Tag: The Summer of Lost Boys

Whenever I Call You “Friend”

Good morning, Sunday! I slept late again this morning despite Sparky’s best efforts, and after all those years of insomnia, I do enjoy getting up later. Yesterday was a pretty decent day, overall. I did some things, ran some errands, did chores and kind of overdid it…I was tired by the mid-afternoon, so just hung out in my chair with Sparky in my lap, and we watched some television while Paul dozed on and off for the rest of the day. Some of what we watched was research, so it’s not like I blew off the entire day or anything. The weather has also cooled; it was in the mid-eighties yesterday with a very low degree of humidity so it was actually pleasant outside (and yes, calling the mid-eighties pleasant and almost fall-like is an indication of how hellishly hot here these last few months)–supposed to be similar today, and since I have to walk to Walgreens later on, I’m hoping it is just like yesterday. I think we’re supposed to have cooler weather the rest of the week? The Katrina anniversary is also this Friday–so glad it’s my work-at-home day.

We finished watching Smoke last night and we really enjoyed it. Taron Egerton is a terrific actor, and I love Jurnee Smollett in everything I see her in. There were lots of twists and turns, and the show changes its centering in almost every episode, with some very clever writing sleight-of-hand along the way that always keeps you guessing. It was very well done, and I do recommend it.

I also watched the HBO documentary The Serial Killer’s Apprentice (I also have the book in my TBR stack). I’ve been interested in the Dean Corll/Candyman murders since I first heard about them when I lived in Houston back in 1989-1991, and one of my future projects is rooted in that horrific true crime story. We certainly do know a lot more about psychology, abuse, and grooming nowadays, and so Dr. Katherine Ramsland, who wrote the book based on her interviews with Corll’s teenaged ‘helper’, Elmer Wayne Henley Jr. The documentary doesn’t get into what Corll and his helpers did to those poor boys, but it was horrific. One torture detail that has stuck in my mind all these years since I first heard about the case and read a book about it–I don’t remember the title, but it was fairly old and was written shortly after the trials, and wasn’t terribly long. (When I talk about The Summer of Lost Boys, that’s my Candyman book.) Watching this documentary gave me some other ideas about how to write and structure said book.

I also had the television on for background noise while I was cleaning and doing things yesterday, and tuned in for the Kansas State-Iowa State game from Dublin (KSU lost). I cannot believe it’s football season already, with LSU playing this coming Saturday at Clemson.

The Cracker Barrel uproar from the MAGA morons has been incredibly amusing, but they do have a point. The redesign of the interiors is soulless and horrible, but as for removing the old man and the barrel and the words “old country store” off their logo? It is just rebranding to try to get a new customer base since theirs is dying off. Why is change so hard and terrifying for people to accept? I’ll never understand the perpetual victimhood of right-wingers, myself–yet they call us snowflakes. God, there are few things I despise more than hypocrisy. The only constant in life is change, so fighting change is a fool’s errand, and I sure don’t have time for that, although it sure seems a lot of other people do. It must be nice having a life that allows you the energy and time to waste bitching about a corporate decision that ultimately doesn’t affect or impact anyone in any way, shape or form.

But they have opinions, and of course, it’s the libs’ fault, even though most of couldn’t possibly give less of a shit about Cracker Barrel’s logo. But that redesign of the restaurant space is a mistake, a very big mistake. I maybe eat at a Cracker Barrel once a year with Dad when I’m in Kentucky, but that’s about it. Cracker Barrel hasn’t gotten this kind of attention since they were racist homophobes back in the day.

Had I but known how triggering this would be for the right-wing snowflakes, I would have pushed for a logo redesign for Cracker Barrel decades ago.

And on that note, I am heading into the spice mines. There’s a lot of mess I need to clean up this morning, and I want to read a bit before Paul goes to his trainer. Have a lovely Sunday, Constant Reader, and I’ll be back either later or tomorrow, okay?

Ah, those Chippendales calendars in the 80s!

Just What I Needed

Monday and back to the office with me today. Yesterday was nice and relaxing; I worked on writing for a while, didn’t do as many chores as I should have, and watched a couple of shows. I didn’t want to get out of bed again this morning–no surprise there–and am a little bummed to not have another day off as of yet. But I’ll survive, as I always do, which is no more than I should expect, one supposes. It’s hard to believe that it’s August and my birthday is looming, as is football season and Bouchercon is also coming to New Orleans the first week of next month. I’ve got a lot to get done in the month of August, and I really need to buckle down and apply my nose to said grindstone. It’s just tough when you have to battle fatigue and exhaustion all the time.

We watched the Netflix documentary series Amy Bradley Is Missing, which was interesting and terribly sad at the same time. I cannot imagine the pain of having a family member disappear without a trace the way Amy Bradley did off that cruise ship. As a disappearance of a family member is the crucial plot element of a book I am researching to write at some point in the future (The Summer of Lost Boys), watching this kind of counted as research for that, as it gave me insight as to how a working class family would react to such an occurrence and how the family would be permanently damaged….which also got me thinking about aftermaths to crime and horror stories. How do you go on with your life after fighting supernatural threats? Or after being a murder suspect? Or having someone close to you commit a serious and most heinous crime?

