Today is two things–the start of hurricane season and the start of Pride Month. I have a Pride post that I definitely want to finish and post at some point, and I’ve not really decided what kind of entries I want to do–social media and here–to mark the month. I still think the thirty-four convictions of Greg Stillson was the best gift for Pride American queers have ever been given, to be honest, and I still am a little in shock that it happened–trial and verdict. And of course the traitors have all lost their treasonous little minds, too–my personal favorite is “if they can do this to him they can do it to anyone!”
Um yes, that’s precisely how laws and the judicial system work–no one is above the law in the United States.
Period.
I way overslept this morning, but we stayed up super late last night watching Bodkin (we only have two episodes left to go, and it’s really interesting; much more complex and clever than I’d originally given it credit for) but I wound up not getting into bed until midnight, and I didn’t get up until about nine thirty this morning. While I wanted to sleep in, I didn’t want to sleep in that late; I feel discombobulated and like I won’t be able to get the things done this morning I wanted to get done–but that’s just loser talk, methinks, and a way to give myself excuses for not taking the books to the library sale or washing the car or picking up the mail and dry cleaning or go to the gym. But now that my coffee is kicking in, I’m feeling more alive and awake and like fuck yeah I can get that shit done, get out of my way.
Always nice.
Yesterday was a good day. I worked at home, got all that done while laundering the bed linens, and ran my errands, did some cleaning around the house and later in the day we had a massive and marvelous thunderstorm. I grabbed The Rival Queens (my current nonfiction read) and spent some marvelous time with it in my easy chair. I do love that period of time, and I’ve always wanted to write about an adventurous fictional woman who was a member of Catherine de Medici’s Flying Squadron; an accomplished seductress spy, navigating the complicated politics of France during the Wars of Religion and the decline of the Valois dynasty. It was truly a fascinating period, not only in France, but throughout Europe. My next non-fiction read will probably be The King’s Assassin, the book on which Mary & George was based, and that’s another fun period I would like to write about. Someday. There really was nothing like the sixteenth and seventeenth centuries for upheaval and Game of Thrones-like cutthroat politics.
I also watched LSU’s thrilling baseball win over Wofford in the regionals yesterday, and they play again today at 4. GEAUX TIGERS!
I also looked at the submissions call for the story I am working on–thinking the deadline was May 31 only to discover it was actually June 1, which means I can let the story sit a while longer before revising it one more time to see if I can make it stronger. I am very pleased with how it’s going so far, and looking forward to getting some more writing done today. I am a little behind on my schedule thus far (the one I made earlier this week, remember?), but the deadline being later certainly has made that a bit simpler and easier to navigate without feeling pressure.
And on that note, I am going to get another cup of coffee and head into the spice mines. I’ll most likely be back later–that pride entry I want to write–and I also need to think about what kind of entries to do for Pride Month. Anyway, have a lovely Saturday, and I’ll check in with you again later, okay?
Someone really needs to do one of those music-themed crime anthologies built around either big band music, or the music of the Andrews Sisters; and In the Mood would be a great title for it, wouldn’t it? Don’t @ me, I’m not interesting in doing another anthology, thank you very much, praise Jesus and hope the creek don’t rise.
I was right; I got very mentally fatigued yesterday afternoon, and last night after we finished watching the second season of Euphoria, I was basically falling asleep in my chair. I’d swear we watched something else, too; oh yes, a stand-up comic special on Netflix, but I can’t remember the name of the comedian. I feel much more awake and alive today, which is a very good thing. I also feel a little bit behind this morning, and I am–not sure what that is about, but I am a bit off, too, I think, which is weird. But I enjoyed finishing the show–not sure if it’s coming back again or not, but the second season finale definitely wrapped everything up, so if it doesn’t the stories are pretty much finished for the most part. Zendaya was terrific–the whole cast, really; Paul and I were amused that the most level, centered and likable character on the show was Fez the drug dealer. Jacob Elordi is also memorable as sociopath Nate–casting beautiful people as monsters is genius, really.
I also didn’t write yesterday–the brain fatigue thing again, but at least this time it wasn’t the fog, you know? I do think I am starting to get back to normal, or what passes for it at any rate. It’s normal to be tired after not sleeping well. It’s normal to feel off after finally getting a good night’s sleep again. I was very tired when I got home, wasn’t I? I have some errands to run tonight, too–and tomorrow I am taking workout clothes for me to change into at work so I can go to the gym afterwards, see if this theory of changing at work and going directly there afterwards will work–we shall see, shan’t we?
