Category: editing

Be My Lady

Tuesday morning and it’s feeling a bit chilly in the Lost Apartment this morning. I am propping the brace on the edge of my desk so I can use both hands–and it doesn’t seem to bother the arm too much to use my fingers. I actually don’t feel any pain, but it feels a bit weird, if that makes any sense.

Yesterday was the first time I’ve felt like me again after coming home from the surgery. I cut up an old T-shirt (well, Paul did; one needs two hands to cut cloth) so I could fit it on over the brace without having to use the arm or move it; my left nipple peeks out every now and again, but that’s okay. Tomorrow morning is my first post-op visit to the surgeon, so I want to think about the things I need to ask about and write them down to take with me. It’s an early appointment–8 am–so I won’t be thinking as clearly as I would later in the day. I’m getting used to sleeping in the chair–I’ve been sleeping ten hours a night on average since that first sleepless night after the surgery, which is very-un-Greg-like, but I attribute that to my body recovering from the trauma of the surgery. I wish it would last forever, though, I really love sleeping.

Paul and I did go run those errands yesterday, and driving wasn’t an issue at all. I think the prohibition on driving in the instructions had more to do with the painkillers (which I don’t need) than any lingering after-effects of the surgery. It felt very nice to get out of the house, since I hadn’t even gone outside (I don’t think) since coming back home last Tuesday–hey, it was a week ago, wasn’t it? It seems like an eternity. I am very impatient to get through this, but of course you can’t rush recovery. I am trying not to get frustrated or impatient, but it isn’t easy for me–I haven’t gotten to the acceptance of things I cannot control yet, sadly–and my emotions are still all over the place. I had a couple of emotional moments yesterday which weren’t great–but those moments are also becoming fewer and farther between, which is a relief. I hate subjecting anyone to my particular brand of crazy, least of all Paul–who is usually the only person who ever sees it, and that is something I don’t like, either.

I didn’t write anything yesterday, the errands exhausted me, and so I spent the rest of the day in my chair. I watched a marvelous documentary series about film horror from Blumhouse–four episodes–which was a lot of fun but nothing really new that I hadn’t already known. It did give me an idea for a slasher thriller in two parts–the original occurrence than a revisitation ten years later; but the worry is, of course, that it’s been done already or I have nothing new to bring to the genre. It’s an interesting conundrum and puzzle I’d like to get figured out; one that will need to percolate for a while before actually getting to work on it. I always worry about how much preparatory work I do for my books, and I also worry I don’t do enough research for them, either. (I love research but also find it frustrating because I never know when I’ve done enough research, and as someone who is always spotting historical inaccuracies in all media…I don’t want anyone doing that to me or thinking that I’m a lazy researcher…although on second thought why the fuck do I care? There are always going to be those people, after all.) I was thinking about that very thing yesterday in terms of two other books-in-progress I’ve been working on for years; I’m not certain that I chose the proper career path given how my brain is actually wired–for someone who gets anxious to the point of shaking sometimes (it was really bad when I was a kid) why would you choose a career where you have to do things that trigger anxiety? I don’t ever get anxious about the day job, for example.

It’s weird but all this down time sitting in my chair unable to focus enough to read a novel (short stories are easier) has given my addled brain the opportunity to think and reflect. This whole past week has been an emotional rollercoaster–I think surgeries tend to make you emotionally raw to begin with–but I’ve also spent a lot of time grieving my mother since coming home last Tuesday. I was always able to engage my mind before and not think about it–even when I was too tired to do anything more than watch Youtube videos in the evening. But this forced inactivity is an entirely different thing, and I can’t seem to get control of my mind when it starts to wander. I’ve been thinking about my career and where it’s gone and where it may go in the future over this last week; my stubbornness at keeping going when maybe I should gave given up. I’m proud of all my work, and I’ve also come to accept that my old work maybe isn’t terrible the way I’ve always feared. I always approach rereads of my own work with my mind subtly shifting into editorial mode, and once I recognized that recently, I do go ahead and shut that off before I do read. I’m a different writer than I was twenty-two or more years ago, and I have always wanted to continue to improve, grow, and get better with each new story, book, or essay (I don’t care how bad these entries are, actually; it’s rare that I go back and revisit these); so of course I would write the older books etc. differently were I to write them today; that doesn’t mean the old ones aren’t good.

And honestly, how many award nominations do I need to get before I finally accept that I’m pretty good at this whole thing? That I have the respect of my peers?

I’m proud of all my work, but I also have preferences as far as that is concerned; some children I love more than the others. The ones I am not as fond of are the ones that I think I could have made better than they were; the ones I wish I had another pass at. That’s what I am thinking with finally re-editing and preparing Jackson Square Jazz for rerelease; here’s a chance to give it a bit more polish, make it come together better, and remove inconsistencies and continuity errors from the series as a whole. Reediting the manuscript is something I can do in my easy chair, and then I can slowly input the changes into the word document gradually until the entire thing is finished. Slow and steady wins the race, after all. I’m very happy, seriously, with my career as far as the work itself is concerned. I would like my writing to be a lot more profitable than it’s been thus far (what writer doesn’t dream of fame and fortune) but I couldn’t care less about the fame–I’ve always cared more about the fortune, actually; I’m pragmatic that way.

I’m hoping to write more today–after I finish this I have some emails to attend to–and I also have bills that simply must be paid so I can stop getting stressed about that, too. I don’t know how long I am good for in this chair sitting upright with the brace balanced against the edge, to be honest…but I need to give it a try. I am just not wired to be inactive, I guess,

Have a great Tuesday, Constant Reader, and I will see you again later.

