(I Can’t Get No) Satisfaction

And here we are, on the final day of the year 2022. Happy New Year, I guess? It doesn’t feel like the year is turning, but everything has felt so totally out of whack since the 2020 Shutdown that it’s not a surprise, really. As I sit here bleary-eyed with my coffee trying to wake up for another thrilling day of writing and cleaning, it seems very weird to look back to a year ago at this time. I was on deadline then, too–and was way behind on that book, too (A Streetcar Named Murder, for the record), but other than that I don’t remember what my mood was like or what I was thinking about going into the new year. We were still in the midst of the pandemic (that hasn’t changed–what’s changed is it isn’t news anymore and everyone seems to be pretending it’s all over), and I know I wasn’t exactly going into 2022 thinking oh this is the year I’ll get the coronavirus! That did happen, and my ten-day experience with COVID-19 was bearable for the most part. I just had intense and severe exhaustion as well as the brain fog, which hasn’t entirely lifted. I still have no short term memory, and am struggling to remember things every day–which has made writing this book more difficult because I can’t remember small details and things that are kind of important. I also think being so scattered isn’t much help in that regard; I’ve never been able to handle getting a grip on things and have felt like I’ve been behind the eight-ball for the last three years, floundering and struggling to keep my head above water, and never confident that I had a handle on everything. It’s been unpleasant, really; I prefer to be better organized and to have things under some sort of manageable control, and this constant feeling that I am behind and will never catch up on everything has been overwhelming, depressing, and damaging.

I read a lot of great books this year–I was going to try to make a “favorite reads of the year” list, but as I went back through the blog for the last year looking at all the books I talked about on here, there’s no real way for me to quantify what were my avorite reads of the year. I managed to read both of Wanda M. Morris’ marvelous novels, All Her Little Secrets and Anywhere You Run; Marco Carocari’s marvelous Blackout; John Copenhaver’s The Savage Kind; Carol Goodman’s The Night Villa, The Lake of Dead Languages, and The Disinvited Guest; Ruth Ware’s The Death of Mrs. Westaway and The Woman in Cabin Ten; Raquel V. Reyes’ Mango, Mambo and Murder; Ellen Byron’s Bayou Book Thief; Rob Osler’s debut Devil’s Chew Toy; Mia P. Manansala’s Arsenic and Adobo; Kellye Garrett’s Like a Sister; Alex Segura Jr’s Secret Identity; Laurie R. King’s Back to the Garden; Tara Laskowski’s marvelous The Mother Next Door; James Kestrel’s Five Decembers (which would be a contender for favorite read of the year, if I did such things); and of course several Donna Andrews novels as well. I am forgetting some great reads I truly enjoyed this past year, I am sure–I will kick myself later for not remembering I Play One on TV by Alan Orloff, for one example–but it was a year of great reads for me. I know 2023 will also be a great year for reading.

I also watched a lot of great television this past year as well, and again, I won’t be remembering everything and will kick myself later. If nothing else, it was a year of some amazing queer representation on television; this was, after all, the year Netflix not only gave us the wonderful, amazing, adorable Heartstopper but the equally charming and adorable Smiley (which you should watch, absolutely). It was also the year where Elité continued, but the shine is starting to go off the show a bit. I was very vested in their Patrick/Ivan romance, which they ended in this last season with Manu Rios, who plays Patrick, leaving the show at the end of the season along with his two sisters (spoiler, sorry), which was dissatisfying. I am looking forward to seeing what else Manu Rios gets up to in the future…we also enjoyed 1899, Andor, Ted Lasso, Sex Lives of College Girls, Peacemaker, The Sandman, House of the Dragon, Ozark, and so many other shows I can’t possibly begin to remember them all this morning. But I have no problem saying that without question my favorite show of the year was Heartstopper. Even just looking at clips on Youtube, or those “Ten Cutest Moments on Heartstopper” videos, always makes me feel warm and fuzzy when I view them. The soundtrack for the show was also terrific, with some songs so firmly engrained in my head with scenes from the show (one in particular, Shura’s “What’s It Gonna Be” always makes me think of that scene where Charlie comes running after Nick in the rain to give him another kiss, which is what was playing in the background). Wednesday was another highlight, a surprising delight when I was prepared to have my hopes dashed, and The Serpent Queen was also a lot of fun. We also enjoyed The Bastard Son and the Devil Himself, but it was cancelled after its first season, which was disappointing.

Professionally, it was a pretty good year in which I had three book releases: #shedeservedit in January and A Streetcar Named Murder in December, with the anthology Land of 10000 Thrills, thrown in for good measure in the fall. I sold some short stories that haven’t come out yet, as well as some that did this last year: “The Rosary of Broken Promises,” “A Whisper from the Graveyard,””The Snow Globe,” and “This Thing of Darkness” all came out in anthologies this year, with “Solace in a Dying Hour” sold and probably coming out sometime in the spring. I also sold another story to another anthology that will probably come out in the new year as well, and I still have one out on submission. In what was probably the biggest surprise of the year, last year’s Bury Me in Shadows was nominated for not one, but TWO Anthony Awards (Best Paperback Original and Best Children’s/Young Adult) which was one of the biggest shocks of maybe not just the year, but definitely one of the highlights of my career thus far. I lost both to friends and enormously talented writers Jess Lourey and Alan Orloff respectively, which was kind of lovely. I had been nominated for Anthonys before (winning Best Anthology for Blood on the Bayou and “Cold Beer No Flies” was nominated for Best Short Story), but being nominated for one of my queer novels was such a thrill–and to have it nominated in two different categories was fucking lit, as the kids would say. The response to A Streetcar Named Murder was an incredibly pleasant surprise; people seemed to genuinely love the book, which was very exciting and cool.

I traveled quite a bit this year as well–going to Murder in the Magic City/Murder on the Menu, Left Coast Crime, the Edgars, Sleuthfest, and Bouchercon. I went to Kentucky twice to see my family, which further fueled my love of audiobooks for long drives–on both trips I listened to Ruth Ware on the way up and Carol Goodman on the way back–and also did some wonderful podcasts and panels on-line, which was nice. We didn’t go to any games this season in Baton Rouge, but in all honesty I don’t know if I can hang with a game day anymore–the drive there and back, the walk to and from the stadium, the game itself–I would probably need a week’s vacation afterwards!

College football was interesting this season, too. This season saw the reemergence of Tennessee, USC, and UCLA to some kind of relevance again; the slides of the programs at Texas A&M, Florida, Oklahoma, Auburn, and Texas continued; and LSU turned out to be the biggest surprise (for me) of the year. Going into the season I had hopes, as one always does, but after two years of consistent mediocrity (with some surprise wins both years) they weren’t very high. The opening loss to Florida State was a surprise and disappointment, but at least the Tigers came back and almost made it all the way to a win. The blowout loss to Tennessee at home was unpleasant, certainly, as was the loss at Texas A&M. But LSU beat Alabama this season! We also beat Mississippi, so LSU was 2-2 against Top Ten teams this season–and I would have thought it would be 0-4. And 9-4 is not a bad record for a transitional year, with a new coach rebuilding the program. And LSU beat Alabama. The Alabama game will undoubtedly go down as one of the greatest Saturday night games in Tiger Stadium. It was incredibly exciting, and I still can’t quite wrap my mind around it or how it happened. It certainly shouldn’t have; LSU was simply not an elite-level team this past season, but what a job Brian Kelly did coaching in his first season in Baton Rouge. Did I mention that LSU beat Alabama this year? (And one really has to feel for Alabama, in a way; they lost two games by a total of four points on the last play of each game. Four. Points. That would probably be what I would call this season for Alabama: Four Points from Greatness. The LSU-Alabama game this year is definitely one of those that gets a nickname from the fan base, I am just not sure what it would be. The Double Earthquake Game? (The cheers when LSU scored in overtime and then made the two point conversion registered on the campus Richter scale) The Conversion Game? I don’t know what it will be named for all eternity, but it was an amazing game. I do think it also bodes well for the future for LSU. Will both LSU and Tennessee (which also beat Alabama for the first time in like fifteen years) be able to consistently compete with Alabama now? Has Georgia taken over as the SEC behemoth? Has the Alabama run ended? I don’t think so–they have an off year where they lose two or three games periodically (2010, 2019, 2022)–and they could bounce right back. next year and win it all again. You can never count them out, even in their off years.

