Friday Eve! I had a touch of insomnia again last night, but I feel okay this morning. I got very tired yesterday in the afternoon, but survived the day but was very drained when I got home. I did do a load of dishes and a load of laundry, though, so there was some success to be had on the home front–glad the sink has been mostly emptied, for one thing–and tonight on the way home I’ll have to stop and make some groceries as we’re out of a few things, but I am just glad that I’ve made it through a relatively productive week here at the Lost Apartment. I’m adjusting to my new job responsibilities as I learn them, which is always nice (nothing too hard or stressful, which is cool, and I like learning how to do new things) and I suppose I should earn the raise I got.
I was too tired to write last night (ugh, the same old refrain, right?) but I did spend some time thinking about the book and this hellish transition chapter I’m stuck on. I really need to stop second-guessing myself, keep moving, and worry about it all later. A short story deadline looms, but I don’t think I am going to have either the time or the inclination to go ahead and try to get something done and turned in on time. I have a story but it needs revision and I am not exactly sure how to solve what the problem in the story actually is; and I really don’t want to turn in something inferior.
I was also thinking last night about, well, my writing career. It’s hard to believe I’ve been a published author now for almost one third of my life, which is quite a long time to be doing this. I was also thinking about my work and how often I am dissatisfied with my own work; I also kind of laughed at myself because I often express that feeling here and on social media–which is precisely the wrong thing to do when it comes to marketing yourself: if the author isn’t satisfied with his own work, why should I read it? I really am terrible at this part of being a writer. But I have never been comfortable praising myself–which is why, I think, I’ve never gotten far with day jobs; I don’t push myself forward because I was raised to believe that you don’t praise yourself–that’s for others to do, and if you do a great job or do something good, other people will notice and if they don’t, doing a great job or something good should be reward in and of itself.
That’s kind of fucked up, actually, now that I put it into writing.
But on the other hand I wouldn’t be me if I didn’t reread something I’ve written and think, oh you should have done this or you could have done this part better or ouch that’s a clumsy sentence/paragraph/transition. I am kind of a perfectionist in some ways; I always think i could have done something better–and that’s not just restricted to the authorial part of my life, either. There are situations I think I could have handled better in the past, but I also tend to look at those experiences as growth opportunities? And God knows I could be a better housekeeper, and don’t even get me started on my electronic files on my back-up hard drive (which I really need to back up again). But is all this self-criticism necessary? I don’t know.
I’m very proud of all of my work; I take all of it–erotica, crime, horror, romance, whatever–seriously and I approach every manuscript with the mentality that I am going to do my best with it. I also think that I need to be easier on myself and less critical of my earlier stuff; the truth is I like to think that I continue to evolve and grow and get better at my craft so yes, if I were to write Murder in the Rue Dauphine or Bourbon Street Blues they would be different books, for sure, but that’s true of every author. Would they be better? No, but they would be different because I am not only a different writer now but a different person. New Orleans is also a different city now than it was when I was writing those books, so it wouldn’t be possible to write those same books the same way today. I mean, Scotty’s rent in the French Quarter was $400 a month back when I wrote Bourbon Street Blues! And so many things I used to write about that aren’t there anymore–Kaldi’s Coffee Museum on Decatur Street; Matassas’ Market on Dauphine; Tujague’s has even moved from where it was for decades, and of course even the sleazy dive bar Rawhide is getting a facelift and a makeover. But that also makes those older books kind of a New Orleans as it was time capsule, which is also really lovely.
And on that note, I am heading into the spice mines. Have a lovely Thursday, Constant Reader, and I will check in with you again tomorrow morning.
Wednesday and another edition of the biweekly Pay The Bills Day! Woo-hoo! But this is also my last paycheck at my old rate of pay; I am curious to see what my paychecks will look like when they reflect my raise–check back, Constant Reader, in precisely two weeks to find out.
Can you stand the suspense? I barely can.
I was very tired yesterday, and I slept about the same last night so I can also plan on hitting the wall today around three. I took a long lunch yesterday to record Susan Larson’s marvelous radio show The Reading Life, which will air on December 6th, and that was naturally delightful as every moment spent with Susan is. But by the time I got back to the office and got settled back into the seeing clients routine, I was very tired. I had a ZOOM meeting when I got back home last night, which was interesting and fun–it’s always lovely seeing that group of people (queer crime writers! Woo-hoo!)–and then I settled into my chair to watch Reboot and another episode of Diary of a Gigolo, which is just so much fun. I did get some writing done yesterday–terrible writing, I might add–but am hopeful that tonight I’ll get back on track. I feel like I slept about the same last night, waking up several times and never really falling deep asleep again, but this morning so far I feel good. I managed to somehow get quite a bit finished yesterday, which I didn’t think would actually be the case, given how sleepy and tired I was yesterday afternoon, but looking back over the day I can see that yes, indeed, I did get a lot done despite the exhaustion. I am adjusting to the new work week schedule, methinks; tomorrow is my last day in the office and usually I am worn down the day before my last day in the office for the week, so this is a major plus.
And now to consult the to-do list…sigh. It can wait until later, surely?
