Category: childhood

Shambala

Thursday afternoon, home from work and the grocery store. It’s overcast outside–there was a monsoon earlier, but no flooding–and I am really glad I made it home before it starts pouring again. I really should be putting the groceries away, but it’s so hot and muggy outside I wanted to just sit for a minute before I get up. I also have laundry to do, and might as well get started on the slog of cleaning the kitchen/office/living room. Heavy heaving sigh. I also want to do some writing or editing this evening before I give up for the day and start dinner and relax.

Storms clouds have rolled in since I got up and put away the groceries and put the laundry into the dryer. It’s weird because I can visually tell it’s darker outside–if I turned off the kitchen lights it would ridiculously dark–but when I look up out the windows through the crepe myrtles next door,  all I see is blue sky and white clouds.

Ah, New Orleans weather and its many peculiar vagaries.

Shit, I just remembered there are clean dishes in the dishwasher. Be right back.

Okay, that’s one, and I have Pet Sounds by the Beach Boys playing through the stereo unit in the Lost Apartment (those harmonies!) As I look around at the kingdom of my office, I spy things that need to be put away, things that need to be handled, things that need to be put away. I’m also kind of avoiding my email inbox, because I also don’t want to deal with any of that, either.

I’m still thinking about Laura Lippman’s lovely essay that I read the other day, as I continue to struggle to get a grip and handle on everything I’ve managed to again fall behind on.

One of the more interesting–perhaps curious is a better word–things I’ve noticed over the course of my lifetime is the change in what the cultural definition of what is (or isn’t) sexy when it comes to men and masculinity. I can remember when I was a kid that bodybuilding was primarily seen as the province of queers; I’m not sure how or where I became aware of that, but I know the eschewing of weight lifting for men (and younger men) was not something that was a cultural norm; health clubs didn’t really start proliferating until, best as I can recall, the late 1970’s/early 1980’s. Even then, the idea wasn’t to get ripped or cut or to have a six pack, it was just to have a bigger overall physique.  I don’t remember how old I was when I began having a love-hate relationship with my body; I joined my first gym in 1981. Over the course of the next ten years I joined several others; I never lasted more than a few weeks. I wasn’t particularly motivated–I wanted to look better and feel better about myself, but I found the weight room horrifyingly intimidating and gyms not particularly welcoming. I am sure some of that had to do with the PTSD acquired as a tween and teen with gym class, athletics, and everything to do with those things. I tried several times, and it never took.

I always blamed those failures on my own laziness. Now, though, I am beginning to wonder about that more; if there was more to it, on a psychological or subconscious level. I know when I joined a gym in January of 1995, I was determined to accomplish change, not only in my body but in my life. I also joined a gay owned and operated gym; which was not only welcoming and friendly, but kind of nice. Everyone who worked there was friendly and available to answer questions and help. That made a huge difference. I liked my gym, I liked going there, and the changes I was seeing in my body–I was also on a very strict eating plan–were enough reward to keep me going. And I also noticed that the way I was treated in general was better–bartenders, servers, sales clerks, even the passengers at the airport–were friendlier and nicer to me the more my body shape shifted and changed. I was very dedicated to this self-improvement kick; I also have a tendency to be obsessive when I become interested in something. When I lost my job at the airline, I decided the next step in my career would be to work in health and fitness, trying to help people who were like me and pay it all forward.

I fell off the fitness wagon about ten years or so ago; primarily because I injured my back and also started working full time outside of my home. The adjustment to finding time to work out around a forty-hour work week, a brutal editing schedule, and an insane writing treadmill (which led to the publication of a ridiculous amount of novels and short stories over a highly productive few years) made finding time to workout more and more difficult. The injury didn’t help…and I would always try to come back too soon and aggravate the obviously-not-completely healed injury. I even hired a trainer to make me go to the gym–I’d keep appointments, even if I couldn’t be bothered to go to the gym at other times. A few years ago the tightening of my finances and the need to buy a new car forced me to let Wacky Russian go as an expense, which sucked…because I’ve never really been able to find a rhythm for working out again since then. I keep meaning to go…but then I am so tired, and I can’t keep up with my writing and my emails and my cleaning, and then…

Yes, excuses. I can always find them. Never fear.

I’m also going to be fifty-eight next year. I am not as concerned as I was when I was in my thirties whether other people think I’m hot–or as Laura said in her seminal essay, “fuckable”–and ironically, doing it for my health, to improve my sleep and my energy, doesn’t seem to be motivation enough to get me to go. I am not, after all, going to hang out in the Quarter all weekend long with very little clothing on during Southern Decadence, nor am I going to pick out a slutty Halloween costume, or go out dressed nearly naked as a masked professional wrestler again. But feeling better–and I always do after I work out, after I stretch, etc.–should be enough of a motivator to get me to go. And yet, somehow I will always find some kind of excuse for it (I intended to go during my Staycation a few weeks ago; then I left my headphones for my phone at the office and since I couldn’t listen to music–I can always find an excuse) and wind up not going.

Repeat after me, Gregalicious: three times a week is optimal, two times is better than one, once is better than none.

So, my plan is to give it another shot this weekend. I do miss the gym, you know. I miss watching other people work out and making up stories about them in my head. I miss the smell of the weight room, the clanking sound the weights make, the friendly people who work at my gym, and even the water I drink–I hate water, don’t drink nearly enough, and working out forces me to drink it.

And on that note, I am going to try to get some of this mess cleaned up and maybe even do some writing.

Have a lovely rest of your day.