As for the Saints, they swept Atlanta again this year, and that is enough for me.

I did write a lot this year, even though it didn’t seem like I actually did while the year was passing. I also worked on Chlorine and another project I am working on throughout the year, as well as the novellas, and of course, I was writing short stories and essays for much of the year. I also read a lot more New Orleans and Louisiana history, and I had tons of ideas for things to write all year long. I did make it to the gym on a fairly regular basis at the beginning of the year, but then it became more and more sporadic and after my COVID-19 experience, never again. I also injured my arm a few weeks ago–when I flex the bicep it feels like I have a Charley horse, so not good, but it doesn’t impact my day to day activities. I also had my colonoscopy at last this past year–the prep was horrific, and I am really dreading doing it again at sixty-five, should I make it that far.

Yesterday was a nice day. I was exhausted, and after my work-at-home duties were completed I did some chores–laundry, dishes–and I also spent some time both reading (A Walk on the Wild Side) and writing. I also watched the Clemson-Tennessee Orange Bowl last night before Paul got home from his dinner engagement and we watched a few more episodes of Sex Lives of College Girls. Today I am going to read a bit this morning with my coffee before getting cleaned up and diving headfirst back into the book. Paul has his trainer today and usually either goes to the gym to ride the bike or to his office to work for the rest of the afternoon, so I should be able to have some uninterrupted writing time, which will be lovely. And on that note I am heading into the spice mines. Have a happy and safe New Year’s Eve, Constant Reader, and I will check back in with you later.

Underneath the Tree

Ah, Sunday. Sundae would be better, of course–who doesn’t love a sundae?

It’s below fifty this morning in New Orleans, so the predictions of colder weather coming our way in the forecast were clearly correct. It’s so nice having a heater that actually works. We didn’t turn it on upstairs, so when I got out of bed I felt a bit cold, but then I came downstairs where it is nice and comfortable. Maybe I can handle the cold weather with a working heater in the house. Who knew?

I worked a lot on the book yesterday and made a lot of progress with chores and things around the house. I’m hoping to get a big push today as well, and the only other thing I have to really do is go make groceries–I am debating as to whether or not that can wait until tomorrow on the way home from work but I am leaning towards going today and getting it over with. I also did some more refrigerator research–trying to find what I want in the price range we want that will also fit into the refrigerator space in the kitchen is proving to be more of a challenge than one would have expected. I think I found one that will barely fit into the space–it’s a matter of fractions of an inch–but we are also wondering if we can simply have the cabinet above the refrigerator removed to allow more room. Decisions, decisions–but there’s no rush, I suppose, other than my obsession now that we’ve decided to make the plunge and get a new one.

We started watching Smiley on Netflix last night, another Spanish language show with queer characters–it’s kind of a romantic comedy; there’s a gay couple, a lesbian couple, and a straight couple, all loosely connected (the pretty young gay bartender works with one of the lesbian couple at her bar; the older gay guy works with the straight guy at an architectural firm) and kind of charming. The premise is that both Alex (the bartender) and Bruno are single and about ready to give up on romance and love. Alex has a string of one night stands with guys who ghost him; Bruno has no luck with dating apps–getting some really nasty responses when he reaches out. For some reason, Alex decides to use the bar phone to call his last ghosting date, all furious and hurt and angry–but misdials and leaves the message on Bruno’s phone instead. Bruno finally decides to call back–just to let Alex know the person he meant the message for never got it–and they start talking and decide to meet. It doesn’t go well, and they end up arguing–and end up back at Alex’s having the best sex either of them have ever had, but misunderstandings continue to get in the way. The lesbians are also at a crossroads in their relationship, and decide to work through the issues rather than breaking up, and the straight couple is also having some trouble. It’s cute, it’s funny, and the actors are all pretty appealing–and of course, it’s nice seeing an “opposites-attract” gay rom-com happening on my television screen. And the young man who plays Alex is really pretty. He was also in Merli, another Spanish show we started watching but gave up on; his name is Carlos Cuevas. The guy who plays Bruno is also far too handsome to be the troll we’re supposed to believe these gay boys think he is–he’s handsome, he’s successful, he’s intelligent–Miki Esparbé; or maybe it’s because he’s older, I don’t know. But I’m interested to see how this plays out.

Christmas is next weekend, which doesn’t seem quite real to me yet. Part of this is because I am so focused on trying to get the book finished as well as trying to stay on top of everything else I am doing that days seems to slip through my fingers and the next thing you know, Christmas is next weekend. This whole year has been like this, frankly–the last few, if I am being completely honest, and in that same spirit, really everything from March 2020 on has been a confusing blur and I don’t remember when or where things happened. It’s also hard for me to grasp that 2010 was almost thirteen years ago, and trying to remember that entire decade isn’t easy. I guess this is what happens when you get older? Ah, well, it’s something I may never get used to but simply have to accept as reality, you know?

This week at work should also be interesting–the week before Christmas, and the week between Christmas and New Year’s is always a weird time around the office. We never have a lot of appointments, and we also have a lot of no-shows, which can be a pain. Paul and I haven’t watched anything even remotely Christmassy; although the Ted Lasso Christmas Special might be a fun thing to revisit.

It’s also weird as the year comes to a close as I start reflecting back on the year, and what is different going into this new year as opposed to going into the last new year. The fact that I have trouble remembering what happened throughout the year is also not any help to me at all, frankly, and neither is the fact that I always have to stop and think was that 2020 or 2021? There are also a lot of draft posts accumulated here; things I wanted to write about when I was more awake and not caffeine-deprived, so that I didn’t misspeak or say something that out of proper context could be problematic. I never talked about my reread of Interview with the Vampire or my thoughts about the new show, which I greatly enjoyed and thought was very well done, for example. (And Mayfair Witches will be debuting in the new year, which I am really looking forward to watching.)

The blog has always been my way of waking up and warming up my brain and my writing muscles, which is why it is always so scattershot and all over the place. I’m not exactly sure when it went from a daily writing exercise to a “daily writing exercise while I wake up in the morning”, but that happened at some point in the last eighteen years; my livejournal began in December of 2004, and I’ve been plugging away either there or here ever since. How much has changed since then? It snowed that December, I remember that, and we were living in the carriage house with Skittle. I know we’d put up a tree, and we were kind of looking forward to 2005 being an easier year after everything that happened in 2004. Little did I realize the evangelical Christians of Virginia were waiting in the wings, as well as a little hurricane that would be named Katrina. I had only published four novels, and only two short stories that weren’t erotica. (I just remembered that when we lived in the carriage house I had to do the laundry at a laundromat–I don’t miss that at all, even if it did get it all over with much more quickly than here at home.)

