Johnny Be Good

I love Stephen King, and have since I first read Carrie when I was thirteen.

I will also go out on a limb and say that while he has written some amazing fiction and novels in the last forty years, the run of novels between (and including) Carrie and Misery in the 1970s and 1980’s was probably one of the greatest runs of incomparable work ever accomplished by any writer in any sub-genre or genre of fiction, period. There wasn’t a single stinker in that run, and even the one I personally dislike ( Pet Sematary) isn’t bad–it’s actually a testament to King’s skill that I’ve refused to reread it since that first time; it made me incredibly uncomfortable in so many ways viscerally that I’ve really never wanted to read it again.

And isn’t that the real point behind horror?

I also saw something recently about how people who suffer from anxiety often rewatch movies/television shows and reread books when they are anxious because there’s comfort in knowing how something ends. It had never occurred to me that this was a thing, but I used to reread books all the time when I was younger, often picking one up and just opening it at random and diving into the story again. I reread most of the earlier Stephen King novels countless times, as I have also reread books like Gone with the Wind and kids’ series books and other particular favorites. I still reread some periodically, like Rebecca and The Haunting of Hill House. When I picked up The Dead Zone to reread it–I realized that I don’t really reread the way I used to when I was younger. On the rare occasions when I thought about it, I figured it was because I don’t have the time and there are so many unread books around the house that I shouldn’t revisit something when I have unread books collecting dust and moldering on the shelves. But reading that about people with anxiety made me recognize myself and I also realized that I don’t reread as much as I used to (or rewatch) because I don’t have as much anxiety as I did when I was younger. (Don’t get me wrong, I still have too much of it for me to be comfortable going forward without doing something for it, you know.)

I’d thought about rereading The Dead Zone in the wake of the 2016 election; I had posted on social media early on during that campaign season, “Is anyone else reminded of Greg Stillson?” But I couldn’t, just as I couldn’t go back and revisit Sinclair Lewis’ It Can’t Happen Here or The Handmaid’s Tale or any of the other great collapse of American democracy novels. But this reread…made me truly appreciate all over again what a literary genius Stephen King actually is–and an American treasure.

By the time he graduated from college, John Smith had forgotten all about the bad fall he took on the ice that January day in 1953. In fact, he would have been hard put to remember it by the time he graduated from grammar school. And his mother and father never knew about it at all.

They were skating on a cleared patch of Runaround Pond in Durham. The bigger boys were playing hockey with old taped sticks and using a couple of potato baskets for goals/ The little kids were just farting around the way little kids had done since time immemorial–their ankles bowing comically in and out, their breath puffing in the frosty twenty degree air. At one corner of the cleared ice two rubber tires burned sootily, and a few parents sat nearby, watching their children. The age of the snowmobile ws still distant and winter fun still consisted of exercising your body rather than a gasoline engine.

Johnny had walked down from his house, just over the Pownal line, with his skates hung over his shoulder. AT six, he was a pretty fair skater. Not good enough to join in the big kids’ hockey games yet, but able to skate rings around most of the other first-graders, who were always pinwheeling their arms for balance or sprawling on their butts.

Now he skated slowly aruond the outer edge of the clear patch, wishing he could go backward like Timmy Benedix, listening to the ice thud and crackle mysteriously under the snow cover farther out, also listening to the shouts of the hockey players, the rumble of a pulp truck crossing the bridges on its way to U. S. Gypsum in Lisbon Falls, the murmur of conversation from the adults. He was very glad to be alive on this fair, winter day. Nothing was wrong with him, nothing troubled his mind, he wanted nothing…except to be able to skate backward, like Timmy Benedix.

So begins the prologue to The Dead Zone, a King classic that doesn’t get nearly the respect it probably should–especially in wake of the 2016 election. Johnny does, in fact, learn how to skate backwards, but is so excited about it he doesn’t notice he is heading right into the hockey game, where he gets hit broadside by a teenager and sent sprawling, hitting his head on the ice and knocking himself out. As he slowly comes back to consciousness, he starts muttering things that make no sense to the worried kids and adults gathered around him, including saying to “stop charging it’ll blow up”. But then he wakes up, is fine, goes home and doesn’t even tell his parents what happened (imagine a child knocking himself out and the parents not even being told today–never happen). A few days later one of the men’s car battery is dead, he jumps it–and it blows up in his face; only no one remembers the things Johnny was muttering; everyone’s forgotten about it.

The second part of the prologue introduces us to the other main character of the book, or the person who is fated to have the biggest impact on John’s existence, which also begs the question of fate and destiny; these two men’s lives are going to intersect, and the rest of the book follows their lives–primarily focused on Johnny’s, with the occasional swing over to see what’s going on with Greg Stillson and his climb to power and success. That prologue introduction to the traveling Bible salesman in Oklahoma who kicks a dog to death lets us know who he is right from the very start–he’s the bad guy, the reason all these things are happening to Johnny so their lives will cross.

Johnny’s story has three acts: first, the car accident that leaves him in a coma for five years (and introduces us to him, his love interest Sarah, and his parents) and inevitably ends with him catching the Castle Rock Strangler, using the abilities that he woke up from the coma with; the second, which concludes with the vision about the graduation party ending in fire and mass death; and the third, where he realizes he is the only person who can stop Stillson’s political rise, the country’s descent into fascism and a final cataclysmic nuclear war (which was an every day reality for us all back when this book was written, by the way).

The most interesting character to me, always, from the story of The Trojan War (I loved mythology and ancient history as a child) was Cassandra, the princess who was given the gift of prophecy accidentally (her ears were licked by one of Apollo’s temple snakes; he cursed her by having no one believe her and this frustration drove her mad); I always wanted to write from her perspective. John Smith is a modern-day Cassandra, a young man who unwillingly was given the gift to see the future as well as have psychic visions, and his story plays out very similarly to Cassandra’s, and asks the big question: if you had the knowledge and foresight to stop Hitler in 1932, even if it meant killing him, would you do it? The personal good vs. the collective good?

I thoroughly enjoyed this reread, and it definitely holds up, even if it is a time capsule of the 1970s, which also made it a big more fun.

(Oh, and that fall he took as a child? While it is never really explained where his abilities come from, King implies that that first head injury awakened the talent in him; the later head injury and coma woke it up again and gave it more power.)

She’s Out of My Life

Sunday morning and it’s below sixty today in New Orleans, which is fine. I slept super-well last night, which was great, and feel pretty rested this morning. I have a lot of things to do today before I meet my friend Ellen at San Lorenzo (the restaurant in the Hotel St. Vincent, which used to be an orphanage and then a very inexpensive hostel in the Lower Garden District for a very long time but has been gentrified into a lovely boutique hotel with a café, fancy restaurant, and poolside bar) for dinner. And having left the house yesterday for a wedding last night…that’s two nights on a weekend where I’ve left the house. Peculiar, isn’t it?

Yesterday was a very good day. I woke up feeling rested, did some chores, finished reading Angel Luis Colón’s Infested, which I really enjoyed (more on that later) and then did a reread of Daphne du Maurier’s marvelous long story “Don’t Look Now” (more on that later) before watching some football games before it was time to summon my Lyft and head over the bridge to the wedding. Today I am going to start a reread of The Dead Zone–which might not be as thorough as it could be–and I need to get to work on some things. There are also some chores I never got around to yesterday that need to be addressed this morning and I really should write today since I didn’t anything yet this weekend. I worked on “The Blues Before Dawn” a bit on Friday after finishing my work-at-home chores; I’d like to work some more on that today. I also should work on the mess in the laundry room and should finish the organizing and filing, etc. I haven’t ever finished reorganizing the files at all; and I really need to get back on top of that. I need to finish the dishes and run the dishwasher too; and I am going to make potato leek soup in the slow cooker today–I can’t believe it’s never crossed my mind with this soft food diet to make a batch of that soup. It’s incredibly filling, for one thing; usually one bowl is all it takes, and it will last for a week at least. Same with my white bean chicken chili–all soft, will last a long time, and it’s both filling and delicious. Obviously, I didn’t think this soft food diet through beyond “oh, no burgers or pizza.”

