Tag: Vietnam

I Want Your Love

Iris Saturday! And it looks like a beautiful day out there outside my windows. I also don’t feel sick this morning, which is also wonderful. After working yesterday I felt very sick and very tired, so I just decided to shut my brain off and just mindlessly drift through news clips on Youtube, as well as whatever my brain decided for me to look for (the temple destruction scene at the end of Samson and Delilah, for one example) as I finished laundering the sheets and went to bed. I slept great last night, too, and feel pretty good this morning. That’s awesome because it is, after all, IRIS SATURDAY! I probably won’t stay out for Tucks after Iris, but I am not missing my ladies! I also feel like I can get some things done around here today, too. I’ve been slacking on the house (and on, well, everything) for a while now–being sick didn’t help matters much–and so I should be getting it all under control today. I want to get some reading done, catch some beads, do some cleaning and some writing, while I’m at it.

I also watched a couple of 1970s movies last night while Paul worked (I got tired of the news; I can only watch American elected officials embarrass the country in front of the world so many times. What a fucking disgrace) and watched a Gene Hackman hard-boiled private eye movie (Night Moves) and a classic I’ve never seen (that no one ever talks about anymore either–The China Syndrome) and I enjoyed both. There’s really something different about the movies of the late 1960s and 1970s, a kind of gritty realism that showed the world as it was–dirty, graffitied, muted colors–that went away with movies in the 1980s, where everything was prettied up for the movies and departed from realism. It put me in mind of my Cynical 70s Film Festival that I did during the shutdown, and how so many movies were about paranoia and not trusting the government; which, after Vietnam, civil rights, and Watergate was very much a leftist thing. (Weird how that’s shifted–it’s the right that doesn’t trust the government anymore; that would be an interesting study, wouldn’t it? How that changed and shifted over the years? Another thing I hate about the right is that they’ve made the left defend the government rather than critiquing it.) Night Moves was okay–the mystery itself wasn’t terribly interesting but the thing that was interesting was Gene Hackman’s performance. The film was an excellent character study, even though we never really learned much about him. My primary takeaway from the film was that Gene Hackman would have made a great Travis McGee. Talk about missed opportunities. (Although it would also be a great role for Alan Ritchson…)

The China Syndrome was born out of the 1970’s paranoia about using nuclear reactors to create energy. After all the lies before, during and after Vietnam–not to mention Watergate–people weren’t really into trusting government reassurances, and weird things were happening with the nuclear power plants anyway (Karen Silkwood’s story would also be filmed, Silkwood, which was another one of those “paranoia/can’t trust the government or corporations” movies); they were building one fairly close to where we lived in Kansas–Wolf Creek, I think was the name–and there were protests about it (Kansas folks just saw as it as a place to work and no more thought into it than that) and I also remember in the classifieds in the Emporia Gazette some group always ran a little ad that said “NEVER FORGET KAREN SILKWOOD” so I already knew that story before the movie was made. Michael Douglas produced the movie, and of course Jane Fonda was in it–they were both very anti-nuclear energy; so of course it was seen as a “Hollywood liberals trying to scare people” film. But shortly after it was released, Three Mile Island (our almost Chernobyl) happened–and the movie became a huge hit. The movie ended positively–the news about the accidents at the plant in question gets out finally at the end1–which goes to show how hopeful these kinds of movies sometimes ended; when we all know the reporter and her cameraman, as well as the nuclear engineer played by Jack Lemmon, would have all either disappeared or been found dead under mysterious circumstances.

I really should watch an old movie when I’m too tired to write or read, rather than doomscrolling news clips on Youtube.

I’ve also been terribly remiss on my newsletter; I’ve started several that are in progress that I really should finish and share with the world–and should send out one before it’s time to do my review of The Bell in the Fog (Lev AC Rosen). I am trying not to overdo it–I mean, I pretty much write this every day so I don’t need to be sending out newsletters more than once a week; there’s only so much Greg people can take, after all. And I also expect you all to read my books and short stories, too. What can I say? I really enjoy writing.

And on that note, I am going to get cleaned up and get to work around here. Have a lovely Iris Saturday, Constant Reader, and who knows? I may be back later.

  1. Sorry-not sorry for not putting up a spoiler warning for a forty-six year old movie. ↩︎

Every 1’s a Winner

Thursday and my last day in the office for the week. Tomorrow is my usual remote day, but I have a couple of doctors appointments so I am taking the day off. I was right about being tired; by the end of the day I was so tired I thought I might fall asleep driving home! But I didn’t, and I got the mail and came home and got inside safely, locking the door and the cold outside. It’s very cold this morning, too (currently a toasty 31 degrees!). We watched some Arrested Development last night, and I did some work on my writing. I got some welcome feedback on a short story I wrote for an anthology, which was also very nice. I slept very well last night, too–the cold, I think, played a part in that as well as my physical exhaustion when I got home last night. I even did some chores last night, which was very pleasing. I have an errand to run on the way home from work tonight, and once I get home from the appointments tomorrow, I’ll be in for the rest of this very cold weekend in New Orleans, and buckling down and writing. The parades also start this weekend, so I need to be very judicious in my parade attendance so I can get some writing done. I am feeling more into my writing than I have in a very long time, so that is very cool and kind of exciting to me. I was terribly concerned over the last two years that I’d never write anything again. I think that the combination of everything else going on, in my life and in the world, along with severe burnout, was why I was struggling to write, and when the depression is mixed in, well, it’s no wonder I was uninterested in writing anything and couldn’t get anything done.

Definitely wearing layers today, too. The apartment is warm, but here at my desk? Not so much, really. But I am so grateful for last night’s sleep! I actually am awake and alert and not foggy in the least. It feels good to feel like I’m totally present, which I didn’t feel like the first part of this week. God, sleep is the best, isn’t it? I feel like today is a day when I can get things done and function and get my entire act together for a change. Hopefully, this feeling will last me for a while. I guess the trip last weekend required some readjusting back into my life–it’s weird how something like that can be so disruptive once you’ve settled into a routine (rut, whatever) with your life, isn’t it? But I am also in a very good mood this morning, and I’ve kind of been too tired lately for that to be a thing, you know? And definitely plan on riding this wave as long as it lasts–it’ll probably crest this afternoon. I do have some chores I need to do once I am back home, and of course, back to the store today on the way home (thank God for CBD Rouse’s, so I don’t have to go the long way uptown).