But the blog was also supposed to be a place where I could write personal essays about subjects that matter a lot to me; things I want to write about but no one will pay me to write about, you know? I started getting more cautious about writing about touchy subjects around 2008, when I went full-time at NO/AIDS (I no longer work for NO/AIDS either; as much as I appreciate the way HIV/AIDS treatment and so forth has changed, I do kind of miss the days when we were a struggling queer health non-profit), despite being reassured by NO/AIDS management that I didn’t need to worry about anything I did or said as long as I wasn’t on the clock–I still didn’t want to do or say anything here that some hater could latch onto and make trouble for the agency with. So, I started censoring myself a little bit, and the more I became involved with other non-profit volunteer work the less I felt comfortable writing about sensitive or touchy subjects, especially as the country became more and more polarized. I’m very careful never to talk about my volunteer work or my day job on here as anything other than my volunteer work or my day job. I’ve compartmentalized my life–the way I always have, back to when I was closeted to one large segment of my life and not to a much smaller part–so much so, in fact, that I’m not certain that I can stop doing it. I think one of my goals for 2023 will be to not compartmentalize as much, and to maybe spend more time finishing those personal essays that I’ve started here and never finished.

But of course, there’s also a time issue. Isn’t there always?

And on that note I am going to head into the spice mines and try to get going on everything I need to get done today. Have a lovely and comfortable Sunday wherever you are, Constant Reader. I will chat with you again soon, promise.

Brown Eyes

Sunday morning and another lovely night’s sleep. I feel rested and relaxed this morning–yesterday I still felt like I wasn’t completely recharged yet–so I think today will be a good day of getting things done for me. One can hope, at any rate. Once I finish this I have to start getting ready for my podcast discussion on My Cousin Rachel this morning, which I am not certain I am prepared for. I also need to order that Costco delivery I never got around to yesterday–I felt tired after running my errands yesterday, and my brain wasn’t really functioning the way it needed to be to write, so I just sat in my chair and watched Tennessee beat Florida (the one time per year I root for Tennessee) and then LSU dismantle New Mexico 38-0 last night. I’ve not checked other scores, but I don’t think there were a lot of surprises other than Oklahoma’s almost-predictable almost-annual loss to Kansas State. I’ve not been giving college football much attention this season, but there were an awful lot of almost-upsets yesterday, which should make for an interesting season the further along we get into it.

Tropical Storm Ian continues to slightly move his track ever-so-slightly more west, so the Cone of Uncertainty keeps drawing nearer and nearer to New Orleans, but it looks as though landfall is going to be Wednesday–and ironically, being on the western side of the storm means we will get some lovely cooler weather as a result. I hate that about hurricane season, and obviously I worry about people in Florida (although if I were a right-winger, I’d say God isn’t clearly happy with the way Florida is being run) while at the same time being relieved we don’t have to worry about doing without power or having to leave for this one….but just because we’re getting closer to October doesn’t mean we’re done with the season just yet–it runs through December, after all. Hurray.

I got my contributor’s copy of Magic is Murder, edited by Donna Andrews, Barb Goffman, and Marcia Talley yesterday, and what a lovely book it is, too. It’s always lovely to get a copy of your work in print, and as I am sure you’re been made aware by my endless self-promotion on this score, my story here is “The Snow Globe.” It’s another one of my New Orleans paranormal stories–I think there will be three of them seeing print this year (“The Rosary of Broken Promises” and “The Snow Globe” are already out; “A Whisper from the Graveyard” will be out soon) and I am in the process of writing yet another (“Parlor Tricks”) and developing still another (“When I Die”). It’s been a decent year for me and short stories, it appears, and I am hoping once I get this Scotty out of the way and finish the promo for Streetcar’s release that maybe I can focus on writing short stories again for awhile. I’d like to get those novellas finished and out of the way; there are three that are close to being finished and I think I can get them all published into one volume (those would be “Never Kiss a Stranger”, “Fireflies,” and “A Holler Full of Kudzu”–although sometimes I think the first and third might actually work as full-length novels ) and there are a couple of others I’d like to get finished in the new year (and how weird is it that I am already thinking about 2023?). I will probably also try to write another Scotty in the New Year (French Quarter Flambeaux is next up in that series) and I am thinking about maybe another Alabama book. And there’s also that romance I want to write, and the Leonardo mystery, and…

Yeah, I will never run out of ideas, I feel pretty confident in saying that.

We also finished Dahmer last night, which means we can move on to the new Star Wars show, Andor, which is cool because I absolutely loved the character in Rogue One and even though I know how he dies, I am glad they are giving him his own pre-Rogue One series. (I should watch Rogue One again at some point.) And a new episode of The Serpent Queen should drop tonight as well; so many riches to enjoy! And there are some other shows dropping soon that I can’t wait to see–both new shows and new seasons of old favorites (when will Ted Lasso be back? Anyone?)–and I’d also like to finish reading my Donna Andrews, so I can focus on reading horror for the month of October. October is also the month where A Streetcar Named Murder is set, so I should probably be doing some more promo this month to get ready for the release date in early December.

And of course, I need to get some writing done today around the Saints game.

On that note, I need to head into the spice mines so I can get the kitchen ready for the podcast. I am assuming that the podcast is merely an oral recording and not a visual broadcast, so I am not going to shave this morning…I may regret that decision in about an hour and a half. Have a terrific Sunday, y’all, and GEAUX SAINTS!!!

If You Let Me Down Let Me Down Slow

One of my favorite lines from All About Eve is not, actually, one of the more popular or famous (infamous?) ones. It comes when Margo and Karen are stranded in the car on the way to the train station so Margo can make her curtain; they’ve run out of gas and Lloyd has gone for help (Margo doesn’t know Karen has drained the tank deliberately to punish Margo for–well, for being right about Eve all along), and they start talking. Margo turns on the car radio and music plays, and Bette Davis makes a patented Bette Davis sneer-face and turns it off, snapping, “I despise cheap sentiment.” I love that line, and use it whenever it feels appropriate.

I do feel it important to say that I don’t despise all sentiment, just the cheap, sappy kind. I used to love It’s a Wonderful Life, frankly, until I started really thinking about its message and how truly dark it actually is; now I love to fuck with people who still love it by called it the darkest Christmas noir ever put on film. But The Princess Bride and Disney’s Beauty and the Beast are still two of my favorite movies; and earned sentimentality, that arises from strong character development and a good story, still moves my heart and can make me cry a little bit.

Yes, I cry at movies and television shows; there are even songs that make me tear up a little bit, too. I know I project that I am deeply cynical–probably because, well, I am deeply cynical. People and systems have disappointed me far too many times for me to have a glowing opinion of humanity as a rule; my friend Victoria often accuses me of being a misanthrope–to which I always reply, “And I’m not wrong to be.” I do prefer to believe that most people are decent at heart, but there are just so many examples on the other side of the scales that it’s very hard to keep believing in the kindness of random strangers. (Just look at our current society and what is going on in the world even as I type this.)

So, I went into Heartstopper not expecting an awful lot. It looked cute from the brief previews I’d seen, and so I knew already it was about two teenaged boys falling in love and their friend group. I’ve often been disappointed by queer representation in films, television shows, and sometimes in books as well; I figured, despite the enormous popularity of the graphic novels this show was based on, that this would yet again be the case.

Boy, was I ever wrong.