The wedding was lovely. One of my co-workers (whom I absolutely adore) married his partner in their backyard on the West Bank last evening, which was marvelous. It was nice seeing my co-workers outside of work in their fancy clothes (they all looked fantastic) plus it was nice to spend time with them outside of the work environment. I had some nice conversations, and I realized that I’ve kind of isolated myself from them because of my age; I feel the age difference far more than they actually notice it. I do like them all, and find them all very interesting; it’s my loss more so than theirs. Anyway, it’s something to think about going forward anyway. I am glad I went for any number of reasons–I will only attend same-sex weddings pretty much now, as they are an act of defiance now more so than ever–but not the least of which is spending more time with my co-workers, or as I like to always call them, “the kids at work.”

Football was interesting yesterday; I’ve not really looked at the results from yesterday much. LSU was ahead of Army 14-0 when I got into my Lyft and checked my phone; by the time I got home it was 28-0 and still the first half. It wasn’t much fun–I only enjoy LSU games where they score 62 points if they are playing an SEC opponent–and so I didn’t feel guilty for switching over to Auburn-Mississippi (Auburn ended up losing), or for watching Skate America once Paul came back downstairs (he got bored with the game as well). Checking the scores and results, it looks like this could be another chaotic year like 2007–which will make the play-off decisions interesting once the season concludes. LSU can still win the West with a win over Alabama if Mississippi stumbles again–they have to play at Georgia, so chances are good that will happen–and winning out. I also realized this is the fourth year of LSU’s championship cycles: they won in 2003, 2007, and 2019; played for it and lost in 2011, with 2015 being the only four year cycle that didn’t end in them playing for the national title. Perhaps this will be the second time that cycle is broken.

Twitter continues its slow death spiral, and I am checking it less and less these days, and staying there very briefly. I do have some friends still there that I like to interact with, but of course the others are slowly becoming what Twitter became as well. Yesterday a straight white man came barging onto a thread of George Takei on Threads, in which George was talking about how difficult it is for queer people–for any minority–to deal with elections, when our rights hang in the balance every fucking time, and how sometimes as a queer person or a person of color, you have to grit your teeth and vote for the Democrat because no matter what or who, the Republican option isn’t an option for queer people or people of color—unless we really hate ourselves to the point that we hate other people like us, or only care about our money rather than our rights. The example George was using was campaigning and voting for Bill Clinton after he signed both DADT and DOMA into law during his first time despite his avowed belief in the rights and dignity of queer people in 1992 on the campaign trail. Fox News and the right used his support of queer rights–along with a ridiculous scandal with no evidence of wrong-doing by either Clinton (remember Whitewater? I sure the fuck do)–to take back the House in 1994 and handicap any attempts at being progressive. I also remember Bill Clinton trying to get a form of the Affordable Care Act passed–the right also used that battlecry of “socialism” to scare people into giving them that House majority with Newt Gingrich as speaker (I remember it all too well). The reason I remember this all too well is because HIV/AIDS was still killing people and there was no cure as of yet; a positive test meant a very good chance of death relatively soon. I fucking lived through the 80s and the 90s, thank you very much.

I also remember that Bill Clinton was the first presidential candidate to mention HIV/AIDS, and to notice that queer people actually exist–so you can fucking miss me with the Hillary hate, thank you.

Anyway “straight white man” (hereafter referred to a Mr. Mediocre) barged into George’s thread to lecture him about compromise voting and how if we would all just really get behind true progressives, change would be that much easier and how he could just never ever bring himself to the point where he could vote for someone who ever voted for a war.1 That told me everything I needed to know about Mr. Mediocre–the “ally” who couldn’t bring himself to vote for Hillary in 2016 because she voted for the war, believing the lies the Bush Administration and his fully supportive Congress were pushing on us all, calling those of us who didn’t want the war cowards and/or traitors, questioning our very patriotism. Blaming Hillary for believing the lie so you threw your vote away in 2016 so you could remain “pure” fucked over your so-called “allies,” you miserable piece of shit. And instead of ignoring and blocking, which is what I usually did, the audacity of Mr. Mediocre lecturing George fucking Takei, a gay Japanese-American who grew up in an American concentration camp for American citizens of Japanese descent on purity politics just didn’t go down with me, so I replied, Oh, look, another straight white man who will be okay no matter who is in power lecturing those whose rights are on the line with every election about his purity. Don’t hurt yourself patting yourself on the back while you screw over minorities over some purity test that we don’t have the privilege of applying to our votes. “Allies” like you gave us Bush in 2000 and Trump in 2016. Thanks for that, by the way.

If you think Mr. Mediocre would let that go, let me introduce you to The Progressive Straight White Man. They can never let that shit go. You know he read my response and climbed back up on his High Horse–how dare a gay man call him out and speak to him that way! He told me “You should want better, but I’ll still keep working for women and minorities.2

I replied, I do want better but am realistic as a minority in this country to know that no matter what I have to vote for the least damaging candidate because my rights are actually on the line with every election, so don’t condescend to me about your purity tests and progressive bonafides when a real ally will show up, hold his nose and vote for the Democrat. We warned you the Supreme Court was at risk, but her emails! That pesky vote for the war! So forgive us for not applauding you for your purity. Now the Supreme Court is poised to take us back to 1860 but hey, at least you can sleep at night for not voting for the warmonger.

Asshole. After all, Dobbs didn’t affect him–and when his daughter is forced to carry her rapist’s baby, I hope he remembers that purity vote in 2016 with pride.

And on that note, I am heading into the spice mines. I need to eat something and make another cup of coffee and get the potato leek soup started, no easy chore. Plus I want to write up what I read yesterday and the impressions they left with me. Have a great Sunday, COn

  1. which means he wouldn’t have voted for the two most progressive presidents we’ve ever had, I might add; FDR declared war, and LBJ voted for it, as well as intervention in Korea. Some progressive this dude is, right? ↩︎
  2. Love that pathetic attempt at progressive shaming, which again tells me everything I need to know about his politics–if he doesn’t get the perfect candidate that aligns with everything he believes (a pipe dream that will never happen), he won’t vote for them no matter what that means for women and minorities. Some ally. ↩︎

Breakdown Dead Ahead

Wednesday and the middle of the week, with the weekend inching ever so much closer with every passing minute. The excitement never stops, does it?

The other day when I was reading I just put some music on Youtube on the television and let it auto-play. At one point when I was putting the book down to write down another bit of really strong writing (furniture being embarrassed) when I realized the song that was playing was “Silver Spring” by Fleetwood Mac, one of my favorite songs of theirs (definitely in the top five, if not the favorite) and while I’ve loved the song since first hearing it and have even seen the exorcism performance live for “The Dance” television concert when it originally aired, I’d never really thought about or analyzed the lyrics in any great detail or in depth–but had always known it was a bitter break-up song, never really grasping just how bitter of a break-up song it is; it’s not about heartache at all; it’s a really resigned, “I tried everything I could but nothing was ever enough” type of song…but on Sunday it hit me right between the eyes: it’s not a fuck you break up song, it’s a “Oh, but no–I said fuck you and I meant it” song.

Those lyrics are chilling, seriously.