One thing that I’ve been doing lately is submersing myself in the music of the 1970s, to help get myself more into the right space to write this book when I am ready to get started on it, and frankly, Top Forty music of the period–with a few exceptions–was awful and cheesy and terrible. So many novelty songs (“The Streak” by Ray Stevens jumps to mind, and there were so many others), so much cheese (Tony Orlando & Dawn, and so many other offenders), and some frankly terrible recordings surrounding the few gems that I don’t know how I listened to it growing up. But we did; both my sister and I always had our radios tuned into either WLS or WCFL for hours every day. I am trying to get the prologue to this finished this week, as well as revising another short story whose deadline is this weekend, and still really trying to get everything organized and sorted. I put some short story anthology call deadlines on my calendar yesterday, which was a nice start to get better organized, and I think, besides this book I want to finish, I am going to spend a lot of this summer trying to do more short stories. I also want to get the introduction to the short story collection finished by Monday, and a first chapter of the new Scotty done.
But my immersion in music of the early 1970’s–and other pop culture aspects of the time; television was also mostly garbage back then, too; thanks censors–also led me back around to listen to the eponymous first album by Boston in the car over the last two years, and it still holds up. It’s quite excellent, although I suppose it would be considered excessive nowadays; as rock music pushed boundaries in that decade and became more orchestral, especially in the second half of the decade. There’s not a song on that album that’s not a bop (in modern parlance), and it also put me in mind of other favorite albums from throughout my life–and making a list of them. I’ve always had a soundtrack album for my life, and revisiting music always brings back a lot of memories. Listening to the Billboard Top 100 of 1973 (awful as it was) made me remember other things–like Romper Room, Captain Kangaroo, Bozo’s Circus, and Ray Raynor’s show; the Saturday morning cartoons; and the horrible variety shows that were everywhere back then and finally died out in the early 1980’s. I really want this book to be good, and I’m going to have to go to a very dark place to write this book, too, and make it as real as possible…which is why I am immersing myself in the early 1970s. I am also reminding myself I can change things in the suburb to fit my writing needs; it doesn’t have to be exact, just as Bury Me in Shadows didn’t have to be correct about the homeplace. (My mind can be very annoying at times.)
But I feel good this morning, both mentally and physically. After work tonight I need to get the mail and make some groceries (not much, just a replace some things run) and then it’s home to write, possibly make dinner, and finish some chores. I am going to head into the spice mines now, so have a lovely Wednesday, Constant Reader, and I will be back probably later.
I read Dune for the first time when I was in high school. At the time, it was merely a trilogy, and the original was just starting to move from cult classic to widely read accepted classic. In the 1970s, the book was noted primarily for its commentary on ecology and the environment. I had never read anything like that. I’d not been into reading science fiction up until that time, and I didn’t really much care for science fiction movies, either; with their incredibly low budgets and amateurish special effects that always took you out of the story no matter how much you were enjoying it. I used to watch Flash Gordon serials, when some of those afternoon kids’ shows that Chicago’s television stations would run them–and while badly produced on a shoestring, the stories themselves were compelling enough to hold my interest, and Buster Crabbe was certainly good-looking enough to keep me interested.
I digress.
But reading Dune turned me into more of a science fiction fan than I had been already. Like I said, I’d never read anything like it, and while my teenaged self primarily was interested in the space opera elements of the story–prince loses everything to mortal enemies, but gets revenge on everyone, defeats the enemies of his family, and rises to become not only the new emperor but messiah of a new religion that takes over the vast reaches of the empire, and the holy war (jihad) of conversion that followed. One of the things I loved about the way Frank Herbert wrote the book was how it bounced around the galaxy, uncovering the mindsets and other conspiracies going on throughout the empire (politics) in what seemed like disconnected stories that all converged in the end and were resolved…while showing the connections that were there all along. I read the other two books in the original trilogy that year–Dune Messiah and Children of Dune–and I always thought the second was perhaps the weakest of the series. I’ve never reread any of the books–I think the series grew to six or seven before Herbert died and his heirs took over; I’ve not read any not-Frank generated Dune novels–other than the first, and I know the last time I reread Dune, I was really taken aback by the writing, which seemed poor. I would like to revisit Dune Messiah at some point because it’s more political than anything else; and also set up the rest of the series while the original remains as the only book of the series that can be read as a stand-alone.
Timothée Chalamet as Paul Atreides, the reluctant messiah
Star Wars was released the summer before my senior year in high school, and it changed special effects, and science fiction films, forever. So when the David Lynch film was released in the early 1980;s, I went into it expecting it to be more than it turned out to be. I had wondered how all the internal monologues would be handled, as well as the entire backstory that was necessary for the film to make sense to people who’ve not read the book. It was a big film, to be sure, but the effects weren’t great–and the choice to hear the internal thoughts as whispers, which meant almost fifty percent of the picture was whispered–weakened it. And really, most of the real action of the story takes place in the second half–and basically the Lynch film condensed the second half of the book to a quick transitional jump, and it wrapped up very quickly. (Having Paul bring rain to Arrakis in the final scene was also a bad choice, which negated everything about Dune’s ecology and the secret of the worms.) But I did like it, if parts (mostly Harkonnens) were over the top. But I was kind of excited to hear Denis Villeneuve was shooting it in two parts. I enjoyed the first part, but the second? Exceptional, and proved that Villeneuve’s vision for the property was the right one.