I can honestly say I can’t remember the last time I was so completely charmed by a television series with gay characters–if ever. I have always been harshly critical of fictions targeted toward queer youth for any number of reasons; the primary one being a serious lack of authenticity in the ones I’ve read and/or watched. Some of them were so blatantly unrealistic I couldn’t even get past the third page, and even the ones I managed to hold my nose and get through were incredibly problematic and disappointing. I never got into Love, Victor because it seemed…well, phony to me. I can’t give any examples of why I reacted that way to the show, and believe me, I wish I could have watched more of it so I could (I may go back and do so at some point). So when I saw the first previews for Netflix’ Heartstopper, it looked adorable…but as I said, didn’t get my hopes up. I checked into it before watching and learned that it was based on a series of graphic novels that started as web cartoons, written by Alice Oseman, and I thought, well, be supportive and give it a chance. We were just coming off season 5 of Elite, which had thoroughly shocked and surprised me with the amazing storyline and arc they’d given the character of gay Patrick (who literally stole the entire season out from under the rest of the cast; it was a stunning performance by Manu Rios), and the thought that I might have another terrific show with gay characters and a romance was too much to pass up on. So, the Saturday before we went to New York, Paul and I queued up Heartstopper and…

We were both enchanted.

Heartstopper is just so sweet and lovely I felt my Grinch heart grow three sizes while watching it.

I even happy-cried several times per episode; so it’s like Ted Lasso and Schitt’s Creek in that way, but it also touched me deeply. I kept thinking, over and over again, how marvelous this show was; how beautifully written and acted and produced–and how lovely this would have been for fifteen year old me to have seen.

It’s like I don’t know who I am anymore.

It really is just so damned sweet and charming.

The queer rep I’ve seen in y/a novels–romance or not–has generally not been satisfying or engaging; I tend to raise my eyebrows and roll my eyes a lot–if I can even make it all the way through. But this….this was different somehow. Maybe because the actors playing the roles were the actual age they were playing? They just looked so young and innocent and sweet….which was perfect for this kind of show, really. It does make a difference when teenagers are played by teenagers, as opposed to actors in their twenties.

Charlie is the main character, who was accidentally outed by one of his friends the previous year and has suffered some bullying, which has left a few marks on his psyche. But it’s a new school year, some older boys put an end to the bullying, and he’s starting over in a way. On the first day of class he finds himself sharing a table in Form (what I guess we would call homeroom) with Nick, the big star of the school’s (Truham) rugby team. As they continue sitting next to each other, they slowly but surely start becoming more and more friendly with each other; enjoying each other’s company, etc. Charlie is also involved in a toxic relationship with Ben–who will meet him privately to make out, but only on his terms and when he wants it, and is also seeing a girl–that Charlie is trying to get out of. Ben tries to force himself on Charlie one day… Nick stops it, and then their friendship blossoms even more, with more texts and Nick proving himself to be a really good friend to Charlie, who is also developing a crush on Nick.

Nick is also starting to have feelings for Charlie that go deeper than “being mates”–so we see him looking stuff up on line about being gay.

Kit Conner, who plays Nick, plays the role so pitch-perfectly–the confusion of having feelings you’ve never had before, which upsets your entire worldview and everything you think you know about yourself (it wasn’t my experience, personally, but I’ve heard this from countless others) and being terrified to express it; afraid of what will happen when you admit it to yourself and start admitting it to others, and what it all means. He’s falling in love with Charlie, but what precisely does that mean?

His mother is brilliantly played by Olivia Colman, who is just such a treasure. One of the sweetest scenes in the entire show is after she’s met Charlie, and she comments on the friendship, “You’re more you when you’re around him. You’re different around your other friends. With Charlie, you’re you.”

Yes, it brought tears to my eyes–especially watching the emotions of what she means being processed in Nick’s mind and the lovely smile when he realizes that Charlie really sees him…and what THAT means.

It was also lovely seeing their relationship develop and blossom and grow–and that everyone is supportive and excited for them for the most part (yes, there’s some homophobic bullying, but not as much as one would expect, but it’s also dealt with strongly and doesn’t really hang over the show, either). There’s a young lesbian couple as well whose development and growth mirrors that of Nick and Charlie; a wonderful young trans character who has left the boys’ school and is now at the girls’ school, and a burgeoning romance for her as well–which I hope develops more in the next season.

But most importantly, the show is about acceptance and the sweetness of falling in love for the first time–and the usual obstacles that keep our adorable young couple apart aren’t heavy drama, and their suffering is more along the line of does he really like me? Am I his boyfriend?

It’s sweet, and adorable, and charming. As I said, I happy cried any number of times throughout the show…and the soundtrack is fantastic.

In fact, I am so obsessed with Heartstopper that the day after we watched I bought all four graphic novels and read them the following afternoon.

The show follows the books pretty closely, but they are just as adorable in the graphic novels as they are on the show. The graphic novels take a bit of a darker turn in the last couple of volumes than I would have liked, but the dark stuff is handled not only optimistically but in the same charming, loving, kind way the rest of the story is told.

Highly recommended. I am probably going to rewatch, too. It made me all warm inside, and shows like that–Schitt’s Creek and Ted Lasso and now Heartstopper–are necessary, especially in these dark times in which we live. Thank you, Alice Oseman, for the books, the story, and the characters. Highly recommended.

I could write about this show and the books forever, and may write more later…but I am going to go ahead and post this now.

My Favorite Things

And so we have reached the last day of 2021 at last (it’s still hard for me to wrap my mind around the fact that it has been 2021 for a year; 2022 is going to seem even stranger, methinks). I’m on a holiday, so there’s no work for the day-job to be done today, but there’s plenty of other things that need to be done. I need to work on the book some more, I need to clean, I need to run some errands, and I’d also like to do some reading. It’s a lot, I know, and who knows how much I can or will actually get done around here? Yesterday I did data entry, made condom packs and rewatched the original Clash of the Titans (starring a very young Harry Hamlin and his nipples; seeing this in the theater made me a Harry Hamlin fan for life) while I did so. I also was able to pick up two boxes of home COVID-19 tests (the day-job procured you them for the staff as a preventive measure, which are apparently like gold these days.

It was a very challenging year in many ways. I suspect that if I looked back at a list of my goals for the year, two of the most key things–getting an agent and finishing Chlorine–would not be able to be checked off the list. My faulty memory–I keep, for one thing, conflating the last two years as one and the same mentally–has something to do with it. I know I wanted to write more short stories in 2021, and I don’t know that I succeeded at that. I know I had a couple of stories of which I am very proud come out this past year (my first ever attempt at writing a Sherlock Holmes story for one), and of course I finished writing two books while trying to finish yet a third under contract, and trying to get Chlorine done.

