Category: Alabama

The Tinderbox of a Heart

Yesterday I was very tired. I’ve not been sleeping well this week, but at least on Tuesday I felt rested; yesterday I just felt tired, physically and intellectually. I did get some work done last night on the book, and today I feel very rested; I slept wonderfully last night, which was absolutely marvelous, quite frankly, and am very glad for it. Today is the last day in the office for me until a week from Monday–this is the weekend I’m going north to see Dad (I may not be around on here at all once I leave on Sunday) which is yet another reason why I need to get this revision finished. I feel confident that I can get it done before I go on this trip; I keep thinking that I’m almost done…

I haven’t started reading the new Megan Abbott; I’d hoped to spend some time with her new book last night but I was fried when I finished working on the book and just collapsed into my chair to provide a cat bed for Scooter. It was very cool yesterday morning when I left for the office, but the inferno had returned by the time I got off work. A small but welcome respite from the summer’s heat (Facebook memories reminded me that we’d been in a heat advisory at this time of year several times over the past few years–proving yet again the long COVID of last year did affect my memory. I saw an article I meant to read yesterday that said even mild cases of COVID caused a type of brain damage, or brain rewiring of a sort, which needs to be studied. I know my memory changed during the pandemic, but I also turned sixty during it, too. Was it the long COVID experience I had that rewired/altered my brain, or was that an after-effect of the trauma imposed by the shutdown and everything that followed in its wake? I can’t remember if I was having memory issues before I got sick last summer; but if that was indeed the case, it got much worse after I recovered…and was really bad while I was sick. It’s so hard to tell, so hard to remember, you know?

A case in point about my memory has been these last two manuscripts I’ve been working on since last fall. For one thing, it took me a lot longer than usual to write and revise both of them (I must also provide the caveat that the end of the last year and the beginning of this one was a very difficult time, all things considered) but as I am revising this manuscript I am continually amazed at how little I remember of it, let alone remember writing it. Again, this is very alarming, but at the same time I can also honestly say I’ve never stacked books like this before while writing them; going from one to another and then back and forth again repeatedly; I don’t remember much of the Scotty book, to be honest, either–but I remember more of it than I do this one. It’s a good manuscript, though; I like the characters and I like the story, and it seems like they want me to write a sequel to it, which is also kind of cool; I already have a title for the next one and an idea, amorphous yet still an idea, for what the story would be. After I get back from Kentucky, I’ll tell you a bit more about this project; I realize I’ve been very mysterious about it, but there’s not any reason for it other than my own superstition and fear of jinxing things by talking about them–which is just another symptom of my own neuroses, of course.

There are two tropical systems trying to form in the Atlantic right now. One looks like it’s going to head up the Atlantic coast, or will never come near land and just head north before dissipating; the other looks like it’s heading for the Caribbean Sea and the Yucatan. Yay for hurricane season, he typed sarcastically. I was also thinking last night about future Scotty books; I think I am going to cap that series at ten. I think Mississippi River Mischief is the ninth Scotty, which would only give me one more title for the series. No, scratch that; I will make no promises or any commitments regarding the future of that series, and will leave it the way I always have in the past: if I get an idea for one, I will write another one.

What I have been thinking about lately is that I want to write books I feel passionate about; I want to tell stories and write books that will have some kind of impact, or require a lot of emotional and intellectual work on my part, if that makes any sense. Last night Scott Heim tweeted an excerpt from the opening of Jim Grimsley’s beautiful novel Winter Birds, and I remembered again how much I love Jim Grimsley’s writing and his authorial voice (I inevitably default, when it comes to Jim, to Comfort and Joy, which is one of my favorite Christmas stories of all time; but his other work is also lyrical and poetic and beautiful, too). It also made me think about my own writing and my own authorial voice. Do I have a distinctive authorial voice? Can someone read my work without knowing its mine and be able to tell that it’s mine? I know that I can write beautifully and poetically when it suits the story; I know I can do a voice that can sound haunting and sad. I try to always do different things when I write out of series; I want to write different types of stories and use different kinds of authorial voices and write in different styles. I think my best work inevitably tends to be Gothic in voice and style; those are certainly the favorites of my own works that I’ve written (Timothy, Bury Me in Shadows, Lake Thirteen, Sorceress, The Orion Mask), and whenever I write about Alabama, I seem to lapse into this very lovely, literate-sounding voice. I’m not quite sure why that is, but it’s been mostly in short stories; I do want to write more about Alabama and my complicated relationship with my home state. I am passionate about writing both Chlorine and Muscles, which are on deck for me; I am wavering about whether to leave “Never Kiss a Stranger” as a novella or whether to expand it out into a novel; I can see it working either way. I don’t want any of the novellas to turn into novels, frankly; I don’t have the time necessary left to me to write everything that I want to write in the first place. But am I trying to force novels into novellas because that’s how I decided to write them, or are they better off as novellas? These are the things that make you want to load your pockets with heavy stones and walk into the river.

And LSU did beat Wake Forest yesterday, forcing a third game to determine who plays Florida in the finals of the College World Series. GEAUX TIGERS!

And on that note, I am heading back into the spice mines. Have a lovely Thursday, Constant Reader, and I will check in with you again tomorrow.

Five Ten Fiftyfold

Tuesday and back to the office with me today blog.

Yesterday was a bit of an off day for me; I didn’t feel good for most of the day. Paul’s been sick since Thursday–coughing, lots of congestion and post nasal drip–to how crappy I felt yesterday was at least not as bad as he was at his worst; and this morning I feel fine. Not sure if it was some twenty-four hour thing, but hope that feeling better lasts through the rest of the day. We had some amazing thunderstorms last night while I was sleeping; it’s kind of gray and icky looking outside right now. The forecast is the usual–hot, humid, chance of thunderstorm–so I’m hoping my sinuses remain under control for the rest of the day as well.