I don’t know why this morning I feel like I’ve turned some kind of corner, which makes absolutely zero sense, but that’s kind of how I feel; like I’m shaking off some kind of malaise or stupor and my mind is functioning correctly again. It’s entirely possible the booster shot I got on Monday fogged my brain for a few days–I’m blaming the insomnia issues on it for fucking sure–and now this morning that fog has cleared. I don’t know, I really can’t explain it other than that, but this is one of those mornings where I feel like I am mentally rolling up my sleeves and taking a look at all and everything I need to get done and diving in headfirst. LOL, we’ll see how long this feeling lasts, won’t we? But I feel good–and that is reflected in my mood, I guess; I’m in a pretty good mood this morning (at least thus far) but it’s probably too much to hope for that it will last the rest of the day.
Probably not, but you never know.
I was thinking last night–after talking to Susan about the next book (should there be one) in the new series, and of course my copy of Raquel V. Reyes’ second novel arrived yesterday–about how important the second book in a series is, and how much different the second books in both of my series are from the first book in each series. In the first book you have to introduce the characters and their backstories and how they relate to each other (the kind of relationships they have with each other) as well as who your main character is and try to get the reader to relate to them and like them enough to buy into the series as a whole. In the second book, you’ve already done all of this work so all you need is little sound bytes here and there to recap those backstories and so forth and you can spend a lot more time developing your plot and story. Murder in the Rue St. Ann was very different than Murder in the Rue Dauphine; revisiting the Scotty series I can see how much more complicated and layered the story of Jackson Square Jazz was in comparison to Bourbon Street Blues, which had a much simpler plot. Likewise, A Streetcar Named Murder is the launching place for this series, and hopefully it will continue (my second one is tentatively titled The House of the Seven Grables, which will probably be changed by the publisher if there is a second book in the series), and the plot I have in mind for this second Valerie book is a lot more all over the place and complicated–especially as we dig deeper into the Cooper family mystery that was brought to light in the first book.
My favorite part of writing a book is the planning stage, really.
And on that note I am heading into the spice mines. Have a lovely day, Constant Reader, and I will chat with you again tomorrow.
I got my bivalent booster yesterday (I think that’s what it’s called) and am hopeful I won’t feel any ill effects from it this morning. If I do, oh, well. I am also taking a long lunch today so I can drive out to UNO to tape Susan Larson’s show The Reading Life to talk about Streetcar, which feels a little strange. I am so deep in the weeds with this new Scotty book that it’s weird to shift back into my Streetcar mentality and talk about a book I wrote over a year ago. Ah, well, we’ll see how it goes, won’t we?
I feel okay this morning. I woke up early–around three–and dozed off and on until the alarm went off. I don’t think the booster has made me unwell (unlike it’s four predecessors), or at least not yet at any rate, but I’m still pretty jazzed that I finally got a vaccination that didn’t even make me slightly feverish for twenty-four hours or so. This is a plus; I was a bit worried about being coherent for the radio taping today because of the booster–but it seems as though my level of incoherence will just be the usual, normal one that I always bring to an interview. *Whew*
I did some terrible work on the book yesterday but it was forward progress and I will take it, you know? The book is a mess, but sometimes the first draft is a mess and needs to be so you can fix it and clean it all up later and turn it into something coherent. That’s the plan, at any rate. Yesterday was a pretty productive day, both at the office and at home; I’m getting some training on how to do more things to go along with my promotion and raise (did I mention that? I think I did), both of which were significant. My job is essentially remaining the same, with some new added responsibilities (which make sense for me to do, really) that I have to learn how to do, and of course Friday I am going into the office to get a flu shot and so I can drop off this wretched cable modem (don’t even get me started on this)–the only Cox office in the city is a few blocks from the office–and then of course it’s the glorious weekend again. LSU is playing Florida on Saturday night (which may be painful; we’ve beaten them three years in a row and the last couple of times they were heavily favored–two years ago was the notorious Shoe Game in which one of their players threw an LSU player’s show twenty yards down the field for an unsportsmanlike conduct penalty that kept an LSU scoring drive alive; that drive also handed LSU the win; last year’s game was also kind of insane with all kinds of crazy plays and turnovers and so forth), and I should probably check when the Saints are playing–although they seem to do better when I don’t watch this season for some reason–and then plan my weekend around it. I’ve got to do a major push on the book this week and weekend; I’ve got to get back on schedule with this stupid thing.
Heavy heaving sigh.
I had a spell of not feeling so hot there for a moment, and when I was brushing my teeth earlier I noticed that my left shoulder (which is the arm that took the vaccine yesterday) was pretty sore; at least when I move my arm I am very aware of the general vicinity of where it was punctured. I think I can power through, however.
Last night we started watching another Spanish language show (we decided The Midnight Club, while sort of entertaining, wasn’t compelling enough and we can finish it another time) called Diary of a Gigolo, which of course is filled with DRAMA and all kinds of bizarre twists and turns with a rather large cast of characters and a lot of backstory and yet…not a single dull moment nor did we have any confusion about the multitude of plots–which is even more impressive when you realize it was in a foreign language and we were reading subtitles. (I do think there is something to watching shows with the closed captioning turned on; it forces me to pay attention and not let my mind wander–interesting.) I also spent a little time reading Interview with the Vampire while I was waiting for Paul to come downstairs so we could watch television. I am rather looking forward to continuing with Diary of a Gigolo (which, for the record, is far superior to American Gigolo, which just didn’t hold our interest at all) this evening after a conference call I have tonight. Heavy heaving sigh.