Dune Part 2 follows the book far more closely than any other adaptation has, which usually seems to run out of steam and time by the time Paul and his mother flee into the desert to seek safety with the Fremen. I also really liked how reluctant Paul was to assume leadership, or to launch his “religion”–because he IS the fulfillment of the Bene Gesserit “prophecy,” which was really just propaganda spread by Sisterhood missionaries centuries, if not millennia, before. He can see the possible futures as well as the entire past, and he knows his holy war will kill millions, if not billions, and he doesn’t want to be responsible for that. Dune Part 2 plays like a galactic Game of Thrones, and I appreciated all the politics on top of the action. I feel like this Villeneuve version of the story is the closest to what Herbert wrote and created. It’s an epic film, shot on an epic scale, with stunning visuals and strong performances–Austin Butler’s Feyd-Rautha makes you forget all about Sting’s bizarre performance in the Lynch version–and I do look forward to the next chapter in this sprawling saga.
I’ve always been interested in wrestling. I wanted to go out for the wrestling team in high school, but enough people were already bullying me and calling me a fag, and as painful as those words were, they were made worse by the knowledge they were true–and absolutely godawful knowing I wasn’t entirely sure what it meant….but I knew by their faces and the tone of voice it was spoken in that it wasn’t a good thing. The last thing in the world I wanted was to wear one of those skintight singlets and get aroused for the world to see (although I learned, much later, that it was so common no one ever said anything about it; but even now I am not certain I would have been given that same grace as a sexual suspect); that would be the end of the world as I knew it…so going out for the team wasn’t an option for me, and I kind of regret that fear kept me from something I’d enjoy.
But as I was figuring out my sexuality and trying to figure out what all was entailed by being an object of scorn and disgust by everyone, I started being drawn to professional wrestling. The heyday of pro wrestling was long in the past in the late 1960’s and 1970s, and the WWE boom was yet to make it mainstream once again. But the body contact and domination/submission aspects were the closest thing I could actually find on television that was sort of like a male/male sexual experience–which made my liking for pro wrestling even more suspect and something I couldn’t really talk about with anyone because of course he likes pro wrestling, the fag.
So, I was closeted in that way, too.
But one day when I was a teenager I was in a store–a Walgreens or something–and I saw a professional wrestling magazine with a cover story on Kevin Von Erich, and he was like nothing I’d ever seen before–a tall, long, lean and muscular body in white trunks and barefoot, and handsome in a rugged kind of way. I bought the magazine, and became a fan of the entire Von Erich family…and also was aware of how tragedy haunted the family. When I first heard about this movie, I had to see it…although I wasn’t sure how telling this story would have a beginning, a middle, and an end.
But…I did enjoy it. A lot.
It’s actually very well done, but it’s also kind of sad to watch almost from the very beginning. The movie also cut out one of the brothers, but seriously, another death in this grim film might have been too much for any viewer to handle or take.
The film is very well done, and the story is sad–one about toxic masculinity, distant and emotionally unavailable parents, and how the dream, the drive, of being at the top of the wrestling game caused so much damage. Afraid to admit weakness, not really able to ask anyone else for help when struggling emotionally, the suicides make complete sense. The Von Erich brothers were so tightly bonded they didn’t have room for much else in their lives–friendship, love, etc.–other than the grind of training and wrestling and tightening the bond with each other. The cast is brilliant–great casting, but ultimately flawed in the physical side of things; the Von Erichs were taller than the actors playing them, and of course Kevin was never as jacked as Zac Efron; those kinds of bodies were extremely rare during those decades. Kerry was big and muscular and defined, but he’d also been an Olympic wannabe in discus and javelin.
There’s a particularly moving scene towards the end of the film where Kevin finally breaks down from how overwhelming all the tragedies have been and the toll on his soul and psyche, and his young sons come to comfort him…and he tells them how much he misses his brothers and misses being a brother; the boys tell him they’ll be his brothers, and he apologizes to them because “men aren’t supposed to cry.”
Maybe if the Von Erich brothers had been raised to not believe in toxic masculinity and the narrow definition of what a man is, and allowed themselves to be vulnerable and get help for their demons, the story may not have been as tragic.
Kevin’s sons now wrestle professionally, and Kevin himself doesn’t believe in a curse on the family–though he did for a number of years, but he’s made peace with the past and focuses on his family.
I really enjoyed the movie, but it’s depressing. Four out of five stars.
Three of the actual Von Erichs, with Kevin in the center
I’ve always thought that my favorite two literary genres–crime and horror–were flip sides of the same coin. I sometimes reduce my theory to the barest of bones–both are about death but in crime the monsters are human. Horror novels always have elements of mystery and suspense woven into the story–there are always characters trying to figure out what is actually going on, and usually suspecting humans, only to find out it is not–and there’s also a lot of death. You have to figure out what is causing those deaths, and the best horror novels seem like straight-up mysteries until you find out otherwise. I didn’t really start reading horror until Stephen King and Peter Straub, and much as I love the genre, my first love will always be mysteries…but reading the kids’ series, with all their phony ghosts and hauntings and phantoms and spirits, got me really interested in the concept of ghosts–something that stays with me to this very day. (I mostly write about ghosts when I try horror; because Gothic is my absolute favorite and that runs across both genres.)