Yesterday morning I finished reading Chris Clarkson’s delightful That Summer Night on Frenchmen Street, which I really enjoyed, and have selected Megan Abbott’s Beware the Woman as my next read. I’m not sure when I’m going to have the time to actually spend reading it thoroughly and enjoying it–probably will go with me to Kentucky as my “before I go to sleep” read. LSU lost a heartbreaker to Wake Forest yesterday 3-2, so now have to fight their way back out of the losers’ bracket if they want to win the College World Series. Hope springs eternal for an LSU fan–we did break the Jello Shot Record at Rocco’s yesterday–but I’m just delighted they made it to the World Series this year. GEAUX TIGERS!

I have some more work to do on this manuscript before I turn it in. This is the revising/fixing phase of the edits; where I have to do the more macro things. I had hoped to get this done yesterday but I wasn’t feeling well, and as such couldn’t really focus the way I needed to–I did try, of course–so tonight after I run my errands on the way home from work (there’s always something, really) I hope to sit down and bang out the rest of this to get it finished and out of my hair and out of my way. We started watching a documentary series about the history of Warner Brothers last night, which is always fun; I always like learning more about Hollywood history. The documentary didn’t really provide me with anything new or insightful about the history of the studio, other than further confirmation that Jack Warner was an asshole. There are two more parts, so that takes care of our television watching needs for this evening, at the very least. I figure with show episodes dropping this week and me being gone next week will help our shows build up back episodes to watch.

It’s also weird that it’s Tuesday already. I feel like I am going to be off this entire week because of it, then I’m out of the office for a week, and then I come back to the abbreviated 4th of July holiday week. As much as I love having extra time off, it’s always a weird week when the work week is truncated this way; I always feel kind of somehow off my game no matter what. But it’s a short week, I’m off next, and I need to get organized. I need a to-do list, most importantly, and to figure out where I’m at with everything. I always have this tendency to be as laser-focused as someone with (undiagnosed) ADHD can be; which means the book is the biggest priority and everything else is an incredible inconvenience that I don’t pay much attention to other than the occasional yeah yeah I know I need to work on you, but give me a minute.

Despite not feeling well yesterday–I also was feverish most of the day–I was able to get chores done around the house so it looks a little neater and a little less fraternity dorm room. I do want to drop books off for the library sale this coming weekend before leaving town, and I also want to get the car washed and cleaned out–chores for Saturday! Huzzah! I think we’re doing an escape room team bonding thing on Friday morning and then having lunch, then I can go home and do data entry–woo-hoo! It doesn’t get much more exciting than that, does it? And then of course Sunday it’s up to Alabama to meet Dad. I had a bad day one day last week about Mom; when the grief came back and I wasn’t able to reason or breathe or mind-clear my way out of it, so I just gave in and had a nice, good cry for a few minutes, and then I was able to get moving again. It’s been four months since we lost Mom, and I don’t think it’s something I’ll ever get used to but rather something I will gradually just be able to live with. I don’t think any of us can expect more than that, really.

And on that note I am heading out in the thick heavy air of a hot summer day in June. I’ll catch you later, Constant Reader; hope you have a lovely day.

Perhaps Some Other Aeon

Tuesday morning and heading out to Metairie for an appointment. I took the entire day off because I have no idea how long this might take or how I might feel after, so I figured it was better to not have to deal with clients. It’s nothing serious, and perhaps by being vague I am intensifying interest in what my appointment is; I’m just not comfortable talking about it just yet. Who knows? Tomorrow I might be here telling everything and more, always more than you could possibly want to know. Then again, you are here, after all.

I got some great work done on the book last night, and I am feeling most self-satisfied to the point where I can barely stand myself today. I hadn’t planned on using today to finish the revision when I asked for the day off, but how opportune this has turned out to be for me. When I get home, I can do some chores around here and then dive into the final two chapters of the book. Yes, I said the final two chapters. The end is clearly in sight, and the work I did today successfully pulled the story back in from some dead ends and subplots that were not absolutely necessary. I cannot wait to get home and finish it off this afternoon. But…we’ll see how it goes. One never knows when fate is going to throw a monkey wrench into your plans. (And what an odd phrase that is. I wonder what it’s origin was?)

We finished watching The Lake last night and it was quite fun and cute. I really like Justin Gavanis, and Julia Stiles is epic as Maisie the bitch no one likes and everyone fears. We also started watching the new Apple Plus Tom Holland series, The Crowded Room, which seems relatively intense and sad at the same time. But we’re intrigued and will most likely continue with it this evening. I also like Amanda Seyfried, and she’s the female lead.

I didn’t fall into a deep sleep last night but I rested, which is all that matters. I’ll hit a wall at some point this afternoon without doubt; but that’s okay. As long as I can get my work done once I’m back home from this appointment, that would be super great. I can also get some more chores around here done, too. Or I could get back to reading, if my brain isn’t too fried. Funny how reading used to be the thing for me when I was tired, to relax and refresh and reboot my brain, and now that I’m older I can’t focus enough to read when I’m tired. My reading has slowed down a lot this past year or so; the pandemic gave me a lot of time to read, but for the longest time I couldn’t. I did reread a lot of Mary Stewart novels to get me into reading again–I also reread some other marvelous older titles that I love, like Crocodile on the Sandbank by Elizabeth Peters–and that broke through that barrier to reading. Maybe I should do that again, once I get my current book finished reading? But I’ve also got some killer reads to get to–new books by Kelly J. Ford, Eli Cranor, Megan Abbott, and S. A. Cosby, with a new Carol Goodman and Laura Lippman coming later this summer. And then of course there are all the books I’ve got here that I haven’t read, because I am a book hoarder.