And on that note I am heading into the spice mines. May your Tuesday be as amazing as you are, Constant Reader, and I’ll be back in the morning tomorrow to check in yet again.
I do love researching Louisiana, even if and when it leads me down a rabbit hole as it always does. I’ve been trying–and it really isn’t necessary–to find out of you can actually leave the New Orleans metropolitan area without crossing a bridge; I-10 east and west require bridges (west is the wetlands/swamp alongside Lake Pontchartrain, going east you cross the lake) and of course the Causeway to the North Shore is also a bridge across the lake. Obviously you need a bridge to cross the river (there are two, the Crescent City Connection and the Huey P. Long Bridge), which leaves the old River Road, which for years was the only way into or out of New Orleans without crossing a bridge as it follows the levees up the river to Baton Rouge. I’ve never actually taken the River Road so I can’t swear that there are no bridges on its path alongside the river going north; I’ve been trying to get the answer by using Google Maps and Earth rather than taking the time to drive all the way out there and see for myself. The trick is, of course, the Bonne Carré Spillway; according to the maps the road is inside the spillway, so if the spillway is opened I believe New Orleans would have no dry land exits in any direction. I want to include this in my book, but…I also don’t want to have to take the drive to find out for sure, either.
And if I get it wrong, of course I’ll hear about it.
I am back into the office on a Monday for the first time in a very long time; I feel good this morning. I woke up long before the alarm and stayed in bed until the alarm went off, but I do feel remarkably rested all the same. We’ll see how this shift in work days feels later in the week, won’t we? But so far it feels good.
The Saints did win yesterday; for some reason I thought the game was last night instead of in the afternoon so I was reading in my chair when Paul came downstairs and mentioned that the game was on and it seemed like an exciting one–so I tuned in just in time to see the closing two minutes of the Saints’ second win on the season. I’m glad, though, I didn’t watch–from all reports it sounded like the kind of exciting and thrilling game that is inevitably an emotional rollercoaster, and after the disastrous LSU game on Saturday I don’t think I could have handled a close, exciting Saints game on top of it anyway, so it was just as well. I did get some writing done yesterday–nowhere near as much as was necessary and needed, so yay, still behind! Woo-hoo!–and then we watched our shows last evening. I enjoyed the new episodes of The Serpent Queen (now deviating from the actual historical story), House of the Dragon, Interview with the Vampire, and an episode of The Midnight Club (which, interestingly enough, is turning the stories the terminally ill teens tell each other into adaptations of other Christopher Pike stories, which is really clever) before retiring to bed relatively early last evening.
Ugh, just looking at my inbox is giving me the vapors. Hopefully I’ll make some good progress on that as well as my to-do list; which I made last week and nothing is crossed off of it, which doesn’t bode well for me or anyone or anything for that matter. But here’s hoping I can start making progress tonight or tomorrow.
Watching Interview with the Vampire, as well as rereading the book, has sent me down some mental wormholes as well. I actually wound up digging up copies of my vampire writings from the past (for teh record: the novellas “The Nightwatchers” and “Blood on the Moon,” and my novel Need), which aren’t terrible (I really need to stop defaulting to all my old work is terrible because it’s not); I had in fact forgotten a lot about them, to be honest. I just read the beginnings of all three to get some sort of idea of what I had done and was like, oh, wow, I didn’t remember this character or I’d forgotten this was set during Carnival and so on. So I am hoping that rereading them won’t be painful and will remind me of some other things that I wanted to work on; I was always disappointed that I never got to do a follow-up to Need–I’d created what I thought was an interesting paranormal mythology that I really wanted to explore more, but never got the chance.
Maybe when I retire?
And on that note, I am heading into the spice mines.
Sunday morning and I slept really well last night, so am feeling rested. I believe the Saints game is tonight, if I am not mistaken, which gives me most of the day to get things done. I did manage to get some things done yesterday in the wake of the LSU debacle; my kitchen is all straightened and cleaned up (I also watched the Auburn debacle against Georgia before giving up on football entirely for the day, as it was clearly not meant to be my day at all) and I finished reading my Donna Andrews book (Round Up the Usual Peacocks, more on that later) while getting started on my revisitation of Interview with the Vampire (which I realized, once again, upon starting that it’s really not a horror story of the kind one usually associates with vampires) and I also got some other things done yesterday as well. Today I have even more things to do, including picking up the groceries I ordered yesterday, and am hoping that I’ll be able to get a lot of things powered through. My coffee tastes great, I feel rested–if a little loopy from sleep, and that should wear off rather soon. A new episode of Interview with the Vampire should drop today as well–it’s fun to reread the book while watching the new adaptation–and of course, tomorrow I have to return to the office to see how much, if any, of a difference returning to the office for Mondays will make in how my work week goes every week.
We watched Sins of Our Mother last night on Netflix, a documentary about the so-called “Doomsday Mom,” who began to believe we were living in the end times and that she and her lover were modern-day prophets, which led to the murders of their spouses, one of her brothers, and two of her children. She hasn’t been tried yet–which of course led to my “why would you make the documentary before the trial?” question–but it was interesting. I feel incredibly sorry for her son Colby, her only surviving child–how do you go on with your life after something like this happens to you?– which is why the impact of crime on people is becoming more and more interesting to me than actually writing whodunnit murder mysteries. How do you go back to your normal life? How do you carry on, go on, get past the horror of your brother and sister being murdered by your mother and her lover? That she has become almost completely insane with religious fervor? I shudder at the thought.