After dinner, we started watching a new Mexican erotic thriller series on Netflix, whose title translates to Unspeakable Sins. Like all Spanish-language erotic thriller series, there’s plenty of sex and nudity; we only watched three episodes (there’s two seasons of nine episodes each) but even trying to summarize the plot thus far–but the primary plot concerns Helena, a wealthy woman in a very controlling marriage to an older man, who starts having an affair with a very hot young escort, whom she convinces to flirt with her bisexual husband so they can get video of the two of them together and she can use the video as leverage to divorce him. Ivan pretends to be a journalist doing a story on Claudio, Claudio is attracted to him, but things go south–they fight and Ivan’s story is he ran away. But there’s blood all over the house and Claudio is now missing…can Ivan trust Helena or is she playing him for a fool, setting him up to take the fall for his murder?

That’s the primary story, but there are subplots as well that are just as intense.

Ivan is played by gorgeous Andres Baida. I mean…

Sexy Andres Baida
He was also in Control Z and Who Killed Amy?

Gorgeous, just gorgeous.

I also spent some time processing seeing friends from high school that I hadn’t seen in almost fifty years. (The fact that it’s been almost fifty years since I graduated from high school also needs processing, but that will have to wait until I am done with this initial processing.) Every time I’ve had a conversation with someone from high school in the last thirty years–it’s not often and it’s not many–how they remember me, and high school, are vastly different from how I remember things, but they also never knew how miserable and unhappy I was. I always put on a good face; I always try to make the best out of every situation I find myself dealing with as they come up, especially when it’s not something you can change or alter in any meaningful way. As I’ve stated before, I’ve always thought I was odd-looking and never really had a fit body until I was in my thirties. But…seeing pictures from back then…I was wrong about how I looked (I’ve always been wrong about that, frankly) and my impact on other people. Both women remember me as having a really muscular fit body and being handsome and very kind and considerate and thoughtful–and funny; I’ve always been funny.

And I did work on writing yesterday. I edited another piece and wrote out what changes need to be made to it to make it stronger. I also did some laundry and a load of dishes, but didn’t pick up too much of the mess in the apartment. I do enjoy spending down time with Paul and Sparky, and really wish we were both retired and just hanging out around the apartment all day. Paul likes to be busy, though, so I do think he will take some adjusting if and when he finally does retire. I won’t be retiring for another few years yet; not going at 65, much as I would like to, so I have to get my shit together leading up to when I finally do.

After work today, I have to make groceries on the way home, and I’m hoping to do some writing tonight before we jump back into Unspeakable Sins.

So on that note, I am heading into the spice mines. Have a lovely Monday, Constant Reader, and I’ll be checking in with you again in the morning.

I Go To Pieces

Sunday morning and I hope it finds you doing well, Constant Reader. It’s kind of gray outside my windows this morning, and it’s raining, off and on; not a gully-washer like the occasional tropical downpours we get on occasion, but enough so that everything outside is wet and glistening. It’s supposed to be lovely today, but the temperature is dropping overnight and it’s going to be in the bitterly cold thirties the rest of the week. Yay, but this too shall pass. Tomorrow is Twelfth Night and the official beginning of Carnival; so on my way home tomorrow night I’ll stop and get our first King cake of the 2025 season. Yay, king cake! We are both fans. Paul picked up this year’s copy of Arthur Hardy’s Mardi Gras Guide, a staple of the season. We’ve bought a copy every year we’ve lived here, and while the “parade watcher” app makes parade-going much easier, it’s also nice to have around.

What are we going to do when we lose Arthur Hardy? I don’t even want to think about it.

I have a lot to get done today. I did work some yesterday but not much; I was kind of tired after going to the gym (yay!) and making groceries, so I just kind of collapsed into my easy chair after putting the groceries away and just relaxed. I did finish reading Winter Counts (more on that later) which I enjoyed, and started reading my next read, Ode to Billy Joe by Herman Raucher. Last spring–and I don’t know why–I remembered Summer of ’42, the novel by Herman Raucher that was made into a film in the early 1970’s. I enjoyed both book and movie; it’s very poignant and sweet, and I later made the connection when I was writing my post about Robby Benson and my crush on him when I was a young gay…and then remembered he’d been in the film version of Ode to Billy Joe, which sent me down a rabbit hole–the song, the book, the movie–which is an interesting journey. I wound up ordering a copy of the novel from a second-hand book website, and so I started reading it finally. It’s weird; it was originally a haunting story song hit for Bobbie Gentry, and they decided to make a movie of it. They hired Raucher to adapt the song into a screenplay, and he went one better–not only writing the screenplay but writing a novel as well. So, is it a novelization of a movie, or a novelization of a song that became a movie? It’s actually very well written; the movie was dated and I didn’t enjoy my rewatch a few years ago, but the book still holds up. I also decided yesterday that I am going to alternate crime fiction with another genre or style of fiction, to broaden my scope and better inform my own writing.

