the Book for my event there–you’ve written so many different styles of book, is there anything you haven’t tried yet but you want to? The answer was, of course, romance; I’ve been wanting to write an actual queer romance novel for a very long time, and even had various ideas for them over the years–but I have one idea now that I really want to try to write. I don’t know that I will write on in 2023, but it’s definitely moved up a lot higher on my “to-write” list. I have a couple of projects in progress that I do want to finish before adding something else to the list of unfinished things; I guess the point of 2023 is to make this the year of finishing things. But I need to snap out of this malaise because January is speeding past, and I need to make use of this month especially since I’ll be in New York for a long weekend next week, and I rarely, if ever, get any writing done when I am not at home. (I used to be able to do this and I am not really sure what has changed here, but there it is.)

And on that note, I am heading into the spice mines. Have a lovely Wednesday, Constant Reader, and I will talk to you again later.

Paint It Black

So how is the new year going for you thus far, Constant Reader? I am on holiday for today, finishing the book hopefully this morning before the LSU game so I can watch it in peace with no worries–or so my attention won’t be divided between finishing it and watching the game. I also ordered groceries to be picked up later this afternoon as well. I made my quota again yesterday, and realized, as I moved into the living room with my journal to relax for the rest of the day, that I have written a ridiculous amount lately, and that it not only felt good but still does feel good. I don’t feel exhausted, despite all the writing and all of the other pressures, the way I usually do when I get to the end. I also feel good about the book, too–it needs some more work, but I am getting it in today with the full knowledge and expectation of necessary edits and revisions. But even as it is, it’s pretty decent, and I am pleased with it. I always put so much pressure on myself, and always doubt myself, and am always so terrified that I am not going to ever be able to get back into a writing groove and the creativity is going to dry up–or the desire to do it will go away once and for all. But I don’t think that’s reality. I think that’s more of that self-defeating self-doubt fear of success and unwillingness to feel pride neurosis I’ve really got to get past at some point before I die, and I do this to myself every time I write anything, really. Maybe it’s a part of my process, which is an absolutely terrifying thought–although that would be a great answer for the next time I’m asked about my process (which really doesn’t happen as often as one might think); “my process is to convince myself that I can no longer write, if I ever knew how really in the first place, and that the well has finally run dry and it’s all over and I am going to have to figure out something else to do with the rest of my life, and then once I’ve had an almost complete mental breakdown I will emerge yet again like a phoenix from the ashes of that meltdown and calmly sit down and blast out over thirty thousand words in slightly more than a week.”

Because that is literally how I write a book. Every. Single. Fucking. Time.

And why I squirm when asked about my process in interviews and on panels.

I slept in this morning and it felt marvelous. I feel rested and recharged, and ready to dig into the final chapter of the book as well s the epilogue. And after a few cups of coffee this morning I am going to go in. I’d love to be finished before the LSU game starts, but I think that’s at eleven and thus highly unlikely. I did do my six thousand words yesterday is just under four hours, so who knows? Maybe it is possible for me to bang out this chapter in an hour or so; one never really knows how well it’s going to go and how quickly the words will come out from my fingers flying across the keyboard; I know I used to write first drafts of short stories of about five thousand words in about two hours or so back in the day when I was younger, had more energy, and more time to think things through before sitting down to write. I often write everything out in my head before I sit down at the keyboard, so really the first draft gets written in my head, the second draft is me typing it all out and correcting things, the third draft is usually the fix the errors draft, and the fourth is the polish of language. Then comes editorial revisions and copy edits and all of that fun stuff. So, that’s my process. Sometimes I don’t even think about it before I sit down and start typing–which is the fiction-writing equivalent of spirit writing, where it just all starts coming out of me as I am typing it and I have no idea where any of it is coming from. You can see why it worries me that at some point the well will run dry? When you don’t know where the stories are coming from, it’s very easy to fear that they’ll stop coming at some point. It’s almost like magic, in a way.

