Category: history

Season of the Witch

I read a lot of Norah Lofts when I lived in the suburbs of Chicago.

I originally found her through her historical fictional biographies of royal women, or royal-adjacent. I was in a Henry VIII phase–the whole six wives thing–and I saw a copy of her book about Anne Boleyn–The Concubine–on the wire racks at Zayre’s, so I bought it. It was very well done, and Lofts tried to get into the head of Anne and who she was, the reasons she basically changed Western civilization, and gave me an entirely new perspective on the infamous Anne. From there I went on to A Rose for Virtue (Napoleon’s stepdaughter/sister-in-law Hortense de Beauharnais, Queen of Holland), The King’s Pleasure (Katherine of Aragon), Crown of Aloes (Isabella of Castile), The Lost Queen (Caroline Matilda of Denmark), and Eleanor the Queen (Eleanor of Aquitaine)1. I also read, from there, some of her historical fiction, which I greatly enjoyed (Nethergate comes to mind). What I liked most about Lofts was she was not, in any way, a sentimental writer; her stories didn’t end happily all the time (especially her books about royal women; they all died miserable). I always wanted to read her Nativity novel, How Far to Bethlehem?, or her book Esther (obviously, the Bible’s Queen Esther). I remembered Lofts sometime within the last four or five years, and got a copy of her ghost story collection, which I enjoyed.

And then I remembered one whose plot I really couldn’t recollect–The Little Wax Doll, and got a second hand copy on-line.

It was like reading an entirely new novel, and I am glad I revisited it, believe you me.

The interview had been arranged to take place in London at half past three on a Saturday afternoon. This was a time so extremely convenient to Miss Mayfield that she was disposed to regard it as providential. It had saved her from the embarrassment of having to ask for time off to attend an interview in which she might not be successful, and from which she might be obliged to return to face her present Head’s resentment. In her diffident attempt to maintain secrecy she had left Alchester without the precaution of obtaining a testimonial. This she recognised as the action of a fool, but she had taught in the ugly Midland town for a bare two years, and she carried in her shabby handbag a coolly eulogistic report of her twenty years’ work in Africa, If that did not suffice, and if the interview showed any sign of leading to a new appointment, then would be time enough to approach Miss Stevens and break the news she was contemplating a move,

Canon Thorby had written, “Claridge’s Hotel would be convenient for me, since I have another appointment there earlier in the day. I shall be waiting for you and if you ask at the desk someone will will point me out to you.”

He wrote on thick smooth paper which justified the term “cream-laid.” His writing was small, elegant, meticulously legible. It called up an imaginry vision of the writer, plump, rubicund, with a fringe of silvery hair and tranquil blue eyes. Kindly, perhaps a trifle pompous.

As I said earlier, I didn’t really remember much of this story, other than the main character was an older schoolteacher moving to an idyllic village in East Anglia to teach at the village school, and the little rural village has some pretty dark secrets that she’s going to stumble into. Another thing I’d forgotten–although I should have remembered from reading her ghost story collection–was how compelling a writer she was. There are beautiful turns of phrase everywhere, as well as observations about life–particularly in a small village–that are really spot on, clever and insightful.

I also love that her heroine is a woman many people would overlook–particularly in the time in which this book was written (originally published in 1960)–a dowdy, plain spinster in either her late thirties or early forties. I wouldn’t have thought much about it when I first read the book, but the deep devotion of her attachment to a woman named Ruth, with whom she built a school and hospital in Kenya and worked there with her for forty years, and her determination to save enough money so she and Ruth can retire together and share a cottage blissfully for the rest of their lives?

In this read, this friendship just screamed lesbian to me.

Deborah Mayfield could easily have turned into a stereotype–the old maid schoolteacher–but Lofts isn’t interested in stereotypes; she created a character who is interesting by virtue of the journey she takes over the course of the story. She is a bit unsure of herself at the beginning of the book, always afraid of calling attention to herself and just keeps her opinions to herself. But as she falls in love with this interesting little village and blossoms with not only her students but the other villagers–she still sees herself as a nonentity, not really seeing herself as the others see her–she also, slowly but surely, finds herself being pulled into a strange situation which makes her, always questioning herself, question herself further. Surely, what she suspects cannot be? There can’t be people who believe in the dark arts and witchcraft in this town? But it’s really the only explanation, and as she gets pulled further and further into the odd circumstances regarding her student Ethel and her grandmother Granny Rigby–to the point where she is willing to give up her comfy little home and job to try to call out what’s going on in Walwyk–she begins to get a sense of her own power; the inability to stand by and do nothing while something untoward is going on strengthen her resolve and makes her stronger.

Then about halfway through the book there is a huge plot twist, which throws everything into a different, just as suspenseful and thrilling, direction–and one in which Deborah finally comes into her own, managing to get her way back to Walwyk in order to stop a horrible outcome that isn’t predestined.

