Wednesday! Wasn’t sure I was going to make it this far, to be honest. But I’ve put in two full days at the office, have started pulling the house back together and making my life orderly again. I need to be orderly in order to feel settled enough to write, for one thing, and when my house is out of order I get antsy and uncomfortable and anxious. The house is filthy, so I am going to spend some time on Saturday cleaning and getting everything back into the kind of order it needs to be in, you know? It makes me feel more content somehow, and trust me, my workspace is an utter disaster area. Sigh. Sparky, of course, is no help.
I was going through my short story files last night, and I really do want to write another New Orleans Sherlock story–“The Adventure of the Voodoo Queen’s Necklace”–about the great hurricane of 1916. That will predate the one I’ve already published (“The Affair of the Purloined Rentboy”), so some things that come out in that story will still be unknown in the new one. I’m getting excited about writing again, which is a very good thing, methinks. I think maybe the illness was kind of the enforced slow down I needed? I was getting pretty burnt out as it was, and sometimes I just need to chill out and let the batteries recharge. I did manage to make it through another full day at work yesterday, but the fatigue level was plenty high by the time I got home from work. But I managed to get things done, which was lovely (again, Sparky was no help at all) and we then settled in to watch Andor–which is amazing. I wanted all of Kyril’s clothes. I’ll probably talk more about that sometime, how much I loved the show, that is.
I was very tired when I got home last night–so tired. I did manage to work on the kitchen and make dinner–always a plus–and yes, I’m fidgety and unable to keep still (I guess I had enough of that in the hospital), so am always getting up to do something. I wasn’t able to read last night, unfortunately, because I am getting back into Christa Faust’s amazing The Get Off (there really is no other creative force and voice in the world than hers), so maybe tonight when I get home. I have to get the mail, too, and was thinking about stopping at Yogurtland, which is near the post office; I love soft serve frozen yogurt and should stop there more often. My appetite is back (with a vengeance) so I don’t think I’ll have too much trouble getting the thirty pounds back on. My skin has also dehydrated and become ashy and flakey, so I am going to have to start using a moisturizer.
This morning’s coffee is tasting better–I was worried I had lost my taste for it this week as it’s been tasting terrible–but I also changed the filter in the Keurig and that probably has helped some on that score. I am feeling a lot better, if still weak and fatigued, which is a relief. I am eating normally again (although as I said, hungry all the time), which is great. I need to eat more healthily, but I’ll worry about that when I start gaining weight again. I’m still under 190, which feels weird and yes, I look very gaunt and skeletal. But there are worse things, and at least I am on the mend at last, right?
And on that note, I am heading into the spice mines. Have a lovely Wednesday, Constant Reader, and I’ll be back tomorrow morning.
David Florentine is a local photographer who takes incredible images of New Orleans. Follow him on social media!
It’s always weird for me to talk about my writing and my books and so forth on here; I always worry that I am either contradicting and/or repeating myself. When you’re as self-obsessed as I am, that can be a problem; talking about myself is probably my favorite thing to do–on here, at least. And I feel like I’ve told the story of where Chanse came from and how the series developed from the very beginning many, many times.
It was when I was living in Houston that I rediscovered crime fiction, and the old love was even deeper once it was rediscovered. This was the period when I read most of the Perry Mason novels, discovered Paretsky and Grafton and Muller, and decided to give Travis McGee and John D. MacDonald another try. (I had read The Dreadful Lemon Sky when I was a teenager, but I hadn’t liked it; I was more into the classic detective mystery, with lots of suspects and a denouement with everyone gathered in a drawing room as the identity of the killer was unveiled–the McGee series was definitely not that. But MacDonald had written a superb introduction to Stephen King’s first short story collection, Night Shift, and I had always wanted to give him another chance–pun fully intended.) I devoured the McGee series this time around; and I really admired the character and how fully rounded and developed he was (I should give the series a reread; I’d be curious to see how they hold up now)…and armed with all these new private eye novels and Perry Mason puzzles, so I started coming up with my own version. Even the name was a shout out to McGee. My character was also tall with sandy/dirty blond hair, a former college football player, and he lived in Houston, with an office downtown and a secretary named Clara. The title of the first book was going to be The Body in the Bayou, and I started basing the case on the tragic Joan Robinson Hill case, immortalized in Tommy Thompson’s Blood and Money (the premise of the story was that the character representing Joan’s father hires Chanse after Joan’s death to find dirt on John–and then John is murdered; fictionalized, of course.) I wrote about six or seven really bad chapters long hand before giving up. I didn’t know how to write a novel then nor did I understand the concept of rewrites and revisions and drafts. (My ignorance was truly astounding.) The hurdle I couldn’t clear was typing. I was a terrible typist. I’d had a job in California working for an insurance brokerage that was computerized, and had a word processing program that I used to write short stories on; it made such an incredible difference that I knew I would have a much better shot at actually making my dreams come true if I only had a word processor…
In 1991, after I moved to Tampa, I managed to get a word processor, and that was what I wrote my first two and a half young adult novels on–the original drafts of Sara, Sorceress, and Sleeping Angel–and used it happily for several years until it finally died on me. But by then, I was living with Paul and had swung back around to wanting to write adult crime fiction again, and I wanted to write the Chanse character that I’d already created…so I picked back up on The Body in the Bayou, moved it from Houston to New Orleans, got rid of the office and the secretary, and made Chanse gay. I kept the title, but threw away the story; I wanted it to be a gay story, too. I don’t really remember the plot, but it had to do with the murder of a beautiful boy-toy for a wealthy closeted gay man in New Orleans…and Chanse knew the boy-toy from his days working as an escort before he landed the rich man, I wrote about six or seven chapters of this before we moved to New Orleans….and I realized I’d have to throw it all out again because it was all wrong; I’d made the classic mistake so many writers make when writing about New Orleans: writing about it having never lived here, I only had tourist experiences–which are vastly and dramatically different from the actually “living here” experiences. So, once again, I threw it all out and started over, this time calling it Tricks instead of The Body in the Bayou.
The title morphed again to the less saleable Faggots Die after the first draft; and I remember talking to Felice Picano–he was coming into town for the Tennessee Williams Festival, and I picked him up at the airport. As we drove back into the city from Kenner, we talked about my book and the series, and he nixed the new title as well as the old one. “No one, ” he wisely said, “will pick up a book called Faggots Die, and Tricks sounds like a pornographic memoir of your sex life.” Felice was actually the one who suggested I mimic titles for the series from a classic writer…and we were throwing titles around in the car when I said, “You know, the streets in the Quarter are technically rues–Rue Bourbon, Rue Royale, Rue Dumaine–and the murder happens on Dauphine. Maybe Murder in the Rue Dauphine?”