I always feel sort of weird at the end of the year when I compile my favorite things (books, movies, television) because I never limit myself to things that were new to the year, but rather new to me during the year; I am always so woefully behind on everything I read and watch that it doesn’t seem fair to leave off things that didn’t debut in 2021. Besides, it’s always kind of fun, I think, to remind people of things they themselves might have missed and forgotten about. But when I started thinking about all the books I read this past year, I would have sworn that I hadn’t read this much, or that I couldn’t have possibly read this many books–and I know I am also forgetting some, and these are the ones that stand out enough to be remembered. My favorite reads of the year were, in no particular order, The Turnout by Megan Abbott; The Collective by Alison Gaylin; Dream Girl by Laura Lippman; The Gift of the Magpie by Donna Andrews (I read three or four Andrews novels this past year, and loved them all, frankly); Velvet was the Night by Silvia Moreno-Garcia; Jar of Hearts by Jennifer Hillier; Razorblade Tears by S. A. Cosby; A Beautiful Crime by Christopher YBollen; Yes Daddy by Jonathan Page-Ramage; The Other Black Girl by Zakiya Dalila Harris; These Toxic Things by Rachel Howzell Hall; Invisible City by Julia Dahl; and By Way of Sorrow by Robyn Gigl. I also read a lot more cozies than I generally do, which were quite fun–I highly recommend checking out Leslie Budewitz, Vivien Chien, Sherry Harris, Ali Brandon, Miranda Harris, and Carolyn Haines, among many others–my TBR pile is nothing if not a treasure trove of terrific reading–and I am hoping to get even more reading done in the new year as well.

As for movies, I also watched a lot of movies. I saw a lot of classic cinema of the past I’d never seen before–my Cynical 70’s Film Festival had some marvelous entries this past year–as well as revisited some favorites. I greatly enjoyed Dune, which I thought was incredibly well done, and Shang-Chi and the Legend of the Ten Rings was a great super-hero film, with just the right amount of spectacle, humor, and humanity to ground it in enough reality that an audience could relate to it. I don’t remember any other new films that we saw in this past year, but I am sure there were some–the direct-to-streaming/limited theatrical release model for the pandemic ensured that I saw some things much sooner than I probably would have otherwise–but give me a break, I am still on my first cup of coffee after a lovely and deep night’s sleep.

Television again is something a bit blurry for me; the lines between 2020 and 2021 also blurring a bit here. I know we loved Mare of Easttown, Ted Lasso (a true gem of a show), The Mandalorian, Elité, Superman and Lois (probably the best version of Superman since the first two Christopher Reeve films), the original Gossip Girl (which is winding down now with a last season that is rather disappointing, alas), Hacks, One of Us is Lying, Cruel Summer, and Only Murders in the Building, which was also a jewel. But maybe my favorite show of the year was HBO’s It’s a Sin, which was not only well done, but powerful and thought-provoking. I had debated whether I wanted to see it or not; entertainment about HIV/AIDS, particularly about the height of the plague, has never sat well with me–either pandering nonsense or heavy-handed. The gold standard for me has always been Longtime Companion, but after watching I had to say It’s a Sin belongs up there. It was hard to watch at times–and I realized that the reason was the characters were all the same age that I was when it all started, which was a big part of it–but it also made me acknowledge and understand any number of things about myself and my past; namely that I had never grieved, just going numb at one point and deciding to keep moving forward and not think about anything. Watching the show brought back a lot of memories which, while painful at times, was necessary and needed.

I also spent time writing and working on two novellas, “Festival of the Redeemer” and “Never Kiss a Stranger”; one thing I really want to be able to do in the new year is get the novella collection together as well as another collection of short stories. Lots of plans for the new year, including a new Scotty novel I’ve been itching to get to, and another stand alone, in addition to Chlorine. I was able to visit my parents twice this past year, and I was also about to make it to New York and then Boston for Crime Bake, which was simply marvelous. I have lots of travel plans for the new year that I am hoping new pandemic variants aren’t going to jettison–I really do want to be around writers again, seriously–and over all, the year wasn’t as terrible as it easily could have been (2022, do not take this as a challenge). I got a new computer, paid off a lot of debt, and over all, I have to say, all things considered, 2021 wasn’t altogether terrible. I wish I had been more productive, but I also wish that every year.

And on that note, this next chapter isn’t going to write itself, is it? Have a lovely New Year’s Eve, Constant Reader, and I’ll talk to you next year!

Deck the Halls

Christmas Eve is a week from today. How did this happen?

Not that I mind seeing this year coming to an end, but who knows if 2022 will be any better? I’ve always had that issue before with people being thrilled and/or happy that a year is coming to an end: the change of a calendar day doesn’t really mean a fresh start, or an “out with the old in with the new” reboot of any kind; it’s just another day. I know, it’s just symbolic, but people always seem to take it seriously. I hate to be the Debbie Downer raining on anyone’s parade, but…then again, it’s never stopped me before.

I have a lot to do today, and this morning, despite a good night’s sleep and feeling very rested, I am also feeling rather un-motivated. The coffee should help, of course–that’s what it’s for, isn’t it?–so hopefully by the time I have finished a second or third cup my brain should be clearing up and I should be raring to go. One can hope, at any rate. I did watch Johnny Tremain yesterday at long last, and I was right about some things and wrong about others; I did look for some of the queer reading of the story that I read about in an article I ran across while looking for the movie the other day–it’s there if you look for it–so now of course I want to take some time at some point and reread the book (and yes, I am thinking there’s an essay in there for me to write someday; I really need to start writing these essays that I think up else they will never get done). It’s been a very long time since I read the book, so I am not certain whether I am remembering the book itself or the film. Still, I should reread the book at any rate.

I have also picked out my book to read for the weekend–and have definitely landed on Death by Dumpling by Vivien Chien. I kind of want to see the new Spider-man movie, No Way Home, but I am not sure that I really want to be sitting in a movie theater in the suburbs right now with a crowd of people with questionable vaccination status. I’ve been vaccinated and boosted, but at the same time I’d rather not become a carrier, even if I only get mildly sick from an infection. I am excited to read it, to be honest; I am really enjoying this trip I am taking down Cozy Lane, and of course I am saving the latest Donna Andrews as a Christmas treat for myself next weekend. I’ve not picked out my watching for today’s condom packing adventures yet–there’s a plethora of things to choose from, and I did spend some time looking at what’s new on several of the streaming services last night, but there’s such an overabundance it’s difficult to choose anything. I also need to figure out what I’ve agreed to write and when it is due; I think I’ve agreed to do any number of things and so of course I need to compile a detailed to-do list so I can work my through it. And of course, the house needs cleaning and organizing as it always does. Heavy sigh. I really need to let go of the self-defeating mentality that the insane standard of cleanliness ingrained into my head by my mother is not achievable to anyone with three full-time jobs and stop beating myself up over it, seriously.

And the good news this morning is that my shoulders don’t feel sore at all anymore, so I think the strain has finally healed, so I can go back to the gym this weekend. Huzzah! I would also like to take a walk around the Garden District after sunset at some point so I can take pictures of the Christmas decorations, but there just never seems to be enough time in the day to get everything done.

I had a lovely evening last night hanging out with friends I’d not seen before Hurricane Ida; it was lovely catching up, talking about books and writing and TV shows we’ve watched and getting caught up in general with everything. It was also really fun to laugh really long and hard again–something that’s been missing in my life for far too long, or at least has become too much of a rarity since the World Closed Down. I think we are all kind of missing out on joy, if that makes sense? Paul and I have already made up our minds to try to enjoy ourselves as much as we can in 2022–which is the only kind of resolution I can get on board with; I think maybe if we all decided to spend as much time as possible in 2022 finding joy in life and the world–well, maybe things could turn around. I am tired myself of all the darkness and bad news and the constant gloom and doom that seems to be our world and our existence now. So, even if the face on insurmountable odds, I am determined to remain cheerful and happy and to always try to find the joy in things. As Ted Lasso says, “be curious, not judgmental.”

And there’s really so much to be curious about!

And on that note, as the coffee begins to kick in, I am heading into the spice mines. Y’all have a lovely day, you hear? And happy Friday, Constant Reader–hope you have a lovely weekend.