One of the other things I like about the book is Lofts’ lack of sentimentality. The ending of the book makes it seem as though the day has been saved…but has it, after all? I also love that we never really know if there is actually witchcraft going on in the town–or maybe it just looks like it? Lofts leaves this up in the air as well–which she probably wouldn’t get away with today.

A terrific reread, and a terrific author I am very happy to rediscover.

  1. She also wrote The Lute Player, about Richard the Lionhearted, his wife Berengaria, and the minstrel Blondel–which was my first exposure to the idea that Richard, the great English hero, was queer. That revelation was a bit life changing, as I began looking for hints of homosexuality being covered up in history books. ↩︎

Mr. Blue

Saturday morning blog, after a rather dreary and gloomy Friday. It clearly rained overnight, as everything outside is wet. I was exhausted yesterday after I was finished with PT and daytime work duties; by the time I ran my errands I was exhausted. I got a delivery from Sam’s last evening too, which had to be lugged into the apartment. I was dozing off in my chair a lot last night while watching documentaries about Spanish history, the Moors in Iberia, and the line of regnant kings and queens. It’s an interesting subject, to be sure; the physical and mental exhaustion did it, not the lack of interest or boredom. I even went to bed early and slept like a stone (I’ve always found that cliché odd; stones aren’t sentient so they don’t sleep).

I have an on-line panel today at 1:30 for Murderous March, an event put together by Upper Hudson Sisters in Crime, so I do hope if you have time, you’ll join us; they have panels and things programmed all day so head over to their website and take a look; you can also register there (it’s free!), and it should be a good and entertaining and informative conversation. I’m going to try to get some writing done before and after, as well as cleaning the apartment. I also want to do some more reading; I did spend some time with Norah Lofts’ The Little Wax Doll, which I am really enjoying. About a hundred pages in the story took a surprising turn; Lofts was rather good at that, if I recall correctly. I’ll definitely talk about Lofts more when I finish the book and write about it.

Tomorrow I’ll go out and make groceries, probably in the morning, and today is going to be the day where I make a definitive list for tomorrow, and I also need to check my to-do list to see what I’ve managed and what I’ve not thus far, as well as make one for the weekend. Ugh, I also have to start working on my taxes; a tedious chore to be sure, but one that needs doing. I’ll put that on the list for next weekend. I’m also going to try to get some of these pending blog drafts finished this weekend–with me luck, there are quite a few of them–but they either need to be finished at some point, or simply deleted and given up on. (It’s really hard for me to let go of ideas for things.)

But sometimes…sometimes you do have to let things go. Grim as it is to think, I know I am never going to write all the ideas I already have, let alone any new ideas that come to me. I really need to clean out the files–I have so many; ideas that are so old that I don’t even remember having them, and the way things are going I am not entirely sure I’ll even be able to finish writing the things I am currently working on, either. I do need to tackle the rust and grease the gears and unlock my writing drive. Heavy sigh. The malaise is gone, I think; I’m not really sure, to be honest, where it came from in the first place. I’m never sure where it comes from. I think it has to do with my faulty brain chemistry, if I am being honest. Sigh.

And on that dreary note, I am going to have my breakfast preparatory to heading into the spice mines. Have a lovely Saturday–I’ll probably be back later.

Stagger Lee

Thursday last morning in the office this week blog. I get to go in a little later because I have to stay until five tonight; and of course tomorrow morning I have PT at the ungodly hour of seven a.m. Gah. But it’s okay, really. I slept super well last night–probably the best night’s sleep of the week–and I finally got my keyboard for the iPad yesterday: huzzah! It works beautifully, too…which is the last excuse I had for not getting any writing done (or as much as I would like). Now I have a functional laptop and a functional iPad for writing anywhere in the house, which is kind of fun. I can get my iPad in the morning and write in bed if I want, or I can take the laptop up there, or…so many plethoras of options, and NO MORE EXCUSES.

Oh, I’ll still make excuses, of course, to get out of doing the day’s writing. And I did do some yesterday–I wrote about seven hundred or so words on “Passenger to Franklin” (an Agatha Christie title homage that really pleases me far more than it probably should)–but very little of anything else other than watching Part II of The Real Housewives of Beverly Hills reunion (Kyle Richards remains a disgusting piece of shit bitch who doesn’t need to be on my television screen anymore). I then spent the rest of the evening watching the news (or clips from the news) and despairing further about the future of the country and grateful again that I am old. It’s about the only benefit to being old, really, and not having children: the future isn’t really my problem, but at the same time, I also don’t want the adults of the future to have to deal with a destroyed and/or increasingly hostile and damaged planet, either, because I am not a monster. Sometimes I think I worry about the future more than people who actually do have kids, or are young.

