So….the other day on Twitter my friend Jeff asked about the backstory of this picture:
It’s really not a great story, or at least, not to me. It was one of those things where everything aligned and fell into place perfectly to take what–to me–is one of the funniest pictures of me ever taken; one that I have been able to use on social media repeatedly, for any number of responses to any number of tweets and situations, because it works for so many different things: surprise, shock, horror (it’s actually saved as ‘the horror’ on all my computers and devices, so I can access it from anywhere), and on and on. It works for everything, seriously.
It’s also kind of amusing how much people on social media love this picture. One friend replied to it once with yes….whenever this picture shows up I know it’s a good tweet. I even think some people try to prompt me to use it, and when I don’t, will go as far as to tweet insert Greg’s shocked face picture here, and of course, I always oblige.
This picture comes from the years after Hurricane Katrina, if not the year immediately after. I think, this was from 2007 or 2008. The city was still recovering, but we were also getting some time and distance from the trauma. There were so few people in the city in that year–people returning all the time, new people moving in for the first time–that we all clung very tightly to the friends who were actually here. Going out on the weekends no longer seemed like an indulgence I might be getting to the point of aging out of; instead, it became a necessary ritual to go down to the Quarter gay bars and hang out with friends because we were all sharing the traumas and rollercoaster rides that New Orleans was after the disaster. It felt important to keep renewing those bonds every weekend. The day job was still operating at a shell of what it was before; but a lot of us were working out of the Frenchmen Street office and those of us who did, meeting up for Drag Bingo and tea dance on Sundays (we called it “going to gay church”) had become pretty much de rigeur. I didn’t care so much about Drag Bingo, so often drifted between friends at Lafitte’s and co-workers at Drag Bingo up the street at Oz (I never missed the napkin toss for “Love Is In The Air,” though).
And that is where this picture was taken; on some long -forgotten Sunday at Drag Bingo. I had literally just walked into Oz, having left Paul and some other friends at Lafitte’s to go check in with my work friends. As I recall, Josh, the Evil Mark, and some of the others had gathered at that corner of the square first floor bar, and Josh pulled out his camera and said, “let me take your picture, Greggy.” So I looked at him and smiled…
…and just as he was pressing the button on the camera, the Evil Mark showed yet again why I nicknamed him that by saying, “Why? He’ll just look old.”
I turned my head and that was the face I made–which is why I wasn’t looking directly at the camera. It can never be duplicated because it wasn’t posed; it was a candid, honest reaction to someone giving me a good burn from out of nowhere. I didn’t even see the picture until much later, because it was pre-iPhones and people still were using digital cameras. He posted it later that night on Facebook, tagged me with a vile slander (his caption was Greg just saw something, and it wasn’t true) which I corrected; but I also downloaded the picture because it made me laugh. I don’t remember when precisely I started using it as a reaction shot on Facebook or Twitter, but it always makes people laugh.
And I do like making people laugh, so here we are.
Every so often I stop posting it because I figure people are getting tired of it. It had been a hot minute since I’d used it–to the point where I didn’t even think to use it until someone (Jeff) mentioned it again the other day. What’s really funny is when people use it on ME, which has happened. The first time I probably made the same face, because it had never occurred to me that someone would do that and use it on ME. It still doesn’t happen often, but it always makes me laugh when it does. I do remember one day I was going to use a GIF to respond to a tweet and thought oh, you should post The Horror and so I did, amusing myself endlessly. I didn’t expect it to take on a life of its own and become kind of a social media “cult classic.”
I really should have used it for my author picture.
Sunday morning and I am starting to see some light at the end of the tunnel. Not much–and of course it’s probably the head light of a speeding bullet train–but some light, nonetheless. I dove deeply into a manuscript I am editing yesterday, and need to get more of it done today. I also have to make groceries as well as find time to see a friend in from out of town, and it’s also Mother’s Day; everywhere I turn today it’s Mother’s Day this and Mother’s Day that. So far I’ve not had a breakdown of any kind, so that’s a good thing, but there’s also no telling how much or how rough it’s going to weigh on me once reality sets in? Who knows, maybe it never will. I’ve always thought of these days as manufactured holidays to sell cards, flowers and chocolates; I was going to send my sister flowers but decided it was weird and might upset her so I didn’t. Navigating this within the family is weird. We all have to find our own ways with these sorts of things, and there’s no road map or instructions to follow because everyone is different and everyone grieves differently. I don’t think I’ll ever not be aware of the loss, no matter how busy I get or how focused I can be on things; the compartmentalization that I have used consistently since childhood probably won’t work as well here, or at least it hasn’t so far. It’s also weird because I think I’ll be doing better and then I’ll have a bad day that I can’t snap out of with any success. Last night wasn’t good, for example; I lost the whole evening and don’t even remember what I was doing or what I did. I kept falling asleep while watching documentaries (Paul was working upstairs and then went out to meet a friend for a drink, leaving me to my own devices and I just wound up going to bed relatively early. I did sleep really well, though, which was quite marvelous. I feel very rested and relaxed today; no idea how long that’s going to last, but hopefully long enough for me to get a lot accomplished and done today around everything else I have to get done before returning to the office tomorrow.