This is one of the reasons I fell in love with Michael Koryta’s novels. The first I read was So Cold the River, which was more of a ghost story/mystery about a haunted and cursed resort hotel in Indiana, which was a wild ride and great fun to read. He’s also written some other crime novels that crossed over into the supernatural; The Ridge was another favorite. I also wondered how he was writing both straight up crime fiction and sometimes supernatural styled mysteries; I was always told you couldn’t write in two genres like that under the same name.
And then he started releasing those types of novels under the name Scott Carson, so maybe there is something to that old publishing truism? I don’t know why he rebranded those books under a different name and it’s none of my business other than to satisfy idle curiosity. But I did recently finish one of his Scott Carson novels, and Where They Wait is an excellent illustration of the blurred line between horror and crime.
I was never a dreamer.
I mean that in the most literal sense. Figuratively speaking, I absolutely consider myself a dreamer. Aspirational, at least. Optimistic? To a point, although my profession–journalism–mandates a certain cynicism. When I say I was never a dreamer, I mean at night, in the depths of sleep.
No dreams. Just didn’t have ’em. Not good, bad, happy, or sad.
Slept well, though. I slept well. That’s hard to believe these days, but I know that it was true once.
People talk about their dreams all the time. I dated a woman for a few years who would wake up and recite the bizarre and vivid stories that had accompanied her through the night. Sometimes, I’d be tempted to pretend that I could share the experience. Dreaming sounds normal, right? Seems like something that should happen to all of us. And yet we don’t know much about the mechanisms of dreams, for all of our scientific research and psychological theorizing. We believe dreaming is tied to memory, that REM sleep is an archival process. We believe dreams are indicative of repressed emotions, or perhaps harbingers of maladies that haven’t yet offered physical symptoms. Warnings. Messages from the dead. From God. We believe all of these things and more, but what we know is this: dreams are still not fully understood after all these years. They come and they go.
For most people, at least.
I have always been interested in dreams, and what they say about our psyches and consciences. I’ve never studied the psychology of dreams–what little I did read was all supposition and theory, as there is no real answer to what dreams mean–is it just our brains doing freestyle, like a jazz singer bopping up and down the scales using their voice as an instrument, or are they the key to who we are, our hopes and dreams and traumas? I like to play around with dreams a lot in my work, since there is no real consensus on why some people do and some people don’t, why some remember their dreams and why others don’t; do people not remember their dreams because there’s nothing to remember, and on and on from there.
But dreams are at the heart of this chilling and masterful suspense novel, which is really more about tech horror than anything else. Our main character is a journalist who reported on the Afghanistan war, has recently been laid off from his job, and gets a call from an old buddy from the area where he grew up to write a puff piece on a local tech company and it’s newest development; a wellness relaxation app which sounds like every other relaxation app–other than it’s not. Given the latest version of the app to experiment with and write about, it starts affecting him in dreams–scary nightmares about an a shipwreck, and ghosts coming to visit him ,and the dreams are so incredibly vivid that he’s not entirely sure whether they were dreams or not. And as he discovers more, he finds that everything to do with the app is connected to him in some way, as his dreams become more vivid and sometimes waking; to the point he’s not sure if things are actually happening or he’s losing his mind.
This book was fantastic: the story is great, the pacing fantastic, the characters absolutely real–and the horror is terrifying, absolutely terrifying. Carson knows how to build suspense and suck the reader in along for the ride.
Monday morning and it’s back to work for one Gregalicious. Memorial Day is this coming weekend, which means a lovely three day weekend for me, which will be lovely, and is even more lovely to contemplate. I didn’t get a lot done this weekend, which is NOT a good thing, but I can live with it. I feel rested and ready to go this morning, which is the most important thing to come out of a weekend in my humble opinion. It’s nice not to beat myself up over taking down time, you know?
I finished reading Where They Wait by Scott Carson, and loved it (more on that later), so I don’t consider the weekend a complete wash. We also started watching Euphoria yesterday. I’m not sure why we never watched in the first place, but damn–I thought Gossip Girl was over the top, but Euphoria is a whole other ball of wax, isn’t it? But I also love the way they tell the story, with Zendaya’s character narrating the story and filling in gaps about the other characters in the story, to give the viewers a better understanding of who they are. But whew–all the drugs and sex and drinking and porn watching and so forth–things are a lot different now than when I was in high school–although I do think this show might just take things to extremes.