I watched a really interesting conversation between Rachel Maddow and Nicolle Wallace last night–and they were both right: the Republican Party of today wants to eliminate our democracy and set up an authoritarian state where they are always in charge and they can get rid of everyone they don’t like. Sound familiar? See Berlin, 1933. It’s scary to contemplate, and even scarier to realize The Handmaid’s Tale was actually very prescient. I became worried about authoritarianism coming to the US during the Reagan years and what followed, when the Republican party became convinced that they had a divine right and mandate to always be in power. As I watched people get subsumed by Fox Propaganda in the 1990s (when the character assassination of Hilary Clinton truly began), I saw it for what it was: definitely not a news organization, and it’s partisan nature had everything to do with the rollback on rules about what is and isn’t news…during the Reagan administration. It’s astonishing how little people think about the recent past, or even try to put the present in the context of the recent past.

Let alone thinking about the older history, which no one knows1. Then again, I am from a part of the country that proudly claims hatred and bigotry as their heritage, so maybe knowing history might not help as much as I would like to believe.

Heavy heaving sigh.

Those who don’t know history are doomed to repeat it.

I’m doing a panel for a Sisters in Crime chapter on-line event this weekend, do tune in to any or all of the antics this weekend. It’s called Murderous March, and it’s being put on by the Upper Hudson Sisters chapter, and you can register to view the panels here. My panel is at 2:30 eastern, it’s called “It Was a Dark and Stormy Night,” and is being moderated by the wonderful Richie Narvaez. My co-panelists are the amazing Carol Pouliot, Edwin Hill, Tina Bellegarde, and M. E. Browning. It should be a pretty good time, I think.

And on that note, I think I’ll head into the spice mines. Have a lovely day, Constant Reader, and I’ll probably be back later.

The Battle of New Orleans

Every once in a while, I need to remind myself of how much I love my home town.

I was thinking about this the other day. I think part of the malaise I’ve been experiencing lately has everything to do with my creative muscles being tight and unexercised for so long–and almost every time I manage to write fiction, it’s so exhausting and draining that I can’t write more, either. Monday got derailed early, and that night we had another torrential, street-flooding thunderstorm…and the kitchen roof started leaking again. I mean, it only does this during that kind of rain; but we have many downpours like that over the course of a year. That kind of kicked the malaise back up into higher gear–I just am so tired of having to deal with things like this over and over when all I really want to do is just go about my day, moving from A to B and getting things done and being productive. It all becomes so much, you know? The rise of queer hate to levels not seen since the 2004 election (may you roast forever on a spit in hell, Karl Rove), and it’s very tiring. It’s also tiring to think that I may be living in the last days of the American experiment with democracy, too–and the fact that far too many of my fellow Americans are just fine with that is kind of upsetting.

Such good Germans.

But I do love New Orleans, even if I have to remind myself of that from time to time. I do; there’s just something about this city that is in my blood, my DNA, and my being; I cannot imagine being happy anywhere else. I could exist somewhere else, of course, but I really don’t want to really just exist anymore. My blog is getting feisty again because I am feeling feisty again and pissed off about a lot of things. I’ve also been immersing myself in gay and queer culture again lately–Capote and Isherwood, anyone?–and remembering how hard life used to be for people like me (see Fellow Travelers and It’s a Sin), it invigorates my senses and intellect against injustice and unfairness as it always does. Recounting stories of my past recently as well as all the introspection I’ve been doing since losing Mom last year (and really, I started thinking about it more during the pandemic, and a lot of it was because of It’s a Sin) has me remembering things, how they used to be, and what New Orleans is like now as opposed to how it was when I first moved here all those years ago, or all the times I came to visit when I worked for Continental. The city is different now than it was then–sleepily crumbling away in the hot sun and heavy wet air–and I’ve been a bit resistant to those changes. I don’t like that it’s insanely expensive to pay rent or buy a home here now–one of the strengths of the city was how many working class people owned homes here, and that seems to be going away as the city continues gentrifying itself.

Monday I also gave a co-worker a ride home from the office, and since it was a torrential rain, I drove her into the Quarter and let her out at her door on St. Ann Street close to the corner at Dauphine. I honestly can’t remember the last time I drove through the Quarter, and I really don’t go down there much anymore other than for the TWFest/S&S. I took Dauphine out of the Quarter, and a lot has changed since the 1990’s, or even the last time I drove through. I think during the festivals this year I am going to explore the Quarter a bit more than I have the last few years, and hopefully drink in some more atmosphere. I’ve kind of felt a little phony writing the Scotty books lately, since I am rarely if ever down there now since my office moved, and have been telling myself I need to explore and take pictures again.