I slept well last night, even if it took me longer to fall asleep than usual, which was odd. I wasn’t nearly as tired as I usually am when I went to bed, but I did drag my ass out of bed this morning. Sparky didn’t let me sleep late this morning–later than my usual, but far earlier than the last two mornings–so hopefully I’ll feel tired tonight. I made it to the gym yesterday, and so am a bit tight and sore this morning, but at the same time I am very pleased I did go. I tried to talk myself into waiting till today, but finally around one I snapped out of it and went. The one thing I’ve noticed besides the muscle fatigue is that mu shoulder is a lot looser and freer now–it’s been tight for a while, and sometimes it felt like it needed to, I don’t know, pop? Like a knuckle that won’t crack? But since I started working out again (granted, only twice but that’s also two more times than if I hadn’t, so there), it feels a lot better and more usable than before. Yay! Should have never stopped going last spring, but if wishes were horses and all that nonsense. Even the tightness of the other muscle groups feels kind of good. Now, if I can just remember to find time to stretch every day…

The weekend hasn’t been a waste for writing, either. I reread some works in progress, worked a bit on the synopsis of The Summer of Lost Boys, and reread Chapter 2 of new Scotty preparatory to revising it this morning. I have some short stories to work on and more to read–Saints and Sinners short story contest judging work–so I may not have as much time today to read for fun as I might want, but I think I can get through Ode to Billy Joe this week before moving on to my next read, which will be a crime novel from a marginalized author.

We finished watching Cross yesterday, and I have to admit we enjoyed it more than I thought I would. I’m not sure what I was expecting, but the show turned out to be a lot better than I was expecting. Shows produced by streaming services can often be hit-or-miss, and other than The Boys I generally don’t go into Prime shows with a lot of expectations. I think Cross could have been six episodes instead of eight, but they did an excellent job of juggling different crime storylines against each other as well as making the viewer wonder if it was two different cases or the same one. That’s not easy to do, and is even harder for a television series to pull off than a book. We then watched a really fun crime show called Killer Heat, which was a modern take on film noir/hard boiled private eye stories. Starring Joseph Gordon Leavitt (whom I will watch in anything), Richard Madden, and Shailene Woodley, it’s done very well and is quite fun to watch until they don’t quite nail the landing, but hey–it was an excellent attempt, and they got everything right–including excellent performances from the two main leads (Richard Madden was kind of wasted in the role of identical twin billionaires, one of whom’s murder opens the movie; the part wasn’t well written and any hot actor with a good body could have done the job)–and we definitely enjoyed it.

And on that note, I am heading into the spice mines. Have a lovely Sunday, and I may be back later. One can never be entirely certain, can one?

Take Me Home to Somewhere

Sunday morning and it’s sunny outside. It rained off and on for most of the day yesterday, with marvelous thunderstorms bracketing the day. The sky is clear and blue and the sun is out, so I suspect we’re done with the storms. I slept well–and late–this morning, and I’ve already decided to let the day take its own course. I have some dishes to put away and laundry to fold, and I also need to run a couple of errands this morning. I do feel rested this morning, which is a good thing. There are only three days left in 2024, and while I would ordinarily think good riddance to 2024, I don’t have very high hopes about how 2025 is going to go for any of us. Louisiana continues to circle the drain, as our governor seems determined to destroy the state and impoverish everyone (but there won’t be any of the woke nonsense down here, you betcha!), and we all know Republicans can’t govern for shit–already proven from 2017-2021–and they are already fighting a nasty civil war between their Techbros and the MAGA base currently, which gives us a pretty good idea of how the next four years are going to go. Yay.

I really didn’t do much of anything yesterday, really. I rewatched a classic LSU football game–Paul was out with some friends–and went down a bunch of rabbit holes on Youtube doing research. Researching the 1970s is trippy for me, and being reminded of things I’d long forgotten about–products, commercials, movies, books, etc.–inevitably brings a bunch of other memories back with them; buying Hardy Boys books at the Zayre’s, riding my bike to the 7/11 to get milk and a comic book, walking to the bus stop at St. Dominic’s (and walking home from there after school), and reading in bed on the weekends with a bag of either Taco-flavored Doritos or Bar-B-Q Fritos. Research is research, after all, and opening my mind to recollections of my past–which was a very long time ago–is kind of weird, since I spent so much of my life never looking back. I may try to do some writing today–stranger things have happened, after all–but I am not placing any demands on myself this weekend. I have Wednesday off for New Year’s, which is weird, and will probably wind up having the play-offs on all day while I do other things. I still haven’t finished reading my book, either, and I really need to get back to that this week, if not today. It ain’t going to finish reading itself, you know.

And I can’t get deeper into the TBR pile without actually, you know, reading the books.

Memories are tricky things, actually, and one of the most important tricks our (writers on a grander scale, and people in general) brains play on us is how it colors the way we remember things. We not only remember how things were said and who said them, but we also remember how we felt at the time–and those feelings also color how we remember things. I am sure all people, once they’ve reached a certain age, are stunned at how differently our parents remember things from our childhood, and how little we actually did understand when we were younger. It’s also possible for those memories, colored so strongly by protective emotions, to change and become more embedded in our brains with our coloring firmly in place. One of the reasons I never bothered to re-examine disputes or disagreements with people from the part is because I know my memories may not be exact and are definitely have been rewritten in my head to make me the innocent victim, or merely confirmed that I am a terrible person. The first few decades of my life were very chaotic; one of the things I’ve tried to work very hard on as an adult the last few decades was to remove chaos–or agents of chaos–from my life. If you’ve either hurt or deeply offended me, I don’t want to waste any more of my time on you. I don’t want to argue with you, I don’t want to explain why you were hurtful because I shouldn’t have to.