But just looking around at the kitchen/office, it looks like I did indeed get things done yesterday, I just don’t remember doing them. There’s a load of dishes in the dishwasher that needs putting away and I also need to check everything to see what all is needed from the grocery store today. It’ll be nice to get out of the house, even into the heat and humidity which has returned in all of its hideous nastiness; but getting things out of the way is always a pleasure and then I can look forward to easier weekends in the future, right? I’ve been lethargic too much this year already, methinks. Even as I typed that I thought you’re being too hard on yourself again which is one of those things I was talking about earlier in this post; I don’t know how I am supposed to be. Should I be pushing myself to get things done and working hard, or should I be gentle and easy with myself because I am not myself and pushing myself, bring rough on myself, could be more damaging than giving into in to the sadness, the depression, the lethargy that comes with mourning. Reminding myself how much harder this is on Dad than it is on me doesn’t help, either, because then I start worrying about him and being almost eight hundred miles away and…you see how it all begins to spiral? So when the spiraling starts I have to medicate, and medicate means the easy chair and something mindless and distracting that doesn’t require too much focus, hence documentaries and such on the television. I watched a really fascinating one last night about the American-Philippines war; in which during the Spanish-American War we sent the Navy to seize the Philippines, which were in the midst of their own struggle to free themselves from the Spanish. They were looking for independence; we were looking for empire and territory; so once we defeated and drove out the Spanish we took over, and the revolutionaries continued fighting for freedom against the United States, which didn’t come until 1946. (Barbara Tuchman titled her section about the Vietnam War in her March of Folly “America Loses Herself in Vietnam”; but I think we actually originally lost ourselves–along with our ideals, morals, and principles–in the Philippines.)
It might be fun to set a book–a thriller, with international intrigue and so forth–in Manila in 1940. (It also makes me think of the television series rip-off of Indiana Jones, Tales of the Gold Monkey, which I loved loved loved back in the day, and am still bitter that it only lasted one season.)
Yes, Greg, what you need is more book ideas.
And on that note, I am heading into the spice mines. May your Mother’s Day be lovely, Constant Reader, and give your mom a big hug (or at least give her a call) for me, okay?
I don’t remember which of her books I read first; I am thinking it was The Sea of Lost Girls, but that may be wrong (probably is; my memory is for shit these days) but I DO know I first met her in person at the HarperCollins cocktail party at Bouchercon in St. Petersburg, and she’s just as marvelous as a person as she is a writer. Since then I’ve delved into her canon of brilliant books–have yet to come across one that is even slightly disappointing–and each one makes my fandom flame burn even more brightly.
And then in Minneapolis, over lunch with a few friends at that wonderful Irish pub near the hotel, I discovered the clincher: she is also a Dark Shadows fan. She even joked, “I’ve realized that most of my books are really about Barnabas Collins and Maggie Evans”–which made me think even more deeply about how much of an influence the show was on my own writing (Bury Me in Shadows owes a HUGE debt to the show). She has a new book coming out this summer, which is very exciting–I have that weird thing about never wanting to have read everyone’s entire backlist, so there’s always one more book for them to read without me having to wait to get my hands on it–and during my trip to Alabama for the First Sunday in May I listened to The Ghost Orchid, which was so good that when I got home that Sunday night, I grabbed my headphones and listened to the final thirty minutes of the book while unpacking and doing things around the apartment.
I came to Bosco for the quiet.
That’s what it’s famous for.
The silence reigns each day between the hours of nine and five by order of a hundred0year-old decree made by a woman who lies dead beneath the rosebushes–a silence guarded by four hundred acres of wind sifting through white pines with a sound like a mother saying hush. The silence stretches into the still, warm afternoon until it melts into the darkest spot of the garden where spiders spin their tunnel-shaped webs in the box-hedge maze. Just before dusk the wind, released from the pines, blows into the dry pipes of the marble fountain, swirls into the grotto, and creeps up the hill., into the gaping mouths of the satyrs, caressing the breasts of the sphinxes, snaking up the central fountain allée, and onto the terrace, where it exhales its resin- and copper-tinged breath out onto the glasses and crystal decanters laid out on the balustrade.
Even when we come down to drinks on the terrace there’s always a moment, while the ice settles in the silver bowls and we brush the yellow pine needles off the rattan chairs, when it seems like the silence will never be broken. When it seems that the silence might continue to accumulate–like the golden pine needles that pad the paths through the box-hedge maze and the crumbling marble steps and choke the mouths of the satyrs and fill the pipes of the fountain–and finally be too deep to disturb.
Then someone laughs and clinks his glass against another’s, and says…
“Cheers. Here’s to Aurora Latham and Bosco.”
“Here, here,” we all chime into the evening, sending the echoes of our voices rolling down the terraces lawn like brightly colored croquet balls from some long-ago lawn party.
“God, I’ve never gotten so much work done,” Bethesda Graham says, as if testing the air’s capacity to hold a longer sentence or two.
Carol Goodman’s books are, above and beyond anything else you might want to say about them, incredibly literate and smart. She reminds me of Mary Stewart in that way; Stewart’s novels, often dismissed as “romantic suspense” (don’t even get me started on that misogyny), were smart, clever and incredibly literate, with Shakespearean references and quotes and allusions to classical literature. Goodman’s works are also the same; Goodman’s background in classics scholarship is utilized in every one of her books but not in a way that feels intrusive or showing off. It’s all integrated into the story and not only moves the story forward but deepens and enriches the characters as well as the plot, which is not easy to do. Her books are often built around some sort of academic/intellectual backdrop, from boarding schools to small colleges to actual archaeological digs (The Night Villa is absolutely exquisite; superb in every way), and her heroines, aren’t pushovers (as in most “romantic suspense”) but strong and smart and driven, if haunted by their own insecurities and past failures. Goodman is also not afraid to cross the line over into supernatural occurances, either; the previous one I’d read had a touch of the woo-woo, as does The Ghost Orchid, but it’s not intrusive and it actually plays out so honestly and realistically that you don’t question it.
The main character of the book is a young woman named Ellis Brooks. Ellis is a young author-to-be who is working on a novel based on what is called “the Blackwell Affair.” She had already written and published a short story based on an old pamphlet she found; the book research makes her a natural to be chosen for a residency at Bosco, an old estate in upstate New York that has become an artist’s colony, sort of like Breadloaf, but for a much more extended stay and for fewer artists. “The Blackwell Affair” actually took place at Bosco, when the original mistress of the estate, Aurora Latham, brought an experienced medium named Corinth Blackwell to Bosco to hold seances to try to reach the spirits of her dead children–any number of whom were either stillbirths or died shortly after being born; she had four children who lived but lost three of them to a diphtheria outbreak the year before. Corinth Blackwell and the only surviving Latham child disappeared one night after a seance; hence “the Blackwell Affair.” As Ellis does her research and gets to know her fellow artists better, she becomes more and more aware that the past at Bosco doesn’t rest, and the untold stories of the past must be unearthed before everyone at Bosco can be safe.