It’s So Easy

I honestly don’t know how I used to survive long drives without audiobooks.

I used to worry about listening to audiobooks on those long drives, primarily out of worry that I would get so absorbed in what I was listening to that I would lose track of what I was doing (when one is easily distracted–hello, ADHD! how’s the wife and kids?–one tends to avoid things that might be distracting) and that isn’t good when you are hurtling along a highway at speeds between sixty and eighty miles-per-hour. This is why I have massively long playlists on my phone (both in iTunes and Spotify); they were created so I would have music to entertain me on these lengthy drives. But while music can make the time pass more quickly, audiobooks make it seem to fly past. It doesn’t distract me to listen to a book being read (I’ve always hated being read to, another reason I avoided them for as long as I have); if anything, sometimes I miss things in the book when I am having to pay attention to something on the road (like construction or heavy traffic) but have found I don’t lose the thread of what I am listening to; my subconscious is still listening and and so I don’t lose my place–which does happen with an actual book, and I have to sometimes go back and reread parts when I get lost.

But…never happens when I am reading Donna Andrews.

“I think they’re plotting to bump off Terence today,” Michael said.

“Bump him off?” I echoed. “Not for real, I assume.”

“Don’t get your hopes up. Bump off his character. In the Game.”

“I could love with them bumping him off for real,” I said. “Just as long as they pick a time when we both have alibis.”

Michael chuckled. No doubt he thought I was kidding. Of the two dozen actors, musicians, and acrobats my husband had recruited to perform at the Riverton Renaissance Faire, Terence was my least favorite by a mile. He was rude, selfish, greedy, lecherous, and just plain obnoxious. Unfortunately, he was also an intergral part of what we’d come to call “the Game”–the ongoing semi-improvisational entertainment that had become so popular with visitors to the Faire.

“Most Renaissance fairs just replay the story of Henry the Eighth and one or another of his wives,” MIchael had said when he’d explained the idea to my grandmother Cordelia, the Riverton Faire’ss owner and organizer. “Or Queen Elizabeth beheading Essex. What I have in mind is something much more exciting. We have this fictitious kingdom, and all the actors belong to one or another of the factions fighting to control it, and they plot and scheme and duel and seduce and betray each other. And they do it loudly and publicly at regularly intervals all day long, in period costume and elegant Shakespearean prose.”

As I have undoubtedly made very clear on this blog over the years, I love Donna Andrews’ Meg Langslow series. It’s one of my happy places; revisiting Caerphilly (or wherever she has sent the cast of this delightful series) is like watching Ted Lasso or Schitt’s Creek; I know I am going to put the book down with a satisfied smile upon completion, be in a very good mood, and just be happy and content with life in general. That’s a real gift, as a reader, and one I am very grateful to receive. I do worry, however, as I get closer to being caught up with this marvelous series that once I am, that there will be a tinge of sadness when I finish the most recent release, akin to when I get to the end of a season of Ted Lasso–sad that there’s not another one to read, but happy to know that there will inevitably be two dropping within months of each other. (While I can completely understand the stress and hard work involved in producing two such lovely and intricately plotted novels per year–those subplots! All the regular supporting cast! The history of a series going on so long!–I am quite happy that Ms. Andrews has such a dedicated work ethic.)

When I saw this was set at a Renaissance Fair, my heart leapt with joy. Andrews positively excels at writing books set at events and/or conferences (the one set at a fan convention for the fantasy series Meg’s husband starred in is a particular favorite, as is the one set at a Battle of Yorktown reenactment), and the fact that the RenFair is being held at, and hosted by, Meg’s grandmother Cordelia (who first turned up in another favorite, The Good the Bad and the Emus–well, they’re all favorites, really) made it even more joyous for me. I love the relationship between Cordelia and Meg’s grandfather, Dr. Blake–as well as their relationship with their joint son, Meg’s father. The ins-and-outs of a RenFair are of particular interest, particularly since this one has a story running through it, known by participants as ‘The Game’; hired actors playing parts, acting out the struggle over who will succeed Good Queen Cordelia (played by Meg’s grandmother, natch) on the throne of Albion? Costumes and swords, duels and jousting, crafts and mead and underhanded skullduggery!

And the skullduggery doesn’t stop at the Game, either.

The book, as all Andrews novels, is an absolute delight. Her wit makes me laugh out loud–I am sure any number of highway drivers on I-75 or I-59, glancing over at me as we drove along, were curious (or concerned) as I occasionally would burst out laughing as I listened. I resented having to stop for gas or a bathroom break, or to get something to eat–scarfing down food as quickly as I could so I could get back to the car and get the audio going yet again. (I am certain the pleasure of listening to this book had something to do with the trip home being an hour shorter than the trip up) The only complaint I could possibly have with this book (any of hers, really) is that I want more of it, more of the regular cast…I would absolutely read a book about them even if there were no mystery involved at all. But Andrews always delivers a solid mystery to go along with the delightful characters she creates–and she also often slips in some social commentary so slyly and sneakily that unless you’re attuned to looking for it, you might miss it.

The afore-mentioned Terence is the villain of this piece, as one might well expect from that witty opening quoted above. An egomaniacal actor in the grips of a severe case of narcissism, he’s not nearly as witty and talented and attractive as he thinks he is, and his constant practical jokes on other cast members–or attempts to add new subplots to the Game, naturally involving his own character–are looked at askance by the others; fortunately, Meg and her grandmother are quick-witted enough, along with Michael, to improvise on the spot and divert the story back to where it should be.

A particularly funny bit involves Dr. Blake, her grandfather, and why he shows up at the RenFair: a noted ornithologist and environmentalist (with a particular liking for birds of prey), he shows up with a cage of wrens…thinking it’s WrenFest (a throwback to the previous book in the series, which featured OwlFest). They find him a wizard’s costume and staff, and he takes to the role with relish, which leads to even funnier scenes.

But one an early morning owling expedition, our intrepid cast stumbles over a dead body in the woods…but no worries. Meg is on the case, and manages, with wit, style and verve, to untangle the various subplots and motives and machinations of the various suspects to eventually unmask the killer…which leads to a hilarious, if dangerous, confrontation in which she saves the day.

And resolve all the various problems of everyone in the book.

I actually had about five minutes of the book left when I pulled up in front of my house–and despite being incredibly glad and grateful to finally be home after eleven hours in the car…I stayed in the car to finish listening.

I cannot think of any higher praise than that.

Fingers & Thumbs

Here we are on a Tuesday morning with the time change coming and the weather shifting into big-time fall. Yesterday was simply beautiful outside; the sky that magnificent shade of cerulean I’ve never seen anywhere else (Italy has the most beautiful skies) and you can go for a walk without getting drenched in sweat. It’s hard to believe Thanksgiving is right around the corner, with Christmas and New Year’s hot on its tail; and whatever Carnival is going to be is right behind.

Yes, it is that time of year again. HOLIDAYS.

Sigh.

