The world shut down in March of 2020, in the face of a deadly new virus that was spreading around the world, and spreading quickly. It was a major paradigm shift; everything changed and the world would never be the same as it was before. As everyone locked down and adapted (or decided it was all a hoax and chafed against the intrusion), the question began being asked of writers: how will you handle the pandemic in your work, or will you address it at all? A lot of authors said that they wouldn’t address it, because they couldn’t imagine anyone wanting to read about it, or revisit it again after it was over. I came down firmly on the side of “we have to address it”; pointing out that Hurricane Katrina was a paradigm shift for New Orleans and Louisiana authors, and we all had faced the same issue and question. Some writers chose not to deal with it at all, some stopped writing entirely, and others–like me–addressed it. I found it incredibly cathartic to write about the disaster by viewing it through someone else’s eyes, and of course, much of what Chanse saw and dealt with was taken directly from my own experience. Writing the book in some ways helped me to heal from the emotional trauma and deep depression I was experiencing, and I don’t think I would have possibly gotten over it had I not written it out of my system. I will undoubtedly deal with the pandemic in a Scotty book at some point–I already have the title for it picked out and a folder created to keep my notes and ideas in–but I am not quite there as yet.
Leave it to Carol Goodman to not only do it, but do it incredibly well.
“We’re here.”
Reed’s voice wakes me from the fitful sleep I’d fallen into somewhere north of Portland, the slap of wipers and the sluice of tires accomplishing what bourbon and sleeping pills had failed to do for the past two weeks. I open my eyes to a wall of sodden gray the color of wet cement. I can feel it pressing down my throat–
I cough.
Reed swivels his head toward me, blue eyes feverish in the gloom above his white surgical mask.
“I’m fine.” I reach for the water bottle and swig lukewarm water that tastes like copper. “The others–“
“Behind us. Crosby’s driving like an old woman, trying to protect his precious Volvo’s paint job. Honestly, for a supposed socialist he likes the trappings of the bourgeoisie.” He grins, his bones sharpening under sallow skin. With all the stress of the recent news and preparations to come to the island, neither of us has been eating much for the past few weeks.
“They could have gotten lost.”
I’ve been a huge fan of Carol Goodman’s since my first dip into her canon, The Sea of Lost Girls. I have since been dipping back into at times as a reward to myself; she’s easily moved into my top ten list of current writers and won’t be dislodged anytime soon. She’s won numerous awards–deservedly–and is, to me at least, the modern incarnation of the great Mary Stewart. Goodman’s novels are decidedly Gothic and extremely smart and literate, with strong characters that are sharply defined and well rounded that the reader can easily identify with as well as like or dislike.
The premise of The Disinvited Guest is that another pandemic has descended upon the world after the 2020 COVID-19 one. Wealthy Reed Harper has decided to quarantine on an island his family owns–Fever Island, off the coast of Maine and near the mouth of the St. Lawrence River–since his wife Lucy has residual health problems since the first pandemic. Invited along are his lesbian sister Liz, a painter; Nico, Liz’ partner, a photographer; Ada, an old college friend of both Reed and Lucy who works now as an ER nurse; and her husband, also a medical professional in hospital administration, Crosby–who’s a bit of a dick. The remaining character is Mac, whose mother was a housekeeper for the Harper family working on the island. Mac knew Reed and Liz as children, and now he lives on the island as a caretaker. Reed, who also suffers from OCD, has carefully planned out every last aspect of this quarantine adventure–and while the quarantine and safety is the primary issue at stake here, any reader of crime or suspense knows that having seven people living together on a remote, isolated island is the perfect set-up for personality clashes and battles and intrigues and, of course, for murder. How many horror films or murder mysteries are set in such locales? (Goodman of course is wise enough to make an Agatha Christie/And Then There Were None reference in the text; the geographic elements of the island–the Dead Pool, the bog, Dead Man’s Cove, etc.–also sound like something out of the Hardy Boys, and she acknowledges that several times as well.)
There’s also some excellent backstory. Fever Island is named this because during the Irish immigration period of the late 1840’s–the potato famine and typhus epidemic–the ships with ill passengers were sent to Fever Island to quarantine before being admitted into Canada. A makeshift hospital is set up on the island, nuns come out to operate it along with several doctors–including a Harper ancestor–and so there is also a makeshift cemetery on the island. There’s also another legend, going back even further than the quarantine days; the earliest settlers believed a woman was a witch and essentially buried her alive on the island. The story claims she placed a curse on the island and summoned the devil. This is enough of a horrible backstory to make easily the possibility of supernatural forces at work on the island completely believable, which only adds to the suspense. There’s also the backstory of Reed and Liz’s own experiences spending their summers on the island with their horrible father and alcoholic mother; Reed’s dead former girlfriend, who died on the island during the first pandemic, along with his parents; and of course the diary of Dr. Nathaniel Reed Harper, who details life on the quarantine island and the growing suspicion amongst the superstitious fever victims and a group of sailors stranded their by a shipwreck that the witch’s curse is haunting them and that maybe even one of their party has been possessed by the witch and has summoned the devil.
Ada and Lucy were best friends and roommates in college, with Reed as the third side of their triangle. Lucy has also written one well-received novel, but hasn’t written anything since…and her discovery of the diary begins to inspire her to write about the island. Goodman is quite excellent at weaving the multiple storylines and multiple time-lines–Lucy is flashing back to the original pandemic, which is what brought her and Reed together as a couple; the incidents from the 1840’s as revealed in Dr. Harper’s journal; and of course, what happened on the island during the original pandemic.
Strange things start happening once they are all safely ensconced on Fever Island, and of course there are the inevitable personality clashes, which amp up the tension and then, of course, the deaths begin. At first Lucy can’t help but wonder if the island is indeed cursed–but slowly begins to realize that there is a very clever murderer on the island pursuing a definite agenda, but who?
And I love how Goodman chose to deal with the COVID-19 pandemic. Rather than setting the book during that shutdown, she instead chose to write about a future quarantine/shutdown, with the COVID-19 one in the distant past (ten years or so) but having a lot of impact on what is happening in the present.
I loved every minute and every word of The Disinvited Guest, and I cannot recommend it highly enough.
It’s a work at home Friday and Paul is getting ready to head out to the airport. Heavy heaving sigh. While alone time is something I can always appreciate, it doesn’t take more than a day or two before I start missing him. But I have a lot to keep me busy, so if I just focus and work my way down the to-do list, I should be able to keep busy enough to not miss him while at the same time getting a lot of things done–always a plus, especially given how behind I am on this book–but a Gregalicious at rest tends to stay at rest, so the big thing for me is going to be staying motivated.
Ugh, I hate when Paul goes away.
I was tired again yesterday when I got off work and came home, so spent some time organizing and doing mindless chores once I got home until Paul got home from work. By the time he’d gotten home I’d already finished the chores and given in to Scooter’s demands for a lap to sleep in, and was watching the latest iteration of ESPN’s show Saturdays Down South, which of course is a history of the Southeastern Conference. This episode was for the decade 2010-2019, and while it naturally focused on the Alabama supremacy, it was fun revisiting some of that football history from that decade: Auburn’s runs in 2010 and 2013 (the “Kick Six” win against Alabama included); the runs for both Mississippi and Mississippi State in 2014 that ended disappointingly but had them both ranked in the Top Three at the same time (until they lost to LSU and Alabama, respectively, on the same day), and of course ending with the incredible LSU season in 2019. Much as I would love to climb on board this year’s LSU hype train, I’m reserving that excitement until a week from tomorrow. Alabama is the stumbling block as it always is (only one national champion since 2006 was able to claim the title without having to beat Alabama–hence The Alabama Supremacy), and even the game being in Tiger Stadium means nothing. LSU has beaten Nick Saban exactly four times (2007, 2010, 2011, 2019) with three of those games being in Tuscaloosa. LSU hasn’t beaten Alabama in Baton Rouge since 2010–twelve years.
So, yes, I am a huge LSU fan but I am also realistic. I’ll be cheering for the Tigers, you bet, and I want them to win…but I am not expecting them to win. I am hoping for it to be a great game.