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I’m Gonna Love You Just a Little More Baby

I wrote twenty-three hundred and sixty-six words yesterday; a rather precise amount, I admit, but I am rather proud of them, as I’ve not written anything new in nearly two weeks, I think.

It was also new, nothing do with any of the many works in progress I am in the midst of; it was one of those things where the idea came to me, and I knew how to write the chapter, so I sat down and I did lest I forget it. I also wanted to see if I could get the voice right, the tone, and all of that. I think it kind of works, but I am going to let it sit for a moment or two (or weeks) and see what I think of it then.

It’s the first chapter of Chlorine, which is a start. Probably not what I needed to be writing or working on, but

I do want to get back to the WIP–and I’m not really sure why I keep calling it that. Why am I superstitious about sharing the title of this book? I like the title, and I believe I have even mentioned it before. I originally had the idea a million years ago, when I was a little boy. My grandmother–the not sane one–used to love to tell me stories about the past; she always swore on the Bible the stories were true, but I’ve long suspected that most of them were invented or stories she read somewhere–she did like to read, and encouraged both my sister and I to also read. I never wrote the stories she told me down, but I do remember bits and pieces of them, and one of those bits and pieces became a short story I wrote in college called “Ruins.” I wrote it as a ghost story, weaving what I remembered from my grandmother’s story into a modern-day story in a fictional county based on the one my family is from (I also planned to do a lot of writing about this fictional county when I was in college…I have published some work about the county; it’s where Scotty’s sorta-nephew Taylor is from and where Frank’s sister lives. It’s where my main character from Dark Tide  was from, and also where “Smalltown Boy” was set, along with various other short stories, like “Son of a Preacher Man”…so I’m using some of those old ideas today. There are also any number of short stories in some form of completion set there, and the current WIP is, of course, set there). I always thought “Ruins” (still unpublished) could be expanded into a pretty decent novel, and that’s what I am currently working on, have been for the last few months. I no longer call it “Ruins”–that title has already been used multiple times for a novel, and why invite comparison–but when I needed a new title, I wanted something more poetic. I started looking through poems (can you imagine? I know so little about poetry it’s staggering) and wanted something Barbara Michaels-ish. I decided to riff on her title Be Buried in the Rain, which is from a poem, and then a lyric from The Band Perry’s song “If I Die Young” stuck in my head, and I started using that as the title, Bury Me in Satin. But that didn’t really work or fit, and it evolved into Bury Me in Shadows, which had the right creepy, spooky, Gothic feel to it that I wanted, that I am trying to get in the book. It’s a ghost story of sorts, it’s set in the woods of rural central-western Alabama, and there’s a ruin of a plantation back in the woods, which an archaeological team from the University of Alabama has started excavating. There’s a legend about the “lost boys” around the ruins; two boys who disappeared during the Civil War. I’m also working rural drug addiction into it, as well as the Klan, and racism and homophobia. It’s a lot, and it has to been done correctly, in order to get the points across that I want to make in the book. This is why it’s been such a slog, really. I am trying to make points about important topics without sounding too preachy-teachy, while trying to weave in an interesting story, all told from the point of view of a rather intelligent gay teenager from Chicago, who has to spend the summer in Alabama being the point person for the family while his grandmother, who has had several strokes, dies in her own crumbling Victorian style home from the late nineteenth century, and then the archaeologists discover the skeleton of a young man. Is he one of the lost boys from the Civil War, or is there something more sinister going on back in the woods?

I’m trying to write about race sensitively, without giving offense. I am trying to be conscious of my own internalized prejudices and bigotries, which is sadly a life-long process of deprogramming. (But that’s a subject for another time.) But I am hopeful that my own keen editorial eye will catch things in the editing process, and there’s also going to be my editor’s eyes on it. So, hopefully it won’t turn out to be yet another sad white person’s attempt to deal with race that turns out to be problematic.

I am also writing it in a style different than what I usually use–first person present tense, and it’s obvious when I reread chapters I’ve written that it’s not my default; I slip into the past tense very easily and naturally and because I’m so used to writing that way it’s easy for me to miss things in the wrong tense.

I’m up early because today returns normality to my life; this is my first work week that won’t be disrupted this month. First it was a brief vacation, and of course last week was disrupted by Barry. I got very little accomplished over the last few days–storm disruptions make it very hard to focus or get anything done, frankly; as you wait for the storm you don’t want to start anything in case you lose power suddenly, plus there’s the weird tension of waiting for the unexpected. When I walked to Touro to get my car yesterday and run by the grocery store, it was strange; the city was still deserted and lifeless. There were a few cars out driving but not the usual amount of people out and about on a Sunday, even in the rain. I actually think we got more rain yesterday than we did from the storm on Saturday, frankly. I was soaked by the time I got to the car–$21 is a very low price to pay to keep your car safe, to be honest–and of course, everything at the grocery store was on sale because it was old and ripe; I got a great deal on two enormous smooth avocados, and there were still some Creole tomatoes out, but the grocery store was still depleted from people stocking up for the storm. I came home, we got caught up on Animal Kingdom, and last night we watched The Spy Who Dumped Me, a cute comedy starring Mila Kunis and Kate MacKinnon. I love both women, and they worked very well together, and the plot was clever and funny enough to hold my attention, but it could have been better–but it was mostly the charisma of the two women, and their chemistry together, that made the film enjoyable.

So, wish me well on my first full week of work this month. It’s gray and drizzly outside my windows this fair morning; I’m hoping my shoes have dried out from yesterday as well. (note to self: order new shoes, you’re due.)

And now back to the spice mines. Have a lovely Monday, Constant Reader.