We started watching Treason on Netflix last night, which was interesting. We also got caught up on Three Pines and Welcome to Chippendales (which they are really dragging out for far too long, and last night’s episode Juliette Lewis was so fucking annoying and homophobic I wanted to literally reach into the television screen and just slap the snot out of her; there’s nothing more annoying than a straight woman who doesn’t take a gay relationship seriously because it’s not, to a heteronormative, a “real” relationship; I’ve had this experience numerous times in my real life and yes, it’s a fucking anger trigger for me, as you can obviously tell) before watching Treason, which is interesting but again, it’s one of those annoying super-dad stories where Dad will put world security (or whatever) at risk for the sake of his own child. I hate those stories, so I am not entirely sure we’ll continue. It’s a clever premise (without the child-at-risk stakes) whereas a Russian spy has been helping a British MI6 agent rise through the ranks by giving him intel–the objective being to get him into a leadership position so they can coerce him into being a double-agent for them. That was interesting. The problem was some other group decides to kidnap his daughter–so of course, everything is up in the air–national security, safety of the general population, etc.–because he loves his daughter so much fuck everything else in the world because nothing else matters. I fucking hate Super-Dad stories–because in these cases Super-Dad always risks everything in the world–including, in some cases, the safety of a group of people dependent on him (this was when Stephen King’s Cell lost me; because of course everyone in the group went along with putting themselves at risk of death to help save Super-Dad’s child because that child is more important than ALL of them)…because it also paints an unrealistic picture of fathers who are present and good fathers. For me, the struggle to do what is best for the group rather than potentially sacrificing them all for the selfish goal of saving one’s own child would make a more interesting story. It also always amazes me in these stories that no one ever questions these decisions and go along with them. I know I can be a cold-hearted bitch but I am also very pragmatic. In an end-of-the-world situation like Cell, it simply doesn’t make sense for everyone to put their lives at risk for this man’s child. You have to put your own interests aside in order to be a good leader sometimes. Those are the kinds of sacrifices I’m interested in reading…the slow realization that you, a cisgender straight white man, aren’t the fucking center of the universe and must sacrifice for the benefit of all. That’s leadership.

Can you tell how sick I am of the Superdad fantasy? LOL.

I also spent some time reading A Walk on the Wild Side yesterday, which I am beginning to enjoy a bit more–the main character has finally reached New Orleans, and while some of the geography seems off–there are times when I can’t really quite figure out where they are or how they are getting around–but we’re finally getting to the part with the prostitutes and the bordello, which is really what I was reading it for (the first hundred pages are set-up for the reader to get to know the main character, Dove Linkhorn, and how he came to set out for New Orleans from Texas in the first place; which easily could have been condensed down to a couple of paragraphs, really; the book could have started with him climbing onto the freight train to escape his miserable life in Texas, and as the train rolled through the night flashbacked to all the first hundred pages which could easily be condensed to a few paragraphs/pages–but it’s mid-twentieth century straight white male MFA literary fiction, of course). I like reading about past New Orleans, and yes, reading this does make me think about writing more historical crime novels centered in New Orleans.

And on that note, I am going to open my word document and start plugging away at the finish of this. Have a lovely second day of the new year, Constant Reader, and I will check in with you either later or tomorrow.

(I Can’t Get No) Satisfaction

And here we are, on the final day of the year 2022. Happy New Year, I guess? It doesn’t feel like the year is turning, but everything has felt so totally out of whack since the 2020 Shutdown that it’s not a surprise, really. As I sit here bleary-eyed with my coffee trying to wake up for another thrilling day of writing and cleaning, it seems very weird to look back to a year ago at this time. I was on deadline then, too–and was way behind on that book, too (A Streetcar Named Murder, for the record), but other than that I don’t remember what my mood was like or what I was thinking about going into the new year. We were still in the midst of the pandemic (that hasn’t changed–what’s changed is it isn’t news anymore and everyone seems to be pretending it’s all over), and I know I wasn’t exactly going into 2022 thinking oh this is the year I’ll get the coronavirus! That did happen, and my ten-day experience with COVID-19 was bearable for the most part. I just had intense and severe exhaustion as well as the brain fog, which hasn’t entirely lifted. I still have no short term memory, and am struggling to remember things every day–which has made writing this book more difficult because I can’t remember small details and things that are kind of important. I also think being so scattered isn’t much help in that regard; I’ve never been able to handle getting a grip on things and have felt like I’ve been behind the eight-ball for the last three years, floundering and struggling to keep my head above water, and never confident that I had a handle on everything. It’s been unpleasant, really; I prefer to be better organized and to have things under some sort of manageable control, and this constant feeling that I am behind and will never catch up on everything has been overwhelming, depressing, and damaging.

