Pay the Bills Wednesday has rolled around again; and this is my first paycheck with my new raise, which is super cool. I guess we’ll soon see how much of a difference the raise will make, won’t we? And–a pretty nice one, to be honest. I paid all the bills already this morning and have a nice tidy sum left over. And I have more bills this time that I ordinarily would, so it’s going to be interesting. I also accidentally paid a bill that isn’t due until we get paid again–which puts me ahead for next time, too.
I slept decently last night, but something I suspected was going on with me turned out to be correct: I am not properly hydrated. I had to have blood drawn yesterday for my PrEP labs, and my blood was too thick. Thick blood which doesn’t want to come out into the tube means over-dehydration. I drank some glasses of water and we tried again hours later–to better success–but between the blood sugar ups and downs and now this it’s not any wonder I’ve been feeling tired and a definitive lack of energy lately. I suppose the morning coffee–caffeine is also dehydrating–doesn’t help much in that regard either. I need to stop and get Gatorade on the way home from the office tonight.
I wrote a chapter of the book last night–well, almost. It’s not quite finished, but I am pleased to admit that it is just as terrible as all the others I’ve done thus far. So hurray for consistency! But the story is starting to take shape, as I had hoped it would as I wrote, and as I move on (while still writing crap) I am revising and reconfiguring the opening of the book and so forth; editing in my head (which is worrisome since I no longer have any sort of memory to rely upon) as I go. I think I am going to do a big push this weekend and while Paul is gone to try to get as much of this finished as I can.
Sorry to be so brief today! But I don’t really have a whole lot to say today, which is an unusual occurrence for one Gregalicious, is it not? Somehow I am managing to get caught up on things, which is always a lovely and a good thing. Sometimes it feels like I am forever Sisyphus, pushing that heavy stone up the side of a mountain, only to have it come tumbling back down to the valley below once I manage to finally get up there. Some days I can look at those massive to-do lists and think to myself yes let’s do this and roll up my sleeves to dive in headfirst; other days I look at them and just want to curl up into a ball and hide from the rest of the world. But that doesn’t get things done, and doesn’t help with anything, either. On the way home tonight I am going to run a couple of errands, and then I am going to just curl up in my easy chair and read The Haunting of Hill House until it’s time for (what will inevitably be disappointing) third episode of The Real Housewives of Beverly Hills reunion, which I will need to digest fully before posting about.
So I am heading into the spice mines for now. Have a great Wednesday, Constant Reader, and I will check in with you again tomorrow.
I am, and can be, remarkably naïve when it comes to some things. I literally will believe almost everything I am told because my default is never to assume someone is lying (unless they’ve proven themselves to be a liar before), so I actually believed, all those years I was watching The Real World, that the show was “unscripted” and the cast had cameras and microphones on them 24/7.
Then The Real World came to New Orleans–to my neighborhood, in fact–and the “gay one” got a job bar-backing at Oz (one of my favorite gay bars; and autocorrect tried to turn that into “barebacking”, which is an entirely different thing), and it wasn’t long before I realized that The Real World wasn’t, actually, “real.” I saw them any number of times walking from one destination to another to film, the camera crews not filming and just walking behind the cast; I actually watched them set up a scene in Oz and go through several takes, and so yeah, the luster and magic was gone for me. I think I may have watched another season or two after New Orleans, but reality television had also changed dramatically from when the first season of that show aired (and yes, I am aware that PBS’ An American Family was the first real reality-type show) and by the time I stopped watching that it wasn’t about kids learning to get along and learning from each other’s differences as it was about getting wasted, hooking up, and fighting.
You know, the formula Bravo quickly adapted to in Season Two of The Real Housewives of Orange County.
Viewers want conflict.
I never watched the Real Housewives shows, but usually on Sundays when it wasn’t football season Paul would come downstairs and fall asleep on the couch while I would either read or edit in my easy chair. I’d turn on the television for background noise, and it was just easiest to always park the channel on Bravo because they’d marathon something–originally Law & Order, then The West Wing or Inside the Actor’s Studio, which were fun for an occasional distraction but not enough of one to take my interest away from what I was doing. But Bravo changed, and those marathons eventually became one of the Real Housewives shows. I winced a bit, but again, background noise I didn’t need to pay attention to–it all seemed so exploitative and, well, awful–that I couldn’t see myself ever watching regularly. So I began to slowly recognize who they were–all the gossip site pop-ups and so forth on social media also covered them extensively–and even know something about them. I didn’t want to ever become a regular viewer, didn’t think I ever would.
And yet…
I originally tuned into TheReal Housewives of Beverly Hills to see Kim Richards, whom I remembered as a child star when I was a kid–from Nanny and the Professor to Escape to Witch Mountain to Tuff Turf–and was interested to see how she turned out, what happened to her…and just like a soap opera back in the day, I was soon tuning in every week. Some other friends turned out to be big fans of both Orange County and New York, so I started watching New York so we could talk about it (my antipathy to Orange County would be a subject for another essay at some other point), and there was no turning back after that.
I still primarily only watch New York and Beverly Hills with any regularity (although Atlanta is always a favorite), and there have been times when I’ve thrown up my hands in disgust with what was actually going on with the season and stopped watching (I stopped watching Beverly Hills during the “let’s out Denise Richards as bi!” bullshit, for example, and never did finish the season); but I am still absolutely fascinated by the concept behind these shows. Is any of it for real? How much is set up and scripted? It becomes very easy to get sucked into the shows–they are highly addictive; they remind me a lot of soaps as they are very high on petty drama and melodrama, feuds and fights and arguments–and how much of what we see is actually not audience manipulation on the part of production, the network, and the editors. (Women often claim to have “gotten a bad edit”–which always makes me think about The Real World–that show really started everything) I find myself getting emotionally sucked into the petty dramas too–which often spill out into the social media world and the endless blogs that dedicate themselves to reporting on these shows–and there are times when I think, well done, production! I would have never guessed you could ever show me a side of this horrible woman that would make me sympathetic to her.
Because while the women may manipulate and scheme and plan and script things, the primary people being manipulated by production are the audience and the line between reality and “reality” often gets so blurred that it’s hard to tell what is real and what isn’t.