After Paul got home we caught up on American Horror Story: NYC, which weren’t as interesting to me as the first two episodes. In other words, as we get deeper into the season the plot is beginning to derail a little as so often happened with seasons of the show. However, since the story is set so strongly in the gay community of the early 1980’s, I’ll keep watching. I somehow always manage to keep watching this show (Double Feature we bailed out of during the aliens second feature; we also gave up on Hotel but somehow managed to watch both Roanoke and Apocalypse all the way to the bitter end) despite how far off the rails some of these seasons inevitably wind up going–it’s the completist in me, I think–although I feel pretty confident we’ve also given up on A Friend of the Family as well. (Paul: “This could have been a two-hour movie; it didn’t need to be an ongoing series.”) I am now at a loss for what to watch with Paul gone–I can’t watch anything we’re watching together, or something we’d watch together–but I think I am going to revisit the latest Nancy Drew series; I watched the debut episode and kind of was intrigued by it, but Paul wasn’t interested so never went back to it. I checked yesterday and was stunned to see three seasons have aired, which is cool. I hope The Hardy Boys also gets another season, in all honesty; I enjoyed the show. Having grown up on the Hardy Boys and Nancy Drew, I am always interested to see how the characters/stories get adapted for a modern audience (and belonging to several fan groups on social media for the books is equally interesting, particularly in how imprisoning and limiting so many people can make of nostalgia for something from their childhoods), just as I was interested in seeing Riverdale’s approach to the Archie characters.
I wound up going to be relatively early as I started falling asleep in my chair while watching AHS: NYC last night (I will probably have to rewatch the latest one because I kept dozing off; I also rewatched Andor last night for the same reason before Paul got home). I also got a new espresso maker yesterday which I am dying to try out this morning. I also want to finish my reread of The Haunting of Hill House before moving on to something by Paul Tremblay. I didn’t do well with my “October horror reading month”–I didn’t read very much this month at all, which is shameful, especially since I got Wanda Morris’ new book this week as well–can’t wait to dig into that.
Sigh. Am I being overly ambitious with my plans to get things caught up while Paul is out of town? It’s entirely possible, and I could possibly be setting myself up for a terrible disappointment, but there it is.
And on that note, I am heading into the spice mines. Have a lovely Friday, Constant Reader, and I will check in with you again tomorrow.
Well, I jinxed myself by saying yesterday–either here or to someone at the office–that I hadn’t had insomnia for a long time. So, of course last night it returned with a vengeance. I stayed in bed, of course, drifting in and out of mild, light sleep most of the night, which wasn’t very much fun. I feel rested this morning, but I also felt rested yesterday and was really tired by the time the afternoon rolled around. I did get a lot of work done, too, which was super-great. I wrote a chapter of the book (a terrible one, but a chapter was written nonetheless) so progress was made–and the story is beginning to coalesce inside my head right now, which is also a very good thing. I am thinking I can get this draft finished by the end of the month and then spend November cleaning it the fuck up.
We continued watching A Friend of the Family last night, and yikes, what a situation this family found itself in. It’s very easy to judge them with the hindsight of the twenty-first century behind our reasoning, but the 1970’s were a vastly different time. In a small city like Pocatello and in a small community like the Mormon Church of the area–you’d never think you’d meet a sociopath in that environment, nor would you think about perverts or pedophilia or sociopathy in someone you’d met that way. And you never want to believe that your child was molested; so naturally in that time you would seize on any excuse to say that wasn’t the case. We only have one episode left, so I am curious to see how it all turns out. I don’t think they ever got any justice (which seems to be a rare thing indeed), and the fact that the man claimed he had the parents’ permission to take the girl to Mexico–where he married her, bigamously–even though the parents said it was a lie and the police basically took his side, is mind-boggling to me. (An adult can no longer take a minor out of the country without documentation, usually notarized, from the parents. A single parent taking a minor out of the country has to have documentation stating that the other parent is aware and grants permission; this was drilled into us at the airline…)
I also cannot imagine the guilt the parents lived with for the rest of their lives, either. Yet another reason I am glad to not be a parent, seriously. Never had any desire, and don’t miss it in the least.
It rained overnight, apparently, which could explain the insomnia; barometric pressure changes, particularly dramatic ones, can affect my sinuses and thus my sleep. My sinuses feel fine, but I also took a Claritin yesterday so that could be the answer. It’s feeling very muggy this morning, which is okay as our office is always super-cold in one area while temperate in another. I may wear a sweatshirt under my work T-shirt. (Is this stuff as fascinating to you as it is to me?)
Probably, since I’m boring myself I can’t imagine that I am fascinating or interesting you, Constant Reader.
I have errands to run on my way home. I am getting antsy, because I am expecting the finished box o’books for A Streetcar Named Murder to arrive at any time (probably will not come until November because I want them to come now, right?) and I am also expecting to get a contributor copy for an anthology I sold a story to–still waiting to get paid as well–so I actually have a vested interest in going to get the mail. Again, probably none of this will come until next month, but I am getting antsy and I am always impatient; something that can inevitably always be counted on is my impatience. I haven’t had a hardcover release in eighteen years or so, so am really looking forward to seeing how beautiful the finished book looks. I love the cover, and the entire thing has been an absolute pleasure every step of the way once the book was finished, you know? I hope you’ve preordered. I am planning on turning this blog into a heavy promotion site soon for the book as well; I’m not really sure what I am doing so bear with me. I’m not exactly sure how to go about doing promotional entries here, either, but hey–it’s something new and different and why shouldn’t I talk about my book here, trying to get people interested enough to read it?
I also came to a hilarious realization yesterday on the current book as I was writing it, and thinking to myself, can you really bring this character back from Scotty’s past when you’ve already mentioned him earlier in the plot? Isn’t that kind of, I don’t know, contrived? And then I started laughing because I had completely forgotten what I was doing with this Scotty book–that no one will probably notice, as no one seems to ever notice what I am doing with my books, but that’s okay; I know and that’s all that matters, right? Anyway, I remembered what the entire point of writing the book was yesterday and now that I’ve actually remembered what I was doing–an homage to Nancy Drew/The Hardy Boys style of crime novels–of course this all will make sense. Besides, the point of the Scotty series is their utter preposterousness; it’s not reality and it doesn’t claim to be; they never have. I also kind of worried because of some similarities to Streetcar–namely, an old family feud no one remembers the root cause behind–but then I laughed at myself yet again. I’ve written over forty books and over fifty short stories at this point in my life; inevitably I am going to repeat plot points and themes.
And on that note, I am heading into the spice mines. Have a lovely day, Constant Reader.
One of the most fun, for me, things about being a writer is being able to pay homage to books and writers I’ve enjoyed or felt a connection to in some way. I do this in at least every book I write–sometimes it’s as little a thing as having one of my characters reading a book I greatly enjoyed–and sometimes it’s a little more sly and tongue in cheek. For one example, I wondered occasionally while writing Bury Me in Shadows if anyone would notice that the name of the plantation house that burned during the Civil Was was Blackwood Hall–I only called it that once or twice; I usually referred to it as “the ruins”–and that it was a ghost story…hence The Ghost of Blackwood Hall, which had always been one of my favorite Nancy Drew mysteries when I was a kid (my favorite books in any series were ones that dealt with ghosts, hauntings, or the supernatural–it never was anything supernatural–in them; even as a kid I had, apparently, this morbid fascination with death and the afterlife that has continued into my adulthood). Vieux Carré Voodoo was also inspired, in some ways, by The Mystery of the Fiery Eye, one of my favorite Three Investigators mysteries–a jewel stolen from an idol that cultists will kill to get back is at the heart of both stories, and I also took inspiration somewhat from Wilkie Collins’ The Moonstone, which I had also read and loved as a child.