It does kind of give me pause, though–my books about teenagers are nothing like this. I’m not even sure I could even write something like this, to be honest. But then again I always tend to come down on the side of innocence when it comes to teenagers…even if I do depict high school as an endless hell for the students. As I am not a high school student, my grandnieces and nephews are very religious so this wouldn’t be them, and I don’t know any high school students to ask, I will simply have to continue wondering. But I am sure that kids with access to money and so forth probably party a lot harder than we did when I was in high school (for the record, I had only had alcohol once before graduation–yeah I was one of those kids; incredibly innocent and even more naive; Dad still regrets letting me skip a grade to this day), and I sort of touched on that with #shedeservedit, but I think my next book with teens will go into more detail.
I didn’t write at all this weekend; the motivation was simply not there, which is actually shameful. It is AMAZING the excuses I can some up with to not write; I’m also beginning to think talking about plans to write instead of talking about having written is perhaps not the ideal way to go. I do feel good this morning; I don’t feel like I slept all that well last night, in all honesty, but somehow I am alert and have energy–that will undoubtedly flag a bit this afternoon before I go home. But I do hold out hope for a good week, as always.
We also tried Manhunt, the Apple series about the hunt for John Wilkes Booth and his accomplices after the Lincoln assassination; the first episode was a bit slow, but I do love Tobias Menzies and we’ll probably go back to it once we’ve finished Euphoria. I’m still not sure what the deal is with the rest of the episodes of After the Flood, but for whatever annoying reason, we only have access to the first two episodes, despite a Britbox subscription. (Note to self: see what all we are subscribed to, and cut the cord on the ones we never watch; in some cases it might be easier and cheaper to simply buy or rent the shows we want to watch.)
As you can tell, this weekend wasn’t much. Not much done, not much accomplished, and I pretty much just laid around the whole weekend, other than running to the grocery store (twice) and picking up the mail twice. I also don’t feel in the least bit sorry about it, either. I know I need to get back to writing and making some breakthroughs on things, which might engage the writing muscles again and get me back to writing, but I am really not feeling all that motivated anymore. I think a lot of it has to do with the overall inability to ever get caught up on the house. Sparky of course is no help whatsoever; he always seems to be wanting attention when I am doing anything, and he’s just too cute to ignore–even when he is attacking me with fangs and claws unsheathed. Especially then, really? But I really need to get back to writing every day, even if it’s nothing more than a couple of hundred words here and there. Every word written brings things closer to being finished, and if I have to work on multiple things at the same time, so be it; I’ve done it before and it worked, so it would work again–at least in theory.
And so on that note I am heading into the spices mines, trying to get everything onto a to-do list, which may help in some ways. I may be back later, you never know; there’s lots of blog drafts that need finishing.
Thursday and my last day in the office for the week, which is quite lovely to contemplate this fine morning as I swill down my first cup of coffee and blearily look ahead to the rest of my day. Tomorrow I get to work at home, and I do have some tedious duties to do that should fill out the majority of the workday. I only have to work about six hours or so, which really isn’t that bad, and since I am at home, there won’t be much in the way of distraction…outside of Demon Kitty Sparky, of course.
I slept really well last night–the kind of dead-to-the-world sleep that I love, so I feel rested and relaxed this morning for the first time this week, so naturally it’s Thursday, right? This was happening before I left on the trip, if I am remembering correctly; the later in the week the more rested I was feeling, which again is odd. It doesn’t make sense, really, when you think about it, does it? You should feel more tired towards the end of the week? But you know what, I’ll take it. It’s nice to feel more like myself the way I do this morning. I am still struggling a bit with things–motivation is hard to feel these days for some reason–but things are getting better for me emotionally and so forth.
I’ve been following the Kansas City Chiefs kicker controversy, which just makes me shake my head. You’re beliefs are fine. Believe what you want to, and be happy however you need to get there as long as you aren’t harming anyone has always been my approach to other people’s values and way of life. If you need to believe you have an authoritarian sky daddy and the threat of eternal damnation to be a good person, well, that’s not really saying much about who you are at the core of your being, does it? I personally am not sure what I believe, to be honest, and I had some great conversations with my dad about faith and religion, and I appreciate his honesty and candor. He was raised by a mother who was a borderline religious fanatic (but never seemed to get any joy from her rather simplistic faith), and while religion took with his older siblings, it never really did with him. I grew up evangelical-adjacent; Dad never cared if we went to church or not, and when we did, he didn’t go with us. Mom was the one who started taking us to church, and she’d go without Dad a lot after they moved to Kentucky. I never understand the focus on the do’s and don’ts and dogma and ritual by the faithful…the rituals and dogma are the least of it. It doesn’t make sense to me, but whatever makes life easier for people, you know? Harrison Butken (and you know he was called Harry Butt all through his public education career, which would ordinarily make me a bit more sympathetic to him) didn’t need to get up on that stage and demean women as lesser figures in the eyes of the Lord. He didn’t need to get up there and slander the queer community with baseless, judgmental slurs and insults. ANd of course, the asswipes are out in force screaming “free speech!”