Take, for example, this current rollercoaster of a season of The Real Housewives of Beverly Hills. Before the season started airing there was gossip flying around the Internet about their Aspen trip and a meltdown by a supporting cast member in her second year officially on the show–Kathy Hilton, older sister of OG cast member Kyle Richards–that supposedly went “really dark”…only for the season to start airing and the behavior of other members of the cast (Lisa Rinna, Diana Jenkins, Erica Girardi) being far worse than any of the rumors floated about Kathy’s “meltdown.”
Again, a subject for another time, perhaps once the reunion episodes have aired.
Anyway, I had always thought that a Real Housewives type show, set and filmed in New Orleans, would make the excellent backdrop for a crime story, particularly because of those blurred lines between reality and “reality”…so I used it for one of those e-novellas back in the day. After they were taken off the market, I kept thinking about how I wasted the background of a reality show on a story no one can access anymore and so that original story eventually morphed into Scotty VIII, Royal Street Reveillon.
I fished the last olive out of my almost empty glass and popped it into my mouth. I glanced at my watch as I chewed it, and moaned after swallowing. “There’s nothing like a good martini,” I said, glancing around the bar and getting our server’s attention.
“Do we have time for another?” My nephew Taylor finished the rest of his sazerac and looked at me hopefully.
“I take it you liked it.” I replied, not even trying to hide my smile. “But no time for another unless we want to be late.”
This was Taylor’s first time at the Sazerac Bar. He’d turned twenty-one just a few weeks before Thanksgiving, and since we were going to a party at the Joy Theater, I thought I’d treat him to a sazerac in the bar where they were invented. I personally don’t care for the drink—give me gin or vodka any day of the week—but everyone in New Orleans is required to try a sazerac at least once.
And now I could rest easy, having done not only my civic duty but treated Taylor to a New Orleans rite of passage.
I’d also wanted him to see the Roosevelt Hotel’s Christmas decorations. The Roosevelt was one of the grand old hotels of the city, and their lobby decorations are truly spectacular. Since we were going to a party at the Joy Theater—a mere block or so from the hotel, I thought, why not kill two birds with one stone? This was Taylor’s second Christmas with us, and I wanted to do it right. We’d already done Celebration in the Oaks at City Park, and I’d loved seeing the beautifully decorated ancient live oak trees through a newbie’s eyes.
I know it’s corny, but I love Christmas.
I love everything about it. I love decorating my apartment. I love picking out presents that are one hundred percent perfect for the person and carefully wrapping it up in beautiful paper, topped with a bow and twining ribbons around the box. I love picking out a tree, and the wonderful smell of pine that permeates everything inside once it’s delivered. I love getting the boxes of ornaments down from the storage closet and adorning the branches with them. I love tinsel and opening a new box of icicles for the branches. I love Christmas cookies and cakes and pies and turkey and celebrating and spending time with people I love.
I even love carols—although I do think that September is a bit early to start playing them unless the intent is to drive people to homicide by December.
While I kept the original backstories of the Grande Dames of New Orleans cast as I had in the original, I changed a lot because I didn’t want those few who had read the original to know the ending. I also wanted to do some fun things with the story, adding in another murder that was completely unconnected to the primary story as well as yet another deep personal dilemma for Scotty that doesn’t get resolved in this story, and trying to keep track of all the crazy things I had going on–as well as the complicated and complex backstories and threads of different subplots; I added another murder for the main story and I wanted to make it a bit more topical, so I added an element of “me too” to the story (in all honesty as I write the current one I wish I hadn’t done this because I can’t just drop it, either, like it never happened), and I found myself having fun with it. This was by far the most complicated and layered Scotty book since probably Mardi Gras Mambo, and this was one I felt very contented about when I turned it into the publisher. Even revisiting it now, as part of the prep for the current one, I kind of am proud of myself for it.
I also set it during Christmas season in New Orleans because I love New Orleans at Christmas-time. It’s one of the few times of the year where I don’t mind that it gets dark so fucking early–because New Orleans has put on her Christmas face and it’s absolutely delightful. One of the things I love most about this crazy city is how everyone here takes decorating so seriously–so seriously they decorate their houses and windows for everything. Jackson Square is stunning with the big red bows tied on the lampposts guarding the gates, as you can see in the gorgeous cover my publisher gave my book (and perhaps the thing about it that make me happiest the most is that one of the lamp’s light is out–just like it would be in real life) and the lights and…sighs happily.
I did think, for a time, about ending the series with this one, but I left the personal story hanging yet again which meant there would be another one–and I honestly don’t know what happened that it took me so long to get around to writing another one, but here we are.
Look at me, up and awake before seven in the morning on a Sunday! Who would have ever thought that would happen? I feel surprisingly awake and alert and rested this morning, given the early hour and all, but that’s okay. When you’re awake, you’re awake–so I figured I might as well get up and get a jump on the day. I will be going deep into the edits of A Streetcar Named Murder today. I ran the errands I needed to run yesterday, got some organizing and cleaning done around the house, and started the deep dive into the edits yesterday–most of the day was spent planning and figuring out things in the book that I didn’t have time to figure out when I was actually writing it (mistake mistake mistake; how do pantsers do this all the time?) and with my lesson firmly learned, am ready to get cracking on fixing the errors here and clearing up and tightening up the story. I want to be finished with it all before I leave on Thursday, because it will be very hard for me to finish it while I am in Kentucky. (And I’d rather spend whatever time I have free while I’m up there reading, frankly.) I’m getting a bit excited about the trip, if I may be so bold as to say so, which is a good thing; right now I am not even dreading all those hours in the car–I have Carol Goodman and Ruth Ware novels to listen to in the car–and while I do have to go into the office tomorrow, I work at home on Tuesday this week and can packed and ready to go that day so Thursday morning I can get up, have some coffee, and head out on the highway early.