IN my tired state last night (and after being scolded/lectured by two trolls on social media, whom I made very sorry that they emerged from under their bridge) I was thinking about things–going to Alabama always makes me think about things from the past, plus all that 70’s research I’ve been doing lately–and I was remembering, with Sparky curled up in my lap, how different life is now from when I was a child. (Shocking, right? Who knew that I’d go through the same things every other older person has throughout history!) I was talking to Dad about Mom and her mother and what things were like for Mom growing up (Dad always talks about how great Mom was and how she never complained, despite how poor they were when they were first married; I replied, “Yeah, that apartment in Chicago might have been tiny but she had running water and a telephone, so that probably seemed like a step up. She didn’t know any better.”), and of course that led into how Mom and her mother never, ever reminisced or thought about the past…and I said “Well, it’s also kind of weird to think when my grandmother was born the Archduke hadn’t been assassinated yet and Europe was dominated by monarchies and empires”…which tripped him out a little. And she had older relatives who’d seen the Civil War. I was born during JFK’s presidency, before Vietnam and in the midst of the civil rights movement. Women couldn’t have credit in their own names and were erased as people, assuming their husband’s name legally as “Mrs. John Smith” rather than as “Lisa Smith.” There was no such thing as no-fault divorce, and the grim reality was most women made their hellish marriages work, dooming them to a life of misery.

Our country really hasn’t been around that long, and neither has our progress toward the ideals of the founding–we’ve never achieved that original ideal, and now we are sliding back into the abyss as a tyrant is in charge (Reagan could only dream of the power the FOTUS has assumed and been gifted by his craven political party) and our constitutional republic is on the ropes. I also have realized over the last week that the only people who can save the country from this threat is the opposition–the courts aren’t going to do it, Congress sure as hell isn’t, the media is laughably unconvincing propaganda-pushers with no desire to do their jobs properly, and neither are the “all-in” party that supports this. I no longer subscribe to the notion that MAGA voters and politicians have been “fooled” somehow, conned…at this point, we just need to accept the fact that they are willing participants–all of them. They can’t say they didn’t know because he told them, for years, what he wanted to do and they cheered, so yeah–I have no empathy for any of them. I don’t believe there’s such a thing as “MAGA regret” because I will personally guarantee that if the election were done over and held again tomorrow, every last one of them would vote for him again despite what they now know.

There can be no forgiveness without atonement and true repentance–that should be the lesson of the Civil War.

Well, this turned into a rather lengthier tome than anything else I’ve done on here this week, hasn’t it? That’s a good sign I am going to take with me into the spice mines for today. Have a great Thursday, everyone, and stay warm!

You Turn Me On

Ugh, I have to make an unscheduled stop on the West Bank this morning to get my car serviced. I’d hoped to make it to next weekend (it was on that to-do list), but the little wrench light came on yesterday and I need to get the oil changed now. There’s other servicing it’s going to need to, but it’s going to have to wait. I had hoped to get some stuff done around here this morning instead of sitting in the waiting room of my car dealership, but it’s a good time for me to read some more of The Reformatory, which is superb, but is also challenging to me–and you really do need to read books that make you uncomfortable. Tananarive Due doesn’t let up, never takes her foot off the neck of white supremacy, and she shouldn’t, either. No one should, and because of the sobering realities of that time period, I know this book isn’t going to give me the kind of ending I want for these characters that I love–I’ve read enough of the facts about places like Raiford to know the kids at this fictional version will not make it out of there alive.

I’ve been avoiding the news successfully. The really funny thing about the legacy media is they still don’t get it. They rubbed their hands with glee and breathlessly reported every MAGA insult, lie or slander as actual news and actively worked to undermine and demoralize the Blue vote for ratings, but can’t seem to wrap their minds around the reality that they betrayed their country for clicks and viewers by rubbing Blue voters’ faces in lie after lie after lie. It’s in their best interests, you see, to give MAGA every last bit of oxygen they possibly could because it’s always driven their ratings up. They shivved Biden by playing into MAGA lies about his cognitive function and his abilities to do the job, even as he single-handedly overhauled the country and brought it back from the abyss that yes, MAGA once again parked it on the edge of, teetering–just like 2008. They brooked no opposition to the Afghan and Iraq eternal wars, even as most Americans knew the war hawks were lying like dogs to send our young people over there to die for really no reason. We were told we didn’t support the troops by opposing the war (the conservatives learned their lesson from Vietnam, didn’t they?), and opposing the war was spitting on the graves of the 9/11 victims. The Chicks’ career was completely canceled and never recovered (which is why I am always “miss me with your bitching about the cancel culture YOU invented”). They drove the economy into the ditch, and the housing crash of the later Bush II years was actually a result of Reagan economic policies, but let’s deify that senile old fuck, shall we?

As Winston Churchill once famously said, “You can always count on the Americans to do the right thing–after they’ve tried everything else.”

But…I don’t have to give the legacy media my money, my attention or my clicks. I will continue to support independent journalism, but in cowering before his attacks, the legacy media turned itself into exactly what he said they are–fake news–and have utterly failed the country at their Constitutionally-appointed mandate to critique and criticize any and everyone who puts the nation at risk. Just like I’m not giving my money and my time to books by unproven allies anymore. There are some straight men whose books I will continue to read–but that already very short list has become much, much shorter. I am a little annoyed about having to go over to the West Bank this morning, because I had planned on pruning books by people I will never read–hey they got my money already–and taking them to the library sale this morning, but I now have the week to weed out those offending books and get them off my shelves and my stacks before they infect the others with passive homophobia.

As I said yesterday, I’ve made some people uncomfortable this past week, and the old Greg might have held back…but I don’t care anymore. For queer people, this is what we have to deal with on a daily basis from practically everyone. People think I was joking over the years when I’d say things like “I am 100% team extinction event”. I wasn’t. People think I’m funny for some reason I’ve never completely understood, but I’ve leaned into it as protective coloring for most of my life–as long as people were laughing they weren’t hating–and people often think I am being funny when I am dead serious. Maybe it’s my delivery, maybe it’s the incredibly expressive face (I can always maintain a calm, cool exterior when someone is homophobic in front of me, but that was a survival instinct I picked up in public school; don’t react, don’t let then see how wounded you are because that’s what they want–so deny them their fun as much as possible, but other than that, I can’t hide how I’m feeling), but yes, people think I’m funny. Younger kids have always been drawn to me most of my life, and I do think it’s the face; I can make my meme face to them and they always giggle and laugh; I also don’t really know how to talk to kids so I just talk to them the way I do with everyone else–and they respond to that. I am never comfortable around people’s children because you never know when someone is going to decide that I’m a danger to their kids, as some women I know seem to think I’m a pedophile groomer because aren’t all queer men?

Ever been called a groomer or a pedophile or both by someone you know? It’s happened to me more than once. And then the people saying it are shocked that I’ve cut them off completely, which is even more astonishing to me. Um, you called me a child rapist. (Always straight white women, of course. Of course because you are even worse than your men because you should know better. Can we stop making excuses for conservative women? Melania is exactly where she wants to be; she is no victim. Do you make excuses for Eva Braun, too? Eva Peron? Imelda Marcos? Nancy Reagan?)

And you think that’s forgivable? I hope you enjoy every horror of our new administration because you deserve it.