Blame It on the Edit

I love Alyssa Edwards. She’s the perfect reality star; a completely delusional human living in her own reality, yet also funny and witty with a highly expressive and thoroughly meme-able face, and basically harmless. I’ve always meant to catch her reality show on Netflix about her dance studio–which is so fricking cool that she does that–but have never gotten around to it. I was amused by her on her initial season, but really hated her feud with Coco Montrese, and of course that was also the season won by the marvelous Jinkx Monsoon. Alyssa was also terrific on All Stars 2, which made the rigging of the season all that much more disappointing. (We also gave up on Project Runway after one season where it was clear they’d already decided who was going to win at the start of the season. Don’t give me a rigged competition, thank you very much; if I want that, I’ll watch professional wrestling, thank you very much.)

Which makes it interesting for me to write a book about a drag pageant. I already have tons of ideas for the book, and it’s going to be very brutal in how it approaches the homophobes who have wrested control of Florida from the sane people (hey Moms4Liberty, how’d those elections turn out for you, you pathetic soulless pieces of shit? Your tears are as delicious as mimosas at a gay Sunday drag bunch, you miserable fucking bitches.) and have taken the state, once a beautiful place with scenic beaches and lovely weather, on its final steps to a complete and utter hellhole. Bravo, by the way; nicely done.

Anyway, back to drag; sorry about that sidebar. But that kind of shit will always enrage me. Nothing makes me angrier than misplaced self-righteousness. I may no longer be a practicing Christian, but I know that faith far better than many–if not most–of its most ardent public proselytizers and purveyors.

Gender-bending, of course, is nothing new. For centuries, women weren’t allowed on the stage so female roles were always played by men. This was certainly true in Shakespeare’s day, and often he wrote plays with characters pretending to be the other gender. So there’s a long, proud history of men doing drag in theater and performance art. Who decides what is masculine and what is feminine, anyway? As I have said numerous times, I love this new young generation of leading men and actors who are abandoning traditional black-tie male drag for new and inventive outfits that showcase their youth, beauty, creativity, and personal style; there’s nothing quite so stifling as toxic masculinity and it’s regular insistence that there is only one way to be a man–which is not only stultifying but incredibly limiting. Film and television (and theater, to a far lesser degree) have long influenced what is considered masculine in this country–the prototype being, of course, John Wayne. (Probably the funniest scene in both La Cage aux Folles and it’s American version The Birdcage is when the more butch of the gay couple tries to get the more feminine partner to be more masculine–telling him to walk like John Wayne…which was the first time I ever noticed how peculiarly John Wayne walked. Also amusing is that Mr. American Macho Man John Wayne–and Mr. Patriotism Ronald Reagan–didn’t serve in World Was II…but played war heroes in movies about it. Style over substance.)

But the history of the colonizing of this continent is very queer. Do we really believe those frontiersmen, trappers, hunters and explorers simply went for months and even years without having sex? There weren’t enough women to satisfy the need–and cattle drives? Pshaw. In any purely male society like that–the cattle drive, the explorations, etc.–there is always male/male sexual contact; “helping a buddy out.” This has been erased from history as effectively as if it had never happened–as though homosexuality is some modern thing that never existed before.

It’s always struck me as odd that the masculine ideal (as shown to us by Hollywood, at any rate) inevitably is depicted in all male environments–war movies, cattle drive movies, Westerns–with the occasional token female thrown in as a supporting love interest. These women are often set up to be abused–spanking was often popular in these films; how many times did John Wayne spank a woman in a movie?–and mocked and made fun of; if they had any kind of mind of their own, well, they had to be tamed.

Anyway, I digress.

I also know there are women who despise drag, see it as mocking women and misogynistic. I can actually see how they could feel that way, and far be it from me to tell a woman–any woman–how she should or shouldn’t feel about something, particularly when it comes to misogyny. (I sure don’t want anyone telling me what to think is homophobic or not.) I don’t think drag is misogynistic; if anything, it’s critiquing the misogyny of society. Dolly Parton also exaggerates femininity to the point of being a drag queen–she even says it about herself. Mae West was so good at this exaggeration that people believed she was an actual drag queen for years. Marilyn Monroe, Jayne Mansfield, and Jane Russell became sex symbols (and stars) by exaggerating their bodies and the way they dressed and their make-up and hair; how is that not female-drag as the converse of over-exaggerated masculinity (John Wayne, Charles Bronson, Clint Eastwood); establishing exaggerated norms of masculine and feminine that subconsciously altered what the over-all culture thought in terms of gender roles.

If I had a dollar for every time someone has told me to be more manly…

But the reason gender roles exist are because they are more comfortable for most people than thinking about it at any great length. You were born with a penis, so you should be interested in sports and guns and hunting and wear pants; your parents don’t have to think about it and neither do you. But for those of us who weren’t comfortable in those comforting boxes society so gladly constructed for us all to fit into–it’s not quite that easy. I hated having to do “boy” things and hated the expectations that since I was a boy I should like something in particular–and being incredibly stubborn, being told that I should like something was much more likely to make me disdain it. I didn’t want to play sports or even watch them when I was a kid; I just wanted to read. My struggles with wrapping my head around my gender and my sexual identity as a child were difficult, and those scars are still there–some of them are still scabbed over and not healed. All the messages I was being sent through popular culture, school, and society were telling me that something was wrong with me–and you don’t get over that overnight. I’m still unpacking a lot of that to this very day.

Writing Death Drop forced me to start thinking about these things again–gender markers, gender identities, the duality of our natures (no one is 100% one or the other, I think; I will always believe that gender and sexuality are a lot more fluid than anyone thinks)–and what makes one male and what makes one female. I hope, in writing more about Jem in the future, that it will help me understand myself better as well as society.