Yesterday was another “feeling off” day; primarily because of Monday not being a normal day. We were also busy in the clinic, which I don’t mind–but I was very tired when I was finished with my shift yesterday and it was time to go home. I picked up the mail–I had ordered forever stamps for Christmas cards (feeling ambitious, like I am actually going to buy some, address them, and really send them this year), so those had came, along with my replacement Pyrex glass storage container lids and Elizabeth Hand’s Hokuloa Road (I’m really becoming a big fan) and some stuff for Paul came–but by the time I pulled up in front of the house I was worn down and tired and primed for some Tug lap time. The little guy slept in my lap for most of the night while I watched Youtube documentaries about the Byzantine Empire. I even wound up going to bed earlier than I usually do. I hope today feels a bit more normal; it kind of does already since I woke up this morning. And it’s midweek; and while I was sort of feeling sulky about having to do things in the evenings this weekend, it’ll be fine. This Friday I have no medical things going on–at least not so far–but I do have to run by the office for a benefits meeting, which is kind of important. Our insurance carrier is leaving Louisiana after this year, so they are presenting us with our new options this week…why do I have the sinking feeling that our insurance is about to get a lot worse?

It’s not like things ever really get better on that front, do they?

And now I am getting bills that are due in November. My God, how has this year already flown by so quickly? It’ll be 2024 before we know it…I mean, I am already thinking about Christmas cards, for fuck’s sake, and not letting the time escape before it’s too late to send them. I also kind of need to get them done before my surgery, too–I am going to be one-handed for a while, which is going to majorly suck for a while. I was thinking about this very thing yesterday, to be honest (and that could be why I was so tired and drained when I got home; it’s a lot when you think about it) and started paying attention to what I was using my hands for as I drove home and picked up the mail. The guys at the post office are amazing–they’ll carry stuff out to the car for me if I’m unable; I’ve seen them do it for other infirm people before, but how does one grocery shop? Carry in the groceries? I think I need to buy a wagon or something, an old lady cart or something, to make that easier for myself.

I didn’t start reading Angel’s Infested last night because I was mentally fatigued, but am hopeful that tonight I’ll get home from work and feel not only inspired to do some writing but to do some reading as well. I did read the first few pages, and it drew me right in–Angel Luis Colón is a very good and very underrated writer–but my mind simply couldn’t focus last night very much (hence watching new videos about the Byzantine Empire last night). I just hate feeling scattered, you know? And I feel scattered this week–partly because of the difficult and different days both Friday and Monday were, and trying to settle back into the routine gets harder and harder the older I get, which I am not terribly fond of. Oh, and yesterday wasn’t normal by any means, either–our nurse was out and a new program started yesterday so things were kind of frantic around the office with this weird manic energy that I also don’t like–the sameness of routine at the office is one of its primary saving graces, and when that feels unstable….well, there you go.

It was also cold yesterday–colder, at any rate–and even right now. it’s not even sixty degrees outside. It’s going to be into the eighties later on in the week during the day, but at night it’ll be in the sixties, which is always pleasant.

And on thar note, I am heading into the spice mines. Have a lovely Wednesday, Constant Reader, and I will check back in with you again later.

Cupid/I’ve Loved You For a Long Time

My, what a gorgeous day it was yesterday–the kind that reminds me why I love it here so much and helps me forget the horror that is July-August (although I believe the summer horror began in late May this year). I made groceries in the morning and also retrieved everything from the carriage house to put in the new refrigerator; it’s lovely. I hadn’t realized what a pain in the ass it was making do with the shitty old one. I didn’t get all that filing worked on, but I did make some material progress that will help get me started working on it all again this week. I have more appointments this week–primary care doctor on Wednesday afternoon, and I have to actually go into the office on Friday for a benefits meeting. Our insurance is changing to a new carrier in the new year, which is why it was so important for me to get all this medical shit out of the way while I still have insurance that will take care of everything, or at least I understand how it operates. I absolutely hate the idea that I will have to relearn all my insurance stuff again in the new year.

It makes me tired.

I slept well today, and don’t have to go into the office at all. We’re having a “professional development day”, which starts at City Park at ten this morning and goes all day, from place to place–we go to Dillard University and later to Ralph’s on the Park–before coming home at six pm. Tomorrow goes back to normal. I didn’t want to get up this morning–Tug also wanted me to stay in bed; he followed me downstairs and is sleeping in my lap while I am typing this (Paul has started calling him Sparky, which kinds of fits…) but is also very sweet. He spent most of yesterday either chasing the laser light, playing with an old catnip toy of Scooter’s (catnip didn’t affect Scooter; Tug/Sparky is an entirely different story), or sleeping in my lap. I spent most of the day in my chair finishing Elizabeth Hand’s marvelous A Haunting on the Hill, which I will talk about in more detail in another entry. I also started reading Rival Queens as my new non-fiction read; it’s about Catherine de Medici and her daughter Marguerite de Valois, Queen of Navarre (aka Queen Margot) and of course, this is one of my favorite periods of history and two of my favorite, most interesting sixteenth century queens; Catherine de Medici is fascinating. A version of Game of Thrones played out in France between 1559 and 1594, and I’m always kind of amazed that it’s not written about more–but Americans are always more interested in English history, if they have any interest in history at all.

It’s a pity, because I’ve always found French history more interesting.

While I was reading A Haunting on the Hill yesterday an old idea of mine–a sort of sideways sequel to Bury Me in Shadows started developing in my mind; another Corinth County novel, only this time with Beau, Jake’s boyfriend from the University of Alabama and an archaeology/Alabama history major, as the main character. I’ve had this idea for a short story for a very long time–set in Corinth County–called “Children of the Stone Circle”, which I think I may have even written an entire first draft a long time ago; just could never tell how to make it work and make it real. It came to me while reading the Elizabeth Hand–I always get inspired when I read books that are well-written that I enjoy–and I made copious notes in my journal. That felt good–it felt good to power down my brain for most of the weekend and kind of relax. I am delighted to have finished the Hand–and for reasons that I will explain when I write about the book, I decided the reread of The Haunting of Hill House–which I still want to do–wasn’t a necessary follow up to the Hand. I am going to read Angel Luis Colon’s Infested next, and perhaps some more y/a middle-grade horror. I do want to reread King’s The Dead Zone, too; it’s been quite a while.

I also watched another episode of Moonlighting last night, which I am really enjoying the rewatch of. There were some cultural references to the time that don’t work–last night’s episode had Addison make a reference to a highly popular ad campaign that was already over but still very much a part of the zeitgeist when the show started–but overall, it’s still a great show. Cybill Shepherd was just stunningly beautiful, and she made a great straight man character for Willis to bounce his antics and humor off, and the chemistry between the two of them was simply off the charts. I had also forgotten how utterly charming the character of Miss DiPesto (“My name’s Agnes, but my friends call me Miss DiPesto”) as played by Allyce Beasley was; I was already a fan of hers when the show started because of her turn in one of the best episodes of Cheers, where she played Coach’s daughter.

“But Gregalicious, I thought you were rewatching Friday the 13th the Series this month in honor of Halloween?” I was, but the episodes are on Youtube, the quality of some are terrible (they were clearly uploaded and digitized from old VCR recordings, and for those of us who remember using VCR’s, we also still remember how bad some of those recordings were–especially when you were re-using cassettes) and it became annoying, and then Moonlighting dropped. So yes, I am not devoting myself to all things horror this month the way I had intended to, and no, I’ve not been taking the walks every night like I wanted to when the weather turned. Partly because I am tired when I get home every night from work, and partly because Tug/Sparky needs attention when I walk through the door and I am more than willing to give the adorable little kitty whatever he wants. He fell asleep in my lap yesterday once while still sitting up–his head was still up, not resting on anything, and he was sound asleep, which I’ve never seen anyone or anything do before.