Goodman is also a master of the dueling timeline; one in the past and one in the present, and weaves the stories together so intricately that I marveled at the mastery, as the present day characters wonder about something and then we get the answer in the past. There are so many secrets, so many lies, so many spirits; but as always with the best ghost stories, the past is finally laid to rest when the truth is exposed.
I loved this book, and it reminded me not only of Dark Shadows (knowing she’s a fan I’ll always see it in her work now) but also of Barbara Michaels’ best along with Mary Stewart. Can’t wait to dig into another Goodman novel!
Saturday morning in the Lost Apartment and I finally slept well last night, and I even slept in for an extra two hours this morning. I could have easily (and gladly) stayed in bed for even longer, but I have too much to get done this weekend to allow myself to slovenly lay in bed for the entire morning, so once Scooter’s outrage about not being fed at six a.m. manifested itself into non-stop yowling, I got up and fed him. I feel very rested today, which is lovely. I was tired and dragging all day yesterday, and when I finished work I had things to get done. Paul and I ran out to Costco for a restocking (I hate that sometimes they have stuff and sometimes they don’t; they didn’t have several key things I always get when I go) and then I picked up the mail and a prescription. I need to get gas this weekend as well as make groceries, and the tires need to be aired up as well (the low pressure light came on in Alabama last weekend, but only one tire was low and it wasn’t officially low; it was simply lower than the other three tires), and there’s all kinds of other things I need to get done this weekend. I am editing a manuscript which needs to get finished this weekend; I’d like to do a little more work on my own manuscript; and I would absolutely love to finish reading Lori Roy’s brilliant Let Me Die in His Footsteps this weekend as well. It’s seem rather daunting when it’s put that way, but I am confident that not only can I get all of it completed but without driving myself insane, either.
Always a plus!
We watched The Boston Strangler film on Hulu last night (after an episode of Somebody Somewhere, which I am really growing fond of), and it was quite good. It focused on the two women reporters who figured out there was an actual serial killer and did all the pursuing of the case, all the while tweaking the police who were falling down on the job and forcing them to actually do their work. I wasn’t old enough when the killings were actually happening, but my dad had a copy of Gerold Frank’s The Boston Strangler and I did read that, as well as watched the Tony Curtis film version of the story when it was released to the television networks after its theatrical run. I don’t really remember much of reading the book, other than one landlady who was certain one of her tenants was the Strangler, and the story kept coming back to her and her suspicions. That always stayed with me over the years (what if your tenant/neighbor was a serial killer and you started to suspect? which became my story “The Carriage House”–yes, Virginia, that story gestated in my head for nearly fifty years before I wrote it) and to this day I still remember how chilling that was and how much I worried for the landlady. (It’s also the plot of the ancient Hitchcock film The Lodger, in which the landlady suspected her tenant was Jack the Ripper.)
I was thinking yesterday about the entry I wrote yesterday morning and the way I was/have been feeling for quite some time, and I realized that I’ve been a very passive participant in life; I’ve been kind of letting it happen to me for a while now rather than living my life actively. I don’t know if it’s exhaustion, both physical and emotional, or a reaction to trauma; or maybe, perhaps, even both. The last few years have been rough on everyone; I don’t think we’ll ever know the full extent of the trauma we all experienced as a result of that paradigm shift back in March of 2020; the shutdown, the battles over what was responsible and what was irresponsible; the insanity of the anti-vaxxer movement and everything else that was just plain wrong over the last few years. I suppose for some of us the trauma goes back even further, to the 2016 election. But it’s kind of true. I think I was very active in my own life and the pursuance of goals before 2016, and ever since 2016 I’ve just been kind of coasting along, letting things happen instead of making them. As a general rule I don’t like coasting through life; it was the recognition that was what I was doing in my early thirties that led to the big changes in my life, which was followed by the achieving goals I had always dreamed about, since I was a little boy.
But roadblocks and speed bumps encountered aside, I think had I been able to look ahead twenty-one years when my first book was released to see where I am today, I’d have been pleased and thrilled and more than a little bit smug about what I’d accomplished. A character trait I’ve never wanted to have is arrogance, and I am always afraid of sounding arrogant when talking about myself and my career. I never want to sound arrogant or smug (well, unless I am dealing with haters, in which case I love giving rein to smug condescending arrogance), but over forty novels? Over twenty anthologies? Over fifty short stories? Fifteen Lambda nominations, and seven Anthonys in total? Nominations for the Macavity, the Shirley Jackson, the Lefty, and the Agatha? How could I not be satisfied and proud of myself?
As I was making room for the Costco purchases once we got home, I was putting some things up in the storage attic and needed to move a box, so I looked inside of it to see what it was. Clippings and things from my career, it turned out–once I carried the box down the ladder to the laundry room I could see I’d written Career Memorabilia on it in Sharpie–and inside was all kinds of things. Back issues of Lambda Book Report from the days when I was either its editor or did some writing for them (or when they were reviewing my work), and back issues of Gay and Lesbian Review Worldwide, too, along with Insightoutbook catalogues (what a serious blast from the past). Of course I had to bring that box down and keep it for sorting through and scanning purposes (I am serious about cleaning shit out of the storage attic this year), and hilariously found the September 2000 issue of Lambda Book Report, with Michael Thomas Ford on the cover. (Peering inside, I saw that Paul actually was the one who interviewed him!) Scanning all of this stuff will be a huge undertaking, and I do actually hate the thought of throwing it all out once it’s done; I don’t know if Lambda ever archived the back issues or not, so this may be all that’s left of it out there. Same with Insightoutbooks; it was very important and crucial to queer publishing between 2000 and when it went under sometime around 2009 or 2010 (that may be wrong; I also found an issue of LBR from 2008 or 2009, and I would have sworn under oath that LBR stopped publishing a print edition long before that. (You see why I no longer trust my memory? Mnemosyne no longer comes to my aid anymore these days, which is most unfortunate–and yes, the reason the goddess of memory comes to mind is because of Carol Goodman’s marvelous The Ghost Orchid–more to come on that score.)