And what more could a writer ask for?

Heartbreaker

Work at home Friday and a good night’s sleep. I did have to get up just before six to feed Tug, but went back to bed for a very cozy hour or so of additional napping on top of the sleep. It felt marvelous, and I feel actually very rested and good this morning, which is always a lovely surprise. I have work-at-home duties to get taken care of and errands to run later when I am finished with them, and then I am going to just rest and relax and read and try to write and edit and clean and organize all weekend. Monday is pre-surgery prep day, and then of course I go under the scalpel on Tuesday (don’t know what time yet). As of today I have to stop taking some of my medications and vitamins to get them out of my system by Tuesday–so really, prep work is beginning today, really. I am also still adjusting to my new teeth. I kind of laughed as I got ready for bed last night–as I took out my teeth, my hearing aids, and removed my glasses; when I am bed I can’t see, hear or talk; I definitely have mush-mouth when I take the teeth out.

I came directly home after work last night; I had to stay later than I usually do because I had to take a longer lunch on Wednesday to drive out to Jefferson Highway to get the teeth. It was already dark when I got home, and Tug of course had wreaked destruction on the workspace during the day–which is yet another reminder of how I have to a) not let the filing pile up anymore and b) might need to reorganize the workspace to limit Big Kitten Energy destruction and/or mess. That could be a very good project for this weekend. LSU is playing Georgia State Saturday night (big deal, right?) and I am not even sure the game is going to even be televised, frankly, or if it is, it’s probably one of those minor SEC network “plus” channels I always have to figure out how to get every single time (it’s an on-going thing with the LSU gymnastics meets), and even glancing over the schedule this weekend there’s really not much of anything, other than Georgia-Tennessee and Kansas-Kansas State; all the big rivalry games are next weekend, so this is kind of a lull weekend before the Thanksgiving weekend extravaganza, which hopefully I won’t be too zonked out on medications to enjoy. I was thinking I might try to make pulled turkey in the slow cooker for Thanksgiving, but I wouldn’t be able to pull it apart. I’m not really sure what our food situation is going to be, in all honesty, until after I am off the painkillers. I’ll have to put some thought into that and make groceries at some point before Tuesday. I know we have things in the freezer that can be thawed out and/or cooked; but it also wouldn’t hurt to have other options available, either.

I got caught up on my reality television shows last night–Real Housewives continue to have this weird hold on my interest and imagination which I can’t really explain; particularly because these women generally are examples of everything I think is wrong with American culture and society–and then got sucked into some more Youtube documentaries about the fall of Rome, the war between Rome and the Gauls, and more about the schism between the Catholic and Orthodox churches–the original split of Christianity and dogma. My fascination with the Eastern Roman Empire continues unabated, as well as my interest in the Hapsburgs and the sixteenth century (I am loving The Rival Queens, my current non-fiction read, and need to read more Nancy Goldstone histories). I also want to finish reading Lou Berney’s Dark Ride this weekend, and get started on my next read before the surgery. I also need to remember to keep hitting save as Tug keeps waltzing over my keyboard and wreaking havoc on my screen. I do feel hopeful that the time out from the office will give me time to do more reading and writing and start working my way out from under everything; one can always hope. It can get overwhelming sometimes just thinking about everything I need to do and get done.

I was also thinking the other day about how I always say I “compartmentalize” my life and my personal history..and wondering if the word I should be using when I say that is “repress”; because isn’t that what you’re doing when you are deliberately trying not to think about your past and things you’ve experienced? Especially when those events can be traumatic? Maybe it wasn’t the healthiest way to deal with things, but I also think setting personal boundaries for behavior you will and will not accept from friends and acquaintances is healthy. I am pretty easy-going, or at least deceive myself into believing that, because I have this insane and unhealthy need to be liked. As a general rule I tend to not get angry when people cross my boundaries. It takes a while for it to start to get to me, but when I am angry it’s because I care and the behavior has offended my sensibilities in some way. When you get to the point where the reaction you get is for me to go completely cold and stop caring? You’ll never come back from that with me. Once I stop caring, I stop caring–and if that hurts you, it isn’t my problem–because by that point you’ve crossed my boundaries so many times despite multiple warnings (narcissists never listen to warnings because no one would ever give up the AMAZING gift of their friendship–ha ha ha ha ha, Keep dreaming.), yet you continue to throw additional chances given back in my face.

Bye, Felicia.

And on that note, I am going to start getting some things done around here before I start my work for the day. Have a great Friday–and be warned there will probably be Blatant Self-Promotion to come.

A Hard Knock Life

Tuesday night as I talked with Jean, Candice and Harry about my two latest books I suddenly realized–towards the end of the conversation–that technically I have a third book out in current release with my name on the spine.

To wit, this marvelous anthology:

Which, if you like, you can order right here! There are two options to choose from–the clothbound special edition with the cover page signed by all three of us, or the less expensive paperback. I believe there’s also an ebook option.

And look at this table of contents:

How is that for some amazing company to be in, eh? Not to mention the co-editor credit with Art Taylor and Donna Andrews, who are as equally lovely as people as they are insanely talented writers (and highly intelligent people). I mean, my story is sandwiched in between stories by Martin Edwards and Naomi Hirahara, for fuck’s sake.

Rarified air, indeed.

So, who is this Father Knox, and what are these commandments that had to be broken?