I’ve not picked up a Nancy Drew mystery in years to read through, until recently. I remember the series fondly–it wasn’t my favorite, nor was the Hardy Boys; but those books were more easily accessible and easier to find in stores and libraries than the other kids’ series, and with the kind of obsessive behavior I’ve always had–which hasn’t tempered much with the passage of time–once I started reading a series I wanted to read (and own) the complete set. This odd childhood obsession has never abated, even as I am now past sixty; I don’t have room to have all my series books out displayed on bookshelves (they are some of the boxes in the attic and the storage unit) and I think I am missing a few volumes from each series I do collect–but without being able to put them out, it’s hard for me to know which ones I am missing, so I’ve kind of held back on collecting them over the last decade or so. Discovering eBay in the wake of Hurricane Katrina was a big impetus in getting me to start collecting (trying to finish collecting) again, but the lack of space for storage–let alone putting them out on display in bookcases–inhibited me and I began to wonder about the advisability and the point of collecting children’s book series if I was simply going to put them in boxes and store them. It seemed kind of dumb, in all honesty, and so I stopped.
But the kids’ series had an enormous impact on me growing up and as a developing writer. I honestly think that The Haunted Showboat, number 35 in the Nancy Drew series, was my first actual encounter with New Orleans and Mardi Gras; it was either the fourth or fifth Nancy Drew mystery I had actually read (I started with The Secret of Red Gate Farm, The Mystery at Lilac Inn, and The Hidden Staircase; I think the next I read was The Haunted Showboat or Password to Larkspur Lane) and I do believe it was Nancy Drew who introduced me to New Orleans (outside of US History; I knew the Battle of New Orleans and the Louisiana Purchase and all of that, but this was my first non-historical introduction to the city).
I used to be able to list the books in order as well as give some background on the story; my memory isn’t quite as reliable on that score as it used to be. I joined some fan groups on Facebook, primarily to see if there were other alternatives than eBay and scouring second hand stores for the copies of the series books I am missing (and that’s a whole other story; there’s definitely a murder mystery novel that can be built around adult fans of kids’ series, seriously), and have been taken aback by the toxicity that can show up in these groups: hatred of anything new or daring or different to do with the characters (they have gone to TOWN on the new television series for both Nancy Drew and The Hardy Boys–hating changes and updates with the fiery white hot passion of a dozen burning suns–and it inevitably comes down to ‘political correctness’ and ‘being woke’–despite knowing that all the earlier series books were revised in the 1950s thru the early 1970s to get rid of dated stereotypes and racism), but that is a subject for a different time (I’ve not watched Nancy Drew–literally forgot about it–but I’ve liked The Hardy Boys).
Anyway, as I am writing a new Scotty book, I decided to do some research into Nancy Drew and New Orleans–mainly deciding to reread both books that were set, at least in part, here.
So, I went on line (much easier than going through the boxes in storage–which is yet another example of how stupid it is for me to keep storing books) and ordered copies of both The Haunted Showboat and The Ghost of Blackwood Hall, which, according to a synopsis I read on a Nancy Drew website, had Nancy, Bess and George come to New Orleans–which I didn’t remember. I remembered that the book was about Mrs. Putney being swindled out of her jewelry, and it had something to do with spiritualism, which eventually led Nancy and her friends to the abandoned, haunted Blackwood Hall–but I did not remember them coming to New Orleans. This struck me as strange–I certainly vividly remembered other parts of the story, particularly a scene when Ned and Nancy stumbled into quicksand (which, according to everything I read and saw on television and/or movies as a child, I thought would be more of a danger to me at every point of my life).
Both books arrived on the same day, but since I do remember The Haunted Showboat more than I remembered anything New Orleans with The Ghost of Blackwood Hall, I decided to look through the latter and read the New Orleans section again.
Yeesh.
Despite my obsession with collecting and reading the entire series, as I mentioned earlier, Nancy Drew was never my favorite of the kids’ series; I liked The Three Investigators and Ken Holt most of all, and I always thought both Trixie Belden (the original six) and Judy Bolton were better written and more interesting than Nancy (Judy was also a goody two-shoes, but she was more rounded and developed, as were her friends), and looking through The Ghost of Blackwood Hall made me remember why she was never a favorite; the books aren’t very well written. (The original texts were much better than the revised ones, but it was a very low bar to hurdle, seriously.) And yet I had to have all the books and read them all; I watched the 70s television series with pre-Dynasty Pamela Sue Martin; and I still sort of have a soft spot for good ole Nancy; but man, these revised texts are simply terrible–and the later, newer books steadily declined in quality–I remember one where Nancy and her friends, being chased by a bad guy, duck into a room and–this is so stupid, it was even shown as an illustration–hide by sitting in chairs and holding up picture frames because of course the bad guy would look at them sitting still and believe they were a photograph or a painting.
Even as a kid, I knew that was fucking stupid.
Anyway, so Nancy is hired by a jeweler to help out his client Mrs. Putney–who clearly isn’t the sharpest tool in the shed–who is a widow and received a message from “beyond the grave” from her husband that she needed to bury her most valuable jewelry in the woods for safekeeping. (She’s also told to tell “no man or woman” about this; which is why the jeweler brings her to Nancy because she’s a “girl”–but the jeweler is a man…I guess in her mind he doesn’t count because he’s the one who spots that her jewelry is all fake, once she’s reconsidered her stupidity and dug the jewels back up.) There’s a lot of gullibility and superstition in this book, for the record, that doesn’t really make any logical sense. In a weird sequence of events, Nancy winds up with the name of a man from New Orleans who was an accomplished jewelry designer and “capable of making fakes that look real”–so she decides to follow the clue to New Orleans to look for information on the man. Because of course. Anyway, despite the fact that Mrs. Putney isn’t paying for this trip and in fact warns her not to go–Carson Drew, Nancy’s father, decides to foot the bill for her, Bess and George to fly down to New Orleans and follow this laughable clue that could only be a valuable one in a Nancy Drew mystery. (As I was reading this part again, I started thinking about how expensive this would be back then–the revised text was written in 1967, the original in the late 1940’s–and how amazing it was that all three eighteen year old girls had nothing else to do and could hop on a flight to New Orleans just like that; I am sure even back then it was more expensive to buy a ticket at the last minute.)
None of this mattered, of course, to young Greg when he was reading it the first time…and yes, I am being harsh about a kids’ series book which I am clearly too old for, but c’mon. And I knew when I was a kid that the books weren’t well written. (One thing that always annoyed me about this series and the Hardy Boys was they never really deduced anything or solved an actual mystery; really, the books were usually about catching a criminal whose identity was known almost from the start through a series of contrivances.)
But…
Once they are in New Orleans–after Bess tells a strange woman on their flight where they are staying in city: Nancy, seated in front of them, was sorry their hotel had been named. She had wanted to keep their visit to New Orleans as secret as possible. Um, you’re on a flight to New Orleans. So, since it’s too late to call on the suspect’s former boss, they go sight-seeing–but Nancy ducks into every jewelry and/or pawn shop they come upon.
The trip proved to be pleasurable, if not profitable. Their inquiries led them into many sections of New Orleans. The French Quarter, where the buildings were charming in their elegance of a bygone day, interested them most. Beautiful ironwork, delicately tinted plaster walls, old courtyards, once the center of fashionable Creole family life, fascinated the girls.
On a balcony, a brightly-colored parrot chattered at them in friendly fashion. A smiling woman, bearing a basket of flowers, stopped to sell a flower to each girl. On all sides, the visitors saw interesting characters, and heard the soft-spoken dialect which was a blend of French, Cajun, and Gumbo.
GUMBO IS NOT A LANGUAGE.
And since Cajun is a derivative of French…sigh. And by 1967 New Orleans wasn’t really bilingual anymore. It had begun to die out around the turn of the twentieth century, and it’s definitely a rarity here now to find anyone native who speaks both English and French, or speaks French as their first language.
The next day they visit their suspect’s former employer, who knows nothing, and then do some site-seeing before lunch “in a quaint restaurant.”
“New Orleans is wonderful!” Bess exclaimed. Counting on her fingers, she added, “We’ve seen the banana wharf, the market, the garden district, and that old cemetery where all the dead are buried in tombs above the ground.”
“That’s because this place is below sea level,” said George. “Say, do you suppose that guide that we believed the story about the tomb which is supposed to glow at night with an unearthly light?”
“He said spirits come out and weave back and forth like wisps of fog,” said Bess.
