Category: history

Are You Lonesome Tonight?

Lonesome is a great word that doesn’t get as much use as it used to; it was a very popular emotion/feeling for songwriters (especially those in the genre then known as “country and western”) to write about back in the 50’s and 60’s. It’s a very evocative word, and I am not sure why I don’t hear it as often as I used to. I love the word, and one of my ideas is to write a book called Kansas Lonesome at some point. The premise would be that there’s a podcast called that, which covers Kansas true crime stories throughout the state’s history; I am not sure how that podcast will play into the story I want to write, but that’s the foundation of that book, whatever it turns out to be. I am currently in the process of writing a short story (one of many, by the way) with a college student investigating a crime site out in the countryside to sus out background information for a podcast episode for the producer/star of the podcast. I do think the book may be inspired (Kansas Lonesome) on a homophobic incident that occurred in my old school district in Kansas; a young lesbian was put off the bus and banned from riding for saying she was a lesbian. The school district tried to cover up everything, but it turned out the girl was the only one telling the truth, the bus driver was fired, and the superintendent lost out on a big career move…and a few months later, she disappeared. Her name was Izzy Dieker, and as best as I can tell, she’s not turned up yet and it’s been over two years since she went missing. There are just some articles noting her disappearance, and then….nothing.

That is a great premise for a crime novel, isn’t it? Kansas Lonesome is becoming what I will soon probably be referring to now as “the Kansas book,” now that the other one was finally finished and published. But I think I will probably write The Crooked Y first; there is so much material in Kansas for prairie noir, isn’t there?

It really is amazing how much crime–specifically brutal murders–have happened in such a sparsely populated, deeply Christian red state. (“But crime only happens in those scary big cities!” Fuck off, trash. And by the way, immigrants aren’t coming for your women or your jobs.) The Benders are another grisly story from Kansas’ blood-drenched past, and I’ve always wanted to write about them, too; and hope to do so before I run out of time on this mortal coil.

And last week I stumbled across another fascinating tale of corruption and illegality involving a district attorney, a judge, and a police chief…a truly horrifying tale about how justice can be (and is all too frequently) twisted to fit the agendas of people who are evil but so convinced of their own righteousness that bending rules and not turning over evidence to defense attorneys, suborning perjury and coercing confessions from people?

Sidebar: Yes, Sarah Palin, that’s the real America, you charlatan snake-oil salesperson. Hope you’re enjoying being completely forgotten, grifter and Grandmother of Bastards.

Anyway, that’s a lot of words to talk about how Kansas is actually a horrific true crime state, with lots of examples of horrible murders and desperate people. I sometimes wonder if has anything to do with how flat the state is, and how sparsely populated. I know sometimes those winter winds off the prairies are brutal, whistling around the house and rattling the windows, trying to find a way into the warm cozy inside. Sometimes that wind can whistle, too–and I can imagine in a time without electricity or much entertainment, listening to that wind and being so lonesome out on the prairie could easily drive you mad1. I could write a book of short stories and simply call it Kansas Lonesome, with the premise that the podcast host and researchers are doing the background research into these old crimes or something. That could be an interesting way of bringing those stories together…but I also think Kansas Lonesome is too good of a book title to not use it for the novel I was thinking about earlier in this entry–the one about Izzy Dieker.

Loneliness, though, while sad and depressing, is a writer’s friend. When you’re lonely, you have to entertain yourself, and I always drag out the journal at those times, or warm up my computer and start writing away. I think a lot of my creativity came from being lonely as a child, the recognition I clocked early that I wasn’t like other kids in many ways so I stayed away from them because I didn’t know if they were going to make fun of me or bully me. and so I retreated very often into my own mind. I read a lot, obviously, and watched a lot of television and movies (while reading), and I just kind of lived in my imagination for lengthy periods of time. I preferred my own world, frankly, and still do; I hate leaving my own world for the real one.

I do wonder sometimes if I would have still wanted to be a writer if I had felt like I belonged, if I was like every other little boy. But even when I was a kid, I looked at the future that was expected of me and found it wanting. A Lot. I hated the very idea of fitting into one of the ticky-tacky houses in the suburbs and the day job that was all-consuming and the wife and the kids and the lawn work and upkeep on the house and…yeah, that sounded always terrible to me, and the older I got the more I resisted that future. Had I followed the path laid out for me by society and family I would have been absolutely miserable by now. Would I have been so attached to books if I had friends, kids in the neighborhood and the comfort of knowing people did actually like me? It was the love of books and wanting to give other people the feeling I got when I read one I enjoyed that made me want to be a writer in the first place, and the more I read the more I wanted to write. I used to write all the time when I was a kid–things I didn’t take seriously at the time, and would completely dismiss…but I was always writing. I made up a world once, with its own countries and lineages and so forth, kind of a fantasy alternate kind of history. I wrote my own versions of the Hardy Boys and Nancy Drew. I wrote short stories in high school. I started writing a novel when I was seventeen, and while I might have gone months without writing at times, I always was writing, always coming up with titles and ideas, and I was always happiest when I was creating.

And now, here I am hurtling toward my sixty-third birthday with a lot of publishing credits to my name and boxes and boxes of ideas…that I want to digitize and throw away the paper files in an attempt to cut back on clutter. I have my next two years’ writing schedule pretty much figured out already. I’m happy. That’s the bottom line of everything, isn’t it? Being happy? I love my life. I love writing. I love connecting with readers and other writers. And I think I am continuing to grow and develop as a writer. I don’t ever want my best work to be behind me, and I don’t think it is. I’m feeling good and optimistic again, and that’s always a good thing.