We also started watching the Netflix adaptation of Christopher Pike’s The Midnight Club into a series. I loved Christopher Pike back in the day, once I discovered him; I made a point of going back and reading everything he wrote, and it was reading Pike (and from him, discovering other y/a horror/suspense writers in his wake like R. L. Stine, Jay Bennett, and Lois Duncan) that led me into writing my original three young adult novels (Sara, Sorceress, Sleeping Angel). I liked the Pike novels because they were so damned dark, and happy endings were never guaranteed in a Pike book (I always liked Pike more than Stine, even though I liked the way Stine linked his books together under the Fear Street series header), which I also liked. The Midnight Club is totally dark; the premise is that the book is set in a hospice for terminally ill teenagers, and they gather every night at midnight to tell each other stories–scary stories for the most part, but stories–and they also swear that the first one to die will try to come back and tell the others what death is like…while strange things are going on in the hospice itself, in which you can never be sure if those things are really happening or if the kids themselves are hallucinating from their drug protocols, which as I recall kept me off-balance as I read the book. Such a great premise, really; I don’t really remember much of the book other than the setting and the dying teenagers–which is pretty fucking grim, if you don’t mind me pointing that out–so there’s this almost-casual acceptance of their impending deaths as well as their curiosity about the supernatural and the world beyond–or if there even is one. I remember reading The Midnight Club and thinking “this is really heavy shit for teenagers to digest” but then…I was reading Stephen King when I was a teenager, so there’s that…but Pike was the one who made me realize my perceptions of what you could and couldn’t do in young adult fiction were heavily skewed and incredibly incorrect in almost every way. I’m not sure I am going to write any more of them, to be honest–I do have ideas for any number of others, but I think I’m going to pause my young adult writing for a while and maybe, perhaps, do some stand alones that are for adults rather than a young adult audience…(although I think mine do qualify as readable by adults, too, but I am not the best judge of any of that, really)
I really need to work on my book this morning once I finish this and get cleaned up. I want to do a little more reading on Interview today, and I have some other things that need to get done, too. The key is to not allow myself to get derailed or distracted, which is never an easy thing for me to have not happen, you know? I sometimes wonder how much I could get done if I weren’t so easily distracted from everything, but there you are; we’ll never know because I will always be distracted. Heavy sigh.
And on that note, I am going to head into the spice mines this morning. Y’all have a lovely Sunday and if you have an NFL team you root for, I hope they do well today.
It is insanely early to have a kickoff in Tiger Stadium at eleven in the morning–I think I actually went to a game that started this early; I remember we had to get up at eight to get ready and barely managed to get into the stadium and into our seats as the band took the field for Pre-game (always one of the highlights of a game there; if you don’t know what LSU’s Pregame is, it’s that song the band plays that has those four notes–bah, BAH bah bah! (to me it always sounds like Hold That Ti-ger!)–and the entire stadium erupts. I mean, it really does. If you ever have a moment to kill, go to Youtube and search for LSU Marching Band Pre-game–you should immediately recognize the music. But having the game so early for me means I’ll most likely be emotionally and physically drained after it ends, and I’ll probably get sucked into the chair watching games all day (I mean, I should watch the Georgia-Auburn game, even if it is going to be a bloodbath), but hopefully I’ll find some time to make notes and do some reading as well.
I slept very well last night (again), which was really super nice, and we finished Your Honor last night–didn’t see that ending coming, apparently it’s been renewed for a second season–and also started watched this past week’s episode of Bad Sisters–God, how I hate John-Paul–and also caught this weeks Queer for Fear, which focused primarily on James Whale and Alfred Hitchcock, with a lovely section on Anthony Perkins (my God, what a beautiful man he was) and how Psycho essentially ended his career–to this day his failure to even be nominated for an Oscar for that performance is a crime; he should have won; it’s one of the best screen performances of all time–which both Paul and I enjoyed tremendously; I’m also looking forward to more of this documentary series. Yesterday I got my work done and ordered groceries to pick up tomorrow morning; I’m beginning to see this as a marvelous convenience rather than as simple laziness now and I kind of like this because it also keeps me from making impulse buys, which always drives the price up. I did pick up the mail and make a quick stop for a few things at the Fresh Market (they carry Clearly Canadian, which I used to love back in the day, but they never have strawberry, just cherry and blackberry–I always get blackberry), and I made Shrimp Creole for the first time in a very long time; I’d forgotten how marvelous that is. There’s plenty left over for me to take to work this week as well, which is even nicer. Huzzah!
I’m hoping for a lovely, restful, relaxing day today. I’ll probably do some cleaning and organizing during the games–have to do something with all that nervous energy, after all–and tomorrow is going to be a massive work day. I am going to finish Chapter Five tomorrow if it kills me, and possibly do Chapter Six; I have some other things to do as well that I need to add to the list so I don’t forget and wind up fucked. I’m also getting my booster shot on Monday; hope that doesn’t make me feel unwell. If it does, or is anything like the last one, I should just feeling mildly unwell for a day and be over it at that time.