Father Knox himself

Father Knox was an early twentieth century mystery writer, who was also a member of the Detection Club, along with contemporaries like G. K. Chesterton and Agatha Christie–speaking of rarefied air–and he came up with the ten commandments for mystery novels:

  1. The Criminal must be someone mentioned in the early part of the story but must not be anyone whose thoughts the reader has allowed to follow.
  2. All supernatural or preternatural agencies are ruled out as a matter of course.
  3. Not more than one secret room or passage is allowable.
  4. No hitherto undiscovered poisons may be used, nor any appliance which will need a long scientific explanation at the end.
  5. No (outdated racist term for someone of Chinese ancestry) must figure in the story.
  6. No accident must ever help the detective, nor must he ever have an unaccountable intuition which proves to be right.
  7. The detective must not himself commit the crime.
  8. The detective must not light on any clues which are not instantly produced for the inspection of the reader.
  9. The stupid friend of the detective, the Watson, must not conceal any thoughts which pass through his mind; his intelligence must be slightly, but very slightly below that of the average reader.
  10. Twin brother, and doubles generally, must not appear unless we have been dully prepared for them.

I mean, how fun would it be to write a story breaking any of these rules, let alone a book doing so (hmmm, tempting–this would be a great fun thing for a Scotty adventure)?

I chose commandment two: all supernatural or preternatural agencies are ruled out as a matter of course, so I wrote a suspense story that may (or may not) have a supernatural agency involved; “The Ditch,” which is also a Corinth County story and one I am particularly pleased with.

I am going to begin reading the anthology, perhaps a story a day, as part of my Short Story Project (always ongoing) as well as to help promote the anthology, which has as fine a collection of contributors as I’ve ever been associated with.

And the book itself? Gorgeous.

Louisiana Saturday Night

There are few things more Louisiana than rooting for LSU…unless its rooting for the Saints, maybe. Southern people love their football, especially the college variety.

Paul and I have not been to a game since 2021, when our “never saw the Tigers lose in person” streak, which began with the Mississippi game in 2010, came to an end with the only loss to Auburn in Tiger Stadium this century. We managed to make it through twelve seasons without ever seeing the Tigers lose while we were at the stadium, which is a pretty good run.

Chanse was an LSU alum–he even played football there–and I think I’d idly mentioned in the first book that he’d been injured in the Sugar Bowl in the last game of his senior year, and never elaborated more than that on his past at LSU. I think there were some more reflections in the second book in that series, but I know I never brought it up again after the second book in the series. I have an in-progress Chanse novella, which is set on the LSU campus at his old fraternity, but I don’t know if I’ll ever finish the story of the fraternity murder. As for Scotty, his background was so vastly different from Chanse’s that I couldn’t really send him to LSU. Men in his family on his mother’s side all go to Vanderbilt; his sister Rain went to Baylor. Storm did his undergrad at Vanderbilt but went to Tulane Law. Scotty of course flunked out of Vanderbilt (his parents rebelliously chose UNO), but the whole family on both sides root for LSU.

And of course, Valerie’s twin sons go to LSU in A Streetcar Named Murder.

I also make the point that the murder victim–a cousin of Scotty’s–in Mississippi River Mischief, along with his wife and kids, went to LSU; the wife was even a Golden Girl with the marching band (the kids are current students there). I built an entire Scotty mystery around the kidnapping of Mike the Tiger, the live mascot who lives on campus (Baton Rouge Bingo) and while I’ve not really done a lot of referencing of LSU in the Scotty series since that particular book, that is probably going to change with one of the upcoming books in the series. I roughly have plans for three more–one set during the summer of 2019, while the boys are living in the dower house on Papa Diderot’s estate in the Garden District; another during the cursed Carnival of 2020, and then a pandemic shut down book…and that just might be the end of the series. It may not be–I will probably keep writing Scotty books as long as I can type and the synapses in my brain still fire–but I am not going to rule out ending the series, either. Depending on what happens with my surgery and my recovery, I hope to write the next Scotty this coming spring.

And there are some things from this current book I’ll have to deal with in the next as well–as well as Scotty’s grandparents and parents aging. I’m thinking the cursed Carnival book will deal with a death in the Bradley family and the fall-out from Papa Bradley’s will. (I’ve only really gone into the Bradley side of the family once; and there’s a lot to unearth and explore there.)

I’m also toying with the idea of writing a book from Taylor’s perspective, and there’s always that Colin book I’ve been wanting to write forever.

So, if you want the series to continue, it will help if you order a copy of it!

Jambalaya

Louisiana is beautiful.

The state’s nickname is “sportsmen’s paradise,” because all of the macho male outdoor sports–hunting, boating, fishing–are available here in abundance. We’re also called the Pelican State (most prevalent) and several other nicknames, not all of which are complimentary.

Louisiana has always been a conservative state, despite the existence of New Orleans. Originally French then Spanish before becoming American, Louisiana also was a part of the Confederacy and had an economy based on enslavement. We weren’t that far removed from David Duke’s gubernatorial bid (which came all too close to succeeding), and I remember Paul had gone on site visits with his boss at the Arts Council south of the city, and came home saying, completely in disbelief, that “people had yard signs saying ‘this is Duke country’–and me replying, sadly, “in the South they don’t bother to hide the racism–they see it as a positive.” But you cannot really go anywhere in Louisiana without being awed by the natural beauty on display here. I love Madisonville, and the Tchefuncte River area. It’s always a lovely drive to take 90 east when you head north (yes, I am aware I am saying you take an east-west highway to go north; welcome to New Orleans), and head out through the Venetian Isles area and drive along that narrow strip of land separating the lakes, crossing the Rigolets bridge and heading into Slidell.