“That’s perfect,” Felice said, and then we played with Poe titles the rest of the way into the city–incidentally, one of them was The Purloined Rentboy, which became my short story “The Affair of the Purloined Rentboy”, so never throw anything away.
And thus was Murder in the Rue Dauphine titled; and the plan for the series titles was also devised–the branding was changed by the publisher, but I can honestly say my first book was titled by Felice Picano.
Murder in the Rue Dauhoine has had three covers in its 21 years of existence. This center one is the current.
Never come to New Orleans in the summer. It’s hot. It’s humid. It’s sticky. It’s damp. It’s hot. Air conditioners blow on high. Ceiling fans rotate. Nothing helps. The air is thick as syrup. Sweat becomes a given. No antiperspirant works. Aerosols, sticks, powders, and creams all fail. The thick air just hangs there, brooding. The sun shows no mercy. The vegetation grows out of control. Everything’s wet. The buildings perspire. Even a simple task becomes a chore. Taking the garbage out becomes an ordeal. The heat makes the garbage rot faster. The city starts to smell sour. The locals try to mask the smell of sweat with more perfume. Hair spray sales go up. Women turn their hair into lacquered helmets that start to sag after an hour or so.
Even the flies get lazy.
My sinuses were giving me fits as I left the airport and headed into the city. It was only 7 o’clock in the morning but already hotter than hell. The air was thick. I reached for the box of tissue under my seat and blew my nose. The pressure in my ears popped. Blessed relief.
As I drove alongside the runways I could see a Transco Airlines 737 taxiing into takeoff position. I saluted as I drove past, thinking it might be the flight that my current lover was working. Paul looked good in the uniform. It takes a great body to look sexy in polyester. He does.
He’d be gone for four days on this trip. I was at loose ends. I’d wrapped up a security job for Crown Enterprises the previous Wednesday. The big check that I’d banked guaranteed I wouldn’t have to worry about money for a while. I like when money’s not a concern.
And so began a series that lasted for seven titles and about twelve years or so; I don’t remember what year the last book in the series was published. I never expected anyone would publish it; it was intended to be a “practice novel” so I would get used to rejections and learn. It was also the first manuscript I ever wrote that went through multiple drafts before I thought it was finished enough to send out on query. It was supposed to be an exercise in learning humility and getting experience with the business while I wrote the book I did expect to get an agent with and sell–which was what I’d always called “the Kansas book” for over a decade at this point. (It eventually morphed into #shedeservedit.) But you never really learn what you’re supposed to when you’re stubborn, thin-skinned, and used to being demeaned and talked over and not taken seriously, for any number of reasons. I sent the manuscript to three agents: two sent me lovely but form rejections, which was disappointed but not surprising. I took this well, put the manuscripts away to send to three more once the final rejection came.
It came on a Friday, if I recall correctly. I went to pick-up the mail and my manuscript was there. Not a surprise, of course, but still a little disappointing. I went out to my car and opened the package…and paper-clipped to the title page of the rubber-band bound manuscript was a torn piece of used paper, with a note in ink reading I find this manuscriptand characters neither interesting or compelling with the agent’s initials at the bottom.
It was like being slapped in the face.
By the time I got home I was in a raging fury. I was literally shaking with rage when I came inside. How fucking unprofessional, I thought as I sat down at my computer to check my emails, trying to decide how I would enact my vengeance on this rude piece of shit.1 There was an email there from the editor I was working with on an anthology which had taken my first-ever fiction short story and thus would be my first publication. I had never read the signature line–mainly because I was so excited for my first fiction sale (NARRATOR VOICE: it was porn). This day, he concluded his email with Please send us more work. We definitely want to see more from you and as my ego preened, slightly soothed from the insulting agent note from earlier in the day2, I also looked down at the signature line and realized I was communicating with the senior editor at Alyson Books! I immediately wrote him back a very short note: I’ve written a novel with a gay private eye set in New Orleans, would you be interested in that? and before I could talk myself out of it, hit send.
He wrote back immediately and said please send it to me ASAP!
I put the same manuscript back in a new envelope, and drove back to the postal service to get it in the mail before I changed my mind, and breathed a sigh of relief once I got back to the car–and immediately forgot all about it.
Six weeks later I came home to a phone message from the editor. I called him back, he made me an offer, and my career leapt forward much faster than I expected…and it started a roll of good luck and “being in the right place at the right time” that has kept me publishing almost non-stop since Murder in the Rue Dauphine was released in 2002.
It sold really well, got mostly favorable reviews, and scored me my first Lambda Literary Award nomination.
Not bad for a manuscript and characters who were neither interesting or compelling, right?3
It also took me a long time to realize–or rationalize–that the note wasn’t meant for me. (I was most offended that I wasn’t even worthy of an actual form rejection letter; that was the truly insulting part for me.) I realized when telling this story on a panel somewhere, that the note was probably meant for an intern or a secretary or an assistant, who just shoved the whole thing in an envelope to do the rejection and through some wild Lucy-and-Ethel office shenanigans, it went out without the rejection letter and with the note intended for internal eyes only…and made me wonder, how different would my career and life be had that fuck-up not happened?
We’ll never know, I guess.
Not really proud of this reaction, but I did get the last laugh. ↩︎
Said agent died a few years later. I may have smiled and said good, a la Bette Davis vis a vis Joan Crawford’s death. ↩︎
I may be more forgiving about a lot of things these days, but I will always be petty about that hateful agent. ↩︎
I finally slept last night, and it felt amazing. I could have easily stayed in bed for another two or three hours, but that 9-to-5 is calling to me (well, 7:30-4:30, but you know what I mean). I was worried that I was getting sick–surgery recovery, medication changes, not being able to sleep, dehydration, occasionally feeling slightly feverish, and some occasional nausea (while eating, so I wasn’t eating as much, either. My COVID tests were always negative (still are, this morning), so I have to put it down to simply being exhausted from not being able to sleep, because this morning I feel good, if a bit sleepy. Everything was dragging ass last night when I got off work; but I made myself run the needed errands on the way home, and thus today I am really delighted to know that I can come straight home from the office and get caught up on some other things. I also did some chores, despite feeling like I was at death’s door by the time I got home. (And I am so glad I bought that wagon; it makes life so much easier and I will continue to use it even after the brace is gone and my arm is healed.)
Insomnia is the worst. I don’t know how people who have it chronically manage, seriously. One night is bad enough, but a couple of nights in a row is enough to completely derail me, so I cannot imagine having it every fucking night. I mean, it wouldn’t really take much to drive me over the edge anyway–I always have such a delicate grip on my sanity as it is, without having further contributing factors. I was too tired to read last night, so I figured doing chores was the right way to go with everything last night. I did think about the new book I am writing, so even though I didn’t add to my word counts yesterday, I did think about where the book needs to go, and thinking about what I am writing and puzzling out the plot and where the book needs to go next counts. We also finished Big Vape last night, which was really interesting and made me think about a lot of things, and started A Murder at the End of the World while we wait for Prime to drop season two of Reacher, which is finally launching this Friday (huzzah! I love Alan Ritchson, and have since he first appeared as Aquaman on Smallville), and of course the bowl games are also starting this weekend–but there really aren’t many this early that I care about watching; most of the bowls end up serving as background noise while I do other things–clean, prune the books, write in my journal, read, edit pages–but seriously, now that I’ve slept well for one night, I feel like I can conquer the world again, and I’ve not felt that way in a very long time. It’s a nice feeling, really.