There’s also some straightening and organizing I need to get done this morning–looking around the workspace is making me shudder right now–but it’s nice to feel rested and ready to go, honestly. I wonder what was so different about last night that I slept so much better? I’m not even going to check the Fitbit because I don’t necessarily trust its judgement and evaluation of my sleep, to be honest. I mean, it’s interesting to see how I feel vs. how it thinks I slept–but there are times when I wake up and feel rested and great but I supposedly slept poorly; and then mornings when I get up and feel groggy and tired and exhausted, it claims that I slept very well. I don’t know if I can trust it, and frankly, if it wasn’t part of the complicated system of trying to get cheaper health insurance through my job, I sure as hell wouldn’t wear it. Paul often buys me really nice watches as gifts and I never wear them–mainly because I am clumsy as fuck and inevitably break things that are nice–but the Fitbit…like I said, there’s this really complicated system of scoring points through a program that helps reduce the cost of my health insurance. I’m not entirely sure I understand it–I never really grasped it when it was explained eight or nine years ago–but I know I score points, earn a medal status (bronze, silver, gold) and if I get to silver, I don’t have any “out of paycheck” contributions to my health insurance, and registering my daily steps and how well I slept through the Fitbit scores fifty points per day. (The points also can be cashed in for gift cards; I always get Amazon to buy books, of course. Don’t @ me; the other options don’t really work for me.)
It looks to be a nice day outside my windows this morning, although it’s undoubtedly already incredibly hot outside. I’m hoping to manage to not go out into it much today–maybe taking out the trash or something–and I may be meeting a friend who’s in town for drinks later this evening (not too late, since I have to get up early in the morning), but other than that, I mostly plan to sit here at this desk and edit and revise and rewrite today. I also don’t know how long it’s going to take me to get this finished; I am hoping by focusing and working really hard and not allowing myself to get distracted I can power through and get this back to my publisher before I leave on Thursday.
One can always hope and dream at any rate.
We watched Hacks last night, and the most recent episode of The Offer, although I’m not really sure why we continue to watch the latter. I noticed last night that there are any number of shows we’re in the middle of (Severance, Pieces of Her, Slow Horses) that we forgot we were watching and thus will need to pick up again–it wasn’t that we weren’t enjoying them, but rather that we inevitably ended up having our viewing disrupted by something for several days and when we had time to go back and get caught up on things, we forgot we were watching them (we also never finished Physical either). It is interesting–I thought about this while watching The Offer last night–how many shows we’ve seen lately that were set in the 1970’s (Minx, Candy, The Offer) as well as what a great job they are doing depicting the era. I remember saying during one episode of Candy, “living this kind of life was my biggest nightmare when I was a kid, and they are doing a great job of showing how bleak and ugly and dull suburban life was back then.”
I also have started up again with The Real Housewives of Beverly Hills. I’d stopped watching last season because I quickly grew tired of the Erika Jayne/Erica Girardi mess–I’d never particularly liked her very much, but at least she was somewhat entertaining–but given that the great wealth she has flaunted ever since she joined the cast was essentially stolen from settlements for victims of great and horrific tragedies and she was completely unrepentant and tried to play like she was the real victim, I no longer felt any desire to watch a sociopathic narcissist who has knowingly or unknowingly participated in embezzlement, fraud and God knows what else. I’d reached a point where I kept thinking someone just needs to slap the shit out of that fucking crooked bitch and felt that giving them eyeballs and a rating point on Hulu was endorsing the fact that Bravo was enabling her and giving her a platform to try to redeem herself in the public eye, which was shitty. Sure, innocent before proven guilty and all that–but The Real Housewives of Beverly Hills isn’t a court of law; and the fact they milked her potential criminality for ratings was disgusting and craven. I don’t love to hate her, I just fucking hate her. And the rest of the cast–outside the newer ones–are equally garbage. I stopped watching The Real Housewives of New York during its most recent season because I couldn’t watch the blatant racism being offered up as “entertainment.” Fuck you, Bravo, and fuck you, Andy Cohen. The Real Housewives shows have become a microcosm of everything that is wrong with American society and culture: there’s no accountability for anything. In fact, it’s quite the opposite: people are rewarded for being horrible.
It also makes me feel like I’ve always been incredibly naïve about the world, believing that being a good person means you’ll be rewarded and bad people will be punished for their wrong-doing, when the harsh reality is quite the opposite. I feel like I’ve been gaslit most of my life, frankly.
Which, of course, always comes back to me being a crime writer. I want to see justice being done. I want to see evil-doers punished and good people rewarded for their goodness. I want to write about a world where murderers and criminals are caught and punished, their victims avenged; not the real world where the wealthy can hire great lawyers and outspend the prosecution to get off, while so many innocent people who cannot afford great lawyers are convicted or talked into taking plea bargains every day and doing time while having committed no crime other than not being able to afford a great lawyer. (I’ve always wanted to write about a public defender–but who wants to read a book where the public defender loses every case?)
Heavy heaving sigh. And on that note, I am heading into the spice mines. Have a lovely Sunday, Constant Reader–I’ll check in with you again tomorrow morning.
Yesterday was…not a great day, really. I was physically tired, but not mentally tired, if that makes sense? The problem is that the physical tired makes it hard for the not-tired brain to focus on anything, and I get kind of punchy, which isn’t really the face I like to show to the world. But my day was okay for the most part. I think the tired primarily came about because of the early return of summer weather to New Orleans. Yes, I know to those of you who do not live here New Orleans always seems brutally hot all of the time, but there are degrees to New Orleans heat, and yes, it usually starts getting hotter in May and yes, the humidity usually is back in May. But it was ninety-five degrees on Wednesday; and even at the hottest part of the dog days of August it rarely gets to that. Usually it hovers somewhere between 88 and 93, but it’s the humidity that makes it so awful. Also, I’ve been more active this week than usual. I did Ellen’s book launch on Sunday evening, I had that ZOOM meeting on Wednesday night, and I had drinks with a friend in from out of town before the ZOOM meeting. So, that was a lot more of social interaction than I am accustomed to, and instead of going home from work Wednesday night (the way I usually do) and collapsing into my chair while going into a Youtube wormhole of some sort, I didn’t get to relax until after nine pm.
That is not my norm.