A while ago, I was following a Twitter conversation about Burt Reynolds movies from the 1970s. Mind you, when I was living in Kansas our movie options were limited. There was a drive-in movie theater on the way from our little town Americus to the county seat of Emporia, and there was a small twin cinema on Commercial Street. The summer before my senior year Smokey and the Bandit opened on a Friday, and the following Friday Star Wars opened in the other theater. Both movies ran for about three months….so I saw them both repeatedly as there was very little else to do. The 1970’s were an interesting time for depictions of rural Southern sheriffs; Jackie Gleason hamming it up and going completely over the top. This was also the same time period that gave us corrupt politician Boss Hogg and the inept sheriff and deputies he controlled. These were always played for laughs, but the thing is–there really wasn’t anything funny about these types of characters in real life. Political and police corruption have always gone hand-in-hand in the Southern states; the police merely existing to enforce and enable the existing power structure. That Twitter conversation, along with reading Ethan Brown’s Murder on the Bayou and the various true crime documentaries about the Jeff Davis 8, put me in mind of writing about that kind of corruption. But I also kept wondering, but is this still true in the South? Do these kind of corrupt power structures still exist in the South? Would this read like a period piece?

And then the Murtaugh scandal broke.

Guess what? It IS still like this in the rural South. Thanks, Murtaughs!

I already had an idea for the next Scotty, and was pulling it all together, using a relatively minor political scandal here locally as the starting point for the story–which involved a conservative politician getting involved with a teenaged boy who worked at the food court at a mall, mostly buying him presents–clothes, underwear, swimsuits–and having the kid send him pictures wearing it. The age of consent in Louisiana is seventeen, and the kid was over seventeen, but while still being an icky thing, it wasn’t illegal–and they never did anything beyond that. It was mostly a harmless flirtation, until the kid, who was gay, realized that the nice man buying him gifts was actually a hardcore far right family values politician, so he went public. I still needed a murder, but I thought it would be simple to come up with one–the politician would have every reason in the world to kill to protect his secret, and he had his parish sheriff’s department to help commit and/or cover up the crime.

I did borrow two of the Murtaugh crimes for the book, but as starting points more than anything else, and came up with my own theories of said crimes for my own story–I wasn’t writing true crime, after all, and I wasn’t interested in proving the guilt of the Murtaughs. What I was interested in was exploring the decline and fall of a politically powerful family that had controlled a parish in Louisiana for well over a hundred years, almost like an absolute monarchy with primogeniture. I had also originally started the story with the kid coming to Scotty and Frank (through Scotty’s old buddy and former workout partner, David, who now teaches at NOCCA) because he gets a text from an unknown number which contains one of the pictures he has sent his older male friend (that he doesn’t know is a family values politician), and is worried about his own future if the information comes out. I wrote an entire draft of this story, but it didn’t work and I didn’t care for it…which was when it clicked into place: use two of the Murtaugh crimes to start with, and built it out from there. I decided that the kid at the mall wasn’t the original target of the politician, and that the original target was killed in a hit-and-run accident the year before; I also used the boat crash, turning it from a boat hitting a bridge to a pick-up truck hitting a bridge and pitching the passengers in the back into the bayou.

I also liked the teenager/older man dynamic, because it had played out with Taylor in the previous book–and Scotty had his own past with an older man when he was a teenager, which I was finally able to circle back around to.

I also invented the parish–surprisingly enough, there is no St. Jeanne d’Arc Parish in Louisiana–but it’s based loosely on what are known as the bayou and river parishes (Terrebone, Lafourche, St. Charles, St. John the Baptist). I already had a fictional parish on that side of the river (Redemption), but I decided Redemption wouldn’t work for this book, so I made it a neighboring parish.

It’s Raining Again

Wednesday and it’s Pay-the-Bills Day again, hurray.

Last night’s sleep wasn’t as good as previous nights, but I do feel awake and rested this morning so that’s a good thing. I am also incredibly excited about my wagon, which i know is weird. I had a straight male co-worker look at it*, and sure enough, he was able to get the wheels attached properly. I stopped on my way home from the office to get the mail and thought, hey I had packages and my hands will be full, so let me use the wagon and it was marvelous. Clearly, I should have bought a wagon a long time ago–and it’s the right size to fit along the narrow walkway alongside the house. It’s actually going to make life so much easier for me now it’s almost scary, and it makes the most sense to actually keep it in the car–it’s out of the way, will always be there when I need it, and if I need it for anything else, well, the car is parked usually out in front of the house so it would be easy to get to. I am most pleased with the wagon, I have to say.

I’m also trying–not always successfully–to stay in control over my anxiety. I have all my pre-surgery appointments on Monday, so that’s when I am going to find out what the recovery is going to look like. I am taking unpaid leave from work (I don’t have near enough sick or vacation time to cover the time I need to be out, so here we are) which is going to be an issue I will deal with when it rolls around; but I do have the process started and I can get the documentation I need for Admin from those visits and turn everything in the following day when I go back to the office.

I wasn’t tired when I got home yesterday, but Tug was feeling lonely and needy, so I had to go give him a lap to sleep in for a while, and after watching another episode of Moonlighting and a documentary about Greek fire and the Byzantine Imperial Navy, I’d lost all motivation and was feeling tired and sleepy. I did nothing for the rest of the evening–nothing. I did go to bed around nine-thirty, and of course woke up just before five again this morning, but I think the body is beginning to adjust somewhat to the time change.