But I also did some cleaning up and filing around here while I was making dinner (ravioli) last night, so this morning the office doesn’t look as bad as it usually does on Saturday morning; the sink is filled with dirty dishes and there’s a load in the dishwasher to put away, but more of the things I generally wind up doing Saturday morning are already done, so there’s no excuse for me not to be highly productive today other than malaise and laziness.
And on that note, I am going to get these minor chores handled while I keep drinking coffee and my mind finishes awakenening.
The cemetery where Mom rests is small. I remember it as being much bigger, of course, but everything there is smaller than I remember. But most of my memories of Alabama predate my adulthood, so things that seemed enormous to a child don’t seem quite so large to an adult.
I’ve written about it before, just as I’ve written plenty of stories (and even a book! Or two!) set in the county of my birth, where my people are from as we say in the South, and where my people are buried. Before Mom died, I hadn’t been to this cemetery since we laid my paternal grandfather to rest in those blurry years between the turn of the century and Hurricane Katrina. But I’ve written about this cemetery in an unpublished short story I originally wrote in 1983, called “Whim of the Wind” that opens When I was young and spending the summers in Alabama, the graveyard at White’s Chapel held a peculiar fascination for me. When I wrote those words, I was living in California and hadn’t been back to Alabama in at least two or three years; it would be another eight before I returned for my last visit pre-funerals. That story was loved and appreciated not only by my professor but by the class as well. I tried several times to get it published, but to no avail; there’s something missing from the story itself that makes it incomplete, but no editor whose ever read it has been able to put their finger on it. (I do recall having solved the problem after reading Art Taylor’s brilliant story “The Boy Detective and the Summer of 1974”, but of course didn’t write it down and don’t remember what it was. (I shall reread Art’s story at some point to see if it triggers my memory; it really is upsetting that I didn’t write it down–which I always do)
And yes, it’s called White’s Chapel. I always assumed it was called that because it was “whites only”; Dad told me over the weekend of the funeral that it was built by someone named White, which is how it got its name. Hurray for it not being racist in origin? Small victories. But when I was there that time, we drove around the county and through the little town/village which was really where all the Blacks in the county were forced to live, which is no longer the case but was when my parents were children. Lovely, right? I still don’t remember ever seeing any Black people during my childhood visits, which seems hardly possible, does it?
I am both of Alabama and not of Alabama. Dad and I talked about that this weekend, too–I don’t think my sister feels the same tug from Alabama that I do. It’s weird for him to go back there, too–there’s hardly anyone left that he knows; even my aunt commented that she didn’t know a lot of people in the county anymore, and thats kind of sad. The land my grandmother’s house sat on has been sold and the house itself–uninhabitable for years–will be torn down and that part of my history, that part of my life story, will be gone forever. My grandfather’s house, where Dad grew up, is long gone and I think my eldest cousin’s son is going to build a house there. The small, battered old houses I remember from when I was a kid are also all gone; enormous McMansions of brick and mortar with columns and muli-car garages dot the landscape now, so it doesn’t seem as poor down there as it used to.
We started the day at the cemetery where my maternal grandparents rest alongside my youngest uncle, thrown from a rolling car when he was eighteen and the car rolled over him; I remember the funeral but never knowing much more than he died in a wreck (the driver was drunk; the other two riders escaped with minor injuries). There are lots of relatives and ancestors at Studdard’s Crossroads cemetery, which is also well off the paved county road on an incredibly narrow red dirt road. We stayed there for a few hours, and then headed over to see where my mother’s grandparents were buried; another where my other uncle is buried, and finished off at White’s Chapel, with Mom and my paternal two uncles (one died when he was two). It’s so beautiful there, and so different than what I remembered and have written about–which is actually a good thing; I completely fictionalized the present-day county predicated on my childhood memories–but yes the pine forests and the red dirt, the incredibly blue sky, and fall away drops alongside the roads (not near as steep and deep as I remembered).
I’m glad I went. Seeing Dad again, seeing that he’s okay, lifted an enormous weight from my shoulders–I was terribly worried and hated being almost eight hundred miles away–but also being able to talk to him about Mom, and their shared histories, as well as more family histories on both sides that I didn’t know, was a big help. I by no means think I am over the hump or well on the way to recovery; I know from my own bitter experience that you can have a good day after a trauma and thus think with relief, oh good now I can get on with everything only to have one of the dark days immediately after. It takes time to heal, and I am never going to stop missing my mother. I just have to get used to not having her anymore.
(I had originally intended to post this yesterday, but then I got the Anthony news and that kind of sidetracked the day for me.)
I was tired yesterday. I slept okay Monday night, but not deeply and I did keep waking up so it was a restless night at best–and I sure as hell didn’t want to get up when the alarm went off yesterday morning. I was also behind at the day job when I got there, so had to play catch up a bit between clients. It was all good, but still a bit more stressful than I would prefer; I also kept thinking it was Monday all day which drove me a bit insane.