I read a lot of great books this year–I was going to try to make a “favorite reads of the year” list, but as I went back through the blog for the last year looking at all the books I talked about on here, there’s no real way for me to quantify what were my avorite reads of the year. I managed to read both of Wanda M. Morris’ marvelous novels, All Her Little Secrets and Anywhere You Run; Marco Carocari’s marvelous Blackout; John Copenhaver’s The Savage Kind; Carol Goodman’s The Night Villa, The Lake of Dead Languages, and The Disinvited Guest; Ruth Ware’s The Death of Mrs. Westaway and The Woman in Cabin Ten; Raquel V. Reyes’ Mango, Mambo and Murder; Ellen Byron’s Bayou Book Thief; Rob Osler’s debut Devil’s Chew Toy; Mia P. Manansala’s Arsenic and Adobo; Kellye Garrett’s Like a Sister; Alex Segura Jr’s Secret Identity; Laurie R. King’s Back to the Garden; Tara Laskowski’s marvelous The Mother Next Door; James Kestrel’s Five Decembers (which would be a contender for favorite read of the year, if I did such things); and of course several Donna Andrews novels as well. I am forgetting some great reads I truly enjoyed this past year, I am sure–I will kick myself later for not remembering I Play One on TV by Alan Orloff, for one example–but it was a year of great reads for me. I know 2023 will also be a great year for reading.

I also watched a lot of great television this past year as well, and again, I won’t be remembering everything and will kick myself later. If nothing else, it was a year of some amazing queer representation on television; this was, after all, the year Netflix not only gave us the wonderful, amazing, adorable Heartstopper but the equally charming and adorable Smiley (which you should watch, absolutely). It was also the year where Elité continued, but the shine is starting to go off the show a bit. I was very vested in their Patrick/Ivan romance, which they ended in this last season with Manu Rios, who plays Patrick, leaving the show at the end of the season along with his two sisters (spoiler, sorry), which was dissatisfying. I am looking forward to seeing what else Manu Rios gets up to in the future…we also enjoyed 1899, Andor, Ted Lasso, Sex Lives of College Girls, Peacemaker, The Sandman, House of the Dragon, Ozark, and so many other shows I can’t possibly begin to remember them all this morning. But I have no problem saying that without question my favorite show of the year was Heartstopper. Even just looking at clips on Youtube, or those “Ten Cutest Moments on Heartstopper” videos, always makes me feel warm and fuzzy when I view them. The soundtrack for the show was also terrific, with some songs so firmly engrained in my head with scenes from the show (one in particular, Shura’s “What’s It Gonna Be” always makes me think of that scene where Charlie comes running after Nick in the rain to give him another kiss, which is what was playing in the background). Wednesday was another highlight, a surprising delight when I was prepared to have my hopes dashed, and The Serpent Queen was also a lot of fun. We also enjoyed The Bastard Son and the Devil Himself, but it was cancelled after its first season, which was disappointing.

Professionally, it was a pretty good year in which I had three book releases: #shedeservedit in January and A Streetcar Named Murder in December, with the anthology Land of 10000 Thrills, thrown in for good measure in the fall. I sold some short stories that haven’t come out yet, as well as some that did this last year: “The Rosary of Broken Promises,” “A Whisper from the Graveyard,””The Snow Globe,” and “This Thing of Darkness” all came out in anthologies this year, with “Solace in a Dying Hour” sold and probably coming out sometime in the spring. I also sold another story to another anthology that will probably come out in the new year as well, and I still have one out on submission. In what was probably the biggest surprise of the year, last year’s Bury Me in Shadows was nominated for not one, but TWO Anthony Awards (Best Paperback Original and Best Children’s/Young Adult) which was one of the biggest shocks of maybe not just the year, but definitely one of the highlights of my career thus far. I lost both to friends and enormously talented writers Jess Lourey and Alan Orloff respectively, which was kind of lovely. I had been nominated for Anthonys before (winning Best Anthology for Blood on the Bayou and “Cold Beer No Flies” was nominated for Best Short Story), but being nominated for one of my queer novels was such a thrill–and to have it nominated in two different categories was fucking lit, as the kids would say. The response to A Streetcar Named Murder was an incredibly pleasant surprise; people seemed to genuinely love the book, which was very exciting and cool.