And I got the notes for the other manuscript I am trying to get finished and out of my hair as well. So, if I can get the last two chapters finished today, and write the epilogue, I can start doing the macro edits. I have a long lovely weekend ahead of me, thanks to the Juneteenth holiday, and of course the week after that I am heading to Alabama and Kentucky to spend some time with my dad. Their anniversary is–was–June 26th, so I am going to meet Dad there in Alabama for their anniversary and then we’ll caravan back up to Kentucky. And then we’re in July–another truncated work week for me–and next thing you know it’s Bouchercon and football season and then the holidays and the year ends and that, my dear Constant Reader, is how you run out of time and how quickly life shoots past.

And on that cheery note, I am going to head into the spice mines and start getting ready for this appointment. Have a lovely Tuesday, Constant Reader, and I’ll check in with you again later.

Shallow Then Halo

Monday morning and heading into the office to start the work week. I have tomorrow off, as I have a dentist’s appointment, and with no idea how long that would take or what they might be doing to me while I am there, I just figured it was easier, much easier, to simply take the day off so as not to worry about coverage and when I can get to the office and so forth. I am very sick of my mouth and very sick of dealing with my teeth; I am very tired of looking like someone from the holler and I’d like to get it all taken care of once and for all. I will spare you my rant about dentists and my teeth, but make no promises for how I may be after the appointment.

Probably safer to take the day off.

I slept well again last night and feel very rested this morning, which is a lovely way to start the week but I am not fully awake yet, I don’t think. Come on, coffee, work your magic. I did get progress made on the revision this weekend, which has me actually back on schedule, which, of course, is absolutely lovely. I shall just keep plugging away at this every day until it’s finished, which will be this week and then I have to do revisions on another book and when that’s finished, I can breathe again. Both of these should have been finished long ago, but then again here we are, you know? I didn’t expect everything to go off the rails the way it did after Thanksgiving (although things were already off the rails and had been for quite some time, frankly, I just refused to accept or admit it), but that also just goes to show you need to be careful when setting incredibly tight deadlines–you can never completely and fully prepare for everything life is going to throw at you, but it definitely appears as though scheduling tight deadlines is kind of asking for it, in a way. You’d think I’d eventually learn, but then again–I am a stubborn-ass kind of fool who never learns when it comes to deadlines.

It was a nice weekend, really. I couldn’t focus on reading non-fiction, so spent some more time with nonfiction, which is nice. I really should make the time to read for an hour every day. I think it would help stimulate my creativity, and reading is always a learning experience for me. I try to shut off the editorial brain when I am reading something for pleasure, but it’s not always easy–nor is the oh, that was a clever way to do that or I wish I had thought of that or what a lovely piece of writing that paragraph was! Nope, that’s just as hard to turn off as the editorial brain. I’ve also been editing a manuscript, and that also has something to do with the editorial brain; I am already in that mode and I was also revising one of my own; not really surprising that I’m not able to consume and enjoy fiction whilst in the middle of doing that. I did get some chores done and I did get some revising done and I also got some rest, which is always important. We finished watching Now and Then on Apple, which was full of surprises, and then moved on to season two of The Lake, a cute little half-hour comedy on Amazon Prime. The stars are Julia Stiles (who plays the uptight bitch stepsister to perfection) and the guy who played Felix on Orphan Black, whose name I can’t think of at the moment…JORDAN GAVARIS. I think he’s an out gay actor (or he’s an actor who primarily plays gay men) who was simply brilliant in Orphan Black (the entire cast was terrific, but it was hard to notice given Tatiana Maslany’s tour-de-force as all the clones), and he is fantastic as a self-absorbed drama queen on this show, which is clever and original and funny. I recommend the show; it’s witty and funny and pretty original–and no one is talking about it, which is a shame.

Of course I am going to spend a week with my dad later this month and hopefully, I won’t have to worry about having anything due or checking emails that week, so I should be able to get a lot of reading done while I am up there. I’ll probably listen to another Carol Goodman on the way up there, but I am also starting to run out of Carol Goodmans (write more, Carol!) but I also suppose I could find another author who’d be fun to listen to in the car. (Another author I was listening to on long drives really pissed me off with her last one I listened to, so won’t be going back to her for a while.) Oooh, Lisa Lutz! Lisa Unger! Jennifer McMahon! There are so many good writers and I have soooo much reading to catch up on, too…

And on that note, I am heading into the spice mines. Have a lovely Monday, Constant Reader, and I will check in with you again later.

Fotzepolitic

Sunday morning and things went about as well as could be expected yesterday. Friday evening I had some items delivered from Sam’s Club, but hadn’t noticed that one of the items ordered actually had to be shipped; it arrived this morning here at the Lost Apartment. And while I was waiting for my Cox cable technician to arrive (I rearranged the entire morning to accommodate their 10-12 am window), I got a text message at 11:30 informing me that my appointment was cancelled; then came the email stating we know things happen! Reach out and reschedule! I reached out, only to be told that the technician arrived, called, got voicemail, and departed DESPITE MY HAVING GIVEN THE SAME INSTRUCTIONS I ALWAYS GIVE: OUR BUZZER DOESN’T WORK SO YOU HAVE TO CALL OR TEXT WHEN YOU ARRIVE.

Also, I had my phone with me all morning, so I wouldn’t miss the call. No one called, I have no recents, and I have no voicemails.