I’m also kind of amused at how people also seem to think we don’t have interior lives, too–and are also writers. You just blithely assume that I am what I present to you, too–like I’m not recording every insult, every slight, and every last belittling remark? I’m a writer who used to work for an airline, where you were fucked if you didn’t document every little fucking thing. I started keeping a journal when I was a kid, where I recorded all my hopes and dreams as well as all my hatred and bad wishes to the 99% of kids who were bullies, or were complicit. I always carry a notebook with me, and I started using blank journals when I worked for the airline. I kept everything in my journals–phone numbers, to-do lists, airline computer shortcuts that don’t come up very often, and often between flights I would sit at an empty gate with a cup of coffee and write–in Continental Airlines green ink–in my journals what was going on in my life. I see offensive shit on line? Screen cap, for the “Receipts” folder. I keep every email filed away in my archive and can locate it with a simple email search. I’ve bookmarked offensive essays, blog posts, and websites, and I’ve also recorded those website addresses in a “bigot spreadsheet.”1

You’re not the only ones who put on a mask. It might do you some good to reflect on that thought, too–we all have brains, we all have ears, and we all have memories and cognitive thinking capabilities, and we have a lot more practice in protective coloring than you ever will. Does that make you uncomfortable? Good.

And I don’t care if things ever change for me. As I said, I am done with conferences and things like that. But I’m going to be watching, and listening. You come for my queer colleagues, you have to come through me–and you have no idea what a monster I can be when it comes to protecting people I care about. I’m used to being treated like dirt. But you come for this new generation of queer crime writers, or the ones that have come since I entered this hellhole of a white supremacist community?

Just remember, I’m watching.

And no one ever sees me coming.

  1. yes, if you’re wondering if I’ve kept a shitty email you sent me, yes I do have it in case I need it–like when you want something from me. I never send said email back with a note for why on earth would you want my help/advice/etc when you’ve made it abundantly clear what you think of me? I just read it again before deleting your latest email. I am not required to respond to you, nor are you entitled to my time or effort. ↩︎

Tell Him No

I did get tired yesterday afternoon, but I think it was more from malnutrition somehow than anything else. My breakfast and my lunch did not fill me up1, and after I had lunch I did feel like my batteries were starting to run down a bit. It was, all in all, a good day for the most part. I did make it through the workday. I ran errands after work (got some things for Sparky from Chewy, and the last batch of new shirts arrived); started organizing the draft blog posts to determine which can be combined (same topic started on different days, months, years) and which can be finished and which can be deleted; I finished the revision of “Passenger to Franklin” (and I think it’s much much better now); and started getting my (delayed and extended) taxes together. Ideally, I can get that done this week and to my accountant by Friday so that will be one thing more that’s been hanging over my head like the sword of Damocles out of the way. Huzzah! I also took a look at “When I Die,” and while this one is going to take a lot of fucking work, it’ll be so much better when I finish it!

I slept well last night, and my coffee is rather delicious this morning. It was cold yesterday morning when I left for work–surprisingly so–but it warmed during the day so my car was very hot when I got into it after work. It’s going to get warmer consistently later in the week–I still can’t get over it being eighty-eight last Friday, it’s only April for Pete’s sake–which means it’ll probably be hot and sunny as I visit graveyards with Dad the weekend after next. I was thinking last night, as we watched Vigil (it’s terrific, highly recommended), that I’m almost in a good place again for the first time in almost ten years or so. My stress levels are way down, my moods generally are good and even, and I don’t have flashes of anger anymore (mostly while in my car). Other idiot drivers are still annoying, but don’t send me into a rage anymore. Now, it’s more like I get annoyed, say very calmly, “yes, you’re an asshole who can’t drive” or “yes, you are so much more important than all the rest of us”, but as I said, it’s calm–and I can absolutely live with that.

I got a short story rejection email yesterday, and I was completely ambivalent about it. The problem is you’re never sure if the story just doesn’t work for them or if the fact that the main character is gay was a problem for them. Sure, the rejection had the standard form please submit to us again, but…yeah, not so much. This is what straight white cisgender people don’t get, with all their whining about “merit”–the only people who they think actually earn their careers are straight white cisgender people, after all–because you can never be certain that it’s the story that they didn’t like enough or whether homophobic concerns come into play: our readers might get mad at is if we shove queer down their throats or we don’t want to become known as the queer crime publication and every other iteration of that you can imagine…any excuse not to publish a queer writer. Many years ago, I decided that I would never allow suspicions of homophobia affect my writing career, and I would always assume it was the story that was the problem. But…you have to wonder. When a magazine only buys your work when you send them things with straight main characters (twice) but rejects everything with a gay main character or even a gay theme, you have to start to wonder.

And given how few of the magazines that actually pay well for short stories (or pay at all) there are and how little queer work they actually publish…you begin to wonder. You don’t want to believe it’s homophobia or homophobic concerns, but here we are, you know. The stories I am working on now aren’t really crime stories, they’re more supernatural/horror stories, but I do think “The Last To See Him Alive” is not only a good story but it’s written really well. I need to revise it and edit it, of course, but it’s in really good shape already which is pleasing. “When I Die” needs a complete overhaul, but that’s fine. It’ll be a better story for it when it’s finished. And while these stories I am working on could complete the collection, this morning I am wondering if I should include horror in this book or not.

I really do not understand these new state laws (here in Louisiana we got one, too) allowing people to drive their cars into protestors, something which inbred morons Tom Cotton of Arkansas and eternal bitchboy Josh Hawley of Missouri are all about. Nothing says leadership like telling people to kill or injure other people. As always, these kind of Nazi-lite fascistic laws come to you courtesy of the Republican Party and MAGAt. I personally am looking forward to driving my car into a crowd of Trump protestors and hitting the gas pedal, frankly. When I saw this on social media yesterday, I responded with Never thought I’d see the day when the Kent State massacre would have fanboys, which prompted some responses which, of course, made the most sense: they had them at the time. I was too young to remember the right-wing response to the Kent State shootings, I just remember being appalled that the National Guard murdered four students on a campus, and I have always viewed it as a disgrace and a tragedy…but of course the right did not see it that way–just as they backed William Calley as a hero after the My Lai massacre in Vietnam. Even I–who have always known how vile and unpatriotic the right in this country is and always has been–didn’t think they were that callous and awful.

They are, they always have been, and they always will be.

The thing that always amuses me about this is the “patriots” of the right always forget that the only reason we exist as a country was because of mass protests….which led to a revolution. So, by that way of thinking, the most patriotic thing you can ever do is protest, really. Remember the Tea Party, the seeds that grew into MAGA? Remember the stolen election of 2000? Remember how Reagan dismantled and changed (and ruined) Social Security? The only reason there’s an issue with it now is because of Reagan, St Ronnie of the Right. The Republicans are the party of Joe McCarthy, Richard Nixon, Ronald Reagan, Henry Kissinger, and people like Cotton, Marjorie Taylor Greene, Josh Hawley, and Matt Gaetz are their heirs.

Remember back when I was thinking about starting to read and study poetry? I got a great recommendation from a dear friend at S&S of where to start–Mary Oliver’s Why I Wake Early–and I’ve been paging through it randomly, reading poems here and there, glimpsing fragments, and I think I’m slowly starting to come to an understanding of poetry I never had before. I am not going to review poetry on here as I am nowhere near knowledgeable enough and I don’t want to make a fool out of myself self-teaching and coming to what regular readers of poetry already understand from studying it. It’s a wonderful education, and one I kind of wish I had started earlier. Ah, well.

