Category: editing

Christmas Time Is Coming

Tuesday morning, up early and dark is pressing up against my windows. I slept better last night than I have since Friday night, but woke up out of a deep sleep to go to the bathroom around two in the morning and wasn’t able to get back to it–my body was relaxed completely and resting, but my mind was still working. I feel rested this morning but I don’t know how long that’s going to last…I imagine I am going to run out of steam at some point this afternoon, but I also have to get the mail and make groceries, too. I had also wanted to cook some things for dinner tonight–or to at least have something to take for lunch this week (today is a Lean Cuisine). I feel better, though, this morning than I have in a few days upon waking, so I am taking that as a good sign. It’s been nice having all this out of the office, but it’s kind of weird going back. Outside of unemployment periods, I don’t think I’ve ever not worked for this long since probably high school?

I hope I can remember how to do my job.

It’s also cold this morning–forty-nine degrees, according to my phone–which makes going outside less agreeable and certainly undesirable. I can put the brace on over a jacket, take it off to remove the jacket and put it back on, which makes total sense and I don’t understand why this is something I am initially hesitant to do? The PT went well yesterday and I have the full range of motion back for the elbow; and my fingers are getting more dextrous and ny hand grip stronger. (I kind of felt guilty when he said, ‘yes, keep doing your home exercises because they are working’–because I haven’t been doing them…I told you, I am a terrible patient.) I was exhausted from the PT and from not having slept for two nights, so I wound up not doing much of anything yesterday other than reading deeper into Calypso, Corpses and Cooking by Raquel V. Reyes, which I am enjoying–I really like her character, Miriam–and a likable main character is crucial in a cozy mystery. Nurse. Sparky spent most of the afternoon curled up asleep in my lap, which was comforting and calming and adorable, and then when Paul got home we started watching the Big Vape documentary on Netflix (I think?), which is interesting and got me started thinking about smoking. I smoked from ages 16 to 50, a whopping 34 years, before finally quitting, and frankly, I don’t miss it. I do remember how much i used to actually enjoy smoking, but I’ll never smoke another cigarette in my life. The cultural view on smoking certainly has changed over the course of my life–when I was a kid, you could smoke anywhere and pretty much most people seemed to smoke. My parents did, my grandparents did (not my maternal grandmother; Mom was the only smoker in her family, but pretty much everyone on my dad’s side did), and they used to smoke with the windows up with us in the car. No one thought much about it, of course; despite the surgeon general’s warning about carcinogens getting more and more explicit and fervent as the years passed. I tried smoking in junior high but didn’t inhale, and didn’t much care for it; I tried again the night I graduated from high school and essentially smoked for the next thirty-four years. I still smoked cigarettes when I started writing–which is why Chanse was a smoker and all of his friends were (I did get some pushback from readers about the smoking; a friend who was also a smoker joked that his favorite thing about Murder in the Rue Dauphine was that all the good guys smoked and all the bad people didn’t) but I never really addressed him quitting in the books; I just stopped writing him as a smoker after I quit–and the reason I quit was because Skittle died from cancer. That guilt–that I helped contribute to Skittle’s death–was all it took, even though the cancer he had wasn’t caused from second-hand smoke…just the thought that it could have been a contributing factor was too much for me and I refused to do that to another cat–because by then we were definitely confirmed cat people and it just doesn’t feel like home without a cat in it.

There will be more on Big Vape when we finish watching.

I also am going to be getting back to writing. I signed a contract for a sequel to Death Drop and need to get that finished and out of the way. I wasn’t able to get as much done during this lengthy time off because, well, I had surgery and the recovery–while not as painful as i feared–did drain a lot of my energy, and the enforced rest also made it a little harder to get motivated. I did manage to read more than usual, but the ceiling disaster and repair, the recovery, the physical therapy, and the just now changed medications to deal with my brain chemistry issues was a lot to deal with. I’m also not beating myself up over not getting more done because for fuck’s sake, even as mad as I get at myself for not getting things done…I’m giving myself a break on this. It’s not been an easy year, from beginning to end; but like I always say–if you’re going to have bad things happen, isn’t it best for them to happen all at the same time? That probably sounds insane, but in all honesty–when Paul was attacked and lost his eye? That was the best time for the Christian scum to come for me because I was so focused on getting Paul through what he was dealing with that I couldn’t give them very much attention, one way or the other. (At any other time, I would have been freaking the hell out.) And the weird thing is, professionally this was a great year. I was nominated for an Agatha and a Lefty for the first time, I was nominated for three Anthonys, and I have two books out, and I did some short stories that I am pretty damned proud of–it’s just weird that the highs always come with the lows…or maybe the highs make up for the lows? That’s probably the best way to look at it.

And on that note, I am heading into the spice mines. Have a great day, Constant Reader, and I’ll be back at some point.

New World Man

I am up earlier than I have been since before the surgery (no, I don’t want a cookie–never been a cookie fan, even as a kid), and feel pretty good this morning. Yesterday was a pretty good day, over all. I didn’t really leave the house at all, but I worked on getting things more under-control around here–the kitchen has been a mess since the ceiling collapse, and the cabinets and drawers need some serious organizing–and also spent most of the day doing other chores around here, while thinking about getting back to work writing. The brace is still awkward to work around, but it feels like I’m getting more used to working with it on–and having a cleared and cleaned off desk surface also helps with that as well. I am going to run some errands this afternoon, but there’s not college football today to distract me or send me to the easy chair for the day, so I have little choice about blowing the day off, methinks, which is not a bad thing. I also did laundry and more dishes yesterday, and I have some other things I need to do here in the kitchen/office today as well. I also spent some time reading the second book in Raquel V. Reyes’ delightful Caribbean kitchen cozy series (Calypso, Cooking and Corpses), which is just as delightful as the first, and then…well, I fell down a Youtube/Twitter wormhole that was eye-opening and shocking before Paul got home from the gym and we watched this week’s Fellow Travelers, which, interestingly enough, kind of tied into the wormhole in some ways; as you may recall, just the other day I was talking about how these stories (Fellow Travelers), while sad and depressing, were necessary to remind people of how awful the past was for queer people not that long ago; we don’t have much of a societal memory for things that happened as recently as twenty years ago. There’s a large gap in our community that was created by the HIV/AIDS pandemic, so the oral traditions within the community of passing along our history was horrifically interrupted and many younger queers–and those that aren’t that young–have no way of connecting to the past, and don’t even know where to start looking.