  1. There was a really great chapter in James Michener’s Centennial that talked about this very thing; how on the prairies in the winter the wind could drive one mad. After I read that book I could never listen to the wind again without remembering that. ↩︎

Your Cheatin’ Heart

The other night I picked up an old favorite book I read originally when I was a teenager and realized, as I paged through it, that The Other by Thomas Tryon was probably one of the most influential books I’ve read, as far as my own writing style is concerned. Obviously the series books are different, but the stand-alones owe a lot to The Other, and probably one of the books I will write later this year will owe even more to it. I always forget it when someone tags me on social media to list books that made me who I am or influenced me or something like that, and I never remember The Other.

But looking through those pages, I remembered another book I read around the same time that also had a lot of influence on me as a writer, Larry McMurtry’s The Last Picture Show.

Sometimes Sonny felt like he was the the only human creature in the town. It was a bad feeling, and it usually came on him in the mornings early, when the streets were completely empty, the way they were one Saturday morning in late November. The night before Sonny had played his last game of football for Thalia High School, but it wasn’t thet that made him feel so strange and alone. It was the look of the town.

There was only one car parked on the courthouse square–the night watchman’s old white Nash. A cold norther was singing in off the plains, swirling long ribbons of dust down Main Street, the only street in Thalia with businesses on it. Sonny’s pickup was a ’41 Chevrolet, not at its best on cold mornings. In front of the picture show it coughed out an had to be choked for a while, but then it started again and jerked its way to the red light, blowing out spumes of white exhaust that the wind whipped away.

At the red light he starts to turn south toward the all-night café, but when he looked north to see if anyone was coming he turned that way instead. No one at all was coming but he saw his young friend Billy, headed out. He had his broom and was sweeping right down the idle of the highway into the gusting wind. Billy lived at the poolhall with Sam the Lion, and sweeping was all he really knew how to do. The only trouble was he overdid it. He swept the poolhall in the mornings, the café in the afternoons, and the picture show at night, and always, unless someone specifically told him to stop, he just kept sweeping, down the sidewalk, on through the town sometimes one way nd sometimes another, sweeping happily until someone noticed him and brought him back to the pool hall.

Sonny drove up beside him and honked. Billy quit sweeping at once and got in the pickup. He was a stocky boy, not very smart, but perfectly friendly; picking him up made Sonny feel less lonesome. If Billy was out the poolhall must be open, and when the poolhall was open he was never lonesome. One of the nice things about living in Thalia was that the poolhall often opened by 6:30 or 7 a.m., the reason being that Sam the Lion, who owned it, was a very bad sleeper.

I think it was seventh or eighth grade when I first read The Last Picture Show. I had a battered copy that I got at a flea market (my grandmother’s second husband loved a flea market, and I always went with him whenever possible to look for books), and I hadn’t known the Oscar winning film (which I wouldn’t see uncut for over a decade until VCR’s became a thing and video rentals) was based on a book. There were some differences between the book and the movie–I never understood why they changed the name of the town from Thalia to Anarene–but for the most part, the movie was pretty faithful to the book.

I had meant to reread the book a few years ago–it had been years–but quit when I got to the part where the town’s older teenage boys decided to fuck a calf; I didn’t remember that from early reads and…it yucked me out. Interestingly enough, it never used to bother me, and I am not sure how I feel about that…or if I just went yuck and kept reading, or skimmed and moved on, but as an adult, I appreciate the book all the more, especially since I wound up living in a small rural town and going to a small rural high school several years after that first read. I never asked any of the kids I went to school with if they ever fucked animals–definitely didn’t want to know for sure–but I always did wonder, and there were definitely some kids I thought oh yeah.

But the book, about these kids learning about love and life and sex and growing up in a dying dusty small town whose best days are already past, has always resonated with me. My parents grew up in that same kind of environment in Alabama during the same time period, and there was so much…I don’t know, boredom and poverty in those small rural towns? The book and movie both were billed as the story of the explosive boredom in a small town. And that’s the part that people generally forget when thinking about the past and rural living–how boring it was. You had to find things to entertain yourself as a teenager, and that can lead to all kinds of trouble. McMurtry gave all of his characters humanity, and they were completely believable. There was the preacher’s kid, so uptight with his Christianity and strict life that he eventually takes a little girl with what is generally assumed as molestation in mind, and yet you can’t feel a little bit of sympathy for this poor kid with his horrific cruel parents (spare the rod and all that nonsense) who finally snaps. Everyone thinks he’s a “homo” anyway–which is really funny, because the person who really torments poor Joe Bob Blanton is the football coach, Coach Popper–who, despite being the embodiment of the town’s thoughts on masculinity (toxic, of course) is the town’s real homosexual–and he also accuses the English teacher of it, because he’s kind and gentle, and ruins him.

Very 1950s there, actually, and only emphasized to me how dangerous letting anyone know I was gay could be, and why I was so scared of my true self.

Great book, great movie–but please don’t mention Texasville to me. I hated that book.

Hawaiian Wedding Song

I am a bit tired this morning. All those errands I ran yesterday? Apparently I have not recovered my stamina yet, because I am feeling it this morning. My legs are very tired, and I did not want to get out of bed this morning…which was also partly because Sparky turned into a purring cuddlebug while trying to get me to get up–lying on me and rolling and purring and head butts and making biscuits. It was actually kind of lovely, really, but now I am up, a load of laundry is started, and I am drinking and loving my coffee. LSU is competing for the national championship in Gymnastics at 3, which is probably going to suck all the oxygen out of the day, so I’ll need to get a lot of things done today before three, won’t I? GEAUX TIGERS!