I also discovered that my insurance actually does not cover hearing aids for adults; I must have missed the part about having to be under eighteen when I looked it up. Which kind of sucks that in order to hear I have to pay for it out of my own pocket. The good news is I’ve made it this far without them, so I guess I can start trying to save up to pay for them somehow, or maybe I can get them financed or something. I’m not entirely sure, but it’s irritating. Our health care system has been fucked up since, well, the Reagan administration (quelle surprise; what modern day horror doesn’t date back to that bastard?), but the decline of the airline industry actually can be dated to Carter; he was the one who deregulated the airlines under the guise of increasing competition so fares would be more competitively priced. We see how well that worked out, haven’t we? American, United, Delta, Southwest and Jetblue are all that are left now from the glory days of air travel–Eastern, Pan Am, TWA, Continental, Northwest and many others having either folded or been taken over by another airline. Glad we have all these choices now, right? (Sorry, I was thinking about how the airline industry has declined over the course of my lifetime while at the airport the other day, and clearly it was still in my subconscious. I love Jimmy Carter, but this was a mistake.)
I slept better last night. I still woke up a couple of times but I feel very much more rested this morning than I did yesterday. I was tired when I got home from the office so immediately put the dishes away and started another load before the fatigue overtook me. I got caught upon Vanderpump Rules–more on that later–and when Paul got home from the gym we watched this week’s Ted Lasso, which was lovely and melancholy at the same time. (My God, how I love Jamie Tartt! Phil Dunster is killing it in the role this season, too. What an incredible character arc–and now we are seeing a lovely redemption for Nate, who disappointed me but we get to see our Nate again this season, which is so nice)
I did manage to work a little on the book yesterday, and it took me a little while to get reacclimated to the story and everything. I think I’ll be back on track with it again today and thru the rest of the week before I leave for Alabama on Saturday morning; and while the drive up there and back over the weekend will probably be tiring, I think I can see the end of the book coming. It might take me awhile to get there, but the end game is there and I need to really focus at some point to get it done. I may have to take a long weekend in mid-May to get there. Heavy heaving sigh. It’s always about time management for me, isn’t it, and being tired? How did I used to do this all the time? Oh yes, I was younger and hadn’t had COVID yet. *shakes fist at universe*
I need to stay away from Twitter more. I get so angry whenever I go there, and am always tempted to say something snarky or in kind to a troll–I don’t always succeed in deleting the tweet before hitting send, either–and while I am not worried about going viral or getting cancelled (if it happens, it happens, you know, and if I fuck up, I kind of deserve it), I am trying not to be that person. I don’t want to troll trolls on-line, nor do I want to get into tweet-fights with anyone. It’s all just a waste of time and energy that can be utilized better elsewhere (I do, however, reserve the right to troll anyone trolling a friend), and does no one any good. Twitter is the worst of us, really; originally intended for people to connect and interact with each other, it basically evolved into a place for people to complain. Oh, someone cut you off in traffic? Tweet angrily about it! You watched a show you didn’t enjoy? Tweet about it! And so on and so on. Twitter can be fun; I’ve certainly had fun there with friends and of course there’s always my “Greg meme” face, which can be used for surprise, shock, or horror (I actually have the picture saved on all devices for easy access and use as “the horror”); for some reason that always makes people laugh. It is a funny photo, and I will always be grateful that Josh Fegley snapped that shot so perfectly timed to get that expression on my face when the Evil Mark said, well, something evil while we were at Drag Bingo at Oz. I’ve tried repeating that photo without success; it was something in and of the moment, I guess.
Or I’m just older and my face sags so much I can’t replicate the expression. One or the other is the most likely, or probably both.
Heavy heaving sigh.
And on that note, I am going to head into the spice mines. Have a lovely day, Constant Reader, and I will check in with you again tomorrow.
Saturday morning of Malice and I am up at this ungodly hour because I have a very early (for me) panel, the Agatha Awards Best Children’s/Young Adult nominees panel. I still don’t believe I’m an Agatha finalist–that won’t sink in completely until after I lose tonight at the banquet (the noms never seem real to me until I lose). I am very grateful to everyone who voted for me to be nominated, and yes, it is absolutely 100% true that the nomination in and of itself is an honor. I’m definitely not the first queer author with a queer themed book to be nominated for an Agatha; there are two of us this year for sure (yay for Rob Osler!), but the past? Hard to say with any certainty without going back and reading everything that has ever been a finalist, but I’m still pretty proud of myself. The queer kid who used to dream big in his bedroom in Kansas has now been nominated for four Anthonys, a Lefty, a Macavity, and an Agatha, among others, and all of these have been a shock and a surprise–very very pleasant ones, at that–because it never even crossed my mind that any of that was even potentially possible for me, ever. Awards aren’t something I think about when I write anything (the very idea of hmm this might win me some awards is a completely alien concept for me; I think that’s the case with every writer. I could be wrong), but they are absolutely lovely.
And I try not to let the egomaniacal narcissist at the core of my being to get caught up in the competitive mindset. I learned that lesson the first time I was ever nominated for anything, when Murder in the Rue Dauphine was nominated for a Lammy. Oh, how I wanted to win that goddamned Lammy! I was still new to the business and very raw; still adjusting to the reality that everything I’d ever wanted in and for my life was happening, and I was still scarred from years of thinking (and being told, repeatedly) that my dreams were unrealistic and would never happen. I think I wanted the validation of winning an award more than the award itself; it was another opportunity to flip off the people who’d always tore me down and belittled me, made me feel unworthy of anything good. But when my name wasn’t called after the ritual opening of the envelope, I was overcome with disappointment and the thought still not worthy flashed through my head as the winner walked up on-stage to accept his award. But as I sat there, listening to the winner thank people, seeing how genuinely moved he was, and remembering he’s such a nice guy, I realized I was genuinely happy for him. The dark clouds parted and the sun started shining again. I’d been a finalist. Many writers are never nominated for anything; I’d say the vast majority of us are never finalists for any kind of award. Some only get nominated once and then never again. My little debut mystery novel that no agent wanted to represent had been picked by judges as one of the best five gay mysteries published in that year. It earned out and sold well. I should be grateful, not competitive. I don’t really like that competitive mentality that springs up in my head around this kind of thing, so I always try to stomp that mentality out whenever it rears its ugly head.