This obviously threw me off my game yesterday for writing, but I did get some done. I am a bit behind on the schedule I’d given myself, but I think it’s going to go relatively easily from now on. I ran some errands, came home, got cleaned up, and dove into the writing. I wasn’t really able to shake off the mood, so after struggling for a few hours to get the chapter done, I called it a day and repaired to my easy chair. Needing to cleanse my soul, I did a rewatch binge of the first episodes of Ted Lasso, which are even more charming on rewatch because you get to see all the callbacks you might have forgotten about later in the run of the show, like Keeley acknowledging that she “dated a 23 year old footballer when she was seventeen, only now I’m thirty and I’m still dating 23 year old footballers” while talking to Rebecca. You can almost see the light come on in her eyes–what the hell am I doing–which kind of opens the door for her breaking up with Jamie later. Even though they don’t know each other well, she recognizes that it’s time for her to grow-up and start thinking about her own future, while talking to Rebecca–which is the first building block in their close friendship. Then later, when Paul was finished working for the day we watched Bama Rush, which was kind of disappointing. Originally focusing on four girls about to go through sorority rush at the University of Alabama–which I guess is this viral thing on TikTok–it got a bit derailed with the director started seeing similarities in behavior of the girls planning to go through rush as she went through being a lifelong alopecia sufferer…which could have been made a lot more interesting, but I always thought the point of a documentary was the director didn’t make themselves a part of the story? I think the point she was trying to make was valid, but the way the documentary was a edited together simply didn’t work. The focus shifted, and it derailed after that.

But Jesus God in heaven, those sorority houses in Tuscaloosa! The fraternity houses! They’re enormous. I had kind of figured Greek life at universities would be declining, given how old-fashioned and restrictive they can be, especially sororities–and this newer younger generation doesn’t seem as interested as preserving traditions and institutions as previous ones were, but Bama Rush showed me things I didn’t know…that “Rush Consultant” is actually a career, for one thing…and the documentary only briefly touched on the Machine, a supposedly secret society made up of representatives from every fraternity and sorority that controls everything at the University. (I kind of love that shit; I’ve long been an admirer of Pat Conroy’s The Lords of Discipline, which kind of touched on that kind of thing.)

Today I am going to get shit done. Later this morning I am going to make a very brief and short grocery run to the Rouse’s in the CBD, and then I am coming home to spend the rest of the day writing and reading. I didn’t read yesterday, which was a bit disappointing; I’d hoped to finish reading my current book this weekend so I could move along to Megan Abbott’s new one; but anticipation is always lovely, and perhaps I can get along to that next week. One can always hope, can’t one?

But I feel rested and awake this morning. My back and legs are a bit tight and sore, so I think I’m to use that massage roller thing for my back and maybe do some stretching (which I should do every day) to see how it feels. I am planning on getting a chapter finished, maybe doing some reading, and then making my grocery run so I can come back and do more writing. I need to write most of the day, to make up for the last couple of days of irritation and aggravation that kept me out of the proper mindset.

My mind has been all over the place this week, which is weird, but also kind of normal for me. Whenever I am in the weeds with a book my mind goes off in all kinds of directions and produces all manner of thoughts and ideas. I started writing several other entries yesterday, specifically for Pride Month and specifically about being gay–sometimes about being a gay author and what that’s like; I always forget that people never really quite grasp or understand what it’s like to be a queer writer in an intolerant country, of what it feels like to be othered by every community in which you try to find a place where you belong. I’ve never wanted to be THAT gay; the one constantly having to remind people of what is and isn’t homophobia, and is always having to point it out and teach straight people about what it’s like. It’s exhausting, frankly, and sometimes the well-meaning ignorance is highly offensive, but you know they don’t mean it that way so you push down the offense and ignore it while calmly trying to explain to the person why they can’t say or do that…while also not trying to hurt their feelings (although had they put even the tiniest bit of thought into it, would have never said anything offensive in the first place). It’s exhausting having to see trash equate your sexuality with pedophilia and grooming on a daily basis. It’s exhausting having to constantly have to defend your right to exist, having to constantly prove you’re a human being worthy of being treated the same as everyone else…

The mental health of queer people is always under constant assault.

And on that note, I am going to get some more coffee and start working. Either on the book, or on one of these Pride entries. I can’t decide which. We’ll see. Anyway, enjoy your Sunday, Constant Reader, and I’ll check in with you again tomorrow.

You Must Love Me

Many years ago, at a Bouchercon in the far distant past, I was lucky enough to be assigned to a panel with several strangers. It was Raleigh, and I don’t remember what the panel was about–other than none of us on the panel actually wrote what the topic was about–but it ably helmed by Katrina Niidas Holm. That was the weekend where I was lucky enough to meet both her and her husband, Chris. Also on the panel were Liz Milliron, Lou Berney, and Lori Roy. I always intend to read my co-panelist’s work before panels, so I can talk to them intelligently about their books–but it’s not near as pressing as it is when I moderate, and this was one of those years where I was busy and simply didn’t have the time. The panel was marvelous. I had the best time, and I loved everyone on the panel. I have since gone on to read their work and have become a besotted fan of all three of them, really.

My first Lori Roy novel was Bent Road, which won her (deservedly) the Edgar for Best First Novel. I absolutely loved it, and made sure I got the next two as well. (At the Edgars following the Raleigh Bouchercon, both Lou and Lori won Edgars; her second, also making her one of the few authors to win Edgars for Best First and Best Novel.) I’ve read everything she’s published since then, but have never gotten to the second novel (an Edgar Best Novel finalist) or Let Me Die in His Footsteps, her second nomination for Best Novel and her second Edgar win. I don’t remember why I decided to finally read Let Me Die in His Footsteps, but I am very glad I did.

It’s really quite marvelous.