During the shutdown I spent a lot of time in my easy chair making condom packs for the day job to justify getting paid for being at home–there were other job duties I could do at home, but mostly I made a shit ton of condom packs–and so I spent a lot of time looking through streaming apps on my Apple TV for things to watch while my hands worked. This was how I discovered the endless wormholes of Youtube video essays and documentaries; and of course, algorithms started suggesting other videos and channels of “influencers” similar to the videos I had watched and was finding on my own. Discovering Matt Baume’s delightful channel about queer rep in popular culture was a joy for me; he named sources for his information, was very clear about what was fact, what was unknowable, and what was his opinion–and since most of it was stuff that aired or happened while I was alive, it was a lovely trip down memory lane for me, reminding me of the few things that resonated with me growing up as a lonely queer kid and what shaped my views on what it was like to be a gay man in America. (Also, once I discovered there was such a thing as queer books and queer publishing, spent most of the 1990’s reading mostly queer stuff…and I’ve always been a voracious reader.) Anyway, watching Matt’s videos and subscribing to his channel shifted the algorithms, and I started getting other videos and channels suggested to me….and one of those belonged to a queer video essayist named James Somerton, and one of them–called Evil Queens and having to do with Disney–I don’t remember the actual name of the video, and he has since scrubbed his entire Youtube channel (more on that drama later)–and thought, interesting–a long time ago I read and reviewed a book called Tinker Belles and Evil Queens by Sean Griffin, but you can’t copyright a title and can you talk about queer coding and such in Disney and not use the words “evil queens”? Disney has always fascinated me, since I turned into a Disney queen after The Little Mermaid (I was never a big Disney kid; that waited until my adulthood and coming out, oddly enough), and Griffin’s book was so astonishing and good and insightful that I never forgot it. I watched Somerton’s video, and it all seemed incredibly familiar to me–and I did note he said some things that were wrong; mainly Gay Days/Gay Nights at Disneyworld were never official, Disney-sponsored events…which I know because I lived in Florida and used to go for Gay Day. I also thought it was odd that he left out how the Southern Baptists tried to boycott Disney to stop Gay Days…and were ground completely into the dust by the Mouse. But it didn’t fit the narrative of the video essay–how Disney queer baits us for money then betrays us by not giving us rep in their films1. I also thought it was weird that the book–which so much of the video’s content was dependent on for its facts; the stuff that was wrong I assumed was from Somerton himself–wasn’t credited for anything, or even mentioned as a companion reading piece to the video itself. Periodically, after that, Youtube would suggest other videos to me from him, and I’d watch them, mainly out of curiosity…and began noticing things.

Like how his entire video about queer coding in Hollywood film seemed incredibly familiar–like I’d read it all already in the uncredited The Celluloid Closet by Vito Russo, which had already been made into a documentary in 1996…so much so that I bought an e-book of it to see and yes, it was used almost word for word with no attribution. And some of his other videos…were not only offensive but just bald-faced lies, things he’d made up, or okay, let’s be fair–conclusions he drew were from cherry-picked facts and broad speculations made from those facts; it seemed, in his video on gay body image issues, that he took the old 1990’s term for gym and body culture (the “you have to be a ripped muscle god to have any sexual currency”), which was “body fascism”, and somehow extrapolated from there the bizarre notion that Nazis created body culture and American GI’s brought it back from Europe after the war…and even weirder, somehow we didn’t get it from the Soviets because they were so “bundled up” we couldn’t see their bodies. (Maybe he should have read Michelangelo Signorile’s Life Outside, which explored how body culture morphed into something even bigger after the advent of AIDS because a strong, muscular, defined body was the antithesis of the wasting most people dying from AIDS experienced at the time; fit body= not infected; seriously, dude.) He was also horribly misogynistic at times–he didn’t like lesbians, and he hated straight women, and was also borderline transphobic at times despite trying to champion transpeople? It was all very weird, but I would periodically put on one of his videos that sounded interesting, even as he made claims that didn’t make sense or was simply restating things I’d already read somewhere. I didn’t think much of it, but I was idly curious–the way I often am; periodically I think about influencers and how to write a crime novel around one, and Youtube influencers seemed like the way to go if I were going to do that, and so I always chalked it up to research…and sometimes, the wrong things he said would send me off in search of the actual facts, so it was kind of educational by reminding me of things I’d forgotten about.

Turns out, he plagiarized almost all of his videos, never credited or named sources unless called out for it (he took down the videos about Disney and queer coding and put them back up as “based upon” the books he literally was quoting verbatim); the scandal dropped this week–I only found out yesterday–with two other Youtube influencers making really long videos about the plagiarism and the harmful lies he was spreading, as well as the self-loathing, misogyny, and transphobia. I went down that wormhole yesterday, watching both videos–which were long as the crimes were plentiful–and now his Youtube channel is gone, completely. As I said, I didn’t put a lot of thought into it–but he had a Patreon, and his Youtube channel was monetized, which meant he was profiting from the work of other queer creators that he was plagiarizing and stealing, then playing victim when caught…until he was literally destroyed by these other two Youtubers this week. He was apparently making a shit ton of money–and you know, there’s the plot for an influencer crime novel.

It was very eye-opening.

But it extrapolates further to what I’ve been thinking about since starting to watch Fellow Travelers–dark and sad and depressing as these stories are, they are important because our history is always erased; how are queer kids supposed to feel pride and understand where we’ve come from and what we’ve fought for, if they never hear about it, can’t find it, and are never told? The kids I work with (with an age range from early thirties to early twenties) don’t remember how horrible HIV/AIDS was because they hadn’t been born yet or weren’t old enough to really pay attention before the cocktail and the new meds changed it from a fatal disease to a chronic one (with treatment). There’s SO MUCH bad information out there about sexually transmitted infections, and so little education, that it frightens me on an almost daily basis as I work with my clients.

Obviously, this is what I’ve been wrestling with lately, with myself and my own artistic work (yes, I am starting to think of myself as an artist, which I should have done all along); what responsibility do we have to the younger people who don’t know our history, the history I lived through? It’s part of the reason I started writing “Never Kiss a Stranger”, and set it in 1994; I wanted to show what gay life in New Orleans was like during the time when HIV/AIDS was still a death sentence, and the city was also crumbling and dying itself before the wave of renewal and gentrification that started before Katrina and kicked into high gear; who is going to write that story if I don’t?

And what responsibility do I have to current and future generations of queer people as an artist? Do I have any? Or is my only responsibility as an artist to myself?

Something to think about, at any rate.

And on that somber note, I am heading into the spice mines. Have a marvelous Sunday, Constant Reader, and I’ll probably be back later; I can never stay away for long.