I stopped on the way home last night to get some things at the grocery store, and then spent some time doing some kitchen chores (since I had drinks with a friend before the ZOOM meeting, I had to move everything off the kitchen counters, shove it all in the laundry room, and then closed the doors so no one could see it; and the dishes in the sink had to be organized so nothing could be seen from the camera on the computer; I never realized having my work station in the kitchen would turn out to be so problematic, but I couldn’t have foreseen ZOOM in the summer of 2005 when we moved into the Lost Apartment, either) before collapsing into my easy chair to wait for Paul to get home.
So, there I was, minding my own business, watching first Superman and Lois before The Real Housewives of Beverly Hills (I have tuned back in for this season, I have thoughts) and occasionally checking social media and my emails when…I got a notification on Twitter. I clicked to see this tweet from Katrina Niidas Holm:
GREG HERREN!!! You wrote a book so damn good, it got nominated twice! Congratulations, @scottynola! Hope you’ll remember us Pogues when…
(‘Pogues’ being an Outer Banks reference, a show she and her husband Chris–buy his Child Zero, available now and amazing–convinced me to watch with the result Paul and I fell in love with the show, too)
I literally had no idea what she was talking about and gave my usual intelligent response of wait what? at which point she linked to this year’s Anthony Award nominees. Bury Me in Shadows was nominated not only for Best Paperback/Ebook/Audio Original, but also for Best Children’s/Young Adult.
TWO NOMINATIONS FOR THE SAME BOOK IN DIFFERENT CATEGORIES.
I am still in shock this morning–a delighted shock, to be sure, but it’s still shock. It still hasn’t completely sunken in yet, either. It’s going to take me a hot minute to thank everyone who has tweeted or posted on Facebook their congratulations, as well as to congratulate the ridiculously amazing amount of friends that are also nominated in one of the categories–it really is, overall, a remarkable list with a lot of books nominated that I read and loved loved loved–but what a lovely chore to have, you know? And talk about turning your mood and your day around! So, this morning–needless to say I slept very well last night–I am sipping my coffee and riding the high a bit still. At some point I’ll need to make sure I thank everyone and congratulate everyone else nominated and get through my social media, but right now I am just sitting here at my desk feeling very proud and happy and content while I sip my coffee. Wow. I mean, wow.
I’ve not been in a very good place about my career lately, honestly–any number of things; the problems with getting myself to actually write, not feeling great about what I write when I do write, all the little doubts and insecurities that have built up over a lifetime of wanting to be a writer but getting little to no encouragement from anyone, really. It all kinds of builds up sometimes, and anything–no matter how small or inconsequential–will trigger it and send me spiraling down into the Pit of Despair. As I struggle with my schedule and all the things I need and want to get done, with a to-do list that seems to grow like the Hydra, with two new things to do replacing every single task that gets scratched off the list, this was precisely the right time to get this kind of reassurance from my community, my wonderful crime fiction world, and I’ll always be grateful for this. Bury Me in Shadows was a very hard book for me to write, emotionally; but digging deep into the issues I dealt with in the book–and that emotional difficulty–made it a better book, I think.
Wow. I mean, wow.
And on that note, I am heading into the spice mines. Have a wonderful Friday, Constant Reader.
I slept very well again last night, which was lovely–I’ve really been getting excellent sleep ever since The Power Came Back On, which is delightful–and I am looking ahead to this lovely weekend with great excitement and joy. The LSU game tomorrow is a night game, at undefeated Kentucky (when was the last time the teams played and KENTUCKY was the undefeated and ranked team of the two? Probably never), so I have tomorrow’s entirety free to get things done, run errands, go to the gym, and essentially do as I please until the game. I also am working at home today, and thus trying to find some horror to watch while I make the condom packs.
I started watching Friday the 13th Part II yesterday, and wasn’t far along into it before it started seeming familiar, like I’d seen it before–and I soon realized that I probably had, last year in October, so I switched it off in disappointment (not really; it was actually quite terrible) and switched over to the final episodes of The Real Housewives of Beverly Hills, which I had not been watching because I was sick to death of Erika Girardi using the show to try to gain sympathy for herself as one of her husband’s “victims.” But I had read a piece somewhere about the show being the “best thing on television right now”, and then I read a piece run recently in the Los Angeles Times, an interview with the three ‘outsiders’ on the show (Garcelle, Sutton, and Crystal) talking about the season and the filming of the lengthy finale, and I thought, swallow your disgust at the behavior of this criminal accomplice and watch. Interestingly enough, the cringe-aspect of watching I was experiencing before taking a break was now gone; and while I still felt a bit squeamish about watching–de facto condoning her behavior by giving them ratings, which will lead to her getting signed for another season, which is again a reward for her terrible behavior–I found myself actually enjoying watching again. I still loathe two members of the cast completely–looking at you, Kyle and Lisa Rinna, and will continue to hope to see them humbled, humiliated and (best case) let go–but I think I can watch again. The show, which the cast had been overly producing for quite some time, kind of had that rigid artifice stripped away from it with the Girardi criminal case; there really was no way they could escape the litigation or comment on the investigations of the growing scandal.
Or maybe I’m not in a really dark place anymore? There’s still something that seems wrong about watching this…but I can’t get to the bottom of it, frankly. I guess I’ll just keeping discussing it here until i get to the bottom of why it feels so wrong.
Who knows? I may never get to the bottom of it.
We got caught up on some of our shows last night–Only Murders in the Building, American Horror Story: Double Feature, and Archer–which was lovely and relaxing. I think it was the last episode of Archer ever; it ended with a tribute to Jessica Walter, and I can’t imagine having the show without her character, so it most likely was. Archer has never been as funny in its later seasons as it was in its earlier ones, alas; and while I appreciated the show’s attempts to keep it fresh by changing things up with seasons devoted to a theme–outer space, becoming a drug cartel, doing a noir Hollywood story–they never quite equalled the humor of the original seasons. Pity. I am also kind of intrigued by the second half of this AHS season; the alien stuff is very strange and weird, even by AHS standards, and I am not really sure where this is going, but it’s holding our interest. Only Murders continues to hold its charm; I had assumed it was rushing to a conclusion, only to have a twist at the end of the latest episode that ensure that no, indeed, the season is not finished quite yet. And we have our other shows to watch this weekend, as well as some movies–Everybody’s Talking About Jamie at the very top of the list, of course–and perhaps there are some other shows we can look into on the streaming services. (I really want to check out Stephen Amell’s new wrestling show on Showtime, Heels–which looks like it could be pretty good.)