Yesterday was a rather interesting day, social media-wise. After I posted yesterday morning and as I was getting ready to dive into the day, I shared the post on my social media as I always do, and I had some extreme irritations, all related to my years in Kansas, of all things; like all this writing and thinking about Kansas and ideas for books/stories there manifested some people I went to high school with, as well as some other unpleasantness. For the record, straight white cisgender, this is the sort of thing we’re talking about when we talk about microaggressions and safe spaces. The first thing that popped up at me on Facebook was some tired old bitch of a white woman’s post sharing an interview with Dawn French, in which she not only defended the Chatelaine of Castle TERF, but chastised everyone. After all, as a straight cisgender white woman, it’s our responsibility as queer people to explain it all to HER, and if we’re not willing to do so, their lack of understanding is on US.

Fuck off, Dawn French. Queer people don’t have to explain their humanity to you, you miserable fucking bigoted bitch. “Well, I don’t understand this, so please explain to me why you deserve to be treated like a human being.” That’s it right there. Doesn’t sound so nice when it’s put that way, does it? Is it really too much for you to treat other people with respect and kindness even if you “don’t get it”? And when exactly do I get my fucking paycheck for explaining our HUMANITY to someone with a blackened, dead soul and no empathy for anything outside their own experience? The arrogance!

Anyway, this former Facebook friend shared this and said, “I agree.” Someone else, another former Facebook friend, commented “Yes, absolutely.” I unfriended and blocked both, and then posted in my anger “If you are a defender of the Chatelaine of Castle TERF, just unfriend me now.” Another former Facebook friend then announced his departure. He only unfriended, so I blocked his homophobic ass, too.

As if that wasn’t enough, someone I went to high school posted a funny meme I was going to comment on, when a homophobic piece of trash from high school tried TAGGING me on it because I had unfriended her after getting sick and fucking tired of her MAGA posts and remembered the time I heard my “friend” mocking me with other people in the high school cafeteria for being gay. Again, I don’t owe anyone any explanations for cutting you out of my life because I fucking refuse to explain why I deserve to be treated like a human being and not as the butt of a joke or something to hate and despise because a verse in Leviticus says so.

Jesus, right? It’s so tiring.

And then, in the biggest irony of ironies, another person I went to high school with–who is always posted queer ally stuff, which I’ve always appreciated–did so again yesterday further down on my feed, and of course someone had to come in waving their cross and Bible, but what was truly nice was seeing how many people went after the Bible-thumper, quoting the Bible and the Sermon on the Mount back to her, and it was on that thread I discovered she had a younger sibling that is gay (I wasn’t the only one to graduate from that school, apparently) and then someone else from high school commented “My brother is gay, too”–and the irony of that was almost too delicious to savor. You see, the second “my brother is gay” poster? She and her troglodyte best friend loved called me a fag quite often and quite happily my senior year…and while that was satisfying enough, I then remembered that she and her bitch friend would say it and laugh…in front of her brother….so his situation was worse than mine, and I went from smug to sad. Her brother was also an asshole to me (which I understand; I avoided other kids who got slandered and mocked and called that), but knowing that he was gay and was listening to his sister and that other bitch call me that? How he must have hated himself every time she said it. I wonder how suicidal he was? And truly, how sad was it that we are so socialized to avoid other kids with that same stigma and shame we experience rather than supporting each other? I think that’s also one of the many reasons I have trouble trusting gay men as I do straight people–another kid who was gay-presenting at my high school in the suburbs and was friends with people who treated me like shit….out of curiosity I looked him up and he too is out and proud now. How sad he joined in so his friends wouldn’t think he was a fag, too.

But at the same time, it’s giving me an insight into Kansas that I didn’t have before. The state, which I should have known, isn’t full of homophobic MAGA trash, and neither is the area I lived and suffered through for five years. And that could make for an interesting approach to another book. I had thought Sara, with my out gay character in a rural Kansas high school, was a bit much–I didn’t think kids could be out there–and turns out that while it’s not appreciated, those brave kids are facing it all down and defiantly throwing it back in their tormenters’ faces. I actually even thought for a moment last night that it might be worth it to go back sometime, to just look around and see how different everything is from my old memories.

And on that note, I am going to get cleaned up and going on my day. I may be back later, I really do want to get all of these draft posts finished and out of the drafts file at some point, but I also don’t know how the day will play out so we’ll just have to see, Constant Reader. Have a great Saturday regardless.

Weird Science

I loved kids’ series when I was, well, a kid. I still have fond memories of reading and collecting as many of the books as I could–I still have all my copies–and while of course times have changed, I feel bad for kids today who don’t have the plethora of series to choose from that I did when I was a kid.

Of course, I chose all of them, pretty much.

And while the most popular kids’ series were Nancy Drew and the Hardy Boys, my favorites were the ones that weren’t as well known, didn’t last as long, and vanished from print during the late 1960’s and through the 1970’s. I always preferred Judy Bolton, Trixie Belden, and Vicki Barr to Nancy Drew; I enjoyed The Three Investigators, Ken Holt, and Rick Brant far more than I liked the Hardy Boys, but you could get Nancy Drew or Hardy Boys books almost anywhere, whereas the others were incredibly hard to find. Our babysitter used to take us to the Goldblatt’s Department Store on 26th Street in Chicago when she went, pulling her buggy behind her (Dad says Mom used to pull me and my sister in hers to the grocery store, but I don’t remember that). Mom would always give my sister and I two dollars each to spend, and I loved going there because in the basement was the kids’ section, and while my sister was looking at dolls or single records (remember 45’s?) I discovered the remainder table, where Goldblatt’s marked down some of the lesser known Grosset & Dunlap/Stratemeyer Syndicate books on a big table, for like thirty-nine cents, which was a big deal because I could get a lot of books at that price. They were all series books I’d never heard of, but they sounded interesting. It was off that table that I got my first Ken Holt. Rick Brant, and Biff Brewster mysteries. The Biff Brewster books weren’t as good as the other two series, but today I want to talk about Rick Brant, and why I loved the series so much.