I also decided to postpone reading the Paul Tremblay and take it with me to Kentucky to read. Instead, I’ve decided to reread a book I don’t remember much of–Suicide Notes by Michael Thomas Ford. He published a sequel this past year that I would love to read, but not remembering the first one was a problem, so I decided to go ahead and reread it. I don’t talk about Ford much, but he really is one of the most underrated queer writers of our time. He can basically write anything (a blessing and a curse, as I know all too well), and he does it extremely well. Rereading the first chapter last night pulled me back into the story effortlessly, and the voice is so compelling and hauntingly real…and likable. I’m looking forward to reading more of it.

And on that note, I am heading into the spice mines. Have a lovely Tuesday, Constant Reader, and I’ll probably be back later.

  1. I also ate dinner late on Sunday night, which I usually don’t do and am sure that had something to do with it, but given I don’t really get hungry all that often it was kind of cool. ↩︎

Vieux Carré Voodoo

Ah, the fourth Scotty.

I know I’ve told this story about a hundred times, but I think it matters to the entire Scotty canon review thing that I’m doing now, and it kind of does shape the rest of the series. One afternoon when I was heading to work at the old CAN office on Frenchmen Street, I always parked on Kerlerec Street, which was one of the few places in the Marigny neighborhood that wasn’t restricted to two-hour parking and a potential ticket (I didn’t get a parking spot until I went full time). I got out of the car, locked it, and saw some people riding towards me on bicycles. I said good morning and they said good morning back and smiled and kept going. I took a few more steps before realizing that was Brad and Angelina and a couple of the kids! I smiled to myself–one of the things I love most about New Orleans is the regular celebrity sightings–and of course, they lived not far from my office at the time. As I kept walking, some thoughts started riffing in my brain: Brad is blond and not all that tall; Scotty is also blond and not all that tall. Brad and Angelina live essentially right around the corner from Scotty. What if Scotty was walking home one night and when he’s in front of their house someone takes a shot at him, mistaking him for a Brad type actor living in the Quarter? Someone is trying to kill him and since Scotty looks like him, they hire him to get to the bottom of it as well as to run interference?

I really liked the idea–Hollywood South Hustle (keeping the “H” alliteration I was going for when the book was going to be Hurricane Party Hustle)–and when I got home that night I wrote the proposal and first three chapters in a fever…spent a few days refining and polishing it, and submitted it to my Scotty publisher–and they turned it down.

Womp womp.

Around the same time, my Chanse publisher–who had yet to make an offer on the next book in the series–suddenly made an offer but gave me a two month turn around on the book. It was do-able, of course, but I thought I deserved something in return for that insane turnaround and so asked for a two book contract and more money; they were clearly desperate since they agreed to both. And I thought, Hmm, I can just turn that Scotty book into a Chanse book and thus it became Murder in the Rue Ursulines (and it wasn’t as easy as I thought it would be but that’s a story for another time).

And then one day, I was walking from the parking lot at my old office to where the Gay Easter parade was lining up (my office had a carriage and I rode) and as I walked underneath a balcony I barely avoided getting drenched (those who turn their balconies into lush gardens have to water them, after all, and the excess water has to go somewhere; it’s one of those Quarter hazards we’ve accepted) and in a flash, I thought that very thing–walking under balconies in the Quarter can be hazardous–and then imagined Scotty on his way to the Gay Easter parade to ride on his parents’ business’ float when he gets drenched by someone watering their balcony garden. And just as quickly as I had that thought, I thought of course Scotty would be dressed as a slutty Easter bunny in a white speedo and rabbit ears and tail and then it just got really funny to me. The next morning I wrote that scene, which grew into the first chapter, and since I needed to wrap up the personal story left hanging in the previous book, I ended the chapter with him seeing someone in the crowd he thought was Colin–a thought he quickly dismisses as impossible, and we were off to the races.

No live organism can continue for long to exist sanely under conditions of absolute reality; even pigeons and palmetto bugs are supposed, by some, to dream. New Orleans, not sane, stood by itself inside its levees, holding darkness within; it had stood there for almost three hundred years and might stand for three hundred more. Within, walls continued to tilt, bricks crumbled sloppily, floors were termite-chewed and doors sometimes shut; silence lay steadily against the wood and stone of New Orleans, and whoever drank there there, drank alone.

Yeah, right. People only drink alone in New Orleans by choice.

My name is Scotty Bradley, and I’m a private dick who works the mean streets of New Orleans. I right wrongs. I help the downtrodden find justice. I punish the guilty. I ferret out crime, and protect the innocent while punishing the guilty. Criminals tremble when they hear my name, and get out of town if they know what’s good for them. Dame Justice may be blind, but I see all too clearly. The helpless come to me when everyone else has failed, when hope is gone, and the night seems darkest. I’ve got a mean right hook and never back down from a fight. I drink my martinis shaken, not stirred—because I like my gin like miscreants who cross my path, bruised and a little battered. I am on a never-ending quest for truth, justice, and preserving the American way of life. I rescue dreams and bring nightmares to an end. Don’t call me a hero, because any one of you would do the same if given the chance. There is no case too small for me to handle, and there is no case so large that it is intimidating. I’ve taken down a corrupt political machine, and would gladly do it again tomorrow. I’ve found lost treasures and stared down the Russian mob. I’ve stared evil in the face until evil blinked and backed away in mortal terror. I have—

Yeah, right. And I have a bridge across the Mississippi for sale, if you’re interested.

My name is really Milton Bradley, like the board game company—my parents have a slightly twisted sense of humor. Scotty is my middle name, but it’s what everyone calls me. I really am a private eye—bonded, and licensed by the state of Louisiana. I was born and raised in New Orleans and have lived here my entire life except for two misspent years at Vanderbilt University up in Nashville. I live on Decatur Street with my partner, Frank Sobieski. We’re business partners, and life partners. We met on a case a couple of years back, and it was pretty much love at first sight. Frank is one of the most gorgeous men I’ve ever seen outside of a porn movie. He’s in his early forties, about six foot two, and when he had hair, it was blond. Now that he’s balding, he shaves it down to a little buzz. He has the most hypnotic blue eyes, a strong chin, and a scar on the right side of his face. He also started lifting weights in his twenties—and there’s not an ounce of fat on his hugely muscled, amazingly defined body.

He also has one of the most amazing butts I’ve ever laid eyes on. Woof!

Well, okay—it was lust at first sight. Love came later.