So, I have some nice plans for the weekend–catching up on things, cleaning, organizing, writing, dropping off books to the library sale–and am really excited about possibly doing the writing part of the to-do list this weekend. I also want to fucking finally finish the book I am reading–which I am not going to name; my inability to stay focused and read lately has been really annoying and I no longer want to even hint at the possibility that I am not finishing the book because it isn’t good because it it very excellent; I may have to finish and then move on to short stories again. Short stories could also work very well for Halloween Horror Month; it never can hurt to dig into Stephen King or Shirley Jackson short stories, and of course Daphne du Maurier’s are often macabre and haunting. So, we shall see. I am going to try to finish the book I’m reading now, possibly reread The Haunting of Hill House, and if my reading focus remains fucked up, move on to short stories.
And on that note, tis time to head into the spice mines. Have a lovely Friday, Constant Reader, and will check in with you again tomorrow.
I managed to finish that enormous volunteer project, with lots of thanks due to the others who worked on it with me; it’s so lovely to not have to worry about being organized because you are working with the “ur organizer” of all time, frankly.
Whew. I do know some pretty amazing people, you know?
I need to get started revising the Kansas book, but have just been so worn out and tired lately…it’s a big deal to finish a draft, a short story, and an enormous volunteer project all at the same time, you know? I now have to write an essay, a short story, and get to revising this manuscript but at the same time…it’s kind of lovely knowing I got all that other shit done.
I also managed to do something to my back yesterday at work–sitting in my chair wrong–and it’s been aching ever since. I used the heating pad last night (using it again this morning) and it’s horrible, of course–I can’t imagine what I did to make it hurt, but then…this is just another one of those lovely surprises about getting older: new aches and pains every day and you don’t know where they came from or why or what caused it.
But my book comes out in less than a week, so I should probably talk about it some more, right?
As I mentioned yesterday, I pretty much only regularly watch The Real Housewives of New York and Beverly Hills. I do keep up with Atlanta, and will check in on Orange County every now and then. I tried both Dallas and Potomac (I never watched DC or Miami), but didn’t get through the first seasons–but I’ve heard they’ve become more entertaining, so might check them out. I’ve not watched New Jersey in a long time; I really gave up on it after Caroline left the show; I know she was problematic to a lot of viewers and she did get on my nerves from time to time–but when she left and the show centered Teresa, I was down with it. While watching these shows, and having my loyalties and allegiances shift over the seasons, as the producers manipulate story-lines and decide what the audience will and won’t see, has been interesting. I’ve also been interested in watching the cultural phenomena around the Real Housewives, and while I rarely (if ever) agree with Camille Paglia, she is also a Housewives fan, and in an interview, when the shows came up, she compared them to soaps, and in particular, the popular prime time soaps of the 1980’s: Dallas, Dynasty, Knots Landing, etc. It was an interesting comparison, and not one I agreed with immediately, but the more I think about–and the way people talk about the shows–the more I think she was right. The prime time soaps were addictive, considered guilty pleasures no serious viewer would ever watch, and while several of them were driven by strong male leads, the women were centered and usually more interesting. There were never any male characters as interesting as the women on Knots Landing, and Blake might have been the main character on Dynasty, but the real driving force behind the show were the two women main characters, Krystle and Alexis. The housewives appeal to, like the prime time soaps, primarily women and gay male viewers. When I wrote my thesis on daytime soaps in college, one of the cultural impacts I wrote about the shows having was the decline of what was called “women’s pictures”–movies centering women characters and female stars. Whereas Bette Davis and Joan Crawford and many other women were big stars of the 20’s, 30’s, and 40’s, it was the 1950’s and the rise of television that not only killed the studio system, but also killed off the popular genre of women’s pictures…and I do think that was not only due to television, but because all of daytime television centered, and was focused on, women. Women no longer had to pay money to go lose themselves in a fantasy world focused on strong women facing difficult situations heroically; they could spend all day watching heroic women facing difficult situations–and situations they could relate to more–Monday through Friday. The decline of soaps–both prime time and daytime–created another vacuum, and Bravo and these shows stepped up to fill that void.
There have been already some terrific books centering reality television; Jessica Knoll’s The Favorite Sister was, like her debut novel Luckiest Girl Alive, absolutely fantastic. But as I said, I thought it would be interesting to write my own version of a murder mystery centered on a reality show filmed in New Orleans. I’m fascinated by these people, who are willing to have their lives and interactions be filmed for the entertainment of the masses, be judged for it on social media and in recap columns, and ripped to shreds on message boards and Facebook groups. Some of them use their reality show to promote not only themselves but their businesses–the most famous of these is Bethenny Frankel, who became rich through her various Skinnygirl enterprises, all of which were boosted by her popularity on reality television, and Lisa Vanderpump, who used her reality fame to promote her restaurants in Los Angeles, even getting a spin-off show centered around the staff at one of her restaurants, Vanderpump Rules, which is even more popular than the housewives (I abandoned that show somewhere after season two). I think the Frankel/Vanderpump model is the golden ticket these women are looking for when they agree to be cast; but not everyone is as smart about controlling their image as those two are–nor have the kind of influence on production as they enjoy.
My fascination with these women, and their shows, and who they are and why they would do such a show, gave birth to the idea that eventually became Royal Street Reveillon. I liked the idea of Scotty being a fan, and interacting with the women on the New Orleans show while trying to get to the bottom of a murder…or two, or three. It was also kind of fun to write, frankly, and the older i get and the more I do this, the more important it is to me to enjoy myself while I am doing it.
And on that note, it’s back to the spice mines with me. Have a lovely Thursday, Constant Reader.
Less than a week until Royal Street Reveillon is officially out in the world!
And so far, no current labor pains!