Rick Brant, being tall for his age, had no trouble making the final connections on his latest invention. He screwed the bell on solidly, then stepped back to view his handiwork.

The doorbell was now in an unusual position. Instead of being at waist level, it had been moved to the inside of the doorframe and placed up high.

It looked fine. A stranger might have to hunt a little before he saw the push button, but he’d find it all right. Rick went inside and threw the switch that would send electricity into the gadget and went to collect the family.

Mrs. Brant was in the kitchen, supervising the supper preparations for the family and the scientists who made their home on Spindrift Island.

Rick sampled the cake frosting in a nearby bowl and invited, “Can you come out on the porch for a minute, Mom? There’s something I want to show you.”

Mrs. Brant looked up from the roast she was seasoning, a twinkle in her eyes. “What is it now, Rick? Another invention?“

“Wait and see,” he said mysteriously. “I’ll go get Dad and Barby.”

And so opens the first Rick Brant Science Adventure. I bought four Rick Brant books that day (The Rocket’s Shadow, The Egyptian Cat Mystery, The Flying Stingaree, and The Flaming Mountain), all of which had some appeal to me. I wasn’t really that much into science or rocket ships, but I did buy the first because it was, well, the first in the series, and OCD Child Greg had to read the first book. I didn’t have to read the series in order–I did try that with the Hardy Boys, but gave up when it was time for Book 4 and the title, The Missing Chums, didn’t excite me so I got one of the later volumes, The Mystery of the Aztec Warrior instead. There was a pyramid on the cover. I’ve always been a sucker for pyramids–but I always felt obligated to eventually get to the first volume of every series. It wasn’t always necessary, but in some cases–The Three Investigators, Trixie Belden, Judy Bolton–they really did set the stage for the rest of the series and it helped to have read the first one.

I’ll be completely honest here, too: I was never good at science. I don’t know why that was, but I just was never good at any of it–biology, chemistry, physics; math and science were my two Achilles heels. I only read a couple of the Tom Swift books, and even those were because one was reissued in paperback and renamed In the Jungle of the Mayas (the Mayans built pyramids!) but I got the impression the Swift books were more about science than a case or a mystery or anything. The Rick Brant series, on the other hand, while having some insane titles (The Electronic Mind Reader, The Wailing Octopus) like all series did, there were also some that were called “mysteries.” So, yes, science, but also mystery.

I also had no idea it was going to become one of my favorite series.

When I first read The Rocket’s Shadow in the late 1960s/early 1970s, it was already significantly dated. Originally published in either 1946 or 1947, the background to the story was that the scientists on Spindrift Island, off the coast of New Jersey, were trying to build a rocket to send to the moon. Several different groups were trying to accomplish this, and whoever succeeds first was going to get a very lucrative government contract…and their efforts are being sabotaged. Rick’s father, Dr. Hartson Brant, is world-renowned, and of course Rick is very interested in science and is always inventing things to either save time or effort, and they aren’t usually very practical, even though they do work. Rick and his younger sister Barby go to school on the mainland–Spindrift is separated from the coast by tidal flats that are underwater during high tide–but everyone on the island is determined that their rocket will succeed and they’ll catch the saboteurs.

Rick soon figures out a clue and gives chase to some of the saboteurs, who turn on him and attack him–only he is rescued by a blond hitchhiker carrying a military duffle. He and Rick run the attackers off, and then Rick brings his new friend, Don Scott–“Scotty”–home with him because he has no place to go. He’s out of the military and has no family, was just wandering the roads to see where he wound up. The close bond between Rick and Scotty1 resonated with me, especially their sense of camaraderie and affection for each other. They had no girlfriends or even any girls who might be potential dates at first (some were introduced in the series later, Barby growing up for Scotty and a new scientist comes to the island and has a teenaged daughter Jan who is sort of an interest for Rick–but the girls are never more important to them than they are to each other.2

Obviously, by the time I got and read the book we were already into the Apollo space programs from NASA, and we landed on the moon in 1969–so all the science in The Rocket’s Shadow was off and wrong–also the rocket got there in like twenty minutes, not possible even now–and as such, the series could never really be updated and revised like the Hardys and Nancy Drew. The Rocket’s Shadow would have had to have been completely rewritten, and I’m not sure how you could introduce Scotty as a hitchhiker/war vet (he lied about his age) today.

I enjoyed all the books in the series. I did eventually get them all over the years and read them, and many of them are dated. High tech walkie-talkies don’t seem so impressive in a cell phone world, and of course, there are some trips to foreign lands (Asia and Pacific Islands) that are probably more than a little racist and dated now. But I loved The Lost City, where they are off to Tibet to set up a radio receiver on the opposite side of the world from Spindrift to triangulate with the rocket on the moon, and they discover a lost city of Mongols and the tomb of Genghis Khan. They also meet, in that book, an Indian youth named Chahda who helps them out and becomes basically a member of the family, and they take him off the streets of Delhi and pay for him to go to school. Chahda was incredible smart and adventurous too–but not sure how he’d hold up under modern scrutiny in these more evolved times.

And maybe when I’m retired I’ll reread the series critically. The books can be found on ebay and second-hand sites; some are available as ebooks, either on Amazon or Project Gutenberg.