This year has been, as I said, a rollercoaster that doesn’t seem to be coming back to the station any time soon, and this wild up-and-down ride this year has made me reflect on who I am, why I am who I am, and reset my brain and attitudes about a lot of things because once I realized oh this is why you’re like this and that and so forth I could dissect, and rethink those attitudes–a lot of which was childhood training about how to approach life, which I inevitably took to extremes. Be humble and don’t brag became self-deprecating to the point that I would think or say things about myself or my career that would be horribly offensive if said by someone else…because in my chemically-unbalanced brain, criticism won’t bother you as much if you preempt it, which is the same weirdly off mentality that led to the complete lack of self-esteem about my body and my looks and my intelligence and well, pretty much everything….which means that I was always looking for affirmation from others, and when it didn’t come, it simply confirmed the negative things I was thinking and/or saying about myself.
There’s nothing wrong in being proud of yourself; as my friend Laura says, “Sing out, Louise!” because the obverse of the way I think about negative commentary (“need to fend this off by beating them to the punch”) also works the other way–“If I don’t believe in myself, why would anyone else?”
And I am proud of myself, and the writing career I’ve somehow managed to blunder and stumble my way into. As the tarot card reader told me when we first moved to New Orleans twenty-seven years ago, I did become an author but it’s nothing like I ever dreamed of, imagined, or considered possible. I’ve written so many books, short stories, essays, book reviews, blog posts, and edited so many anthologies that I am not even sure how many there are now–and it’s even more than most people know, because there are pseudonyms I’ve never publicly claimed and books that were ghostwritten or work for hire under a veritable plethora of other names. I think my last six (!) books (Royal Street Reveillon, Bury Me in Shadows, #shedeservedit, A Streetcar Named Murder, Death Drop, and Mississippi River Mischief) are some of my best work, and the last few short stories to come out (“The Rosary of Broken Promises”, “This Thing of Darkness”, “The Affair of the Purloined Rentboy”, “Solace in a Dying Hour”, and “The Ditch”) are also some of my best stories. I am very pleased with how I’ve grown and developed in my writing, and I want to continue to grow and develop and keep getting better. My biggest fear is that my best work is behind me and I’ll keep going, getting worse with every new project until finally no one is buying anything I write anymore. I’d still write, anyway–I’ll be writing on my laptop on my death bed, and they will have to pry it from my cold dead fingers–and probably self-publish or something.
And on that note, I am heading into the spice mines on this cold morning in New Orleans. Have a marvelous Wednesday, Constant Reader, and I’ll check back in later.
(NOTE: I started writing this post back in January, after I’d returned to New Orleans from my last Mystery Writers of America board meeting–this is to give context to the opening paragraph– as you are no doubt well aware, Constant Reader, that I’ve not been back to New York since January; so this is that same trip where this happened and I started thinking about these things, which have never been far out of the forefront of my mind since then.)
While I was in New York recently, walking around to and fro, here and there, hither and yon, I was always checking my phone (and yes, I hate that I’ve become one of those people) and then shoving it back into my pants pocket without putting it to sleep first or closing the app that was open. As I walked around, of course this led to my phone doing all kinds of weird things –closing an app and opening another, etc.; but at least there were no butt dials, right? At one point, when I pulled out my phone as I took a seat on the subway, somehow what was open on the screen was a google search for my book A Streetcar Named Murder–and when I went to close that screen I touched one of the images by mistake, which took me to the Goodreads page for the book. Bear in mind, I never look at Goodreads for any of my books, let alone Amazon–the temptations to start reading the bad reviews is too great, and while I can usually laugh them off, occasionally–and it depends entirely on my mood, of course–one will get under my skin and it will annoy me, and that’s not good for anyone.
This particular day on the subway the Goodreads page opened to the bad reviews first–its average is four stars, which I will always take because I am not Lauren Hough–and the very first one made me laugh out loud on the subway. Paraphrased, it was basically someone taking umbrage at “someone who doesn’t live here or know the first thing about New Orleans” writing a book about New Orleans. The reason they had come to this conclusion was because Valerie referred to Mardi Gras as “Fat Tuesday”, and according to this one-star reviewer, no one from New Orleans would ever say Fat Tuesday instead of Mardi Gras.
Well, I’ve lived here for twenty-seven years and I have heard any number of locals say Fat Tuesday rather than Mardi Gras, and so of course I had to click on the reviewer’s profile…and grinned to myself when I saw that they actually live in Metairie, not New Orleans…which to locals is a bigger crime than getting something wrong about New Orleans: claiming to be from New Orleans when you actually live in Metairie. (the rejoinder is usually along the lines of “bitch, you live in Metairie.”)
It was also kind of fun to be accused of inauthenticity when it comes to writing about New Orleans, because I personally have never claimed to be an expert on anything New Orleans (others have said that about me, and I always am very quick to reply not even close); the more I learn about the city the more I realize how little I actually know about the city. There’s an extremely rich (and often incredibly dark) history here; it’s hard for me to wrap my mind around the fact that the New Basin canal was there as long as it was, or that there were several train stations around the French Quarter (including one that essentially was in Storyville–rather convenient for the whores and pimps, right?), or that where UNO is now used to be the lake shore resort of Milneburg, or that the only way across the river or the lake was by ferry until Huey Long built a bridge at the Rigolets (the narrow inlet between lakes Pontchartrain and Borgne).
I was on a panel once at the Tennessee Williams Festival with Bill Loefhelm (if you’re not reading Bill’s books, shame on you and correct that immediately) and the question of New Orleans authenticity came up, and Bill’s response (paraphrasing) was that New Orleanians have a tendency to play a game called “NOLier than Thou,” in which they try to one-up each other to see who the true New Orleanian actually is–which is, of course, gatekeeping. (And yes, I immediately turned to him and said, “I like that and am going to steal it” SO CONSIDER IT STOLEN.)