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Little Willy

Today’s title song always kind of amused when it was a hit; I was a tween at the time and since willy is also a euphemism for…well, you can see where this is going.

I found it highly (if more than a little bit juvenile) amusing that someone wrote a song about a small penis.

Hello, Monday morning of my sort-of-vacation! The vacation starts Tuesday evening when I get off work, actually, but it’s also kind of lovely to know I only have to work my two long days at the office this week before I can lounge around the house and do what I want when I want to do it. How lovely, right?

I did manage to squeeze out about thirteen hundred words or so on the WIP, and I also printed out the pages of the manuscript i am suppose to be dedicating myself to finishing in July. (I’ve already redone the first four chapters of it before I had to push it to the side for Royal Street Reveillon, whose time had come.) I did look at the first few pages again, and liked what I was reading. So, I’m still undecided about what to do. Should I push through on the WIP, getting that first draft finished, or should I get back to work on what I scheduled myself to do for the month of July? Truth be told, I am actually thinking that what with the five day vacation looming, I could theoretically go back and forth between the two; but the voices are so terribly different, I’m not sure how well that would work.

Yet another example of why writers drink.

I started reading Mickey Spillane’s I the Jury yesterday as well. It’s a short novel, really, and I can’t imagine it taking a long time for me to finish. I’ve never read Spillane, but of course I know all about him, his writing, his character Mike Hammer, and everything he kind of stood for. Spillane was one of the last writers who kind of became a folk hero/celebrity of sorts; it was a lot more common back in the 1950’s and 1960’s; Hemingway, Spillane, Gore Vidal, Truman Capote, and Norman Mailer all were celebrities of sorts; I believe Spillane even played his own character in one of the film versions of his work. He also used to regularly appear in commercials and advertisements as Mike Hammer in the 1970’s, which is kind of hard to imagine now. It would be sort of like Stephen King being hired to do commercials and print ads for, I don’t know, Jim Beam? The author as celebrity is something I’m not sorry we’ve gotten away from as a society and a culture, quite frankly. The idea behind reading I the Jury as part of the Diversity Experiment is precisely because it’s the kind of book I’d never really read; Sarah Weinman asked the other day on Twitter if Spillane counted as camp (I personally think it does; my responses was something along the lines of “Imagine Leslie Nielsen playing him”) and then realized I needed to read at least one of the books, as part of the Diversity Project.

But Gregalicious, you might be wondering, why are you reading a straight white male novelist writing about what basically is the epitome of toxic masculinity in his character Mike Hammer?

Well, first of all, the name of the character itself: Mike Hammer. It almost sounds like a parody of the private eye novel, doesn’t it, something dreamed up by the guys who wrote Airplane! and not an actual novel/character to be taken seriously. We also have to take into consideration that Spillane’s books were also, for whatever reason, enormously popular; the books practically flew off the shelves. (Mike Hammer is actually one of the best gay porn star names of all time; alas, it was never used in that capacity.)

But it’s also difficult to understand our genre, where it came from, and how far it has come, without reading Spillane; Spillane, more so than Hammett or Chandler, developed the classic trope of the hard-boiled male private eye and took it to the farthest extreme of toxic masculinity. Plus, there’s the camp aesthetic I was talking about before to look for as well.

Chanse was intended to be the gay version of the hardboiled private eye; I patterned him more after John D. MacDonald’s Travis McGee than anything or anyone else. But reading a macho, tough guy heterosexual male character from a toxic masculine male author is also completely out of my wheelhouse; and therefore, it sort of fits into the Diversity Project along the lines of well, the idea is to read things you don’t ordinarily read; not just writers of color or different gender identities or sexualities than your own.

And there’s also an entire essay in Ayn Rand’s nonfiction collection of essays on art devoted to Mickey Spillane; it should come as no surprise to anyone who’s ever read any of Rand’s fiction that she was a huge fan of Spillane. Given what a shitty writer Rand was, that’s hardly a ringing endorsement–but it also gives me something else to look out for as I read Spillane’s short novel.

There’s also a reference to Spillane in one of my favorite novels, Larry McMurtry’s The Last Picture Show–in which some of the  boys are wondering if blondes have blonde pubic hair, and “the panty-dropping scene in I the Jury” is referenced.

Interesting.

And now back to the spice mines.

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Playground in My Mind

Wednesday morning, and the week is now on its downward slope into the weekend. Paul is going to visit his mother on Monday for a week; I am going on vacation myself starting a week from today through the following Monday–basically a long weekend around the 4th of July. With Paul absent, I am hoping to get a lot–as always–done.

We’ll see how that goes. My track record isn’t the best, after all. But in fairness to myself, I do–frequently–overestimate what I can get done when I am home by myself. But last night I managed another three thousand (terrible) words on the WIP–even though I’ve recognized that this is a story draft, I still wince at how awkward the scenes are and so forth, but the plot is moving forward and I think once I have it all down on paper and it holds together, I can actually make this into something truly terrific. Of course I’m absolutely terrified I am going to put a foot down wrong or something along those lines; it’s a very tight rope one walks when writing about race and homophobia in the South, particularly when one is white–it’s very easy to go wrong, and when one had always benefited from the systemic racism of our society and culture, when one has to retrain and unlearn so much…I’m always worried something will slip through, unnoticed and unrecognized…but I’m also not certain that my work gets enough attention from the world at large to merit a call-out Twitter-storm of fury, either.