I love treasure hunts, always have, and have always wanted to write one. One of my favorite series when I was a kid (they’re still actually quite fun to read now) are the Three Investigators series; which was originally called the Alfred Hitchcock Mystery Series as he introduced each case and sometimes even referred potential clients to the boys. Many of those books were treasure hunts, and those were always my favorite books. One of their adventures, which was also a favorite, was called The Mystery of the Fiery Eye and was loosely based on Wilkie Collins’ The Moonstone, which I read as a teenager and have always remembered fondly. I decided I wanted to do an homage to both books; the treasure everyone is looking for is a stolen, notorious jewel that is very important to a south Asian religious cult, and it’s name was Kali’s Eye, because it was mounted in an enormous statue of her in a temple in a very small, remote south Asian country.

And it was stolen during the Vietnam War, and they’ve been looking for it ever since.

After Scotty gets soaked in his slutty Easter bunny attire, he swears very loudly and the person on the balcony hears him. Turns out to be an old family friend–Scotty wasn’t really paying attention to where he was; his mind was elsewhere as he walked–and gets invited up, so the friend, Doc–he was a professor at University of New Orleans when Scotty’s parents went there–can give him a towel and run his outfit through the dryer quickly. While Scotty is there, Doc gives him an old stuffed toy Scotty had left there years ago, when he was a small child. This strikes Scotty as odd, but he humors Doc and takes the stuffed bunny. When he gets to the parade, his mother is thrilled to see Mr. Bunny, so he gives it to her.

And later, when he is walking home, there are cops at Doc’s. He fell to his death from his balcony, and his apartment was ransacked. Then the new tenant on the top floor of Scotty’s building (he and Colin gave up that apartment after Colin disappeared) wants to hire Scotty and Frank to solve a mystery for him–but soon he, too, is murdered–and also turns out to not be who he had claimed to be. Are these two murders connected, and if so, how?

My absolute favorite part of the book to write was the treasure hunt itself; when Scotty and Frank realize that Doc left clues behind for Scotty to solve and find the missing jewel; which takes them on a trail from the apartment on Decatur Street uptown in the rain. That was so much fun, and of course, when I was polishing the manuscript before turning it in, I had to actually go and follow the trail I’d set out for them to make sure it was accurate and worked and was something someone could actually follow…and of course, it was pouring that day so I did it, like they did, in the pouring rain.

I dedicated the book to my friend Poppy Z. Brite, a writer I’ve long admired and whose friendship I have always cherished. He was always a big fan of the Scotty books, and his support meant the world to me. He was actually the person who convinced me–one drunken night at the House of Blues for a Banned Books Night reading–that I could indeed write another Scotty book, and the boost of confidence was just what I needed to get back to work on this series. (And the Vietnam stuff was a nod to a private joke between us.) And it was, indeed, fun to get back to work on Scotty and produce another book.

And here I am, all these years later, writing another one. Go figure.

Face Up

Wednesday has rolled around again, as it always does, and last night was another restful sleep of the same sort I had on Monday; restful but awake or half-awake the majority of the time. I am beginning to wonder, quite frankly, if this is just another affect of getting older; the inability to sleep deeply every night. Yesterday I wasn’t as tired as I feared I would be, which actually was kind of nice, and I do think this will be the case this morning too. I intend to go to the gym this evening for a workout with weights after work–so being tired will not be helpful in the least. Maybe that will put me into a deep sleep tonight.

Maybe it won’t–which is more likely.

We watched two more episodes of The Capture last night on Peacock, which is incredibly good. I still have absolutely no clue what’s going on, but the suspense is so ratcheted up that I cannot wait to get home tonight so we can finish watching it. I want to start reading Laurie R. King’s A Monstrous Regiment of Women, the second in her Mary Russell series, but focus is so important when reading and what little focus I have these days really needs to be spend on the revision of Bury Me in Shadows, which needs to be finished by the end of the month–so time is running out on me, as always. I was thinking about how I reacted to rereading the manuscript with an eye to edits last weekend, and how I always am enormously dissatisfied with the final product when it is released. Don’t get me wrong, I am proud of every book I’ve written, as each represents surmounting a struggle of some sort in some way, and finishing and publishing a novel is always an accomplishment, regardless of how it turned out in the end. I was dissecting this in my head last night while I was making tacos for dinner (nachos for Paul); my strengths are premises, titles, and character–but inevitably whenever I start writing a book most of the time I don’t know how it’s going to end. I try to figure out how to end a book before I start writing it–but on the rare occasions when I have figured out the end beforehand, I question that as I write and inevitably change my mind at least once, if not twice, and as a result, I never am completely confident in my endings. Adding to the neuroses in my brain, the last few chapters of a book generally don’t get as much attention as earlier chapters, either, which makes my insecurity even worse.

I really do wish I could slap my first creative writing teacher across the face for doing such a number on me that it has lasted all these years. FUCKER.

Then again, he typed smugly, I’m about thirty-six novels, five novellas, and fifty short stories into my career; he’s still unpublished, forty years later. So, there’s that…and the fact I never forget a grudge.

I’ve also been toying with some 1970’s research in my spare moments–looking up things and trying to remember things from my tween years–like “sissy bars” (and no, it’s not a bar for effeminate gay men, though it is a great name for a gay bar). I remembered “sissy bars” as being the high bar on boys’ bicycles that girls’ bikes didn’t have back then; turns out it’s actually the back bar at the end of a bike that the passenger behind the driver/rider can lean back on for balance. (I still remember it the other way; and that other bar doesn’t seem to have a name, which is weird.) I’ve been wanting to write about the early 1970’s in the Chicago suburbs for quite some time–I have an idea based on a murder that happened in our suburb when I was a freshman in high school, You’re No Good, which could be a lot of fun to work on and write–and my main character from Lake Thirteen (Scotty?) was from that same fictional suburb…which leads me back into that weird Greg Universe where all of my books are somehow connected, between New Orleans, Alabama, Chicago and it’s suburbs, California, and Kansas–which I completely forgot that I was doing. (Aside: Bury Me in Shadows is set in Corinth County; which is where the main character in Dark Tide was also from; where I set the story “Smalltown Boy”; and where Frank and Scotty’s nephew Taylor is from, making his first appearance in Baton Rouge Bingo.) But the early 1970’s was an interesting and somewhat volatile time, between Vietnam, the economic crisis, and Watergate; where television gave us stuff like The Partridge Family and Love, American Style and horrible variety shows; when the post World War II economic boom in the United States was beginning to crumble and fade away; when Top 40 radio ruled the AM channels and everything was still on vinyl or eight-track tapes, before cable television and 24 hour news and no Internet or cell phones. But… as I mentioned earlier, while I have a great premise and a terrific title, I don’t know the story or how it ends…but that won’t stop me from obsessively researching the period.

And on that note, tis time to head back into the spice mines. Have a great day Constant Reader!

Chemical

Well, we have apparently survived yet another Monday, so here it is Tuesday morning again.