And when he gets comfortable and is deep in dreamland, he sprawls in the most adorable ways. He also was happy in his sleep at one point, too–he started making biscuits on the arm of my easy chair while purring, but was sound asleep.

Yes, he’s adorable and yes, he is now master of the apartment.

And on that note, I am going to head into the spice mines. Have a lovely Monday, Constant Reader, and I will see you later.

Call Me

Wednesday morning pay-the-bills day blog, and how are y’all this morning?

Yesterday was ever so much better than Monday (low bar) but I slept really well Monday night and felt very rested and centered yesterday as I went to work. Hilariously, as I walked out to the car in my Prevention T-shirt, I felt a bit chilly. When I got into the car it felt downright cold, and once I started the car the a/c started blowing and YIKES! So I quickly switched it over to heat…and as the lovely warm air began blowing through the vents, I saw the thermostat on my dashboard reading 70–it was seventy degrees and I felt cold. But…for well over a month–an endless summer–of temperatures that felt like 110-120; 70 degrees is a forty to fifty degree drop. That is actually a significant drop in temperature, and one that would certainly be felt as cold anywhere.

I have to go uptown to get a sonogram this morning (and no, I am not pregnant). This has to do with the genetic heart defect Mom had; they want to see if I have the same problem (technical term: Arterial tortuosity syndrome) so if things start going haywire with my blood pressure and so forth, they’ll know where to start (it took weeks for them to figure out what was wrong with Mom after her initial stroke). I think part of the reasons I feel so off this week, while exacerbated by the lack of sleep and driving this weekend, has been subconsciously felt anxiety about all these medical tests and things I am having done; plus Dad’s birthday was yesterday and Mom’s is tomorrow; these are their first birthdays with her gone, so it’s going to kick a little harder, which is only natural, I think. I was also productive in that I ordered our new refrigerator this morning to be deliverer on Saturday (yay!) and I registered for jury duty. Of course this is the perfect time to be called for jury duty–when I have a million doctors’ appointments and a surgery scheduled–and of course, you have to show up in person to try to get out of it, which means getting a doctor’s note and showing up at the courthouse on Friday. I can do that, of course–but it’s just more pain in the ass shit to do on a day when I already have a doctor’s appointment. I suppose I could just go there after the appointment. I don’t know. It’s just more irritation on a week where I’d rather not have more irritations. (The MRI is scheduled for Friday morning, that’s what it is.)

Heavy heaving sigh.

I wasn’t terribly tired when I got home yesterday from work, but I didn’t seem to get very much done. I did spend some time reading more of the Sager novel; I’d like to get that finished this weekend at the latest so I can move on to the Elizabeth Hand, the reread of Shirley Jackson, and Infested by Angel Luis Colon. I should, I think, be able to get them all read by the end of the month; I may even have the time to revisit The Dead Zone by Stephen King, which I’ve been meaning to do since the 2016 election. I’m still trying to get a grip and handle on everything, but it’s hard to do with all of these tests and appointments and everything to stress about, even if I try to let it all go it’s still there working away at my subconscious. I also don’t understand why I am so reluctant to face the fact that I am still grieving my mom, seven months later, and her birthday is tomorrow; something else I need to unpack, I suppose. But progress is being made on everything, and of course I am delighted to be getting a functional refrigerator at long last.

Which means I get to spend Friday partly getting the apartment ready for a refrigerator delivery and installation and removal of the old one; which means moving all the food over to the carriage house Friday evening.

I was also thinking back to precisely when I lost the reins of my life and when I started being discombobulated and losing control of my own narrative. I think the stress truly began taking off after buying the car in 2016; the car payments wreaked havoc on my finances and put me even further into debt, which was something I was very concerned about for several years, obviously (still am, but am paying it all down and feel a lot better on that score). Then came the Great Data Disaster of 2018, when I lost all the back-ups and my desk top computer stopped functioning properly; I wasn’t able to afford a new one (thanks to the car payment wreaking havoc on my finances) which also didn’t help–a computer that was super slow, crashed and/or froze up all the time, and was barely functional for what I needed didn’t help–and of course by the time I paid off the car and was able to buy a new computer we were deep into a pandemic and I was doing all that volunteer work while barely holding onto my own sanity by my fingernails. That was also the period of time (2016 on) when the filing got out of control as did my computer files; so now trying to climb out of the wreckage is a Sisyphean task, apparently; I never feel like I am caught up on anything because there’s so much fucking mess to straighten up and organize, and I can never just take a few days to even try to dig out from under the mess because there’s always something else going on that needs attention right now.

These are the things I was pondering as I sat in my easy chair last night watching videos on Youtube–documentaries about the Hapsburgs again–and waiting for Paul to come home. I find that I’ve become a lot more introspective about my past lately (since turning sixty, really) as well as working on unpacking things and understanding why I am the way I am a lot better. I’ve spent most of my life trying to work on myself and become a better person–reading, thinking, watching, etc.–and admittedly, not always succeeding; but a lot of that is because I’ve not looked back and unpacked things I’ve experienced or went through. I’ll give you a case in point: one night during Boucheron I was sitting with my friend Teresa at the pool bar during happy hour enjoying their amazing nachos when Lou Berney joined us. As we talked, he asked us both if we’ve ever come close to death before–close calls. I’d never been asked that before and I really had to think. And while Teresa was answering about a car accident situation where she was almost killed, I remembered an experience I had when I was twenty. I related the story and they both looked at me, eyes open wide, and were like “Jesus fucking Christ, Greg!” I hadn’t really thought about that incident in a really long time; I had started writing a blog entry sometime in the last ten years (it’s still in drafts) where I talked about that experience–it is one of the reasons I am so anti-gun–but other than that…no. But having that brought up into the forefront of my mind, I realized something.

I had never expected to live this long, and I’ve always had the feeling that I would die young. I don’t know if this is a common thing for people or not, but I have just always had that thought in the back of my mind for most of my life–when I’d think about the future, I would always stop because why think about it when you’re going to die young? I gradually began to believe that was because I lived through the 1980’s; the HIV/AIDS thing. But after remembering and talking about that incident back in 1982, I realized that after going through that was when I began thinking I wouldn’t live very long; the arrival of the “gay plague” right around the same time didn’t help much in that regard either. I’m not being coy in calling it the incident–tl;dr: the husband of one of the managers at the Burger King I worked at went over the edge and came into the place and shot her multiple times (today he would have had an automatic weapon and I would have died that day, or been wounded–because that’s not what this post is about and I do want to finish my draft post where I go into more detail.

And on that note, I am heading into the spice mines. Have a lovely day, Constant Reader, and I’ll check in with you again tomorrow, if not later.

Now That The Buffalo’s Gone

I know very little about the culture, history, values, and faith of the native American population of this continent. Most of what I do know isn’t reliable; being gleaned from books and histories and television shows and movies and other media, most of which were steeped in racism and white supremacy, and cannot really be depended upon for any kind of accuracy whatsoever.

If anything, it should be looked at with a highly jaundiced and very critical eye.

I’ve been trying to educate myself more about the indigenous natives of Alabama, for example; as I delve more deeply into writing about my fictional Corinth County, I need to learn more about the area and the natives who originally lived there–and what they believed and their spirituality. I do not want to write–or even imagine– anything rooted in white supremacy and racism. I never played “cowboys and Indians” when I was a child–I was never into little boy things, ever–and was never terribly interested in Westerns, but was aware that white people wore thick make-up to play Native-Americans on film and television…which even as a child made me wonder why they didn’t just find Native-Americans who wanted to be in show business (because I found it incredibly hard to believe there weren’t any). I always assumed Cher was at least part Native because of “Half-Breed,” so you can imagine my shock and surprised to find out she’s actually of Armenian descent. The Village People had a non-native in native garb as part of their nod to gay masculine archetypes (probably this came from the book and movie Song of the Loon, plus decades of Hollywood’s sexualization of the loin-clothed Native warrior).