And once again, I will repeat for those in the back: the government isn’t punishing him for his views and speech; and the minute anyone starts screaming about their free speech rights, it usually means they can’t defend what was said in the first place so they fall back on the Constitution–something they’ve never read, do not understand, and cannot comprehend in any meaningful way. But these are the same people who’d argue that the Second Amendment gives you the right to a personal nuclear arsenal, so they aren’t exactly the sharpest tools in the shed.
But Harry Butt was also homophobic as well as misogynist; the misogyny is getting most of the press and commentary, but he basically called the queer community freaks and perverts and weirdos…as I always say, you only rarely go wrong suspecting someone with a dead Confederate general beard of being a jackass (there are exceptions; Eli Cranor, for example, who’s not only a gifted author but a super-nice guy, too); those kinds of beards always put my hackles up whenever I spy one, and yes I know it’s a stereotype, just like all the shit Harry Butt said about queers, but live by the stereotype, die by a stereotype. And misogyny and homophobia inevitably go hand-in-hand with racism, which leads me to believe the Chiefs will probably get a lot of roughing the kicker penalties in the upcoming season…
I did manage to get some things done when I got home from work yesterday. I cleaned the kitchen and worked on the laundry some more–but I’ll have to finish the laundry tonight when I get home from work. I was going to do errands tonight, too, but think I’ll push that off until tomorrow or the weekend. But it was nice to come down to a clean kitchen this morning, and that puts me ahead on chores for the weekend. Huzzah!
And on that note, I am going to head into the spice mines. Have a lovely Thursday, Constant Reader, and I may be back later; you never know.
I have sung the praises of Carol Goodman and her fantastic novels numerous times here on this blog; literally to the point that I have begun to wonder at times whether or not I have said certain things about her work before. I know I always bring up Dark Shadows and the great Gothic writers of my youth that I loved; give me a dark brooding mansion and a sinister legend of murders and ghosts and I am in my favorite place. But it does get repetitive, and that will hardly convince you, Constant Reader, to pick up one of her books (you won’t regret it), will it?
So, this time around, rather than talking about her Gothic sensibility, this might be a good time to look at this most recent read of hers in a different way.
“I’m just having trouble getting back on track.”
Nina Lawson isn’t the first student this semester–or even the first today–to attribute their academic woes to a deviation from some metaphorical track. As Dean of Liberal Arts, I’ve heard every excuse, sob story, and tragedy over the course of the last two years. But the image, coming as it does at the end of a long day at the end of a very long year, jolts me as if we’re both on a train that has suddenly jumped off the rails into an abyss.
To give myself time to craft a response I look down at Nina’s folder. I see that she comes from Newburgh–a small city about an hour south of campus–that she did well in her public high school even after her classes went remote in March of her senior year, and she’s earned the Raven Society writing scholarship to Briarwood on the basis of a short story she wrote in high school. There’s a note in my assistant’s meticulous handwriting that Nina had to defer admission for a year to help her single, out-of-work mother with the bills. She has a work-study job in the financial office and an off-campus job at a local restaurant. No wonder she looks tired, I think, gazing up at her. Her light brown skin is mottled with acne. She’s slouched in a zippered sweatshirt, hood up, eyes swollen and bloodshot, lips raw and chapped. “I wish you had come to see me sooner,” I say in my firm-but-gentle voice. “The withdrawal deadline passed six weeks ago.”
“Someone told me it had been extended,” she says, not looking up.
This opening scene establishes several things: the book is going to be set at a prestigious small private college; the school has an excellent creative writing program; and our main character is getting a little jaundiced and world-weary in her position. The “I’ve heard it all before” is a problem for people in these kinds of jobs, and often occurs in education–the weariness and suspicion that students are lazy and just don’t want to work eventually becomes so engrained that they have a closed mind before the student even starts talking. I’ve experienced this myself any number of times–this past week I related two experiences I had in school where I was basically called a liar by an educational authority figure only to get an apology later when I was proved to be telling the truth to my dad, which ended with an airy “teachers never believed me, ever”–which probably explains why I never really got into school the way other smart kids did. But fortunately, Nell gives Nina the withdrawal permission, because she thinks something else is going on with Nina and she wants to help her (which was lovely to read), but Nina won’t open up to her. Briarwood is getting ready to open it’s new Writer’s Center, and there’s a big celebratory party coming up–as well as a bad winter storm–and that night, at a traditional ceremony where the students carry candles up the side of a mountain, there’s an accident and Nina falls into one of the ice caves…and when she is rescued, the skeleton of a young woman is found–which triggers Nell’s memories of being a writing student twenty-five years ago, the friends she made in the program, and the secrets they’ve kept ever since.
Which means the book is also a dual-timeline novel, which is one of my favorite tropes in crime novels (any novels, really); the book is also a master class in how to do a dual-timeline novel. Part of Goodman’s skill is taking those young, wet-behind-the-ears college students and evolving them as they make their way through their college years, as well as who they’ve turned into in the intervening years. There’s not a single false step in any of the character development, which isn’t easy when you’re juggling any number of characters.