I got an unexpected royalty check (small, but I’ll take it gladly) in the mail yesterday along with my copy of David Valdes’ new Finding My Elf, which looks absolutely adorable, and I can’t wait to give it a read after the surgery. I am two books behind on my Donna Andrews reading, I need to read the new Lou Berney and Angie Kim novels, and there are any number of others I want to get to. I am assuming after the drugged haze of painkillers and so forth dies down afterwards, I’ll have lots of down time to read. I am going to have a rigid cast to keep the arm immobile for at least three weeks, and I am assuming that means limited options for doing things other than reading. I imagine typing one-handed is going to be incredibly frustrating, but it can be done. And during the drug fogs of those early post-surgery days, I can just reread things–like histories or true crime favorites or some Stephen King favorites (it’s been a hot minute since I reread Firestarter, for one, and ‘salem’s Lot and The Stand are always fun to revisit), or some of the other great favorites lying around the house.

I was also very happy to see that Ohio added abortion rights protections to the state Constitution as well as legalizing recreational marijuana–well done, Ohio!–and that Kentucky reelected their Democratic governor. There were some right-wing wins, but the great Blue Wave momentum from 2020 has continued, as well as the reaction to the Supreme Court’s overturning of Roe–congratulations, Federalist Society, your hand-picked Supreme Court majority has effectively destroyed the conservative movement’s electability for a generation. The Democrats needs to hit hard on abortion and the illegitimate Supreme Court–Mitch McConnell’s legacy, by the way, have fun being hated for the rest of American history, douchebag–going forward, and frankly, they need to put Howard Dean–who engineered the historic gains of the 2008 election cycle–back in fucking charge of the DNC.

I always said that abortion rights should be put on the ballot. This is the wedge issue that trumps (couldn’t resist) the Right’s religious zealotry and transphobia and racism.

But of course, they won’t learn the lesson that they’re unpopular and so are their policies and values–they’ll just see this in a paternal way: “clearly the voting public can’t be trusted, so we need to install authoritarianism for their own good.“

Yes, this is the same party that thinks they’ve successfully branded themselves as “true American patriots.” Fucking garbage is what they are.

And on that note, I am heading into the spice mines. Have a great day, Constant Reader, and I’ll be back to check on you with more blatant self-promotion later.

*ah, stereotypes. Alas, we have a lack of butch lesbians in the department now, so had to make do with a straight guy. C’est la vie.

Queen of New Orleans

I am always delighted when people think I capture New Orleans perfectly in my work.

I love New Orleans, and while I, along with everyone else who lives here, reserve the right to be irritated, exasperated, and annoyed with the city–God help you if you talk shit about the city if you don’t live here (“bitch, you live in Metairie”) in front of people who do.

Trust me, it won’t end well.

I fell in love with New Orleans officially when I came here to visit for my thirty-third birthday, which was a lot of fun and probably one of the best birthday weekends of my life, if not the best one pre-Paul (we had yet to meet at that time). I do sometimes wonder when I think back to visiting, and then living, in New Orleans in the 1990’s, if there’s nostalgia involved in my memories. That New Orleans no longer exists; the flood waters from the levee failure after Hurricane Katrina ended that time with a very firm line of demarcation so that everything was thus defined ever after as before and after. There were also the post-flood years in which the city was being rebuilt and rescaled and rethought and repopulated, but it’s never been the same as it was before the flood and it never will go back to that. There was a definite sense before that New Orleans was stuck in time and nothing was going to change anything–something drastic was needed to solve all the problems. It was thought at the time that the one positive was that maybe New Orleans would rise from the ashes like the mythological phoenix; a hard reboot that could fix everything.

It didn’t. Some of the old problems remained, some of them were eliminated, and new ones arose. The streets still collapse into potholes and constantly need repair; the sidewalks still tilt and get broken up by ground subsidence and live oak tree roots. There’s always something for the locals to complain about when it comes to life and living here in New Orleans. When Paul and I first moved here all those years ago, we had no idea what we were in for–but the nice thing was it was the first place I’d ever lived where I felt like I chose it; Mom and Dad chose where I lived for most of my life. I chose Tampa over Houston, but it wasn’t from an overwhelming decision that I desperately wanted to live in Florida (I didn’t; I moved for my job). But New Orleans–New Orleans was the first place I ever visited that I wanted to live. It’s really the only place I’ve ever wanted to live, or had an opinion about, or actually felt anything for; I am a New Orleanian, and a Louisianan by extension.

It’s really beautiful here, and I thought so when we moved into this crumbling neighborhood in a decaying city whose best days looked to be past already. In the daylight the city’s scars and wounds and damage is clear; but in the night, with shadows dancing and the light limited, it was still so gorgeous it can steal your breath away–and great apartments were enormous, high-ceilinged, hardwood floored, and cheap.

1996 was a whole different world; Bill Clinton was about to be reelected, gay sex was still a crime, and “don’t ask don’t tell” didn’t solve anything; it just made the realities of being a queer in military service even more difficult. There was still the remains of the Camp Street on-ramp to the Crescent City Connection on the neutral ground on the other side of Martin Luther King Drive; the Coliseum Theater was still there–closed and shuttered, but still existing, and there was this incredibly beautiful old house that was a ruined, crumbling wreck that looked haunted and absolutely fascinated me; I wish I’d taken pictures of it. (It has obviously been renovated.) Paul and I moved into the Lower Garden District right before it’s renaissance and gentrification. We lived on the Square; the park was just outside our front door and down the walk and across the street. Coliseum Square was dark at night then; all the streetlights in the park were either shot out or burned out, and the fountains were dry and rusted. The beautiful, graceful live oaks were there, of course, resting some of their heavy branches on the grass. All the big gorgeous houses around the park were derelict and run down, gorgeous ruins waiting for a buyer with money and a love for old houses. A gay couple bought one of them and spent the next year renovating it; it’s still a stunningly beautiful house. One by one those old houses were bought up and remade–and now Jennifer Coolidge lives in a house fronting the park (she sometimes comes to our corner at St. Charles for parades during Carnival).