It does bother me somewhat when I read books set in New Orleans written by people who have never lived here; you can tell, but I also get over it pretty quickly; who is to say who can and can’t write about a place? There’s a significant difference between visiting and living here, which I realized almost immediately after we moved here, and that also becomes very apparent in fiction. I had started writing the book that would become Murder in the Rue Dauphine before I moved here, and I realized, once I did live here, that everything I’d written about New Orleans was completely wrong. I didn’t work on the book for another two years; and even then I wasn’t entirely sure I’d lived here long enough to write about the city. So…I kind of cheated by making Chanse MacLeod not a native either; he’d moved to New Orleans after getting his degree in Criminology from LSU, and had been here about six or seven years when the story opened. So he was an outsider, too; so his views on the city and how things work around here were from an outsider’s perspective, like mine; that was easier. With Bourbon Street Blues, I decided that Scotty was not only a native but came from two old-line society families, from the Garden District and Uptown. One of the greatest joys of my publishing career was having the Times-Picayune’s mystery reviewer, as well as the Books Editor, both say repeatedly that I got New Orleans right in my books. (Thanks again as always for all of your support, Diana Pinckley and Susan Larson!)
And I never really worried about it too much from then on. I wrote about New Orleans as I saw it–the potholes, the cracked sidewalks, the leaning houses, flooding streets, oppressive weather and hurricanes. As the years passed, I became more and more aware that my New Orleans writing was primarily confined to the Quarter, the Marigny, the CBD, the Lower Garden District, the Garden District, and Uptown–a very narrow slice of the city, but those were also my slices of the city, so that’s I wrote about. Sometimes I’d venture into another neighborhood–Lakeview, the Irish Channel, English Turn–and sometimes the story would take the characters to another part of Louisiana–the bayou and river parishes, the Maurepas swamp, the Atchafalaya Swamp, Baton Rouge–which, oddly enough, I had no qualms about fictionalizing. I’ve created numerous fictional towns and parishes surrounding New Orleans; I’ve even invented a sleazy gay bar in the Quarter (the Brass Rail).
So, was I doing New Orleans (and Louisiana) right by making stuff up, inventing places like the Royal Aquitaine Hotel, the Brass Rail, Bodytech Health Club, Riverview Fitness, etc.? Sometimes you have to fictionalize things, even if they are based on something that really exists. I never really thought much about it; I felt like I was getting the feel of New Orleans right, that my characters talked the way people in New Orleans do and react the way people here do, and that I was putting enough reality into the books for them to ring true to locals, natives, and tourists. Sometimes the cases are based on, in or around something that actually happened or exist; like the Cabildo Fire, the Fire at the Upstairs Lounge, Hurricane Katrina and the ensuing flood; termite swarms; Huey Long’s deduct box; and even the court case in, I think, Murder in the Irish Channel that triggered the murders was actually based on a civil trial I served as a juror on.
When I started writing A Streetcar Named Murder, I realized a lot of things I was writing about had to be fictionalized; I couldn’t set a murder at a Mardi Gras krewe ball and use an actual krewe that exists in real life, for one thing (like I had to invent a French Quarter hotel for a couple of murders to occur in) and while I didn’t want to use the cheat that Valerie had moved here again, like I did with Chanse, I wanted her to be of New Orleans but not be of New Orleans…so her parents are from Georgia and moved here after college and marriage, so Valerie was born here, went to school here, met and fell in love with and married her husband here–but her roots aren’t very deep, so she is both insider and outsider at the same time. I liked that idea; like how I am of the South but not of the South, she was of New Orleans but not of New Orleans at the same time. When creating Jem Richard in Death Drop, again, he’s a recent transplant to the city but his father is from New Orleans but relocated to Dallas, where Jem was born and raised. Jem spent a lot of his summers in New Orleans when he was growing up with his paternal grandmother, so he too is of New Orleans but not of New Orleans; which I am really liking as a method of storytelling about the city. I also moved Jem to a different part of the city; he lives in the 7th ward, on St. Roch Avenue in what is known as the St. Roch neighborhood (aka what realtors are trying to redefine and rename as the “new Marigny”, in order to raise prices) which is also very close to my office. Part of this was to move the action out of the neighborhoods I usually write about (although he does wind up in both Uptown and the Quarter) and so I could explore another neighborhood/part of the city than what I usually write about.
I also had recently–prior to the pandemic–started feeling more disconnected from the city than I ever had before. Primarily I think this was due to my office moving; we had been on Frenchmen Street in the Marigny, one block from the Quarter and where Scotty lives, so whenever I needed some Scotty inspiration I could walk a block, stand under the balconies of his building and just look around, drinking in the sights and sounds and smells of the block. To get past this, I started joining New Orleans history pages on Facebook, like Ain’t Dere No Mo New Orleans or the HNOC page and various others–you do occasionally run into Confederate apologists and racists there (they usually cry about the “crime” in New Orleans–you know, the usual dog-whistles from the white flight racists who fled to Jefferson Parish or the North Shore to escape desegregation of the public schools) and reading more histories of the city, state, and region–which are incredibly fascinating. That reading/research helped me write my historical Sherlock in New Orleans short story, “The Affair of the Purloined Rentboy”–but I have also since realized I got some things wrong in the story too, but there is just so much to know. I set the story in 1916 for example….without knowing New Orleans was hit by a MAJOR hurricane in 1915 that wiped out any number of settlements and villages around the lakes and the bay shores (that will turn up in a story sometime; the destruction of the lake front village of Freniere is just begging to be fictionalized and written about). When I mentioned this to another writer, who primarily does historicals, she snorted. “It’s impossible to know everything, and would people in 1916 still be talking about a hurricane from 1915?”
Probably, but if it doesn’t have anything to do with the story being told, why would I mention it?
A very valuable lesson, to be sure.
So, yes, lady from Metairie: you caught me. I’m not from New Orleans, you’re correct. But I’ve also published over twenty novels and umpteen short stories set here, and have even won awards for doing it.
And I’ll call it Fat Tuesday if I fucking want to.
The Huey P. Long Bridge at sunset, photo credit Marco Rasi
I realized the other night that, of all things, I take more pride in my short stories than I do in my novels. Isn’t that strange? Novels are, in theory, much more difficult to write than a short story–even at its barest minimum, a novel should be at least fifty thousand words while short stories generally cut off around a thousand. I think it’s because I still carry the scars from that asshole writing professor in college. I always struggle with short stories, and always have; I used to say that if I wrote a successful short story it was completely and entirely by accident. But writing erotica was an excellent tutorial in short story writing; in what other type of short story is “beginning, middle, end” so clearly delineated?
My first short story that got published outside of the realm of erotica was “Smalltown Boy,” which was published in 2003, I think. It’s still one of my favorite stories of my own; it’s an Alabama story and I am still very proud of it. I used to think I’d never get a short story published anywhere that wasn’t erotica, so when my stories started getting acceptances and published in non-erotica markets, it was very cool.