I was thinking Tuesday night when I got home from work that I was becoming as bad as all those locals who look back nostalgically for the past and the way things used to be. I also know I am glossing over what the mid to late 1990’s were really like here, as well as for us. New Orleans has changed and has never remained the same throughout its history, but the foundation of the city remains the same. I want to write about that time in New Orleans (“Never Kiss a Stranger”), so that’s it preserved forever, those days when the sodomy laws hadn’t been overturned yet, and when the gay bars always got raided in the weeks leading up to Decadence so that we knew they were “letting” us have Decadence; the people we thought were insane in state politics in 1996 are now running things and trying their damnedest to turn Louisiana back to 1860 and shoving their religion down everyone’s throats. My primary issue with still writing about the city has nothing to do with how much I love the city, or how I feel about things around here, but mainly because I don’t know what it’s like to go out on the weekends to the bars in the Quarter, or what it’s like for gay men in their forties here now.

So yes, I am looking forward to writing the next Scotty–and revisiting the Chanse series, as I’ve been doing, has me actually considering doing another Chanse story. I have two ideas for him, actually, but am not sure either is going to amount to anything.

And I will always love New Orleans.

Come Softly to Me

Sunday morning and as predicted, I didn’t get nearly as much done yesterday as I wanted to, but it was mostly about time more than anything else. I picked up the mail and stopped by Fresh Market, but then once I got home…well, there were chores still to be done (still have some more to do this morning) and I never did get around to writing anything besides blog entries yesterday, like a very bad Gregalicious. Today I have no choice, I have to write today…and I also have to drive out to the Apple Store in Metairie, and make groceries, both of which will be tiring. (I knew I’d regret putting that chore off until today, but at least it’s sunny out today; I think it’s going to be a rather lovely day out there.)

Sparky is always a problem for sitting at the computer as he always wants to sit in my chair–he will hang out and be obnoxious (right now he’s sprawled across the desk, his flicking tail brushing the keyboard as he knocks other things off…) and then jump into the chair the minute I get up for more coffee or anything, really. Heavy sigh, the joys of Big Spoiled Kitten Energy.

I did manage to watch Christopher and His Kind yesterday, which is Isherwood’s memoir about his life in Berlin during the rise of the Nazis, and it much more explicit than Isherwood’s earlier fictions about Berlin. During that “Staged Right” about Cabaret I watched the other night, he wrote it in reaction to the movie, to leave the record straight (as it were) about himself and his life; he hated that Cabaret made Brian/Christopher into a bisexual and that Sally was played by Liza Minnelli, when the actual Sally was marginally talented at best. It was an interesting film, but Christopher himself really came across as a bit of an asshole. There was also a lot of explicit sex, and there’s no question in watching this film about what his sexuality was, for sure. Matt Smith is simply stunningly beautiful, and Alexander Draymon as Caspar is just too beautiful for words. The two stories (Cabaret and Christopher and His Kind) are similar to each other, but I’m not really sure if a watcher didn’t know that both came from the same source, those similarities are simply base facts the story grew out of, and you might not even recognize them as the same story. I may need to revisit the books sometime when I have more time…as I recognize that a lot of the revisiting of fiction I talk about is probably never going to happen. But as always, I find rereading something as an easy way to shake off the not-reading mode I’ve been in for so long. We also watched the new BBC adaptation of Agatha Christie’s Murder is Easy yesterday, which we quite enjoyed…although I am waiting for the racists to complain since they cast a Black man in the lead.

So I started rereading Norah Lofts’ The Little Wax Doll yesterday, of which I remember very little of my original read back in junior high school (I read her novels about queens and royal women before moving on to her other novels, which was very definitely an eclectic mix), and find myself enjoying it a lot more than I did when I was twelve–I did enjoy it, but I am certainly seeing it differently some fifty years later. As a kid, I just read Miss Mayfield as a lonely spinster who spent most of her life working in Africa in her colonial “white savior” role with her best friend, who hopes to save enough money to buy a little place she and her “best friend” could retired to; now it’s screaming lesbians at me. The book was originally published in 1960, and of course there are the queer deniers who like to think we never existed in the world before Stonewall. The phenomenon of spinsters sharing a home was just a fact of life, and the British never really inquired much further than that–the British cold politeness.

And on that note, I am going to head into the spice mines. There’s a lot to get done today and I am feeling like I will be able to make some significant progress today. Wish me luck, and I may be back later. Happy Sunday, Constant Reader!

Personality

Thursday and my last day in the office for the week. Huzzah. I was tired after work yesterday–I made groceries and went to get the mail–but I did get some things donw last night around the house before collapsing into my easy chair. I watched another one of those “Staged Right” documentaries (this time about Evita), and then Paul came down and we watched another episode of True Detective: Night Country, which really took a turn last night! We’re enjoying the show tremendously, despite all the noise on-line about people hating it…and by people, I mean men. I don’t think I’ve seen a single post trashing the show that wasn’t by a (straight) man? Which sets off my “bullshit misogyny” alarm, frankly.