I also picked up Interview with the Vampire to reread again, since it’s Halloween season and all, and the show is airing. I’ve not read Mrs. Rice’s work in a long time–I kind of want to go back and finish reading The Feast of All Saints, although I am sure it’s problematic now, as it is about the Free People of Color before the Civil War–and I’d forgotten how lushly stylized her writing is; I am also probably going to want to revisit The Witching Hour as well before it’s television adaptation starts airing in January. I rather famously didn’t care for this novel the first two times I read it; I finally was enthralled with it upon my third reading, in Hawaii. I read all of her work after that until she switched to Jesus and angels; I never really came back to her when she turned to werewolves before finally coming back to Lestat and vampires. At some point I intend to read the final Lestat novels, and I should probably read The Mummy sequels she co-authored with her son.
I’ve not been feeling terribly creative this past week, despite the need to work on the book as well as the little work I have done on the book, and I am hoping that changing my work schedule will help me to feel somewhat less off-kilter in my life than I’ve been feeling since I started coming in on Fridays and staying home on Mondays. I’ve never really adjusted to it, honestly, and this feels so right, you know? I feel like my life has sort of gotten back on track since this switch was made again. I could be completely wrong; who knows? By Tuesday it’s entirely possible that I might be so tired and exhausted I won’t be able to function the way I should be able to when I get home from the office. But I am hoping that won’t indeed be the case, obviously, and thus far it has made a significant difference in how rested I feel.
Which is a good thing, really.
And on that note, I am going to head into the spice mines. Have a lovely Saturday, Constant Reader–I may be back later, you never know; if not, I’ll chat with you tomorrow.
Friday and my dream has come true: I have switched my work-at-home day from Monday back to Friday,. effective today, and I am so pleased. I’ve never adjusted to not being in the office on Mondays (I’ve always, no matter what, come into the office for regular workdays the entire time I’ve worked here unless it’s a holiday or I was on vacation), and now I can finally get a handle on what goddamned day of the week it is from now on.
Jesus.
I slept really well last night, which was marvelous. We watched more of Your Honor last night (which is one of the longest limited series I’ve ever encountered, every time I think well, this episode must be the finale it will end and queue up yet another episode. It turns out (I just looked) that there are ten in total, so I think we have two more, and it’s apparently been renewed for a second season, and I’m not sure how I feel about that. I mean, it’s an interesting show–I also love that the local crime family’s name is Baxter, which for some reason just cracks me the hell up–but it doesn’t really hold my interest the way it should; I often find myself scrolling through social media apps on my iPad while the show is on, so I miss things that could probably help it make more sense than it does; but as Paul said last night, “they really make New Orleans look beautiful,” which the show does quite well.
Then again, New Orleans is beautiful, so they are starting from a very good place there. (One of the only reasons I could bear watching Southern Charm: New Orleans was because the city was shot so beautifully)
Today, as I already mentioned, I am back to working at home. I got my second monkeypox vaccine this week, and my body’s reaction to the second shot has been a lot more interesting than the first. The first just left me with a small pinkish red circle on my arm, maybe about a half-inch in diameter. The second left an enormous angry red circle on my other arm with a large bump in the middle so that it kind of looks like a massive spider-bite. This morning its size has receded a little bit, but I imagine I am going to end up with the same thing on this arm as I have on the other; a small slightly reddish circle around the injection spot. (When I show it to people, they can always pick out where it is but you have to actually look to see it, if that makes sense? It’s not noticeable unless you’re looking for it.) I am getting my next COVID booster on Monday, and I am really thinking that as cold/flu season is upon us again I may start masking everywhere again because it’s really been lovely not getting either a cold or the flu the last couple of years. Are masks a pain in the ass sometimes? Absolutely. But so is getting sick, and I don’t understand how putting yourself at risk of catching any illness is some kind of power statement. I don’t care if I am nauseous and feverish and can’t keep food down for a few days! FREEDOM!
I was exhausted when I got home again last night–I am kind of hoping the change in “work-at-home” days will help me with that–and so I pretty much just vegetated for the majority of the evening. Scooter demanded a lap to sleep in and I was only too happy to oblige. How did I pass the evening before Paul came home? Lost in thought about my book and mindlessly, effortlessly scrolling through social media feeds until Paul came home. The exhaustion is problematic, to be sure; when my brain is too tired to actually focus enough to read a book–which is and has always been one of the great pleasures of my life–to escape reality and allow my brain to relax, well, there’s something wrong and I don’t like it. Am I just getting older? I am sleeping better–more deeply and longer–than I have in a very long time, and yet…
But I did think about the book last night while I idled away my early evening, which isn’t a bad thing. The plot is a bit complicated, and as always, I worry about straying away and creating subplots and misdirections that I’ll forget to tie up and/or resolve by the end of the books, and since I’m not Raymond Chandler, my plots have to make sense. Sigh. It must have been nice being Chandler and getting away with having plots that didn’t make sense; I’ve not read all of Chandler’s work and right now I have The Long Goodbye sitting in my TBR pile–and as much as I want to get to it, I need to finish reading my current book and read some horror for the month of October. I want to find my copy of Interview with the Vampire for one thing–maybe during the LSU-Tennessee game I can do some work on the books, with the intent to find my copy of that as well as clear out some more for donations–so I can reread it and ‘salem’s Lot back to back, and maybe even revisit a Peter Straub before moving on to new writers and new books I’ve not read. I also recognize how ambitious that sounds, given how much trouble I’ve been having focusing on reading, but rereads aren’t the same as new reads–and it was rereads that got me back into reading again after the Shutdown in 2020.