That first book started a career that now spans over twenty-one years, forty novels, fifty short stories, and over twenty anthologies edited. I’ve been nominated for so many awards over the years that I can’t even remember them all. I’ve even won a few times, which is incredibly humbling. I’ve shared a table of contents in anthologies with major writers whose work I admire and respect–and can call some of them friends. I am so incredibly lucky and blessed, and sometimes (frequently) I forget that. I have an amazing life. I live in a city I love with the man I love doing the work I love–both writing and the day job. The day job can be exhausting, but I actually do work that makes a difference in people’s lives, and I am not the kind of person who can be happy doing a job that I don’t feel makes positive change in the world. My day job has also been an incredible education; I’ve learned so much from my co-workers and my clients that it kind of seems wrong that I get paid. I have the most amazing friends in the world; incredibly smart and talented and kind and supportive people, the kind of friends I used to dream about having when I was that lonely kid in Kansas that everyone whispered about (some said it to my face, but while painful and awful at the time, I kind of respect them more than the ones who pretended to be my friend while mocking and laughing at me behind my back. For the record, it was a very small school and everyone talked, so I knew then who you all were and I still know it now. Have never once regretted getting out of that shit-hole state.). I know so many wonderful people now; so many that I really want to get to know better–what a marvelous problem to have, right? I know so many amazing people that I can’t get to know them all as well as I would like.
The kind of problems I never dreamed I’d ever have. Lucky, blessed, and charmed. Awards are really just lagniappe.
And on that note, I am going to get ready to go forage for coffee and get ready for my panel. Have a great Saturday, Constant Reader–and I will be very happy and proud for whoever’s name gets called tonight.
I honestly believe that a lot of our problems in this country are a direct result of an attempt to enforce some national prudery standard that relentlessly tries to shame any and every one of us for the perfectly natural and normal human functions of our body. We are seeing this again in this modern age, as the Morality Police (who are all-too-frequently hiding some horrific skeletons in their own closets) try to get books banned, discussions about sex and sexuality and gender stifled and silenced, and entire segments of the population erased from public view and hidden away again because it makes them, well, uncomfortable.
Well, semi-automatic weapons, religion, and bigotry make me uncomfortable, but that doesn’t matter, apparently, as I am (to borrow a phrase from John Irving and The World According to Garp) a “sexual suspect.”
Ironically, I distinctly remember what television was like back when it was heavily censored and what was considered wholesome family entertainment was aired. It didn’t mean sex wasn’t talked about, it just meant that it had to be implication rather than outright said–which led to incredibly stupid phrases to stand in for sexual contact, or sexual intercourse, that were completely transparent and frankly, kind of stupid. That was the kind of television I grew up with, where everything was plastic and phony and created a false sense of what the country was really like (where, for example, are Mayberry’s Black people?), and some people watch those old shows and think, oh, what a better and simpler time we lived in then! We must get back to that world of innocence!
Which, of course, is complete and utter horseshit. Television of the 50s and 60s most certainly were not reflections of culture and society as a whole, no matter how much someone might want that to be the truth…it was not.
When I was a child, I hated the stupid, coy euphemisms screenwriters employed to mention sexual activity and escape the censors; “hanky-panky” is perhaps one of the worst. “Making love” is another one that puts my teeth on edge; “making whoopie” still another, and perhaps the worst offenderof all was ‘vo-dee-oh-doe’ from LaVerne & Shirley. Even when I was a kid that kind of “nudge-nudge wink-wink” kind of thing annoyed me; I can remember thinking, many times, “just say fuck, for Christ’s sake.” “Making love” is one that was really popular on soaps, and it’s always said tearfully; it also made me want to slap the speaker (and of course the movie Let’s Make Love really should be Let’s Fuck). The fact that we don’t have a common, easy to use word to substitute for fucking that delicate sensibilities won’t consider profane is part of the problem in this country, frankly. Oh, no! Sex is dirty, we can’t talk about that! We can’t come up with a non-offensive word for it because just thinking about sex upsets some people. God forbid we actually have a realistic, honest conversation about sex and sexuality. I hate to break it to you prudes, but sex is normal and healthy. The fact that our culture has tried so desperately to appease the prudes by turning sex and sexuality into something we’re just not supposed to talk about has put braces on our brains, and anchored fear and loathing to our sexuality; if our mightiest God in this country is Money, the second mightiest is SHAME. Having your body react to stimulation by getting aroused? SHAME ON YOU.
When I was growing up–and granted, things have gotten a little better since then–even masturbation was considered something shameful that no one would ever admit to; nothing like learning repression when you’re going through puberty. It was an insult to call someone a jack off; you mocked boys by talking about them jacking off…which was something I did pretty regularly, so even more SHAME. And when you take into consideration the fact that even as young and sheltered as I was, that I knew my sexuality–my physical and intellectual and emotional attraction to other men–was wrong and something else to be ashamed of; not only was I masturbating but I was thinking about men while I was doing it: DOUBLE WHAMMY.
It took me years to shake off that prudish conditioning, and it wasn’t until I stopped feeling shame about sex and my sexuality that I finally started to actually live my life, rather than having a life that just happened to me. Fear and shame had made me passive; afraid that being myself and living the kind of life I wanted to would cost me friends, family and employment; afraid that embracing having sex with other men (and exploring every element of what that meant) would lead to an infection that could kill me; afraid afraid afraid.
I often say that I refuse to live in fear, but that I am also sensible; I always am acutely aware of my surroundings and everyone around me–while that may have developed from being gay and knowing that made me a target, I think it’s prudent and smart to always be aware, regardless of who and what and where you are.