If I have to explain to you how you’ve been hurtful you really aren’t worth my time.

Part of the problem with writing about the past and going from your own memories and experiences is that tendency to make one’s self into a hero even when you have not been very heroic. I’ve kind of always considered myself cowardly for not coming out sooner, for not facing up to who I am, and not getting it all worked out in my head long before I actually did. Wanting to capture that sense of having a dark secret that you so desperately want to share, wishing the world was different yet knowing that it isn’t and probably never will be, looking ahead at the rest of your life as it yawns before you as endless misery and self-denial and self-loathing isn’t exactly inspiring, and capturing all of this on the page from the perspective of a twelve-year-old about to start high school is going to be hard without making him seem self-pitying and kind of pathetic. My own self-loathing about who I was as a child is also kind of self-defeating; I need to forgive myself at some point for not being a good little straight boy because that was never who I was supposed to be. If anything, I should loathe the middle-class cookie cutter suburban existence everyone tried to force me into–a square peg into a round hole, as it were. I suppose writing The Summer of Lost Boys will force me to face those feelings and work through them by writing about a character similar to me but not really me, if that makes sense? I know writing Bury Me in Shadows helped me come to terms with my family’s history–and Southern history in a broader context; #shedeservedit helped me come to terms with my own high school experience, and so maybe, this is the last step to letting go of a lot of things over which I had no control that I’ve punished myself for most of my adult life.

Chaos is never fun, really. I’ve also always felt bad for people who chose chaos rather than cutting it out of your life. I don’t want to waste any more of my life doing emotional labor for undeserving people who are determined to hold onto being miserable rather than letting things go and living more positively–who wants all that negativity in their life? Why would anyone choose that? And yes, I am sure I am vastly over-simplifying here–many people are trapped in horrible jobs and horrible life situations over which they have very little, if any, control over their lives.

There are several books I want to write about my suburb, in all honesty–just as there are any number of Alabama and New Orleans and Kansas books I want to write…which is never going to happen as long as I continue to not write.

And on that note, I am going to head into the spice mines and go run my errands. Not sure what I am going to do for the day other than that, but I like having a day with no plans to do much of anything, frankly. Have a great Sunday, Constant Reader, and I’ll check in with you again later or tomorrow before work! Thanks, as always, for stopping by this morning.

Oh Very Young

Friday morning and I slept late and I don’t care. I also did little to nothing yesterday and I don’t feel in the least bit guilty about it, either. Ordinarily, I’d be chastising myself and feeling like I wasted an entire day, but so what if I did? Am I never allowed to actually have a day off where I don’t do much of anything? I did get the laundry finally done, but I’m not going to kill myself this weekend, either. There are definitely things I need to do today–laundry, errands, gym, writing–but I am going to get to things when I get to them and if I don’t, there’s always another day.

And if there isn’t, oh well, no need to worry about any of it, is there?

Yesterday was lovely, as non-active days inevitably are. I wrote some posts and worked on the laundry yesterday morning, but once Paul got up, I turned the television onto Wimbledon for him and I kept sitting here at my desk, finishing that blog post, which was very cool–the television usually is a distraction, and it wasn’t yesterday. I did eventually move into the living room to watch television with him, and we got caught up on The Boys (which is going so hard on the right this season that sometimes I laugh out loud; one of the most horrible supes this week quote that trash from Georgia MTG, and then I realized the entire character was her, and laughed and laughed and laughed), then watched the entire new season of That 90’s Show (the best character is Ozzie the young gay). We also finished the Dallas Cowboys Cheerleaders documentary on Netflix, which again was really just a better produced and edited together season of their old reality show, but a lot more serious and it also went in on some of the girls more. I said, while watching, “It really does take a certain kind of person to want to be one of these girls, doesn’t it? It’s like they create this big sorority.” That was what it reminded me the most of–a big sorority–with little to no drama between the girls…which I suspect would NOT be tolerated should it ever happen. Usually watching anything documentary style, or non-fictional, usually gives me several ideas of how this little “bubble” they live in could lead to crime; and I realized yesterday in all our years watching Making the Team and now this, that’s never happened once. Even sitting here this morning with my coffee and a cat in my inbox (Sparky is watching Cat TV out the window), I cannot think of why anyone would want to kill any of those girls or even their coaching staff. Kellie, the primary coach, reminds me a lot of that woman from Navarro from the Cheer series.

Besides, I was just thinking the other day that if and when I write another young adult novel, I am not going to write about cheerleaders and football players. That was my primary experience in high school, but there are so many other kids that are neither of those things and I kind of would like to write from a different perspective rather than the usual, high school stereotype kids. (Which, now that I’ve said that, is precisely who The Grimoire of Broken Dreams is about; so it will be the last of those…but The Summer of Lost Boys will be about a high school outsider; it’s the only way the story works in the first place.)