  1. Uh, I guess he never saw the Disney documentary about Howard Ashman, who was partly responsible for the Disney animation renaissance and who died of AIDS before the release of the last film he completed, Beauty and the Beast; to date the only animated film to be Oscar nominated for Best Picture, and won three other Oscars, including two for Ashman? ↩︎

You Can’t Hurry Love

One week from today I return to the office, and in a little while I’ll be heading to my first physical therapy appointment. I’ve not been outside for a few days–seriously, this recovery has only helped play into my “I don’t want to leave the house” mentality, and it’s amazing how quickly I slide into that–and it feels cold. The roofers came by yesterday and chased me out of the kitchen so they could rip the damaged ceiling out; they will be returning to day to fix it. It was okay, though. I stayed in the living room and brainstormed and worked out the next few chapters of the book, and I also read two books. One was a reread of a book I read as a kid, Danger at Niagara by Margaret Goff Clark1, about a fifteen year old boy who lives along the river during the War of 1812, and the other was the second-to-most recent Donna Andrews, Birder She Wrote2—I couldn’t bring myself to read the books out of order so I could get to the Christmas one sooner, but at least now I can dig into this year’s Christmas mystery by Donna. (There will be more on both books later; I don’t have time to write about them before I leave for PT, and the roofers will be here when I get home. I imagine this means I’ll be reading the Christmas book and brainstorming ideas for my book while they put in the insulation and new ceiling and rehang the ceiling fan.)

I slept super well again last night–and woke up at six, so that’s still wired into my brain, which is a good thing; getting up to go back to the office next week will not be as big a challenge as I feared; I was also wide awake and it took me a while to go back to sleep, and I had a nightmare in that brief hour or so–oddly enough, it was about leaving a faucet running and the apartment flooding and having to clean up the mess while thinking I don’t have time for this. Subconscious deadline fear? Perhaps. But I do feel a lot more confident about writing the book now, and it’s just a matter of being able to sit down for a few hours every day and writing it, and I need to stop pressuring myself to get it right the first time.

We got caught up on Monarch: Legacy of Monsters, which is really well done and very interesting. I hadn’t realized that it all hadn’t aired yet, so we are now caught up through everything that is available to stream on Apple TV, and then we moved onto the Showtime mini-series based on Thomas Mallon’s novel Fellow Travelers, which I have a copy somewhere in the massive TBR stack and have wanted to get around to, if for no other reason than it’s set in the same period as Chlorine, which I have decided I am going to go. back to once I have this new drag queen cozy finished. Yes, that’s right, I’ve decided that once I finish this draft, I am going to go back to Chlorine and try to get a first draft done while alternating with Muscles, and hopefully I will finally get first drafts of each finished by Carnival–which I can easily do as long as I stay motivated. This morning I feel like I can conquer the world again, and I haven’t felt like that in years; it’s been so long I can’t remember the last time I felt so confident in myself. It feels good. I ain’t gonna lie; I’ve been down, depressed, and feeling defeated now for quite a long time–I think going back to buying my car, which, while it was exciting to actually have a new car, that thrill died as I started realizing how much that car payment was damaging my finances. I paid off the car right as the pandemic started, so I swapped out one stressful headache for the overall societal depression everyone was feeling at that time, and I never really recovered or got my equilibrium back, if that makes sense? And of course, I bought the car right around the time Mom’s health went south, so that was also always in the back of my head.

But I am going into the new year with hearing aids and my teeth fixed; and the injury to my left arm repaired. Once I finish the strengthening physical therapy for that (which can’t start till the end of February), then I can start going back to the gym. And that actually makes me excited and anticipatory; I’m not so concerned about looking great as I am about feeling good–there’s absolutely no vanity involved in my wanting to get back into a regular exercise regimen. I think I am going to start taking walks around the neighborhood, if for no other reason than to see the Christmas decorations, and New Orleans always does decorating up. I’ve also been backing up my back-up hard drive to Dropbox, which is taking quite some time, but once it’s all done, the future back-ups will be ever so much easier to do. I really need to eliminate duplicate files–there are so many of them it’s not even funny–and get my electronic storage under control. It’s really such a huge project that it scares me to think about how long it will take, and that’s mainly because of so many duplicate files, and the fact I don’t name picture files…and I am a file hoarder, which isn’t good–but is yet another symptom of my anxiety.

And on that note, I need to eat something before I go to physical therapy, so I am going to bring this to a close. I may be back later; it’s hard to say depending on how the ceiling reconstruction goes, but I will most definitely be back tomorrow morning. Have a lovely Tuesday, Constant Reader, and I will check in with you at the latest tomorrow.

  1. I have some serious thoughts about this book as pro-US propaganda, which i obviously didn’t notice as a child but were huge red flags on this reread. ↩︎
  2. I loved this book, as I do all of her books; it’s a remarkable achievement keeping a series this fresh and interesting this deep in; I think she might be at almost thirty in the series now? A master class in maintaining a long-running series, seriously. ↩︎

Let’s Go Dancing

Monday morning in the Lost Apartment after another terrific night’s sleep. I am really going to miss not getting up with an alarm when I go back to work next week. I’m not going to lie–sometimes this enforced rest has been annoying and frustrating and kind of unpleasant, but on the other hand, I haven’t felt this rested in years. This is nice, as is how refreshed I feel every morning, along with the knowledge that I don’t need to shower as part of the waking-up ritual every morning as well. I think as the week goes on I will start trying to get up earlier and go through the usual morning ritual, to get back into practice with it.

Yesterday was a relatively mild and relaxing one. I literally forgot that the Saints were playing–I’d lost track of what day of the week it was–which is just as well; it seems like the game was an exercise in enormous frustration for Saints fans. Granted, we had a better day than Florida State fans, who were seriously robbed. I figured that maybe they’d get screwed, but the Georgia loss made it seem unlikely; and the final spot in the play-offs was up for grabs between Georgia, Alabama, and Texas–and much as I hated to see the SEC left out, it made sense to me. Georgia lost to Alabama who lost to Texas; but Texas’ loss was to Oklahoma, who didn’t have a great year, and that was after Texas beat Alabama, while the Tide was running the table. I figured that would be the committee’s justification for screwin Texas in favor of Alabama; it never occurred to me they’d screw Florida State over and take both Texas and the Tide. This was an odd year, with a surplus of undefeated and one-loss teams, along with any number of two and three loss teams who only lost to undefeated or one-loss teams (LSU lost three games–undefeated Florida State, one loss Alabama, and two loss Mississippi–whose two losses were Alabama and Georgia). It is, I suppose, a good year for the four-team play-off to go out on; but if people think there aren’t going to be controversies and angry fan bases once it goes to a twelve team play-off next year, think again. LSU’s schedule is insane for 2024 (USC, UCLA, Oklahoma, Alabama, Florida, Mississippi, Texas A&M); the only traditional annual games no longer on the schedule are Auburn and Mississippi State. I think people are already mad about next season, based on the final rankings by the committee? There seemed to be a lot of vitriol on the social media apps last night. So, yes, football fan bases can even get up in arms over projections.