There was an interesting discussion on Facebook the other day about sensitivity readers, and whether they are necessary; and what, if any, compensation is due them for reading the work in question. Should it be a professional courtesy, done as a favor and for the greater good, or is not compensating the sensitivity reader for their time and expertise another form of exploitation and devaluing not only their personhood but their experience? I’m hesitant to ask anyone to read my work as a sensitivity reader because I do believe people should be paid for expertise; the biggest mistake made on this issue was branding them as sensitivity readers–the term should be sensitivity editors. Editors, you see, get paid to read manuscripts and find problems, mistakes, errors, things to be corrected; the sense is that readers do it for free, because who gets paid to read? Readers are fans, editors are professionals; the terminology here has been wrong from the get-go (words matter, people!) and this is why the question has arisen in the first place. I can’t afford to pay someone to be a sensitivity editor for me; and I am not the kind of person who likes asking others for favors (the only thing worse than asking for a favor is asking for money), and I certainly would never ask someone to read an entire manuscript for free to give me advice and input. (I have, however, done this before; but I didn’t ask, I merely accepted when other authors have offered to read something for me–and yes, full disclosure, I probably hinted a lot until they offered. Yes, I am a capital H Hypocrite. I will come right out and ask someone to read a short story to get their input; I do this for others as well, so it’s kind of a circle-of-life kind of thing.)  I personally am not terribly comfortable being a sensitivity editor for other writers, to be completely honest; I cannot speak for the entire LGBTQ+ community and say with authority “no one will find this offensive” because my own level of offense is pretty low, and remember, I have been accused of writing gay stereotypes more than once.

So, how could I possibly be a sensitivity editor?

I am also reluctant to ask people for blurbs because I am aware that I am asking for an enormous favor; reading a manuscript takes time–time that could be spent doing something more beneficial to the person being asked–and usually, it’s an electronic file and I, for one, hate reading electronic files….I’m not big on reading print outs, either, to be honest. I don’t want to spend any more time staring at a screen–be it a monitor, a reading device, or a phone–than I already do, which is quite a lot.

Heavy heaving sigh.

This entry sure wound up all over the place, didn’t it?

It’s very strange, because as a gay man, I often get included in discussions about institutional diversity; I served on the board of Mystery Writers of America for four years (which I did specifically to try to make the organization more open to diversity–it was more open than I thought it was when I joined, frankly, and I’m not certain I had much of an impact there but it certainly was an enormous boon to me, personally and professionally); I currently serve on the Bouchercon board (which I joined for that reason and also to assist with the production of the anthologies); and of course, I write the diversity column for the Sisters in Crime quarterly. So, diversity is on my mind a lot; it’s also why I chose to start the Diversity Project this year–alas, I am not reading as much this year as I have in previous years, burn out from being an Edgar judge last year I suspect–but I also cannot escape the fact I am white, with all the privilege that entails; if I were straight I’d have hit the American jackpot, you know: white straight cisgender male. (Which, of course, is infuriating to hear the  you chose to be gay bleatings of homophobes; why would anyone deliberately choose a more difficult path in life, particularly a more difficult path to being a published writer, which is fucking hard enough already as it is?)

I like to think my status as outside-the-status-quo, oh-so-close-but-not-quite-hitting-the-privilege-grand-slam, has made me more empathetic and sympathetic than I would be had I hit the grand slam; but I also believe in the butterfly effect; me being straight would have changed, certainly my life, but would have also dramatically altered the lives of everyone around me, and the ripples would have continued to flow outward from there.

I like my life, thank you very much, and I am most grateful for it.

And today’s three thousand words aren’t going to write themselves, so I’d best get back to it.

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Rock and Roll All Nite

So, I got my new glasses yesterday.

The trip to Metairie and back was relatively pain-free, other than idiot drivers on the interstate (but that’s anytime you get on the interstate here), and I have to say I like my new glasses. I’ve always chosen glasses more based on functionality than as a “fashion accessory” (I actually only discovered that was a thing about twelve years ago, and it still amazes me on both ends–one, that it’s a thing, and two, that it never dawned on me in almost forty years of wearing glasses to pick them out based on how they look on me), and I have very little patience for trying on glasses or shopping for them. I like big lenses, because it always bothers/distracts me when I can things out of focus around them. It’s also hard to find glasses that are wide enough across the face, because the distance from ear to ear that the glasses have to reach across is not proportional to the distance between my eyes.

So my glasses seem to always have the legs jutting off to the side, rather than backwards, which looks odd.

But not these new ones. The lenses are so big I can’t blurry things around them unless I look hard left or right, and the frames are so wide that the legs go straight back to my ears. I also hadn’t realized how out-of-date my old glasses were (just two years, really; maybe three?) because now I see so much better with my new ones, and they do feel comfortable on my ears and to my eyes, which is quite nice, frankly.

And of course, I primarily selected these not for how they look but for their function. The lenses are big, and so are the frames. Whether they are flattering, I don’t know. The entire concept of glasses as an accessory to enhance my appearance is an utterly foreign concept to me. I guess it goes back to being a kid and wearing glasses being considered being a strike against the way you look? (Glasses and braces–hello, Jan Brady!–being the original dipso duo) The whole men don’t make passes are girls who wear glasses thing. I know that when I wear glasses rather than my contact lenses any concern I might have about my appearance goes away; I’m wearing glasses, you see, so it doesn’t matter; I couldn’t possibly look good.