But, in fairness, it took me a good long while to write this book. My memory is so bad, and I’m so constantly and regularly busy, that I don’t even remember when I actually wrote it and turned it in to my publisher. I think it was earlier this year? I don’t remember–and that’s kind of sad. This is but one of the many reasons I don’t think I’ll ever write a memoir; my memory lies to me all the time and I never know what I remember correctly, let alone times and timelines and so forth. For example, when I was writing my essay “I Haven’t Stopped Dancing Yet” for Love, Bourbon Street, I went into it thinking I spent weeks in Kentucky at my parents’ after the evacuation, when it was actually less than three before I returned to Louisiana. That was a shock, believe me…but it’s true: we evacuated on August 28th, and I returned to New Orleans for good in early October after several weeks on the North Shore at my friend Michael’s. Stress and age and everything else combines to make things seem different in memory; and I’ve also noted, many times, how often people look back through a rosy glow of nostalgia. (I’ve always thought people view the past nostalgically because they aren’t happy, for one reason or another, in the present; they think oh, everything was so much simpler and easier back then. It’s usually not that true.)
So, Gregalicious, why did you decide to write a murder mystery built around a reality television show filming in New Orleans?
I didn’t watch An American Family, the first true reality show, back in the 1970’s on PBS, as the Loud family allowed their lives to be filmed for the entertainment of the masses. The show, which was the baseline for everything that came later, was quite controversial–I remember reading in the newspaper that one of the sons came out as gay on camera, which was kind of a big deal in the 1970’s–but in the 1990’s, I was a big fan of MTV’s sociological experiment, The Real World, and it’s sister-show that came later, Road Rules. But as the shows went on, they went from being a sociological experiment (hey, let’s take a group of seven kids from completely different backgrounds, make them live together and work on a project, and see what, if anything, they learn from each other) to being exploitative (hey, if all of them are young and beautiful and damaged, and we encourage them to drink and hook up, drama will ensue!), which was when I lost interest in watching them anymore. I also watched the game show version–The Challenges–primarily because the young men were always hot, often shirtless, and sometimes even less clad than that, plus watching the competitions was interesting. But it, too, eventually paled in interest to me–they were so repetitive, and the producers never intervened when violence broke out, and that was more often than not–and so I stopped watching.
The Real Housewives was different for me. Back in the day, we used to watch Bravo a lot–Inside the Actor’s Studio, Project Runway, reruns of Law and Order and The West Wing–and when they started promoting a new show they were doing called The Real Housewives of Orange County, I sniffed disdainfully at it. At that time, one of the hottest shows on network television was Desperate Housewives, and this seemed to be a rip-off, an attempt to cash in on the success of another network’s show by copying the title and so forth: “oh, if you like that show, here’s the real women of the area who are housewives, and what there lives are like.” The previews I’d see didn’t really encourage me to watch–the women seemed, for the most part, like horrible people, particularly Vicki Gunvalson–but as the show spawned spin-off shows in other cities and regions, I became more than passingly acquainted with them. They usually ran marathons on Sundays, and when it’s not football season Sunday television was pretty much a wasteland. I’d flip on the marathon for background noise while I read a book and Paul napped on the couch–but I also began to absorb the shows through a kind of osmosis. I knew who the women were and what their lives were like–but still didn’t watch regularly until around 2010, or 2011 or so.
And once I started giving Real Housewives of New York and Beverly Hills my full attention–yeah, I was hooked.
Paul would even watch with me from time to time…and we played a game: if they did a New Orleans version, who would they cast? It was fun, because we also were relatively certain none of the women we thought would kill it on such a show would ever remotely consider doing such a show (Southern Charm New Orleans proved us right), and then I began to think…but such a show here would be absolutely the perfect background for a murder mystery, because of the way everyone here is so connected to everyone else and there would be backstory and history galore.
I always saw it as a Scotty book, but when I turned it into the Paige novella, that changed things. I still wanted to do a Scotty book about a reality show, and I started making notes for one called Reality Show Rhumba. And, if you’re wondering, that’s where the character of Frank’s nephew Taylor Wheeler came from; when I added him to the regular cast of characters for the Scotty series, my intent was to have him eventually be case in a Real World-type show here in New Orleans, and anchor a murder mystery. But then…the Paige novella series went nowhere, and I hated losing such a great idea..so as I went into Garden District Gothic I introduced Serena Castlemaine to the boys, thus planting the seeds for Royal Street Reveillon, knowing I could keep some parts of the story but would have to change others–which was cool, because I always felt that the original novella was kind of rushed, and I didn’t have either the time–or the space (since novellas are by nature shorter)–to make the story what I wanted it to be.
Another lovely night of sleep last night; I was really tired. The two back-to-back twelve hours days have been wearing me out lately; combination of stress with all I need to get done no doubt, and of course the heat of a New Orleans summer. The kitchen this morning is a bit of a mess, and I hope I have time this morning to get it straightened up a bit. The two short days begin tomorrow–huzzah!–and I need to get so much done it’s not even funny.
I finished Chapter Twenty last night; another 1400 words or so. I am hopeful to get back to my old 3000 per day total soon, but even if they are coming slower than I would like, I am getting them done–slowly but surely. I started to say that the words are terrible but I’ll take them; and then I remembered–Gregalicious, that is self-deprecation and haven’t we decided we aren’t doing that anymore? So, while Chapter Twenty is certainly not ready for the printers, it does what it’s supposed to do–move the story along, show us more about our main character and his burgeoning relationship with his love interest–and therefore, it needs some work but I am quite pleased with how it’s all turned out thus far. The next chapter is going to be trickier still than twenty was; there’s still a lot I need to have happen and revelations to come. But the end zone is in sight; if this were a college football game I’d be in the red zone, which is joyous.
Seriously, there were times when I thought I was never going to finish this draft.
As always, I am behind on everything; I am beginning to think that this is something I do to myself subconsciously to create the pressure which some part of my being thinks is necessary to get things done. I used to think I had a tendency to be self-defeating; that I was so afraid of succeeding that I deliberately set up road blocks to keep myself in a constant state of failure. I no longer think that I am self-defeating, although I do think I have a fear of success somewhat; why else do I keep doing things that apparently, according to all conventional wisdom, are the exact opposite of the things I am traditionally supposed to do in order to succeed?