The weather had turned yesterday by the time I got off work; it had gotten a bit colder and the wind had dramatically picked up. It was also kind of gray, which reminded me of how it is before a flooding rain….borderline tornado weather. It feels cold in the apartment this morning, and the high for today is at about sixty. It may rain today, and there’s a 95% chance of it tomorrow. I have early PT tomorrow morning, and at some point I need to drive to Metairie to return something to the Apple store (I’d ordered a keyboard at long last for my iPad, but it’s the wrong size). Loathe as I am to do that–go out there–it was far too expensive for me to just slide and do nothing about. Heavy heaving sigh. But really, it’s not that big of a hassle, and in going out there, I can actually treat myself to Sonic or Atomic Burger as a treat for having to go to Metairie and deal with Lakeside Mall. Shudder.1

I feel good and rested this morning, which is very unusual for a Thursday. Last Thursday was like this, too–I ended the day feeling energized, and got a lot done when I got home. I hope that will be the case tonight. I have loads of laundry in both washer and dryer that need to be dealt with tonight; I need to empty and reload the dishwasher; the floors are looking horrific; and of course I need to assemble the shower caddy. I also need to redo my to-do list, and perhaps make one just for the weekend. I am going to have to go make groceries at some point this weekend, too. I need to go by Lowe’s at some point, too. We need more filters and I am going to splurge on a new barbecue grill, as the last one is well past its last legs, frankly. I also need to reorganize both the freezer and the refrigerator, as well as get rid of some more boxes of stuff that is no longer needed to be kept.

I love feeling reinvigorated in the mornings, frankly. I don’t know how long this will last, of course, and it’s possible I’ll get tired by the end of my shift, but that’s also okay. I don’t beat myself up over being tired anymore, and maybe the loss of anxiety is making me lean into my own stasis more than I ever have before, but I don’t think my creativity is gone–I’m having too many ideas and thoughts and making too many notes–but I need to refocus it on writing actual words down, rather than just thinking about them. I also need to start reading again. I hate how far behind I’ve fallen on my reading.

I did start listening to podcasts yesterday in the car, which was really cool. I found one called Bad Gays, which is hosted by the author of the book Bad Gays and someone who works at the Gay Museum in Berlin (which, if we ever go to Germany, is something I’d like to see); and I listed to the episode on James I of England (VI of Scotland) and his male favorites. I didn’t see an episode on two historical figures I am fascinated by, Henri III of France, and Louis XIV’s brother, Philippe d’Orleans; Philippe’s lover the Chevalier de Lorraine was the definitive bad gay of Versailles. I should fictionalize the Affair of the Poisons…which would give me an excuse to visit France for research. Plus it’ll give me the excuse to study up on the period more, too. I love seventeenth century France.

I think I am going to watch Christopher and His Kind this weekend, and I may even rewatch Cabaret for good measure. I also found some other gay movies on-line to watch that I’ve never seen, like Another Country and Maurice. I also want to rewatch Saltburn so I can finish my entry on it.

And on that note, I am heading into the spice mines. May your Thursday be wonderful, cheery and bright, and I may be back later–one never knows.

  1. Hilariously, now that my anxiety is under control I’ve realized my hatred of driving and having to go places was always anxiety-based. Always. ↩︎

Two Out of Three Ain’t Bad

Ah, Third Chanse.

If you will recall from my last entry about the Chanse series, I had a new editor for the second book in the series. I had also written a proposal for the follow-up, Murder in the Rue St. Claude, which was going to be about a nursing home and an angel of death. The second book ended with a tragedy for Chanse, and the last scene of the book was Chanse saying goodbye to someone before their life-support was turned off. I did a trickery and was going to have the person be in the nursing home, still living, only a suspicious death happens there and one of the workers talks to Chanse about her fears. The editor wasn’t the most professional or organized person, and I had to send the proposal to her three times on request with no contract offer. I was very irritated by this, but there were also a lot of changes going on there–including moving the offices from LA to New York, which I thought was an incredibly stupid business decision…and I wound up with yet another new editor right before Katrina hit. I honestly wasn’t sure if I would go back to writing ever again–one of the lulls in my career–but things eventually settled down and I started house sitting for a friend in Hammond over on the north shore while I waited for the city to reopen so I could drive into the city and get some more things from the house. I did, my friends’ trip was cut short, and I was going to return to Kentucky to my parents’ after one more swing by the apartment to pick up things. Imagine my surprise that my mail service was open, my grocery store and bank were open, and so was my gym. We’d moved into the main house from the carriage house, which hadn’t been rented yet as it needed some work before the hurricane, and so….I just moved back into the carriage house and cleaned up around the property and kept an eye on the main house, as well as emptying out the water from the machines that were trying to keep the insides of the apartments dry (the roof was gone).