I did read David Valdes’ marvelous Finding My Elf yesterday, which was absolutely delightful, and really left me feeling a bit warm inside when I did finish it, and am really looking forward to when his You Spin Me Round comes up in the TBR pile. I think my next read will be Donna Andrews; and I’ll just read her latest two Megs back-to-back. One of course is the annual Christmas mystery–which I want to read for the season–but my brain won’t let me read them out of order, so I have to read Birder She Wrote first before Let It Crow! Let It Crow! Let It Crow! which is also a great title. I also want to do some writing of my own today; the days are slipping through my fingers and I need to prioritize writing more than anything else with the energy I have on reserve. I also watched Joy Ride, which was quite fun, and then we started watching Monarch: Legacy of Monsters, which is extremely well done, and for a television show about monsters–we don’t see a lot of monsters. The story primarily focuses on a young woman who survived the Godzilla rampage through San Francisco, and the whole concept of a world and a humanity that has adapted to enormous monsters, like Godzilla and others (the Godzilla evacuation route and directions in Tokyo was startling) is interesting. Monster movies like this, and the various others about giant creatures from the depths of the ocean or the bowels of the earth terrified me as a child and gave me nightmares. (I’ve never watched any iteration of King Kong, for example, and I think I’ve only seen the original Godzilla, which was a huge mistake as it really did haunt my dreams for years. There was one film about a giant octopus who would unfurl his tentacles to crush a seaside city that I can still see sometimes in my mind.) But I am enjoying this show, and am interested in seeing where it goes; it seems like its primary purpose is to expose some corporation (Monarch) who has something to do with the monsters. There’s also a dual time-line, which you know I love.

The workers just checked in to see if the kitchen ceiling leaked over the weekend, and so they are about to come in and take down the rest of the ruined ceiling in preparation for making it look pretty tomorrow. Yay! I also have my first PT appointment tomorrow morning, so I am curious to see what that’s going to look like. I am going to run my errands tomorrow morning after my therapy, since I’ll already be uptown (it’s near the corner of Magazine and Napoleon), so I might as well head over and get the mail and do whatever brief grocery run needs to be done.

I also started getting better organized yesterday; I got my bills all mapped out for the month (I generally do this after every pay day, after I’ve paid the bills so I know how much debt is still outstanding; it also helps keep me from forgetting to make payments). The desk area looks much better than it did, but I still have some filing and organizing to get done. I’m hoping they won’t be in here for very long this morning; I am going to repair to my chair as soon as they come in and try to read until they are finished, and maybe do some writing once they’ve left. I am terribly behind on everything (hey, I’m starting to sound like myself again!), and so one of my tasks for today is to make a to-do list, as well as a “upcoming submissions date” list so I can try to get some stories back out there.

And on that note, I am heading into the spice mines. Have a lovely Monday, Constant Reader, and I will check in with you again later.

destination unknown

Thursday, and I am so relieved that the recovery is going well, and that I can actually start fending for myself. The brace isn’t rigidly locked anymore, and I have a lot more freedom of movement–plus I no longer need that wretched sling, which I hated, and I am no longer attached to anything. Granted, I haven’t been since last Friday, when the pain ball1 was removed Later this morning I am calling to make my first PT appointment, and another referral to follow up on as well. I also slept in my bed last night for the first time since the surgery. I was sleeping super-well in my easy chair, and was a little worried about going back to the bed (I will worry about anything, thanks, anxiety!) because I usually sleep on my left side–which is the bad arm–but I fell asleep lying on my back and shifted to the right side and back a couple of times, but other than that, I was dead to the world. I also slept for another ten hours last night, and I am thinking that I need to get this rest. My body is demanding it, and it feels marvelous to sleep so deeply and restfully–this is what I am always longing for most of the time….but I’m not going to start going to bed at eight once I am back to work because yeah, that would be terrible.

I took it easy yesterday after getting home from my appointment and a couple of errands. The temperature has turned cold (for New Orleans, don’t @ me), which always makes the apartment feel a bit more snug. I did some straightening up, took a long hot shower (still not easy, but so much better than before), and then curled up in my chair with Sparky and J. D. O’Brien’s Zig Zag, which I enjoyed very much (more on that later). I’m still trying to figure out a way to comfortably type with the brace, which isn’t as easy as one might expect. because the brace raises the hand so it’s not flush with the keyboard. It just feels awkward and so I need to find a position to type that doesn’t feel awkward–or I need to get used to it. I don’t know that I’ll have the brace on long enough to worry about Carpal tunnel syndrome, but you know me–anxiety always on the starting line waiting for the starting gun. We also finished watching Bodies, which I also highly recommend. It’s extremely well done, and very clever. If you liked Dark, you’ll definitely enjoy Bodies. I haven’t picked out my next read yet, but I have some incredibly delightful options to choose from. Yay! I love having a massive TBR-pile filled with terrific books by great writers. I am leaning towards Christmas Presents by Lisa Unger; I do want to read some holiday themed novels this Christmas season.

Christ, it’s Christmas season already. I may have to have my annual viewing of A Charlie Brown Christmas soon. I feel more like being in the holiday spirit this year. We haven’t decorated in years (and what little decorating we did was kind of half-assed, anyway) because the one thing Scooter would–in his long, comfortable life as a lap cat–actually spring into action against was the tree. That first Scooter Christmas was the last time we decorated, and I feel pretty confident that Sparky would see the tree as an amusement park, since everything is a toy to him and all he wants to do is play. I didn’t notice until the other day–and maybe it’s a recent development–but Sparky has some orange in his coat. It’s more obvious when he’s lying on his back, but we did end up with another orange cat, even though we didn’t realize it! The string of orange babies continues!