My manic Monday wasn’t too bad, other than the utter insanity of an issue with my car insurance that is going to end up wasting more of my own time than it’s worth, to be completely honest. I did start getting tired in the afternoon–it’s not easy being a Gregalicious–but I got some emails answered (I will never get all of my emails answered, and that’s just a sad fact I need to accept; because there will always be more) when I got home and then repaired to my easy chair where I finished watching Sons of Liberty. (Paul didn’t get home until just before it was time for me to go to bed.) And here I am this morning with the space heater on–it’s chilly in the Lost Apartment this morning, but I am sure it’s going to warm up during the day time–and apparently our new HVAC unit will be installed today; they’ve been doing all the other work the last few days; it was quite astonishing to come around the last corner to the apartment last night and see a big blank space where the big unit used to be. Better late than never, I suppose, and I hope this means a stronger unit that will help offset the loss of the trees when the sun will shine directly through these windows in the summer time, creating a glass house effect in my kitchen. (I’ve been trying not to think about that too hard.)

I bit the bullet and asked for more time for the book–deadline extension–and they gave me longer than I asked for, which was an enormous relief and pressure release on me. They were actually very lovely about it, and apparently I am much more fragile emotionally than I thought because the kindness of the response almost made me choke up…which wasn’t the response I was expecting to have. I feel like I’m doing a fairly decent job of soldiering on through everything that’s going on in the world and around me these days–so much PTSD, from so many past traumas, I suppose–not to mention that it seems like almost everyone I know is going through a rough time. Two friends lost their fathers over the course of the past week, for example, and there have been so many other issues for everyone I know and care about that it’s almost like one body blow after another. And yet I keep moving forward because there’s no other option, really, and just keep sending out positive energy to my friends while keeping them deep inside my heart and mind and soul. I’ve said it before and I will say it again here–there’s nothing worse than seeing people you care about suffering when there’s nothing you can do about it.

Hell, I don’t even know if people in Texas have recovered from the horror of last week. So many people I owe emails to…heavy heaving sigh. The emails are endless, aren’t they?

The other good news is Paul has finally been scheduled for the vaccine, round one, on Thursday. That’s one less stressor off my plate, and it just now occurred to me that there’s another, buried stressor inside my head–now that I am older, I fear I am going to see a repeat of the past where I keep living while so many people I love and care about do not. After all, it’s happened before, and I think that’s part of the issue of my facing my age and so forth lately–the fear that I will outlive everyone I care about again. Obviously, I am not hoping that I die soon or anything like that–but recognizing a fear that’s been imprinted on my brain, no matter how unrealistic or nonsensical it may be, will certainly help me figure out how to cope with it or conquer it entirely, I think.

Watching Sons of Liberty (and did they ever take liberties with history!) was a pleasing enough diversion; I always enjoy the Revolutionary period–it’s been a favorite of mine since childhood–so when I was finished with the final episode–the signing of the Declaration of Independence–I got down my copy of The Wars of America by Robert Leckie and started reading the bridge section between The Colonial Wars and the Revolutionary War; Leckie’s book is really a history of the country as told through the perspective of the wars and the lead-up to them in the periods between them. Leckie is a very good writer–The Wars of America is one of my favorite histories–but he definitely is a subscriber to the mythology of American exceptionalism, even as he talks right up front about the evils of slavery and the slaughter of the indigenous. (The copy of the book I have now is not the one I had when I was a child; this is an updated version including the Korean and Vietnam wars, and he is very much a drum-thumping anti-Communist right-winger when it comes to those two conflicts, to the point that I’ve never read those chapters because the native jingoism is too much for me to stomach) As I mentioned yesterday, I am now thinking a series of mysteries set in revolutionary Boston, with John Adams as defense attorney and investigator, would be highly interesting. I doubt that I will ever have the time to research or write such a series, but I do wish someone would. I believe–and could be wrong; it just flitted into my brain as a memory–there was at one time an Abigail Adams mystery series; I never read it, but now am curious enough about it to go looking to see if it’s a false memory or not. I mean, why not? Both Eleanor Roosevelt and Margaret Truman have been the main character in crime series, so why not Abigail? (A very quick search has, indeed, offered up an Abigail Adams mystery series written by Barbara Hamilton; it’s nice to know it wasn’t a figment of my imagination….alas, yet another series of books to go not ye olde wish list.)

And tonight, of course, once I am off work I must go to the gym. I am sure I will have to force myself to go–the temperatures will undoubtedly start falling again after I get off work, so there will be that…but it will feel good, as will the protein shake and shower afterwards. I also have another load of laundry to get started tonight when I get home.

The glamorous life, that’s me.

Have a lovely day, Constant Reader!

Soon You’ll Get Better

Saturday morning in New Orleans, and all is as well as can be expected in this hellish timeline we are all living through at this point. I’ve been sleeping exceptionally well lately–not sure why, but don’t want to question it and simply enjoy it for as long as it lasts, frankly–and I may even just stay in bed as long as I want to tomorrow; I could have easily lazed in bed much longer this morning. I may treat myself to cappuccinos while I get everything on-line done that I need to get done before closing my browser and shutting the Internet down for the rest of the day so I can get to work on Bury Me in Shadows, which I haven’t even looked at all week, much to my deep and abiding shame. I’ve not completely adjusted to working 8:30 – 5 every day, really; and am always tired and mentally fatigued when the daily shift comes to an end; too mentally fatigued to read anything, let alone write anything. I did manage last night to clean up/organize some electronic files, though.

While I was condom packing yesterday (I filled three boxes of them, a personal best thus far) I continued my journey through 1970s cinema, with yesterday’s theme being paranoia. Paranoia was a big thing in the 1970’s, and the films and novels of the decade reflected that–not surprising, given it was also the decade where Vietnam came to an end (1975), when Watergate occurred (1972-1974), and of course, the decade where terrorism really became a thing–it was the decade of the Munich Olympic massacre, the Entebbe skyjacking, etc. It was a decade where trust in institutions began to erode and fade; where conspiracy theories really began to come into their own; and cynicism replaced optimism–if optimism could be said to have ever been an integral part of the American outlook and not simply another part of the mythology we were being sold. It was the decade of the Bermuda Triangle, the Amityville horror, UFO’s, and countless other strange conspiracies and/or cover-ups; when Area 54 really entered the public consciousness, and a time when it became much easier to believe that the government was lying to us about everything and that corporations and billionaires were truly running the world for their own benefit and profit. (This was, of course, the primary theme of Taylor Caldwell’s bestselling novel Captains and the Kings, a thinly veiled history of the Kennedy family’s rise to wealth and power, which was made into a mini-series later in the decade.)