I do have some picking up to do today, and I certainly need to get the dishes done–which always makes such a difference when it comes to how the kitchen looks–and I’d like to get some more filing work done…at least alphabetizing so the files are easily found. I have one more file drawer to get through–there’s a lot of sorting that needs to be done on it–and then that is finished. I’d like to get started moving boxes off the tops of the cabinets this weekend, too. Some of it is just paper that can go in the trash; others are books that also need to be gone through. I hope the library sale is open tomorrow so I can drop these books off to them, which will also make the living room look less cluttered. I also have a long term scanning project to work on, too–all my old articles and reviews and so forth that I have stored neatly in a box; I’d like to get that all scanned so I can give these old queer magazines and newspapers to the local queer archive. I hate throwing it all in the trash; someone might someday want to see these old issues of Lambda Book Report that I edited, and I doubt they are electronically available; it wouldn’t surprise me if even Lambda didn’t have copies of its issues going back to the 1980s.

There’s a part of me–the packrat part–that wants to keep all of this and archive it and all my papers and put them somewhere, like at Tulane (who wanted them at one point) or the Historic New Orleans Collection; but that seems a lot like hubris to me, you know? “Oh I am so important my papers need to be collected for future scholars and historians” isn’t something that rolls easily off my keyboard, you know? After a lifetime of not being taken seriously to the point that I rarely take myself seriously, it’s hard for me to imagine that my writing and my life would be of interest to anyone in the future, you know? Someone told me that I was the only writer who documented what life was like here for a gay man before Katrina, and sadly, all I can do is think of all the things I haven’t documented here, like the wars over Southern Decadence against homophobic pedophile Grant Storms (it’s always projection with them, isn’t it?)–I wanted to write a book about that, and Storms himself along with psychotic Louisiana Republican politician Woody Jenkins1 inspired Bourbon Street Blues–and various other battles here in the state. Cancer Alley, the poisoning of poor black communities by petrochemical plants and oil refineries, the loss of the coastline and the wetlands are all things that should be written about, and I really wish there was some John D. Macdonald here in Louisiana who could write about the environmental disaster the state already is, and how we are making it worse by the day every day.

But I’ve decided2 to just throw it all away, really. I don’t have the time or the interest to catalogue and organize a lifetime of writing, let alone the logistics of getting it all somewhere, and every draft I’ve written is electronic, except for the files that are so old no program will recognize them anymore, and there’s also this blog. It’s never been the whole story, and it’s always been relatively carefully curated, but when I do write things here I don’t censor myself. The only blog topics that have always been off-limits are Paul, my family, and deeply personal stuff. I also try very hard not to invade the privacy of my friends, which I wasn’t so good about in the early days back at livejournal almost twenty years ago.

I also think that’s why I want to keep doing the Greg’s Gay Life or Pride Posts throughout the rest of the year. I’d like to document more of my past, the things that I clung to (like the tiny queer rep in film, movies and books when I was a gayby), and sharing what it was like to live through things. I have no desire to write a memoir of any kind, but I kind of do at the same time, but my fear is always the faulty memory and the memories of the other people who were there will inevitably be different. I’ve already noticed how the kids I went to high school with clearly had no idea how miserable I was; the mask I wore of the class clown who makes sure everyone is having fun was more successful than I ever thought it was…although I have become convinced everyone knew somehow I was gay. That delusion was hard to let go of, but it’s also true. No one I ever came out to was surprised, you know.

Maybe my memoir could be called Deluded.

And on that note, I am getting some more coffee and going to work on the sink. Have a lovely Friday, whether you are off like me or have to work. I’ll most likely be back later.

  1. Jenkins was too extreme for Louisiana back then, but he’s to the left of our current governor. Jenkins was also the first Republican that I can recall who claimed the election was stolen from him and wanted an FBI investigation. This behavior killed his career in state politics; he couldn’t even get elected to represent the racist part of Baton Rouge that recently seceded from the capital. And yes, Louisiana will go at least 60% for another crybaby sore loser this November. Funny how that works. ↩︎
  2. Don’t @ me about this; my mind is made up. ↩︎

Down by the Lazy River

Happy Father’s Day to all who celebrate. As for me, I’m meeting Dad in Florida on Friday for a nice weekend in Panama City Beach, although I seriously doubt that I’ll be going outside very much. The older I get, the less I can stand to be in the heat–which is something younger Greg would have laughed at very hard. I no longer care about being tan, either, as yet another fragment of vanity disappears from my head. Today I have to go out into the heat to make groceries, but other than that I am staying happily indoors and trying to get some more work done. We also have Wednesday off, of course, for Juneteenth, which is going to make for an odd work week, methinks, which is also payday.