I traveled quite a bit this year as well–going to Murder in the Magic City/Murder on the Menu, Left Coast Crime, the Edgars, Sleuthfest, and Bouchercon. I went to Kentucky twice to see my family, which further fueled my love of audiobooks for long drives–on both trips I listened to Ruth Ware on the way up and Carol Goodman on the way back–and also did some wonderful podcasts and panels on-line, which was nice. We didn’t go to any games this season in Baton Rouge, but in all honesty I don’t know if I can hang with a game day anymore–the drive there and back, the walk to and from the stadium, the game itself–I would probably need a week’s vacation afterwards!

College football was interesting this season, too. This season saw the reemergence of Tennessee, USC, and UCLA to some kind of relevance again; the slides of the programs at Texas A&M, Florida, Oklahoma, Auburn, and Texas continued; and LSU turned out to be the biggest surprise (for me) of the year. Going into the season I had hopes, as one always does, but after two years of consistent mediocrity (with some surprise wins both years) they weren’t very high. The opening loss to Florida State was a surprise and disappointment, but at least the Tigers came back and almost made it all the way to a win. The blowout loss to Tennessee at home was unpleasant, certainly, as was the loss at Texas A&M. But LSU beat Alabama this season! We also beat Mississippi, so LSU was 2-2 against Top Ten teams this season–and I would have thought it would be 0-4. And 9-4 is not a bad record for a transitional year, with a new coach rebuilding the program. And LSU beat Alabama. The Alabama game will undoubtedly go down as one of the greatest Saturday night games in Tiger Stadium. It was incredibly exciting, and I still can’t quite wrap my mind around it or how it happened. It certainly shouldn’t have; LSU was simply not an elite-level team this past season, but what a job Brian Kelly did coaching in his first season in Baton Rouge. Did I mention that LSU beat Alabama this year? (And one really has to feel for Alabama, in a way; they lost two games by a total of four points on the last play of each game. Four. Points. That would probably be what I would call this season for Alabama: Four Points from Greatness. The LSU-Alabama game this year is definitely one of those that gets a nickname from the fan base, I am just not sure what it would be. The Double Earthquake Game? (The cheers when LSU scored in overtime and then made the two point conversion registered on the campus Richter scale) The Conversion Game? I don’t know what it will be named for all eternity, but it was an amazing game. I do think it also bodes well for the future for LSU. Will both LSU and Tennessee (which also beat Alabama for the first time in like fifteen years) be able to consistently compete with Alabama now? Has Georgia taken over as the SEC behemoth? Has the Alabama run ended? I don’t think so–they have an off year where they lose two or three games periodically (2010, 2019, 2022)–and they could bounce right back. next year and win it all again. You can never count them out, even in their off years.

As for the Saints, they swept Atlanta again this year, and that is enough for me.

I did write a lot this year, even though it didn’t seem like I actually did while the year was passing. I also worked on Chlorine and another project I am working on throughout the year, as well as the novellas, and of course, I was writing short stories and essays for much of the year. I also read a lot more New Orleans and Louisiana history, and I had tons of ideas for things to write all year long. I did make it to the gym on a fairly regular basis at the beginning of the year, but then it became more and more sporadic and after my COVID-19 experience, never again. I also injured my arm a few weeks ago–when I flex the bicep it feels like I have a Charley horse, so not good, but it doesn’t impact my day to day activities. I also had my colonoscopy at last this past year–the prep was horrific, and I am really dreading doing it again at sixty-five, should I make it that far.