I always think of Scotty as kind of a gay personification of New Orleans; the two are always entwined in my brain. Uninhibited, unashamed, unabashed, and always up for a good time–you could say that easily about them both. It’s really funny that back when I created him I didn’t think there was enough story in him to be a series–and here we are, on the eve of the ninth being released. Obviously, people responded to him in the way that I wanted them to; they’ve embraced his weirdness and eccentricity, and that of New Orleans as well. I couldn’t create a character like Scotty who lived anywhere else; anywhere else he wouldn’t work, would be judged harshly and looked down on by people for his hedonistic attempts to suck all the juice out of life as he can.

And I’ll probably still be writing him when I die–which, hopefully, won’t be for a long time yet.

Southern Cross

Monday and back to the office.

The time change is always so weird to me, really. I always understood it had something to do with kids and not catching the bus in the dark in the mornings or something like that, but if they’re all walking home after school in the dark, how does that make sense? I always appreciate the extra hour, but always resent giving it back (or having it taken away?) in the spring. I kept finding clocks I hadn’t reset in the apartment (after thinking, wow, time has flown–wait a minute), and I did do some things. I did manage to make it to the West Bank, but it was really a wasted trip; Sundays are clearly not the day to do shopping over there as almost every place was out of almost everything. I got my wagon but couldn’t get the wheels to lock in place (I am so not handy) and I also got the wrong size blinds–so I get to go back. Hurray. But I did get some things for lunch this week, and I made ravioli last night for dinner for something different (I even managed to eat some bread softened with red gravy), which was nice. I watched the end of the Saints game–which they tried very hard to lose–and then another episode of Moonlighting. I found a much later and much more revised version of one of the novellas, “Fireflies”–which needs a lot of work, but is a very good idea and the kernel of a terrific novellas is there, if I can stick the landing–and also was put in mind of Chlorine yet again by coming across Matt Baume’s Tab Hunter1 documentary on Youtube (another great job, Matt!)–and I had a germ of an idea for how a part of the plot would work–another piece fell into place, as it were, and so I scribbled it down in my journal (huzzah for journals!) to wait for the day and time I can get back to work on it and give it my full attention.

I realized yesterday–once again astonishing myself with my own obtuseness–that part of what’s going on with me lately–the moodiness, the surliness, the self-destructive inability to get anything done, and the anxiety that comes with all of the above–has everything to do with my coming surgery. The compartmentalization doesn’t always work, you see, when something is creating a lot of anxiety for me. I have very little idea of what to expect and what it’s going to be like–or how restricted I am going to be as far as movement and so forth or for how long. I know I shouldn’t consult Dr. Google, but in lieu of any other information that I can recall, what else is there to do? And Dr. Google was right when I looked up the information on the injury when it was finally correctly diagnosed, after all. So I can look at about three weeks out of the office on medical leave, and then possibly some limited mobility after that. It sounds like if I am going to be able to type at all it will be one-handed, which is limiting, so I am hoping that if I am not drugged out to the gills I can spend time getting caught up on my reading as well as doing a lot of editing work on my own stuff. I am not going to be able to lift or carry things, which is going to make the whole grocery situation interesting for a couple of weeks, but I guess I can have things delivered. Probably the best way to compartmentalize all of the concern and anxiety about the surgery would be to start planning and preparing so I can be as ready as I can, right? It’s been a year, really. I suppose my end of the year round-up blog post on New Year’s Day will be a bit morose and melancholy.

I think one tends to be a bit more morose and melancholy as one gets older.

I also started watching A Haunting in Venice and while it was shot beautifully and had a great cast–it didn’t really hold my interest. The Agatha Christie novel it’s loosely based on–and I do mean loosely–is not one of the more better known ones; Halloween Party was a perfectly adequate Christie novel but it wasn’t anything spectacular. I do remember it, and I do have a hardcover book club edition of it, too. It probably belonged to my grandmother, or else I picked it up at a second hand store or a flea market or somewhere like that. I took a break about halfway through and then went back…and kind of dozed a bit through the second half. It’s a shame; I watched because I had Venice on the brain after rereading “Festival of the Redeemer” Saturday afternoon, and rethinking how to rewrite and revise and improve it. But it was beautifully shot, and made me wish I could live, even if for a brief month or so, in Venice for a while. I did go back and finish it–but I found it disappointing. Beautifully shot, yes, and Venice is always beautiful on film, but such a waste of so much remarkable talent.

I went to bed early–it was a struggle staying up until ten, which felt like eleven, and slept really well. I feel rested enough to actually face the day and potentially be productive–crazy, I know–but I generally feel well rested on Monday; it’s the rest of the week when my ass starts dragging. I also have to keep pushing forward on some things, too–progress must always be made, even when I don’t feel like making progress on anything. (Watching Tug get used to having his nails trimmed and not being able to use thing to climb–me, in particular–has been rather cute, but then again he is world’s most adorable kitten.) I didn’t read very much this weekend, either, more’s the pity; but I am thinking I’ll be doing a lot of reading once the surgery has taken place and I am no longer living on pain medications–maybe I can even read while on painkillers; I know they are going to give me oxycontin or some version or derivative of it, which makes watching all those movies and documentaries and mini-series based on the crimes of the Sackler family against the American public perhaps not as smart as it seemed at the time; I am terrified of becoming addicted to a pain medication–but that’s also an excellent time to wean myself off the Xanax, too.2

And on that note I am heading into the spice mines for the morning. Have a great Monday, Constant Reader, and I’ll be back to check in on you again later with undoubtedly more blatant self-promotion.