I am feeling a bit groggy this morning but I haven’t had my first cup of coffee, either. Ah, there’s that first sip, sending warmth and energy through my system. I plan to do some writing today; I had a really good time yesterday unpacking and deconstructing the 20k+ words I already have done for this project, and I do think expanding it out into a novel is a good idea; I think it will make for a very good book if it accomplishes what I am setting out to do with it–and of course, as soon as I have those ambitious thoughts good old Imposter Syndrome rears its ugly head. AH, well, but feeling like I’m back inside my writer’s skin inevitably was going to trigger that, wasn’t it? Sadly, it’s all part and parcel of being a writer, and I just need to shrug it off entirely and focus on the work. So, while I generally despise Imposter Syndrome, I welcome it now because it’s a signpost on the way to getting back to being a full time writer after several years of being swamped and stressed and everything else that went on since 2016, really. It’s been almost a decade since Mom’s first stroke and she started living, essentially, on borrowed time. I think that was the start of the cloud in my brain, and that odd sense that time is running out. It feels lovely to be out of that; I’ve not experienced it for quite some time now, and I think the rest of this year might actually turn out to be incredibly productive for me. Here’s hoping, anyway.

Yesterday was lovely. Sparky got me up before eight, which was fine (he let me sleep until eight this morning), and I got up and started working. I did some cleaning, and I also did some writing, and some planning. Last night I scribbled away merrily in my journal, listing characters and figuring out backstories for them, so that they can be fully realized when I write about them. I do think this one, and the one after, are going to be some of my best work, which feels great, you know? I was also looking over the prologue to The Summer of Lost Boys, and rewrote some of it in my head, which I will need to transcribe at some point today as well. I didn’t really leave the house yesterday, which was great. I spent some time reading the new Paul Tremblay, Horror Movie, which I am really enjoying. (I always enjoy reading Tremblay; he’s one of the best of the new crop of names in the horror community, and not a single book or story of his that I’ve read wasn’t an incredibly enjoyable experience.) We finished getting caught up on The Boys (it cracks me up that the right-wingers are suddenly realizing that the show actually makes fun of them, and the ‘heroes’ they were rooting for were actually the villains. Sucks to be MAGA), and then we dove back into After the Flood, which is absolutely terrific and interesting.

Oh! And House of the Dragon returns tonight. Huzzah!

I slept well again last night, so getting up to Sparky’s determination to get fed was fine with me this morning. The first cup of coffee is currently working its magic in my bloodstream and I am waking up, which is marvelous. I do have some things I need to do this morning–the kitchen is a bit of a wreck this morning, and the floors need to be done–but I am hoping to spend the day, outside of the grocery store, inside working on the book and getting my shit together for the week. Make a to-do list, try to remember all the things I want to submit to, and get organized. I never feel organized, and haven’t in a while, which is part of the off-balance thing that’s been going on since 2016 or so.

And on that note, I am heading into the spice mines. Have a lovely Sunday/Father’s Day, and I may be back later with some other posts about being gay and Pride and other great moments from my gay life.

Morning Good Morning

Sunday morning and I slept late, which is fine, really. I keep forgetting that sleeping in on my days off isn’t a criminal act of any kind. After so many years of keeping myself overly busy and so I was always behind on deadlines and so forth, I’ve kind of gotten into the insane mindset that sleeping late is a waste of time that could be better utilized, writing or cleaning or reading. I do have some things I need to get done today–mostly running to the store to get the things i need to make a carrot cheesecake for a co-worker’s birthday tomorrow–but if i manage my day properly, I should be able to get things done.

I spent yesterday running errands, and trying to get things cleaned up around the house while dipping into two books–The Berlin Stories by Christopher Isherwood and Ode to Billy Joe by Herman Raucher. I ordered the latter from ebay after I started doing my research into Robby Benson for the post I made about the crush I had on him as a teenager; realizing the movie script and novel were written by Herman Raucher made me interested in reading the book, as well as wondering about Summer of ’42, and so I ordered copies of each. Billy Joe arrived yesterday, and I was curious about it. Usually novelizations were work-for-hire arrangements and the author used a pseudonym; some are better than others, of course, but just reading the first chapter of Billy Joe I can tell it’s head-and-shoulders above most novelizations, and it’s probably more thorough in telling the story than the movie was, which has me interested. I’ve also been thinking about The Berlin Stories lately, after watching the film Christopher and His Kind, and may revisit it again, too, for Pride Month; Isherwood is one of the literary gods of the gay canon, and the opening sentences of Goodbye to Berlin are perfect for parodying in the prologue to the next Scotty. I still have to finish my reread of Michael Thomas Ford’s Suicide Notes, and I think I’m going to bump the new John Copenhaver up on my TBR list. It is Pride Month, and I should immerse myself in queer lit for the month, don’t you think, Constant Reader?

I also want to write about Summer of ’42 at some point. Like The Other, it was an early read that was very influential on me, and one I often don’t think about when I do think about influential works I’ve read or make a list. I really do need to sit down and identify the books that really impacted me and the way I write; The Other, Summer of ’42, and so many, many others. I also want to write today; I didn’t really yesterday, but I did spend some time yesterday doing research; i.e. watching Youtube videos on the Oklahoma true crime story that fascinates me still, as well as ones that review the 1970’s and pop culture and what was going on those early years of the decade, which is when the book will be set. I think I am moving in a more historical direction rather than writing about the current day; Never Kiss a Stranger is set in the 1990s (1994, to be exact) and of course The Summer of Lost Boys is going to be set in either 1972 or 1973; I can’t decide which, although I suspect 1973 is going to end up being the winner when I finally have to decide.