The two films I watched yesterday while condom packing were definitely reactions to the paranoia of the times: The Parallax View (starring Warren Beatty) and Three Days of the Condor (starring Robert Redford). Both were based on novels; both were about conspiracies and/or cover-ups led by incredibly powerful people; and both had very cynical endings. The Beatty film was about the cover-up of a political assassination, in which Beatty played a crusading journalist trying to get to the bottom of the story; the Redford film was about a man who worked for a CIA front (the American Literary History Society) and whose job was to read books, articles, journals, etc., looking for coded references to spy organizations and conspiracies (which was, in and of itself, another example of paranoia); the Redford character finds some curious reoccurring references in some South American and Greek novels and articles and writes a report. One day when he goes out to pick up lunch for the office he returns to find everyone dead; even the guy who called in sick was murdered in his apartment. Redford, whose code name is “Condor”, is not a field agent and has no idea what is going on, other than his life is in danger and he needs help. He winds up taking Faye Dunaway hostage at some point at gunpoint and getting her to help him–she eventually succumbs to Stockholm syndrome, winds up helping him rather than escaping, and they even have sex together*–and throughout the course of the movie you never are certain who can be trusted or who cannot, as people keep switching sides, including the professional assassin (played by Max von Sydow), and the end of the movie is also cynical, implying that not even journalists can be trusted (subverting the popular 1970’s trope of the crusading reporters, inspired by Woodward and Bernstein’s coverage of Watergate).

It was an interesting decade to experience puberty and adolescence through, that’s for certain.

We’re nearly finished with The Alienist: Angel of Darkness, and are really enjoying it. I think we’re going to go with Never Have I Ever next; we’ve pretty much been watching non-stop noir-like heavy crime dramas for quite some time now (although the foreign ones have been absolutely delightful) but I think some light comedy will be welcomed gratefully into the Lost Apartment.

We also had an astounding thunderstorm/flash flood warning yesterday afternoon, which seems to be happening almost daily now. I love rain–I don’t even mind being caught in it as long as I am not having to lug shit into the house while it pours–and there’s nothing quite so comforting as being safely warm and dry inside while it pours outside and the sidewalks get covered in an inch or so of water. I’m not sure if it’s going to rain today–there’s nothing but sunshine and blue sky outside my windows this morning–but I feel fairly confident it will at some point; after all, it’s pretty much a daily occurrence now.

I also realized belatedly last evening that part of the funk I’ve been in lately has to do with the impracticality and uncertainty surrounding the football season for this year. I usually spent most of August excitedly reading everything I can about the Saints and college football, wondering what the coming season will hold; will it be an exciting one or a disappointment; but no matter what happens, I am always entertained–and last season was, as Paul reminds me pretty regularly, one for the books. As huge LSU fans last season was like a fairytale, a Disney film come to life–with every element in place for a great uplifting movie, and the ending was perfect, too; LSU stuck the landing and gave all us fans a season we will always remember with a smile. I am deeply grateful I got to see that championship team play twice in Tiger Stadium–we went to the season opener against Georgia Southern and the Florida game, which was one of the best times I’ve ever had in Tiger Stadium, and we’ve been to exciting games before but that one was everything–and am even more grateful I got to see Joe Burrow play, not only those two games last year but in the games we were able to see the year before. Not knowing if there’s even going to be a season, or if there is, what it will look like, has been kind of depressing on top of everything else; it’s as though all the things in life I find joy in are all gone, with just the bullshit left in its place. I’m not even sure how I feel about the conferences trying to make a limited season happen; it just seems vastly unfair to the players to put them at so much risk, and I don’t know if I should encourage that by even watching the games if they do happen and air on television.

I will never forgive the non-maskers for the loss of this football season, or however it turns out–whether it’s shortened, messed up, or cancelled. NEVER. Thanks for being such complete selfish assholes! You, for the record, are why we can’t have anything fucking nice–although the loss of college football is the LEAST of your crimes. Enjoy meeting your God with that black sin on your soul.

So, I am going to finish this and head back into email hell for a while, before showering and getting back to work on my book. I’ll probably try to do some cleaning and organizing while I’m at it; I still haven’t started–or even selected–my next fiction read, although Poe Dameron; Free Fall is sitting right there….but I also want to read Lovecraft Country before I start watching the show.

And on that note, back to the spice mines.

*This is the same trope that Robert Ludlum used in The Bourne Identity, in which his character, Jason Bourne, who has been shot in the head and now has amnesia and no idea why everyone is trying to kill him, kidnaps a woman and takes her hostage; by the end of the novel they are in love and making a future together–and no one thinks anything of this, and it’s presented as normal; another sign of the times, I suppose. I’ve been meaning to reread The Bourne Identity as well as revisit Ludlum; his career as a novelist actually began in the 1970’s with a paranoia novel, The Osterman Weekend, which was also made into a movie, and almost all of his books have some sort of paranoia at their heart. I loved Ludlum when I discovered him in the late 1980’s; I’ve meant to revisit him for quite some time now, to see how he holds up. My favorites of his were The Chancellor Manuscript, The Gemini Contenders, and of course, The Bourne Identity, but I read all of the books he wrote himself until he died–I’ve not read any of those written by other authors since his death.

The Samurai in Autumn

Autumn seems but a distant dream these hot New Orleans August days.

I slept really well last night–dream-free, for the first time in awhile–and have lots to do today. I have, of all things, a mammogram scheduled for today. I have a lump–two actually–one in my right pectoral, close to the center of my chest, and another one directly below it. They’ve been there for awhile, and my doctor believes they are merely fatty cysts and not a problem of any kind, but also thinks its perhaps better to be safe rather than sorry. I knew that “breast cancer” was a possibility for men, even if on the low side, and again, I am not terribly concerned about it–but having a mammogram, something women do (or should do) all the time, is going to be an interesting experience.

I was very tired when I got home from work yesterday; too tired to write, too tired to read, too tired to do much of anything, so I just collapsed into my easy chair and read some more of the section in Barbara Tuchman’s The March of Folly titled “The Renaissance Popes Trigger the Protestant Secession.” It’s a book I’ve reread many times over the years–it has four sections; the first about the Trojan War, the second about the Popes, the third about Britain forcing the American colonies into revolution, and the fourth is “America Loses Herself in Vietnam.” I’ve never actually read the fourth section; my knowledge of the Vietnam conflict is very limited, actually, and I should eventually read up on it more–but what I do know of it hasn’t really encouraged me to read any more about it, frankly. It was a mistake from beginning to end, and it also triggered an enormous societal divide in our country that endures to this day; much of our social unrest, and the partisan divide, was initially started because of Vietnam, and then politicians used that divide in a very short-sighted and, as Tuchman would call it, have engaged into a march of folly for short-term political power that has ultimately further divided the country and undermined our democracy.

I’m going to eventually read that section, of course, and at some point i really need to learn more facts about the war than simply things I’ve heard and the movies I’ve seen; fictions based on the reality are still fictions, of course. I have an idea for a story or book that comes from the war–but also am not sure I am the right person to write it. The “#ownvoices” movement is an important one, and while nuanced, is one i have very strong opinions about. The problem is one cannot make general statements, because there are examples of people writing from other experiences that have been done exceptionally well; Barbara Hambly’s Benjamin January series, about a free man of color in pre-Civil War New Orleans, springs to mind. But there also egregious examples in the other direction–and plenty more of them to choose from to use when arguing about the need for #ownvoices–but you know how cisgender straight white people get when their privilege is even slightly, politely questioned (American Dirt, anyone?). But writing a noir novel from the point of view of a young man of Vietnamese descent–while born and raised in the United States–makes me a little squeamish; I certainly don’t want to take a publishing slot from an #ownvoices Vietnamese-American writer, and who knows if I’d even do a good job writing from that perspective? I’ve also always wanted to write a book (or some short stories) from the perspective of Venus Casanova, my African-American police detective from both the Scotty and Chanse series; I have an idea for two books with Venus as the main character, and have actually started writing two short stories centering Venus: “A Little More Jazz for the Axeman” and “Falling Bullets”, but have, over the last few months, began to question whether I should be telling those stories as well as potentially taking publishing slots away from actual African-American writers who can easily write authentically from their own experience. And yes, I know I could write the stories and then ask someone of color to be a “sensitivity reader” for them; but at the same time that always sort of reeks of the standard defense of white people who’ve said or done something racist: I have a black friend so I can’t be racist!