I was also thinking some more yesterday about being a writer–and the many different ways there are to be one. What is the difference between an author and a writer? Are authors artists? What is literary art and what is not, and who decides? Can genre fiction be art (of fucking course)? This was triggered by one of those things on one of the social media platforms where you were supposed to “quote text” my favorite books by women, and right off the top of my head I rattled off five great ones…and then I started remembering more, and more, and still more. I’ve read hundreds, if not thousands, of marvelous novels and short stories and essays and columns written by women. Why were those the five that popped up into my brain at first, why are they so implanted on my brain that I would come forth with these titles; any such list from me will always include The Haunting of Hill House by Shirley Jackson and Rebecca by Daphne du Maurier, and I will never apologize for that. Which left me with only four, and there were so many options. My mind immediately defaulted to four women writers I love, and then had to pick which of their canon was the best. Then I remembered a beautiful novel about friendship, love and loss that made me weep (Somewhere Off The Coast of Maine by Ann Hood) and thought, damn it, I loved that book and I want it on my list…and then started remembering all the others, the dozens if not hundreds, of other women writers whose works entertain, enlighten, and edify my life. There are so many great women writers, currently and in the past, who wrote so many amazing books that it would be hard to name them all, and I would certainly always forget scores of them. For some reason yesterday I was thinking about Taylor Caldwell–who used to write massive doorstopper books about rich people and industries, as well as interesting historical fiction. If remembered at all today, it would probably be for Captains and the Kings, but that wasn’t one of my favorites of hers–that would probably be Testimony of Two Men, which was about medicine in the late 1800’s and a courageous doctor who believed in modern breakthroughs rather than “we’ve always done it this way”–so of course the entire medical establishment was trying to ruin him as he bravely stuck to his principles and tried to modernize American medicine. I would probably hate it if I read it today for the first time–my politics, ethics, morals, and tastes have dramatically changed since I was a teenager, which was when I read Caldwell–but I do remember it fondly. And there’s Grace Metalious, who wrote Peyton Place; Jacqueline Susann and Valley of the Dolls; Jackie Collins and Hollywood Wives; any number of Agatha Christie novels–I mean, there have always been so many great women writers around. Does anyone remember Rona Jaffe? I’ve always wanted to reread The Best of Everything, and I think I have a copy of it somewhere. Then there’s the scifi/fantasy writers, too–Anne McCaffrey and The Dragonriders of Pern, Ursula LeGuin and A Wizard of Earthsea, the amazing Octavia Butler….as I said on whatever social media platform that was, I could sit here and name women writers who wrote books that I loved all day. Victoria Holt, Mary Stewart, Phyllis A. Whitney, Dorothy Eden, Susan Howatch…seriously. Maybe I should write a book of essays about women writers that aren’t remembered much today? ANYA SETON! How I loved Anya Seton back in the day–and all the crime women–Margaret Millar, Charlotte Armstrong, Dorothy L. Hughes, Mary Roberts Rhinehart, Helen MacInnes, Patricia Highsmith, and Mignon Eberhard, to start.

I bet no one else remembers Edna Ferber–and if they do, it’s for Giant and it’s because of the movie (many of her books became famous films: Cimarron, Saratoga Trunk, Show Boat, and So Big). Now that I think about it, I think she addressed race issues in both Saratoga Trunk and Show Boat….which may be worth revisiting. She was also a member of the Algonquin Round Table.

This entry sounds and feels more like me than the more recent ones have, doesn’t it? I am itching to dive back into the book this morning, after I pay some bills and do some other aggravating chores. I also have a prescription ready to pick up; so since I have to go to a Midcity pharmacy to get it, I may as well make a grocery run on Carrollton.

I didn’t realize what a difference sleeping in the bed would actually make, really.

And on that note, I am heading into the spice mines for the day. Have a blessed Thursday, Constant Reader, and I’ll check in with you again a little later, as I really need to do a lot more promo. OH! That reminds me, here is a lovely review of Mississippi River Mischief; check it out! That absolutely made my day–and reminded me that I need to do more self-promotion.

  1. I had a contraption attached to my left shoulder that dispensed a nerve-deadener to the arm, so I wouldn’t feel pain. It lasted for 72 hours, and by the time it was empty, I didn’t have any pain, which was great. I also had to carry it around in basically a fanny pack, so it was one more thing I had to drag around those stressful first 72 hours. However, if you are going to have surgery, ask for one. It was amazing. ↩︎

Africa

I was tired yesterday.

I’m about to head to my first follow-up appointment with the surgeon this morning–far earlier than I would prefer, but best to get it over and done with so I can get on with my day. Heavy sigh. I have a lot of questions…and am hoping to get some more information about wearing shirts and so forth. There’s a part of me that’s hoping I get a smaller brace today, but I am also aware that’s probably magical thinking on my part. The physical therapy is going to last for three months, and that’s going to wreak havoc on my daily schedule. I am hoping that I’ll be able to not miss a lot of work for it–or come up with ways to work around it–which may not be that easy. I am starting to get antsy with so little ability to be at the computer and type. Having a rambunctious high-energy kitten that I am having to try to fend off with the one good hand doesn’t help, either. He’s very sweet and I hate not giving him the attention he wants, but if he wants flea medicine and vet appointments and food, Daddy has to be able to work. And my typing time is limited as the left hand/arm tires quickly.

I haven’t worked on the book since starting it the other day, but I’ve been thinking about it a lot (and about a lot of other things I want to write/am writing/editing), which is part of the problem with having so much down time and a creative mind with a touch of attention-deficiency…I start getting ideas as my mind wanders as I sit there. I was able to focus on reading my current book for a couple of hours yesterday, but didn’t get as far as one would under ordinary circumstances. I do have trouble remembering the day of the week, and as far as the date is concerned–that ship has long since sailed. (I know the first is coming and am prepared to spend some time paying bills at some point soon.) I am enjoying the book very much; I just wish my brain had more bandwidth than is currently on hand. I am genuinely worn out by ten every night, and I’ve been sleeping remarkably well. It’s also cold here this morning, and I have to go out into it wearing sweat pants. Yay.

We’re still enjoying Bodies, and it’s very like Dark–very clever, high production values, terrific acting, the questions of morality and fate and free will; very deep and very interesting. I am also starting to get bored, to be honest, which is a novel concept for me. The lack of focus so I can read for long periods of time is seriously being felt here, believe me. I am going to try to read more of my book today, and then I might have to go back to another volume of Alfred Hitchcock Presents–short stories work better when you have no ability to stay focused for a long period of time. I rewatched The Terminator yesterday–what a remarkably well written and done film it was. It is also, with the recent rise of AI, unnerving; the future Kyle and the Terminator come back to the present from `was 2029. Eep! Funny how back then 2029 seemed so far away, but then it kind of was. When that movie was released, I would have never believed that I’d still be alive in 2029–I still might not be, of course, but my longevity is completely out of my control to some extent; who knows how much or how little we control our own destinies? One of the key concepts of Bodies is that we don’t really have free will, as much as we would like to believe we do, and there’s something to that, I think. Sure, we make our choices, but are the choices presented actually our choices?

Deep thoughts from a Netflix series!