And as you get older, and do more reading and studying on the subject, you begin to see things that were plainly obvious all along, but somehow you never really connected the dots.

The first time I ever read anything that treated the native population with dignity, respect and understanding was James Michener’s Centennial*, which remains my favorite of his works and one of my favorite books of all time. The hit movie Billy Jack, which came out while I was in junior high school, was also about mistreatment of modern-day Natives by bigoted white people and their government, but I think the social message of the movie got lost in white tween boys’ fascination with Billy Jack’s fighting skills, because that was all they talked about. I don’t think I ever heard anyone ever say “It’s terrible how we treat the natives.” The late 1960s and 1970s began to see a change in how we see the native population, as well as the history of the European conquest of the continent–not everyone, of course, but at least with those who were trying to be better about racism and racial issues and the long history of oppression of the native populations.

I had heard a lot of great things about Stephen Graham Jones, a native American horror writer who has taken the genre by storm. I’ve been wanting to read him for quite some time, and so I decided to listen to The Only Good Indians on my drive to Panama City Beach and back this past weekend.

And it did not disappoint.

The headline for Richard Boss Rivs would be INDIAN MAN KILLED IN DISPUTE OUTSIDE BAR.

That’s one way to say it.

Ricky had hired on with a drilling crew over in North Dakota. Because he was the only Indian, he was Chief. Because he was new and probably temporary, he was always the one being sent down to guide the chain. Each time he came back with all his fingers he would flash thumbs-up all around the platform to show how he was lucky, how none of this was ever going to touch him.

Ricky Boss Ribs.

He’d split from the reservation all at once, when his little brother Cheeto had overdosed in someone’s living room, the television, Ricky was told, tuned to that camera thay just looks down on the IGA parking lot all the time. That was the part Ricky couldn’t keep cycling through his head: that’s the channel only the serious-old of the elders watched. It was just a running reminder of how shit the reservation was, how boring, how nothing. And his little brother didn’t even watch normal television much, couldn’t sit still for it, would have been reading comic books if anything.

First of all, I want to address what a terrific writer Jones is–although this is hardly ground-breaking news. For me, the strongest part of the story was the authorial voice and the tone set by it. I can’t say whether something like this–like anything written by people outside of my own experience–is authentic or not, but it was completely believable. I truly got a sense of what it is like to be a Native-American living in North America in the present day; the mind-numbing poverty and dealing with the incessant racism from white people. His characters were three-dimensional and fully realized; the dialogue sounded right, the rhythm of the words he used to create a melody of syllables and sounds sang from the page. I felt like I was there in every scene, in the room with the characters and bearing mute witness to what they were experiencing, and what they were going through and experiencing, with the fully-realized life experiences coming into play with every word they said and every action, every thought, every movement. The deceptive simplicity of the prose was powerful and resonated; it sounded like poetry coming through my speakers.

I also found myself really interested in basketball–which is very unusual.

I also realized, as I was listening, spellbound behind the wheel of my car, that there was also commonality of human experience here; the poverty, the worries about money and the future and the bleakness of the helpless acceptance of despair–this is definitely a horror novel, but it’s also a stinging indictment of poverty and societal inaction in the face of it; their resigned acceptance of their fate mirrors the more callous resignation most people feel when thinking about poverty in these United States–“nothing I can do about it.”

While telling a strong story that is almost impossible to step away from, Jones also educates us cleverly with a sentence here and there–I’d never thought about where the term buck naked came from, and there are so many of these sprinkled throughout the book; terms and phrases that white people use without a second thought but come from a long history of racism and prejudice; the title itself is taken from the horrific saying “the only good Indian is a dead Indian.” I myself am always careful not to refer to the native population by the colonizing name assigned to them by the lost Spaniards looking for spices; it was jarring hearing it over and over again, and made me a bit uncomfortable–but I suspect that was the entire point. (I think the worst was when the junior high school basketball prodigy Denora was thinking about playing a game against white schools, and the horrible signs and things their students yelled at her and her teammates–the one that was particularly offensive was Massacre the Indians!, which reminded of the trash Chicago Bears fans holding up signs when playing the Saints in the NFC title game after the 2006 season: “FINISH WHAT KATRINA STARTED!”, which turned me from someone with a nostalgic affection for the NFL team in the city where I spent most of my childhood into someone who wants them to lose every fucking game they play.

Massacre the Indians.

There’s no doubt in my mind reservation kids have to deal with this kind of bullshit all the time, and its embarrassing and infuriating at the same time. The cruelty is always the point.

But I digress.

I really enjoyed this book. I felt like reading it somehow helped me reach a better understanding of a situation I was already aware of, while being incredibly entertaining at the same time. I cannot state that enough: what a great experience this book was from beginning to end. The tension and suspense were ratcheted up with every chapter and sentence; the monster was terrifying and horrifyingly relentless, and the characters were all strongly rendered in both their strengths and their flaws.

When I finished the book, I couldn’t help but wonder if this book, and others by Jones, were being pulled from library shelves because reading them might make white people feel bad. The book made me remember again why controlling access to what anyone can read is about control more than anything; we can’t let people read diverse points of view or see opposing opinion is the underlying message of the banners, and quite frankly, grow a fucking pair already! Seriously, who is calling who a snowflake?

Read this book! You can thank me later. And now I want to read more of Jones’ work.

*Centennial may not have been historically accurate in its depiction of the Arapahoe tribe, but I feel that it showed how the US government broke promise after promise to them, and the depiction of their systemic extermination was not done in a “manifest destiny” way. The ugliness of the US and its racism was right there on full display.

We Didn’t Start the Fire

As Banned Books Week comes to a close, it was exponentially more important and timely this year than before–given the Right Wing’s vicious, well-organized and ultimately doomed to failure attempts to control what people are allowed to fucking read in this country (for the record, you shrewish harpy lying “Moms4Liberty”–the First Amendment exists because the Founding Fathers foresaw the rise of people like you, and amended the Constitution to stop your skank, anti-American asses).

I’ve participated in Banned Books Week in the past; I’ve certainly done readings during it (the ones I remember reading from are Annie on My Mind by the late Nancy Garden–which was not only burned but tried for obscenity--and Elmer Gantry by Sinclair Lewis; I should have read from Peyton Place at least once). I’ve not participated in a long time–haven’t been asked, to be honest–and so I don’t know if anything is going on in New Orleans for it, or whether it’s something we no longer do here, or what; but I never get offended when I’m not included. Life’s too short for that–and yes, I am well aware that such a thing used to offend me, which was incredibly stupid. I’m really sorry I spent so much of my life and my time allowing negativity such free rein in my head.

The first time I did Banned Books Night, it was after Hurricane Katrina (at least the first one I remember) and it was at the House of Blues; Poppy Z. Brite also read, and I gave him a ride home afterwards; it was in that car and on that ride that he convinced me I could write another Scotty book despite everything that had happened to New Orleans since I’d written the last one; that’s why Vieux Carré Voodoo was dedicated to him.

He gave me Scotty back after a very difficult time, and I will always be grateful for that,

Above are the covers of my seven of my first books. They all look pretty racy, don’t they? But only two of them are actually erotica–Full Body Contact and FRATSEX. Those were the only two erotica anthologies I edited under my own name before switching to Todd Gregory.

The reason I am sharing the covers is because the covers is what the Concerned Women for America, Virginia Chapter, used to get me banned personally (not just my books!) from a high school in suburban Richmond. They used the covers to try to get the Gay-Straight Alliance at a high school shut down, and they used those covers in the House of Burgesses to try to get GSA’s banned at every state-supported school in the state of Virginia.