Annie Holleran hears him before she sees him. Even over the drone of the cicadas, she knows it’s Ryce Fulkerson, and he’s pedaling this way. That’s his bike, all right, creaking and whining. He’ll have turned off the main road and will be standing straight up as he uses all his weight, bobbing side to side, to pump those pedals and force that bike up and over the hill. In a few moments, he’ll reach the top where the ground levels out, and that front tire of his will be wobbling and groaning and drawing a crooked line in the soft, dry dirt.

They‘re singing in the trees again today, those cicadas. A week ago, they clawed their way out of the ground, seventeen years’ worth of them, and now their skins hang from the oaks, hardened husks with tiny claws and tiny, round heads. One critter calls out to another and then another until their pulsing songs made Annie press both hands over her ears, tuck her head between her knees, and cry out for them to stop. Stop it now. All these many days, there’s been something in the air, a spark, a crackle, something that’s felt a terrible lot like trouble coming, and it’s much like the weight of those cicadas, thousands upon thousands of them crying out to one another.

Annie has known all morning Ryce would be coming. It’s why she’s been sitting on this step and waiting on him for near an hour. She oftentimes knows a thing is coming before it has come. It’s part of the curse–or blessing, if Grandma is to be believed–of having the know-how.

Let Me Die in His Footsteps is set in rural Kentucky, with a dual timeline–the present in the book is 1952; the past is 1936. Both timelines feature two sisters, one normal and the other with the “know-how.” In the present, Annie is the sister with the know-how while her sister Caroline is normal and pretty and sweet and pretty much beloved. The 1936 section focuses on Caroline’s mother, Sarah, and her sister with the know-how, Juna. It is soon made clear in the present day that something terrible happened back in 1936, something whose repercussions are still being felt to this present day of 1952. Annie isn’t Caroline’s sister, but rather her cousin; Sarah is Caroline’s mother while Juna was Annie’s. Juna also had a bad reputation around the county, having played a pivotal role in the 1936 tragedy. The book opens with Annie reaching her ascension; the halfway mark between sixteen and seventeen, when she is supposed to look down into a well at midnight, where she will see the face of the man she is going to marry. Annie sneaks out of the house late at night to go next door and peer down into the Baine family well; there’s trouble and tension between the two neighboring families…dating back to 1936. All the Baine sons are long gone; the only one left is old Mrs. Baine, who sits out on her porch with a shotgun in case of her worthless sons try to come home. Caroline follows Annie and sees someone in the well; Annie sees no one. But after the look into the well, they discovered Mrs. Baine’s dead body in the yard…and all the secrets and lies from 1936 start to not only unravel but impact 1952.

We’re never really sure what the “know-how” is, or if it’s just an old wives’ tale, a superstition. The rural south in both 1936 and 1952 were dramatically different than modern times; the rural areas weren’t as exposed to television or films or the newspapers, really and the old ways still held sway. I can remember being told about someone with the sight that everyone was supposed to stay away from in rural Alabama when I was a kid; those kinds of superstitions and beliefs still exist in some of these more backward rural areas. But one thing I truly appreciate about Roy–who often writes about poor rural Southern people–is that her writing isn’t what I call “poverty porn”; her characters are very real and this just happens to be their situation. The Hollerans have a lavender farm, having eschewed tobacco in the recent past after Grandpa Holleran died from lung cancer. Lavender infuses the novel almost from the very first page. I love the smell of lavender, although I would imagine fields and drying houses filled with it might be a lot. The story plays out in a slow burn, terrific build to the end, and all kinds of secrets from the past must be dealt with in order for the present-day characters to get on with their lives.

Roy is such a good writer that it almost takes my breath away. She uses a distant third person point of view, one in which we don’t really get inside her character’s heads that much, so the reader has a kind of distant remove from the characters, but it really works. Her work reminds me of Faulkner without the racism, and of other great Southern writers. Her novels are very smart, with a lot of depth and emotional honesty that resonates with the reader, compelling us to keep reading.

Highly recommended; Let Me Die in His Footsteps clearly deserved to win the Edgar for Best Novel.

Hopefully there will be a new Lori Roy soon, because all I have left of her canon is her second novel, Until She Comes Home, which was also an Edgar finalist.

Music

Tuesday morning and it looks like we managed to survive Monday somehow. It was ninety-seven degrees yesterday when I left the office–but the humidity hasn’t started getting super bad yet. After getting the mail and making groceries, I was exhausted by the time i finished unloading the car and putting everything away. And it’s only May. It’s funny how we forget the brutality of summer when it’s not summer her, every single year. It’s always a shock how hot it gets here when the summer heat returns in late spring…and how much it saps the energy right out of you. I did manage to get some work done last night after putting everything away, and then I repaired to the easy chair after a ZOOM meeting to be a kitty bed.

We started watching Shrinking last night on Apple TV, and it is really one of the funniest shows I’ve seen. I believe it’s written by Brett Goldstein, aka Roy Kent on Ted Lasso, and stars Jason Segal and Harrison Ford. Once it hits its stride–the pilot episode was a bit uneven–it becomes absolutely hilarious. I can’t believe more people aren’t talking about this (maybe they are, I am notoriously oblivious, after all) but it’s terrific. Funny–and the humor comes from the characters and who they are, rather than situations, which makes it richer and more human, I think. Jason Segal plays a therapist whose wife passed away about a year before the show opens, and he’s questioning everything about his life, including how he practices therapy with his patients, and decides to be more active, proactive even, in his treatment of them. Sometimes this works, sometimes it doesn’t, but it is always quite clever and funny and enjoyable. He also has an estranged relationship with his daughter–his grief was selfish, and he wasn’t there for her when she lost her mom–and their neighbor, Liz, has kind of taken over taking care of Alice the daughter, so he’s trying to rebuild that relationship as well, while navigating his gratitude to Liz for stepping up–complicated by the fact she won’t let go or step back. Like Ted Lasso, it’s about relationships and learning how to navigate grief–in Ted Lasso, it’s the grief of the failed marriage, in Shrinking, it’s grief over a dead spouse…but the primary takeaway from the show so far is something I’ve noticed, and a friend who lost her spouse about six months ago and I have been talking about, is the lack of conversation and discussion about grief, how to grieve, how long one should grieve, the guilt you feel whenever you have a good moment or something nice happens to you (“I shouldn’t be having a good time!”), and so on.