And then I begin to wonder–was it when I started having to wear progressive lenses, which fucked up the ability to wear contacts, that I started not caring about how I looked? I do remember thinking, once I had to go to progressives (no longer called bi-focals, because that’s a stigmatizing term that indicates GETTING OLD) that I could never wear contacts again; it was around this same time that I hurt my back at the gym and had to stop working out for nearly a year–a year away from the gym from which my body never truly has recovered. (And this was also, oddly enough, around the time that I decided to teach myself how to cook and bake….so my caloric intake went up around the same time that my caloric output dramatically decreased. I often wonder if the reason I feel so old and  tired so often is because I don’t work out regularly anymore)

But I like my new glasses, and I don’t know whether they are flattering or not–but i also got new progressive contact lenses as well, and I am trying very hard to adapt to wearing contacts again. When I do wear my contacts I feel differently than I do when I wear glasses; and I know damned well that it’s a completely mental thing that has nothing to do with reality. I am conditioned to think I look better without my glasses, whether I actually do or not. It’s all part and parcel of the cultural and societal conditioning I grew up with.

I started wearing glasses quite young; I was either seven or eight when I got my first pair of glasses, and to this day I remember the first time I wore them outside the house, to school. As I walked the block and half to my grade school, I remember looking at the trees and the houses and everything and being astonished at how clearly I could see everything; I also remember thinking this is how everyone else sees all the time. My entire life up until that point I’d seen everything as blurry, indistinct shapes of color the further away from them I was, and it was wondrous to be able to see the world clearly for the first time.

The fact that I wore glasses–and this is another one of those ridiculous societal things we were all brainwashed with back when I was a child–also made people think I was smart, because there was some strange correlation made between wearing glasses and being intelligent. I was intelligent, of course, but the glasses had nothing to do with it; it was, I suppose, one of those strange things where the stereotype had built up that people who wore glasses strained their eyes studying and because of the glasses they couldn’t play sports and therefore couldn’t be dumb jocks. Glasses did make it difficult for me to play sports, but my primary problem wasn’t my glasses but the problem I had (and still have, to this day) with depth perception.

My grandmother, for the record, always believed I needed glasses because I read too much in the car, which is completely insane, but she absolutely believed this and convinced my parents of it as well–so they didn’t let me read in the car for years. I guess that’s one of those “old-wives’-tales-from-back-in-the-holler” that my parents took with them to Chicago when we moved up there when I was two years old.

Rural Southern wisdom, for what it’s worth.

All right, I’ve got a lot to do today and I need to get going on it. Tis off to the spice mines with me, and have a lovely Saturday, Constant Reader.

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Tryin’ To Get The Feeling Again

It isn’t very often that I look back at the past. While memories and nostalgia can be quite lovely, they can also be a trap; it is far too easy to start second-guessing your life and thinking things like oh if only I’d done this or maybe if this hadn’t happened and so forth. Many years ago, shortly after I moved to Minneapolis to live with Paul, I gave up on looking back. The truth was, no matter how many bad decisions or wrong turns I’d made in my life, no matter how many shitty things I endured, no matter how many times a friend betrayed me or whatever…the truth was everything in my past was part and parcel of who I am today and my life would be different now if any of those things had changed; so having regrets about the past and playing the if only game indicated that I was, in fact, not happy with my life at the present time because why else would I want to change something in my past if not to change the present?

And I’m pretty fucking happy with my life and my career(s). I do love my day job, where I get to  help people every day, and I love my writing career. I marvel from time to time that I have one at all; it’s been my dream for as long as I can remember–I remember being a little boy and getting my weekly Scholastic book club books, sitting on the back porch of our little apartment in Chicago and reading them, and thinking that what I wanted to do when I grew up was write books for people to read and enjoy, the way I read and enjoyed books. Are there times when I wish I was more successful? Of course there are; I wouldn’t be human if I didn’t have some ambition. And really, while some of that ambition is about making more money, it’s mostly about writing more complex stories and exploring complicated themes and characters.

Right now I have three unpublished manuscripts here in the Lost Apartment; one has been languishing in a drawer after two drafts for nearly seven years, another has gone through five drafts and needs one more to correct everything then another to polish; and the partial I am currently working on (which is like pulling teeth for me, for some reason. I don’t understand why it’s so hard to write this book…). I want to spend probably the rest of this year getting those manuscripts ready for publication before I start writing yet another; I am also working on a proposal for a potential new series, and I have another idea for a stand alone thriller….there’s also an amorphous Scotty book swirling around in the mists in the creative part of my brain. I also would like to do another short story collection, but I need to get those stories written and sent out. I also want to do an essay collection.

Yesterday was a lost day for me, because I was tired all day. I didn’t sleep particularly well either night of the weekend; I was asleep and resting, but not a deep sleep that rests up everything; more of a I’m sort of asleep and wake up every few hours. This made my twelve hour shift yesterday more of a survival thing rather than a participatory day–I was present, and I gave my clients excellent service yesterday (I am, he typed modestly, extremely good at my day job), but I was too tired to really function mentally and creatively. When I got home last night, I was too tired to do much of anything other than stream the first two episodes of the new season of Archer, which I love–even though it’s not quite as good as the earlier seasons were. I’m also considering buying the first season of The Other Two, which isn’t available to stream for free anywhere, I’ve heard good things, and it’s only ten bucks…I hate paying for anything television, but since getting rid of the cable service and using Hulu’s streaming service, even with subscriptions to certain services (HBO, Showtime, ESPN) I still am paying less than I  used when I had cable, so paying to watch a TV show isn’t that bad of a thing. Animal Kingdom has also returned, and we’re watching it as well–and in just over two months college football and the Saints will be back, taking over my weekends. I’m taking a long weekend around the 4th of July–five days; it falls on a Thursday so I am taking Wednesday and Friday to go with it.