I like writing short stories because I can encapsulate an idea in that short form rather than writing an entire novel. I can also experiment with voice, style, theme, setting and story. I have any number of stories that don’t work but are completed; I have a lot more than were started and stalled because I didn’t know how to finish them. I think I have around a hundred short stories or so in progress; I actually counted a few years ago because someone asked and I didn’t know the answer.\
Several years ago, an Australian crime writer I’ve known for decades reached out and asked me if I would contribute a story to an anthology her publishing company was producing, The Only One in the World, which was a Sherlock Holmes collection–but the only rule was you couldn’t set the stories in London, period; I had never written anything close to a Holmes story and have never really been much of a Holmesian (I do love Laurie King’s Mary Russell series), but it was a challenge so I said yes–because for me, I love writing challenges because they push me out of my comfort zone and make me try things I might not ordinarily try. That story became “The Affair of the Purloined Rentboy” (still one of my favorite titles of all time) and it was a lot of fun to write, and I enjoyed the hell out of myself writing it…to the point I’ve considered revisiting my Holmes and Watson in 1916 New Orleans, several times.
Last year, the Sherlock editor, Narrelle Harris, reached out to me to see if I’d write something for a new anthology, The Fresh Hell, and there was a list of horror tropes we were given to chose from. Being from Louisiana, how could I not pick “haunted bayou”?
And so I started writing a story that became “Solace in a Dying Hour.”
Madeleine Chaisson opened her eyes and knew that the next time she shut them would be the last.
She cocked her head to listen. Even amongst those few (some say blessed, others cursed) who could hear them, most would describe the strange sounds they made as they danced about the dark, still waters as whistling. But Madeleine was special, different, not like the others.
She heard them clearly. She knew they weren’t whistling. They were singing.
But the sound she heard now was just the gulls over Bayou St Ferdinand shrieking as they swooped and flapped their wings looking for morsels of food.
Dirty scavengers, she thought with a scowl. She hated the gulls; had since she was a little girl growing up in this very house.
How much gull shit had she cleaned off the dock during her long lifetime? Papa would backhand her if he saw any of the dried white splotches with black pellets on the dock when he brought the boat back in from a day shrimping out in the Gulf.
‘It rots the wood, you lazy cochon,’ he’d say in his sing-song southeast Louisiana Cajun accent while she rubbed her stinging cheek. ‘And who will have to rebuild the damned thing when it collapses? Don’t I already work hard to keep you clothed and fed?’
Even with him years in his grave, after she began wondering if that was even true, she’d still take the bucket out and scrub the gull shit from the weathered old wood.
If I were a witch like they always said, I could have snapped my fingers and cleaned it, she thought with a snort.
The new anthology debuted today, and it is available on Amazon and other sellers here in the United States; here is the link to Bookshop.org : here. This link is to the trade paper; there’s also a much more expensive hardcover edition as well if you disdain paperbacks.
“Solace in a Dying Hour” is another one of my south Louisiana stories. It took me a long while to get to the point where I was comfortable writing about Louisiana outside of New Orleans (don’t ever ask me about the colossal error in geography I made in Bourbon Street Blues…I SAID DON’T ASK!); I think my first was “Rougarou.” I also wrote and published “A Whisper from the Graveyard” since that one, and this is my third. I’ve started building a fictional world of Louisiana outside of the city over the last seven or eight years or so; it could be longer since I no longer have any sense of time anymore. I have revisited rural Louisiana in books like Need, The Orion Mask, and A Streetcar Named Murder; I have more stories and books I am going to write about my fictional rural Louisiana; I’ve also fictionalized the north shore several times already.
“Solace” is an homage of sorts to two other stories I really loved, “Do the Dead Sing?” by Stephen King and “An Unremarkable Heart” by Karin Slaughter. Both involve someone lying in bed dying, and reliving some pretty horrible things that happened over the course of their lives. I had been studying Louisiana folklore and legends for quite some time, but it was around 2017 or 2018 that I started really doing a deep dive into Louisiana history and culture. A co-worker had moved to Houma, which is deep in the bayou country, and she was doing the same. She was who suggested I write about le feu follet, the swamp lights some see. There are numerous definitions and descriptions of who and what le feu follet actually are; I decided I wanted to use the lights and the whistling aspects of their legend, and I wanted the story to focus on a woman who’s lived a very hard life and been through some things…but who could not only see le feu follet for what they actually are and appear, but could tell that they weren’t whistling, but singing. I also kind of based her on my maternal grandmother, a very quiet woman who never showed emotion and never complained about anything; things were what they were and you just dealt with them, period. I wanted to get that sense of quiet strength that you can usually only find in rural Southern women, that practical pragmatism that has gotten them through hard lives and a lot of tragedy.
My maternal grandmother was pretty amazing, really.
I am very proud of the story and how it turned out; the anthology itself is amazing, and the cover is gorgeous. I hope you enjoy it should you choose to check it out.
Work-at-home Friday has rolled around again, and today I get to do data entry and quality-assurance on forms until my eyes cross. I have a couple of errands to run this afternoon–but other than that, I am looking forward to a nice, peaceful day at home doing my work-at-home duties and my chores. Later on, I hope to get some good work done on the book before I repair to my easy chair with the latest Wanda Morris novel. It was a tough choice between that and the new Donna Andrews, but I am thinking since Dashing Through The Snowbirds is a Christmas tale, I may save that for Christmas reading this year–it makes the most sense, and since I generally don’t watch any Christmas movies or specials anymore (I do sometimes watch A Charlie Brown Christmas–it’s my favorite), maybe I could read Christmas-themed books and stories this year in December; maybe call it “The Twelve Reads of Christmas” or something like that. Hmmm, it’s a thought.
It really is amazing what a good night’s sleep will do for you after a few days of insomnia and exhaustion/fatigue.
Last night I didn’t sleep as deeply or as well as I did on Wednesday night. I kept waking up, partly due to Scooter’s restlessness and sometime need to let me know his outrage about something, but was always able to fall back asleep. I had to have bloodwork done this morning; I got an email from the lab telling me I had lab orders waiting for me, so I scheduled it. I got there this morning and checked in–mind you, I needed to fast, so I didn’t eat last night or have anything to drink or eat this morning before leaving the house–only to find out they didn’t, in fact, have lab orders for me. Hilariously, I am terrible about remembering to do the labs after my doctor appointments, so this last time in July I made the appointment for Labs the same week as my doctor appointment and had them done. Once they told me I didn’t have orders in, I looked in the app and saw that I had, indeed, had them done back in August. So, no need to fast overnight, no need to not have coffee before leaving, no need to leave, in fact. Heavy sigh. But I did start reading Wanda Morris’ new book while waiting to be told I didn’t really need to be there, and it’s quite marvelous already. I knew it would be–her debut novel was superb–and it’s such a delight, as always, to see exciting new voices grow and become even stronger as their career progresses.