They came for me based on the covers, not the content–because they had not read the content.

And please, bear in mind, they did not include the erotica anthology covers in their attempts.

In other words, they called me a gay pornographer but didn’t use the actual pornography I actually had done to try to get me banned.

There’s a book in the entire experience at some point for me; I’ve always intended to write a book about the experience called Gay Porn Writer–because that was how they branded me, and the news media, in their attempts to be fair and unbiased, gladly picked up that branding without question or thought or without even looking into me and my writing career in the slightest bit. It was also my first experience with learning that the media cannot be trusted; they are not driven by a desire to print and report the truth; they’re looking for clickbait headlines that drive clicks or people to pick up the paper (print was still very much a thing back then) and which headline would you click on:

Gay author banned from local high school; First Amendment questions raised

or

Gay porn writer’s high school appearance cancelled.

The second one is a lot more enticing, as well as concerning, don’t you think?

That, to me, was the most interesting thing of the entire experience; the perceptions, smears, slanders, and how no one was even the slightest bit interested in the truth. The question that was at the heart of the entire thing is precisely what is driving the bans and book removals and so forth now: how old is old enough to know that queer people exist, that literature and art about us exists, and that we’ve always been here despite being regularly erased from history. It also begged the question we are fighting yet again today: does merely the mention of an alternate sexuality automatically make the book adult content–which really means pornography. We can’t have kids thinking about sex, can we? And we certainly can’t have kids reading a book, recognizing the struggle a character is going through as similar, and feeling less alone, now can we? We’ve got to keep those queer kid suicide rates high!

You see, even the homophobes know the truth that they cannot eradicate our existence, and they also know the truth that the only difference between queer people and straight people is who we are sexually attracted to; ergo, even if you don’t talk about what it means but you have a character who identifies as queer–the “queerdifference means kids will either know that queer people exist (THE HORROR!!!) or think about sex.

And certainly, we cannot have anyone under the age of eighteen thinking about sex, can we? Just because most people become obsessed with it after going through puberty doesn’t mean we should educate them properly. Proper education for teenagers about sex and sexuality would mean a drop in teen pregnancies, teen STI infections, and the need for teen abortions. The spurious argument against sex education for teens has always been we’re just encouraging them to have sex. But that’s stupid; their fucking hormones are encouraging them to have sex, no matter what we teach them, and the more we teach them that sex is bad and wrong will only encourage them to do it more–and once they realize it’s actually a lot of fun and nothing bad immediately happened–they will have more of it.

It’s just basic human psychology. Deny someone something and they will want it all the more even if they weren’t interested in it to begin with. Nothing is more desirable than the forbidden.

The smart thing to do is educate them properly about safety, the risks and hazards of having sex at a young age–and this kind of education will also help teach them about finding the language to get help for sexual abuse they may be experiencing.

But oh no! We don’t want them to have sex! Because not educating them about sex and sexuality has worked so well so far, right? Better they find out by looking stuff up on-line or going to porn sites, right? As a sexual health counselor, I am constantly amazed at the things my clients do not know, or how wrong what they think they know is. Every day I see how our educational system fails to prepare us for one of the most important aspects of our lives.

And learning that queer people exist, can live and love and have happy and fulfilling lives, well, that isn’t what these people want for kids. No, if you’re queer, they want you to be miserable and unhappy and suicidal. What could be more Judeo-Christian than that? The rise in people identifying outside the gender/sexuality binary doesn’t mean that prior generations didn’t have those same people existing in them; just that the world and society wasn’t as accepting and understanding then so they had more to lose by coming out, by talking realistically about who they are and what they feel–and it’s scary, very scary. People who do fall into those binaries, who don’t have to worry about what other people will think about who they are and how they identify, shouldn’t be the ones deciding what is real and what isn’t.

And the sad truth is these people are simply terrified of having a queer child, period. So, they figure if they take away anything that might tell their child it’s okay to be queer and to be yourself, their child will instead choose to live in a closet for the rest of their lives and be completely miserable.

Which tells me all I need to know about what kind of parents these people are.

Their love has conditions, which means it isn’t love at all.

I was always under the impression that parents, first and foremost, want their children to be healthy and happy….which is apparently another myth I’ve been gaslit into believing since childhood. #notallparents

NOLier Than Thou

(NOTE: I started writing this post back in January, after I’d returned to New Orleans from my last Mystery Writers of America board meeting–this is to give context to the opening paragraph– as you are no doubt well aware, Constant Reader, that I’ve not been back to New York since January; so this is that same trip where this happened and I started thinking about these things, which have never been far out of the forefront of my mind since then.)

While I was in New York recently, walking around to and fro, here and there, hither and yon, I was always checking my phone (and yes, I hate that I’ve become one of those people) and then shoving it back into my pants pocket without putting it to sleep first or closing the app that was open. As I walked around, of course this led to my phone doing all kinds of weird things –closing an app and opening another, etc.; but at least there were no butt dials, right? At one point, when I pulled out my phone as I took a seat on the subway, somehow what was open on the screen was a google search for my book A Streetcar Named Murder–and when I went to close that screen I touched one of the images by mistake, which took me to the Goodreads page for the book. Bear in mind, I never look at Goodreads for any of my books, let alone Amazon–the temptations to start reading the bad reviews is too great, and while I can usually laugh them off, occasionally–and it depends entirely on my mood, of course–one will get under my skin and it will annoy me, and that’s not good for anyone.

This particular day on the subway the Goodreads page opened to the bad reviews first–its average is four stars, which I will always take because I am not Lauren Hough–and the very first one made me laugh out loud on the subway. Paraphrased, it was basically someone taking umbrage at “someone who doesn’t live here or know the first thing about New Orleans” writing a book about New Orleans. The reason they had come to this conclusion was because Valerie referred to Mardi Gras as “Fat Tuesday”, and according to this one-star reviewer, no one from New Orleans would ever say Fat Tuesday instead of Mardi Gras.

Well, I’ve lived here for twenty-seven years and I have heard any number of locals say Fat Tuesday rather than Mardi Gras, and so of course I had to click on the reviewer’s profile…and grinned to myself when I saw that they actually live in Metairie, not New Orleans…which to locals is a bigger crime than getting something wrong about New Orleans: claiming to be from New Orleans when you actually live in Metairie. (the rejoinder is usually along the lines of “bitch, you live in Metairie.”)

It was also kind of fun to be accused of inauthenticity when it comes to writing about New Orleans, because I personally have never claimed to be an expert on anything New Orleans (others have said that about me, and I always am very quick to reply not even close); the more I learn about the city the more I realize how little I actually know about the city. There’s an extremely rich (and often incredibly dark) history here; it’s hard for me to wrap my mind around the fact that the New Basin canal was there as long as it was, or that there were several train stations around the French Quarter (including one that essentially was in Storyville–rather convenient for the whores and pimps, right?), or that where UNO is now used to be the lake shore resort of Milneburg, or that the only way across the river or the lake was by ferry until Huey Long built a bridge at the Rigolets (the narrow inlet between lakes Pontchartrain and Borgne).

I was on a panel once at the Tennessee Williams Festival with Bill Loefhelm (if you’re not reading Bill’s books, shame on you and correct that immediately) and the question of New Orleans authenticity came up, and Bill’s response (paraphrasing) was that New Orleanians have a tendency to play a game called “NOLier than Thou,” in which they try to one-up each other to see who the true New Orleanian actually is–which is, of course, gatekeeping. (And yes, I immediately turned to him and said, “I like that and am going to steal it” SO CONSIDER IT STOLEN.)