  1. I actually met Tab Hunter, which is something that amazes me to this very day; I actually met him and his husband several times. How cool is my life, really? ↩︎
  2. While I’ve been taking it to control mood swings all these years, it’s really not something you’re supposed to take on a daily basis but rather as needed; now that I know it’s anxiety I can treat it appropriately. Most of my medications are now wrong, and need to be changed. ↩︎

Born on the Bayou

Whenever I am writing or creating a character, the first step I need to accomplish in order to keep going with them is that I need to know what they look like in my head before I can start. The first step is for me to know what they look like. I generally use real people are models for a starting point for my characters–but they do evolve from that initial “how they look” base and extrapolate the rest of their appearance from there. I also don’t base characters on real people, for the record–because you can’t. You can never base a character completely on someone else because you can’t get inside their head or know all of their life experiences and the things that shaped who they are and why they do the things they do.

This is the base-line physical model for Scotty I used when creating him. Scotty’s evolved since then.

This wasn’t the base model for Frank, but you get the idea; he’s pretty close to what I pictured.
And this is where I started from with Colin.

I don’t base characters on real people because it’s impossible to do–you can only base a character on your perceptions of who that person is; you cannot know every experience they’ve had, every trauma, every event that occurred that shaped and changed and evolved them into who they are. This is why people–even ones you think you know really well–will always surprise you at some point. I’ve lived with Paul for twenty-seven years and he still surprises me. I didn’t know any of these men–all models for BGEast.com–at the time and of the three of them, the one I actually know is the one whom I didn’t actually use as the physical model for one of the three, and I didn’t meet him until the first three books were already in print and available.

But when I was creating Scotty, I wanted the readers to have fun with the books. I didn’t want to write anything dark or tragic or heavy; I already had the Chanse series to do that with. Chanse was a six foot four two hundred and twenty pound mass of neuroses, insecurities, cynicism, and bitterness; I really didn’t want to do that again because what would be the point of doing two series that were exactly the same? I wanted them both to capture the feel and spirit of New Orleans, but from very different perspectives. Chanse wasn’t happy about being a gay man; he was still struggling with it in the first book and slowly became resigned to it, rather than embracing it. Once Scotty told his parents and came out to them, he never looked back and started looking for his joy. Scotty’s family loved and embraced him as he was, and other than both sets of grandparents cutting off his access to his trust funds when he flunked out of college–which has nothing to do with him being gay; that was an attempt to get him to go back to school. The trusts were originally set up to become his when he turned thirty anyway, so he never really had to worry about the future–which is an incredible privilege. Even working as a personal trainer and some-time go-go boy for the money wasn’t that big of a deal; his landladies were family friends who’d never evict him in the first place and his parents would always come through for him anyway.

I also made his siblings the same as Chanse’s–I don’t know if that was intentional or not, but while Scotty is the youngest with an older brother and sister, Chanse was the eldest with a younger brother and sister he isn’t close to. Scotty’s family was tight, while Chanse’s was not. Chanse’s sister is married to an accountant for an oil company and lives in Houston; his brother still lives in their hellhole of a small city, Cottonwood Wells (small city, large town; I am never sure which is the right one) and I broached their relationship in the short story “My Brother’s Keeper.”

And I had Scotty live in the French Quarter as opposed to Chanse’s apartment on Coliseum Square; Scotty is that rarity in New Orleans–someone born and raised in the Quarter. Chanse was an import from Texas who moved to New Orleans after graduating from LSU; Scotty has always been here other than the two failed years in Nashville at Vanderbilt.

I wanted him to have absolutely no hang-ups or issues about being a gay man. I wanted him to embrace his sexuality and enjoy his sex life and have that Auntie Mame mentality of “life’s a banquet and most poor suckers are starving to death”; Scotty wants to have fun and enjoy his life. He doesn’t think he’s ever destined to find a boyfriend or life partner in the first book–he’s too unabashed a slut1 who loves getting laid and doesn’t want to tie himself down, plus most men he meets tend to be too serious for him. Scotty has no hang-ups or issues about his body, either. As a wrestler in junior high and high school his body became strong, muscular and lean; he never says whether he thinks he’s attractive or not–he says other people seem to find him irresistible in the first book, and he admits he doesn’t see what others see but they see it so okay. He’s become more serious as he’s gotten older and as he’s dealt with bad things–but he doesn’t go into a depressive state or withdraw from the world when bad things happen; he faces them head-on, and his motto (life doesn’t give you anything you can’t handle–it’s how you handle it that matters) is one we could all aspire to, really.

While taping Susan’s show last week I did say that Scotty was the idealized version of myself and the life I would love to have–sans the murders and kidnappings and shootings, of course–and naturally a lot of his traits have come from within my own mind; but while I find his mentality and life view aspirational, I often fall short. Scotty has a genuine kindness to him as his inner core that I don’t always default to, much as I wish I could and did. I am a lot more like Chanse than Scotty, even if they are kind of different aspects of my personality and who I am.

It’s sometimes hard for me to wrap my mind around the fact that I’ve been writing Scotty now for twenty years. Bourbon Street Blues came out on May 1, 2003. Twenty years of Scotty books, but only nine–like one every other year rather than every year.

And I also sometimes wonder if my subconscious somehow keeps track of Scotty, because I keep discovering things about him that I wrote years ago that were just kind of throwaways that now I can circle back to and create story arcs for these character traits and personal histories for the newer books.

  1. There’s also a scene in Bourbon Street Blues where he proudly states he doesn’t have sex for money because he “prefers to keep (my) amateur status.” ↩︎