Last evening as I relaxed before heading to bed I watched another documentary about the history of gay pornography–I’ll probably watch another one later today–which of course put me in mind of writing about that history. I really do need to focus on getting this Scotty book and the next thing I have to write finished so I can get back to Chlorine; my goal for the rest of this year and 2023 is to get these two books finished, finish two other in-progress projects, and wrap up some other things that are unfinished but need to be finished so I can cross them off the list. I may do another short story collection; I’m not sure but I think I have enough sold and/or published for another collection to actually be possible. This one, when it materialized, will be called This Town and Other Stories, because the strongest story I’ve done since the last collection was “This Town”, which was in Holly West’s anthology Murder-a-Go-Go’s. At least in my opinion, although The Affair of the Purloined Rentboy and Other Stories would probably sell better…
And of course, tomorrow is a big day for the Southeastern Conference, with division championships on the line. LSU can actually get a leg up in the West by accomplishing the gargantuan task of beating Alabama in Baton Rouge for the first time since 2010–but I don’t think that’s going to happen. Sure, it’s possible–anything is possible in college football on any given Saturday; I am sure no one would have thought Kansas State would shellack Oklahoma State the way they did last weekend–but despite all the hype chatter, I’m not getting my hopes up terribly high. Yes, I want the Tigers to win–but I don’t have any expectations, just as I really haven’t all season. I’m just delighted the program seems to be on the rise again after the last two horrible years. I certainly would have never thought LSU would be coming into the game with Alabama tied with them and Mississippi for first place in the division. And earlier in the day Georgia and Tennessee will play for the leg up in the East–which again, no one would have seen coming before the season started; no one really give Tennessee much thought as the program has been moribund since at least 2007, the last time they won their division (which also happened to be the year a two-loss LSU team won the national championship–see how you can see omens and portents in everything?). I am not a Tennessee fan by any means–I rooted for them during the Peyton Manning years because I thought he was a phenomenal athlete plus I despise Florida with every fiber of my being, but that was about it. I only root for them in non-conference games and bowls, but I am happy for their fans–just as I was happy for Georgia fans last year as they finally beat Alabama and won the national title; I always think back to what a glorious ride 2019 was for LSU fans, so it’s always nice to see a long-starved fan base finally get something they can be excited about. Pundits and fans are already comparing 2019 LSU and 2022 Tennessee…but it’s really not even the same. Sure, no one thought LSU would be as great as they were in 2019, but they were also coming off a 10-3 season. Tennessee was 7-6 last year, so it’s an even bigger turnaround for them on that level. I plan to get my writing and my errands and chores finished tomorrow morning well before the 2:30 Georgia-Tennessee kick-off, so I can spend the rest of the day nervously cleaning with the games on in the background. Paul also comes home tomorrow (yay!) so I am going to need groceries, too.
And my kitchen, as always, is a disaster area on a Friday morning, so it’s perhaps time for me to head into the spice mines. Have a lovely day, Constant Reader, and I’ll check in with you later or tomorrow.
Wednesday morning and out of nowhere, my insomnia returned last night. I am assuming it was an aberration of some sort; too much brain usage yesterday after a long respite or something like that. I don’t feel either sleepy or tired or mentally fatigued or anything this morning, so hopefully I can make it through the day without it being challenging. I also get to leave work early this afternoon because I have a doctor’s appointment. Nothing serious, just the semi-annual check-up/prescription refill once over, and that will get me home much earlier than usual. Maybe I can get some more work done tonight when I get home from work. Stranger things have happened. At the very least, I should be able to get back to reading my book, Sandra SG Wong’s marvelous In the Dark We Forget, which I am enjoying tremendously.
We finished watching Mind Over Murder last night–the final episode finally dropped–and it’s really such a sad story on every level. I don’t know, the more of these documentaries that are made and the more injustices they expose on a far-too-regular basis makes me wonder about the police and the job they are doing. I wouldn’t ever want to be a cop–under any circumstance–but at the same time, yikes. Big time yikes on every level. I mean, as I was watching this last night I was thinking about how in most countries everyone fears the police, who are agents of the state and often above the law…and how this is one of the few countries in the world that celebrates the police, embracing them, when the truth is the Constitution was written to define the rights of citizens to protect us from abuses from agents of the state. There’s some essay forming in my head about this, to be sure.
In other exciting news, I got some ARCS for A Streetcar Named Murder in yesterday’s mail, and the book looks fantastic. I absolutely love the cover, and I appreciate that they drew the cat to resemble Scooter–the cat in the book is also named Scooter, and now that I think about, I think Scotty has a cat named Scooter. That’s me, immortalizing my cat in literature for all time. I am trying to cap my excitement about the book (naturally, I am very excited about it, but trying to rein it in a bit)–and of course, have been having all kinds of Imposter Syndrome thoughts about it not selling and getting bad reviews and so forth–but I am going to just go on being happy right now that the book is finished, for all intents and purposes (still have to proof the pages this weekend) and going to focus on getting the Bouchercon anthology finished as well as getting underway with Mississippi River Mischief. I’m kind of excited to be writing about Scotty again–funny how writing him never feels old to me; I always get a bit happy about going to revisit his world and his circle of family and friends–and writing it also means having to do a bit of travel and research outside of New Orleans, since the book is going to be partially set in a fictitious river or bayou parish. (Which I have cleverly named St. Jeanne d’Arc–although that begs the question of why there isn’t actually a St. Jeanne d’Arc parish in Louisiana…)
A quick glance at my inbox also shows that the edits for my story “Solace in a Dying Hour” have also dropped, so that’s something else to go on the agenda/to-do list for this week. I am really proud of this story, to be honest, and I am really curious to see the edits (one of the co-editors is who I worked with on the Sherlock story “The Affair of the Purloined Rentboy,” and her edits were fucking AMAZING) and see how much more work is needed on the story. I also have until Sunday to decide whether to submit that story I am not sure about anymore to that anthology I wanted to submit it to–that was quite a sentence, wasn’t it?–but I don’t know about it, you know? Although I suppose if it is really horrifically tone deaf and offensive they won’t accept it…but I also don’t want anyone else to read it if it is offensive and tone deaf. Ah, well, I have until the weekend to decide one way or the other.
I also am about half-way finished with getting the copy edits to the contributors to the Bouchercon anthology. I probably won’t get much, if any, of that done today, but stranger things have happened. Maybe when I get home early tonight Scooter won’t be whiny and demanding a lap to fall asleep in…or not.
And on that note, I am heading into the spice mines. Have a lovely Wednesday, Constant Reader, and I will talk to you again tomorrow morning.
I’ve always believed that it is smarter to set goals every year rather than resolutions; resolutions have almost become kind of a joke in that no one ever really keeps them past the first few weeks of the new year. Years ago, I decided to change that up and set goals to achieve rather than resolutions to change behavior, and that has worked out much better for me. Sure, there have been some of the same goals set every year that have never been achieved (I’m looking at you, find an agent) but I find that it all seems to work out in the end, and the goals I never achieve and carry over just maybe need some more of my energy and focus applied to them
Before, however, I get into the goals for one Gregalicious in 2022, I’d like to go over some of the things that stood out for me in 2021, both good and bad.