It does bother me somewhat when I read books set in New Orleans written by people who have never lived here; you can tell, but I also get over it pretty quickly; who is to say who can and can’t write about a place? There’s a significant difference between visiting and living here, which I realized almost immediately after we moved here, and that also becomes very apparent in fiction. I had started writing the book that would become Murder in the Rue Dauphine before I moved here, and I realized, once I did live here, that everything I’d written about New Orleans was completely wrong. I didn’t work on the book for another two years; and even then I wasn’t entirely sure I’d lived here long enough to write about the city. So…I kind of cheated by making Chanse MacLeod not a native either; he’d moved to New Orleans after getting his degree in Criminology from LSU, and had been here about six or seven years when the story opened. So he was an outsider, too; so his views on the city and how things work around here were from an outsider’s perspective, like mine; that was easier. With Bourbon Street Blues, I decided that Scotty was not only a native but came from two old-line society families, from the Garden District and Uptown. One of the greatest joys of my publishing career was having the Times-Picayune’s mystery reviewer, as well as the Books Editor, both say repeatedly that I got New Orleans right in my books. (Thanks again as always for all of your support, Diana Pinckley and Susan Larson!)

And I never really worried about it too much from then on. I wrote about New Orleans as I saw it–the potholes, the cracked sidewalks, the leaning houses, flooding streets, oppressive weather and hurricanes. As the years passed, I became more and more aware that my New Orleans writing was primarily confined to the Quarter, the Marigny, the CBD, the Lower Garden District, the Garden District, and Uptown–a very narrow slice of the city, but those were also my slices of the city, so that’s I wrote about. Sometimes I’d venture into another neighborhood–Lakeview, the Irish Channel, English Turn–and sometimes the story would take the characters to another part of Louisiana–the bayou and river parishes, the Maurepas swamp, the Atchafalaya Swamp, Baton Rouge–which, oddly enough, I had no qualms about fictionalizing. I’ve created numerous fictional towns and parishes surrounding New Orleans; I’ve even invented a sleazy gay bar in the Quarter (the Brass Rail).

So, was I doing New Orleans (and Louisiana) right by making stuff up, inventing places like the Royal Aquitaine Hotel, the Brass Rail, Bodytech Health Club, Riverview Fitness, etc.? Sometimes you have to fictionalize things, even if they are based on something that really exists. I never really thought much about it; I felt like I was getting the feel of New Orleans right, that my characters talked the way people in New Orleans do and react the way people here do, and that I was putting enough reality into the books for them to ring true to locals, natives, and tourists. Sometimes the cases are based on, in or around something that actually happened or exist; like the Cabildo Fire, the Fire at the Upstairs Lounge, Hurricane Katrina and the ensuing flood; termite swarms; Huey Long’s deduct box; and even the court case in, I think, Murder in the Irish Channel that triggered the murders was actually based on a civil trial I served as a juror on.

When I started writing A Streetcar Named Murder, I realized a lot of things I was writing about had to be fictionalized; I couldn’t set a murder at a Mardi Gras krewe ball and use an actual krewe that exists in real life, for one thing (like I had to invent a French Quarter hotel for a couple of murders to occur in) and while I didn’t want to use the cheat that Valerie had moved here again, like I did with Chanse, I wanted her to be of New Orleans but not be of New Orleans…so her parents are from Georgia and moved here after college and marriage, so Valerie was born here, went to school here, met and fell in love with and married her husband here–but her roots aren’t very deep, so she is both insider and outsider at the same time. I liked that idea; like how I am of the South but not of the South, she was of New Orleans but not of New Orleans at the same time. When creating Jem Richard in Death Drop, again, he’s a recent transplant to the city but his father is from New Orleans but relocated to Dallas, where Jem was born and raised. Jem spent a lot of his summers in New Orleans when he was growing up with his paternal grandmother, so he too is of New Orleans but not of New Orleans; which I am really liking as a method of storytelling about the city. I also moved Jem to a different part of the city; he lives in the 7th ward, on St. Roch Avenue in what is known as the St. Roch neighborhood (aka what realtors are trying to redefine and rename as the “new Marigny”, in order to raise prices) which is also very close to my office. Part of this was to move the action out of the neighborhoods I usually write about (although he does wind up in both Uptown and the Quarter) and so I could explore another neighborhood/part of the city than what I usually write about.

I also had recently–prior to the pandemic–started feeling more disconnected from the city than I ever had before. Primarily I think this was due to my office moving; we had been on Frenchmen Street in the Marigny, one block from the Quarter and where Scotty lives, so whenever I needed some Scotty inspiration I could walk a block, stand under the balconies of his building and just look around, drinking in the sights and sounds and smells of the block. To get past this, I started joining New Orleans history pages on Facebook, like Ain’t Dere No Mo New Orleans or the HNOC page and various others–you do occasionally run into Confederate apologists and racists there (they usually cry about the “crime” in New Orleans–you know, the usual dog-whistles from the white flight racists who fled to Jefferson Parish or the North Shore to escape desegregation of the public schools) and reading more histories of the city, state, and region–which are incredibly fascinating. That reading/research helped me write my historical Sherlock in New Orleans short story, “The Affair of the Purloined Rentboy”–but I have also since realized I got some things wrong in the story too, but there is just so much to know. I set the story in 1916 for example….without knowing New Orleans was hit by a MAJOR hurricane in 1915 that wiped out any number of settlements and villages around the lakes and the bay shores (that will turn up in a story sometime; the destruction of the lake front village of Freniere is just begging to be fictionalized and written about). When I mentioned this to another writer, who primarily does historicals, she snorted. “It’s impossible to know everything, and would people in 1916 still be talking about a hurricane from 1915?”

Probably, but if it doesn’t have anything to do with the story being told, why would I mention it?

A very valuable lesson, to be sure.

So, yes, lady from Metairie: you caught me. I’m not from New Orleans, you’re correct. But I’ve also published over twenty novels and umpteen short stories set here, and have even won awards for doing it.

And I’ll call it Fat Tuesday if I fucking want to.

The Huey P. Long Bridge at sunset, photo credit Marco Rasi

Tension

Wednesday morning and another good night’s sleep down. I didn’t want to wake up this morning–rather, didn’t want to arise from the comfort of my warm soft bed and the pile of blankets that help me sleep better–but of course there’s Big Kitten Energy in the house now, and Tug wanted breakfast. So, at around a quarter to six Big Kitten Energy launched itself at me and started cuddling and purring and wanting petting as well as feeding. He’s currently galloping around downstairs and just having a marvelous time. Yesterday was his first day at home alone with both of us out at the office; so I wasn’t sure what to expect when I got home. What mischief had the bored little kitty gotten up to on his own–what had been knocked over, knocked off counters and/or tables, what had he found to turn into a kitten toy which probably shouldn’t be a kitten toy, and so on. He didn’t come galloping down the stairs either once I got home, either. But by the time the groceries were put away I heard him coming down the stairs, and then we repaired to my easy chair where we just cuddled and I started rereading Jackson Square Jazz instead of doing chores–which I will now have to do tonight when I get home…but who could resist Tug’s insistent little face that he needed a lap to sleep in?

Yes, in case you were wondering, Tug has indeed taken his place as head of the household.

As the salt intrusion continues to make its way up the river to New Orleans, the panic is getting more realistic. I stopped to make groceries on the way home yesterday, and there was plenty of bottled water. I bought another gallon to go with the case of smaller bottles I got last week–doing what was advised, merely getting water every time I shop–so the initial panic-buying of water has at least some to an end. There’s also a cold front on its way down here, supposedly arriving around Friday–but looking at the weather forecast, all it means is it will be colder at night, dipping down into the sixties while hovering in the high seventies/low eighties during the day. That’s livable, of course.