Yesterday was a nice day. I was exhausted, and after my work-at-home duties were completed I did some chores–laundry, dishes–and I also spent some time both reading (A Walk on the Wild Side) and writing. I also watched the Clemson-Tennessee Orange Bowl last night before Paul got home from his dinner engagement and we watched a few more episodes of Sex Lives of College Girls. Today I am going to read a bit this morning with my coffee before getting cleaned up and diving headfirst back into the book. Paul has his trainer today and usually either goes to the gym to ride the bike or to his office to work for the rest of the afternoon, so I should be able to have some uninterrupted writing time, which will be lovely. And on that note I am heading into the spice mines. Have a happy and safe New Year’s Eve, Constant Reader, and I will check back in with you later.

Under the Boardwalk

My last work-at-home day for 2022, and technically my last day of work for the year at the day job. It still freaks me out a little, or doesn’t feel right, to write 2022 on my clinical testing forms; 2023 is going to be even stranger to write. Where the hell has this decade gone already? It’s almost 2023. I certainly didn’t think I’d make it this far, yet here I am.

It got up into the seventies again yesterday–we literally went from the mid-sixties to a hard freeze back to the seventies in about a week–which is why you can never write about New Orleans without writing about the weather. Our weather affects everything here, and can change everything happening and going on in a matter of hours. It also messes with your moods and how you feel–how can your sinuses adapt to such dramatic weather changes in such a short period of time? And that’s not even taking into consideration the humidity and rain. You always have to plan your day and your life around the weather here, and you ignore it at your own peril (he said, having been caught unawares in enough flash-flooding events to know whereof he speaks). With a great HVAC system I didn’t find myself minding the cold quite as much this past weekend, but don’t get me wrong–I’m not sorry to see it gone, and good riddance to it.

I also had a ridiculous amount of chores to do last night when I finished work. Two loads of dishes, two loads of laundry, and of course I had to do something about the refrigerator, and since I was already doing chores I decided to go ahead and launder the living room comfort blankets and do something about the floors (a chore I’ve been avoiding for far longer than I dare to admit publicly, given my reputation as a housekeeper). I decided not to try for my quota for the day, which of course increased today’s quota, but thought it best to go ahead and reread everything I’ve been doing and get a better sense of things so I can figure out how to get to the end of the book from where I’m at now. Sometimes it’s best to relax and let the muscles rest when you’ve been pushing them for a while; burn out is always a fear, and I suspected yesterday that I was reaching that point and should probably rest from it for at least the night, while planning what to do next. I do have a lovely three day weekend looming, and if I ignore college football bowl games–which shouldn’t be difficult to do–I should be able to leisurely get this done and sent off Monday.

Whew.

I’m still a little tired this morning, and it’s gray outside. Ah, yes, a quick glance at the weather (I seem obsessed this morning with the weather, I know) and it appears that we’ll be having thunderstorms for most of the day. I do have to go out into the outer world at some point today–the postal service is closed tomorrow through Monday–so I won’t be able to get the mail again until after work on Tuesday. I should also spend a little time figuring out what, if anything, I need from the grocery store so I don’t have to leave the house again until Tuesday morning. That’s really turning into my biggest contest–how long can I go without leaving the house? (Along with “how few showers can I take this weekend? ” and “How long can I go without cleaning the house?” These do not speak well of me, I am well aware.) I also am going back to reading Nelson Algren’s A Walk on the Wild Side, after my break from it to read Donna Andrews for Christmas; it’s slow going because it’s an old book written in twentieth century cis-white male literary style, which is something I don’t really care for as a general rule. But I do want to read the parts where the main character (whose backstory is currently being explored) gets to New Orleans and experiences the demimonde; I’d also like to see the film, which I haven’t ever viewed. (I know, right? Barbara Stanwyck and Jane Fonda and I’ve never seen it? Bad gay, bad gay.)