Anyway, to bring this back around to the first paragraph, as I said yesterday being interviewed for the Writer Types podcast put me into a reflective mood, looking back at my past–and part of that is also the current WIP, which requires me to probe memories of my childhood summers in Alabama to make the book come to life–and that, in turn, brings back other memories and reflections. At first, I resisted the rabbit holes of memories that were flooding through my brain, determined to never look back–but I also think part of that was not wanting to remember mistakes made and revisiting bad decisions. But embracing the memories hasn’t made them rosier and glossier; but I am able now, with the proper time and distance, to examine them dispassionately and deconstruct how and why, and the lessons learned from them.

And that isn’t a bad thing, really.

I was talking to my co-workers last night about how much change I’ve seen throughout my life–not just for the queer community, but for women and people of color–and even though none of us in those groupings have achieved true equality yet, we’re closer than ever and getting closer every day.

It’s also amazing how patchy my memory is–as I told Eric and Steve during the podcast, the years from 2005-2009 are mostly blanks, which I have learned is a result of the PTSD created by everything from Paul’s gaybashing through the Christian attacks to Katrina and it’s aftermath; it’s not unusual for people to have memory gaps after that kind of emotional trauma.

And now, back to the spice mines.

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Still the One

I know it makes me a bad person, but I can’t help but giggle to myself as more and more of former congressman/homophobe closet case Aaron Schock’s nudes (stills and videos) surface. On the one hand, he is a very good looking guy with a great body who clearly takes care of himself–eating right and exercise–but on the other…he did (or tried to do) as much damage to LGBTQ+ Americans as he could while in pursuit of a political career.

Contrast that with Mayor Pete, and you can see why the schadenfreude is kind of delicious.

I mean, seriously. Vote against the LGBTQ+ community your entire career in Congress, lose your career because you essentially stole campaign funds to bring your boyfriend with you on official travel and to redecorate your office, never come out ever, and then move to WeHo and get on every hook-up app imaginable, along with nude stills and videos–and then not think gays who know who you are will circulate them and share them on the Internet to mock and publicly embarrass/humiliate you?

Dude, seriously? You might as well do a gay porn movie and collect a big check at this point–because someone would pay you a fortune to do one.

Yesterday was a pretty good day, writing wise. I managed over two thousand words, which was kind of bitchin’, especially since when I opened the document for Chapter Twelve I literally had no idea what Chapter Twelve was going to be about. I didn’t finish the chapter, but I know how to finish it, so I should be able to get that done today as well as move on to Chapter Thirteen, which is very cool. I am looking forward to working on it more over the weekend, as well.

We finished watching Fosse/Verdon last night, and seriously–just go ahead and give every award there is for television performances to Michelle Williams already. It is a testament to how good Williams is that Sam Rockwell’s stellar performance alongside her as Bob Fosse doesn’t stand out as much–and both are giving Oscar-worthy performances. I’m sorry the show has ended, but now we can devote ourselves to Killing Eve, and Animal Kingdom has returned for its fourth season; Archer is also back for its final season. So, just as Game of Thrones and Veep end (forever), some of our other shows have returned to fill the void left behind.

I’ve not managed to get very far into Black Diamond Fall, between the writing and the television viewing, but I am about two chapters in and really liking it. Joseph Olshan is a good writer, obviously, and I am hopeful this weekend I’ll be able to get more of it read.

I can’t believe it’s almost June. Mary Mother of God. Where has this year gone already? Next thing you know it’ll be football season and then it’s Thanksgiving and then Christmas and BOOM, it’s 2020. Twenty fucking twenty. Yeesh.

I had some thoughts also last night about an essay I want to write about friendship that’s been brewing in my mind for a long while; partly triggered by an on-line conversation with a friend I hadn’t talked to in several years. It was lovely catching up, of course–it always is–and I love that I have so many friends I can go a long time without communicating with and then pick right back up where we left off before like no time has passed. I always feel like I’m a terrible friend–I am, as regular readers know, terribly self-absorbed and self-involved, and I own that, thank you very much–and honestly, have never really understood the concept; I either overdo it and put too much energy into it, or I don’t put any energy into it at all; neither is a recipe for lasting relationships. But I do have friends I’ve known for decades, people that are still in my life, even if remotely. So I guess that’s something, I suppose.

I’m being creative again, which is quite lovely, honestly. It’s about time, but I am enjoying writing again, and I am doing it again, which is nice. I always worry it’s going to go away, that the well is going to go dry sometime–especially when I have to force myself to do it, which is most of the time. But it’s still there, it still comes when I need it to, and I am pretty darned pleased about it. The dream of being a writer is what got me through some lean and terrible times in my life…

And on that sobering note, ’tis back to the spice mines.

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Devil Woman

Oddly enough, I wound up not working on the book yesterday.

I did reread Chapter Eight, and it’s actually not bad at all. But it’s good enough for me to have to think about how to revise it and make it stronger; this is one of those situations when writing that I am afraid trying to improve something will actually ruin it–and even the fact that it’s only dreadful possibility–after all, the possibility that I actually will improve it is much more likely, and statistically more probable– is still paralyzingly terrifying. So it bears more thought than simply diving right in–and then, of course, I question that judgment–is this simply a stall tactic?–and yes, here is yet another example of why writers drink.

At least this one, anyway.