Given my prudish upbringing and conditioning, as well as the shame and fear I lived with for so long, it is kind of interesting that I started write erotica in my late thirties. Writing erotica for me was an education in many different ways. I learned a lot about myself while writing it, for one thing; for another, I taught myself how to write short stories by writing erotica (beginning, middle, end is never as apparent or obvious as in an erotic short story), and I was also able to work through a lot of my own issues with shame by writing erotica. The first erotica story I ever wrote, “The Wrestling Match,” was a liberating experience for me; I found myself blushing with embarrassment as I wrote it, which was an interesting (to me) phenomenon. Why was I so embarrassed to write about desire, lust, and sex?
Because years of conditioning to associate shame with desire and sexuality had taken firm root in my mind. It was an interesting experience–and the next time I wrote an erotic story, tit was an entirely different situation; there was no shame or embarrassment. Apparently, all it took was writing that first story to work through it…it was also interesting, because around that same time I was trying to get caught up with all the queer fiction and nonfiction I hadn’t known existed for such an extended period of time, and reading has always been how I learned about anything. I was reading Dorothy Allison’s essay collection Trash (which should be required reading, really), and Dorothy’s point that if we spoke honestly and openly about sex and sexuality (and other aspects of human life that for whatever reason we’ve been conditioned to think we can’t talk about) a lot of the stigma and shame most people feel would be eliminated. As long as your fantasies don’t involve hurting anyone or children–if everyone involved is able to give informed and full consent–there’s nothing to be ashamed of, really. But we’ve been conditioned in western civilization since Catholicism conquered the Roman Empire to consider anything of the body to be sinful and shameful; things of the mind and spirit are what we are supposed to focus on while denying the earthy sinfulness of our sexual desire. (This also goes for other bodily functions, like waste and gas) This is particularly true when it comes to kink. We’ve been conditioned in this country to think anything besides missionary position between a man and a woman is something so beyond that it must be shamed, and reacted to with revulsion. Why? As long as no one is being hurt and everyone is on board, I don’t care if you like being spanked, or lashed with cat o’nine tails; or if you like to wear leather and get a thrill from it. My own kinks primarily are focused around the domination/submission play of wrestling; I’ve written about that extensively enough to not feel the need to go into it again here (but check out my erotic pro wrestling novel, Going Down for the Count, available at any bookseller on-line!).
We don’t have honest conversations about sexuality and desire in this country. Writing an erotic short story was incredibly freeing for me; it broke the bonds of shame that indoctrination had built up in my brain. It may not be the case for everyone else, but it’s always interesting to me that people never question themselves when it comes to their own prudery, lusts and desires. (The way they depict it on the hilarious animated comedy series about puberty, Big Mouth, is particularly genius: the Shame Monster.) If you feel shame about your sexuality and your desires, shouldn’t you examine that? Where did it come from? Why do you feel this shame, and what is its root cause?
I do spend a lot of time gazing at my own navel and trying to figure out where all of my phobias and fears and so forth come from, so it’s always interesting to me when people don’t and seem to have no interest in self-examination. Maybe it’s just another form of my own narcissism and self-absorption; that could easily be the case. I sometimes wonder if the reason others don’t reflect on themselves and self-evaluate is because they are somehow more comfortable in their own skins than I am in mine. It’s certainly possible.
But the only way we can stop a lot of the bigotry and hatred in this country is to start being open and honest about sex, sexuality, and desire. To stop shaming people for being interested in sex, and exploring their fantasies and desires. Almost all of our prejudices are rooted in this fear of sex and sexuality; white supremacy is, in some ways, about protecting the “purity” of their blood and “womanhood” from the sexual predation of non-whites. (That was really what the trial in To Kill a Mockingbird was about; but interestingly enough Harper Lee, in illustrating Southern white bigotry through a rape trial, was also unintentionally sending a very strong message to her readers about class structures in the South; but that’s a subject for another time. White people really love that book….)
Banning books and discussion of sexuality and gender doesn’t make those things go away; instead, it just makes them even more enticing as forbidden, things that are dirty and we aren’t supposed to talk about.
Then again, if we are going to talk about these things, people also need to listen–and the ones who need it most? Never are the ones listening in the first place.
Tuesday morning. I slept decently last night, which was lovely, but I did want to stay in bed rather than spring forth from under the covers wide awake and ready to face the day. I mean, I’m not worried about facing the day, but man, I’d rather be back in bed under the covers.
I did make some progress on the book yesterday; every drib and drab helps get me closer to the goal line, so I am taking that as a win-win-win for now. I wasn’t terribly tired when I got home from the office yesterday, either. We started watching The Watchful Eye last night, which is interesting and is obviously from the Only Murders in the Building school of thrillers. There’s all kinds of stuff going on in this building, mostly concerning the family who originally built the building and members of which still live there–and spy on each other and manipulate each other and yeah, it most definitely held our interest until it was time to go to bed. It’s not the greatest thing I’ve ever seen, and it does somewhat come across as a bit derivative (exclusive apartment building in Manhattan filled with rich people! Crime! Money!) but it’s entertaining enough. There seem to be several different storylines running, and trying to keep track of them before they are introduced is a bit of a challenge; apparently our main character, the new nanny, has lied and faked her resume to get the job because for some reason she needs to be in the building. She is working with her boyfriend, who also happens to be a cop, but we don’t find out what that’s about until the second episode. There also appear to be ghosts (or at least one) in the building, too–so it’s maybe kind of a cross between Only Murders in the Building and maybe Rosemary’s Baby?