“That’s just what they are–fog,” George declared practically.
“Oh, I don’t for a minute believe in ghosts,” Bess replied quickly.
“I wish we had time to go to Grand Isle, the haunt of Lafitte and his men,” said Nancy.
“Who is he?” Bess asked.
“He was a famous pirate,” Nancy replied. “According to tradition, when burying treasure, he always murdered one of his band and left his ghost to guard the hidden loot!”
I guess Bess never studied about the Battle of New Orleans–and no one at either the Stratemeyer Syndicate or Grosset & Dunlap knew that you capitalize “Garden District.” Then comes a really weird section where the girls visit a spiritualist photographer on whose works sometimes “spirit writing” appears. Naturally, Nancy’s image has a warning to stop sleuthing, and then the lights go out and when they come back on, the photographer is unconscious, along with Nancy, are gone! This for me is a particularly weird section. Nancy is the point of view character, even if at a distance. Why would you then switch to Bess and George frantically searching for Nancy rather than showing her capture and abduction and eventual escape? WHY HAVE THE ACTION TAKE PLACE OFF THE PAGE?
Oh, and when Nancy regained consciousness, she was tied up and trapped in a basement near the Quarter.
A basement. Near the French Quarter. In New Orleans, which we’ve already learned is below sea level and therefore bodies can’t be buried in the ground.So of course we have basements.
But Nancy leads the cops back to the house, where all evidence of her being tied up and so forth have disappeared:
To their surprise the policeman remarked soberly, “This isn’t the first time queer things have happened in this section of the city.”
Ah, so it must be the Faubourg Marigny. Lots of queers lived there and in the lower Quarter back then. But I guess the girls should consider themselves lucky that they found an English-speaking cop–who would never say “this section of the city.” He’d name the neighborhood–“this isn’t the first time queer things have happened in the Marigny.” So anyway, the girls decide to go home, and fortunately, there’s a flight from New Orleans to River Heights within an hour. They pack and head for the airport just in time to catch their flight home–when Bess mentions something else mysterious that is going on that she knows about and just hasn’t mentioned before for some reason, and of course, as always, this side story subplot is connected to the main one.
And that’s where I stopped, since that was the end of Nancy’s adventures in New Orleans.
Sigh.
The Haunted Showboat, on the other hand, opens with an immediate eye-roller for New Orleanians:
“Would a trip to the Mardi Gras interest you, Nancy, and also a mystery to solve?” Bess Marvin asked.
Mardi Gras is French for Fat Tuesday, so basically Bess just asked her if she would interested in a trip to “the Fat Tuesday.” Yes, I am well aware that outside of New Orleans it’s all lazily considered Mardi Gras, but it’s really Carnival. Mardi Gras is quite literally Fat Tuesday, the final day of Carnival, and while I’ve grudgingly come to accept that there’s no way that people will ever not refer to the entire event as “Mardi Gras”–even I have a tendency to get lazy and say”Mardi Gras” when I mean Carnival–it will never not bother me. Of course, Bess isn’t from Louisiana and she can be forgiven for getting this wrong, and even using “the” as unnecessary definitive article can be forgiven. But–and this is something that always annoyed me about both Nancy Drew and the Hardy Boys–never is it mentioned in this book that Nancy and her friends have been to New Orleans before, and never was it mentioned on that previous trip in The Ghost of Blackwood Hall that Bess and George have New Orleans relatives.
Wouldn’t you think that would have come up in The Ghost of Blackwood Hall? Of course it didn’t, because when book 25 was written they had no idea that Book 35 would return Nancy and friends to New Orleans and Louisiana. (This kind of continuity thing used to drive me nuts; Nancy and the Hardys were ‘well known’ as amateur detectives, and every book opens with a reference to their first series book as well as the most recent, and closed with a teaser for the next, despite the fact that really, every mystery they solved was a stand alone with no connections to the past or the future. A couple of other continuity errors that always bugged me with Nancy is that Ned is mentioned as her boyfriend in the revised text of Number 5, The Secret at Shadow Ranch even though she meets him for the first time in Number 7, The Clue in the Diary; she finds her dog Togo as a stray at the opening of The Whispering Statue’s original text; but she already has Togo in the revised text of earlier volumes and yes, I am aware that I have spent way too much time in my life obsessing about Nancy Drew and continuity errors in the series–and there are a lot.)
Anyway.
If anything, The Haunted Showboat is actually worse than The Ghost of Blackwood Hall in so many ways, and not just in the aforementioned minor ways. First of all, the cousin of Bess and George’s, who invited them down, is named Donna Mae, because back in the day you could always make your audience know “hey this is set in the South” by giving a female character two first names–and always something Mae. (Ellie Mae Clampett is another example; for the record, out of dozen and dozens of southern women relatives there is exactly one whose name was “Something Mae”.) It takes a while for them to get to Louisiana–Nancy’s car is stolen once, and the replacement is sabotaged–because of course the criminals down in Louisiana will stop at nothing to keep this teenager from the midwest to interfere with their plans!–but there’s one part of their trip that is absolutely hilarious: they drive through Mobile on their way to New Orleans, but somehow get to the Mississippi River before they get to New Orleans or the plantation outside of town they are visiting:
Soon the girls reached the broad Mississippi and gazed at the peaceful, somewhat muddy river.
SOMEWHAT MUDDY?
Nancy then follows the River Road and turns inland. This geography makes literally no sense at all. But..it’s Nancy Drew, and the worst is yet to come.
You see, the Havers–who live at Sunnymead–have two black servants: Mammy Matilda and Pappy Cole. And oh yes, it’s just as racist and horrible as you can imagine–especially when you add in the “voodoo drums” they hear when canoeing through the swamp to get to the wrecked and haunted showboat, the River Princess. Anyway, yes, you can just imagine how dated and awful these depictions are. And everyone calls it “the Mardi Gras,” which no one does in the real world, either. The Quarter is referred to (correctly) as the “Vieux Carré”, but an aside says “or the old city”–it means “old square”, not old city–and of course they have lunch at Antoine’s.
There’s also an Uncle Rufus, who lives in the swamp in a tiny cabin and does voodoo spells.
There’s also a swamp episode and a wrecked, haunted showboat in an episode of Scooby Doo Where Are You?, which I’ve always wondered whether it was inspired (or stolen) from this edition.
So, neither book has aged particularly well–I’m still trying to wrap my mind around Gumbo as a language–and I suppose I shouldn’t be surprised by the racist depictions of Black characters in The Haunted Showboat, but the book is still in print and kids are still reading it. Everyone knows that the original texts of the Hardy Boys and Nancy Drew series were updated in the 1950’s and through the 1960’s to get rid of problematic depictions of non-white characters; it might not be a bad idea for them to do it again now. No one should be reading The Haunted Showboat as it stands today, really.
But it was an interesting time travel to revisit the books again. At some point I’d love to talk about all the kids’ series I read when I was a child, but…time.
G’morning, Saturday! How you doing? I slept well, woke up sans alarm, and feel kind of rested and good this morning. The sun is ridiculously bright this morning–it was yesterday as well–but that’s fine. Today is a long day of college football, and I have one errand to run this morning later on. Yesterday was a fairly good day; I got my work done during the day and ran the errands that needed running. I made Swedish meatballs (my version of them, any way) for dinner last night, and we settled in to watch the finale of Bad Sisters and of course, Halloween Ends, which was remarkably different than what I was expecting and despite a slow start, turned out rather interestingly after all.
I did think about the book last night while I was waiting for Paul to be ready for television viewing (and while I was doing some chores and making dinner), so I think I may have some success working on it this morning. I am going to try to get this done, put the dishes away and do some other chores before taking a shower and getting cleaned up to work on the book before I have to run the errands. And while I am of course hoping that Alabama cleans Tennessee’s clock today, the LSU game isn’t until this evening so I have the day pretty much all free heading into that, so there’s no reason I can’t get some writing done today and tomorrow (note to self: check the time of the Saints game today so you can plan accordingly). I don’t need to make another grocery run this weekend–or even order anything for pick-up–so I can pretty much plan on having the time to get things done around here. I have to work Monday morning in the clinic (covering for someone) but I also don’t have to be there until eight-thirty, either. Huzzah!