We have a billion dollar industry built around grief–the mortuary business–and yet that’s all about the public display of grief, rather than the intimate experience of it. Ah, capitalism. I’m actually surprised no one has figured out a way to monetize grief, really. Or maybe that’s what the mortuary business is? If so, at least in my case, it’s gone horribly wrong. The service in Alabama at the funeral home was absolutely lovely, don’t get me wrong–but it didn’t provide me with any closure or answers or much of anything other than the ability to share sadness with the rest of the family (and I do pity the relatives who didn’t come or even call or anything; that is something Dad will never forgive. I am a little more understanding, but totally get where he’s coming from and can appreciate and understand it. He worshipped her and he saw that as a slap in her face, right or wrong.), so I don’t know.

I don’t know much about anything, really. Almost every day is a reminder of how little I know and how little I understand. But life really is a learning process; I hope to never stop learning and evolving and growing until the day my heart finally gives out as well.

And on that note, I am heading back into the spice mines. Have a lovely Tuesday, and I will check back in with you again tomorrow.

Flowers on the Wall

I love Carol Goodman’s work.

I don’t remember which of her books I read first; I am thinking it was The Sea of Lost Girls, but that may be wrong (probably is; my memory is for shit these days) but I DO know I first met her in person at the HarperCollins cocktail party at Bouchercon in St. Petersburg, and she’s just as marvelous as a person as she is a writer. Since then I’ve delved into her canon of brilliant books–have yet to come across one that is even slightly disappointing–and each one makes my fandom flame burn even more brightly.

And then in Minneapolis, over lunch with a few friends at that wonderful Irish pub near the hotel, I discovered the clincher: she is also a Dark Shadows fan. She even joked, “I’ve realized that most of my books are really about Barnabas Collins and Maggie Evans”–which made me think even more deeply about how much of an influence the show was on my own writing (Bury Me in Shadows owes a HUGE debt to the show). She has a new book coming out this summer, which is very exciting–I have that weird thing about never wanting to have read everyone’s entire backlist, so there’s always one more book for them to read without me having to wait to get my hands on it–and during my trip to Alabama for the First Sunday in May I listened to The Ghost Orchid, which was so good that when I got home that Sunday night, I grabbed my headphones and listened to the final thirty minutes of the book while unpacking and doing things around the apartment.

I came to Bosco for the quiet.

That’s what it’s famous for.

The silence reigns each day between the hours of nine and five by order of a hundred0year-old decree made by a woman who lies dead beneath the rosebushes–a silence guarded by four hundred acres of wind sifting through white pines with a sound like a mother saying hush. The silence stretches into the still, warm afternoon until it melts into the darkest spot of the garden where spiders spin their tunnel-shaped webs in the box-hedge maze. Just before dusk the wind, released from the pines, blows into the dry pipes of the marble fountain, swirls into the grotto, and creeps up the hill., into the gaping mouths of the satyrs, caressing the breasts of the sphinxes, snaking up the central fountain allée, and onto the terrace, where it exhales its resin- and copper-tinged breath out onto the glasses and crystal decanters laid out on the balustrade.

Even when we come down to drinks on the terrace there’s always a moment, while the ice settles in the silver bowls and we brush the yellow pine needles off the rattan chairs, when it seems like the silence will never be broken. When it seems that the silence might continue to accumulate–like the golden pine needles that pad the paths through the box-hedge maze and the crumbling marble steps and choke the mouths of the satyrs and fill the pipes of the fountain–and finally be too deep to disturb.

Then someone laughs and clinks his glass against another’s, and says…

“Cheers. Here’s to Aurora Latham and Bosco.”

“Here, here,” we all chime into the evening, sending the echoes of our voices rolling down the terraces lawn like brightly colored croquet balls from some long-ago lawn party.

“God, I’ve never gotten so much work done,” Bethesda Graham says, as if testing the air’s capacity to hold a longer sentence or two.

Carol Goodman’s books are, above and beyond anything else you might want to say about them, incredibly literate and smart. She reminds me of Mary Stewart in that way; Stewart’s novels, often dismissed as “romantic suspense” (don’t even get me started on that misogyny), were smart, clever and incredibly literate, with Shakespearean references and quotes and allusions to classical literature. Goodman’s works are also the same; Goodman’s background in classics scholarship is utilized in every one of her books but not in a way that feels intrusive or showing off. It’s all integrated into the story and not only moves the story forward but deepens and enriches the characters as well as the plot, which is not easy to do. Her books are often built around some sort of academic/intellectual backdrop, from boarding schools to small colleges to actual archaeological digs (The Night Villa is absolutely exquisite; superb in every way), and her heroines, aren’t pushovers (as in most “romantic suspense”) but strong and smart and driven, if haunted by their own insecurities and past failures. Goodman is also not afraid to cross the line over into supernatural occurances, either; the previous one I’d read had a touch of the woo-woo, as does The Ghost Orchid, but it’s not intrusive and it actually plays out so honestly and realistically that you don’t question it.