HIGHLIGHTS OF 2021: I was able to visit New York in November and then head up to Boston by train for Crime Bake, and it was a marvelous experience; I learned a lot more family history; made the list of “other distinguished work” in Best Mystery and Suspense; finished writing and published Bury Me in Shadows at long last; finished the Kansas book finally; I read some great books and watched some great movies and television shows; signing a book contract with Crooked Lane; sold some short stories (“The Snow Globe”, “The Affair of the Purloined Rentboy,” and “Night Follows Night”, among possible others I cannot recall at the moment); a visit to the Gardner Museum whilst in Boston; I bought a new computer with which I am still rather pleased; and I did some more deep diving into New Orleans history, which has been incredibly fun.
LOW LIGHTS: Hurricane Ida and the ensuing horrific power loss at precisely the worst time of the year to be without climate control in New Orleans (will never ride out another storm of that size again, ever); the on-going pandemic canceling the Edgars and conferences and limiting/prohibiting travel; no Williams Fest/S&S again; the horrible polar vortex that brought record low temperatures to New Orleans during Carnival and we had no heat, so I spent Fat Tuesday freezing under many layers of clothes, layers of blankets, and with a space heater on and still was shivering and cold and miserable; my inability to finish writing the first draft of Chlorine; and of course, not finishing any of the novellas I really wanted to get finished this past year–and any number of short stories as well.
I think the biggest goal I want to set for 2022 has to do with Chlorine. I want to get a viable first draft finished as soon as I can, because the second part of the goal with Chlorine is to finally get representation, or at least try again. I think once I get this current manuscript finished and some of the stories and novellas I have in progress out of the way, I can focus on getting Chlorine finished and out on spec. My goal is to make that my March project, giving me January and February to finish all the other stuff and get it out of the way.
My second goal, also to do with writing, is to get the next short story collection pulled together as well as the novella collections. I think I have enough completed work to get the story collection turned in this year–some of the stories I have in mind for it are still in progress, of course, and of course I have three completed drafts of novellas that need to be redone, revised, and two others that need to be written (or do I? I am now remembering that there’s a third that needs a revision but has a completed draft, so that’s four–and now that I think about it more deeply there are three in some sort of progress that I should be able to get finished in the new year). There’s also the essay collection, which is going to take some serious focus and concentration to pull together. I also want to write a Scotty book this year…which is a LOT to have on one’s plate in one year. (This could, of course, all change should Crooked Lane want a follow-up to the book I am currently writing; this is the sort of thing that makes someone like me–a planner–crazy because I cannot control what requests are going to be made for work from me.)
Next goal is, naturally, work out related. I need to make it to the gym three times per week, going forward into this new year. My fitness regimen has been all over the place since the pandemic started, but it’s been a lot more consistent since the pandemic started than it was in the (many) years prior when I just stopped going entirely and allowed my body to not only go to seed but to start breaking down. I feel better when I lift weights and stretch, and I should also add a cardio day to my workout schedule. I want my goal weight to remain 200–I’m not sure what I weigh now, frankly, but I know it’s not 225, which was where I’d allowed myself to get–and I’d like to get into 32 waist pants (comfortably) again in the new year. (I can get into 32’s in stretchy jeans, but 33’s in regular jeans, while I can fit into them, aren’t as comfortable as I would like them to be, and right now comfort above all else.) I don’t think I’ll ever get my Gumby-like flexibility back again, but the stretching does feel incredibly good when I do it (I also want to add stretching daily to the regimen; I can stretch at home just as easily as I can at the gym) so it needs to become more of a routine thing for me.
My next goal is to break my lifelong habit of falling into procrastination at every opportunity. While I will be the first to admit that it’s best to listen to your brain and your body and to not try to push them into things when they are exhausted or tired or fried, that’s not always the case. Sometimes, it’s just laziness, and I own that completely: oh, there’s plenty of time to do this or oh I will just get this done tomorrow is too easy a habit to fall into; even as I write this I am thinking Oh I can go to the store tomorrow and I can also write tomorrow and there’s no need for me to do any of this today despite the fact I feel rested and relaxed and creative. So I am going to finish this and then I am going to get cleaned up and get back to my writing (the groceries, on the other hand, can 100% wait until tomorrow).
Another goal is to keep on top of the housework and the filing–and by that, I am also including the storage attic and the storage facility. I want to get the attic cleared out, and I want to clear out the storage as well so i can stop spending that money every month. This isn’t as easy as one might expect, but I figure if I can get rid of a box in the attic every week–again, not as easy as one might think–I should be able to get a handle on this all by the middle of the year. One box a week doesn’t sound too difficult, does it? And yet…
All right, on that note I need to get back to the writing. I think I can push through quite a bit today, even if I don’t want to–which I don’t–but I also have no choice. The book is due exactly two weeks from today, and I don’t want to turn in something as sloppy as what I have on my hands right now.
A quick look at today’s temperature–it is currently forty-eight degrees–explains it. It is chilly in the Lost Apartment this morning, and my heavy blankets felt all too marvelous for me to want to get out from underneath them when the alarm began it’s insistent cacophony far too early this morning for my tastes, quite frankly. The first day of winter looms nigh this week–perhaps even today or tomorrow–and then we’re in for the cold spells of winter in southeastern Louisiana, I would presume.
It’s weird–since Christmas is this weekend I only have my three days of work in the office this week, and then I have a four-day holiday. The holiday will be spent, of course, trying to get back on schedule with everything–I had a semi-productive day yesterday, and that productivity needs to continue today–but as my coffee kicks in I am also not tired, I am finding; more like I was groggy and didn’t want to come fully awake just yet. The stiff soreness in my shoulders also isn’t there this morning, so perhaps after work tomorrow I can actually return to the gym and start easing my way back into working out again. Yay? Yay.
I spent some time with Vivien Chien’s delightful Death by Dumpling yesterday, which is also an immersive experience into an Asian business center in Cleveland; which is interesting. I know we have a rather nice-sized Asian immigrant community in New Orleans–there was a section along Canal Street that was once our Chinatown–and there are a lot of Vietnamese families in New Orleans East (Poppy Z. Brite’s Exquisite Corpse explored the New Orleans Vietnamese community)–yet another part of New Orleans’ rich and varied culture/community/history I’ve never touched on in my work. The lovely thing about New Orleans is you can never ever run out of things to research, explore and write about here; the sad thing about New Orleans is realizing there is so much that it’s incredibly humbling; I always kind of laugh to myself when I hear myself being described as a “New Orleans expert”–please. There’s so little that I actually do know as opposed to the actuality; I am always realizing how little I do know about the city and its history and culture.