I also want to start rereading ‘salem’s Lot today; but I also have some other things I want to read as well. There never is enough time for everything, seriously. I have a couple of short stories written by friends that I need to look over (I promised feedback months ago) and I also have that Shirley Jackson Edgar-winning story I want to read, too. At some point I want to drive around the city and take pictures of Halloween decorations too–maybe I can take a walk with my phone tomorrow morning around the neighborhood and the Garden District–because I feel like I don’t document life in New Orleans as much as I should.
But then this blog has never really had a theme other than really just being a kind of diary for me, more than anything else, one where I don’t really talk about personal things as much perhaps as I would in a diary but just a way of situating myself and seeing where and how I am every morning. I have some pending entries that I also need to finish–entries talking about other books I’ve written, other books I’ve read and yet not done an entry for yet–and of course that takes time out of my day every day as well as time away from my other writing. But I do have a rather funny one about Nancy Drew and New Orleans I really should finish sometime–I have a weird love/hate thing with Nancy Drew; my OCD required me to collect and read the entire series, yet she was never really a favorite of mine; there were other juvenile series I vastly preferred to both Nancy and The Hardy Boys–but I had wanted to pay homage to Nancy’s adventures in New Orleans in the new Scotty book, so I reread the two books where Nancy came to New Orleans (The Ghost of Blackwood Hall and The Haunted Showboat) and whoo-boy, were they dated, wrong on almost every level, and horrifyingly racist. (Sidebar: I’ve always wanted to write my own juvenile series, similar to Nancy Drew and the Hardy Boys, and at the same time I’ve always wanted to write a murder mystery set at a fan convention for one of these series–because I belong to some fan-pages on Facebook and let me tell you, those folks are interesting)
I also have my entry about Donna Andrews’ marvelous Round Up the Usual Peacocks to finish, and I also have a rather lengthy entry about Interview with the Vampire I think I’ll wait to finish until I am done with watching the show.
I am not going to lie, I was curious about Halloween Ends primarily because I absolutely hated the second film in this sequel/reboot series, or whatever the hell it is considered. I was impressed by the creative decisions made on how to handle this absolutely, finally the last chapter (the end definitively ends it, trust me); but I am not entirely sure how I felt about the focus being moved off Laurie and Michael Myers. I guess I was a little disappointed–I was hoping to see, I guess, a balls-to-the-wall Laurie v. Michael battle, which we did kind of get, but it also wasn’t the primary focus of the film? I appreciated the new story as well as the new cast members like Rohan Campbell (who plays Frank on Hulu’s The Hardy Boys reboot), but I came away a little disappointed, but that was due to my own expectations, not any failure of the film itself. (I was also really amused to no end that Kyle Richards of The Real Housewives of Beverly Hills, who played one of the kids Laurie babysits in the very original Halloween, was brought back to reprise the role in the new trilogy. After listening to her talk about “filming” all season, and “having to focus on learning her lines” while dealing with RHOBH drama…only to watch the actual film to see she has exactly two scenes and at most five lines made me laugh out loud–and of course, Paul shadily said “I find it really hard to believe a bartender in Haddonfield could afford all that plastic surgery” which sent me into gales of laughter. I did enjoy the movie, though, and appreciated the different direction it took. If you’re a fan of Halloween, I think you’ll enjoy it, too–but understand it’s different going in.
All right, on that note I am going to head into the spice mines. Have a lovely Saturday, Constant Reader, and GEAUX TIGERS!
I always like Fridays mainly because I can sleep a little later than I am used to–after three completely hideous mornings of getting up at six; it really is relative, isn’t it? I mean, I just get up an hour later than I do on those mornings, and yet it feels like I slept for twenty years or something. Just can me Greg Van Winkle–although I think falling asleep in 2022 for twenty years would be terrifying when you woke up; imagine the leap from 2002 to now.
But for whatever reason I feel good this morning, whether it’s the sleep or whatever, and that’s a very good feeling. I feel rested and relaxed, which is always a lovely feeling, and I am looking forward to a three day weekend. I am going to read and write and do all kinds of things–as always, I have an ambitious plan for the weekend–but tomorrow I am doing some self-care (which is always lovely) before I run my errands, and I am going to try to get that all out of the way tomorrow, so I don’t really have to leave the house much the rest of the weekend, other than going to the gym (oh, yes, that’s on the list for this weekend) and an errand I have to run Monday. I am hoping to start and finish John Copenhaver’s The Savage Kind this weekend, and while I have an enormous TBR pile, I really should just read queer books this month. I think I’ll start revisiting Joseph Hanson, and I’ve also got The Devil’s Chewtoy in the pile as well. And hopefully, I’ll get some writing done this weekend as well. I didn’t work on “Never Kiss a Stranger” yesterday; instead I worked on another project that a publisher has shown interest in, but I need to get it figured out and a draft written. I’d originally planned to get that draft written this month–I am so far off schedule this year that it isn’t funny–but it does interest me and I played around with it a while last night before we finished watching The Victim, which is really well done. We also watched the new episode of Obi-wan Kenobi, and I don’t understand what the on-line bitching by the male virgins in the basement is all about. Why is it so difficult for people to grasp that there would be non-white humans in space in the future as well as a long time ago in a galaxy far, far away?
Although I suppose their preference would be an all-white universe.
Sad.
I was thinking last night–while I was waiting for Paul to come downstairs and watch television with me; as pop culture list videos autoplayed on Youtube while I doom-scrolled on my iPad–about writerly ticks; things I always seem to wind up writing about a lot more than I should; like of course I am reading something Greg wrote, because here is the part where there’s a thunderstorm or ah, there it is–the car accident Scotty gets into in every book (and sometimes Chanse, too) or ah, this must be New Orleans as written by Greg because its all about hot and humid. One of the reasons I do love living in New Orlenas is because I love rain. One of the things I miss the most about my office on Frenchmen Street (besides the awesome street name) is that the building directly behind my actual office had a tin roof, so every time it rained I’d open the window so I could hear the rain drumming on the tin roof. It always made me think of my childhood; my grandfather’s house had a tin roof when I was very young–the barn’s was never replaced–so I can remember listening to the rain while I was lying in bed, all snug and warm and dry; to this day I find a weird emotional comfort when it’s raining outside and I am snug and dry and under a blanket inside the Lost Apartment. I can even remember a scene from a Trixie Belden book–The Mystery of Cobbett’s Island–where Miss Trask was driving Trixie and the other Bob-Whites to Cobbett’s Island for a vacation, and it started raining on them; I was reading it in the car on the way to Alabama from Chicago and ironically, it was raining on the car as I read. I even started writing one of my many attempts to write a juvenile series a la Nancy Drew/the Hardy Boys/Trixie Belden with the characters getting caught in a thunderstorm while driving en route somewhere–I don’t remember anything else, but I remember writing about them riding in the rain….and ever since then, it seems like I write alot about thunderstorms. There’s even a thunderstorm scene in A Streetcar Named Murder, because of course there is.
I always write about rain–and I don’t think i could ever live in a desert climate again because I would miss rain too much.
So, note to self: no rain and no car crash in the next Scotty. We’ll see if I can stick to that.
And on that note, tis off to the spice mines. Have a lovely day, Constant Reader.
Monday morning and I really didn’t want to get out of bed this morning. I have so much to get done this week it’s kind of overwhelming, to be honest; and the temptation to just stay in bed for the rest of my life and avoid the world was kind of really powerful this morning. Yet the world stops turning for no man, let alone a Gregalicious, so there was naught for me to do other than arise, do my morning ablutions, and start drinking coffee. I did sleep fairly well, despite the enormous stress of a to-do list with incredibly lengthy chores and projects to work on, and feel pretty well rested this morning–if not quite up to dealing with the world at large.