We finished Under the Bridge last night, and it’s most excellent; I highly recommend it. Based on a true crime novel about the Reena Virk murder in Victoria, British Columbia back in the 1990’s, Reena was beaten badly by a group of girls–some she thought were friends–and then after the others left her broken and injured and bleeding along the river bank, a boy and a girl came back and basically, finished her off. The show reminded me a lot of Megan Abbott’s work; Abbott always writes about the mysterious world of female relationships, female rage and jealousy, and that’s what Under the Bridge does so beautifully. The acting is extraordinary; a real standout is Javon Walton as Warren, the young boy who kills Reena. Walton is very handsome in that young way, and I looked him up because the performance was so extraordinary, and turns out he also played Ashtray on Euphoria, who was one of my favorite characters on that show. Do watch it when you get a chance. I’m going to get a copy of the book now, too. Yay, more things to read! Just what I need!

We also started The Acolyte, but I was sleepy by the time it started and kept dozing off. No judgment on the show, I was just tired.

And on that note, I think I’ll head into the spice mines. I’ll probably finish the dishes this morning while making a grocery list, and then I’ll dash to the store and get gas. I may even finish one of these other Pride blog drafts, so have a lovely Sunday, Constant Reader, and I may be back later.

Behind Blue Eyes

So, in honor of Pride Month, I’ve decided to do things a little bit differently than I usually do when it rolls around every year. Usually, I’ll share book covers by queer authors that I either enjoyed or influenced me, either personally or professionally, in some way–or could be used for that hoary old cliché this made me gay. In a way, it’s a trip down memory lane for me, going back to my childhood, my teens, and twenties; places I am currently revisiting as I plan out The Summer of Lost Boys.

Thomas Tryon’s debut novel, The Other, is often heralded as one of the books (the others being The Exorcist and Rosemary’s Baby) that kicked off the horror craze of the 80’s and 90’s; Stephen King’s Carrie was released in 1974 and shifted the craze into four-wheel drive. I read this book when I was in the seventh grade, and it resonated with me in ways I didn’t fully understand or comprehend at the time. It drew me in, and fascinated me in ways I’d never been fascinated with a book before. Part of it was the transition I was making from reading kid’s books to more adult fare; I was already reading at a collegiate level by the seventh grade. (The Ken Holt series also resonated with me, as did the Rick Brant–which are getting their own entries.)

I wouldn’t learn until years later that Tryon was gay–although I should have known, were I more mature and gay wasn’t one of those things people didn’t talk about when I was a kid; it’s certainly there in his books–and then it made even more sense to me why the book resonated so much with me, why it intrigued me so much, and why I identified with it so much. Niles Perry, the point of view character, is a shy, reticent boy who mostly lives in his own head and world and doesn’t really interact a lot with people. He’s a nice kid who is always worried about getting in trouble and doing the wrong thing; his identical twin brother, Holland, is more of what we would now call a sociopath. But Holland has no fear, has no dread of consequence, and is more outgoing and adventurous; he’s more of a troublemaker and relishes getting revenge on people who’ve done him, in his mind, grievous wrongs. Niles loves his brother–adores him, wants to be like him, wants to be less timid–but is also afraid of him. He knows all Holland’s secrets and he knows everything that Holland does, and often he figures out Holland’s schemes and even tries to stop him…but Holland always outsmarts him, and leaves Niles to clean up his mess.

This brotherly dynamic–the closeness and the dominant/submissive relationship between the twins spoke to me. I saw myself as more of a Niles type than a Holland; shy and quiet and mostly keeping to myself–and always being drawn to flashier, more outgoing types as friends, to whom I was both devoted but also jealous of–a pattern I followed for most of my life. This is the same reason certain books drew me in as a teenager in most cases; A Separate Peace has that same underlying relationship theme–the flashier more outgoing more popular friend, and the quiet best friend content to live in his shadow but also being a bit resentful and jealous.

And then about two-thirds of the way through the book comes a plot twist that changes everything you’ve already read and processed and you have to see the book in an entirely new way–every time I reread it (which is every year or so since I got a hardcover copy off eBay), I try to find the clues to the twist in the first two-thirds, and they are there, but cleverly disguised so you don’t put it together until it’s literally revealed in such an incredibly powerful scene that just thinking about it–and its creepy conclusion–makes the hairs on my arm tingle a bit.

I didn’t have a brother, so I wasn’t sure about the brother dynamic Tryon explored so beautifully in the book; is that the way things work in real life between brothers? Probably not, as every set of brothers is different, of course. (I’ve rarely written about brothers, now that I think about it. Chanse has one who turned up in a short story and Scotty has Storm) But the relationship interested me, and it’s a trope that is often used in every style of fiction; two people, either siblings or close friends, one is more outgoing and daring and likes to take risks while the other is more nervous and afraid and namby-pamby, and that weird combination of love/jealousy that can often get involved in those stories.

It’s also a strong dynamic that can play out within gay couples, as well.

The Other is also written in a lyrical, beautiful, dream-like style; that lovely sense of remembering the past nostalgically, when everything was magic and the world seemed full of wonder.

I was paging through the book the other day and I began to realize that it’s impacted and influenced me as a writer far more than I had ever realized.