I had intended to get up early this morning, rather than allowing myself to wallow in bed until I finally got tired of lying there the way I usually do every Wednesday. The alarm went off, I hit snooze a couple of times, and finally turned it off….and yes, wallowed in bed for longer than I should have simply because I was so relaxed and comfortable. I’m not sorry that I did this, now that I am awake–this no regrets thing I am trying out; part of which is listening to myself and listening to my body; my body needed the rest else I would have been wide awake and willing to hop out of bed at the first sounding of the alarm this morning. My body must have needed to rest, so I rested it. When I was a personal trainer I used to advocate this all the time; listen to your body. The problem of course, for me, is that I’ve been told so often throughout my life that I’m lazy that whenever I’ve taken time to rest (my body or my brain) I’m so conditioned and so convinced that I am lazy that it’s my default: you’re just being lazy and making excuses for yourself to be lazy. This is so ingrained into my subconscious that it’s my immediate default; but be told “you’re lazy” enough times…well, you start to believe it. And then have to spend far too many years trying to unlearn that.

But, as I said above, Chapter Eight was in much better shape than I thought it was, and so I am going to reread it again today (along with Chapter Nine) and start working on it again. I don’t regret not working on the book yesterday–not at all. It wasn’t one of those what’s the point days, or I just don’t feel like it; it was more along the lines of I don’t really know what to do, and the chapter wasn’t terrible, so there was no urgency to fix it, if that makes sense? Had the chapter been horrible from start to finish, it would have triggered me to want to fix it, the need to fix it would have been overwhelming. But it was actually kind of good and complete and creepy and the mood and feeling were exactly what I was going for, and trying to force the revision/rewrite was…as I said above, I was more worried about messing it up more than anything else. But perhaps today–as the caffeine from my first cup of coffee begins to flow through my system and my body comes awake, I am beginning to see a way to revise this chapter…and in fact, at the moment I feel as though I will actually have the energy to not only do it but the next chapter as well.

We shall see how that goes, shan’t we?

But I am now on my second cup of coffee, and I also have to recognize that the weather is also changing again; which always has something to do with my energy levels and how I feel. The heat and humidity are coming back–we’re supposedly getting our first major heat wave next week (it’s only MAY)–and of course, the termites are swarming again. May brings the termite swarms; a plague of Egypt that descends on the city every year  around Mother’s Day.

I continue to read Jamie Mason’s wonderful The Hidden Things, and I am marveling at the way she plays her cards; the slow reveal of information that adds to the story. It opens wonderfully; a young girl coming home from school is victim of a home invasion, defends herself, and the attacker runs away, all captured on security cameras within the house. The police post the video on their social media page, hoping to get community help to identify the attacker; the video goes viral. But there’s an issue here–why did the husband/stepfather not tell his wife and stepdaughter there were security cameras inside the house? Why was the alarm pad not connected to the security company in order for help to come? And why is the father so nervous about the footage going viral? It’s fascinating, as a reader, to become so intrigued and curious, wanting to keep reading; as a fellow writer it’s even more interesting to see how she is constructing her story and creating her characters. Her debut novel, Three Graves Full, was quite marvelous, and this one is quite good as well. We have so many amazing women crime writers these days…

I also need to get to work on that article. Heavy heaving sigh.

So, I suppose it’s time to get back to the spice mines.

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Welcome Back

I managed fourteen hundred words today, and then came up blank. I hate when that happens, but I just can’t force the creativity, you know? And those fourteen hundred words were hard to do, frankly. But I printed out the next chapter (Chapter Seven, to be exact) and will reread that at some point before getting to work on it, perhaps later, before Game of Thrones airs. I am planning on making this weird combination Swedish meatball/beef stroganoff dish for dinner (I’ve made both, and then one time when I was making Swedish meatballs later I realized I’d used the stroganoff recipe, but you know what? I also liked it. A lot. And I’ve made it that way ever since) later, and the kitchen is relatively clean already (and my goal is to leave it clean when I finish cooking; the worst thing is to go into my two long days at work with a messy kitchen, knowing it will most likely stay that way, getting worse, until Thursday–unless I somehow have more energy during the week than I usually do). I’ve filed stuff, cleaned the floors, paid the bills, made groceries, mailed things that needed to be mailed, and I wrote fourteen hundred words on the WIP today before running out of steam. Perhaps someday I’ll work my way back up to those halcyon days of three thousand or more I used to do routinely, but having a nice, relaxing weekend where I am actually able to get started writing and get caught up on things and have a clean home is a lovely way to start, don’t you think?

I certainly do.

I’m going to miss Game of Thrones when it ends, and I doubt very seriously I will ever go back and watch the entire series again. It’s a tempting thought, to be honest, to devote several months to rewatching it in full, from episode one to its conclusion, in one massive binge and think about what I am watching, in terms of what I know is going to happen and watching for possible foreshadowing. I’ve always loved history, and that’s part of why I love Game of Thrones so much; it’s kind of like history where you don’t know how it all ends. When I was a kid I used to redraw maps of Europe and create countries and change the way wars ended and try to create my own Eurocentric history of the world; who knew that what I was actually doing wasn’t simply a waste of time but rather an incredibly creative experiment in world building via alternative history. Every so often, when I’ve been caught up in a science fiction or fantasy epic series, I wonder at the world building/universe building creativity of the author and think I could never do that. I’ve always wanted to, but never have; but perhaps that was simply a failing of my own. Of course I could do it, but whether I could do it well would be an entirely different thing.

I don’t read as much science fiction and fantasy as I would like–I’ve always geared more towards crime and horror–but I’ve certainly read and enjoyed the Dune series, The Lord of the Rings, The Belgariad, The Shannara Chronicles, and Azimov’s science fiction novels about the robots and the empire and the Foundation, which wound up in the end all being one great big long series. There are writers out there now that I am looking forward to reading–I am not only diversifying the types of stories I read by race, gender, gender identity, ethnicity, and sexuality, but I am also trying to read more broadly across genres. Reading science fiction, fantasy, romance, even what is condescendingly called “chick lit”, and even some literary fiction will influence me and help make me a better writer in the long run. I read primarily for enjoyment, yes, but I also want to be a better writer, and reading different stories and different perspectives can only serve to make me a better writer.