Sighs happily. That was when I revisited Mary Stewart, and how delightful was that?
All right, I should head into the spice mines now. Have a lovely day, Constant Reader–and I’ll talk to you again tomorrow before the game.
Monday and a work-at-home day, for data entry and other things. I also have a meeting at one (yay) and I am hoping to get some things delivered today so I don’t have to leave the house. Yesterday started out well; I wrote my entry and did some writing planning and then repaired to my easy chair to read; but then Paul got up and came downstairs and I decided that as long as I kept my notebook/journal handy, I could make notes while thinking and watching television. We missed the Saints game; I’d forgotten it was in London and by the time I checked what time it was starting it was already over so I can’t even blame the Saints for my complete (well, pointed, at any rate) failure to get as much done yesterday as I had wanted to–which means it’s entirely my fault.
I did watch the first two episodes of the new Interview with the Vampire series, and it put a lot of thoughts into my head. I thought it was remarkably well done and well-cast–I would have gone for a Skargaard for Lestat, but that could be True Blood’s fault as well–and it was beautifully filmed. The changes made to the original book (I liked that it’s structured as a follow-up interview to the original interview) and story were barely noticeable. It’s also amazing how different Jacob Anderson looks as Louis as opposed to Greyworm from Game of Thrones. It also made me start thinking about vampires and how/why they are so popular with queers–this show has no gay subtext, it’s right there in your face–and also remembered how incredibly disappointed I’d been when I first read the book, as a teenager. At that point in time, I’d forgotten that Dark Shadows had turned a vampire into a romantic leading man–my thoughts about vampires were entirely shaped at that time by Dracula and ‘salem’s Lot, and that was what I was expecting from Interview…and that is most definitely not what the book was. I read it again about ten years or so later, and still didn’t care for it much; I didn’t come into an appreciation of Anne Rice’s work until the 1990’s–a friend told me to read The Mummy so I did and enjoyed it, and then I read and loved The Witching Hour, so I took the first three volumes of The Vampire Chronicles with me to Hawaii on a vacation and that time…well, that time I got into the books and enjoyed them. Mrs. Rice soon became a “buy in hardcover on release” author for me, and remained that way for a very long time. I do think there’s a line from Barnabas Collins in Dark Shadows to Lestat/Louis to True Blood/the Sookie Stackhouse books; I once described True Blood as “Dark Shadows with sex, violence, nudity and blood.”
We then watched the first episode of Queer for Fear, a documentary series on Shudder about queer themes and subtexts in horror films, which was fun and certainly fit the theme of the day, but then we moved on to Your Honor starring Bryan Cranston, filmed and set in New Orleans (again, we marveled a lot about the geography–“oh, look, they’re transporting him from the courthouse to OPP but for some reason are coming in from I-10 which means they somehow detoured through Metairie”–and we can’t quite figure out where Cranston and his son live; they are always taking the bridge across the river, but Cranston can go jogging from his front door down St. Charles Avenue down to the lower 9th ward (clearly, training for a marathon of some sort) and back, so I am not sure why they have the need to go back and forth to the West Bank (Paul: this would only make sense if they lived in Algiers, but why would he cross the river to go jogging?). I know, I know, it’s fiction and make-believe and has everything to do with shots and visuals that remind the viewer it’s New Orleans; both the Crescent City Connection and the Huey P. Long bridges will do that, as will the drawbridge over the Industrial Canal, and nothing says New Orleans quite like the streetcar. I also know it’s being nit-picky and “more New Orleanian than thou”, but I can’t help it when I watch something filmed here (I was also identifying where scenes were shot in Interview with the Vampire as well). I’m sure New Yorkers do this a lot, too. We also watched this week’s House of the Dragon, which I am enjoying–there’s really no good characters to root for in this one; they are essentially all terrible people; at least in Game of Thrones we could root for the Starks as the only decent people in Westeros. We also watched the new episode of The Serpent Queen, as Catherine is now slowly coming into her own. I really am enjoying this series; I hope it doesn’t go off the rails at some point.
But now it’s October already–yikes; it seems as though this year has sped past but on the other hand January also seems like it was a million years ago already–and I’ve really got to start getting things done.
As I’ve been doing my entries about writing my books, it’s been a fun journey down memory lane, as I remember things I wanted to do and plans I had that somehow were either forgotten or pushed aside as other things crowded them out of my brain. Watching Interview and Queer for Fear reminded me of my own world of the supernatural I was trying to create with some of my horror writing (I don’t really consider my vampire writing as horror; yes, vampires, but the primary focus of them was the eroticism), and somehow I’ve managed to stick to the rules of that weird world of the supernatural I was creating through short fiction that spilled over into the erotica; so far I’ve done vampires and witches, rougaroux and le feu follet, all tied around parishes on the other side of the river and west/south of New Orleans. I have a couple of short stories to write still, and a book to get done–and I want to read more. I want to finish reading my current book and I think the first book for Horror Month will be a reread of Interview with the Vampire, perhaps followed by a reread of ‘salem’s Lot; why not explore the vampires?
And on that note, I am heading into the spice mines. Have a lovely first Monday in October, Constant Reader, and I will be checking in with you again tomorrow morning before the sun comes up. Yay.