Ellen Byron’s book launch last night was marvelous. I was delighted to see she had a very good turnout and sold a lot of books–and she is the QUEEN of swag. I for once didn’t have stage fright–I knew Ellen would be warm and witty and wise and funny; all I had to do was lob some questions at her and she was off and running (she did try to deflect attention back to me a couple of times, but I was ready to turn the spotlight right back on her after a brief answer and succeeded each time). The book itself is lovely, too; you want to get a copy of Bayou Book Thief, especially if you’re a fan of traditional mysteries. The cover is gorgeous, and it’s a fun story with a likable main character and a likable supporting cast, and Ellen’s adoration of New Orleans spills over on every page–and what more can a New Orleanophile ask for? I also picked up a copy of The Westing Game by Ellen Raskin (I saw it and remembered someone recommending it to me a while back, so I grabbed it immediately) and a copy of Albert Camus’ The Stranger, which I’ve been meaning to read for quite some time now (since Camus was inspired by The Postman Always Rings Twice for his own novel, I thought it only made sense for me to finally read the Camus)–I can never walk into a bookstore and not walk out with more than I intended to buy when I walked in (I had only intended to get a copy of Ellen’s finished book; I read a pdf) but that was fine–I wanted both books and let’s face it, I am always going to buy books at every opportunity, but it is time for me to start donating books to the library again.
I am not familiar with the part of New Orleans where the bookstore is located; Blue Cypress Books is on Oak Street past Carrollton, not far from where Carrollton and Claiborne intersect (and yes, the two streets actually run parallel to each other in my neighborhood; welcome to the wonderful and terribly confusing world of New Orleans’ bizarre geography). I would have, as per my usual, simply driven all the way to Riverbend on St. Charles then turned left on Carrollton…but I decided not to do my usual “this is how I know to get there” thing and used Google maps. Interestingly enough, Google maps took me on to Highway 90 then I-10 before getting off at the Carrollton exit in front of Costco and going that way…and it was faster–a lot faster, which I still kind of can’t wrap my mind around, but then again that’s New Orleans geography for you; my mind always thinks in terms of grids where everything runs north and south or east and west, and that isn’t New Orleans. The only actual grid design to anywhere in this city is the French Quarter–and only the French Quarter, at that. I have lived here twenty-six years and still get confused and mystified by how geography works here…which is one of the reasons I think people believe New Orleans is magical and mystical. Where else does geography make no sense other than here?
After I got home, we finished watching The Outlaws, which we really enjoyed, and started watching Gaslit. Julia Roberts is killing it as Martha Mitchell–I’d really forgotten a lot about her, but she was kind of a celebrity at the time, more so than the wife of Attorney General could ever hope to be, frankly–and she was enormously popular; everyone liked Martha Mitchell, because you never really knew what she was going to say next, which naturally didn’t sit well with the president of the time, Richard Nixon. (And again with a show set in the 1970s; sensing a theme–Minx, Candy, Gaslit–all set in the 1970s as a reminder to us all just how awful the 1970s actually were…pay attention, everyone. There’s a reason you never want to turn the clock back, or bring an era back.) I’d actually forgotten about Martha Mitchell–she’s often left out of books I’ve read about Watergate–and she was actually kind of an important cultural figure of the time. If the Nixon idea was to erase her from history, it kind of worked. The 1970s was definitely an odd decade.
As I was lying in bed dreading getting up and facing the world today, I thought, I would really love to have a vacation, you know. A week where I didn’t have a deadline to meet, or go into the office, or really do anything at all other than relax and read and watch movies or television shows I’ve not had a chance to see. It’s been a hot minute, and most of the traveling I actually do tends to be writing related in some way, which means it’s not really a vacation but a work trip. I don’t think I’ve actually had a vacation-vacation since we went to Italy, and that was eight long years ago. We’re talking about possibly going to Puerto Rico or some place in Central America (Costa Rica, if anywhere), but I think it’s past time…although I could also use some time off to stay home and get the Lost Apartment into some semblance of order, a Sisyphean task if there ever was one.
I didn’t finish my short story–the deadline was today and I know there’s no way I can get it finished in time to email off by midnight tonight, particularly since there would be little to no time to revise and/or edit it. It’s a shame, but at least the story is further along at about just over a thousand words than it was at less than two hundred; it’s a great idea but I’m basically stuck in the middle. I know how it ends, I just don’t know how to get it there, so letting it sit for a while is definitely in order. I did start writing the new Scotty yesterday–don’t get excited, I literally wrote maybe 175 words of the prologue; I found the book opening I wanted to spoof (Pride and Prejudice) and since I didn’t want to forget, I started writing it and it flowed along for another hundred words or so before I ran out of steam. The Scotty prologues are always the hardest part of the book for me to write; they are basically a recap of Scotty’s life thus far to get a new reader caught up without having to go back and read the first eight (!) books in the series as well as not spoiling the first eight books in the series should the reader decide to go back and actually read the first eight books in the series. (Something I actually need to do before I really dig in and start writing this thing…I really need to do the Scotty Series Bible and get that done so I have an easy reference without having to page through the books or do a search in the ebooks) I also did some research over the weekend for the book, which entailed rereading two Nancy Drew mysteries, The Ghost of Blackwood Hall and The Haunted Showboat (both books bring Nancy and her friends to New Orleans/Louisiana) and oh, yes, that bit of research definitely triggered a blog post which I started writing yesterday after I got ready for the event and was waiting for it to be the right time to leave. I kind of slam Nancy Drew in the post–but the truth is, despite my obsessive collecting of Nancy Drew books (trying to get the entire original series, with the yellow spines) I never actually liked the books all that much. (Same with the Hardy Boys.) While I appreciate the two series for their popularity and for getting kids to read (and to read mysteries) neither series was ever my favorite–but once I started reading and collecting, I had to keep reading and collecting because I am obsessive–and that obsession with collecting the books, while slightly tempered as I’ve gotten much older (and don’t have a place to display the collection), still exists. (Periodically I do think about emptying a bookcase and refilling it with my kids’ series books; it’s always satisfying for me to see them on the shelves. And yes, I know how weird that sounds.)
And now back into the spice mines with me. Y’all have a lovely Monday, okay?
Sunday morning and I slept really well again. I woke up, as always, at just before seven, but stayed in bed lazily until nearly eight–when nature’s call became too much to be ignored for longer. But I have a nice fresh hot cup of coffee, a long Sunday with a lot to do and/or get done today (I also need to run to the grocery store this morning, which is always so exhausting) but I suspect that i can get everything I need to get done, done. Yesterday morning I spent some time with the Carol Goodman novel (which is really and truly spectacularly well done), went to do my self-care (which was lovely) and then picked up the mail and headed home to spend some time doing things. I did the bed linens, emptied the dishwasher and did another load (that needs to be emptied this morning) and also got some things organized for my next writing project. I did the Spirit of Ink interview at 2, as scheduled, and then when I was finished with that I was drained, as I knew I would be, so I did some more file organizing before retiring to my easy chair with my journal to make notes for Mississippi River Mischief, which I am also starting to get excited about writing (which is a lovely change from the usual, where I dread writing any and every thing).
So, overall, I was quite pleased with my Friday. Since we’d finished or gotten caught up on everything else we had started watching, we decided to binge through season two of The Hardy Boys on Hulu, which I am enjoying. Is it the Hardy Boys of my childhood? No, but neither was the 1970’s show with Parker Stevenson and Shaun Cassidy. I belong to several kids’ series groups on Facebook (they are very interesting people; I’ve always wanted to write a book about kids’ series fandom) and they were, of course, quite unhappy with this adaptation (but not NEARLY as up-in-arms as they were about the Nancy Drew television series, in which Nancy actually has sex with Ned–who’s Black in the show–in the very first episode). Maybe it’s because I’m a writer, but I don’t expect adaptations to match us precisely to the source material, and whether people in their fifties and sixties want to admit to it or not, both series in their original forms are horribly dated today. I did enjoy the show’s nods to the canon series throughout–one of the villains was named McFarlane (Leslie McFarlane ghost-wrote many of the original books) and the bad company is Stratemeyer Global (the Stratemeyer Syndicate created and owned both series, among many others), and there was also a single throwaway line at one point about “what happened at midnight” (which is one of the titles of the original canonical series); so that was all a bit fun for me. Even as I watched, I kept remembering all the dog-whistles of the fan group–disguised as “dedication to the original canon” of course–but when you use words like woke and so forth, your bigotry and personal biases are kind of put right out there on display.