I loved the holidays when I was a kid. Christmas meant presents and a tree and turkey and dressing and decorations and candy and no school for at least two weeks. Thanksgiving didn’t mean presents, but I always always loved that meal (we always had turkey and dressing for both Thanksgiving and Christmas, and got to eat the leftovers for days after). As I got older the thrill of the holidays slowly began to wane. By the time I moved in with Paul I was almost completely over them. Almost six years with an airline–which meant working on the holidays if they fell on your scheduled day to work; the airport never closes and neither do the airlines–had kind of robbed the joy from them for me; I could only see family sometime around the holidays, depending on open seats on flights, which were scarce, and spending them with friends wasn’t quite the same thing. We stopped putting up Christmas decorations when we got Scooter–Skittle wasn’t an issue; he’d go knock a ball off the tree, lose interest and go away; Scooter saw Christmas tree and decorations and thought amusement park! And since he loves nothing more than chewing plastic–the first time I caught him trying to chew on a string of lights, that was it for the Christmas decorations. And every time I go up into the attic, I see the box of decorations and think, should I throw them away? We don’t use them, and even–God forbid, knock on wood–when the day comes that we no longer have Scooter with us, will we use them again?

Given our history, it’s very unlikely. And while the Lost Apartment isn’t as festive around the holidays as it could be, as we’ve gotten older it’s just not as important to either of us as it once was. Sure, we enjoy buying each other gifts, and sharing them–Paul always wins Christmas, no matter how hard I try to get him something absolutely perfect, he always gets me something that is so incredibly thoughtful I get teary-eyed–and we enjoy the new traditions that we have come up with together.

And really, the true gift of the holiday is spending it together, unplugging from the world, and just enjoying each other’s company.

But it’s after Halloween now, so the Christmas stuff is coming out in the stores, and the music will start playing everywhere (thank God I don’t listen to the radio anymore). The Christmas specials and movies will start airing again, every television series will have a Christmas episode of some kind (thank you, Ted Lasso, for doing it in the summer time), and advertising will have a distinctive green and red flavor to it. I will inevitably start grumping about the serious overkill–and I am also not looking forward to this year’s noxious and untrue revisitation of the right-wing “war on Christmas” narrative.

My latest Scotty book, Royal Street Reveillon, was an actual Christmas book, set in New Orleans during the Christmas season. One part of Christmas I never get tired of is the way New Orleans dresses herself up for the holiday–and seriously, if you are in town and can get a chance to go look at the lobby of the Roosevelt Hotel, it’s breathtakingly beautiful; which is why I had the book start with Scotty getting Taylor his first sazerac in the Sazerac Bar of the Roosevelt Hotel. I wanted to talk about how beautifully the hotel is decorated, how gorgeous the city is in its Christmas finery, and of course–I got to talk about a particularly New Orleans Christmas tradition–reveillon dinner. It’s funny, because I have tried to write about Christmas before–I do, at heart, love Christmas and everything it is supposed to stand for, even if I get Scrooge-like about the overkill in mid-December–but I’ve never really had much success with writing an actual Christmas story. I tried writing Christmas short stories before, but coming up with something original that is also sweet and about love and kindness is incredibly difficult; it’s like every possible idea has already had every bit of juice squeezed out of it already (how many versions of A Christmas Carol or It’s a Wonderful Life do we really need, anyway?). I wrote three first drafts of Christmas stories–“Silver Bells,” “Silent Night,” and “Reindeer on the Rooftop”–but the first two turned out incredibly sad and depressing and the latter so saccharine sweet it made my teeth ache. I’d always thought of doing a Scotty Christmas book, once I decided to keep the series going past the original three; the original idea of the first trilogy was the gay holidays–Decadence, Halloween, Carnival–and then I thought I would tie all future Scottys around holidays; when I revived the series with Book 4, Vieux Carré Voodoo, opened on Easter Sunday and the end of Lent–which seemed appropriate since the previous book was set during Carnival (I’d actually forgotten about that). Of course, I moved away from that with Who Dat Whodunnit (which was around the Saints Super Bowl win, but also included a Christmas scene with the other side of Scotty’s family, the Bradleys, now that I think about it) and Baton Rouge Bingo…so maybe actually doing a Halloween Scotty book might be in order (I have mentioned this before, of course) since Jackson Square Jazz was set the week before Halloween.

And thinking of the kind of trouble Scotty could get into over Halloween puts a little smile on my face.

I need to buckle down and get to work on my book. It’s due in January and time is slipping into the future…so on that note, dear Constant Reader, I am going to finish this and head into the spice mines. Have a lovely Tuesday!

It Doesn’t Have To Be

Friday, Friday, gotta get down it’s Friday.

I find myself now in the post-launch haze; it’s been awhile since I’ve actually promoted a book–and usually so much else is going on the launch date might get some social media posts from me and not much else (it really is a wonder I still have any career to speak of)–but I actually feel a bit hungover from what little I did. (I admire other writers who hit it so hard; how do they do it? I sure as hell can’t.) I have nothing but the utmost respect for authors who can do the public appearance/promotion stuff and make it look easy and make it seem like they’re enjoying themselves; because that is not my experience with such things. I am always incredibly self-conscious, and inevitably my fallback response to being nervous and feeling uncomfortable is to try to be funny–which is, of course, completely subjective, and amps up the anxiety: what if no one thinks you’re funny? And with these on-line appearance (as opposed to in-person ones) I do not know if anyone laughs and that makes me even more anxious to the point that when it’s over I am a completely nervous wreck, emotionally, physically and emotionally exhausted; and the hangover from that carries over into the next day. I felt very drained and hollowed out yesterday. Today I feel better–I don’t think I slept that great, to be honest, but this morning I feel fairly well rested. Not I can conquer the world rested, but rested. This is a good thing. I don’t have to do anything outside of the apartment today other than go to the gym after I am finished working at home, and I am going to relish that. I have some data entry to do, condom packs to make, and there are also some other on-line trainings for the day job coming due–annual things we are required as a health clinic to take, like HIPAA, blood borne pathogens, biohazard, etc. (In all honesty, my favorite is the emergency training one–what do you do if there’s an electrical fire? What do you do if there’s a regular fire? What do you do if a patient collapses? I don’t know why that’s my favorite, but for some reason it is.)

Yesterday was spent mostly with on-line trainings for the day job; there was time, however, for some condom packing duties before LEG DAY at the gym (and yes, my legs are tired today. But good tired, not bad sore). I decided to keep going with my attempts at a Halloween Horror Film Festival, moving on to Friday the 13th, Part III. (turned out I must have watched the second part last October and completely forgot; my memory has now moved from sieve to a garbage disposal that clearly eats and grinds up each memory before spitting it out, forgotten) What. A. Shitty. Movie. The first one had a kind of “so-cheaply-made-it’s-kind-of-charming” feel to it, but each film cost more money…but the quality didn’t improve. The acting and writing is so incredibly bad, it’s easy to see why audiences started rooting for Jason as a kind of anti-hero; those who are about to die are such shitty, one-dimensional characters, played by actors who’d be lucky to get a supporting role in a bad dinner theater in Sarasota, Florida, you kind of enjoy watching them die horribly. I don’t know that I have the stomach to handle yet another entry in that endless series of sequels; maybe I’ll switch to the Halloween movies. Those, while equally small budget at first, are at least better acted, written, produced, and directed than their counterparts about Jason Voorhees. Paul came home rather late and had some work to do, so we watched the latest episode of Titans, which I really enjoy but this season, while interesting, is dragging a bit.

It also makes me terribly sad that this is a Friday without a new Ted Lasso.