I also spent some time writing on the book yesterday, and it is beginning to really take shape nicely. If I can maintain a decent schedule on it, I should be able to finish on time–which will be just in time to head to New York next month, barring the trip getting canceled for one reason or another (please please please let that not happen again). I also managed to get the promo recordings done–I hate, as I have mentioned, hearing and seeing myself on recordings, so I can’t rewatch them to see if they are any good or not–but maybe I should start recording myself doing readings from my books and stories as promotional materials? I don’t know, it’s hard for me to imagine that succeeding, but…is that part of the self-destructive mentality that is rooted in my deeply felt Imposter Syndrome, or is that a valid critique of me, my attempts to promote myself and my career, and that very really sense that no one cares whether you do or you don’t?
Heavy thoughts this morning on my second cup of coffee, right?
But at least I got an email this morning from one of the places I recorded a video for–a brief read of “The Affair of the Purloined Rentboy”, from The Only One in the World–and Narrelle Harris, the very kind editor, seemed to have really liked it, so there’s that part going for me this morning. Yay, I think?
I also got the cover artwork for one of these anthologies I have a story in–Cupid Shot Me, Valentine’s Day gay crime stories, and that is the book that “This Thing of Darkness” is going to be revised/edited for (I made a note on my list of stories/manuscripts due this morning to note that this is the one due on January 10th)–and it’s pretty cool. I do love landing short stories, wherever I can. I hate that the short story market isn’t as strong as it used to be; even writing gay erotica was a nice supplemental income back in the days before everyone began truly using the internet to scratch their porn itches…remember the days of porn videos, either renting or buying for the exorbitant price of $89.95? The bargain bins of gay porn videos that had been remaindered? I’ve never pretended not to have written gay porn (or erotica, whichever makes you feel better about it), but it has been a hot minute since I’ve actually written or read any. That doesn’t mean I won’t ever again–there’s some gay noir I want to do that needs to be lusty, sweaty and erotic–but for now…it’s certainly not in my immediate future or in my plans for what I need to get done over the next two months.
And on that note, tis perhaps time for me to head into ye olde spice mines. There’s a lot I have to get done before the holidays this weekend.
I was tired all day yesterday–very low energy for most of the day, too tired to deal with a lot of anything. I spent the day making condom packs and watching a strange reality show on HBO MAX–Finding Magic Mike–and it really wasn’t what I was expecting, to be honest. I was thinking it was going to be an excellent piece of camp; Bravo had tried this with the trashy Manhunt, which was about casting a male strip review in Las Vegas. But this was…different. This was about helping the contestants “find their magic” by gaining confidence in themselves by learning how to perform for women while taking their clothes off. “I don’t feel like the main character in my life story anymore,” one of them says in the first episode, and many of the others echo the same kind of discontent and dissatisfaction with their lives. The process of the show was kind of interesting, and the contestants were actually kind of likable? (One was incredibly arrogant, but the editors did a really nice job of softening his edges by showing other sides of him, interacting with the others and helping them? He was the closest thing to a villain the show had, and I was actually kind of glad the editing didn’t try to fit the contestants into the boxes you usually see on competition shows.) It was actually kind of nice to see, particularly as the contestants bonded with each other.
So, while I was kind of disappointed in it, at the same time I was rather glad I watched. It did make me think about a lot of this “cultural war” stuff; like how “men aren’t men anymore”–but I would posit that men never used to be men, either; it was all a facade because of societal expectations placed on men to be “tough” or “strong” or “big boys don’t cry” and make them emotionally distant and disconnected from everyone in their lives. Societal norms and expectations when it comes to gender roles are quite damaging, I think–and while of course there are those who bemoan the breakdowns of those cultural norms. I do think/feel/believe that that the breaking down of gender roles and the redefinitions coming in their wake will make for a stronger society in the long run. I found male gender roles to be terribly confining and revolted against them most of my life; which means–in theory, at any rate–that my life has been subversive.
Which, while a cheery thought, is also kind of sad.
And I certainly didn’t expect a reality show where guys learned how to strip like Vegas professionals to lead me down a brain wormhole of examining masculinity roles and expectations. So, well done, HBO MAX and producer Channing Tatum. Well done, indeed.
I am going to work on the book as much as I can today, while cleaning and organizing; I have to do a live reading and panel thing this afternoon–which means turning on the camera in the computer, which means people can see the kitchen behind me, which means it can’t be in the condition it currently is in–and I am also supposed to record some promo videos. Sigh. I really hate being on camera and I really hate the sound of my own voice. But I agreed to do all of this, like it or not, and so I really need to commit and get it all done. I also need to figure out when all the things I’ve agreed to do are actually due, because the first quarter of 2022 looks to be booking up with all kinds of things that need to get taken care of and I need to pay attention to, or else I am going to be horribly frantic in the first few months of the next year.
And one thing I really need to get done is this book. I need to make enough progress into it so that I am not feeling stress about it–good luck with that, right?–because that stress will shorten my fuse and make me start snapping at people, and that’s not a good thing on any level. For anyone. I need to plan and make lists and get organized.
Last night I dipped into Death by Dumpling by Vivien Chien, and it’s absolutely charming. I also found my copy of Johnny Tremain and read the first chapter again–which is so dramatically different from the film that I am now wondering how much of what I remember of the book is actually from the film? Paul is going to be gone most of the day–he has Wacky Russian in the morning and then he is going into the office–so I am going to try to get as much writing done as I can before three my time, which is when I need to start rehearsing my reading for the panel at 4 central time. I also have to do a promo video for #shedeservedit, and I also have to record a short reading from “The Affair of the Purloined Rentboy,” which I am dreading. I’ve never liked seeing recordings of myself, am usually not terribly fond of photos of myself either (until years have passed), and I absolutely hate the sound of my voice. I am not sure what that is–a lack of confidence in myself? More deep-rooted self-loathing? Not feeling like the main character in the story of my life? (Damn you, Finding Magic Mike, for triggering all these self-questioning self-examinations in my head!)
I also finished reading Nightwing: Leaping into the Light, and it was, as I expected it would be, truly wonderful. I also started evaluating Nightwing as a character and why I connect with him so much; which will inevitably the blog entry/review of the book, no doubt–and possibly another essay at some point as well. (Honestly. I have so many essay ideas…maybe make that a part of the new year’s goals; finish the essays.)
I did make a list yesterday of all the writing that I have to get done by the end of the year, or by the end of January, and it’s staring at me from my notebook. I am resisting the urge to flip it over and not look at it, but I really do need to know and I really do need to get to work on all of these things. Ass in chair, fingers on keyboard is what is absolutely called for here, and focus.
So, on that note, I am heading back into the spice mines. Have a lovely Saturday before Christmas, Constant Reader, and I will talk to you tomorrow.
Queer and Loathing in America 