I was also thinking–as I am wont to do when my mind is free to wander–about whether I am an artist or not. Literature is an art, after all; we may not work with paints or oils or clay or marble or ceramic, but we are making art when we write. I’ve always been reluctant to call myself an artist or writing “making art”–the only authors I ever see or hear calling themselves artists or their work art tend to be very well-educated literary writers. It always felt inorganic and pompous to consider myself an artist and my work art. I write genre fiction, for one thing, and for another I write about queer people mostly. (Oh, the disdain I used to get from the literary writers when I worked at Lambda Book Report and they discovered that my forthcoming novel was crime fiction! I think that kind of hardened me against literary fiction and literary writers–not entirely true; some are absolutely lovely, but it certainly left a bad taste in my mouth about being overly pompous about what I do; I kind of embraced being a genre hack. I’m not ashamed to write crime fiction and horror; nor am I am ashamed of my erotica past.) But thinking about myself as an artist–the more I thought about it, the more I was sure I fit the description and perhaps what I do is make art, after all; but at the same time worry that thinking of it in that way will increase the pressure on me to do good work, and the last thing I need is more stress in my life.

But I am excited to get back to work on the new book. I really enjoy writing–which was also something else I was thinking about over the past few days. Writing is work, but I love to do it (publishing, on the other hand…it’s the necessary evil that follows the work I enjoy), which is another reason I don’t think of myself in terms of art/artist. But writing requires just as much focus and dedication as any other kind of art–and we are painting pictures with words rather than oils or watercolors, aren’t we?

Some interesting thoughts on a Wednesday morning. Have a great day, Constant Reader, and I may check in again later.

Be My Lady

Tuesday morning and it’s feeling a bit chilly in the Lost Apartment this morning. I am propping the brace on the edge of my desk so I can use both hands–and it doesn’t seem to bother the arm too much to use my fingers. I actually don’t feel any pain, but it feels a bit weird, if that makes any sense.

Yesterday was the first time I’ve felt like me again after coming home from the surgery. I cut up an old T-shirt (well, Paul did; one needs two hands to cut cloth) so I could fit it on over the brace without having to use the arm or move it; my left nipple peeks out every now and again, but that’s okay. Tomorrow morning is my first post-op visit to the surgeon, so I want to think about the things I need to ask about and write them down to take with me. It’s an early appointment–8 am–so I won’t be thinking as clearly as I would later in the day. I’m getting used to sleeping in the chair–I’ve been sleeping ten hours a night on average since that first sleepless night after the surgery, which is very-un-Greg-like, but I attribute that to my body recovering from the trauma of the surgery. I wish it would last forever, though, I really love sleeping.

Paul and I did go run those errands yesterday, and driving wasn’t an issue at all. I think the prohibition on driving in the instructions had more to do with the painkillers (which I don’t need) than any lingering after-effects of the surgery. It felt very nice to get out of the house, since I hadn’t even gone outside (I don’t think) since coming back home last Tuesday–hey, it was a week ago, wasn’t it? It seems like an eternity. I am very impatient to get through this, but of course you can’t rush recovery. I am trying not to get frustrated or impatient, but it isn’t easy for me–I haven’t gotten to the acceptance of things I cannot control yet, sadly–and my emotions are still all over the place. I had a couple of emotional moments yesterday which weren’t great–but those moments are also becoming fewer and farther between, which is a relief. I hate subjecting anyone to my particular brand of crazy, least of all Paul–who is usually the only person who ever sees it, and that is something I don’t like, either.

I didn’t write anything yesterday, the errands exhausted me, and so I spent the rest of the day in my chair. I watched a marvelous documentary series about film horror from Blumhouse–four episodes–which was a lot of fun but nothing really new that I hadn’t already known. It did give me an idea for a slasher thriller in two parts–the original occurrence than a revisitation ten years later; but the worry is, of course, that it’s been done already or I have nothing new to bring to the genre. It’s an interesting conundrum and puzzle I’d like to get figured out; one that will need to percolate for a while before actually getting to work on it. I always worry about how much preparatory work I do for my books, and I also worry I don’t do enough research for them, either. (I love research but also find it frustrating because I never know when I’ve done enough research, and as someone who is always spotting historical inaccuracies in all media…I don’t want anyone doing that to me or thinking that I’m a lazy researcher…although on second thought why the fuck do I care? There are always going to be those people, after all.) I was thinking about that very thing yesterday in terms of two other books-in-progress I’ve been working on for years; I’m not certain that I chose the proper career path given how my brain is actually wired–for someone who gets anxious to the point of shaking sometimes (it was really bad when I was a kid) why would you choose a career where you have to do things that trigger anxiety? I don’t ever get anxious about the day job, for example.

It’s weird but all this down time sitting in my chair unable to focus enough to read a novel (short stories are easier) has given my addled brain the opportunity to think and reflect. This whole past week has been an emotional rollercoaster–I think surgeries tend to make you emotionally raw to begin with–but I’ve also spent a lot of time grieving my mother since coming home last Tuesday. I was always able to engage my mind before and not think about it–even when I was too tired to do anything more than watch Youtube videos in the evening. But this forced inactivity is an entirely different thing, and I can’t seem to get control of my mind when it starts to wander. I’ve been thinking about my career and where it’s gone and where it may go in the future over this last week; my stubbornness at keeping going when maybe I should gave given up. I’m proud of all my work, and I’ve also come to accept that my old work maybe isn’t terrible the way I’ve always feared. I always approach rereads of my own work with my mind subtly shifting into editorial mode, and once I recognized that recently, I do go ahead and shut that off before I do read. I’m a different writer than I was twenty-two or more years ago, and I have always wanted to continue to improve, grow, and get better with each new story, book, or essay (I don’t care how bad these entries are, actually; it’s rare that I go back and revisit these); so of course I would write the older books etc. differently were I to write them today; that doesn’t mean the old ones aren’t good.

And honestly, how many award nominations do I need to get before I finally accept that I’m pretty good at this whole thing? That I have the respect of my peers?

I’m proud of all my work, but I also have preferences as far as that is concerned; some children I love more than the others. The ones I am not as fond of are the ones that I think I could have made better than they were; the ones I wish I had another pass at. That’s what I am thinking with finally re-editing and preparing Jackson Square Jazz for rerelease; here’s a chance to give it a bit more polish, make it come together better, and remove inconsistencies and continuity errors from the series as a whole. Reediting the manuscript is something I can do in my easy chair, and then I can slowly input the changes into the word document gradually until the entire thing is finished. Slow and steady wins the race, after all. I’m very happy, seriously, with my career as far as the work itself is concerned. I would like my writing to be a lot more profitable than it’s been thus far (what writer doesn’t dream of fame and fortune) but I couldn’t care less about the fame–I’ve always cared more about the fortune, actually; I’m pragmatic that way.