After getting the chores done–Paul didn’t come home until late again–I spent some time read Bad Gays: A Homosexual History by Huw Lemmey and Ben Miller, which takes a look at some gay men in history who weren’t exactly role models for gay men or behavior–some of whom I had heard of, others I had not– which is an interesting approach (usually writers and historians are always looking for positive role models, or take normal human beings and idealize them into heroes). I was a little disappointed to see that my favorite historical homo wasn’t included–Philippe d’Orleans, younger brother of Louis XIV and known as Monsieur (I’ve always wanted to write about Monsieur, he fascinates me to this day)–but the authors did include James I of England and Frederick the Great, so no complaints on royal representation in the book. (But if you’re looking for bad examples of gay men in history, choosing James I over Richard the Lion-Hearted or Edward II was an interesting decision.) I read the sections on Oscar Wilde and Bosie, Frederick the Great, and James I (primarily because the most ambitious book idea I’ve ever had involved James I’s successor as well as his last love, George Villiers Duke of Buckingham); and I enjoyed them. They weren’t very in depth, as they were only given a chapter, so they were at best slightly superficial, but it was interesting to read. I really do need to read a biography of Frederick the Great, who has fascinated me since I was a kid (again, interesting that even as a child I was fascinated by a king who turned out to be gay in the long run); I’ve read histories of Prussia and Europe and other monarchs of the period, but biographies of Frederick aren’t as easy to come by as say, biographies of any Tudor, the Wars of the Roses, or Louis XIV. (Try finding a biography of Louis XIII or said George Villiers, for that matter. There are quite a few of Cardinal Richelieu–but not as many as one would think. Americans seem to be more interested in British history than anything else, and not many of them at that.)

Lightning just flashed, and it’s getting grayer outside, never a good sign for the weather in New Orleans. Then again, spending a little time reading this morning during a thunderstorm while drinking my coffee before starting my work-at-home duties could be just the ticket for kick-starting this day into high gear, so on that note, I am heading into the spice mines.

Play with Fire

Well, I met quota again last night which was marvelous. It’s still a bit chilly this morning. By the weekend it should be back into the seventies (it was yesterday as I ran my errands after work; it’s sixty-one this morning but it does feel colder outside of my bed and blankets), as the Alabama and Kansas State fans start arriving for the Sugar Bowl. LSU is also playing on New Years’ Day in the Citrus Bowl against Purdue, which will probably be the only game I actually watch that day.

There’s been a conversation going on over at Book Twitter lately that doesn’t really impact me in any way, but it’s been kind of interesting to follow. The conversation has to do with concerns about what is and isn’t considered y/a fiction as well as what is, or should be, considered age-appropriate reading material for teenagers and pre-teens. It doesn’t impact me because no one considers me a young adult writer, for one thing; despite having written numerous books with younger and/or teenaged characters (Sorceress, Sleeping Angel, Sara, Lake Thirteen, Dark Tide, Bury Me in Shadows, #shedeservedit), most people think of me as a gay mystery writer. Everything published under my own name is a mystery novel of some sort, whether it’s one of the series books or one of the stand-alones. I’ve never really marketed myself as a writer of young adult fiction, really; I shy away from that, I think, because of The Virginia Incident and the subconscious fear that one day that controversy might resurrect itself (which is ludicrous, and I know that; it certainly would have by now and it hasn’t, which further proves my belief that The Incident had nothing to do with me or my writing or my career and everything to do with systemic homophobia and othering used for political gain). It just seems weird to me that in less than five years after that happened–when I was deemed a menace to America’s youth–I could publish books for teenagers without a single whiff of complaint or scandal or even the raise of a single eyebrow.

Interesting, isn’t it? Almost like the whole thing was just more smoke and mirrors whose sole intent was to rile the homophobic base.

I just love that my existence is considered by some as a constant and continued threat to children.

One of the things that has always mystified me over the years is what is and isn’t considered age-appropriate. Intellectually I was far more advanced that most of my classmates (my emotional and personal maturity being an entire other subject–I’d say I am still behind on that score) and I started reading early. The library and the Scholastic Book Fairs were my best friends as a child, and I read everything I could get my hands on. I loved history, from which grew an appreciation and love for historical fiction (which I really don’t read much of anymore, which is odd. I really want to read Hilary Mantel’s Cromwell books…) and of course, my grandmother got me interested in “scary” movies and mysteries.