Oh, Scotty VII, what an interesting path you took to publication.
Back when ebooks and Kindles first started to be a thing, they rather revolutionized publishing. This new technology rang the death knell on some independent book stores as well as some small presses, and it was considered the great equalizer: you no longer needed to follow the long-established path to publication that went writer/agent/publisher; and just having an agent was no guarantee your book would ever see print and if it did, that it would sell. You no longer needed a publisher to put your book out and get it to readers; all you needed to do was get a cover designed and format your manuscript and upload it. This excited a lot of people; I was one of them, but still approached the entire thing very cautiously. I have never had a problem with people who elect to self-publish their work rather than follow the traditional path; I certainly never followed the traditional path or ran my career the way I was supposed to, at least according to almost every author I knew.
But ultimately, for me, the ebook revolution and becoming a publisher/author hybrid seemed not only like a risk but a time-consuming one. I didn’t have the time available to market the books I was traditionally publishing the way I should, let alone having the time to have to do all the marketing myself.
But I was curious, and remained open-minded. A friend started her own company and wanted me to write some things for her–short, more like novellas than novels–and since I’d always wanted to spin Paige off into her own series (despite being concerned about writing a mainstream type book from a woman’s perspective) and so I thought, well, here’s a chance to try something new and different. I wound up writing two of these and was partly through a third when I began to realize that even with an independent publisher doing some of the work, I just didn’t have the time or money or incentive to work any harder at marketing these books than I already was–and they needed more attention and promotion than I was able to give them, so we decided to end the business relationship, the already done books came down from sales sites, and that was the end of that.
I did eventually slap up Bourbon Street Blues as an ebook on Amazon, and it’s done okay for me; I’ve not promoted it at all but copies sell every month–but I am not getting rich, either. I also have a longer short story up as an e-original (but it’s also in my print collection Survivor’s Guilt and Other Stories) and yes, I know I need to get Jackson Square Jazz up (one of these days), and perhaps when I’ve retired and have more time, I’ll explore the self-publishing option again just for the hell of it.
But there I was, with a partially completed manuscript and it was a very fun story; I hated wasting it (it was called The Mad Catter), and so, with a little bit of tweaking, I turned it into the seventh Scotty book, and renamed it Garden District Gothic.
I really love the cover Bold Strokes gave me for it, too:
You know you live in New Orleans when you leave your house on a hot Saturday morning in August for drinks wearing a red dress.
It was well over ninety degrees, and the humidity had tipped the heat index up to about 110, maybe 105 in the shade. The hordes of men and women in red dresses were waving handheld fans furiously as sweat ran down their bodies. Everywhere you looked, there were crowds of people in red, sweating but somehow, despite the ridiculous heat, having a good time. I could feel the heat from the pavement through my red-and-white saddle shoes and was glad I’d decided wearing hose would be a bad idea. The thick red socks I was wearing were hot enough, thank you, and were soaked through. They were new, so were probably dying my ankles, calves, and feet pink. But it was for charity, I kept reminding myself as I greeted friends and people whose names I couldn’t remember but whose faces looked familiar as we worked our way up and down and around the Quarter.
Finally, I had enough around noon and decided to call it a day.
“I don’t think I’ve ever been so hot in my life, and I grew up in Alabama,” my sort of nephew, Taylor Wheeler, said in his soft accent, wiping sweat from his forehead as we trudged down Governor Nicholls Street on our way home.
“It hasn’t been this hot in a while,” I replied, trying really hard not to laugh. I’d been forcing down giggles pretty much all day since he came galloping down the back steps the way he always does and I got my first look at his outfit. “But the last few summers have been mild—this is normal for August, usually.” It was true—everyone in town was complaining about the heat like it was something unusual, but we hadn’t had our usual hellish summer weather in a couple of years.
Last summer had been not only mild but dry, with little humidity and practically no rain—which was unheard of. Usually it rains every day around three in the summer, when the humidity has gotten so thick it turns to rain.
“I don’t even want to think about how much sweat is in my butt crack,” he complained, furiously waving the fan he’d picked up somewhere, trying to create a breeze.
I gave up trying to fight it and just gave in to the laughter.
One of the primary problems of turning The Mad Catter into Garden District Gothic was that the book was intended originally to be a sequel to a pair of books that no longer existed; vanished forever into the ether. I had established a character in earlier books of the series who was supposed to take front and center in this one, but I no longer had the back story and was facing the issue of how do I introduce this woman into Scotty’s world? And it was important, because the case involved a long ago murder that took place in this woman’s Garden District mansion–she didn’t own it at the time; she bought it from the original family that owned it, and owned it at the time of the unsolved murder–but I decided the easiest way to do this was make the woman a friend of Scotty’s older sister, which is how he knew her; and she had been a member of the cast of a reality-TV show called Grande Dames of New Orleans, which had been the centering of the previous book in the now-defunct series. I always thought the Grande Dames (obviously, my version of the Real Housewives franchises) was a clever idea and a fun one to explore as well as poke fun at in a fictional setting, and I hated wasting in a series that no one could access anymore. So I decided to keep Serena, and mention that she was in the cast of the new show which hadn’t started filming yet, and she had bought this big house as a centerpiece for her to be filmed in from the show, giving up her luxurious condo in One River Place. (This also gave me the opening to center the next Scotty book in the Grande Dames show.) The party that now opened the book was a housewarming party, so Serena could show off her new manse with the checkered past.