I’m hoping to write more today–after I finish this I have some emails to attend to–and I also have bills that simply must be paid so I can stop getting stressed about that, too. I don’t know how long I am good for in this chair sitting upright with the brace balanced against the edge, to be honest…but I need to give it a try. I am just not wired to be inactive, I guess,

Have a great Tuesday, Constant Reader, and I will see you again later.

Blame It on the Edit

I love Alyssa Edwards. She’s the perfect reality star; a completely delusional human living in her own reality, yet also funny and witty with a highly expressive and thoroughly meme-able face, and basically harmless. I’ve always meant to catch her reality show on Netflix about her dance studio–which is so fricking cool that she does that–but have never gotten around to it. I was amused by her on her initial season, but really hated her feud with Coco Montrese, and of course that was also the season won by the marvelous Jinkx Monsoon. Alyssa was also terrific on All Stars 2, which made the rigging of the season all that much more disappointing. (We also gave up on Project Runway after one season where it was clear they’d already decided who was going to win at the start of the season. Don’t give me a rigged competition, thank you very much; if I want that, I’ll watch professional wrestling, thank you very much.)

Which makes it interesting for me to write a book about a drag pageant. I already have tons of ideas for the book, and it’s going to be very brutal in how it approaches the homophobes who have wrested control of Florida from the sane people (hey Moms4Liberty, how’d those elections turn out for you, you pathetic soulless pieces of shit? Your tears are as delicious as mimosas at a gay Sunday drag bunch, you miserable fucking bitches.) and have taken the state, once a beautiful place with scenic beaches and lovely weather, on its final steps to a complete and utter hellhole. Bravo, by the way; nicely done.

Anyway, back to drag; sorry about that sidebar. But that kind of shit will always enrage me. Nothing makes me angrier than misplaced self-righteousness. I may no longer be a practicing Christian, but I know that faith far better than many–if not most–of its most ardent public proselytizers and purveyors.

Gender-bending, of course, is nothing new. For centuries, women weren’t allowed on the stage so female roles were always played by men. This was certainly true in Shakespeare’s day, and often he wrote plays with characters pretending to be the other gender. So there’s a long, proud history of men doing drag in theater and performance art. Who decides what is masculine and what is feminine, anyway? As I have said numerous times, I love this new young generation of leading men and actors who are abandoning traditional black-tie male drag for new and inventive outfits that showcase their youth, beauty, creativity, and personal style; there’s nothing quite so stifling as toxic masculinity and it’s regular insistence that there is only one way to be a man–which is not only stultifying but incredibly limiting. Film and television (and theater, to a far lesser degree) have long influenced what is considered masculine in this country–the prototype being, of course, John Wayne. (Probably the funniest scene in both La Cage aux Folles and it’s American version The Birdcage is when the more butch of the gay couple tries to get the more feminine partner to be more masculine–telling him to walk like John Wayne…which was the first time I ever noticed how peculiarly John Wayne walked. Also amusing is that Mr. American Macho Man John Wayne–and Mr. Patriotism Ronald Reagan–didn’t serve in World Was II…but played war heroes in movies about it. Style over substance.)

But the history of the colonizing of this continent is very queer. Do we really believe those frontiersmen, trappers, hunters and explorers simply went for months and even years without having sex? There weren’t enough women to satisfy the need–and cattle drives? Pshaw. In any purely male society like that–the cattle drive, the explorations, etc.–there is always male/male sexual contact; “helping a buddy out.” This has been erased from history as effectively as if it had never happened–as though homosexuality is some modern thing that never existed before.

It’s always struck me as odd that the masculine ideal (as shown to us by Hollywood, at any rate) inevitably is depicted in all male environments–war movies, cattle drive movies, Westerns–with the occasional token female thrown in as a supporting love interest. These women are often set up to be abused–spanking was often popular in these films; how many times did John Wayne spank a woman in a movie?–and mocked and made fun of; if they had any kind of mind of their own, well, they had to be tamed.

Anyway, I digress.

I also know there are women who despise drag, see it as mocking women and misogynistic. I can actually see how they could feel that way, and far be it from me to tell a woman–any woman–how she should or shouldn’t feel about something, particularly when it comes to misogyny. (I sure don’t want anyone telling me what to think is homophobic or not.) I don’t think drag is misogynistic; if anything, it’s critiquing the misogyny of society. Dolly Parton also exaggerates femininity to the point of being a drag queen–she even says it about herself. Mae West was so good at this exaggeration that people believed she was an actual drag queen for years. Marilyn Monroe, Jayne Mansfield, and Jane Russell became sex symbols (and stars) by exaggerating their bodies and the way they dressed and their make-up and hair; how is that not female-drag as the converse of over-exaggerated masculinity (John Wayne, Charles Bronson, Clint Eastwood); establishing exaggerated norms of masculine and feminine that subconsciously altered what the over-all culture thought in terms of gender roles.

If I had a dollar for every time someone has told me to be more manly…

But the reason gender roles exist are because they are more comfortable for most people than thinking about it at any great length. You were born with a penis, so you should be interested in sports and guns and hunting and wear pants; your parents don’t have to think about it and neither do you. But for those of us who weren’t comfortable in those comforting boxes society so gladly constructed for us all to fit into–it’s not quite that easy. I hated having to do “boy” things and hated the expectations that since I was a boy I should like something in particular–and being incredibly stubborn, being told that I should like something was much more likely to make me disdain it. I didn’t want to play sports or even watch them when I was a kid; I just wanted to read. My struggles with wrapping my head around my gender and my sexual identity as a child were difficult, and those scars are still there–some of them are still scabbed over and not healed. All the messages I was being sent through popular culture, school, and society were telling me that something was wrong with me–and you don’t get over that overnight. I’m still unpacking a lot of that to this very day.

Writing Death Drop forced me to start thinking about these things again–gender markers, gender identities, the duality of our natures (no one is 100% one or the other, I think; I will always believe that gender and sexuality are a lot more fluid than anyone thinks)–and what makes one male and what makes one female. I hope, in writing more about Jem in the future, that it will help me understand myself better as well as society.

And what more could a writer ask for?