And I can only imagine how upset they are that Aunt Gertrude (Trudy on the show) is a lesbian…which actually makes canonical sense, to be honest.
But it was a very pleasant way to waste the rest of the day, frankly, and I felt pretty marvelous when I went to bed last evening. I am really enjoying my sleep lately, which is marvelous, and lately I am feeling very–I don’t know, optimistic?–about my career and my future as a writer, which is always a plus. I am still waiting for my edits on A Streetcar Named Murder, and to hear back about my short story, but I am feeling pretty good about myself this morning (let’s see how long that lasts, shall we?) and tomorrow evening i am going to make a semi-triumphant return to the gym. This morning I am going to spend some time with The Lake of Dead Languages, and then I am going to head out to the grocery store, probably around elevenish, so I can come home and do some more writing and organizing and so forth. I am going to try to bang out a draft of a new manuscript by mid-June, and then I want to spend until August 1 finishing a first draft of Chlorine, at which point I will most likely have to start really working on Mississippi River Mischief. That’s a pretty good schedule, if I can stick to it–and then of course there are any number of short stories I want to get written in the meantime. There are two submission calls I saw recently (with very tight deadlines) I’d like to get something submitted to–but then it always comes down to time and motivation–both of which I am good at failing at–so it’s all going to depend, I suppose. But I am going to get organized here in my office space before retiring to read for the rest of the morning, which hopefully will mean productivity. We also need something new to watch, since we’ve binged our way through everything already–but there are any number of shows that dropped since the beginning of the year that we’d like to see that we never got around to, and more are coming out all the time.
I also want to rewatch Heartstopper at some point, so I can finish my post about it at some point. I really need to get those old unfinished posts finished and posted at some point, don’t I? I also have a bad review of Hemingway’s To Have and Have Not to finish as well as a review of Marco Carocari’s marvelous Blackout, as well as some ruminations about the resurgence of anti-queer political homophobia which hs reared its ugly head again.
And on that note, I am heading back into the spice mines. Have a lovely Sunday, Constant Reader!
I know, it catches people off-guard that a sixty year old gay man is a massive football fan, but I’ve never subscribed to stereotypes. I love football, with an especial love for the college game (I used to only watch the Saints in the NFL, but have started rooting for the Cincinnati Bengals because, well, Joe fucking Burrow); I think everyone knows I am a massive LSU fan. (GEAUX TIGERS!)
There really isn’t anything else in the world like a Saturday night in Death Valley. I will remember the 2019 night game against Florida probably for the rest of my life. God, what a great game, and it was so much fun. I am aware that I am digressing.
Anyway, I grew up in a Southern football family (even if we didn’t live in the South, we were from the South and that’s all that matters), so it was inevitable that I should become both a football fan and a football player. I played all four years in high school, all of my cousins also played, and I have close relatives who played at both the college and professional levels (and I don’t mean some small college in the middle of nowhere; I mean in the SEC–Auburn and Alabama, and there may be even more that I don’t know about). I have relatives who were successful coaches. Every fall Saturday the television was tuned into whatever college game was playing–even if we weren’t fans of either team; it’s hard to imagine now with the 24/7 college football coverage, but when I was growing up ABC had a monopoly on all NCAA football games. They would usually play one game of national significance, and then the second game was regional–important to that region. As we did not live in the South, we rarely got to see SEC games other than Alabama–Alabama was almost inevitably the only Southern team of “national interest” throughout the 1970’s (I really don’t remember the 1960’s much, but we lived in Chicago so I imagine we saw a lot of Big Ten and Notre Dame games; I don’t really remember a lot of my life before the suburbs, really–some things, yes, but most things not so much)
I’ve never really read a lot of fiction about football, though; it inevitably winds up being something cliched and tired. I loved North Dallas Forty by Peter Gent; hated Semi-Tough by Dan Jenkins; but do remember enjoying End Zone by Don DeLillo (I was going to reread this recently; but there’s so much to read. I did try to to reread Semi-Tough–but when I opened the book there were racial slurs and other mess on page one, so I threw it in the trash; no thanks). And I’ve also enjoyed other books with football involved, even if it wasn’t necessarily what the book was about. (The Hardy Boys were on the Bayport High football team in The Crisscross Shadow–the only time football is mentioned in the series.) There’s also a tendency, in books about high school and football to make the football players and cheerleaders the villains of the story, which has never really sat right with me. I was never bullied by anyone on the football team, and maybe the cheerleaders weren’t bitches to me because I was on the team and my sister was a cheerleader, but that wasn’t my experience (one thing I truly appreciated about Stephen King’s Christine was the horrible bullies at Libertyville High weren’t the football players but the hard-case kids–which was also my experience; which is probably yet another reason the book is one of my favorites of the King canon, methinks).
But…I can also see why it’s so attractive to make the jocks and cheerleaders the villains of high school dramas. And I sort of did something similar in #shedeservedit, didn’t I? Those boys on the Marysville and Steubenville high school teams certainly fit the bill of villainy.
So, when people started recommending Eli Cranor’s debut Don‘t Know Tough to me, I wasn’t so sure. I just published a book of my own about high school football and the toxicity it can engender in a small town (#shedeservedit), and revisiting my memories of high school and football was harder than I had thought it would be; I thought I could be dispassionate about it all while writing about it (I often write about things to try to distance myself from them and gain some perspective) but I was wrong. It was hard to write that book, much harder than I thought it would be–and it took years (first draft was written in 2015; published in 2022).
But enough people whose opinions I respect were raving about the book, so I got a copy and once I started reading it, there was no way I could stop.
Still feel the burn on my neck. Told Coach it was a ringworm this morning when he pick me up, but it ain’t. It a cigarette, or at least what a lit cigarette do when it stuck in your neck. Just stared at Him when He did it. No way I’s gonna let Him see me hurt. No way. bit a hole through the side of my cheek, swallowed blood, and just stared at Him. Tasted blood all day.
Tasted it while I saw in Ms. Miller’s class. Woke up in Algebra tasting it. Drank milk from a cardboard box at lunch and still, I tasted it. But now it eighth period football. Coach already got the boys lined up on either side of the fifty, a crease in between, a small space for running and tackling, for pain.
This my favorite drill.
I just been standing back here, watching the other boys go at it. The sound of pads popping like sheet metal flapping in a storm.
“Who want next?” holler Bull. Bull ain’t the head coach. Bull coach the defense. He as mean as they come.
One of my favorite books of all time about small towns is Larry McMurtry’s The Last Picture Show (I also love the film, which is extraordinary and one of, in my opinion, the best films made during the 1970’s). I did try to reread it recently–I was interested in refreshing my memory of its gay subplots and the mental breakdown of poor Joe Bob Blanton, but I’d also forgotten the part about the bored teenaged boys decided to fuck some calves, so when I got to that part I put the book down in distaste. But now that I’ve finished Don’t Know Tough, I kind of want to go back and reread The Last Picture Show again (I can skip that distasteful part…weird that I didn’t remember it).
Don’t Know Tough is yet another incredibly impressive debut, further confirming the truth of what I said at the Lefty Award banquet–the last few years have seen so many amazing and diverse and extraordinary debuts that the future of our genre is in very good hands. I won’t lie–when I started reading the book, I wasn’t sure I could keep reading it; I was worried that the entire book would be written in that grammatically garbled first-person voice but as I kept reading that first chapter I got into the rhythm of the language and started seeing the beauty and fluidity of the style choice–which is no small feat to pull off, and pull off consistently, throughout the entire book…to the point I was also a little disappointed that the entire book wasn’t done in that same style. Billy Lowe is the character whose voice this is; and the story of the novel revolves around him and the horrific Shakespearean tragedy that his life actually is. His mother is an alcoholic, and lives with an abusive piece of shit who obviously directs violence at Billy. He has a younger half-brother who was fathered by this POS; he also has an older brother who lives elsewhere. Billy’s situation has turned him into a wild beast of rage with an exceptional gift for channeling that rage into playing football. He’s not big enough in size to go major college, but his coach feels like there’s a chance he could get a football scholarship to a smaller college, and break the cycle of poverty he is trapped in at the moment. Billy is exceptionally compelling–it’s hard to read his first person point of view and not have your heart break for this kid; and hope that it’s all going to work out for him in the end, despite the disturbing pattern of violence in both his life and behavior.