  1. I am even now wondering if this character is why I’ve always liked the name Scotty, and have used it repeatedly for characters of my own creation. ↩︎
  2. I do find in also amusing that my parents–so worried about me reading books about girls instead of boys; did they not understand just how homoerotic the relationships between boys in these books were. This amuses me greatly now. ↩︎

Only You (And You Alone)

Ah, Thursday and my last day in the office for the week. Awesome. Yesterday morning I once again did the old “don’t leave the house until 7:30” again, and once again I wasn’t groggy or tired by the time I left the house. Bizarre how that minor shift in how my days are structured has created such a significant change to everything. I really need to remember to pay attention to routines before they become ruts, so I can change them and avoid said rut.

I did finish the first draft of a short story Tuesday night, and I am most pleased with it. I am writing it for an open call for an anthology, and I am very pleased that I got a first draft done long before the deadline. (I’m still bitter about missing the Chessies anthology deadline, for which I was working on three stories. Note to self: never write three stories for a submissions call because you think it sounds like a great idea. It is not, nor is it ever, a good idea.) Yay, me! I also decided to work on revisions of some other stories in progress; I am still struggling working on this book, but I’ve also decided I need to really immerse myself in it for at least one day so I can get a handle on this plot and figure out where it’s going and what needs to come in and what needs to come in so that I really feel like I have a grasp on the characters and the story. Those stories in progress are the first drafts I never got a chance to revise for the Chessie anthology, and all three will fit snugly into the end of my short story collection…so technically, if I can get the three stories whipped into shape, I can also go ahead and get the collection turned in. Huzzah! All three of the stories are actually ghost stories of a sort; “Passenger to Franklin” needs some serious revision, and so does “When I Die,” which is a terrific concept and really needs some work too. I think I can get one of my oldest and most beloved stories of my own whipped into shape and added into this collection as well, which just goes to show–never discard an idea or throw out a story because you’ll eventually come back to it someday.

I wrote out the opening paragraphs of the next Scotty, which I want to write this fall and hopefully get turned in around November or December. I am pretty pleased with the plot and story of this one, too, but I also need to spend some time brainstorming the plot and how it twists and turns around and turns out. I still haven’t dipped into my Paul Tremblay yet, and I think I may save it for Sunday morning reading over my coffee. Saturday morning I am going to reread/skim Death Drop so I can get a better feel for the current WIP and make sure I have the voice right, which I don’t think I do yet, which is also why I think I am having so much trouble writing it. It’s always a struggle for me to write a book when I don’t hear the voice of the character in my head, so I need to get it there ASAP.

I feel like I am making progress with my writing, even if working on the book is like pulling recalcitrant teeth.

I feel pretty good this morning, a little tired perhaps, which is oddly different that the past few weeks, when I was tired earlier in the week and felt more rested as the week progressed. This of course made no damned sense at all, but that’s okay. Few things in my life have ever made sense, and a lot of it probably is related to the anxiety and medications, as well as this week’s change in schedule. Last night when Paul got home we watched the first episode of The Sympathizer, which was very intense. I loved the book, and the new series is actually quite excellent–but more on that as it develops, obviously. I also managed to fold the laundry and do a load of dishes. I also picked up two new books, the new Scott Carson (aka Michael Koryta) and the new Alyssa Cole. I want to get some serious reading done this weekend as well as some cleaning and writing, and I also need to get my taxes completed this weekend and off to my accountant. An odious chore, to be sure, but a necessary one. I also have a lot of errands to do this weekend–we need to go to Costco, I need to make groceries, and of course there’s a shit ton of cleaning that needs to be done. I will need to work on reorganizing the freezer/refrigerator tonight in order to make sure there’s room for what we pick up this weekend.

And on that note, I am heading into the spice mines. Have a lovely Friday Eve, Constant Reader, and one never knows, I could be back later.

Broken Hearted Melody

Ah, Wednesday and the midpoint of the week has arrived. It’s been a good week so far; I’ve not been super-tired at all this week and I think the shifting of my arrival at work from 7:30 to 8 was a smart decision. I imagine, though, it’ll eventually start getting difficult for me to get up later as it has getting up earlier, once I am used to the change. In other words, it won’t feel like I am getting to sleep late eventually.

I saw something interesting yesterday on social media that really resonated with me: Your life should not be a museum, and that’s kind of what my mentality has been. I tend to get stuck in ruts so easily, and I like to accumulate things that have meaning to me (have I introduced you to my library yet?), but do I really need to keep these “artifacts” of my past? I never look at these things, rarely have anyone over to see them, so therefore what is the point? Everyone at the day job laughs about how, at a co-worker’s wedding last fall, someone made a joke about how I always wear Crescent Care T-shirts to work and were surprised to see me outside of the office and wearing something else–and since the joke was made, I’ve not worn one. Not once. I had started wearing them every day during the pandemic when I came to work and it was a further simplification of my life: I didn’t have to pick out something to wear to work, But when he made the joke, I wasn’t offended, but it did kind of snap me out of a rut. You have plenty of other clothes you never wear, and they aren’t doing any good hanging in the closet, I realized finally, so I started wearing my clothes instead of the work T-shirt. I generally don’t care about clothes most of the time but I eventually get to the point, periodically, where I’ll get interested in clothes again and will buy some–I had a shoe experience earlier this year, and now have two gorgeous new pairs of shoes to show for it.

So, why not buy some more Polo style shirts in colors I generally don’t wear or don’t have in the closet? Yes, that’s my way of saying that I did order some new shirts for work yesterday.