Heartbreaker

Work at home Friday and a good night’s sleep. I did have to get up just before six to feed Tug, but went back to bed for a very cozy hour or so of additional napping on top of the sleep. It felt marvelous, and I feel actually very rested and good this morning, which is always a lovely surprise. I have work-at-home duties to get taken care of and errands to run later when I am finished with them, and then I am going to just rest and relax and read and try to write and edit and clean and organize all weekend. Monday is pre-surgery prep day, and then of course I go under the scalpel on Tuesday (don’t know what time yet). As of today I have to stop taking some of my medications and vitamins to get them out of my system by Tuesday–so really, prep work is beginning today, really. I am also still adjusting to my new teeth. I kind of laughed as I got ready for bed last night–as I took out my teeth, my hearing aids, and removed my glasses; when I am bed I can’t see, hear or talk; I definitely have mush-mouth when I take the teeth out.

I came directly home after work last night; I had to stay later than I usually do because I had to take a longer lunch on Wednesday to drive out to Jefferson Highway to get the teeth. It was already dark when I got home, and Tug of course had wreaked destruction on the workspace during the day–which is yet another reminder of how I have to a) not let the filing pile up anymore and b) might need to reorganize the workspace to limit Big Kitten Energy destruction and/or mess. That could be a very good project for this weekend. LSU is playing Georgia State Saturday night (big deal, right?) and I am not even sure the game is going to even be televised, frankly, or if it is, it’s probably one of those minor SEC network “plus” channels I always have to figure out how to get every single time (it’s an on-going thing with the LSU gymnastics meets), and even glancing over the schedule this weekend there’s really not much of anything, other than Georgia-Tennessee and Kansas-Kansas State; all the big rivalry games are next weekend, so this is kind of a lull weekend before the Thanksgiving weekend extravaganza, which hopefully I won’t be too zonked out on medications to enjoy. I was thinking I might try to make pulled turkey in the slow cooker for Thanksgiving, but I wouldn’t be able to pull it apart. I’m not really sure what our food situation is going to be, in all honesty, until after I am off the painkillers. I’ll have to put some thought into that and make groceries at some point before Tuesday. I know we have things in the freezer that can be thawed out and/or cooked; but it also wouldn’t hurt to have other options available, either.

I got caught up on my reality television shows last night–Real Housewives continue to have this weird hold on my interest and imagination which I can’t really explain; particularly because these women generally are examples of everything I think is wrong with American culture and society–and then got sucked into some more Youtube documentaries about the fall of Rome, the war between Rome and the Gauls, and more about the schism between the Catholic and Orthodox churches–the original split of Christianity and dogma. My fascination with the Eastern Roman Empire continues unabated, as well as my interest in the Hapsburgs and the sixteenth century (I am loving The Rival Queens, my current non-fiction read, and need to read more Nancy Goldstone histories). I also want to finish reading Lou Berney’s Dark Ride this weekend, and get started on my next read before the surgery. I also need to remember to keep hitting save as Tug keeps waltzing over my keyboard and wreaking havoc on my screen. I do feel hopeful that the time out from the office will give me time to do more reading and writing and start working my way out from under everything; one can always hope. It can get overwhelming sometimes just thinking about everything I need to do and get done.

I was also thinking the other day about how I always say I “compartmentalize” my life and my personal history..and wondering if the word I should be using when I say that is “repress”; because isn’t that what you’re doing when you are deliberately trying not to think about your past and things you’ve experienced? Especially when those events can be traumatic? Maybe it wasn’t the healthiest way to deal with things, but I also think setting personal boundaries for behavior you will and will not accept from friends and acquaintances is healthy. I am pretty easy-going, or at least deceive myself into believing that, because I have this insane and unhealthy need to be liked. As a general rule I tend to not get angry when people cross my boundaries. It takes a while for it to start to get to me, but when I am angry it’s because I care and the behavior has offended my sensibilities in some way. When you get to the point where the reaction you get is for me to go completely cold and stop caring? You’ll never come back from that with me. Once I stop caring, I stop caring–and if that hurts you, it isn’t my problem–because by that point you’ve crossed my boundaries so many times despite multiple warnings (narcissists never listen to warnings because no one would ever give up the AMAZING gift of their friendship–ha ha ha ha ha, Keep dreaming.), yet you continue to throw additional chances given back in my face.

Bye, Felicia.

And on that note, I am going to start getting some things done around here before I start my work for the day. Have a great Friday–and be warned there will probably be Blatant Self-Promotion to come.

A Hard Knock Life

Tuesday night as I talked with Jean, Candice and Harry about my two latest books I suddenly realized–towards the end of the conversation–that technically I have a third book out in current release with my name on the spine.

To wit, this marvelous anthology:

Which, if you like, you can order right here! There are two options to choose from–the clothbound special edition with the cover page signed by all three of us, or the less expensive paperback. I believe there’s also an ebook option.

And look at this table of contents:

How is that for some amazing company to be in, eh? Not to mention the co-editor credit with Art Taylor and Donna Andrews, who are as equally lovely as people as they are insanely talented writers (and highly intelligent people). I mean, my story is sandwiched in between stories by Martin Edwards and Naomi Hirahara, for fuck’s sake.

Rarified air, indeed.

So, who is this Father Knox, and what are these commandments that had to be broken?

Father Knox himself

Father Knox was an early twentieth century mystery writer, who was also a member of the Detection Club, along with contemporaries like G. K. Chesterton and Agatha Christie–speaking of rarefied air–and he came up with the ten commandments for mystery novels:

  1. The Criminal must be someone mentioned in the early part of the story but must not be anyone whose thoughts the reader has allowed to follow.
  2. All supernatural or preternatural agencies are ruled out as a matter of course.
  3. Not more than one secret room or passage is allowable.
  4. No hitherto undiscovered poisons may be used, nor any appliance which will need a long scientific explanation at the end.
  5. No (outdated racist term for someone of Chinese ancestry) must figure in the story.
  6. No accident must ever help the detective, nor must he ever have an unaccountable intuition which proves to be right.
  7. The detective must not himself commit the crime.
  8. The detective must not light on any clues which are not instantly produced for the inspection of the reader.
  9. The stupid friend of the detective, the Watson, must not conceal any thoughts which pass through his mind; his intelligence must be slightly, but very slightly below that of the average reader.
  10. Twin brother, and doubles generally, must not appear unless we have been dully prepared for them.

I mean, how fun would it be to write a story breaking any of these rules, let alone a book doing so (hmmm, tempting–this would be a great fun thing for a Scotty adventure)?

I chose commandment two: all supernatural or preternatural agencies are ruled out as a matter of course, so I wrote a suspense story that may (or may not) have a supernatural agency involved; “The Ditch,” which is also a Corinth County story and one I am particularly pleased with.

I am going to begin reading the anthology, perhaps a story a day, as part of my Short Story Project (always ongoing) as well as to help promote the anthology, which has as fine a collection of contributors as I’ve ever been associated with.

And the book itself? Gorgeous.