I guess in reality when the show ends I won’t be saying goodbye completely to Game of Thrones; I still have the books to finish reading, and there will undoubtedly be spin-off shows–but seriously, is anyone at HBO listening? Your next big series should be Anne McCaffrey’s The Dragonriders of Pern. Her dragon books would be fantastic television, and for that matter so would Naomi Norvik’s (which I need to read; I started reading one a long time ago and was completely enthralled; something came up and I never finished and I never got back to it, and I’ve always regretted that).

I am also, in case you haven’t noticed, not only in that stage of writing where I never want to do it, have to force myself to do it, but when I finally do I am not happy with what I have done. I am completely convinced this book isn’t going to be what I want it to be, what I envisioned it to be, and its entirely due to my own various shortcomings as an author. It’s all part and parcel of the same neurosis, really; the endless cycle of Imposter Syndome, where you think you’ve somehow managed to con people for years that you can write but eventually the gig will be up and the marks you’ve been conning all along will finally wise up. This all too frequently translates I need to work today into what’s the point of writing? This book is shit, anyway, and no one is going to want to read it which very easily becomes let me get watch Youtube videos of Game of Thrones fan theories and listicles or highlights of exciting LSU football games or really hot well built muscular professional wrestlers or old music videos or clips from old episodes of All My Children–yes, those downward Youtube spirals can be quite frightening sometimes.

But I did make myself get those fourteen hundred words done today, even though I didn’t want to do it, even though I thought I should do three thousand, even though I currently think the words I wrote are crap and the chapter is crap and the character is two dimensional and I don’t know what I am doing, I FUCKING WROTE THOSE GODDAMNED WORDS TODAY.

And that’s fourteen hundred more words than I did yesterday, or Friday, or Thursday.

And I bet tomorrow I can do more than fourteen hundred.

Watch closely now.

What do I say to the God of Imposter Syndrome? NOT TODAY, MOTHERFUCKER, NOT TODAY.

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Sweet Love

Saturday morning and feeling fine. Another good night’s sleep is in the books, and I am swilling coffee and looking forward to getting some things done today. I have to make groceries (I wound up pretty much effectively blowing most of yesterday off–who saw that coming?) and I need to get some work done on the WIP. I did get all of the laundry–including bed linens–done yesterday, and the dishes, and some cleaning and organizing done. I also pulled the WIP out from the back-up, and sure enough, the 300 words or so I’d one on Chapter Three weren’t there, since they are on the flash drive.

But as I said yesterday, reconstructing the revisions I’d already done turned out to be easier–and better–than the revision I’d done already; and while I simply added a different three hundred words to that chapter, this 300 is better than the last 300 and I also restructured the opening of the chapter so it makes better sense and works better. So leaving the flash drive at the office was, as I thought it might be yesterday, for the best. I intend to get that chapter finished this morning, perhaps move on to the next, and then perhaps get a short story reworked before retiring to my easy chair with Alison Gaylin’s quite superb Never Look Back, which is quite superb, actually. I thought her last two novels–What Remains of Me and If I Die Tonight–were marvelous; this one looks to be even better than both of those….which means hours of reading bliss for me. Gaylin is an author who always outdoes herself with each new work, like her peers Megan Abbott, Laura Lippman, Lori Roy, and Alafair Burke.

And I think the next book up with be something by a gay author, as I continue working on the Diversity Project. I also need to get back to reading Murder-a-Go-Go’s, so I can keep writing up the stories in it. I also should be doing more promotion for Survivor’s Guilt and Other Stories. I’ve done a terrible job of pushing the book thus far–even forgetting the publication date–and yeah, it’s a wonder I still  have a career to speak at all in this business.

But it’s great to feel rested and relaxed; that happens so rarely that having several good nights’ sleep under my belt has me wondering, is this how everyone else feels? Don’t take the ability to sleep for granted, Constant Reader, if it is something you are blessed with; it can be taken away from you before you know it and you’ll really, really miss it once it’s gone.

We watched some more of Kim’s Convenience  last night, and continue to enjoy it. I do want to get back to watching You and The Umbrella Academy at some point, but neither show crosses my mind when I am flipping through the Apple TV apps trying to find something to watch. I also never finished watching Pose, and there’s also Fosse/Verdon, which I’d like to take a look at as well. And I barely ever think to go to Amazon Prime…primarily because their television app isn’t really user friendly. (I’ve still never forgiven Hulu for changing theirs from something incredibly intuitive and super-easy to use to the more complicated version they have now.) But there are some terrific films I’d like to see–I still haven’t seen Black Panther, for example–and of course there are some classic films available for streaming.

It’s ever so easy to get distracted, you know?

So, once I finish this I am going to go read for an hour before getting back to work on the WIP, and then I am going to head to the grocery store. I’ll work on it some more when I get back from the grocery store, and then read some more until about five-ish, after which I’ll probably go sit in my chair and scroll through apps looking for something to watch…oh yes, the NCAA women’s gymnastics championships are on tonight, and LSU made it to the final four, along with UCLA, Oklahoma, and Denver. Paul and I are enormous LSU fans, and we watch the gymnastics team compete, whenever possible, on television. And football season will be returning soon…I am already getting emails from Stubhub about buying game tickets. Paul and I are still riding our eight-year streak of never seeing LSU lose when we are in the stadium; let’s hope that streak continues for a ninth year.

And now it’s time to head back into the spice mines. See you on the flip side, Constant Reader!

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