I had also created a character in the Paige series to serve as a kind of nemesis for her, a true crime writer named Jerry Channing, whom eventually I used as the impetus for getting the plot started in The Orion Mask. Jerry became rich and famous writing a book about the infamous, unsolved murder called Garden District Gothic, which in the Paige series seemed like a Scotty title to me, and I used it as a wink to those who were familiar with the Scotty series…and so, in writing about Scotty and the gang solving this old notorious murder, why wouldn’t I call the book Garden District Gothic, since it really is a Scotty title after all?
The murder was, of course, based on the Jon-Benet Ramsey murder that dominated the media and culture for so long back in the day. I just took the set-up of the story from that real-life case and started making up my own characters and backstories for them and went with it from there. The one thing that always bothered me the most about the case was the fact that people viewed the Ramsey family as speaking to the lawyers before calling the police as suspicious; no, it’s actually smart. Sure, it made them look “guilty” in the press (with all those headlines in the tabloids screaming this conclusively proves one of the family did it!!!! Who calls their lawyer first??? To which I again repeat, people who are fucking smart call their lawyer first. Period.), but it was the smart thing to do; someone had the presence of mind to realize that the most obvious suspects in the murder of a child are going to be the immediate family, and why–in a distraught state of grief over your child’s brutal murder–you would need to have a lawyer present when you’re being questioned by the police so you don’t say anything that could be misconstrued as an admission of guilt when you are not in fact guilty.
Always, always, always call the lawyers first. Always. If i have learned anything from my extensive reading of true crime and study of crime fiction, it is “never talk to the cops without a lawyer, especially if you are innocent.”
I was pleased with it when I was finished with it, but I’d kind of like to revise the ending a bit.
And of course, writing it left me with the decision of whether to reuse my Grande Dames of New Orleans reality show for the next Scotty book.
Sunday morning and I slept very well again last night, which felt marvelous. I stayed in bed later than I probably should have, but it felt so nice I didn’t want to get up and I did, in fact, fall back asleep relatively easily (I’ve woken up at six the last three mornings and went back to sleep for a little while longer). I did chores mostly yesterday–I intended to read and write and edit with the television on in the background, but the Kentucky-Mississippi game sucked me in (as did the Texas A&M-Mississippi State one) after I got home from my self-care (it was a back wax, okay?) and picked up the mail (there was none) I jus kind of vegetated while doing some chores around the house. I managed to get the bed linens laundered and another two loads of dishes done (it really is amazing how many dishes we dirty up during the week, seriously) and then we settled in for the LSU game last night, which was a doozy.
LSU played like they were walking in their sleep for the first quarter and a half, falling behind quickly 17-0 before a strip-and-scoop fumble turned into an LSU touchdown, and they engineered a drive in the closing seconds of the first half to pull within three, 17-14, and after a quick three-and-out to open the third, managed a strong, time-consuming drive to take the lead 21-17 and that was the end of the scoring. There was a super bizarre close to the game that included three turnovers in the final five minutes (Auburn then LSU before Auburn again), which left the Tigers able to run out the clock to close on 21-17 game that will be considered another classic in the history of the Tiger Bowl season. (Also, on the opening kickoff an LSU player–Sevyn Banks–was so severely injured he had to be strapped to a board and carted off the field before being rushed to the hospital, which kind of cast a pall over the game and the stadium, but fortunately Banks was able to come back to the game in a neck brace and rejoin the team, thank the Lord for this. These kinds of injuries are literally terrifying to see happen. Here’s hoping Banks recovers completely and this has no impact on the rest of his life.
All kinds of weird things happened yesterday–who had Oklahoma being blown out by TCU on their scorecard for 2022?–and so this weird and wacky season goes on. Georgia almost got beat by Missouri, Arkansas put a scare into Alabama, and let’s not forget that A&M game; the Aggie alums have got to be seriously questioning Jimbo Fisher’s outrageous salary around now. Sure, they beat Alabama and managed to finally beat LSU twice in a four year period after losing like eight straight, but they’ve never been a real contender other than the truncated 2020 season and let’s face facts, that was a weird season that shouldn’t really count anyway.
Someone really needs to write a history of the LSU-Auburn “Tiger Bowl” rivalry, as it has provided the conference with some of its most exciting games of the last thirty or so years, when the teams finally began playing each other every year.
Today? This morning I am curling up with my Donna Andrews book before I put in a Costco delivery order and spend the afternoon writing (and cleaning, and organizing). There will be new episodes of The Serpent Queen and House of the Dragon to get through this evening, and I believe Interview with the Vampire premieres today as well. There’s a lot of shows we watch returning soon, and other new ones premiering that we are looking forward to catching as well. I’ve also found a couple of half-hour comedies on various streaming services that look interesting, or like they could be funny (sometimes you just need something funny and short; seriously can’t recommend Reboot enough) we can try out. I got one of those dinner kits from Fresh Market last night–teriyaki chicken–which I am going to make for dinner tonight…my, what an exciting thrill ride this entry is for you, Constant Reader.
And on that note, I am going to head into the spice mines. Have a lovely Sunday, Constant Reader!
Queer and Loathing in America 