And in the present day timeline, Goodman pays homage to several classic crime novels–particularly Christie’s And Then There Were None, which was delightful. She also made several references, throughout the book, to MARY STEWART, who I often think of as Goodman’s literary godmother…and with the past story, there’s some real The Secret History stuff going on, too. The Stewart references aren’t for the terrific suspense novels she wrote, but the equally terrific Arthurian saga she created (The Crystal Cave, The Hollow Hills, The Last Enchantment, This Wicked Day), which I should revisit sometime.
The suspense and tension continues to build, and with everyone trapped on campus by a winter storm–and characters start dying, one by one…the suspense almost becomes unbearable as the secrets and lies from the past finally come home to roost in the present.
(I will say that when I started listening to the book, I thought to myself if this were a Gothic novel this is who the killer would be–only to be correct! But the motive wasn’t what I thought it was…)
The Bones of the Story is well-written, with great language, terrific tone and style, and very literate and smart…so another feather in the cap of the divine Carol Goodman.
Despite everything that is wrong with Alabama culturally, societally, spiritually, and politically, I’m not ashamed of being from there (and never will be). I do shake my head with every new law passage or court ruling there that flies in the face of decency and the Constitution, because it is sad that the majority of people there are not only so lost spiritually and intellectually, but also defiantly cling to their backwardness. My part of the state, where my people are from, used to be very remote and rural; many native Alabamians, when I tell them where I’m from, are often confused, having never heard of it before. It isn’t on any interstate, rooming options are limited, and you really have to drive for about an hour from the nearest interstate to get there. It’s not quite as remote as it used to be; many of the roads that were dirt and/or gravel when I was a kid are paved now…but there are still plenty of unpaved roads up there in the hills and along the countryside. It’s very different there now, too–the country stores are all gone, and there’s definitely a lot more McMansions than there ever was when I was a kid. (Dad and I often marvel at the palatial homes we come across driving around the county, as Dad shows me places from his childhood and when he and Mom were first married.)
And it’s not cheap to buy property there, either, which was also a bit of a surprise.
Dark Tide was my first attempt to deal with my history and where I am from, but was cowardly in the end and wound up editing most of the backstory of my main character out. It didn’t really fit and made the book something different from what I was trying to do with the book, but as I edited it all out I also felt that I was being a bit cowardly. I knew I was going to have to deal with the troubled history (and present) of the county and state, so I wrote Bury Me in Shadows to not only try to get a better understanding of the area, but to deal with that troubled past. It wasn’t easy–I often found myself cutting things to a bare minimum in a stupid attempt to not give offense, and there were many times while writing it when I’d wince or skip a scene because I wasn’t sure how to word it properly without being preachy. I wanted to show through the story how refusing to face the past with a realistic and jaundiced eye can cause generational trauma and how that, in turn, perpetuates societal racism and homophobia in an endless cycle that strangles growth.
But writing that book also took me down a research wormhole that I’ve never really climbed back out of, and being there last weekend also reawakened some memories as well as creativity and potential future stories. (Dad and I found a really sad set of graves in the same cemetery as my maternal grandparents and uncle; parents and two small children –one was only four months–who’d died on the same day. We speculated as to how that happened, tornado or car accident or house fire, but a distant relative my father also knew explained that the father killed them all and then himself…which naturally started churning things in my brain again.)
I also discovered, during the pandemic, a horrifying documentary called Alabama Snake, which focused on the snake handling churches of northeast Alabama and a minister who tried to kill his wife with snakes…and then discovered there was also a book about the culture from a reporter who’d covered the trial, and continued investigating and looking into the snake handling churches.
I finally read it last week.
The first time I went to a snake-handling service, nobody even took a snake out. This was in Scottsboro, Alabama, in March of 1992, at The Church of Jesus with Signs Following. I’d come to the church at the invitation of one of the members I’d met while covering the trial of their preacher, Rev. Glenn Summerford, who had been convicted and sentenced to ninety-nine years in prison for attempting to murder his wife with rattlesnakes.
The church was on a narrow blacktop called Woods Cove Road, not far from the Jackson County Hospital. I remember it was a cool evening. The sky was the color of apricots, and the moon had just risen, a thin, silver crescent. There weren’t any stars out yet.
After I crossed a set of railroad tracks past the hospital, I could see the lights of the church in the distance, but as I drew nearer I started to wonder if this was really a church at all. It was, in fact, a converted gas station and country store, with a fiberboard facade and a miniature steeple. The hand-painted sign spelled the preacher’s first name in three different ways: Glenn, Glen, and Glyn. A half dozen cars were parked out front, and even with the windows of my own car rolled up, I could feel the beat of the music.