While I was in Hammond, my new editor got me to reluctantly co-edit an anthology about New Orleans called Love, Bourbon Street (a title I hate to this day), and he was trying to talk me into writing a Chanse book about Katrina. I didn’t really want to, but he kept insisting and finally, I gave in and agreed to write it. However, the nursing home I was researching was a place they left people to die in–wasn’t touching that with a ten foot pole–and it occurred to me that I could wrap the case around Hurricane Katrina. He was hired by the client the Friday before Katrina, and obviously he couldn’t do the job now.

And that was the seed from which Murder in the Rue Chartres (no title at the time of contract) grew.1

This is the original cover from Alyson Books.
This is the new cover for the Bold Strokes ebook

It was six weeks before I returned to my broken city.

Usually when I drove home from the west, as soon as I crossed onto dry land again in Kenner, excitement would bubble up inside and I’d start to smile. Almost home, I’d think, and let out a sigh of relief. New Orleans was home for me, and I hated leaving for any reason. I’d never regretted moving there after graduating from LSU. It was the first place I’d ever felt at home, like I belonged. I’d hated the little town in east Texas where I’d grown up. All I could think about was getting old enough to escape. Baton Rouge for college had been merely a way station—it never occurred to me to permanently settle there. New Orleans was where I belonged, and I’d known that the first time I’d ever set foot in the city. It was a crazy quilt of eccentricities, frivolities, and irritations sweltering in the damp heat, a city where you could buy a drink at any time of day, a place where you could easily believe in magic. I couldn’t imagine living anywhere else. Any time I’d taken a trip before, within a few days I’d get homesick and started counting the hours until it was time to come home.

But this time wasn’t like the others. This time, I hadn’t been able to come home, and had no idea how long it would be before I could. Now, I was nervous, my stomach clenched into knots, my palms sweating on the steering wheel as I sang along to Vicki Sue Robinson’s “Turn the Beat Around” on the radio. It was everything I’d feared for the last few weeks when I thought about coming home, the anxiety building as the odometer clocked off another mile and I got closer to home.

It was different.

The most obvious thing was the lack of traffic. Even outside the airport, the traffic was usually heavy, sometimes slowing to a complete standstill. But other than a couple of military vehicles, a cement mixer, and a couple of dirty and tired looking sedans, I-10 was deserted. There was a film of dirt on everything as far as I could see, tinting my vision sepia. Huge trees lay toppled and debris was everywhere. Signs that used to advertise hotels, motels, restaurants, storage facilities, and pretty much any kind of business you could think of were now just poles, the signs gone except for the support skeleton. Buildings had been blown over, fences were wrecked and down, and almost everywhere I looked blue tarps hung on roofs, their edges lifting in the slight breeze. My breath started coming a little faster, my eyes filled, and I bit down on my lower lip as I focused back on the road.

No cars joined at the airport on-ramp, or the one at Williams Boulevard just beyond it. No planes were landing or taking off.

Most of the writing I did in the fall of 2005 was my blog, which at the time was on Livejournal. (The old stuff is still there, but I started making things private after a year because of plagiarism; I guess people thought they could steal my words if they were on a blog.) I documented as much of the experience as I could, so people outside of Louisiana could see that the city wasn’t fully recovered despite no longer being in the news. American attention had moved past New Orleans by the spring of 2006.

When I started writing the book, I was really glad I had done that with the blog, because more than anything else it reminded me of the emotions I was going through, that horrible depression and not remembering things from day to day, the need for medications, panic attacks, depression, and the way the entire city just seemed dead. I did repurpose a lot of stuff that was on the blog–rewritten and edited, of course–and I could tell, as I wrote the book, that I was either doing some of the best work of my life to that point or I was overwriting it mercilessly. You never can be sure.

But I also needed to flesh out the murder mystery I came up with, and I also wanted to write about a historical real life tragedy of the Quarter. The client who hired him that Friday before Katrina roared into the Gulf and came ashore was engaged, and she wanted Chanse to find her father, who’d disappeared from their lives when she and her brothers were very young. But what happened to her father? Who killed her, and why? Was her murder a reaction to her looking for him?

I had started using Tennessee Williams quotes to open my New Orleans novels with the third (Jackson Square Jazz: “A good looking boy like you is always wanted” from Orpheus Descending) and I liked the conceit so much I kept doing it. I knew someone who’d built a crime novel around the basic set up of Cat on a Hot Tin Roof, and I thought, what if the person who knows all the answers has been in a mental hospital for decades? Then what if Mrs. Venable had succeeded in getting Catherine locked up with all of Sebastian’s secrets lobotomized out of her head?

I named the family Verlaine as a nod to the Venables, and aged Mrs. Venable as well as gender swapping her (this was also a bit influenced by The Big Sleep), and I was off to the races.

My editor wrote me when he finished reading the manuscript and told me it was one of the best mysteries he’d ever read. The reviews! My word, I still can’t believe the reviews, and how good they were. I got a rave in the Times-Picayune, Library Journal and Publishers Weekly.