Yesterday was also the fifty-year anniversary of women being able to get their own credit cards without their husband or any kind of male co-signer. I remember when this happened, by the way, and I also remember when my mother got her very first credit card; it didn’t have her name but rather Mrs. My Dad. I remember thinking, “yeah, but it’s STILL technically his name.” People also don’t remember that about fifty years ago was when women/wives stopped being subsumed into their husband’s identity at the expense of their own: I am constantly amazed by plaques commemorating civic leaders and donors that list women as Mrs. Chanse MacLeod or Mrs. Scotty Bradley. Women had no identity beyond their husband once they were married. They couldn’t get bank loans, and I am not sure about bank accounts, either, for that matter; women were basically chained to their husband for life and if she got a divorce, she was basically screwed. Once women had financial freedom and no longer needed a husband…well, the divorce rate rose significantly, which is why men were so opposed to treating women like equals.

“What, you mean I have to convince her to marry me? Spinsterhood and divorce aren’t unpleasant fates anymore? That’s it–women need to be controlled.“

Sigh.

We also finished The Gentlemen last night, and I was very pleasantly surprised that it did have a most excellent finale. I don’t know if there will be more seasons, or if it was merely a mini-series, but I really enjoyed it and kind of am in the place where I worry about the continuation; so many shows go on long past their expiration date (looking at you, Friends and Thirteen Reasons Why) and lose me in a later season. (I really worried about it with Ted Lasso.) But we’ve got some other shows lined up to watch, I think the national finals for college gymnastics is on this weekend, and I also would like to get some more writing done this weekend. I did write last night on revising a short story, but today I am going to get back to work on the book (and hopefully finish the short story). It’s been a good and productive week thus far, and I really like this “go in later” thing I accidentally stumbled over on Monday morning. I made it through the day yesterday without getting tired, and I felt good when I came home to His Majesty Sparky, who is now addicted to the squeeze treats I bought for him. But I only have one more day in the office this week, and suddenly it’s the weekend again. I also worked on my taxes a bit more yesterday. Sigh.

And on that note, I am heading into the spice mines again. Have a lovely Wednesday, Constant Reader, and I will be back probably a little later.

Gotta Travel On

The Ides of April and Tax Day, huzzah. I’ve filed for an extension for mine because I just couldn’t deal with it before, which is kind of childish and more than a little immature; the key word here is avoidance. But I plan to get it all finished this week, God willing and the creek don’t rise. I am going into the office a little later than I usually do, because I have to swing by the Cat Practice to get Sparky’s food on the way to the office. It’s an Admin Day, so not a big deal for me to not be there as early as usual.

I feel rested and good this morning, which is a very pleasant change and surprise. I did go to bed a little early last night, but I spent most of the day writing in my journal, watching documentaries, and later on in the evening we watched more episodes of The Gentlemen. I also finally looked up the name of the star, Theo James, because it was bothering me that I recognized him and couldn’t place him. I am liking it a lot more than I would have thought, frankly; not being a big fan of producer/showrunner Guy Ritchie, but it’s actually quite fun. I also went down some rabbit holes of research yesterday, which is always a lot of fun for me. I also started reading Paul Tremblay’s The Pallbearer’s Club, which I had a little trouble getting into at first, but I remembered having this issue with A Head Full of Ghosts, too–like the latter, he’s playing with form and style and point of view in the former, which is a bit hard to get used to it, so it’s slow going (for me) at first, but as always, there’s such depth and compassion in his writing it’s easy to see why his career has taken off. I’ll try to read some more of it when I get home from work tonight, after I do the day’s writing. I am definitely planning on writing every day now, even if it’s just a little something. I made lots of notes yesterday in my journal, too, which was very cool.

I decided yesterday, when watching a lengthy documentary of LSU football highlights (I was doing this around chores, listening to the documentary while Sparky and Paul slept on the couch) that one of the problems I’ve been facing with writing lately, something I’ve talked about on here a lot, is how I’ve not really been able to focus all of my creative energies on anything that I am writing, but have any number of things in-progress that my mind keeps attention-deficiting between, skittering around between projects and ideas without really landing effectively on anything for long enough to get very far. Yesterday I decided, as I grabbed the journal and hit play on the documentary that I was going to free-form take notes and scribble out ideas as they came to me, regardless of what they were about or for, even if they were entirely new project notes. I did a lot of scribbling, and most of it focused on one project, which really needs to get done by the end of the year, as well as some others I was a bit surprised still were there and fresh in my mind. I also know now that if I rewrite at least three of these short stories drafts that I have on hand, that collection will be complete.

I also found the voice for a new project idea I’ve had in the front of my mind for a while, primarily because we watched those ‘troubled teen cure’ documentaries at the end of the previous week. I had an idea for one set in Kansas, based on a foster home where the kids went to my high school. I didn’t think much of it when I was in high school–other than how much harder those kids had it than the rest of us–and sometime in the years since high school I thought, I could write a crime novel around that story even though it would entirely be fictional and the real place was simply a starting point for my fictionalization. The title came to me this weekend–The Crooked Y–and so that’s definitely moving up the list of “what to write next.”

As you can tell, writing is becoming more important to me and it feels good for my mind to be creating again, even in this current ADHD way, which is so much better than the dry well experience I’ve been having since…well, since Mom died, really. 2023 was a lot of personal trauma; and relentless from January on, which makes it not surprising, I suppose, that my brain has been fallow for so long.

And on that note, I am going to start getting ready to head into the spice mines for the day. Have a great Monday, Constant Reader, and I may be back later.

Floridays

Michael Koryta is one of my favorite writers.

I may not have discovered him had I not been an award judge one year, and his book So Cold the River was entered. I absolutely loved the book, that perfect hybrid of crime and horror that is so often far too hard to find, let alone have it be done well. The Prophet and The Ridge cemented his place as one of my favorite writers. I had bought The Cypress House when it was new, but somehow had never gotten around to reading it–there are several volumes of unread Koryta books that I am looking forward to getting to at some point. I know I picked it up and started it at one point, but something happened to distract me and I never got back to it. Last weekend, I finally decided it was time.