You’d think I’d be a huge fan of historical mysteries, but I actually don’t read many of them. I did love Elizabeth Peters’ Amelia Peabody series, and I’ve become a huge fan of Laurie R. King’s Mary Russell series…I think exploring historical mysteries might be a project for 2023.

But the point was I was reading books far too advanced for most people my age when I was young. I freely will admit that in my first read of Gone with the Wind at age ten I didn’t know Rhett raped Scarlett the night of Ashley’s surprise birthday party–it wasn’t until a reread in my late teens where I thought oh, this isn’t right–let alone that she enjoyed being overpowered and forced. I also read The Godfather when I was ten, and there was no mistaking anything about Sonny Corleone and Lucy Mancini. He had a cock the size of a horse’s and her vagina was apparently the Lincoln Tunnel. (Although the she felt something burning pass between her thighs still mystifies me to this day.) I also read The Exorcist when I was ten and I was also very well aware of what was going on in the crucifix masturbation scene. As a kid, I was fascinated by these sex scenes (aka “the dirty parts”), and it wasn’t until I was older than I began to question the entire Sonny-Lucy thing (and why it was even in the book in the first place); and while the crucifix scene was gross, shocking and basically icky to me at ten–when I reread the book sometime in the past decade it seemed prurient, to be honest–used primarily for shock value and to get people to talk about it.

So, yes, I started reading books for adults when I was around ten. I also read Antonia Fraser’s Mary Queen of Scots and Robert K. Massie’s Nicholas and Alexandra that same year–I remember doing a book report on Mary Queen of Scots and my teacher not believing that I had read the thick volume; he started opening the book at random and asking me questions–which I was able to answer, so he grudgingly accepted the book report and gave me an A. (Teachers have doubted me all of my life; can’t imagine why I am insecure about my intelligence…)

Over the course of my teens I also read books by Harold Robbins, Sidney Sheldon, Jackie Collins, Jacqueline Susann and Gordon Merrick-every last one of them crammed to the gills with racy sex scenes. I was also reading Stephen King, Irving Wallace, Herman Wouk, Agatha Christie, Ellery Queen, Jean Plaidy, Victoria Holt, Phyllis A. Whitney and any number of authors who wrote for adult audiences not teens. Were there things in the books I didn’t understand? Sure there were. Were there things in those books that were probably inappropriate for teenagers? Undoubtedly. (I’ve also never forgotten the scene in Joyce Haber’s The Users where a Liza Minnelli-based character fucked herself with her own Oscar; some images are simply too vivid to forget methinks.)

This is one reason I shy away from calling some of my books with teenagers “young adult” novels. Megan Abbott’s Dare Me centered teenagers, but I would never consider Dare Me a young adult novel. I was thinking about this the other night while watching Sex Lives of College Girls (it’s hilarious, you really should be watching); can I authentically write about teenagers anymore? Have I ever been able to? I don’t speak their language anymore, and I haven’t been one in over forty years (!!!!); I don’t know the technology they use or their slang or what they watch or listen to. I don’t know what today’s teens think about virginity and sexuality these days; do the tired old tropes still exist? Does that whole “good girl/bad girl” dynamic still exist, or are today’s teenaged girls a bit more sophisticated than they were when I was in high school when it comes to sex and sexuality? (Contrasting two high school shows with queer content makes you wonder–there’s the jaded cynicism of the rich kids in Elite vs the wholesome purity and innocence and sweetness of Heartstopper, which also had me wondering–although I feel certain Heartstopper might be closer to reality than Elite…or that’s just my hope?) Of course I have other ideas for more books about young people–I have another in-progress one that’s been sitting around for a very long time that I need to repurpose–and I’d kind of like to write more at some point, but I don’t know. My suburban 70’s serial killer preying on teenaged boys book would be told from the perspective of a twelve year old, but it would definitely not be a young adult novel–but will probably be marketed and sold as one.

And on that note I am heading into the spice mines on my last day in the office for 2022. Check back in with you later, Constant Reader.