And yes, it won a Lambda Literary Award for Best Gay Mystery.

  1. The irony that two books I wanted nothing to do with, let alone write or edit, ended up with each winning Lambda Literary Awards, does not escape me. ↩︎

Marshall’s Portable Music Machine

Wednesday morning and the downhill slide into the weekend. Today I have to see my surgeon before I go into the office, which means this might get posted later than my usual. I am awake and feeling pretty good, actually. I am going to the gym to do my physical therapy on my own Friday, which is kind of scary. But I will muddle through somehow, and take my time with it rather than trying to rush through the way I always used to.

I made groceries after work last night and picked up the mail, so I don’t have to pick it up again until the weekend. I am going to be doing a lot, it seems, on Saturday morning. But this is the first free weekend I’ve had that’s normal in a while. I finished watching the Netflix Alexander when I got home, with Sparky asleep in my lap. I folded laundry, too. All in all, a slightly productive night, as I also worked on a short story a bit. I hope to get both of these (one a first draft, the other a revision) by the weekend, so I can work on other things over the weekend. We were super busy at work yesterday; it’ll be a bit slower today but still busier than usual. The post Mardi Gras boost in testing, I suppose.

I’m not sure what project to work on next. I’m actually thinking that this longer story I am writing could close the short story collection…the manuscript itself is sitting at about 72000 words right now, so either story could run long and the book would be finished and can be turned in. This is of course great news; I would also need to write an introduction to it as well, but maybe–just maybe–I could get it turned in by the end of the month, too. I also have to finish the sequel to Death Drop–which means revising what I’ve already written so I am back into Jem’s head and into his life and story again, which is also fine. I feel like I can really do the book justice now more so than any time since the surgery.

I also need to get back on the promotion interstate highway again, too.

But the appointment with my surgeon went well. I don’t have to see him again unless I have pain or something odd going on with my arm again, and I am going to be gradually phasing out the PT now. I should be fully healed by the sixth month (which would be April) but he thinks I’ll be fully healed before then, since everything has progressed so nicely with the healing thus far. I won’t be completely back to absolute normal, most likely, for at least a year. But the strength therapy will be enormously helpful in that; the real curiosity is wondering, when can I start working my chest and back and legs again? I don’t think legs would be too much of an issue, other than lifting the weight plates. I’ll have to ask my therapist next Friday when I see him again. But yay, right? Huzzah for progress! But the weather is also starting to get nice again, so I think it’s time for me to start taking walks regularly again. It’s staying light longer, too. I also need to start stretching at least every other day, too.

And the festivals are nigh, too. Woo-hoo!

And on that note, I am going to bring this to a close so I can eat my lunch and answer some emails. May you have a Wednesday that is as awesome as you are , Constant Reader.

The Lion Sleeps Tonight

Weeheeheehee dee heeheeheehee weeoh aweem away
Weeheeheehee dee heeheeheehee weeoh aweem away

You’re welcome for that hellish ear worm.

Well, here it is Tuesday morning and I feel a lot better, more rested, than yesterday. I was extremely tired when I got home after work last night. I didn’t really do much of anything once I was home, other than cuddling with Sparky and watching this week’s Last Week Tonight with John Oliver, which I always enjoy, as well as two more episodes of Alexander on Netflix, which I am enjoying. I was always interested in Alexander when I was growing up–I liked Egyptian, Greek, and Roman history and culture before moving to United States history, then British, and ultimately European. I also watched some documentaries on forgotten kings and queens of Europe. Sparky mostly slept in my lap for much of the evening, and I retired early. PT was rough yesterday morning, but this Friday I get to go to the gym on my own for the first time in well over a year. YIKES. I only have a few exercises to. do there, and I am a little bit excited about going for the first time and getting back into the swing of working out regularly again.

I am starting to feel acclimated back to my life again, and I am also thinking I am feeling more like myself. I’ve been flooded with story ideas over the last few days (Alabama always does that for me, for some reason), solutions to issues in works in progress that I’ve been struggling with, and book ideas. This is, of course, a relief, as I’ve felt kind of stagnant creatively since the surgery. It’s like my brain is finally waking up again, something I was concerned about, obviously–when your identity and most of your life is wrapped around being a writer, the loss of creative energy in my mind is even scarier than falling from a great height or cutting myself (two of my biggest fears). I suppose it would be okay, but I also can’t imagine never writing again.