Baby Blue

Monday morning, and back up before dawn to get ready to head into the office. Huzzah! I slept really well last night, and had no trouble getting up this morning, which I was a bit concerned about given how much sleep I was getting over the weekend. But I feel awake and conscious and good this morning, so that’s very promising.

LSU won both games yesterday (13-6 over Wofford; 8-4 over North Carolina) which puts them in the regional final, winner take all. I flipped between the games and whatever we were watching yesterday (we finished Anthracite, and caught up on Interview with the Vampire), which was nerve-wracking as always whenever LSU plays (I don’t stress or get anxiety over the games anymore–thank you, new meds–so I can enjoy it more, but yesterday I couldn’t bear the tension). I”m not entirely sure I am going to watch tonight’s game, either; I guess it depends on when it is. I also spent some time yesterday reading (The Rival Queens) and writing. I managed to get two or three blog entries posted yesterday, too, and I like that I am doing this “Great Gay Moments in Greg’s Life” type thing. I did Starsky and Hutch and an overall, general “meaning of Pride” post, and I feel pretty good about both of those this morning. I also worked on the prologue to The Summer of Lost Boys, which I will try to get more work done on that today.

The weekend was good, to be honest; I felt good all weekend (if lazy–the thunderstorms had something to do with that, and yes, we had them yesterday too), and while I didn’t get everything done that I would have liked to, I’m pretty okay with it. Today is forecast to be cloudy but without rain, which hopefully will make it cooler–or at least not feel as hot. I spent most of yesterday under my blanket in a chair, which was marvelous. When Sparky wasn’t being Demon Kitty he would sleep in my lap, which was very sweet. It won’t take me long to catch up on my emails, either–I’m doing a pretty good job of staying on top of those, too–and I’m pretty much caught up on my day job duties, too. I’m behind already on the writing schedule I set for myself this year–but the beauty of that is that it’s my deadlines, and no one else’s, so missing them isn’t affecting anyone other than myself.

I also scribbled in my journal a lot this weekend, which is very cool to be doing again. Overall, I am feeling good again these days, which is great. I’m starting to feel connected to my writing again, and remembering that I don’t have to kill myself to get some done is not a bad thing, either.

This morning’s coffee is quite tasty, too, I might add.

All right, it’s time for me to get cleaned up and head into the office. Have a lovely Monday, Constant Reader, and I’ll most likely be back later. If not, GEAUX TIGERS!

Nothing’s Going to Stop Us Now

Ah, Starsky and Hutch.

As I have been reviewing things that helped confirm to myself as a child that I was a big old homo (for my book The Summer of Lost Boys), I found myself remembering a lot of things, memories from the darkest dusty and cobwebbed chasms of my memory banks.

But as a kid, realizing that I was drawn to men more than women was difficult and weird, and not in the least because I didn’t understand what women saw in men; their sex symbols, to me, left a lot to be desired. I grew up on the cusp of some societal and cultural changes, and not the least of which was the fact that in the 1970s, men finally began being sexualized and held to a kind of male beauty standard that gradually changed that standard–which for a burgeoning young gay boy, was perfect timing. I never understood, for example, what girls saw in teen idols–sure, Bobby Sherman and Davy Jones and David Cassidy were cute…but I didn’t think of them as sexy or sexualized; the Tiger Beat crowd was very into guys who were not sexually threatening–these weren’t guys they wanted to fuck but rather ones they wanted to hold hands with and go on dates to malt shops and movies with, and chastely kiss good night. I never really got the sense that women ever wanted to fuck their sex symbols, either–there was an odd chasteness to women (the old madonna/whore paradigm) in their fandoms. You never heard a woman saying she wanted to fuck Paul Newman or Robert Redford or Burt Reynolds; there was more to it than just sexual energy.

But “Women’s Lib” began taking flight in the 1970s, as did queer rights, and a gradual shift in the paradigm of what is sexy in a man and what isn’t began changing. It was the decade Playgirl launched (more on that later), Jim Palmer began doing underwear ads, and the poster of Mark Spitz and his gold medals wearing a speedo sold like cheap beer on a payday.

And it also began the rise of the himbo shows; the male equivalent of all those jiggle shows with big breasted girls without a bra jumping up and down; those shows were almost guaranteed ratings in the Top Ten. Starksy and Hutch was the first real himbo show that I can remember; David Soul and Paul Michael Glaser were very good looking with great bodies that were very masculine as well–and the show showed them shirtless as much as possible, or in towels, or–you get the idea. They drove a fast car with an odd but distinctive paint job (cars were also stars that decade) and the show also not only was a hit but a part of the zeitgeist, too. I watched every week–as did my sister and almost every girl I knew–but it being a macho cop show, it was okay for men to watch, too.

And if there was an Internet and fan fic, a lot of people would have been writing erotic romances about the two of them.

Their closeness as characters as well as their chemistry, and their willingness to appear half-naked at the drop of a hat certainly made the show popular with gay men–and the stars also didn’t mind playing into the gay interest in the show, as you can see by the picture of them running hand in hand on the beach.

They also did a lot of those kinds of promo photo shoots.

Glaser’s wife later contracted AIDS from a blood tranfusion, and the two of them spent a lot of their time and energy working for AIDS treatment, education, and a cure.