Overall, yesterday was a good day, I think. I am hoping for a good week, after a bad weekend. I was a little mopey last night, not gonna lie about it, but not as bad as I was over the weekend. I also didn’t get much progress on the book done yesterday either, but what I did was good–it’s interesting how uninspired I can feel and yet still do really good work; I was thinking about this last night actually–how I have really not felt particularly inspired and how the writing itself has felt like drudgery now for going on several years, and yet I am still producing what is probably the best work of my life in this stage of it. How peculiar is that? My last four books (Royal Street Reveillon, Bury Me in Shadows, #shedeservedit, and A Streetcar Named Murder) are works that I am particularly proud of; I am sure at some point when this fucking Scotty I am currently fighting my way through is finished I’ll probably wind up proud of it too–although at the moment that is impossible to imagine or conceive. Some of the short stories I’ve done during this period are also ones of which I am inordinately proud–I am really looking forward to “Solace in a Dying Hour” seeing the light of day in the anthology This Fresh Hell. Go figure, right? I am doing my best work when I am not enjoying doing it? That sounds about like the story of my life, to be sure.
I went down an Internet wormhole over the past few days involving one of my favorite characters from history, Catherine de Medici Queen of France. I’ve always been interested in her and that particular period of French history: the dying out of the Valois branch of the ruling dynasty and the Wars of Religion that sundered France, and especially have always been interested in her Flying Squadron (l’Escadron volant); beautiful women she had trained in the art of conversation and seduction whose primary function was to bed the Queen’s enemies and spy on them, reporting back to her. I’ve always thought it would be interesting to write from the perspective of one of those women–intrigue! Suspense! Danger! Who is a Spanish spy, and who is an English spy? Who is a Huguenot and who is working for the Pope? The French court was rife with intrigue and conspiracy in that period, which would be so much fun to write about.
I still would like to write that popular history of the sixteenth century focusing on all the women who held power in that century, which I would be more than willing to go out on a limb and say was more commonplace in that century than in any other, before or since. (What can I say? When I am down and in the dumps, as I have been these past few days, Internet wormholes about periods of history that fascinate me draw me like honey draws bees) I’ve even been thinking about the introduction to it lately; it’s been in my mind. The more rabbit holes about the sixteenth century I go down the more it interests me, you know?
And on that note, I am heading into the spice mines. I hope you have a lovely Tuesday, Constant Reader, and I will check back in with you again tomorrow.
Tuesday and somehow we managed to survive yet another dread Monday. I was tired and not feeling well most of the day; I wasn’t completely sure whether I actually was sick or was just so damned tired that I felt sick. In either case, it was a thoroughly miserable day for one Gregalicious. I was very close to calling in sick, but I knew I had things in the office that needed doing today–I was right; we’re having site visits from our primary funders this week–so I am glad I went in, even if I felt like shit for most of the day. I was so tired when I got home yesterday that I retired to my easy chair almost immediately, and I got little done. Which was fine. I slept better last night than I did Sunday night, and feel more rested today, but will without doubt be tired when I get off work again tonight.
We continued with P-Valley, and it did pick up with the second episode of the second season. I think watching in a binge–going from the season one finale to the season two opener–was the problem. The season finale was a non-stop adrenaline rush, with things blowing up and a shoot out and fights and violence and just in general insanity; the season two opener was bound to seem a bit slow and not quite as entertaining, particularly since they had to deal with a pandemic. But it definitely picked up again, and we were quite absorbed in the story. We may be able to finish it off tonight; I don’t know how many new episodes are left for us to see. And then we’ll need to find something else to watch. Yippee.
I also am looking forward to deciding on my next read, too. I have several strong contenders, but I think I am going to dip out of my field for a change and read something different, not a crime novel. I am leaning toward Chris Clarkson’s That Summer Night on Frenchmen Street; we did the y/a panel together at S&S, and I really liked him a lot–and he’s a local; lives even in the same neighborhood, and probably not really all that far away, either. We’re going to try to get together for coffee sometime when I have I have some free time. Ha ha ha ha. Well, when I can carve out some time from a weekend, that is. This is my last weekend at home before Malice Domestic, and of course that next weekend I am going to Alabama. Heavy heaving sigh. No, it’ll be okay, methinks. I’ll be able to somehow get everything done that I need to get done; it always gets done and I have yet to collapse under the stress and weight of too much to do and not nearly enough time to do it in.
Which, of course, is absolutely nothing new in the life of one Gregalicious.
Note to self: update to-do list from last week. I actually was able to cross some things off it, which is always a pleasant feeling, but I really need to get a new one together. I hate when I am so tired on Monday, as I was yesterday as well as not feeling good; it gets my week off to a very bad start, and since I have to get up at six every morning until Friday…starting the week off tired is never a good thing. I feel better this morning–I don’t feel sick anymore, which is nice, and of course I feel rested somewhat–but I also tend to think that the reason I felt sick was because my blood sugar was low. I didn’t eat much over the weekend and so of course yesterday felt like I was starving to death at times. (Okay, that’s wrong and extreme; I simply felt hungry, and since I rarely do, it felt much worse than it probably would to someone else.)
I’ve been spending a lot of time going down wormholes when I’m tired–don’t ask, it’s mindless and a nice diversion when I’m really too tired to think–and wondering if it is indeed possible for me to write about the past, even if they are decades I lived through. New Orleans history is so rich and varied–I came across another article about the Trunk Murders yesterday, which I’d love to write about sometime; there are so many marvelous crimes in New Orleans’ past to build books around the fictionalization of; the kidnapping of that little boy, for example, whose name is escaping me at the moment, or the lynching of those Italians who were found not guilty of killing the chief of police–that would also make an interesting book. I’m kind of casting about for another Sherlock in New Orleans before the Great War story, to be completely honest; I really enjoyed visiting that world when I wrote that story and would love to do another. I don’t think I’ll ever write a gay Sherlock book, even though he’s now in the public domain and anyone can do anything they want with him–primarily because I do NOT want to raise the ire of the Sherlockians. I think I captured the essence of the character in my story, but…not being an actual Sherlockian makes the Imposter Syndrome very strong with that one.
And on that note, I should get cleaned up and get started on my day. Have a lovely Tuesday, Constant Reader, and I will check in with you again later.