We watched another episode of The Boys last night, and I have to say we are really enjoying this show. It’s getting progressively darker, and there’s also some scathing political commentary on the modern world as well. The parallels between the show’s United States and our current country’s recent history that are undeniably there, and frankly, we don’t come out of it looking too good–nor should we.
I’m hoping to read more of Steph Cha’s book today, and maybe even later when I get home tonight, if I don’t write for a while when I get off work this evening. There’s a new episode of Animal Kingdom available as well.
And football season is drawing ever closer. Tomorrow is August 1!
Where has this year gone already?
My toothache has almost completely gone away now; the tooth is still a little tender so I am aware of it, but as far soul-destroying pain, that’s no longer an issue. Huzzah indeed! I do need to go see the dentist though. Heavy sigh. I really loathe going to the dentist, but I suppose that’s fairly obvious given my teeth situation.
I am excited for football season; for the cooler weather and for both LSU and the Saints this year. LSU recently unveiled their new football training center, which is absolutely insane, and not without controversy; the battle between athletics and education is never-ending. Frankly, I’m deeply sympathetic to those on the side of education; LSU’s academic budget has been cut to the bone, majors have been decimated, and the campus library is in terrible condition. A brand new, $28 million state-of-the-art training facility for the football team at this time is kind of slap in the face to those worried about the state of higher education in this state. But the money wasn’t taken away from academics; the $28 million raised for this wasn’t taken away from academics but raised from donors who probably wouldn’t have given the money–or as much money–for a new library or to save a major that was being cut. LSU football, whether people like it or not, is big business now; and in fact some of the profits from the football team have been fed back into the University general funds since about 2012. Now, arguing about whether college football has become too big, too big time, and too much like professional sports–yep, college football has seen some enormous changes since I was a kid; it’s certainly not the same sport in 2019 that is was back in 1979, and those questions are valid and perhaps a debate we should be having.
But college football in 1979 was also vastly different from college football in 1959, or even 1969–when it was populated by mostly white players. I also agree that LSU desperately needs more money than the legislature is providing for it; maybe less tax cuts for the rich and for oil companies in Louisiana? Investments, not just in LSU but also in the University of Louisiana system, will pay off in the future for the state, and I’ve never understood why education has never been a priority for any politicians in Louisiana since Huey Long.
Of course, the argument could also be made that the political class isn’t interested in an educated populace; the more critically a person can think, the less likely they are to be swayed by emotional appeals based in nothing when they vote. One could also make this argument a national issue instead of just a state one; the decline of funding for education across the board on a national level over the last few decades is frankly scandalous.
But college sports didn’t create the education crisis, but it’s an incredibly easy target.
Or maybe as a lifelong college football fan (I only care about the Saints in the NFL) I am too hopelessly biased to opine on the matter.
But I will, nevertheless, continue to look forward to football season.
I also watched the third part of The Real Housewives of Beverly Hills reunion, which wasn’t particularly interesting. The reunions aren’t my favorites, although if you don’t want to waste your time watching an entire season, you can pretty much catch up on everything by watching the reunions (I used to do this with the ones I didn’t watch much, like New Jersey and Orange County.) But once you’ve watched an entire season, the reunions aren’t as “explosive” as the promos promise.
Wednesday, Hump Day, and the slow slide into another weekend. It’s also pay day, which is really Pay the Bills Day–never a pleasant task, no matter how much I try to make it into one (“Oh, isn’t it satisfying to get this done?” Um, no, not really.)
I woke up after a lovely night’s sleep to a horrendous thunderstorm; we are now in a tornado warning, which I think means one has been spotted; I’m not really sure where precisely–I can never remember the difference between watch and warning.
Okay, I looked it up and I was right: warning means one has been spotted. Looking at the radar map, it’s not in our area, but it’s rather close to where the office is.
Which should make for an exciting day at work, no?
I had planned on running some errands this morning before heading in, and now I am not so sure I want to do that, understandably, unless this all lightens up before it’s time to go in. We’re also in a flash flood warning (through Sunday on one, JULY 23RD on another, because the river is already high and this tropical thing out in the gulf could send a storm surge up the river. (Aside: it is raining so hard I keep thinking the sink is running and start to get up to go turn off the spigot before catching myself.)
I haven’t written much this week so far; I’ve primarily focused on rereading things I’ve already read and editing them and making notes for revisions as I go. I know I should reread everything I’ve written for the WIP–in order to possibly trigger where to go with the next chapter, which I’ve been stuck on for quite some time–but I am feeling particularly writing-lazy, and I also know I am going to regret that should we have to evacuate in the face of the coming storm this weekend. But an evacuation would sort of change everything anyway–all bets are off!–so there’s also that.
I watched the season finale of The Real Housewives of Beverly Hills last night when I got home from work–I wasn’t so tired Monday night after work, but for some reason last night I was exhausted–and it entertained. It’s very strange, and more than a little unsettling, to see it without Lisa Vanderpump; if any of the original cast still left was going to go, my money and preferences would have been Kyle Richards, whom I have never been able to stand or bear for very long. This season was really not very good, and there were more than a few times when I considered, seriously, stopping watching. The only thing I liked about this season was the addition of Denise Richards. I didn’t have high hopes for her as an addition–Paul and I actually tried to watch her reality show years ago, Denise Richards: It’s Complicated, and didn’t last beyond the premiere episode. (We usually will give any new show we try a couple of episodes, unless it is so beyond redemption in the premiere we assume it isn’t going to get better; alas, Denise’s original foray into reality television fell into that category–and we wanted to like it. We loved her in Drop Dead Gorgeous, which is a vastly under-appreciated comic classic.) Paul came home in the middle of the episode–he doesn’t really watch my reality shows with me, he has more discerning tastes–and as I explained things to him, I stopped at one point and said, “And it is truly frightening that I know this much, not only about the show, but about their lives outside of the show.“
But as Laura Lippman says, one should never apologize for anything in this world that one enjoys, as there are so many things and experiences we don’t enjoy–we should definitely allow ourselves to enjoy things that might earn us scorn from others. She’s right, of course; I don’t give a shit if someone looks down on me for enjoying reality television; hell, I’ve written a book around reality television (Royal Street Reveillon, coming this September, from Bold Strokes Books! Preorder now!). I’ve watched reality television going back to the very first season of The Real World on MTV, which, while not the first reality show, was certainly the precursor to the reality show boom of this century.