And I am very glad I chose it at last.

They’d been on the train for five hours before Arlen Wagner saw the first of the dead men.

To that point it had been a hell of a nice ride. Hot, sure, and progressively more humid as they passed out of Alabama and through southern Georgia and into Florida, but nice enough all the same. There were thirty-four on board the train who were bound for the camps in the Keys, all of them veterans with the exception of the nineteen-year-old who rode at Arlen’s side, a bou from Jersey by the name of Paul Brickhill.

They’d all made a bit of conversation at the outset, exchanges of names and casual barbs and jabs thrown around in that way men have when they are getting used to one another, all of them figuring they’d be together for several months to come, and then things quieted down. Some slept, a few started card games, others just sat and watched the countryside roll by, fields going misty with late-summer twilight and then shapeless and darl as the moon rose like a watchful specter. Arlen, though, Arlen just listened. Wasn’t anything else to do, because Paul Brickhill had an outboard motor where his mouth belonged.

What a great opening.

Koryta is an exceptional writer. He doesn’t always blend the supernatural/horror into his crime novels, but I love it when he does–very few authors (Paul Tremblay being one of them) who can deliver such extraordinary hybrid work. I’ve loved every Koryta novel I’ve read–there was one about caves that absolutely terrified me, being claustrophobic and afraid of the dark, so much so that I never did read the sequel–it got under my skin that much. (I will read the sequel, never fear!) He has also started using the name Scott Carson for these hybrid books, to differentiate them from the straight-up crime novels.

The Cypress House is a historical novel, hard-boiled and noir to its core. Set in the 1930’s during the Depression, Arlen and Paul’s journey is about finding work at government projects–they are heading for the Florida Keys to build a highway connecting the keys to mainland Florida. Arlen is a WWI veteran, a survivor of the horror that was the Belleau Wood..and it was during his service in the war that he began seeing premonitions of death in people–their eyes are filled with smoke, and he knows they are going to die. As they speed through the night in Florida, he starts seeing smoke in the eyes of everyone on the train, and knows they have to get off the train, which they do at the next stop. Paul isn’t sure he believes Arlen, but he’s attached himself to the older man like a puppy, so he also doesn’t get back on the train.

They later learn a hurricane swept through the Keys and killed everyone on the train.

The two men accept a ride to a work camp in Tampa, which winds up with them at the Cypress House, a beachfront “resort” on an inlet in the middle of the swamp jungles which is a mob front…and meet the beautiful Rebecca Cady, who runs the place. When their driver’s car explodes, they are now stuck there–and are thrown in jail for their trouble by the corrupt local sheriff and judge, Solomon Wade, who is connected to the mob all over the country and runs drugs in through the inlet. Arlen decides to help Rebecca, whom he is falling in love with, and then all hell breaks lose.

Koryta is a master of building suspense and tension, and the chapters where the three of them are riding out a hurricane/massive storm surge was absolutely chilling and terrifying, especially when you’ve done that yourself. The historical setting is apt, and as I have said before, a lot of remote places in the South are still run this way–an authoritarian sheriff and other politicians who are essentially tin-pot dictators. This book reminded me of great Florida novels of the past–John D. MacDonald and Robert Wilder’s Flamingo Road spring to mind–and this would also make a great movie.

The Cypress House is yet another feather in the cap of Koryta’s canon. Highly recommended. You should be reading Koryta/Scott Carson. Fix that if you’ve not.

Turn Me Loose

Sunday morning blog after an uneventful yet sort of productive day yesterday. Our Internet went out around one yesterday afternoon, and was essentially in and out (mostly out) until about eight o’clock last night. I did finish reading my book, which was superb (more on The Cypress House later) and I did get two more blog post drafts finished, which felt great. I ran my errands, cooked outside last night, and did some cleaning up around here as well. When it came back and we could watch television, we finished Pray Away and moved onto The Gentlemen, which we are really enjoying, on Netflix.

It was actually nice not having Internet, if odd–you never realize how much you depend on it until you don’t have it, seriously–because I was able to relax all day, instead of getting caught up on the news (rage-inducing, as always) or watching old LSU football highlights (always a joy) or finding new documentaries to watch. Pray Away was the final step in our “teenager abuse programs” watching, following The Program and Hell Camp, and what’s truly frightening is the gaslighting involved, for both kid and their parents–and that the troubled teen industry is still chugging along, abusing kids and bilking their parents of money. I’ve never wanted to do a conversion therapy story–I briefly touched on this in Baton Rouge Bingo and again in Royal Street Reveillon; that Taylor’s parents wanted to send him to one in Mississippi. I had also talked about a conversion therapy camp in Mississippi before in other works, some of them my Todd Gregory stuff, and maybe someday that will come to fruition in some way. Watching all these documentaries has put me in mind of how to write about one in a Scotty book or a stand-alone; there’s also another idea for a mystery/crime novel I’ve been thinking about a lot as I watched these horrific documentaries, only set in Kansas. (Oddly enough I find myself thinking about Kansas a lot more and more these days, not sure what that’s all about.)

I also was looking through books yesterday after I finished the Koryta to decide what to read next, and I was having trouble deciding; mainly because I have so many damned fine books to read in the TBR stack. I also ordered two more books yesterday morning–poems by Mary Oliver, recommended by the fabulous Carol Rosenfeld (me trying to learn more about poetry and start appreciating it) and the newest Scott Carson (which is a pseudonym for Michael Koryta). I think I am going to read The Pallbearer’s Club by Paul Tremblay (I’m a huge fan) while also embarking on a reread of Thomas Tryon’s The Other, which was probably one of the most influential books I read when I was a kid. I am still reading Rival Queens as my current non-fiction, and I am thinking that The King’s Assassin, the basis for the incredible new Starz series Mary and George (which you should be watching) and again, a period of history I’ve always been fascinated by, and watching the show has given me an idea about how I could approach another project that’s been in the files for almost two decades.