I also need to get back to work on my writing; I got distracted with all the book promo stuff and so forth and well, now I am behind yet again. What else is new, right? When am I not behind on everything? Yes, it makes me crazy, which is partly why I am alway teetering on the edge of a complete breakdown, without question. I’ve been feeling very good about myself lately–which always makes me suspicious. My piece on Gothics for Crime Reads was well received, so was my piece on Superman posted here the other day, and Bury Me in Shadows also appears to be getting a good reception. My royalty statement came the other day and was significantly higher than I was expecting, which is always welcome news…and of course, I need to make a new to-do list. I also have some filing that needs to be done, and the apartment always needs cleaning. I do think our mouse is gone, though. Last week he was very noisy one night–Paul thought it sounded like death throes–and we haven’t heard him since. Scooter also doesn’t stare at the cabinet under the sink and the dishwasher anymore, either, which is the more likely sign that the mouse is gone at last. It’ll take me a while before I am comfortable turning the dishwasher on without putting a towel across the floor in front of it, though–the little bastard chewing through the hose is going to take me a while to get past.

I may also prune the books a little bit this weekend; the books can always be pruned, and I may even get a box of them down from the storage crawlspace today to go through–I really do need to clean out the crawlspace–and the night time lows this weekend may even dip in the high fifties; it’s definitely October in New Orleans. I think next weekend I may drive around taking pictures of Halloween decorations. One of the many things I love about this city is how so many people go all out decorating for holidays–I love the mansion on St. Charles with the annual skeleton theme–plus, A Streetcar Named Murder is set in early October. LSU plays Florida tomorrow at eleven in the morning (!), and I’ll have the game on but I doubt I will watch it from beginning to end. This has been a horribly disappointing season for LSU football–people are calling for the coach to be fired, as it looks like they’ll have their first losing season this century (!)–the last time that happened was 1999, which led to the firing of then coach DiNardo and the hiring of Nick Saban, which rescued and turned the program around to the point they won the SEC in his second season and a national title in his fourth. LSU fans have become very spoiled this century, but it’s been a very good run these last twenty or so years: four SEC titles and three national championships; only Alabama has done better during this run, and that’s a pretty high standard.

And on that note, I am heading into the spice mines. Data ain’t gonna enter itself and the condoms won’t pack themselves, either. Have a lovely Friday, everyone, and I will check in with you again tomorrow.

Love Must Be The Answer

And here we are on Monday again. It was overall a pleasant weekend, really; I love being able to get up without an alarm, whenever I simply decide I’ve had enough of being lazy and lolling about beneath the covers and so forth. I was deeply asleep when the alarm woke up–I was charging the Fitbit, so have on report on how the sleep actually was, but I think it was deep for most of the night. The alarm was definitely invasive and jarring this morning. But I do feel very well rested and awake–even though I do think I could very easily fall right back asleep if I got back into my bed–and that’s a very good sign for a day in which I have a lot of things to get done.

(Incidentally, I did look up what the normal stages of sleep are at night for a good sleep, and I am hitting the percentages properly every night per my Fitbit–who knew you only needed about two hours of DEEP SLEEP and ninety minutes of REM to be and feel perfectly rested the next day, and that those hours of light sleep aren’t, in fact, a bad thing at all? The more you know…)

I went to the gym during the Saints game–it really is much easier on my stress levels and blood pressure to just periodically check in on the score, or to have the game on while I do other things. AND THEY WON! YAY! GEAUX SAINTS! I’m also following Joey Burrow and Cincinnati–I will always be a fan of Joey B–and they lost in overtime, but they don’t seem like the Bengals of old anymore. I think they will be in the Super Bowl within a very few years.

The gym felt marvelous, as it always does once you get past that deeply painful “back-to-the-gym-after-a-break” workout. For the first time in a while yesterday, I noticed in the gym mirrors that my muscles were responding to the working out and were getting pumped up, which was a shock and a pleasant surprise at the same time; as always an extremist, I think my muscles shrink and fade away if I don’t work them out regularly and I forget sometimes that I am actually fairly big in muscle mass…but all I see, of course, is spaghetti arms, drooping moobs, love handles a gang can grasp, and a big belly. I also am enjoying seeing my flexibility slowly coming back from the abyss; I was able to stretch more deeply yesterday than I have in a very long time. Once I get going again and am doing three sets with added weights for several weeks in a row, I am going to add some more exercises and increase the difficulty of the workouts. I’m actually kind of looking forward to it, frankly–although I am going to be missing two weeks in November (two trips planned!).

And yes, I am very excited to be traveling again. I am going to New York for MWA business for a few days, then taking the train to Boston for Crime Bake, a joint event sponsored by MWA’s New England chapter and the local Sisters in Crime chapter. I’ll be going to visit my parents for Thanksgiving, so that will be quite the lengthy drive to and fro; I believe I will listen to books on tape that I will get from the library; and who better to while a lengthy drive away with than Stephen King? I think I’ll listen to Black House on the way up and Dr. Sleep on the way home. That definitely sounds like a plan, does it not?

I’m also going to have to be very careful and keep an eye on my schedule so my writing schedule doesn’t get fucked up by these trips. Deadline is 1/15 for A Streetcar Named Murder; definitely need to keep my eyes on that prize; I am going to start revising the first four chapters this week and hopefully will get the ball going again on that.

I’ve been seeing a lot of hate for Nate the Great from Ted Lasso recently on Twitter, and while I can certainly understand the turn of the audience–what a terrific job they did on this villain origin story–I also kind of understand where Nate is coming from, if that makes sense? Yes, his behavior is shocking, but it’s not unearned and it didn’t come from left field, and kudos of all kinds to the writers for not taking the easy way out with this character. It would have been very easy for Nate, who was so shy and reticent and cowed by being bullied by everyone on the team and his father, to slowly bloom under Ted and Beard’s belief in him, and how the team has not only stopped bullying him but come to accept him as one of them….as I said, that story was easy; all that was left for the icing on the cake was for Nate’s confidence to keep growing and for him to fall in love and so on and so forth; a nice easy audience-pleasing character arc for the poor bullied boy everyone felt sorry for in the beginning. But the underdog we always want to root for isn’t always this nice person being held down by others. Bullying, and being bullied, isn’t really that simple, nor are all the bullied kids lonely and desperate for just a chance, any chance, and once given that chance, blossom into great people and achieve the potential they’ve always had. Being bullied–and I am speaking as someone here who has been bullied, for most of my childhood and some of my early adulthood–has a very toxic effect on the victim. You often wind up hating yourself intensely; after all, they have a reason for bullying you, don’t they? You must deserve what’s happening to you. And when people cut you down and insult you, you always respond in your head, hating them, wishing you had the courage to say something nasty right back to them. You spend your alone time reliving the humiliations and embarrassments, practicing the vicious and nasty things you should have said in response. There’s a lot of anger there, and often, in the narratives we are used to seeing in fiction, that anger never gets resolved; it just magically dissolves away once the bullying ends. I think that the show writers are doing an excellent job of showing how Nate’s character development/arc has run; remember, he has always lashed out angrily when he felt safe enough to do so; and people who are bullied often become bullies themselves; it’s really the only interpersonal interaction they are most familiar with. Nate began coming out of his shell with the encouragement of Ted and Beard and the acceptance from the team; the promotion to coach; and actually being good at soccer. When he began to see Ted and the others no longer applauding him, giving him the attention he believes he has earned and now deserved, that anger that was always there began to curdle within him. The final episode turn didn’t come as a terrible surprise to me; I saw it building all season, really. I applaud them for taking Nate–obviously a fan favorite–and turning him into the antagonist for Season Three.

Although it must be a strange ride for actor Nick Mohammed, who went from being beloved to reviled over the course of twelve episodes.

And on that note, I am off to the spice mines. Have a lovely Monday, everyone.