Denton High has made the Arkansas state play-offs, but without Billy in the backfield their chances of advancing are practically nil. It’s important for Denton to do well in the post season because their coach’s job depends on it. Trent Powers is a born-again Christian, whose last coaching job in California crapped out–winning only three games in his final three seasons before being fired. This job is another chance for him, even though his wife and daughters hate relocating to a small town in Arkansas from California (much is made throughout the book of Coach Powers’ Prius, seen by the locals are weird and strange and almost otherworldly and unmanly). Coach Powers also has a very soft spot for his star player, and not just because he’s a star player–he actually feels compassion for the horror the young player’s life has been up to that point, and he wants to help–even if Billy doesn’t want any help from anyone. Billy’s future, to Billy at any rate, is already set, and he’s not going to end up going anywhere or doing anything or having a good life and decent future. He doesn’t see himself being worthy of anything or of doing better than his assigned lot in life.
The Powers family is a direct contrast to Billy’s; loving and nurturing couple, raising two daughters and trying to do right by them. How far is too far to go when helping someone in Billy’s situation, is the question. Coach’s wife–the daughter of a successful football coach who took Trent in when he was a kid from a similar background as Billy’s…and yes, he slept with his coach’s daughter and got her pregnant. So both Coach and his wife have the fear that the same thing will happen to their daughter and Billy–especially when the daughter starts opening up to Billy.
But one night Billy’s abuser is murdered. No one would blame Billy for killing the abusive bastard–well, the law would. But the story of what happened that night is far more complicated, and far more surprising, than the reader can imagine.
The pacing is also exceptional, and I love the contrasts between the third person point of view we see much of the novel in, with the Billy point of view chapters mixed in. The language choices and imagery are spare and tight yet full and rich and immersive–reminding me not only of Megan Abbott and her brilliant Dare Me, but also with a healthy dash of Daniel Woodrell, Tom Franklin, S. A. Cosby, and Kelly J. Ford (all masters of Southern Gothic) mixed in. The little touches of how claustrophobic small Southern towns can be, the class disparities between the haves and the have nots, and what teenagers in those types of environments was simply masterful.
I was completely blown away by this amazing work, and suspect that you will be as well. Highly recommended. I cannot wait to see what Eli Cranor does next.
The traditional mystery often gets a bum rap by mystery fans. I’m not sure why that is; these books have never gone out of style, have never decreased in popularity, and have always been the backbone of the crime/mystery genre. They are often (wrongly, I think) identified with Agatha Christie–if anything, Christie should be identified with every sub-genre of crime/mystery fiction. She wrote private eye novels (Poirot); dark noir (Endless Night); spy fiction (N or M?, The Man in the Brown Suit, They Came to Baghdad); historicals (Death Comes as the End); and even romantic suspense (as Mary Westmacott). Sure, she often relied on the amateur sleuth–her most famous amateur being probably Miss Marple–but she literally did everything first, really.
Probably why everyone refers to her as the Queen of Crime Fiction.
But the traditional mystery, for some reason, gets short shrift in our modern world, despite being one of the most popular subgenres of crime fiction. Why? I don’t really understand it. Sure, there’s not any blood or sex or violence–the sort of thing generally used to sell everything from television shows to movies to laundry soap and deoderant. Many of us grew up reading books about amateur detectives, from Nancy Drew to the Hardy Boys to Trixie Belden. So why do so many turn their noses up at the traditional mystery, also known as the cozy mystery?
I think it’s much harder to write about crime without using the tough guy male lead (stereotype), blood, violence, swear words, and sex. Is it this lack of the “rougher” aspects of crime that earned these books the nickname “cozy”?
What precisely does the word cozy mean, used as a book descriptor in this way? Ask five mystery fans/writers, and you will get five different answers. It’s often hard to quantify the variety of subgenres within the mystery/crime field. Everything else aside, I think the most important thing, the key, for a mystery novel to get this kind of classification is that the book focuses, on one level, on a sense of community; the reader develops a warm, comfortable feeling, the kind that you usually get from visiting family and friends you don’t get to see all of the time. You open the book and start reading and already feel relaxed and at home; happy to see people you care about, are interested in, and are excited to find out what they have been up to. Donna Andrews’ Meg Langslow series is an excellent example of this; so is Leslie Budewitz’ Spice Shop mystery series (both series, obviously, are favorites of mine). These books welcome you in, invite you to put your feet up, get comfortable, and spend some time with your old friends you’ve not seen in a while.
This, naturally, is very difficult to establish when writing the first book in a new series of this kind; how do you immediately establish this warm environment where the reader feels comfortable enough to kick off their shoes and relax? It’s not the easiest thing to pull off for an accomplished writer; so it’s all the more remarkable when someone nails it in their very first book.
Mia P. Manansala nailed it in her debut.
My name is Lila Macapagal and my life has become a rom-com cliché.
Not many romantic comedies feature an Asian-American (or dead bodies, but more on that later), but all the hallmarks are there.
Girl from an improbably named small town in the Midwest moves to the big city to make a name for herself and find love? Check.
Girl achieves these things only for the world to come crashing down when she walks in on her fiancé getting down and dirty with their next-door neighbors (yes, plural)? Double check.
Girl then moves back home in disgrace and finds work reinvigorating her aunt’s failing business? Well now we’re up to a hat trick of clichés.
And to put the cherry on top, in the trope of all tropes, I even reconnected with my high school sweetheart after moving back to town and discovered the true meaning of Christmas.
Okay, that last part is a joke, but I really did run into my high school sweetheart. Derek Winter, my first love.
First of all, can we talk about the voice?
It is impossible not to fall in love with Lila’s voice from the very first sentence of the book. She is smart and funny and eminently likable, which is important in a traditional mystery (no one wants to read a cozy whose main character is an unlikable bitch) and much harder to do than most people who don’t actually write books think it is. Lila is a remarkable character; very clear-eyed about what she wants and what she doesn’t, as well as who she thinks she is and wants to be. She’s returned from her big escape to the big city to the small town she wasn’t terribly happy in when she was growing up–her past experiences continually are reminding her, and not in pleasant way, of why she left in the first place. She never intended to return home (as Thomas Wolfe said, you can’t go home again), but she is back and rather than focusing on what she is certain everyone she knows or is related to sees as her “failure,” she intends instead to focus on helping save her aunt’s restaurant business.
The immense strength of this story rests upon those family bonds, and Lila’s recognition of just how important those bonds–family, friends, community–actually are to her; and her growing realization, over the course of the books, that those things she once thought were strangling and restraining her are actually where her own power comes from.
The mystery itself is also strong: Lila’s wretched local ex, whose mother has since married a businessman who rents Tita Rosie’s building to her and is a total dick, has taken to writing shitty reviews of local restaurants, apparently targeting one and trying to destroy its business before moving on to another. Lila’s relationship with him is also strained; and she also doesn’t like the dickish stepfather either. It is while she is serving them lunch that her ex keels over face-first into his plate–dead from arsenic poisoning. In the food Lila fed him, and came from her aunt’s kitchen. The financially strapped business is shut down pending an investigation into the murder and a health department inspection, and there is the very real fear that Tita Rosie may lose her restaurant. Lila takes it upon herself to investigate and find the real culprit, to clear herself as well as her aunt and the beloved family business of any wrongdoing and scandal. The journey, which introduces us to her friends and family, and welcomes the reader into their charming world and community, twists and turns and is full of surprises every step along the way–as Lila also learns just how much the restaurant, her family, and her friends really mean to her.
This book is absolutely charming, well-written, and very fun. I cannot wait to revisit Lila and her crew in the second book, Homicide and Halo-Halo. Mia P. Manansala is definitely one to watch, and it’s going to be fun watching her career reaching even more heights than she has already achieved.
Queer and Loathing in America 