It’s also payday, and I have to pay the bills this morning. My favorite chore, but it must be done.
Have a lovely Wednesday, Constant Reader. I look forward to giving you another Gregalicious update tomorrow.
I do miss (original cast) Designing Women from time to time.
Today is National HIV Testing Day, so I will be working in the Carevan, parking in the Walgreens a block or so from my house, for nine hours today. We were also incredibly busy at the office yesterday, which was exhausting, but it was also nice; we’ve not been busy like that during testing hours at the new building since we moved into it.
I also managed, like a doofus, to forget to save the word document I was working on yesterday morning before I left for the office, and apparently the power here blinked on and off–long enough to make all the digital clocks blink, but not long enough to take them all back to 12:00. So, yes, the thirteen hundred words I’d done before work yesterday were gone when I got home (for some reason Word also didn’t save them as a temporary file I could recover, thanks Microsoft!) but I wasn’t irritated or overly annoyed; the words were bad bad bad, and whenever this happens and I have to reconstruct stuff from memory, it always winds up being better than what I did originally and lost.
And the stuff I lost, let’s be honest, was absolute garbage.
I was so tired when i got home last night I didn’t have the energy to reconstruct anything or do anything; the dishes remain in the dishwasher, loads of clothes remained in the washer and dryer, the mess in the kitchen remains a mess. Instead, I repaired to my easy chair, allowed Scooter to nap in my lap, and turned on the television. There really wasn’t anything I wanted to watch, so, with some trepidation, I went to Hulu and cued up the second season of Southern Charm New Orleans.
I have already confessed to my reality television addiction; it’s primarily Real Housewives franchises. I did watch the original, Charleston version of Southern Charm (always wondering how they actually managed to get actual members of the city’s upper class, with some actually old society money people, to agree to being on the show; but it got too dark for me with bad parenting, custody struggles, and drug addiction–I guess the reality was a little too real and noir for me), and it was with no little trepidation that I began watching the first episode of the first season when it originally aired a while back–but I either didn’t make it all the way through the first episode, or made it to the second before giving up.
I just absolutely loathed it.
But a friend who lives her part-time (we both tried the original season and gave up in despair and disgust) alerted me that she’d gotten sucked into season two; and I should give it another try. So, last night, to exhausted to do anything other than sit in my easy chair with a purring cat in my lap, and with Paul not home and nothing else to watch, I started.
After I got past the initial laughter at the fact the show is called Southern Charm New Orleans and the majority of the cast actually doesn’t live in New Orleans (Mandeville and Covington are on the north shore, in St. Tammany Parish, and twenty six miles across the lake from Metairie–also not New Orleans), and I kind of thought it was kind of funny the way the show simply flashed the names of their towns across the bottom of the screen when showing their homes, as though they were New Orleans neighborhoods, like Gentilly and Lakeview, but the more I watched, the more I began to get sucked into it. By the end of the second episode I had so many questions, had already taken sides in some of the oh-so-heavily-handed-manufactured-drama on the show, and had committed to watching the next two available episodes when I can.
I’m not sure if that’s a good thing or not, but I think I was absolutely, positively pulled in when Bravo and the producers did this amazing, amazing thing–part of the story is that a married couple from season one–Jeff, the retired Saints player, and his horrible wife, Reagan, gave up on their failed marriage and got divorced between seasons, while she has moved on to an old-flame from her college days, Reece, whom we do not see or hear about other than “Reagan’s new boyfriend” in the first episode, other than a scene of him showering from behind—and yes, we see his wet, soapy, not particularly attractive bare ass (which was when Paul, who’d come home about halfway through the episode and sat down and watched with me, bailed). In the second episode we see this again, as well as Jeff fully unclothed from behind also in the shower (for comparison sake?), and I was all, well, okay then, if you’re not going to show the two incredibly hot men of color bare-assed, why must we suffer through these white boy butts?
The big drama was, of course, her introducing the new boyfriend to her ex-husband and her friends, which she did at a party for launching her new “jewelry store” at One Canal Place; the hilarious thing was how the meeting was shown on television–the two men walk away from the party to talk (which makes everyone else freak out, of course, wondering why “they had to walk away and talk”, honestly, come up with better unscripted scripts, producers), and what was absolutely hilarious (other than hot artist Jon Moody describing the new boyfriend as “cool ranch Doritos,” which is instantly iconic Bravo shade) was that Reece, the new boyfriend, is, as so many New Orleanians, a huge Saints fan, so of course he was excited to meet Jeff, the ex-husband. What was even more hilarious was they kept cutting from the two of them having a remarkably adult conversation to first a talking head from Jeff, clearly unimpressed and quoting things Reagan had said to him about Reece, then cutting to Reece in a talking head saying what Reagan had told Jeff.
It was, frankly, one of Bravo’s finest reality show scenes, ever.
JEFF: “Well, Reagan told me he was a huge Saints fan, so she said he’s going to have a man crush on me.”
REECE: “I’m a huge Saints fan, so I’m really excited to meet him. I already have kind of a man crush on him.”
JEFF: “And I was on the Super Bowl team. He got a Saints tattoo on his side after we won the Super Bowl, so he probably wants to date ME.”
RRECE: “He was on the Super Bowl team! Hell, I’d like to date HIM.”
And so forth.
It was amazing.
And just like that, I was sucked into Southern Charm New Orleans, damn you to hell, Bravo. I was ready to bail on The Real Housewives of Beverly Hills, and even starting to tire somewhat of The Real Housewives of New York (still the gold standard, but still not as good as it was), and so I was almost free of my Bravo addiction….and then, of all things, Southern Charm New Orleans pulled me back in.
Queer and Loathing in America 