The main character of the book is a young woman named Ellis Brooks. Ellis is a young author-to-be who is working on a novel based on what is called “the Blackwell Affair.” She had already written and published a short story based on an old pamphlet she found; the book research makes her a natural to be chosen for a residency at Bosco, an old estate in upstate New York that has become an artist’s colony, sort of like Breadloaf, but for a much more extended stay and for fewer artists. “The Blackwell Affair” actually took place at Bosco, when the original mistress of the estate, Aurora Latham, brought an experienced medium named Corinth Blackwell to Bosco to hold seances to try to reach the spirits of her dead children–any number of whom were either stillbirths or died shortly after being born; she had four children who lived but lost three of them to a diphtheria outbreak the year before. Corinth Blackwell and the only surviving Latham child disappeared one night after a seance; hence “the Blackwell Affair.” As Ellis does her research and gets to know her fellow artists better, she becomes more and more aware that the past at Bosco doesn’t rest, and the untold stories of the past must be unearthed before everyone at Bosco can be safe.

Goodman is also a master of the dueling timeline; one in the past and one in the present, and weaves the stories together so intricately that I marveled at the mastery, as the present day characters wonder about something and then we get the answer in the past. There are so many secrets, so many lies, so many spirits; but as always with the best ghost stories, the past is finally laid to rest when the truth is exposed.

I loved this book, and it reminded me not only of Dark Shadows (knowing she’s a fan I’ll always see it in her work now) but also of Barbara Michaels’ best along with Mary Stewart. Can’t wait to dig into another Goodman novel!

Drowned World/Substitute for Love

Saturday morning in the Lost Apartment and I finally slept well last night, and I even slept in for an extra two hours this morning. I could have easily (and gladly) stayed in bed for even longer, but I have too much to get done this weekend to allow myself to slovenly lay in bed for the entire morning, so once Scooter’s outrage about not being fed at six a.m. manifested itself into non-stop yowling, I got up and fed him. I feel very rested today, which is lovely. I was tired and dragging all day yesterday, and when I finished work I had things to get done. Paul and I ran out to Costco for a restocking (I hate that sometimes they have stuff and sometimes they don’t; they didn’t have several key things I always get when I go) and then I picked up the mail and a prescription. I need to get gas this weekend as well as make groceries, and the tires need to be aired up as well (the low pressure light came on in Alabama last weekend, but only one tire was low and it wasn’t officially low; it was simply lower than the other three tires), and there’s all kinds of other things I need to get done this weekend. I am editing a manuscript which needs to get finished this weekend; I’d like to do a little more work on my own manuscript; and I would absolutely love to finish reading Lori Roy’s brilliant Let Me Die in His Footsteps this weekend as well. It’s seem rather daunting when it’s put that way, but I am confident that not only can I get all of it completed but without driving myself insane, either.

Always a plus!

We watched The Boston Strangler film on Hulu last night (after an episode of Somebody Somewhere, which I am really growing fond of), and it was quite good. It focused on the two women reporters who figured out there was an actual serial killer and did all the pursuing of the case, all the while tweaking the police who were falling down on the job and forcing them to actually do their work. I wasn’t old enough when the killings were actually happening, but my dad had a copy of Gerold Frank’s The Boston Strangler and I did read that, as well as watched the Tony Curtis film version of the story when it was released to the television networks after its theatrical run. I don’t really remember much of reading the book, other than one landlady who was certain one of her tenants was the Strangler, and the story kept coming back to her and her suspicions. That always stayed with me over the years (what if your tenant/neighbor was a serial killer and you started to suspect? which became my story “The Carriage House”–yes, Virginia, that story gestated in my head for nearly fifty years before I wrote it) and to this day I still remember how chilling that was and how much I worried for the landlady. (It’s also the plot of the ancient Hitchcock film The Lodger, in which the landlady suspected her tenant was Jack the Ripper.)

I was thinking yesterday about the entry I wrote yesterday morning and the way I was/have been feeling for quite some time, and I realized that I’ve been a very passive participant in life; I’ve been kind of letting it happen to me for a while now rather than living my life actively. I don’t know if it’s exhaustion, both physical and emotional, or a reaction to trauma; or maybe, perhaps, even both. The last few years have been rough on everyone; I don’t think we’ll ever know the full extent of the trauma we all experienced as a result of that paradigm shift back in March of 2020; the shutdown, the battles over what was responsible and what was irresponsible; the insanity of the anti-vaxxer movement and everything else that was just plain wrong over the last few years. I suppose for some of us the trauma goes back even further, to the 2016 election. But it’s kind of true. I think I was very active in my own life and the pursuance of goals before 2016, and ever since 2016 I’ve just been kind of coasting along, letting things happen instead of making them. As a general rule I don’t like coasting through life; it was the recognition that was what I was doing in my early thirties that led to the big changes in my life, which was followed by the achieving goals I had always dreamed about, since I was a little boy.

But roadblocks and speed bumps encountered aside, I think had I been able to look ahead twenty-one years when my first book was released to see where I am today, I’d have been pleased and thrilled and more than a little bit smug about what I’d accomplished. A character trait I’ve never wanted to have is arrogance, and I am always afraid of sounding arrogant when talking about myself and my career. I never want to sound arrogant or smug (well, unless I am dealing with haters, in which case I love giving rein to smug condescending arrogance), but over forty novels? Over twenty anthologies? Over fifty short stories? Fifteen Lambda nominations, and seven Anthonys in total? Nominations for the Macavity, the Shirley Jackson, the Lefty, and the Agatha? How could I not be satisfied and proud of myself?