Today I intend to write and read and clean and organize for most the day, although I am sure once Paul gets up we’ll start streaming The Gentlemen again. I have some blog entries I also want to finish writing, and of course, there’s all kinds of writing that I need to get done today as well. I’ve been really scattered with my writing this year, and part of it has been an inability to focus on just one project with my usual laser-like focus, and that’s why I’ve not been able to get anything much done this year. This morning I feel more awake and focused than I have in a long time, which is great. Once I finish this and my review of The Cypress House I’ll get cleaned up, read for a bit, and pick up around here before focusing in on what I want to get written today. Being organized helps, and if I could simply manage to stay organized rather than just letting things pile up everywhere, I wouldn’t have to do as much cleaning and straightening and organizing as I always do on the weekends.

The Lefty Awards were presented last night in Seattle at Left Coast Crime, and I was very delighted to see the results this morning–Tracy Clark, Best Novel, Hide; Nina Simon, Best Debut, Mother-Daughter Murder Club; Naomi Hirohara, Best Historical, Evergreen; and Best Humorous, Wendall Thomas, Cheap Trills. I don’t know Nina, but the other three winners are friends, which is delightful, and I couldn’t be happier for Naomi, Tracy, and Wendall–who was on that Humor panel I had to step in to moderate at Bouchercon in San Diego last year, and was wonderful. Kudos to all winners and nominees!

And on that note, I am heading into the spice mines. Have a great Sunday, Constant Reader, and I will chat with you again later!

The hunky Alan Ritchson, starring in Prime’s Reacher, did an interview recently calling out evangelicals and Trump supporters, who got all in their feelings and have decided not to watch the show anymore. Sounds like ‘cancel culture’ to me. How woke!

Lonely Teardrops

Well, good morning, Constant Reader, and I do hope everything is going well for you on this lovely Saturday. I slept deeply and well (and a little late), and feel pretty good this sunny morning. My primary priority for this weekend is to get my taxes finished and to my accountant (we’ve already filed an extension because I couldn’t get my shit together last weekend), do some writing and cleaning and run some errands, and relax as much as I can. Last night after getting everything done that needed doing, I ordered us a pizza for U Pizza (formerly Slice) on St. Charles Avenue, and we watched some more documentaries about child abuse reform schools for “troubled” teens, The Program. It’s very chilling to see how these kids were treated both in these schools and in those camps (Hell Camp), and I imagine we are also going to have to, at some point, watch the documentary about conversion therapy camps, too. Watching these has given me an idea for another Kansas book (I already had the idea, but this was excellent research for it), which made me think about some other things about my writing: what inspires it, and what issues do I take on in my work? I think part of the issues I am having with really getting back into the writing (where I’m writing three thousand words or more every day) is because I am not addressing issues I am passionate about, things I write about and learn more about and should be more concerned about.

And now that uneducated white supremacists are now in power in Louisiana, I’m going to have a lot of issues here to take up. So far, Governor Landry is unchecked in his attempts to turn Louisiana into an authoritarian state, and I doubt very seriously any Louisiana politician is going to oppose his horrific agenda for Louisiana–he’s actually worse than Jindal ever dared to be, and he was a monster who left the state in shambles. It’s kind of scary knowing our governor is someone who wouldn’t agree to be Klanmaster because the position wasn’t racist and homophobic enough for him. As much as I love New Orleans, retiring out of state is beginning to look like the best option.

Sigh. But there won’t be anywhere safe for us if we don’t win the November elections.

I did manage to finish two pending blog entries yesterday on top of the daily entry, and so that made me feel a bit better. I’ll probably spend some time this weekend cleaning out the drafts–getting rid of the duplicate ones, or trying to combine them all into one and getting rid of the others. I’d love to finish my Saltburn essay, too, but that may not be in the cards this weekend, either. I’m going to go run errands later this morning, and I also have some more cleaning and filing and organizing to do around here as well. Like always. But I really do feel like I made some great progress on all of this lately, but the floors need to be done, and the rugs need to be reorganized. I also want to spend some time with Michael Koryta’s The Cypress House, which I should be able to finish reading this morning…which will lead to me having to pick out something else to read next. I do have some good choices–piles and piles of great potential reads–and I did go through them a bit last night while making some choices. I should also read some more short stories while I am at it; the Short Story Project has definitely dropped off, and I’d also like to revise one of my in-progress stories this weekend, too, but we’ll see how that goes.

I’ve also been doing some casual research for The Summer of Lost Boys, which I am hoping to start and finish by the end of the year. All I am doing is listening to the Top 100 hits of the year for (so far) 1973 and 1974, and that in and of itself is bringing back memories. I do think this is going to be a really good book and I’m getting kind of amped to write it. I know immersing myself into the history of current events as well as popular culture in those years will trigger my memories, not all of them good, of course, but definitely its helping me to remember what it was like to be a tween in those years, going through puberty and truly realizing how different I was from everyone else I knew as well as getting ghosted, bullied and mocked for being different, which I didn’t really understand other than knowing the truth–that the horrible things they were saying was right, and that made it even more shameful and awful. The only thing that kept me going sometimes was dreaming of being a writer and reading books, escaping from an existence I neither asked for nor wanted.

And on that note, I am heading into the spice mines. I’ll be back later without a doubt, and so hang in there until I wind up posting again. May your Saturday be marvelous, and thanks for stopping by yet again this morning!