I was tired when I got home last night, so didn’t do much of anything other than cuddling with the kitty and watching Youtube documentaries about long-forgotten Byzantine emperors (it really is amazing how little history of eastern Europe we learn in school) and the new Matt Baume (probably not new) video about Some Like It Hot, which, while now widely regarded as one of the greatest screen comedies of all time, was highly controversial at the time and went through some serious battles with the censors. (If you aren’t watching Matt Baume’s Youtube channel, you really should; he does some amazingly researched videos about queer rep in film and television throughout the history of both media, and his book Hi Honey I’m Homo is essential reading material tracing queer rep in sitcoms.) Now I want to rewatch Some Like It Hot, which I’ve not seen in decades. I don’t think I’m going to run any errands on the way home today–there’s some things coming in the mail, but they can wait for tomorrow’s drive home (or perhaps even Friday, really; nothing important coming other than maybe some copies of books I’m in or have written); Claiborne heading uptown is a mess after you pass the I-10/Highway 90 spaghetti mess, as the far right lane is closed there where it meets Martin Luther King along with an off-ramp from the highway, so everyone is trying to get over to the left lane from the right ones and of course, the far left lane is also closed, so about five lanes are trying to compress into two or three right at the intersection, which makes for aggravating, patience-challenging snarls. I did find myself losing patience while I was driving uptown yesterday and I wasn’t as able to control the rising anxiety as well as I have been doing since learning that’s what’s wrong with the wiring in my brain. I think that was another reason I was so tired when I got home; the emotional rollercoaster triggered by the rise in anxiety on the drive wore me down…and there’s nothing better for peace and calm than a purring kitten sleeping in your lap.

I am so glad we got Tug.

It was also interesting rereading Jackson Square Jazz last night for the first time in years–I rarely reread my own work from start to finish; usually I just look for information inside an old Scotty that I need for the one I am currently working, and this experience of rereading (okay, I just started rereading it last night) this old book of mine–my third novel–has been revelatory. For one thing, I am a very different writer now than I was then, and wow, has Scotty changed both in voice and character over the last twenty years! Scotty has grown up quite a bit–kind of hard for that not to happen, given everything he’s been through since I first created him–and the book is actually kind of time capsule. I remember deciding not to update any of the Chanse books when it was time to put up the ebooks; it would have been a lot of work for not much return in terms of satisfaction; the books are of their time, and changes in technology and the world happen too regularly to waste time revising and updating old books. I did feel that urge a little bit as I read through the manuscript pages (I am reading the uncorrected and unedited final draft I turned in)–Scotty had just gotten his first computer at the beginning of the book, for example, and while he had a cell phone he hated it and called it his “hell phone,” which mirrored how I felt about cell phones at the time. On-line chats and chatrooms were still a thing when I wrote the book; how would one update or revise that? Have the messaging through Grindr, instead of instant messaging? It’s actually a lovely time capsule of a time long past–showing what it was like to be an unrepentant gay slut with a healthy sexual appetite who lived in or near the Quarter in the years before Katrina…which makes it all the more important that I not only make it available again, but I also have to make sure, as I go through it, that it’s consistent with the books that came later–so I am going to have to work on that long-overdue Scotty Bible, and it’s really past time that I get that done; I certainly have a stack of Scottys with post-it notes all over them that have been waiting for me to do something with them. I’ll keep rereading it when my brain is too tired to process something new, and I think I’ll slowly make my way through all of the Scottys, to make sure the consistency is there.

Maybe I should revisit my old work?

And on that note I am heading into the spice mines. Have a lovely Wednesday, Constant Reader, and I’ll check in with you again tomorrow.

Coming Up

I always say my first identity is reader; I was a voracious reader long before I realized that loving to read and loving books predestined me to become an author, a teller of tales. Certainly author is my primary, preferred identity; sometimes I worry that my identity is entirely too wrapped up in being an author. But trying not to worry and be anxious about anything and everything in my life is my new mantra.

Anyway, I had the great pleasure of meeting S. A. (Shawn) Cosby at Bouchercon in St. Petersburg. I don’t really remember much of the weekend–I met a lot of people and I drank way too much–but I know I met and liked him enough to get a copy of his debut novel, My Darkest Prayer. I loved the book, and saw in its pages an incredible talent, for character and place and dialogue and language, and when I reviewed it on here I predicted an incredibly bright future for him as a crime writer.

I was right,

Titus woke up five minutes before his alarm went off at 7:00 A. M. and made himself a cup of coffee in the Keurig Darlene had gotten him last Christmas. At the time she’d given it he’d thought it was an expensive gift for a relationship that was barely four months old. These days, Titus had to admit it was a damn good gift he was grateful to have.

He’d gotten her a bottle of perfume.

He almost winced thinking back on it If knowing your lover was a competition, Darlene was a gold medalist. Titus didn’t even qualify for the bronze. Over the last ten months he’d forced himself to get exponentially better in the gift-giving department.

Titus sipped his coffee.

His last girlfriend before Darlene has said he was a great boyfriend but was awful at relationships. He didn’t dispute that assessment.

Titus took another sip.

All the Sinners Bleed is Shawn’s fourth novel (as a solo author–he also co-wrote a book with Questlove). In the wake of My Darkest Prayer, he released two novels to extraordinary success and acclaim, Blacktop Wasteland and Razorblade Tears. Both were amazing, and somehow each book is somehow better than the preceding one–which is really saying something; I’d happily retire if I ever reached anything comparable to those two with any two of my own.

But they were just warm-up acts for this incredible new novel.

Something that has always interested me over the years is the integration of American police forces on every level. How do, for example, Black and/or Latinx/Hispanic cops feel when their fellow officers commit racially driven police brutality? How does it feel to be a part of a police force–particularly in the deep South, but also in places like Los Angeles–that has always been historically racist and oppressive to non-whites? For that matter, how does it feel to be a queer police officer?

All the Sinners Bleed takes on that question with our main character, Titus Crown, the recently elected first-ever Black sheriff in a pretty racist little corner of southeastern Virginia. Titus was born and raised there; his father and brother live there, and he returns to his hometown after a stint with the FBI. He ran for sheriff not expecting to win, but to try to break the stranglehold of power always held by money and white supremacy there. (I have another essay or entry to write about small Southern counties/parishes, and how they all too frequently are run like corrupt authoritarian dictatorships with the power being passed down within a few families, sometimes only one. Exhibit A: the Murtaughs in the South Carolina low country.) As the first Black sheriff of Charon County, he has to uphold the law–which he intends to do to the best of his abilities.

The book opens with a shooting at the local high school; this was hard for me to read and part of the reason it took me so long to get into it; I thought this was going to be a school shooting novel and I wasn’t sure if I wanted to read that. But I was wrong; yes, there was a shooting at the school and yes, that shooting was pivotal to the plot, but it wasn’t a mass shooting: a young Black man goes to the school and murders one of the teachers, and on his way out he is shot and killed by the cops when he won’t drop his weapon. Why would Latrell Macdonald shoot Mr. Spearman, a very popular teacher? As Titus starts looking into the strange shooting, he discovers another level of horror going on in Charon County, and once the story gets moving, it’s hard to put the book down.

Over the course of this all-too-short novel, Cosby tackles a lot of issues without either being preachy or over-the-top. Confederate monuments, the Daughters of the Confederacy, racism, white supremacy, the cruelty of poverty, police brutality, and the hard, cruel kind of Christianity practiced in poor, remote rural regions of the South. But the most powerful aspect of the book is how it handles grief; the three Crown men dealing with the loss of wife and mother, a wound that never heals–and the guilt that comes with moving on from such a loss. Cosby had a lot to say in just over three hundred pages; the fact that he said it all, and powerfully, by using character, place and story to get his messages across is testament to his great skil.

And this book is bound to piss off white supremacists. It will make a great Christmas gift for any in your family.