It’s very difficult to think about Alabama without religion being involved in some way. Alabama is a very religious state, with churches everywhere–one of the things I always comment on whenever I am up there driving around with Dad is “there sure are a LOT of Churches of Christ up here”–you really can’t go anywhere without driving past at least two. Both of my grandmothers were devout (paternal family was Church of Christ; maternal Southern Baptist, although both my mom and uncle married into CoC and joined), but only the CoC was a fanatic with a Bible verse for everything and the uniquely American/Christian methodology of interpreting everything to justify her own behavior and conduct–which wasn’t actually very Christian (memorization doesn’t mean comprehension). I can remember driving around down there once with my grandmother–either in Alabama or the panhandle of Florida, where she wound up after retiring–and driving past a church (I won’t name it because she was wrong) and I said something and she sniffed in disgust. “They speak in tongues and take up serpents,” she replied. “Which is apostasy.”
Apostasy. What a marvelous word, and one that has always snaked its way through my brain, and comes up often whenever I talk about religion. But I digress; I will someday finish the essay in which I talk about my relationship with Jesus and my rejection of dogma.
I also liked the phrase “taking up serpents,” and always wondered why she said that instead of snake-handling.
I had originally thought, when I bought this book, that it was about the attempted murder by rattlesnake and subsequent trial, like the documentary I mentioned; rather it’s an exploration of this sect of Christianity by a curious reporter, and how being exposed to this style of worship made him rethink his own past, his relationship with his own faith, and about Alabama people in general. One of the reasons I enjoyed the book so damned much–even as I was repelled by its subject matter (snakes are the source of some of my worst nightmares; even harmless little garden snakes turn my stomach and engage my flight mechanism)–was because Covington has a very easy, natural and authentic authorial voice, and he really can put you into his mind as he witnesses and experiences this uniquely American brand of Christianity. It was also interesting as he got caught up in the entire experience, as he talked to the members of the various sects (there’s no national structure to the snake-handling churches, as there is with say the Southern Baptists or the Methodists), and watched them actually take up their serpents in the name of the Lord.
There’s also interesting information in the book about how these sects were created–or how they were descended from, surprisingly enough, the Methodists and how that evolved into these Appalachian sects, as well as where the people of the Appalachian regions came from, and that entire Southern mentality of fighting for their traditions and their “way of life” (it was also interesting that it’s a white phenomenon, at least as best I could tell in the book); of how they secluded themselves up in their mountains and hollows and were self-sufficient…but modern technology has forced them into a world that has left them behind.
I’ve always wanted to write about snake handlers…but as I mentioned before, snakes are the stuff of my worst nightmares, so yeah going to witness in person their rites is a big “no” from me, but I feel like I can maybe do that now, or at least make an attempt. I don’t know how much more research I’d need to do to fictionalize snake handlers, but some day it will happen.
Here we are on Monday morning and I am awake much earlier than I have been in well over a week; part of the problem of finishing a vacation, alas. I feel a bit sleepy still this morning, which is probably very much a result of the alarm going off this morning and waking me up (along with Sparky’s need to be fed), but that’s okay. I am going back to the office in a little while and I am feeling a bit more trepidation than I usually do on Monday mornings. Yesterday was okay; I got some things done around here and the kitchen doesn’t look like an utter disaster this morning, which is always a nice way to start the week. I have to pick up prescriptions on my way home from work tonight, but other than that can come straight home and collapse into my chair.
But a normal routine again might be nice to slip back into, you know? I am thinking I might take a week off later this summer (around my birthday, most likely) just to have some down time at home when I can relax and work on things around here that inevitably get pushed back from week to week due to lack of time and exhaustion. I know I want to read some more of my book tonight, and of course as always there’s some filing work that needs to be done at some point. I did manage to get two entries managed yesterday about the books I read over the last week, and I have two more (Salvation on Sand Mountain, The Bones of the Story) to get done, and I had started one about Dead Boy Detectives before I left on the trip that I absolutely should get finished at some point. I don’t know what’s waiting for me at the office this week, but I am not terribly worried about it, either. Worrying, as Mom used to say, is just borrowing trouble–which is an interesting quote from someone who suffered from generalized anxiety disorder.
But Mother’s Day without Mom is becoming easier. Last year’s was horribly sad, when the loss was still incredibly fresh. This year wasn’t so bad. (I can’t speak for Dad, though.) Everything becomes easier with the passage of time, which is another one of those incredibly sad realities. This year? I felt sad only a couple of times throughout the day. The Mother’s Day newsletters and sales didn’t feel like a gut punch every time I saw one. I already knew the only way to get past the grief was to let time pass, a lesson I’ve learned far too many times in my life already, but because I’d been through a lot before I knew how this would run its course. It feels a bit cold not to get emotional about it anymore, but the sadness is slowly giving way to fondness, where the memories make me smile rather than make me seize up with grief–which is a dramatic improvement, quite frankly, even if there’s a slight element of guilt involved, too.
Well, I thought this would probably be brief this morning, and I was correct. I’ll probably be back later at some point, Constant Reader, so go ahead and have a great Monday, and I’ll chat at you after spending my day in the spice mines. Bonjour!
Queer and Loathing in America 