Um, yes, you can have friends of color and still say or do racist things.

We also watched two more episodes of Babylon Berlin last night–Paul commented at one point, “they really have an enormous budget, don’t they?”–and it’s quite enthralling, and quite an interesting lesson in history. As I said yesterday, not many Americans know much about the Weimar Republic phase of German history, other than it collapsed under the rise of Hitler. While exploring the case the main character, Gereon (I think that’s his name), is investigating, it actually stretches tentacles out in several other directions, and as one of the episodes last night showed a riot of Communists and the brutal suppression of the protest by the police, it occurred to me that what the show is doing is putting a face on the turmoil in the capital city of a collapsing republic, showing, in terms of humanity and human suffering, how someone like Hitler could rise to power. In our modern era, it’s very easy to forget how very real the threat (and fear) of Communism was in the west, and to Germans in particular. It’s very brilliantly written and very well-produced and filmed beautifully; the acting is stellar, and it’s providing insights into the situation in Germany in that period that we, as Americans, rarely see…and it brought to mind last night the line in Cabaret, “The Nazis will take care of the Communists and then we’ll deal with the Nazis.”

I also found my copy of the book, and have move it to the top of the TBR pile.

I do highly recommend the show.

And now back to the spice mines.

Single

Well, Constant Reader, we’ve made it to Thursday again; how lovely is that?

I have a busy day ahead of me, so I am priming myself with as much coffee as I can hold–which I will undoubtedly regret later, when I can’t sleep tonight. I did sleep well last night–only waking up around six when Scooter decided to lie on me, purring and kneading me with his paws, but I fell back asleep relatively easily. I could have slept for another three or four hours, frankly.

While making my condom packs yesterday I watched two movies on HBO MAX: Eyewitness and Foreign Correspondent. Both were enjoyable, if flawed; the second more flawed for being a product of its time (1940) more than anything else. Eyewitness was also very much of its own time–the late 1970’s/early 1980’s, and is particularly memorable for being the first major film roles for William Hurt and Sigourney Weaver. Watching the movie put me back in mind of the 1970’s and all of its bitter cynicism. Hurt plays Darell Deaver, a Vietnam vet who now works as a janitor in an office building in the evenings; yet can afford a fairly decent apartment in Manhattan–which I suppose was still possible in the 1970’s–and his best friend is Aldo, played by a very young James Woods (also playing a racist Vietnam vet). In the building where Darell works is the office for a Vietnamese businessman (played Chao-li Chi, best known as Chao-li from Falcon Crest; obviously, back then it wasn’t an issue having a Chinese-American actor play a Vietnamese character) whom both he and Aldo remember from Saigon. Mr. Long has gotten Aldo fired from his job, and one night Mr. Long is brutally murdered while Darell is in the building. Darell, thinking Aldo killed him, pretends he didn’t find the body…but the newspaper reporter covering the case (Sigourney Weaver) he’s been watching on the news and has a big crush on, so he begins a minor flirtation with her. She thinks he knows more than he’s saying, and so plays along with the flirtation….not knowing she is more connected to the murder than he actually is. It’s a nice neo-noir film, if a bit flawed, and watching it reminded me of how much things have changed in our society and culture since then–and also reminded me of other things about the 1970’s; the rampant paranoia, for one, and how New York was in decline (or at least, seen to be in decline by the rest of the country), and was a much grittier, messier place. It also reminded me of how much public perception in the United States towards Jews and Israel have shifted–there’s a subplot about Sigourney Weaver’s parents being Russian Jews who managed to escape that is more important than is let on at first, and Christopher Plummer has a role as Weaver’s actual lover who is an activist helping Russian Jews escape from behind the Iron Curtain. Morgan Freeman and the guy who played Adam Schiff for years on Law and Order play the police detectives investigating Long’s murder–which was an interesting twist.

Foreign Correspondent was one of Hitchcock’s first American films, and since it was made in 1940 and was about the possibility of war breaking out in Europe (it already had; the movie was set in August of 1939), as one can expect it was very anti-Nazi and pro-Britain. Joel McCrea plays a reporter for the New York Globe who, as a crime reporter, is seen by the publisher as someone better equipped to handle reporting the double-dealing and backroom deals prior to the possible outbreak of war. McCrea does a good job in the role–if his character is quite a bit naive–and eventually he falls (as one does so frequently in Hitchcock films) madly in love with the daughter of the head of the Peace Party, who is supposedly working very hard to prevent the outbreak of war. There’s a typical Hitchcockian plot about a Dutch diplomat who is party to a secret treaty between Holland and Belgium and a secret clause only known to the signatories who is being pursued by the Nazis; a double stands in for him and is murdered very publicly–but the McCrea character knows he’s a phony and the search is on for the real diplomat. The suspense that Hitchcock is known for is there, and props to the studio and Hitchcock for doing a plane crash at sea in the third act–it’s totally not how a plane crash would work, of course, but no one in 1940 would know that–and, of course, as required by the Hays Code there is a rousing happy-ever-after ending with McCrea reporting from London during a bombing raid a la Edward R. Murrow, and as the credits roll a rousing rendition of a patriotic American song plays.

I had a headache for most of the day yesterday, so I didn’t read or write at all, but despite the headache, I couldn’t help but think about both movies, and how their stories couldn’t really be updated very much to a modern era–perhaps Eyewitness could be, more so, since television reporting isn’t going anywhere, but do newspapers even have foreign correspondents anymore? I don’t think so.

Paul and I are also watching a German Netflix series called We Are The Wave, which is interesting and rather well done; it’s based on the old “Wave” experiment that was actually done at a high school and then made into a movie, with a book adapted from it later; about how easy it is for fascism to take hold. It was done as an experiment, a teaching moment for an instructor for his class to show them–who wondered about how the Germans could embrace such a toxic political philosophy as Nazism–precisely how easy it was. This show is a bit different in that it shows that Nazism is again on the rise in Germany, and the “wave” in this show is actually a resistance movement towards both capitalism and Nazism. It’s interesting, only about six episodes long, and we are almost finished. We won’t be able to finish tonight because I am doing one of those Zoom on-line promotion things for The Faking of the President anthology.

And on that note, I am heading back into the spice mines. Have a lovely Thursday, Constant Reader.