As I was making room for the Costco purchases once we got home, I was putting some things up in the storage attic and needed to move a box, so I looked inside of it to see what it was. Clippings and things from my career, it turned out–once I carried the box down the ladder to the laundry room I could see I’d written Career Memorabilia on it in Sharpie–and inside was all kinds of things. Back issues of Lambda Book Report from the days when I was either its editor or did some writing for them (or when they were reviewing my work), and back issues of Gay and Lesbian Review Worldwide, too, along with Insightoutbook catalogues (what a serious blast from the past). Of course I had to bring that box down and keep it for sorting through and scanning purposes (I am serious about cleaning shit out of the storage attic this year), and hilariously found the September 2000 issue of Lambda Book Report, with Michael Thomas Ford on the cover. (Peering inside, I saw that Paul actually was the one who interviewed him!) Scanning all of this stuff will be a huge undertaking, and I do actually hate the thought of throwing it all out once it’s done; I don’t know if Lambda ever archived the back issues or not, so this may be all that’s left of it out there. Same with Insightoutbooks; it was very important and crucial to queer publishing between 2000 and when it went under sometime around 2009 or 2010 (that may be wrong; I also found an issue of LBR from 2008 or 2009, and I would have sworn under oath that LBR stopped publishing a print edition long before that. (You see why I no longer trust my memory? Mnemosyne no longer comes to my aid anymore these days, which is most unfortunate–and yes, the reason the goddess of memory comes to mind is because of Carol Goodman’s marvelous The Ghost Orchid–more to come on that score.)

But I also did some cleaning up and filing around here while I was making dinner (ravioli) last night, so this morning the office doesn’t look as bad as it usually does on Saturday morning; the sink is filled with dirty dishes and there’s a load in the dishwasher to put away, but more of the things I generally wind up doing Saturday morning are already done, so there’s no excuse for me not to be highly productive today other than malaise and laziness.

And on that note, I am going to get these minor chores handled while I keep drinking coffee and my mind finishes awakenening.

Ray of Light

The cemetery where Mom rests is small. I remember it as being much bigger, of course, but everything there is smaller than I remember. But most of my memories of Alabama predate my adulthood, so things that seemed enormous to a child don’t seem quite so large to an adult.

I’ve written about it before, just as I’ve written plenty of stories (and even a book! Or two!) set in the county of my birth, where my people are from as we say in the South, and where my people are buried. Before Mom died, I hadn’t been to this cemetery since we laid my paternal grandfather to rest in those blurry years between the turn of the century and Hurricane Katrina. But I’ve written about this cemetery in an unpublished short story I originally wrote in 1983, called “Whim of the Wind” that opens When I was young and spending the summers in Alabama, the graveyard at White’s Chapel held a peculiar fascination for me. When I wrote those words, I was living in California and hadn’t been back to Alabama in at least two or three years; it would be another eight before I returned for my last visit pre-funerals. That story was loved and appreciated not only by my professor but by the class as well. I tried several times to get it published, but to no avail; there’s something missing from the story itself that makes it incomplete, but no editor whose ever read it has been able to put their finger on it. (I do recall having solved the problem after reading Art Taylor’s brilliant story “The Boy Detective and the Summer of 1974”, but of course didn’t write it down and don’t remember what it was. (I shall reread Art’s story at some point to see if it triggers my memory; it really is upsetting that I didn’t write it down–which I always do)

And yes, it’s called White’s Chapel. I always assumed it was called that because it was “whites only”; Dad told me over the weekend of the funeral that it was built by someone named White, which is how it got its name. Hurray for it not being racist in origin? Small victories. But when I was there that time, we drove around the county and through the little town/village which was really where all the Blacks in the county were forced to live, which is no longer the case but was when my parents were children. Lovely, right? I still don’t remember ever seeing any Black people during my childhood visits, which seems hardly possible, does it?

I am both of Alabama and not of Alabama. Dad and I talked about that this weekend, too–I don’t think my sister feels the same tug from Alabama that I do. It’s weird for him to go back there, too–there’s hardly anyone left that he knows; even my aunt commented that she didn’t know a lot of people in the county anymore, and thats kind of sad. The land my grandmother’s house sat on has been sold and the house itself–uninhabitable for years–will be torn down and that part of my history, that part of my life story, will be gone forever. My grandfather’s house, where Dad grew up, is long gone and I think my eldest cousin’s son is going to build a house there. The small, battered old houses I remember from when I was a kid are also all gone; enormous McMansions of brick and mortar with columns and muli-car garages dot the landscape now, so it doesn’t seem as poor down there as it used to.

We started the day at the cemetery where my maternal grandparents rest alongside my youngest uncle, thrown from a rolling car when he was eighteen and the car rolled over him; I remember the funeral but never knowing much more than he died in a wreck (the driver was drunk; the other two riders escaped with minor injuries). There are lots of relatives and ancestors at Studdard’s Crossroads cemetery, which is also well off the paved county road on an incredibly narrow red dirt road. We stayed there for a few hours, and then headed over to see where my mother’s grandparents were buried; another where my other uncle is buried, and finished off at White’s Chapel, with Mom and my paternal two uncles (one died when he was two). It’s so beautiful there, and so different than what I remembered and have written about–which is actually a good thing; I completely fictionalized the present-day county predicated on my childhood memories–but yes the pine forests and the red dirt, the incredibly blue sky, and fall away drops alongside the roads (not near as steep and deep as I remembered).

I’m glad I went. Seeing Dad again, seeing that he’s okay, lifted an enormous weight from my shoulders–I was terribly worried and hated being almost eight hundred miles away–but also being able to talk to him about Mom, and their shared histories, as well as more family histories on both sides that I didn’t know, was a big help. I by no means think I am over the hump or well on the way to recovery; I know from my own bitter experience that you can have a good day after a trauma and thus think with relief, oh good now I can get on with everything only to have one of the dark days immediately after. It takes time to heal, and I am never going to stop missing my mother. I just have to get used to not having her anymore.

(I had originally intended to post this yesterday, but then I got the Anthony news and that kind of sidetracked the day for me.)