I actually have thought about it seriously during this time of forced solitude and recovery. Writing and publishing is like a roller coaster ride–filled with ups and downs and frightening hazards to get past. 2023 was obviously a bad year for me, but I did produce two books I am proud of, Death Drop and Mississippi River Mischief. Is it any wonder that I wasn’t able to get much work done after they were finished and proofed and approved? Bouchercon was at the end of August, and when I got back was when I had my teeth done and went on the soft diet–no surprise I was low energy and not able to write very much–and then came the surgery and the recovery. And of course Scooter died last summer…yeesh, what a shitty year, underscored by the grieving for Mom. So, having not really written much after the books went into production, and not really being able to create while I recovered, made me take some stock and wonder if I wanted to keep doing it–the publishing side, anyway. But now that my overactive imagination has been reignited, all those doubts and self-questioning seem like self-pity. Waaah, I’m not Stephen King. So what? Sure, more money would be nice, but it’s not really the be-all end-all of why I do this, anyway. I love writing, I love telling stories, and I love creating characters I genuinely am interested in and want to get to know better.

I feel good this morning. I woke up and didn’t feel fatigued, either. I got a lot of work done at the office yesterday, which was awesome, and tonight when I head home I am making groceries and have some chores to do around the house, too. And…hopefully will get some writing done, too.

And on that note, I am heading into the spice mines. Have a lovely Tuesday, and I’ll check back in with you later.

Alone Again (Naturally)

Monday morning and up too early for PT before work. Heavy sigh. My body aches this morning–my back is especially tight–which means today will be exhausting. It’s a paperwork/admin day anyway–unless I have to cover for someone–and it’s also terribly cold this morning: 41 degrees, to be exact. I collapsed into bed last night somewhere around nine, and was dead to the world in a matter of minutes. It was a good night’s sleep, but I really need to sleep late sometime soon–probably not till this weekend, alas.

I did listen to River Road by Carol Goodman in the car both ways instead of The Drowning Tree, and as always, loved every minute of it. I still had some time left to listen to something, but only had a short time left, so I went ahead and started an Amazon Short by Zakiya Dalila Harris, “His Happy Place”, which was decidedly creepy but also extremely well done. More on both to come, of course, once I’ve gotten back into (what passes for) a normal routine around here. This will probably be a rough, tiring week, but I hope to manage. This weekend I am going to drop off beads and books for donations, and will also hopefully keep working on the apartment.

The coffee is starting to work, which is nice. My brain and body are starting to wake up, which is great. I’m also a bit hungry, so will probably make something to eat before I leave. I have dry noodles at the office to have for lunch, and will take some breakfast snacky things with me. Tomorrow I know we are going to be super-busy in the clinic, which will make for a rough day as well. Fortunately, I enjoy my job! But this weekend will be the hard reset I need, and I just have to make it through this week, which seems to be stretching out far into the distance and is a bit overwhelming to contemplate. I also need to make a grocery list, and today I have to run some errands after I get off work. Tomorrow I’ll make groceries after work, and hopefully I’ll start feeling more settled in. Sparky was a bit stand-offish when I got home yesterday–just mewed at me reproachfully for a while, but after a few hours he forgave me and was very affectionate, obviously having missed me while I was gone. I do kind of feel like our earlier cats were more Paul’s than mine, but Sparky is kind of mine. Of course, I was chair bound for almost three weeks, so he had a place to cuddle and sleep and hang out all day, and now of course no one’s home with him all day. Once the Festivals are over, he’ll be home more and then he and Sparky can bond some more.

So really, my return to normality after Carnival has been pushed back on the calendar because of the trip over the weekend. My word, how my imagination was out of control while driving and staying in Alabama. I remembered stories and ideas I’d forgotten about as well as having more ideas (just what I need, right?) and I also figured out how to finish off my short story collection. I am hoping to get some more stories finished this week and get off to submissions while working and planning my next book. I also have a shit ton of unfinished drafts here I’d like to get done at some point so I can clear out the drafts folder.

I also took a lot of pictures this weekend, to help me describe places when I write about Alabama some more. I also realized that fictionalizing the place where I was born means it doesn’t have to be exactly the same in my work than it is in real life, you know? But that’s also my own stubborn brain trying to make everything correct when it doesn’t have to be, which happens a lot. It’s not like New Orleans, which appears as it is in my work. Corinth County is based on where we’re from, but it’s not the same. I had an idea for something completely new on my way up there; there was an In Cold Blood-kind of slaying there in the late 1960’s; a couple who ran a corner store were brutally killed and robbed, and so when I got home I started looking for information about it on-line (I’ve done this before, but not for a potential writing project; more out of idle curiosity when I was writing Bury Me in Shadows) and interestingly enough, there have been any number of crimes down there over the last forty or so decades; in fact, in one article about another murder I read a quote from someone at a café in town that the county “seems to be cursed”–which I must have read before because that has always been the underlying theme of the fictional county; it’s even in Bury Me in Shadows with people saying “the history of this county is written in blood.” Anyway, I would be interested in writing about that 1967 shooting–either fictionally or as true-crime.

And on that note, I need to get ready for PT and then heading straight to work from there. Have a lovely Monday; I may be back later as one never truly knows.